400:: "Well above the average in general entertainment. A picture most theatergoers will enjoy so much that they'll carry the 'must-see' message to their friends... Alan Curtis gives an unusually strong characterization of the ex-convict. Gloria Jean is excellent as the blind girl and Frank Craven unusually good as her father." Charles Ryweck of
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roadhouse proprietor who tries to turn Cliff in for a reward; and finally Jane
Broderick, a blind girl who lives with her father at a secluded farmhouse. Cliff intends to rob the farmer and move on, but Jane discovers the theft and compels him to stay. When the bank robber confesses, Cliff is exonerated and begins a new life with Jane.
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Cliff Banks is a hard-luck drifter, wanted by the police after becoming an unwitting accomplice in a bank robbery. He encounters a succession of women: a showgirl who steals his money; a librarian who listens to his story sympathetically but is left stranded when Cliff takes off with her car; a
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was more discerning, noticing the film's patchwork: "The transition from a tough, fast-moving thriller, depicting Alan Curtis as an innocent who has twice been implicated in crimes, to idyllic sequences between Curtis and Gloria Jean, playing a straight role as a sensitive, blind girl who is
349:.) Neill produced the new material but did not direct; the project was rushed through production in two weeks while Gloria Jean was available, so Neill had no time to plan his artistic, carefully composed scenes. Indeed, Neill never appeared on the set during filming of
360:. Screenwriter Roy Chanslor wrote additional material: his action-melodrama script covered the first half of the new feature, with Alan Curtis the focal point; Gloria Jean does not appear until the second half, constituting the original
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previewed the film to enthusiastic response; Gloria Jean's performance received the highest praise, but the studio recut the feature from four sequences to three and shelved the first half-hour.
396:: "Here's a gem of a sleeper in the program division... a sterling attraction for the lower half of any bill. As a matter of fact, in the average house, it will serve very nicely as a topper."
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instrumental in purging Curtis of any impulse to do wrong, is difficult to follow... The parts are more interesting than the whole as the sharp break in mood mitigates against the film."
368:. Because the new footage had not only a different director but also a different cameraman and art director, sharp-eyed viewers can easily tell the new LeBorg scenes photographed by
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Dixon, 1992 p. 22: “LeBorg’s footage, shot under conditions of the brutal economy, matcher uncertainty with
Duvivier’s better budgeted work.”
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footage with the blind girl and her father. Chanslor tacked on a new, happier ending to replace the tragic ending staged for
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The Films of
Reginald LeBorg: Interviews, Essays, and Filmography.
507:. Jefferson, NC: Mcfarland & Co Inc. pp. 463–468.
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Critical response was generally very good to excellent.
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Universal
Horrors: The Studios Classic Films, 1931-1946
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503:Weaver, Tom; Brunas, Michael; Brunas, John (2007).
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333:Two years later, the studio assigned producer
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466:Dixon, 1992 p. 132-133: Directorial Credits
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578:Gloria Jean: A Little Bit of Heaven
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882:Joe Palooka in Winner Take All
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430:List of American films of 1944
67:Jean Levy-Strauss (uncredited)
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1131:Films scored by Frank Skinner
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16:1944 film by Reginald Le Borg
1146:1940s English-language films
852:Philo Vance's Secret Mission
842:The Adventures of Don Coyote
649:AFI Catalog of Feature Films
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79:Howard Benedict (uncredited)
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1032:The Flight That Disappeared
872:Joe Palooka in Fighting Mad
580:, iUniverse, 2005, p. 168.
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172:December 22, 1944
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962:The Great Jesse James Raid
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408:Gloria Jean singled out
1062:The Eyes of Annie Jones
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601:Dixon, Wheeler Winston
576:and Jan MacGillivray,
551:, Dec. 9, 1944, p. 12.
549:Showmen's Trade Review
539:, Dec. 9, 1944, p. 31.
398:Showmen's Trade Review
732:San Diego, I Love You
564:, Dec. 7, 1944, p. 6.
356:The new director was
341:film series starring
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1106:American drama films
562:Motion Picture Daily
484:Dixon, 1992 p. 22-23
402:Motion Picture Daily
322:(1943), directed by
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610:The Scarecrow Press
220:is a 1944 American
1072:So Evil, My Sister
922:Young Daniel Boone
802:Joe Palooka, Champ
707:Films directed by
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607:Filmmakers No. 31
574:Scott MacGillivray
455:TCM Movie Database
328:Universal Pictures
159:Universal Pictures
149:Universal Pictures
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1052:Diary of a Madman
762:The Mummy's Ghost
722:Calling Dr. Death
586:978-0-595-37080-1
418:Flesh and Fantasy
366:Flesh and Fantasy
362:Flesh and Fantasy
335:Roy William Neill
319:Flesh and Fantasy
292:as Phyllis Prager
280:as Clem Broderick
268:as Jane Broderick
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134:Alexandre Tansman
76:Roy William Neill
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296:Frank Fenton
278:Frank Craven
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241:Frank Craven
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189:Running time
165:Release date
120:Paul Landres
96:Frank Craven
57:Roy Chanslor
49:(uncredited)
742:Weird Woman
347:Nigel Bruce
272:Alan Curtis
266:Gloria Jean
237:Alan Curtis
233:Gloria Jean
92:Alan Curtis
88:Gloria Jean
72:Produced by
39:Directed by
1096:1944 films
1090:Categories
1042:Deadly Duo
595:References
374:Paul Ivano
309:Background
222:drama film
193:65 minutes
176:1944-12-22
141:Production
106:Paul Ivano
1116:Film noir
1012:War Drums
942:G.I. Jane
892:Port Said
388:Reception
116:Edited by
832:Fall Guy
661:AllMovie
603:. 1992.
424:See also
304:as Marie
286:as Betty
206:Language
126:Music by
84:Starring
64:Story by
782:Destiny
670:at the
667:Destiny
656:Destiny
646:at the
643:Destiny
632:Destiny
453:at the
450:Destiny
414:Destiny
410:Destiny
378:Destiny
351:Destiny
314:Destiny
217:Destiny
209:English
198:Country
174: (
143:company
22:Destiny
1075:(1972)
1065:(1964)
1055:(1963)
1045:(1962)
1035:(1961)
1025:(1957)
1015:(1957)
1005:(1957)
995:(1956)
985:(1954)
975:(1953)
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735:(1944)
725:(1943)
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243:, and
436:Notes
637:IMDb
615:ISBN
582:ISBN
509:ISBN
345:and
260:Cast
251:Plot
225:noir
659:at
635:at
1092::
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178:)
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