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Despite praising his dog, Mirbeau offers an unromanticized image of the predatory beast, whose displays of goodness and affection are offset by murderous rampages, his wholesale slaughter of sheep and chickens. Herein
Mirbeau shows that man and animal alike obey the "law of murder", whose operation
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again takes a non-human as its central character, the marauding, untamed creature that assumes mythical proportions in
Mirbeau's book. Uncorrupted by social institutions, endowed with animal good sense, Dingo exposes the vices, duplicity, and venality of the local autochthons while also instructing
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Decentering the masterful human subject who acts as a confident narrator, Mirbeau's novel shows how completely he had broken with the conventions of realist fiction.
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his "master" in the virtue of living in harmony with the instincts.
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is a 1913 novel by the French novelist and playwright
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95:1913 novel by Octave Mirbeau
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233:Cahiers Octave Mirbeau
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111:Plot summary
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564:(sculpture)
447:Other works
321:Le Calvaire
240:(in French)
216:(in French)
203:(in French)
188:(in French)
639:Categories
538:Jean Roule
506:Characters
329:Abbé Jules
226:Croc-blanc
135:Commentary
117:LĂ©on Werth
513:CĂ©lestine
463:La 628-E8
142:La 628-E8
71:Fasquelle
68:Publisher
210:foreword
52:Language
265: »
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528:Lucien
498:(2006)
490:(1990)
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313:Novels
89:France
55:French
46:Dingo'
31:Author
17:Dingo
518:Clara
404:Drama
385:Dingo
263:Dingo
246:Dingo
222:Dingo
196:Dingo
172:Dingo
147:Dingo
121:Dingo
100:Dingo
63:Novel
60:Genre
596:stub
436:Home
81:1913
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