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Diminished triad

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222: 523: 511: 499: 430: 2493: 901: 772: 658: 1345: 1257: 1246: 1147: 1060: 524: 512: 500: 175: 489: 260:. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the 360:
music, the diminished triad nearly always appears on the second scale degree, forming a generally maudlin and dejected ii with its members, 2–4–
1796: 390:". Not so rare but rare enough so as to imply knowledge of and conscious avoidance on the part of rock musicians, examples of its use include 2731: 156: 221: 487: âˆ’ D | F, giving a just minor third and Pythagorean minor third (45:54:64) in the notation system used in 225: 2397: 1762: 1728: 1697: 1661: 1556: 1534: 1508: 1870: 332:(vii and ii, respectively) since the spelling of the chord forms a diminished fifth with the bass. This differs from the 178: 167:(a four-tone chord), which in some modern jazz books and music theory books is represented by the "dim7" or "" symbols. 445:
between the third and fifth, three semitones between the root and third, and six semitones between the root and fifth.
289:, the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad (D, F, A 2297: 1857: 1826: 1606: 2214: 2124: 17: 417:
The vii in major keys is relatively less common than the ii, but still does happen. It is almost always used to
2229: 333: 2640: 2239: 2224: 2019: 1993: 1989: 1985: 1950: 1946: 1942: 1929: 1462: 438: 316: 1467: 2468: 395: 174: 1744: 421:
the relative minor, in progressions such as vii–V/vi–vi, which resembles ii–V–i in the relative minor.
2194: 228: 2254: 2234: 204: 2219: 1689: 1477: 164: 31: 2244: 181: 1814: 1754: 1748: 309:
If the music is in a minor key, diminished triads can also be found on the raised seventh note,
2614: 2511: 2259: 2209: 2006: 1720: 1714: 1598: 1585: 387: 275: 200: 1835: 302:. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a 262: 2412: 2367: 2341: 2249: 1850: 1778: 480: 411: 375: 243: 239: 1681: 2635: 2619: 2453: 2117: 455:, the diminished chord on VII (in C: B–D–F) is 15:8, 9:8, and 4:3, while on II (in C: D–F–A 429: 193: 8: 2204: 2199: 1682: 462: 286: 2690: 2655: 2609: 1790: 1587:
Das Wesen des musikalischen Kunstwerks: Eine EinfĂŒhrung in Die Lehre Heinrich Schenkers
1525: 328:
The leading-tone diminished triad and supertonic diminished triad are usually found in
104: 282:
chord rather than a structural chord since the strong root motion by fifth is absent.
2581: 2502: 2437: 1822: 1758: 1724: 1693: 1657: 1602: 1593: 1552: 1530: 1504: 367: 303: 267: 163:". However, in most popular-music chord books, the symbol "dim" and "" represents a 2650: 2586: 2539: 2324: 1972: 1843: 476: 88: 2762: 2601: 2473: 2417: 2377: 2351: 2292: 2176: 2166: 2110: 1472: 1344: 1256: 1245: 1146: 1059: 452: 341: 329: 84: 2741: 2736: 2576: 2571: 2478: 2282: 2269: 1874: 1866: 271: 257: 170:
For example, the diminished triad built on B, written as B, has pitches B-D-F:
77: 2756: 2645: 2591: 2563: 2519: 2492: 2432: 2427: 2387: 2186: 2148: 2133: 1916: 340:. In both cases, the bass resolves up and the upper voices move downwards in 337: 152: 132: 2695: 2549: 2422: 2407: 2392: 2372: 2346: 2313: 2002: 1581: 1520: 900: 771: 657: 466: 418: 403: 391: 279: 148: 140: 120: 99: 92: 70: 44: 1783:
On the Sensations of Tone as a Physiological Basis for the Theory of Music
490:
On the Sensations of Tone as a Physiological Basis for the Theory of Music
319:
has a raised sixth and seventh degree. For example, the chord progression
2710: 2705: 2680: 2675: 2534: 2402: 2382: 2336: 2277: 2161: 2156: 1963: 1954: 399: 383: 253: 144: 136: 63: 2700: 2544: 2524: 2287: 1981: 1925: 407: 371: 353: 297: 2685: 2308: 357: 2726: 2553: 2458: 2015: 442: 379: 2529: 2463: 1938: 449: 208: 55: 51: 1865: 469:, in its overtone series on C, gives the diminished triad E–G–B 1620: 1618: 30:"Diminished chord" redirects here. For the seventh chord, see 1630: 1615: 306:, almost always resolving to a dominant functioning chord. 2102: 227:
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159:, it may be indicated by the symbols "dim", "", "m", or " 461:) it is 9:8, 4:3, and 8:5 (135:160:192). According to 238:
A diminished triad substituting for dominant chord in
1597:]. Translated by Rothgeb, John. Longman. p.  433:Comparison, in cents, of diminished triad tunings 2754: 1716:What to Listen for in Rock: A Stylistic Analysis 256:, a diminished triad occurs only on the seventh 475:= 5:6:7 ("perfect diminished chord"), but the 2118: 1851: 1813: 1636: 1624: 1651: 1546: 2125: 2111: 1858: 1844: 1795:: CS1 maint: location missing publisher ( 1743: 1712: 1706: 1647: 1645: 1777: 1675: 1673: 1656:(8th ed.). McGraw-Hill. p. 76. 1551:(7th ed.). McGraw-Hill. p. 68. 1495: 1493: 957: 295:). This triad is consequently called the 1688:. Oxford University Press, USA. p.  428: 278:, the leading-tone triad functions as a 1679: 1654:Music in Theory and Practice: Volume II 1642: 479:is too flat and 45:54:64 is preferred. 14: 2755: 1670: 1490: 2106: 1839: 1580: 1549:Music: In Theory and Practice, Vol. I 203:, the diminished triad is considered 1750:Esquisse de l'histoire de l'harmonie 214: 192:The chord can be represented by the 483:describes the diminished triad as 347: 24: 366:6." Songs that feature ii include 25: 2774: 1719:. Yale University Press. p.  1571:Benward & Saker (2003), p.77. 2491: 1343: 1255: 1244: 1145: 1058: 899: 770: 656: 1785:. Longmans, Green. p. 344. 1771: 1737: 441:, a diminished triad has three 352:Walter Everett writes that "In 27:Two minor thirds above the root 1592:Introduction to the Theory of 1574: 1565: 1540: 1514: 334:fully diminished seventh chord 13: 1: 1483: 1463:Half-diminished seventh chord 439:twelve-tone equal temperament 317:ascending melodic minor scale 1468:Secondary leading-tone chord 224: 177: 7: 1503:, p. 304. Forgotten Books. 1456: 336:, which commonly occurs in 10: 2779: 2215:Dominant seventh flat five 2132: 806: 695: 564: 29: 2719: 2668: 2628: 2600: 2562: 2510: 2500: 2489: 2446: 2360: 2322: 2268: 2185: 2147: 2140: 2075: 1908: 1881: 1821:. New York: McGraw-Hill. 1747:; Arlin, Mary I. (1994). 1499:Shirlaw, Matthew (2012). 551: 546: 541: 539: 424: 315:vii. This is because the 110: 98: 83: 76: 69: 62: 50: 43:Component intervals from 42: 1713:Stephenson, Ken (2002). 1680:Everett, Walter (2009). 1478:Diminished seventh chord 396:Don't Look Back in Anger 165:diminished seventh chord 32:Diminished seventh chord 2732:Chord names and symbols 1684:The Foundations of Rock 1652:Benward; Saker (2009). 1547:Benward; Saker (2003). 229:download the audio file 182:download the audio file 2615:Secondary leading-tone 1745:FĂ©tis, François-Joseph 958:Diminished chord table 434: 388:The Air That I Breathe 285:On the other hand, in 247:I, Prelude in G major. 201:common practice period 1815:Roig-FrancolĂ­, Miguel 1501:The Theory of Harmony 432: 412:Everytime You Go Away 376:Jay and the Americans 244:Well-Tempered Clavier 196:{0, 3, 6}. 2620:Secondary supertonic 520:(5-limit major), or 304:predominant function 287:natural minor scales 266:. This chord has a 463:Georg Andreas Sorge 129:minor flatted fifth 127:(also known as the 39: 2691:Chord-scale system 2610:Secondary dominant 1819:Harmony in Context 1779:Helmholtz, Hermann 1637:Roig-FrancolĂ­ 2011 1625:Roig-FrancolĂ­ 2011 1526:Genesis of a Music 547:Sorge (preferred)/ 435: 368:Santo & Johnny 263:leading-tone triad 135:consisting of two 37: 2750: 2749: 2664: 2663: 2582:Chromatic mediant 2487: 2486: 2438:Viennese trichord 2100: 2099: 2095: 2094: 2091: 2073: 2049: 1891: 1764:978-0-945193-51-7 1730:978-0-300-09239-4 1699:978-0-19-531023-8 1663:978-0-07-310188-0 1594:Heinrich Schenker 1558:978-0-07-294262-0 1535:978-0-306-80106-8 1509:978-1-4510-1534-8 1452: 1451: 976:Diminished fifth 953: 952: 325:vii–i is common. 268:dominant function 233: 215:Harmonic function 186: 162: 117: 116: 16:(Redirected from 2770: 2508: 2507: 2495: 2303: 2302: 2260:Harmonic seventh 2230:Diminished major 2145: 2144: 2127: 2120: 2113: 2104: 2103: 2089: 2087: 2086: 2081: 2080: 2071: 2069: 2068: 2063: 2062: 2047: 2045: 2044: 2039: 2038: 1889: 1884: 1883: 1860: 1853: 1846: 1837: 1836: 1832: 1801: 1800: 1794: 1786: 1775: 1769: 1768: 1741: 1735: 1734: 1710: 1704: 1703: 1687: 1677: 1668: 1667: 1649: 1640: 1634: 1628: 1622: 1613: 1612: 1578: 1572: 1569: 1563: 1562: 1544: 1538: 1518: 1512: 1497: 1433: 1432: 1425: 1424: 1417: 1416: 1408: 1407: 1395: 1394: 1387: 1386: 1378: 1377: 1368: 1367: 1348: 1347: 1337: 1336: 1329: 1328: 1320: 1319: 1304: 1303: 1295: 1294: 1285: 1284: 1277: 1276: 1260: 1259: 1249: 1248: 1239: 1238: 1230: 1229: 1214: 1213: 1205: 1204: 1194: 1193: 1186: 1185: 1170: 1169: 1150: 1149: 1140: 1139: 1132: 1131: 1123: 1122: 1110: 1109: 1102: 1101: 1093: 1092: 1083: 1082: 1063: 1062: 1052: 1051: 1044: 1043: 1035: 1034: 1019: 1018: 1010: 1009: 1000: 999: 992: 991: 964: 963: 943: 940: 939: 926: 923: 922: 909: 908: 904: 903: 883: 880: 879: 866: 865: 852: 851: 778: 775: 774: 667: 666: 665: 661: 660: 630: 604: 603: 590: 587: 586: 559: 558: 542:Sorge (perfect)/ 537: 536: 531: 530: 529: 527: 519: 518: 517: 515: 507: 506: 505: 503: 474: 473: 460: 459: 365: 364: 348:In popular music 324: 323: 314: 313: 300:diminished triad 294: 293: 276:dominant seventh 209:diminished fifth 194:integer notation 160: 147:with a lowered ( 125:diminished triad 112: 103: 52:diminished fifth 40: 38:diminished triad 36: 21: 18:Diminished chord 2778: 2777: 2773: 2772: 2771: 2769: 2768: 2767: 2753: 2752: 2751: 2746: 2715: 2660: 2624: 2596: 2558: 2496: 2483: 2474:Synthetic chord 2442: 2413:Northern lights 2378:Complexe sonore 2356: 2342:Augmented sixth 2330: 2328: 2318: 2300: 2299: 2293:Upper structure 2264: 2250:Altered seventh 2245:Augmented minor 2240:Augmented major 2225:Half-diminished 2181: 2136: 2131: 2101: 2096: 2088: 2084: 2083: 2078: 2077: 2070: 2066: 2065: 2060: 2059: 2046: 2042: 2041: 2036: 2035: 2023: 2018: 2010: 2005: 1997: 1984: 1976: 1967: 1958: 1941: 1933: 1928: 1920: 1888: 1877: 1864: 1829: 1805: 1804: 1788: 1787: 1776: 1772: 1765: 1742: 1738: 1731: 1711: 1707: 1700: 1678: 1671: 1664: 1650: 1643: 1635: 1631: 1623: 1616: 1609: 1579: 1575: 1570: 1566: 1559: 1545: 1541: 1519: 1515: 1498: 1491: 1486: 1473:Augmented triad 1459: 1430: 1429: 1422: 1421: 1414: 1413: 1405: 1404: 1392: 1391: 1384: 1383: 1375: 1374: 1365: 1364: 1342: 1334: 1333: 1326: 1325: 1317: 1316: 1301: 1300: 1292: 1291: 1282: 1281: 1274: 1273: 1254: 1243: 1236: 1235: 1227: 1226: 1211: 1210: 1202: 1201: 1191: 1190: 1183: 1182: 1167: 1166: 1144: 1137: 1136: 1129: 1128: 1120: 1119: 1107: 1106: 1099: 1098: 1090: 1089: 1080: 1079: 1057: 1049: 1048: 1041: 1040: 1032: 1031: 1016: 1015: 1007: 1006: 997: 996: 989: 988: 960: 941: 937: 936: 924: 920: 919: 906: 905: 898: 881: 877: 876: 863: 862: 849: 848: 776: 769: 663: 662: 655: 653: 628: 601: 600: 588: 584: 583: 556: 555: 553: 548: 543: 525: 522: 521: 513: 510: 509: 501: 498: 497: 486: 471: 470: 457: 456: 453:just intonation 427: 362: 361: 350: 342:contrary motion 330:first inversion 321: 320: 311: 310: 291: 290: 250: 249: 248: 236: 235: 234: 232: 217: 207:because of the 188: 187: 185: 35: 28: 23: 22: 15: 12: 11: 5: 2776: 2766: 2765: 2748: 2747: 2745: 2744: 2739: 2737:List of chords 2734: 2729: 2723: 2721: 2717: 2716: 2714: 2713: 2708: 2703: 2698: 2693: 2688: 2683: 2678: 2672: 2670: 2666: 2665: 2662: 2661: 2659: 2658: 2653: 2648: 2643: 2638: 2632: 2630: 2626: 2625: 2623: 2622: 2617: 2612: 2606: 2604: 2598: 2597: 2595: 2594: 2589: 2584: 2579: 2574: 2568: 2566: 2560: 2559: 2557: 2556: 2547: 2542: 2537: 2532: 2527: 2522: 2516: 2514: 2505: 2498: 2497: 2490: 2488: 2485: 2484: 2482: 2481: 2476: 2471: 2466: 2461: 2456: 2454:Mixed interval 2450: 2448: 2444: 2443: 2441: 2440: 2435: 2430: 2425: 2420: 2415: 2410: 2405: 2400: 2395: 2390: 2385: 2380: 2375: 2370: 2364: 2362: 2358: 2357: 2355: 2354: 2349: 2344: 2339: 2333: 2331: 2323: 2320: 2319: 2317: 2316: 2311: 2306: 2295: 2290: 2285: 2280: 2274: 2272: 2266: 2265: 2263: 2262: 2257: 2252: 2247: 2242: 2237: 2232: 2227: 2222: 2217: 2212: 2207: 2202: 2197: 2191: 2189: 2183: 2182: 2180: 2179: 2174: 2169: 2164: 2159: 2153: 2151: 2142: 2138: 2137: 2130: 2129: 2122: 2115: 2107: 2098: 2097: 2093: 2092: 2074: 2056: 2053: 2050: 2032: 2029: 2025: 2024: 2013: 2011: 2000: 1998: 1979: 1977: 1970: 1968: 1961: 1959: 1936: 1934: 1923: 1921: 1914: 1911: 1910: 1907: 1904: 1901: 1898: 1895: 1892: 1882: 1879: 1878: 1875:diatonic scale 1863: 1862: 1855: 1848: 1840: 1834: 1833: 1827: 1803: 1802: 1770: 1763: 1736: 1729: 1705: 1698: 1669: 1662: 1641: 1639:, p. 174. 1629: 1627:, p. 248. 1614: 1607: 1573: 1564: 1557: 1539: 1513: 1488: 1487: 1485: 1482: 1481: 1480: 1475: 1470: 1465: 1458: 1455: 1454: 1453: 1450: 1449: 1446: 1443: 1440: 1436: 1435: 1426: 1418: 1410: 1400: 1399: 1396: 1388: 1380: 1370: 1369: 1361: 1358: 1355: 1351: 1350: 1339: 1330: 1322: 1312: 1311: 1308: 1305: 1297: 1287: 1286: 1278: 1270: 1267: 1263: 1262: 1251: 1240: 1232: 1222: 1221: 1218: 1215: 1207: 1197: 1196: 1187: 1179: 1176: 1172: 1171: 1163: 1160: 1157: 1153: 1152: 1141: 1133: 1125: 1115: 1114: 1111: 1103: 1095: 1085: 1084: 1076: 1073: 1070: 1066: 1065: 1054: 1045: 1037: 1027: 1026: 1023: 1020: 1012: 1002: 1001: 993: 985: 982: 978: 977: 974: 971: 968: 959: 956: 955: 954: 951: 950: 947: 944: 933: 930: 927: 916: 913: 910: 895: 891: 890: 887: 884: 873: 870: 867: 859: 856: 853: 845: 841: 840: 837: 834: 831: 828: 825: 822: 819: 816: 813: 809: 808: 804: 803: 800: 797: 794: 791: 788: 785: 782: 779: 766: 762: 761: 758: 755: 752: 749: 746: 743: 740: 737: 734: 730: 729: 726: 723: 720: 717: 714: 711: 708: 705: 702: 698: 697: 693: 692: 689: 686: 683: 680: 677: 674: 671: 668: 651: 647: 646: 643: 640: 637: 634: 631: 625: 622: 619: 616: 612: 611: 608: 605: 597: 594: 591: 580: 577: 574: 571: 567: 566: 562: 561: 550: 549:5-limit major 545: 540: 484: 426: 423: 406:", and two in 349: 346: 280:prolongational 272:dominant triad 237: 226: 223: 220: 219: 218: 216: 213: 211:(or tritone). 190: 189: 179: 176: 155:. When using 115: 114: 108: 107: 96: 95: 81: 80: 74: 73: 67: 66: 60: 59: 48: 47: 26: 9: 6: 4: 3: 2: 2775: 2764: 2761: 2760: 2758: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2724: 2722: 2718: 2712: 2709: 2707: 2704: 2702: 2699: 2697: 2694: 2692: 2689: 2687: 2684: 2682: 2679: 2677: 2674: 2673: 2671: 2667: 2657: 2654: 2652: 2649: 2647: 2646:Primary triad 2644: 2642: 2639: 2637: 2634: 2633: 2631: 2627: 2621: 2618: 2616: 2613: 2611: 2608: 2607: 2605: 2603: 2599: 2593: 2590: 2588: 2585: 2583: 2580: 2578: 2575: 2573: 2570: 2569: 2567: 2565: 2561: 2555: 2551: 2548: 2546: 2543: 2541: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2521: 2518: 2517: 2515: 2513: 2509: 2506: 2504: 2499: 2494: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2457: 2455: 2452: 2451: 2449: 2445: 2439: 2436: 2434: 2431: 2429: 2426: 2424: 2421: 2419: 2416: 2414: 2411: 2409: 2406: 2404: 2401: 2399: 2396: 2394: 2391: 2389: 2386: 2384: 2381: 2379: 2376: 2374: 2371: 2369: 2366: 2365: 2363: 2359: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2334: 2332: 2326: 2321: 2315: 2312: 2310: 2307: 2305: 2296: 2294: 2291: 2289: 2286: 2284: 2281: 2279: 2276: 2275: 2273: 2271: 2267: 2261: 2258: 2256: 2253: 2251: 2248: 2246: 2243: 2241: 2238: 2236: 2233: 2231: 2228: 2226: 2223: 2221: 2218: 2216: 2213: 2211: 2208: 2206: 2203: 2201: 2198: 2196: 2193: 2192: 2190: 2188: 2184: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2160: 2158: 2155: 2154: 2152: 2150: 2146: 2143: 2139: 2135: 2128: 2123: 2121: 2116: 2114: 2109: 2108: 2105: 2090:(Major/Minor) 2072:(Major/Minor) 2057: 2054: 2051: 2048:(Major/Minor) 2033: 2030: 2027: 2026: 2022: 2021: 2017: 2012: 2009: 2008: 2004: 1999: 1996: 1995: 1991: 1987: 1983: 1978: 1975: 1974: 1969: 1966: 1965: 1960: 1957: 1956: 1952: 1948: 1944: 1940: 1935: 1932: 1931: 1927: 1922: 1919: 1918: 1913: 1912: 1905: 1902: 1899: 1896: 1893: 1890:(Major/Minor) 1886: 1885: 1880: 1876: 1872: 1868: 1861: 1856: 1854: 1849: 1847: 1842: 1841: 1838: 1830: 1828:9780073137940 1824: 1820: 1816: 1812: 1811: 1810: 1809: 1798: 1792: 1784: 1780: 1774: 1766: 1760: 1756: 1752: 1751: 1746: 1740: 1732: 1726: 1722: 1718: 1717: 1709: 1701: 1695: 1691: 1686: 1685: 1676: 1674: 1665: 1659: 1655: 1648: 1646: 1638: 1633: 1626: 1621: 1619: 1610: 1608:0-582-28227-6 1604: 1600: 1596: 1595: 1589: 1588: 1583: 1582:Jonas, Oswald 1577: 1568: 1560: 1554: 1550: 1543: 1536: 1532: 1529:, pp. 68–69. 1528: 1527: 1522: 1521:Partch, Harry 1517: 1510: 1506: 1502: 1496: 1494: 1489: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1461: 1460: 1447: 1444: 1441: 1438: 1437: 1427: 1419: 1411: 1402: 1401: 1397: 1389: 1381: 1372: 1371: 1362: 1359: 1356: 1353: 1352: 1346: 1340: 1331: 1323: 1314: 1313: 1309: 1306: 1298: 1289: 1288: 1279: 1271: 1268: 1265: 1264: 1258: 1252: 1247: 1241: 1233: 1224: 1223: 1219: 1216: 1208: 1199: 1198: 1188: 1180: 1177: 1174: 1173: 1164: 1161: 1158: 1155: 1154: 1148: 1142: 1134: 1126: 1117: 1116: 1112: 1104: 1096: 1087: 1086: 1077: 1074: 1071: 1068: 1067: 1061: 1055: 1046: 1038: 1029: 1028: 1024: 1021: 1013: 1004: 1003: 994: 986: 983: 980: 979: 975: 972: 969: 966: 965: 962: 961: 948: 945: 934: 931: 928: 917: 914: 911: 902: 896: 893: 892: 888: 885: 874: 871: 868: 860: 857: 854: 846: 843: 842: 838: 835: 832: 829: 826: 823: 820: 817: 814: 811: 810: 805: 801: 798: 795: 792: 789: 786: 783: 780: 773: 767: 764: 763: 759: 756: 753: 750: 747: 744: 741: 738: 735: 732: 731: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 699: 694: 690: 687: 684: 681: 678: 675: 672: 669: 659: 652: 649: 648: 644: 641: 638: 635: 632: 626: 623: 620: 617: 614: 613: 609: 606: 598: 595: 592: 581: 578: 575: 572: 569: 568: 563: 552:5-limit minor 538: 535: 534: 533: 528: 526:5-limit minor 516: 504: 494: 492: 491: 482: 478: 468: 464: 454: 451: 446: 444: 440: 431: 422: 420: 415: 413: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 369: 359: 355: 345: 343: 339: 338:root position 335: 331: 326: 318: 307: 305: 301: 299: 288: 283: 281: 277: 273: 270:. Unlike the 269: 265: 264: 259: 255: 246: 245: 241: 230: 212: 210: 206: 202: 197: 195: 183: 173: 172: 171: 168: 166: 158: 157:chord symbols 154: 150: 146: 142: 138: 134: 130: 126: 122: 109: 106: 101: 97: 94: 90: 86: 82: 79: 75: 72: 68: 65: 61: 57: 53: 49: 46: 41: 33: 19: 2550:Leading-tone 2327: / 2314:Tone cluster 2195:Leading-tone 2171: 2014: 2003:Leading-tone 2001: 1980: 1971: 1962: 1937: 1924: 1915: 1818: 1807: 1806: 1782: 1773: 1749: 1739: 1715: 1708: 1683: 1653: 1632: 1591: 1586: 1576: 1567: 1548: 1542: 1524: 1516: 1500: 973:Minor third 495: 488: 447: 436: 416: 404:Space Oddity 351: 327: 308: 296: 284: 261: 258:scale degree 254:major scales 251: 242: 240:J. S. Bach's 198: 191: 169: 137:minor thirds 128: 124: 121:music theory 118: 111:3-10 / 2535:Subdominant 2398:Grandmother 2255:Nondominant 2235:Minor-major 1964:Subdominant 400:David Bowie 384:the Hollies 145:minor triad 64:minor third 2669:Techniques 2656:Substitute 2651:Subsidiary 2587:Neapolitan 2545:Submediant 2525:Supertonic 2298:Dominant 7 2288:Thirteenth 2220:Diminished 2172:Diminished 1982:Submediant 1926:Supertonic 1753:. p.  1484:References 565:Harmonics 408:Daryl Hall 372:Sleep Walk 298:supertonic 143:. It is a 139:above the 105:Complement 2686:Chordioid 2602:Secondary 2418:Petrushka 2352:Seven six 2309:Polychord 2177:Suspended 2167:Augmented 1909:vii / VII 1897:iii / III 1871:functions 1791:cite book 1584:(1982) . 514:Preferred 481:Helmholtz 443:semitones 205:dissonant 149:flattened 100:Forte no. 2757:Category 2727:Arpeggio 2641:Contrast 2577:Borrowed 2572:Approach 2554:Subtonic 2540:Dominant 2512:Diatonic 2503:function 2459:Secundal 2361:Specific 2301:♯ 2283:Eleventh 2270:Extended 2210:Dominant 2085:♭ 2079:♮ 2067:♭ 2061:♮ 2043:♭ 2037:♮ 2016:Subtonic 1973:Dominant 1817:(2011). 1781:(1885). 1523:(1979). 1457:See also 1431:♭ 1423:♭ 1415:♭ 1406:♭ 1393:♯ 1385:♯ 1376:♯ 1366:♭ 1335:♭ 1327:♭ 1318:♭ 1302:♯ 1293:♯ 1283:♭ 1275:♭ 1237:♭ 1228:♭ 1212:♯ 1203:♯ 1192:♭ 1184:♭ 1168:♭ 1138:♭ 1130:♭ 1121:♭ 1108:♯ 1100:♯ 1091:♯ 1081:♭ 1050:♭ 1042:♭ 1033:♭ 1017:♯ 1008:♯ 998:♭ 990:♭ 938:♭ 921:♭ 907:♭ 878:♭ 864:♭ 850:♭ 728:1088.27 719:1088.27 710:1088.27 664:♭ 602:♯ 585:♯ 557:♭ 544:7-limit 472:♭ 458:♭ 419:tonicize 380:Cara Mia 363:♭ 322:♯ 312:♯ 292:♭ 102: / 87:; 54:45= 85:45:54:64 2592:Passing 2564:Altered 2530:Mediant 2469:Quartal 2464:Tertian 2447:General 2433:Tristan 2428:So What 2388:Elektra 2329:omitted 2187:Seventh 2141:By form 1939:Mediant 1906:vi / VI 1900:IV / iv 1894:ii / ii 1873:of the 1867:Degrees 1808:Sources 949:609.78 932:609.78 915:582.51 889:294.13 872:315.64 858:315.64 802:498.04 793:498.04 784:470.78 760:182.40 751:203.91 742:203.91 691:701.96 673:968.83 645:386.31 636:905.87 624:701.96 596:590.22 579:386.31 502:Perfect 467:trumpet 450:5-limit 382:", and 199:In the 131:) is a 56:tritone 2763:Chords 2742:Factor 2696:Guitar 2636:Common 2479:Tetrad 2423:Psalms 2408:Mystic 2393:Farben 2373:Bridge 2347:Lydian 2134:Chords 1825:  1761:  1727:  1696:  1660:  1605:  1555:  1533:  1507:  967:Chord 946:64:45 929:64:45 894:Fifth 886:32:27 844:Third 781:21:16 765:Fifth 733:Third 650:Fifth 615:Third 610:92.18 554:(D,F,A 532:on C. 465:, the 425:Tuning 91:& 78:Tuning 2720:Other 2711:Slash 2706:Power 2681:Block 2676:Barre 2629:Other 2520:Tonic 2403:Magic 2383:Dream 2368:Alpha 2337:Sixth 2325:Added 2278:Ninth 2205:Minor 2200:Major 2162:Minor 2157:Major 2149:Triad 1917:Tonic 1903:V / v 1887:I / i 1755:139n9 1590:[ 1439:Bdim 1354:Adim 1266:Gdim 1175:Fdim 1156:Edim 1069:Ddim 981:Cdim 970:Root 812:Root 807:On C 757:10:9 725:15:8 716:15:8 707:15:8 701:Root 696:On B 682:1200 570:Root 496:Play 437:In a 392:Oasis 153:fifth 133:triad 93:64:45 2701:Open 1955:(Sp) 1869:and 1823:ISBN 1797:link 1759:ISBN 1725:ISBN 1694:ISBN 1658:ISBN 1603:ISBN 1553:ISBN 1531:ISBN 1505:ISBN 1434:(E) 1409:dim 1379:dim 1349:(D) 1338:(B) 1321:dim 1296:dim 1261:(C) 1250:(A) 1231:dim 1206:dim 1195:(B) 1151:(A) 1124:dim 1094:dim 1064:(G) 1053:(E) 1036:dim 1011:dim 912:7:5 869:6:5 855:6:5 836:1:1 827:1:1 818:1:1 799:4:3 790:4:3 748:9:8 739:9:8 688:192 642:160 607:135 410:'s " 402:'s " 370:'s " 356:and 354:rock 141:root 123:, a 113:9-10 71:root 45:root 2501:By 2082:/ B 2064:/ A 2040:/ E 1994:tCp 1947:Tkp 1690:195 754:D- 679:64 633:54 593:45 493:. 448:In 414:". 398:", 394:' " 386:' " 378:' " 374:", 358:pop 274:or 252:In 119:In 89:6:5 2759:: 2552:/ 2020:dP 2007:DÌž 1992:, 1990:sP 1988:, 1986:Tp 1953:, 1951:tP 1949:, 1945:, 1943:Dp 1930:Sp 1793:}} 1789:{{ 1757:. 1723:. 1721:85 1692:. 1672:^ 1644:^ 1617:^ 1601:. 1599:25 1492:^ 1448:F 1445:D 1442:B 1398:E 1360:C 1357:A 1310:D 1307:B 1269:G 1220:C 1217:A 1178:F 1162:G 1159:E 1113:A 1075:F 1072:D 1025:G 1022:E 984:C 839:0 833:C 830:0 824:C 821:0 815:C 796:F 787:F 745:D 736:D 722:B 713:B 704:B 685:G 676:C 670:7 639:E 621:6 618:G 576:5 573:E 560:) 508:, 344:. 161:MI 151:) 2304:9 2126:e 2119:t 2112:v 2076:B 2058:A 2055:G 2052:F 2034:E 2031:D 2028:C 1859:e 1852:t 1845:v 1831:. 1799:) 1767:. 1733:. 1702:. 1666:. 1611:. 1561:. 1537:. 1511:. 1428:F 1420:D 1412:B 1403:B 1390:C 1382:A 1373:A 1363:E 1341:E 1332:C 1324:A 1315:A 1299:G 1290:G 1280:D 1272:B 1253:D 1242:B 1234:G 1225:G 1209:F 1200:F 1189:C 1181:A 1165:B 1143:B 1135:G 1127:E 1118:E 1105:F 1097:D 1088:D 1078:A 1056:A 1047:F 1039:D 1030:D 1014:C 1005:C 995:G 987:E 942:- 935:G 925:- 918:G 897:G 882:- 875:E 861:E 847:E 777:+ 768:F 654:B 629:+ 627:A 599:C 589:+ 582:F 485:1 477:7 231:. 184:. 58:) 54:( 34:. 20:)

Index

Diminished chord
Diminished seventh chord
root
diminished fifth
tritone
minor third
root
Tuning
45:54:64
6:5
64:45
Forte no.
Complement
music theory
triad
minor thirds
root
minor triad
flattened
fifth
chord symbols
diminished seventh chord
download the audio file
integer notation
common practice period
dissonant
diminished fifth
download the audio file
J. S. Bach's
Well-Tempered Clavier

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