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actions of the adults in the story. But watching this 1978 film again recently, I was struck more than ever with the conviction that this is the story of a teenage girl, told by her, and its subject is the way that hope and cheer have been beaten down in her heart. We do not feel the full passion of the adults because it is not her passion: It is seen at a distance, as a phenomenon, like the weather, or the plague of grasshoppers that signals the beginning of the end.
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style of photography" and felt frustrated because
Almendros did not give them much work. Daily, he asked them to turn off the lights they had prepared for him. Some crew members said that Almendros and Malick did not know what they were doing. The tension led to some of the crew quitting the production. Malick supported what Almendros was doing and pushed the film's look further, removing more lighting aids and leaving the image bare.
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655:", he said, " the opening of the film in the steel mill. I used some diffusion. Nestor didn't use any diffusion. I felt very guilty using the diffusion and having the feeling of violating a fellow cameraman." Although half the finished picture was footage shot by Wexler, he received only credit for "additional photography", much to his chagrin. The credit denied him any chance of an Academy Award for his work on
266:(1973), and was produced on a budget of $ 3 million. Production was particularly troublesome, with a tight shooting schedule in Canada in 1976 and significant budget constraints. Film editing took Malick a lengthy two years, due to difficulty with achieving a general flow and assembly of the scenes. This was eventually solved by incorporating improvised narration from teen Linda Manz. The film was scored by
486:, " product aimed at your knees". Despite the change in direction, Schneider was able to secure a deal with Paramount by guaranteeing the budget and taking personal responsibility for all overages. "Those were the kind of deals I liked to make ... because then I could have final cut and not talk to nobody about why we're gonna use this person instead of that person", Schneider said.
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thing that convinced me not to say anything ... was that Nestor set the tone of the film. It was actually me maintaining his style to a certain extent, so if there was to be an award, which we didn't know there would be, he should get it. And I'm so happy now—particularly since he is no longer with us—that that happened.
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thing ... try it with three flutes.' Something impossible! So, to humor him, I would do it with three flutes and then he'd decide to use my version after all. His was impossible or I would have written it myself. And more nitpicking like that which means he was very attentive and careful about music."
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shells from helicopters. They had the actors walk backward while running the film in reverse through the camera. When it was projected, everything moved forward except the locusts. For the close-ups and insert shots, thousands of live locusts were used which had been captured and supplied by Canada's
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Meanwhile, Schneider was disappointed with Malick. He had confronted Malick numerous times about missed deadlines and broken promises. Due to further cost overruns, he had to ask
Paramount for more money, which he preferred not to do. When they screened a demo for Paramount and made their pitch, the
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When the farmer falls in love with Abby, Bill encourages her to marry him so they can inherit his money. They thus marry, and Bill stays as her "brother". The farmer's foreman suspects the scheme. The farmer's health unexpectedly remains stable, foiling Bill's plans. Eventually, the farmer discovers
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had also received credit on the film (for "additional photography"). Almendros mentioned Wexler in his acceptance speech, saying, "I would like to thank all the people that helped to get these images, all the camera operators and very specially
Haskell Wexler who came at the end of the movie when I
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Terrence Malick's "Days of Heaven" has been praised for its painterly images and evocative score, but criticized for its muted emotions: Although passions erupt in a deadly love triangle, all the feelings are somehow held at arm's length. This observation is true enough, if you think only about the
856:). The film was a commercial failure: its box office gross of $ 3,446,749 was only slightly more than it cost to make the film ($ 3 million), but Charles Bluhdorn who ran Paramount's parent company Gulf + Western, loved it so much he offered Malick $ 1 million for his next project, whatever it was.
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I thought, "Well, God damn it. I should get credit with Nestor on it." And then I had talks with the producer, Bert
Schneider, and he said, "Look, you've won Oscars already. What the hell, Nestor should have it." So then I said to myself, "Well, Haskell, you're being a little selfish." And the real
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According to
Almendros, the production was not "rigidly prepared", allowing for improvisation. Daily call sheets could have been more detailed, and the schedule changed to suit the weather. This upset some Hollywood crew members not used to working this way. Most crew members were used to a "glossy
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of the scene, then examined them through powerful glasses". According to
Almendros, Malick wanted "a very visual movie. The story would be told through visuals. Very few people really want to give that priority to image. Usually the director gives priority to the actors and the story, but here the
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wrote: "Terrence Malick's remarkably rich second feature is a story of human lives touched and passed over by the divine, told in a rush of stunning and precise imagery. Nestor
Almendros's cinematography is as sharp and vivid as Malick's narration is elliptical and enigmatic. The result is a film
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quality of the landscapes in the film. A vast majority of the scenes were filmed late in the afternoon or after sunset, with the sky silhouetting the actor's faces, which would otherwise be difficult to see. Interior scenes that feature light coming in from the outside, were shot using artificial
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Due to union regulations, Almendros was not allowed to operate the camera. With Malick, he would plan out and rehearse the camera's and the actors' movements. Almendros would stand near the main camera and give instructions to the camera operators. Almendros was gradually losing sight by the time
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with his girlfriend Abby and his young sister Linda. Bill and Abby pretend to be siblings to prevent gossip. The three are hired as part of a large group of seasonal workers by a wealthy, shy farmer. Bill overhears a doctor telling the farmer he has only a year to live, although the nature of the
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The harvesting machines constantly broke down, which resulted in shooting beginning late in the afternoon, allowing for only a few hours of light before it was too dark to go on. One day, two helicopters were scheduled to drop peanut shells to simulate locusts on film; however, Malick decided to
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Following the completion of principal photography, the editing process took over two years to complete. Malick had a difficult time shaping the film and getting the pieces to go together. Schneider reportedly showed some footage to director
Richard Brooks, who was considering Gere for a role in
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released a DVD of the film, with digitally remastered sound and picture, supervised by Malick, editor Billy Weber and camera operator John Bailey. Bonus features include an audio commentary by art director Jack Fisk, editor Billy Weber, costume designer
Patricia Norris, and casting director
29:
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nomination in his soundtrack composing career for his work on the film. Morricone recalled the process as being "demanding" and said of Malick: "He didn't know me very well, so he made suggestions, and in some cases, gave musical solutions. This kind of annoyed me because he'd say: 'This
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While the photography yielded the director satisfactory results, the rest of the production was difficult. The actors and crew reportedly viewed Malick as cold and distant. After two weeks of shooting, Malick was so disappointed with the dailies, he "decided to toss the script, go
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studio was impressed and reportedly "gave Malick a very sweet deal at the studio, carte blanche, essentially". Malick was not able to capitalize on the deal. He was so exhausted from working on the film that he moved to Paris with his girlfriend. He tried developing another
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Bill's true relationship with Abby; meanwhile, Abby has begun to fall in love with her husband. When a locust swarm and fires destroy his wheat fields, the incensed farmer chases Bill with a gun, but Bill kills him with a screwdriver and then flees with Abby and Linda.
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premiered on DVD on March 30, 1999, with no special features. The feature itself was presented in widescreen and released by
Paramount Pictures, the copyright owner of the film itself. It was re-released on DVD in 2004, again without special supplements.
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received positive reviews on its original theatrical release. Its photography was widely praised, although a small number of critics considered only this aspect to be worthy of high praise. It was not a significant commercial success, but did win an
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in the wheat fields and the smaller houses where the workers lived. The mansion was not a facade, as was usually the custom, but authentically recreated inside and out with period colors: brown, mahogany, and dark wood for the interiors.
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shoot period cars instead. He kept the helicopters on hold at great cost. Production needed to catch up, with costs exceeding the $ 3,000,000 budget by about $ 800,000, and Schneider had already mortgaged his home to cover the overages.
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has been released on home video on different formats over the years. Its first notable release was on home video in the early 1980s, followed by various reissues in the 1980s and 1990s. In particular, the film was released on a special
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score of 94 out of 100 based on reviews from 20 critics, indicating "universal acclaim". It is frequently cited by critics and scholars, including Roger Ebert, as one of the most visually arresting films ever made; in 1997, Ebert added
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The foreman and police pursue and eventually find them; Bill is shot and killed while running. Abby inherits the farmer's estate and leaves Linda at a boarding school. Abby leaves town on a train with soldiers departing for
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Morricone's score includes four recurring pieces: "Harvest", "Happiness", "The Honeymoon", and "The Return". "Harvest" is the film's main theme and opens with a melody that references "Aquarium", the seventh movement from
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a letter "in which he described sitting in a theater with a stop-watch to prove that more than half of the footage" was his. Later in life, however, he had accepted Almendros receiving credit as cinematographer:
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the film has an approval rating of 94% based on reviews from 62 critics, with an average rating of 8.40/10. The website's consensus reads, "Illuminated by magic hour glow and wistful performances,
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1314:, a technique that crops a portion of the image to focus on the more important composition. This often results in the side being cut out and the middle center being the only remaining part.
724:, Malick scrapped much of the film's dialogue, replacing it with Manz's voice-over, which served as an oblique commentary on the story. After a year, Malick had to call the actors to
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482:. At the time, the studio was heading in a new direction. They were hiring new production heads who had worked in network television and, according to former production chief
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of Shepard that were shot under a freeway overpass. The underwater shot of Gere's falling face down into the river was shot in a large aquarium in Spacek's living room.
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light to maintain the consistency of that intruding light. However, the "magic look" would also extend to interior scenes, which occasionally utilized natural light.
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shells from helicopters while the actors walked backwards. This was then run in reverse so that the ground action moved forward, and the locusts were seen ascending.
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Production began in the late summer of 1976. Although the film was set in Texas, the Rocky Mountains are incongruously seen in the exteriors shot in southwestern
503:. Almendros was impressed by Malick's knowledge of photography and willingness to use little studio lighting. The two men modeled the film's cinematography after
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for work harvesting crops for a wealthy grain farmer. Bill persuades Abby to claim the fortune of the dying farmer by tricking him into a false marriage.
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Charlotte Crofts (2001), "From the 'Hegemony of the Eye' to the 'Hierarchy of Perception': The Reconfiguration of Sound and Image in Terrence Malick's
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934:. Back of what basically is a conventional plot is all kinds of fancy, self-conscious cineaste techniques." Monica Eng of the
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designed and made the period costumes from used fabrics and old clothes to avoid the artificial look of studio-made costumes.
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has since become one of the most acclaimed films of its decade, particularly for its cinematography. It appeared at #49 on a
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A breakthrough came when Malick experimented with voice-overs from Linda Manz's character, similar to what he had done with
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In addition, Jackie Shultis plays Linda's friend on the farm, who later helps her escape the boarding school, while future
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Glassman, Arnold; Todd McCarthy; Stuart Samuels (1992). "Visions of Light: The Art of Cinematography". Kino International.
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also wrote that the film "truly tests a film critic's power of description ... Some critics have complained that the
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Critical reaction was initially varied. Many critics found the film visually beautiful, but others found its story weak.
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was re-evaluated years after its original theatrical release and is considered a pioneering achievement in cinema. On
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to complete the film. They worked together for a week so that Wexler could get familiar with the film's visual style.
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for Paramount, but after a substantial amount of work, he abandoned it. He did not make another film until 1998's
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to shoot inserts of shots that were necessary but had not been filmed in Alberta. The finished film thus includes
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widely acclaimed as a landmark of 1970s cinema as well as one of the most gorgeously photographed films ever made
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is lush with brilliant images". The periodical went on to name it one of the best films of 1978. Nick Schager of
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796:. Kershaw is seen playing the fiddle with a broken bow-string. Additional songs were contributed by guitarist
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Wexler was careful to match Almendros' work, but he did make some exceptions. "I did some hand held shots on a
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2015 poll of the greatest American films. In 2007, the film was selected for preservation in the United States
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auditioned for and won the lead role of Bill, but ABC-TV wouldn't let him out of his contract for his series
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story is too slight. I suppose it is, but, frankly, you don't think about it while the movie is playing".
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never really makes up its mind what it wants to be. It ends up something between a Texas pastoral and
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The film shows a 1916 newspaper, and a scene late in the film shows American soldiers headed off for
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critics' poll of the greatest films ever made, and #132 in the directors' poll of the same magazine.
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For the shot in the "locusts" sequence, where the insects rise into the sky, the filmmakers dropped
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Meanwhile, detractors targeted the film's direction of storyline and structure. In his review for
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criticized the lack of significant plot and stated "the story becomes secondary to the visuals".
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that hovers just beyond our grasp—mysterious, beautiful, and, very possibly, a masterpiece".
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along with three nominations for the score, costume design and sound. Malick also won the
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and an extract from NĂ©stor Almendros' autobiography. The Criterion Collection released a
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Janet Wondra (Oct. 1994), "A Gaze Unbecoming: Schooling the Child for Femininity in
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Powers, Richard (2007). "Listening to the Aquarium: The Symbolic Use of Music in
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800:. Kottke was originally approached by Malick for the entire score, but declined.
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1454:"Days of Heaven review – Malick's early masterwork heralds a rarefied visionary"
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is a visual masterpiece that finds eloquent poetry in its spare scenario." On
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2930:, Script registered with the Writers Guild of America, 14 Apr; revised 2 Jun.
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1536:"Néstor Almendros winning the Oscar® for Cinematography for "Days of Heaven""
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1310:, which was uncommon for videotapes at the time, with majority of them being
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690:". Critics were unanimous in citing the photography as a technical highlight.
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250:. Set in 1916, it tells the story of Bill and Abby, lovers who travel to the
1636:"Librarian of Congress Announces National Film Registry Selections for 2007"
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shooting began. To evaluate his set-ups, "he had one of his assistants take
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To film the swarm of locusts rising into the sky, the film-makers dropped
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Per Academy custom, the award was given solely to principal photographer
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label, in a two-disc edition and featuring excerpts of Manz's narration.
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Ebiri, Blige (May 23, 2011). "Thirty-Three Years of Principal Filming".
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edition format on home video to preserve the film's original theatrical
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called the film "one of the great cinematic achievements of the 1970s."
458:. Schneider agreed to produce the film. He and Malick cast young actors
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824:. It had screened the night before for sponsors and benefactors of the
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Films whose cinematographer won the Best Cinematography Academy Award
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Ennio Morricone's The good, the bad and the ugly: A film score guide
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included the film among the 20 new entries added to the magazine's "
781:. The soundtrack was remastered and re-released in July 2011 on the
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Brooks Riley (Sept./Oct. 1978), "Interview with Nestor Almendros",
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The production ran so late that both Almendros and camera operator
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as being "culturally, historically, or aesthetically significant".
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2061:"Music Oscars® for "Midnight Express" and "The Buddy Holly Story""
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responded to these criticisms in a reevaluation in 1997, saying:
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523:, as well as photo-reporters from the start of the 20th century.
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wanted Schneider to produce films for him and agreed to finance
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842:
836:—making him the first American director to win the award since
705:
took so long that "Brooks cast Gere, shot, edited and released
607:
574:
2912:
Martin Donougho (Fall 1985), "West of Eden: Terrence Malick's
2905:
Terry Curtis Fox (Sept./Oct. 1978), "The Last Ray of Light",
2579:(original ed.). Andrews McMeel Publishing. p. 190.
2129:(2 ed.). Columbia University Press. pp. 107–109.
1477:, villagevoice.com, June 1, 2011; accessed August 10, 2014.
435:
348:. Linda runs away from school with a friend from the farm.
16:
1978 American romantic period drama film by Terrence Malick
816:
opened theatrically on September 13, 1978, at Cinema I on
1613:
304:
2127:
The Cinema of Terrence Malick: Poetic Visions of America
1712:
Lloyd Michaels (2009). "A cinema in front of our eyes".
1001:
selected the film for preservation in the United States
788:
The country music heard during the harvest party is the
543:
border, while the denouement was shot on the grounds of
327:
manual laborer Bill knocks down and kills a boss in the
2819:"DVD Review: Days of Heaven - The Criterion Collection"
1489:"Subvert Normality: The Streetwise Voice of Linda Manz"
1847:
1845:
1511:"Is Days of Heaven the most beautiful film ever made?"
686:
was filmed during dawn and dusk, a time known as the "
2747:"The 51st Academy Awards (1979) Nominees and Winners"
2712:. Published April 29, 2003. Retrieved June 12, 2008.
2143:
1550:"Death on the Nile Wins Costume Design: 1979 Oscars"
1504:
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1990:
1982:
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762:provided the film's score and received his first
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1964:Hintermann, Carlo; Villa, Daniele, eds. (2015).
1963:
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1855:, "Days of Heaven: Criterion Collection" DVD,
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758:is a strong reflection of the film's context.
539:, located 4 kilometres (2.5 mi) from the
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2921:Postscript: Essays in Film and the Humanities
2182:"AcousticEclectic.org - Leo Kottke Interview"
2105:Rosy-Fingered Dawn: a film on Terrance Malick
1853:Interview with cinematographer Haskell Wexler
915:has called it "the greatest film ever made."
644:(1977). Almendros approached cinematographer
3279:National Board of Review Award for Best Film
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1749:
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1745:
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1714:Terrence Malick: contemporary film directors
2847:"The Criterion Collection - Days of Heaven"
2723:"Academy Awards Acceptance Speech Database"
1903:"1970's cinema: Hollywood's days of heaven"
1689:
1564:"Steve Martin and "Superman" at the Oscars"
1390:"Film Society Donors Get To See 'Heaven'".
4351:United States National Film Registry films
3270:
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3078:
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3016:: "Somewhere, I don't know, over there..."
2987:
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2435:Schonberg, Harold C (September 14, 1978).
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2018:
1966:Terrence Malick: Rehearsing the Unexpected
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832:, in 1979, where Malick won the award for
701:. According to Schneider, the editing for
634:had to leave due to a prior commitment on
404:(vaudeville leader) are also in the film.
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2577:Roger Ebert's Four Star Reviews 1967-2007
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1997:(original ed.). Hw Wilson. pp.
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1734:
1660:"Complete National Film Registry Listing"
964:
434:to Terrence Malick in 1975. On a trip to
3035:Continuum International Publishing Group
3025:Eagen, Daniel (2010). "Days of Heaven".
2686:. British Film Institute. Archived from
1988:
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1863:
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1451:
1408:"Days of Heaven, Box Office Information"
1059:had to leave on a previous commitment."
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260:was Malick's second feature film, after
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2078:(original ed.). Lanham, Maryland:
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1508:
1440:
1339:of the film on March 7, 2010, and a 4K
803:
4366:Stinkers Bad Movie Award winning films
4278:
2365:
2310:
2304:
2120:
2111:
2103:Barcaroli, Luciano (Director) (2002).
1894:
1385:
1383:
1366:"Days of Heaven - Original Soundtrack"
594:Much of the film would be shot during
3251:
3059:
3024:
2571:
2224:
1926:
1920:
1901:Looms, Jonathan (February 15, 2012).
1900:
1792:Almereyda, Michael (April 13, 2004).
442:. Malick had tried and failed to get
287:Academy Award for Best Cinematography
2600:Jenkins, David (September 7, 2011).
2331:
2325:
2241:
2235:
2179:
1802:and Dylan classics with Sam Shepard"
1794:"After The Rehearsal: Flirting with
1509:Thomson, David (September 1, 2011).
557:designed and built the mansion from
3085:
2466:
2460:
1452:Bradshaw, Peter (1 February 2024).
1380:
13:
2885:
2402:Schager, Nick (October 22, 2007).
1870:Thompson, Rustin (June 30, 1998).
1486:
792:"Swamp Dance", played and sung by
673:
331:where he works, then flees to the
14:
4377:
4311:Films directed by Terrence Malick
3295:I Am a Fugitive from a Chain Gang
2955:
2881:. New York: Simon & Schuster.
2379:. January 1, 1979. Archived from
2311:Siskel, Gene (October 9, 1978). "
1927:Ebert, Roger (December 7, 1997).
1610:"The 100 greatest American films"
709:while Malick was still editing".
2701:The Best 1,000 Movies Ever Made.
2107:(Documentary). United States: d.
1872:"Myth-making With Natural Light"
1396:. September 6, 1978. p. 34.
1244:National Society of Film Critics
591:story was told through images".
545:Heritage Park Historical Village
535:in and around the ghost town of
4316:Films scored by Ennio Morricone
3018:, 2011 essay by Jim Emerson at
2864:
2839:
2811:
2781:
2763:
2715:
2694:
2676:
2646:
2621:
2593:
2540:
2513:
2497:
2467:Eng, Monica (October 9, 1978).
2395:
2218:
2200:
2173:
2125:". In Patterson, Hannah (ed.).
2096:
2053:
1957:
1676:
1652:
1628:
1602:
1570:
1556:
1542:
499:(1970) and wanted him to shoot
489:Malick admired cinematographer
3676:They Shoot Horses, Don't They?
2999:: On Earth as It Is in Heaven"
2795:. June 4, 1979. Archived from
2027:Biskind, Peter (August 1999).
1578:"A New Digital Restoration of
1528:
1480:
1468:
1422:
1400:
1358:
924:, Harold C. Schonberg wrote, "
826:Film Society of Lincoln Center
1:
4296:American romantic drama films
1346:
1293:
808:
749:
407:
4301:1970s English-language films
3556:The Bridge on the River Kwai
3049:Internet Archive Book Reader
2874:. Farrar, Straus and Giroux.
2180:Bost, Otto (March 1, 1999).
2074:Leinberger, Charles (2004).
2063:– via www.youtube.com.
1718:University of Illinois Press
1566:– via www.youtube.com.
1552:– via www.youtube.com.
1538:– via www.youtube.com.
1351:
846:(in a joint win shared with
390:Louisiana Music Hall of Fame
160:September 13, 1978
7:
3636:The Eleanor Roosevelt Story
3546:Around the World in 80 Days
1989:Thompson, Clifford (1999).
1968:. London: Faber and Faber.
1188:Best Motion Picture - Drama
611:Department of Agriculture.
430:introduced fellow producer
10:
4382:
4262:Killers of the Flower Moon
3666:The Shoes of the Fisherman
3656:Far from the Madding Crowd
2870:Almendros, Nestor (1986).
2824:Seattle Post Intelligencer
1993:Current Biography Yearbook
659:. Wexler sent film critic
336:illness is not specified.
4291:1978 romantic drama films
4082:Good Night, and Good Luck
4032:
3753:
3486:
3415:None But the Lonely Heart
3365:Confessions of a Nazi Spy
3285:
3226:
3207:
3116:
3093:
2900:Journal of Media Practice
2879:Easy Riders, Raging Bulls
2684:"'Days of Heaven' (1978)"
1322:On October 23, 2007, the
1242:
1228:
1215:
1205:
1196:
1181:
1099:
1081:
1076:
1073:
1070:
1067:
1064:
1045:
450:to star in the film, and
208:
200:
192:
184:
174:
151:
141:
127:
117:
107:
99:
68:
56:
48:
38:
33:Theatrical release poster
26:
21:
3925:The Silence of the Lambs
2926:Terrence Malick (1976),
1587:. British Film Institute
1493:The Criterion Collection
396:appears as the fiddler.
230:written and directed by
3763:All the President's Men
3566:The Old Man and the Sea
2877:Biskind, Peter (1998).
2629:"Days of Heaven (1978)"
2521:"Days of Heaven (1978)"
2404:"Days of Heaven review"
1038:placed the film on its
1018:" list. The same year,
778:Carnival of the Animals
726:Los Angeles, California
707:Looking for Mr. Goodbar
698:Looking for Mr. Goodbar
641:The Man Who Loved Women
351:
318:
4336:Films set in the 1910s
4102:No Country for Old Men
3335:Mr. Deeds Goes to Town
3108:Awards and nominations
2335:(September 18, 1978).
2188:. acousticeclectic.org
1024:British Film Institute
1003:National Film Registry
965:Retrospective response
962:
828:. It was shown at the
720:. According to editor
691:
671:
578:
424:
419:during the filming of
309:National Film Registry
4341:Films shot in Alberta
4192:Manchester by the Sea
4092:Letters from Iwo Jima
3971:Sense and Sensibility
3646:A Man for All Seasons
3315:It Happened One Night
3029:America's Film Legacy
2373:"Cinema: Year's Best"
1945:on September 25, 2007
1779:Biskind 1998, p. 297.
1702:Biskind 1998, p. 296.
1475:Profile of Linda Manz
1434:Turner Classic Movies
1343:on December 5, 2023.
1040:Best 1000 Movies Ever
957:
860:Contemporary response
681:
666:
572:
527:Principal photography
517:House by the Railroad
466:and actor/playwright
415:
4361:Rail transport films
4356:1970s American films
3037:. pp. 747–748.
3007:Criterion Collection
2799:on November 13, 2010
2383:on November 13, 2010
2353:on November 16, 2010
2260:on December 23, 2009
2186:acousticeclectic.org
2159:Soundtrack Collector
2041:on November 28, 2010
2029:"The Runaway Genius"
1857:Criterion Collection
1324:Criterion Collection
1217:Cannes Film Festival
931:Cavalleria rusticana
830:Cannes Film Festival
804:Reception and legacy
470:for the lead roles.
295:Cannes Film Festival
270:and photographed by
4306:Films about farmers
4172:A Most Violent Year
4112:Slumdog Millionaire
3895:Mississippi Burning
3845:Terms of Endearment
3405:The Ox-Bow Incident
3375:The Grapes of Wrath
3197:The Way of the Wind
2872:A Man with a Camera
2485:on November 8, 2012
2416:on January 10, 2011
2242:Kehr, Dave (1978).
1664:Library of Congress
1640:Library of Congress
1278:Best Cinematography
1183:Golden Globe Awards
1168:Best Original Music
1144:Robert W. Glass Jr.
1120:Best Original Score
1105:Best Costume Design
1088:Best Cinematography
1022:ranked #112 in the
1016:All-Time 100 Movies
999:Library of Congress
773:Camille Saint-Saëns
754:The soundtrack for
456:Welcome Back Kotter
400:(mill foreman) and
384:as the farm foreman
313:Library of Congress
291:Best Director Award
223:is a 1978 American
4331:Films set in Texas
4326:Films set on farms
4182:Mad Max: Fury Road
4132:The Social Network
3915:Dances with Wolves
3905:Driving Miss Daisy
3875:A Room with a View
3855:A Passage to India
3496:A Place in the Sun
2705:The New York Times
2446:The New York Times
2292:. October 23, 2007
2253:The Chicago Reader
1907:The Oxford Student
1882:on January 5, 2011
1054:. Previous winner
1035:The New York Times
921:The New York Times
871:The Chicago Reader
783:Film Score Monthly
692:
621:Fyodor Dostoyevsky
579:
515:(particularly his
472:Paramount Pictures
425:
146:Paramount Pictures
4321:Films set in 1916
4273:
4272:
4252:Top Gun: Maverick
4072:Finding Neverland
4001:Gods and Monsters
3991:L.A. Confidential
3885:Empire of the Sun
3773:The Turning Point
3526:On the Waterfront
3395:In Which We Serve
3245:
3244:
3141:The Thin Red Line
2789:"Sweeping Cannes"
2633:Chicago Sun-Times
2508:Chicago Sun-Times
2231:. pp. 84–85.
2136:978-0-231-85011-7
1938:Chicago Sun-Times
1814:on March 22, 2011
1487:Bengal, Rebecca.
1329:Dianne Crittenden
1291:
1290:
1282:NĂ©stor Almendros
1029:Sight & Sound
995:Great Movies list
946:Chicago Sun-Times
743:The Thin Red Line
636:François Truffaut
402:Richard Libertini
228:period drama film
216:
215:
4373:
4266:
4256:
4246:
4236:
4226:
4216:
4206:
4196:
4186:
4176:
4166:
4156:
4152:Zero Dark Thirty
4146:
4136:
4126:
4116:
4106:
4096:
4086:
4076:
4066:
4056:
4046:
4025:
4015:
4005:
3995:
3985:
3975:
3965:
3949:
3945:Schindler's List
3939:
3929:
3919:
3909:
3899:
3889:
3879:
3869:
3865:The Color Purple
3859:
3849:
3833:
3823:
3813:Chariots of Fire
3807:
3797:
3787:
3777:
3767:
3746:
3730:
3726:The Conversation
3720:
3710:
3700:
3690:
3680:
3670:
3660:
3650:
3640:
3630:
3620:
3610:
3600:
3590:
3580:
3570:
3560:
3550:
3540:
3530:
3520:
3510:
3500:
3479:
3475:Sunset Boulevard
3469:
3459:
3449:
3445:Monsieur Verdoux
3439:
3429:
3419:
3409:
3399:
3389:
3379:
3369:
3359:
3349:
3339:
3329:
3319:
3309:
3299:
3272:
3265:
3258:
3249:
3248:
3157:The Tree of Life
3080:
3073:
3066:
3057:
3056:
3052:
3032:
3001:, 2010 essay by
2991:
2975:
2946:
2918:
2897:
2858:
2857:
2855:
2853:
2843:
2837:
2836:
2834:
2832:
2827:. March 28, 2010
2815:
2809:
2808:
2806:
2804:
2785:
2779:
2778:
2771:"Days of Heaven"
2767:
2761:
2760:
2758:
2757:
2743:
2737:
2736:
2734:
2733:
2719:
2713:
2710:Internet Archive
2698:
2692:
2691:
2680:
2674:
2673:
2671:
2669:
2658:"Days of Heaven"
2654:Corliss, Richard
2650:
2644:
2643:
2641:
2639:
2625:
2619:
2618:
2616:
2614:
2602:"Days of Heaven"
2597:
2591:
2590:
2569:
2563:
2562:
2560:
2558:
2548:"Days of Heaven"
2544:
2538:
2537:
2535:
2533:
2517:
2511:
2504:"Days of Heaven"
2501:
2495:
2494:
2492:
2490:
2481:. Archived from
2464:
2458:
2457:
2455:
2453:
2432:
2426:
2425:
2423:
2421:
2412:. Archived from
2399:
2393:
2392:
2390:
2388:
2369:
2363:
2362:
2360:
2358:
2349:. Archived from
2329:
2323:
2322:
2308:
2302:
2301:
2299:
2297:
2276:
2270:
2269:
2267:
2265:
2256:. Archived from
2239:
2233:
2232:
2222:
2216:
2215:
2208:"Days of Heaven"
2204:
2198:
2197:
2195:
2193:
2177:
2171:
2170:
2168:
2166:
2147:
2141:
2140:
2118:
2109:
2108:
2100:
2094:
2093:
2082:. pp. 7–9.
2071:
2065:
2064:
2057:
2051:
2050:
2048:
2046:
2037:. Archived from
2024:
2013:
2012:
1996:
1986:
1980:
1979:
1961:
1955:
1954:
1952:
1950:
1941:. Archived from
1924:
1918:
1917:
1915:
1913:
1898:
1892:
1891:
1889:
1887:
1878:. Archived from
1867:
1861:
1860:
1849:
1840:
1839:
1835:
1824:
1823:
1821:
1819:
1810:. Archived from
1789:
1780:
1777:
1758:
1755:
1732:
1731:
1709:
1703:
1700:
1687:
1680:
1674:
1673:
1671:
1670:
1656:
1650:
1649:
1647:
1646:
1632:
1626:
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1623:
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1606:
1600:
1599:
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1592:
1586:
1574:
1568:
1567:
1560:
1554:
1553:
1546:
1540:
1539:
1532:
1526:
1525:
1523:
1521:
1506:
1497:
1496:
1484:
1478:
1472:
1466:
1465:
1463:
1461:
1449:
1438:
1437:
1430:"Days of Heaven"
1426:
1420:
1419:
1417:
1415:
1404:
1398:
1397:
1387:
1378:
1377:
1375:
1373:
1362:
1341:Ultra HD Blu-Ray
1267:Terrence Malick
1172:Ennio Morricone
1093:NĂ©stor Almendros
1062:
1061:
1052:NĂ©stor Almendros
986:weighted average
951:
853:Heroes of Shipka
746:20 years later.
509:Johannes Vermeer
491:NĂ©stor Almendros
272:NĂ©stor Almendros
167:
165:
112:NĂ©stor Almendros
64:Harold Schneider
31:
19:
18:
4381:
4380:
4376:
4375:
4374:
4372:
4371:
4370:
4276:
4275:
4274:
4269:
4259:
4249:
4239:
4229:
4219:
4209:
4199:
4189:
4179:
4169:
4159:
4149:
4139:
4129:
4119:
4109:
4099:
4089:
4079:
4069:
4059:
4049:
4039:
4028:
4018:
4011:American Beauty
4008:
3998:
3988:
3978:
3968:
3952:
3942:
3932:
3922:
3912:
3902:
3892:
3882:
3872:
3862:
3852:
3836:
3826:
3810:
3803:Ordinary People
3800:
3790:
3780:
3770:
3760:
3749:
3733:
3723:
3713:
3703:
3693:
3683:
3673:
3663:
3653:
3643:
3633:
3623:
3613:
3606:The Longest Day
3603:
3593:
3586:Sons and Lovers
3583:
3576:The Nun's Story
3573:
3563:
3553:
3543:
3533:
3523:
3513:
3503:
3493:
3482:
3472:
3465:Bicycle Thieves
3462:
3452:
3442:
3432:
3422:
3412:
3402:
3392:
3382:
3372:
3362:
3352:
3345:Night Must Fall
3342:
3332:
3322:
3312:
3302:
3292:
3281:
3276:
3246:
3241:
3222:
3203:
3112:
3089:
3087:Terrence Malick
3084:
3045:
2958:
2944:
2916:
2895:
2888:
2886:Further reading
2867:
2862:
2861:
2851:
2849:
2845:
2844:
2840:
2830:
2828:
2817:
2816:
2812:
2802:
2800:
2787:
2786:
2782:
2769:
2768:
2764:
2755:
2753:
2745:
2744:
2740:
2731:
2729:
2721:
2720:
2716:
2699:
2695:
2682:
2681:
2677:
2667:
2665:
2656:(17 May 2012).
2651:
2647:
2637:
2635:
2627:
2626:
2622:
2612:
2610:
2598:
2594:
2587:
2570:
2566:
2556:
2554:
2546:
2545:
2541:
2531:
2529:
2526:Rotten Tomatoes
2519:
2518:
2514:
2502:
2498:
2488:
2486:
2478:Chicago Tribune
2465:
2461:
2451:
2449:
2433:
2429:
2419:
2417:
2400:
2396:
2386:
2384:
2371:
2370:
2366:
2356:
2354:
2330:
2326:
2318:Chicago Tribune
2309:
2305:
2295:
2293:
2278:
2277:
2273:
2263:
2261:
2240:
2236:
2223:
2219:
2212:Box Office Mojo
2206:
2205:
2201:
2191:
2189:
2178:
2174:
2164:
2162:
2161:. July 22, 2011
2149:
2148:
2144:
2137:
2119:
2112:
2102:
2101:
2097:
2090:
2080:Scarecrow Press
2072:
2068:
2059:
2058:
2054:
2044:
2042:
2025:
2016:
2009:
1987:
1983:
1976:
1962:
1958:
1948:
1946:
1933:: Great Movies"
1925:
1921:
1911:
1909:
1899:
1895:
1885:
1883:
1868:
1864:
1851:
1850:
1843:
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1668:
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1657:
1653:
1644:
1642:
1634:
1633:
1629:
1619:
1617:
1616:. July 20, 2015
1608:
1607:
1603:
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1401:
1389:
1388:
1381:
1371:
1369:
1364:
1363:
1359:
1354:
1349:
1296:
1207:Terrence Malick
1147:
1125:Ennio Morricone
1110:Patricia Norris
1048:
997:. In 2007, the
974:Rotten Tomatoes
967:
949:
937:Chicago Tribune
888:Chicago Tribune
862:
848:Sergei Vasilyev
811:
806:
760:Ennio Morricone
752:
676:
674:Post-production
564:Patricia Norris
529:
484:Richard Sylbert
417:Terrence Malick
410:
398:Stuart Margolin
354:
333:Texas Panhandle
321:
268:Ennio Morricone
252:Texas Panhandle
234:, and starring
232:Terrence Malick
177:
170:
163:
161:
154:
134:
132:Ennio Morricone
95:
63:
52:Terrence Malick
43:Terrence Malick
34:
17:
12:
11:
5:
4379:
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4242:Licorice Pizza
4237:
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3890:
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3808:
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3783:Days of Heaven
3778:
3768:
3757:
3755:
3751:
3750:
3748:
3747:
3731:
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3711:
3701:
3691:
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3501:
3490:
3488:
3484:
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3480:
3470:
3460:
3450:
3440:
3430:
3425:The True Glory
3420:
3410:
3400:
3390:
3380:
3370:
3360:
3350:
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3239:
3235:Voyage of Time
3230:
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3223:
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3220:
3211:
3209:
3205:
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3202:
3201:
3193:
3185:
3177:
3173:Knight of Cups
3169:
3161:
3153:
3145:
3137:
3133:Days of Heaven
3129:
3120:
3118:
3114:
3113:
3111:
3110:
3105:
3100:
3094:
3091:
3090:
3083:
3082:
3075:
3068:
3060:
3054:
3053:
3043:
3022:
3020:RogerEbert.com
3014:Days of Heaven
3009:
2997:Days of Heaven
2992:
2980:Days of Heaven
2976:
2963:Days of Heaven
2957:
2956:External links
2954:
2953:
2952:
2942:Days of Heaven
2938:
2937:, 14:5, 28–31.
2931:
2928:Days of Heaven
2924:
2914:Days of Heaven
2910:
2909:, 14:5, 27–28.
2903:
2893:Days of Heaven
2887:
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2883:
2882:
2875:
2866:
2863:
2860:
2859:
2838:
2810:
2780:
2762:
2738:
2714:
2693:
2690:on 2012-08-20.
2675:
2645:
2620:
2592:
2586:978-0740771798
2585:
2564:
2539:
2512:
2496:
2471:Days of Heaven
2459:
2439:Days of Heaven
2427:
2409:Slant Magazine
2394:
2364:
2339:Days of Heaven
2324:
2313:Days of Heaven
2303:
2282:Days of Heaven
2271:
2246:Days of Heaven
2234:
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2199:
2172:
2153:Days of Heaven
2142:
2135:
2123:Days of Heaven
2110:
2095:
2088:
2066:
2052:
2014:
2007:
1981:
1974:
1956:
1931:Days of Heaven
1919:
1893:
1862:
1841:
1825:
1800:Days of Heaven
1781:
1759:
1757:Almendros 1986
1733:
1727:978-0252075759
1726:
1720:. p. 39.
1704:
1688:
1675:
1651:
1627:
1601:
1580:Days of Heaven
1569:
1555:
1541:
1527:
1498:
1479:
1467:
1456:. The Guardian
1439:
1421:
1399:
1379:
1368:. Allmusic.com
1356:
1355:
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1350:
1348:
1345:
1316:Days of Heaven
1299:Days of Heaven
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1190:
1185:
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1155:
1140:John Wilkinson
1137:
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1127:
1122:
1116:
1115:
1112:
1107:
1101:
1100:
1098:
1095:
1090:
1085:
1083:Academy Awards
1079:
1078:
1075:
1072:
1069:
1066:
1056:Haskell Wexler
1047:
1044:
1020:Days of Heaven
991:Days of Heaven
978:Days of Heaven
970:Days of Heaven
966:
963:
926:Days of Heaven
912:Slant Magazine
907:Days of Heaven
893:Days of Heaven
861:
858:
814:Days of Heaven
810:
807:
805:
802:
756:Days of Heaven
751:
748:
703:Days of Heaven
684:Days of Heaven
675:
672:
657:Days of Heaven
646:Haskell Wexler
528:
525:
501:Days of Heaven
496:The Wild Child
480:Days of Heaven
444:Dustin Hoffman
440:Days of Heaven
432:Bert Schneider
428:Jacob Brackman
421:Days of Heaven
409:
406:
386:
385:
379:
373:
367:
361:
353:
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301:Days of Heaven
282:Days of Heaven
276:Haskell Wexler
258:Days of Heaven
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143:
142:Distributed by
139:
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119:
115:
114:
109:
108:Cinematography
105:
104:
101:
97:
96:
94:
93:
88:
83:
78:
72:
70:
66:
65:
61:Bert Schneider
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
24:
23:
22:Days of Heaven
15:
9:
6:
4:
3:
2:
4378:
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4364:
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4258:
4254:
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4238:
4234:
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4228:
4224:
4223:
4218:
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4208:
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4188:
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4178:
4174:
4173:
4168:
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4158:
4154:
4153:
4148:
4144:
4143:
4138:
4134:
4133:
4128:
4124:
4123:
4122:Up in the Air
4118:
4114:
4113:
4108:
4104:
4103:
4098:
4094:
4093:
4088:
4084:
4083:
4078:
4074:
4073:
4068:
4064:
4063:
4058:
4054:
4053:
4048:
4044:
4043:
4042:Moulin Rouge!
4038:
4037:
4035:
4031:
4023:
4022:
4017:
4013:
4012:
4007:
4003:
4002:
3997:
3993:
3992:
3987:
3983:
3982:
3977:
3973:
3972:
3967:
3963:
3962:
3957:
3956:
3951:
3947:
3946:
3941:
3937:
3936:
3931:
3927:
3926:
3921:
3917:
3916:
3911:
3907:
3906:
3901:
3897:
3896:
3891:
3887:
3886:
3881:
3877:
3876:
3871:
3867:
3866:
3861:
3857:
3856:
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3847:
3846:
3841:
3840:
3835:
3831:
3830:
3825:
3821:
3820:
3815:
3814:
3809:
3805:
3804:
3799:
3795:
3794:
3789:
3785:
3784:
3779:
3775:
3774:
3769:
3765:
3764:
3759:
3758:
3756:
3752:
3744:
3743:
3738:
3737:
3732:
3728:
3727:
3722:
3718:
3717:
3712:
3708:
3707:
3702:
3698:
3697:
3692:
3688:
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3682:
3678:
3677:
3672:
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3667:
3662:
3658:
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3598:
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3548:
3547:
3542:
3538:
3537:
3532:
3528:
3527:
3522:
3518:
3517:
3516:Julius Caesar
3512:
3508:
3507:
3506:The Quiet Man
3502:
3498:
3497:
3492:
3491:
3489:
3485:
3477:
3476:
3471:
3467:
3466:
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3407:
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3401:
3397:
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3391:
3387:
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3371:
3367:
3366:
3361:
3357:
3356:
3351:
3347:
3346:
3341:
3337:
3336:
3331:
3327:
3326:
3321:
3317:
3316:
3311:
3307:
3306:
3301:
3297:
3296:
3291:
3290:
3288:
3284:
3280:
3273:
3268:
3266:
3261:
3259:
3254:
3253:
3250:
3237:
3236:
3232:
3231:
3229:
3227:Documentaries
3225:
3218:
3217:
3213:
3212:
3210:
3206:
3199:
3198:
3194:
3191:
3190:
3189:A Hidden Life
3186:
3183:
3182:
3178:
3175:
3174:
3170:
3167:
3166:
3165:To the Wonder
3162:
3159:
3158:
3154:
3151:
3150:
3149:The New World
3146:
3143:
3142:
3138:
3135:
3134:
3130:
3127:
3126:
3122:
3121:
3119:
3117:Feature films
3115:
3109:
3106:
3104:
3101:
3099:
3096:
3095:
3092:
3088:
3081:
3076:
3074:
3069:
3067:
3062:
3061:
3058:
3050:
3046:
3040:
3036:
3031:
3030:
3023:
3021:
3017:
3015:
3010:
3008:
3004:
3003:Adrian Martin
3000:
2998:
2993:
2990:
2986:
2982:
2981:
2977:
2974:
2969:
2965:
2964:
2960:
2959:
2951:, 16:4, 5–22.
2950:
2943:
2939:
2936:
2932:
2929:
2925:
2923:, 5:1, 17–30.
2922:
2915:
2911:
2908:
2904:
2902:, 2:1, 19–29.
2901:
2894:
2890:
2889:
2880:
2876:
2873:
2869:
2868:
2848:
2842:
2826:
2825:
2820:
2814:
2798:
2794:
2790:
2784:
2776:
2775:Golden Globes
2772:
2766:
2752:
2748:
2742:
2728:
2724:
2718:
2711:
2707:
2706:
2702:
2697:
2689:
2685:
2679:
2663:
2659:
2655:
2649:
2634:
2630:
2624:
2609:
2608:
2603:
2596:
2588:
2582:
2578:
2574:
2568:
2553:
2549:
2543:
2528:
2527:
2522:
2516:
2509:
2505:
2500:
2484:
2480:
2479:
2474:
2472:
2463:
2448:
2447:
2442:
2440:
2431:
2415:
2411:
2410:
2405:
2398:
2382:
2378:
2374:
2368:
2352:
2348:
2347:
2342:
2340:
2334:
2328:
2320:
2319:
2314:
2307:
2291:
2290:
2285:
2283:
2275:
2259:
2255:
2254:
2249:
2247:
2238:
2230:
2229:
2221:
2213:
2209:
2203:
2187:
2183:
2176:
2160:
2156:
2155:: Film Score"
2154:
2146:
2138:
2132:
2128:
2124:
2117:
2115:
2106:
2099:
2091:
2085:
2081:
2077:
2070:
2062:
2056:
2040:
2036:
2035:
2030:
2023:
2021:
2019:
2010:
2004:
2000:
1995:
1994:
1985:
1977:
1975:9780571234561
1971:
1967:
1960:
1949:September 19,
1944:
1940:
1939:
1934:
1932:
1923:
1908:
1904:
1897:
1881:
1877:
1873:
1866:
1858:
1854:
1848:
1846:
1834:
1832:
1830:
1813:
1809:
1808:
1807:Village Voice
1803:
1801:
1798:: Discussing
1797:
1788:
1786:
1776:
1774:
1772:
1770:
1768:
1766:
1764:
1754:
1752:
1750:
1748:
1746:
1744:
1742:
1740:
1738:
1729:
1723:
1719:
1715:
1708:
1699:
1697:
1695:
1693:
1685:
1679:
1665:
1661:
1655:
1641:
1637:
1631:
1615:
1611:
1605:
1598:
1583:
1581:
1573:
1565:
1559:
1551:
1545:
1537:
1531:
1516:
1512:
1505:
1503:
1494:
1490:
1483:
1476:
1471:
1455:
1448:
1446:
1444:
1435:
1431:
1425:
1410:. The Numbers
1409:
1403:
1395:
1394:
1386:
1384:
1367:
1361:
1357:
1344:
1342:
1338:
1334:
1333:Adrian Martin
1330:
1325:
1320:
1317:
1313:
1309:
1305:
1300:
1287:
1284:
1281:
1279:
1276:
1275:
1272:
1269:
1266:
1264:
1263:Best Director
1261:
1260:
1257:
1254:
1252:
1250:
1247:
1245:
1241:
1237:
1235:
1232:
1231:
1225:
1223:
1222:Best Director
1220:
1218:
1214:
1210:
1208:
1203:
1202:Best Director
1200:
1199:
1193:
1191:
1189:
1186:
1184:
1180:
1177:
1174:
1171:
1169:
1166:
1164:
1161:
1160:
1156:
1154:
1150:
1149:John T. Reitz
1145:
1141:
1138:
1136:
1133:
1132:
1128:
1126:
1123:
1121:
1118:
1117:
1113:
1111:
1108:
1106:
1103:
1102:
1096:
1094:
1091:
1089:
1086:
1084:
1080:
1063:
1060:
1057:
1053:
1043:
1041:
1037:
1036:
1031:
1030:
1026:'s decennial
1025:
1021:
1017:
1013:
1012:
1006:
1004:
1000:
996:
992:
987:
983:
979:
975:
971:
961:
956:
954:
948:
947:
941:
939:
938:
933:
932:
927:
923:
922:
916:
914:
913:
908:
904:
900:
899:
894:
890:
889:
884:
880:
879:
873:
872:
867:
857:
855:
854:
849:
845:
844:
839:
835:
834:Best Director
831:
827:
823:
822:New York City
819:
815:
801:
799:
795:
791:
786:
784:
780:
779:
774:
768:
765:
764:Academy Award
761:
757:
747:
745:
744:
739:
733:
731:
727:
723:
719:
715:
710:
708:
704:
700:
699:
689:
685:
680:
670:
665:
662:
658:
654:
649:
647:
643:
642:
637:
633:
628:
624:
622:
618:
612:
609:
604:
601:
597:
592:
589:
583:
576:
571:
567:
565:
560:
556:
552:
550:
546:
542:
538:
534:
524:
522:
518:
514:
513:Edward Hopper
510:
506:
502:
498:
497:
492:
487:
485:
481:
477:
473:
469:
465:
461:
457:
453:
452:John Travolta
449:
445:
441:
437:
433:
429:
422:
418:
414:
405:
403:
399:
395:
391:
383:
380:
377:
374:
372:as the farmer
371:
368:
365:
362:
359:
356:
355:
349:
347:
341:
337:
334:
330:
326:
316:
314:
310:
306:
302:
298:
296:
292:
288:
283:
279:
277:
273:
269:
265:
264:
259:
255:
253:
249:
245:
241:
237:
233:
229:
226:
222:
221:
212:$ 3.4 million
211:
207:
203:
199:
195:
191:
188:United States
187:
183:
179:
173:
159:
158:
156:
150:
147:
144:
140:
137:
133:
130:
126:
123:
120:
116:
113:
110:
106:
102:
98:
92:
89:
87:
84:
82:
79:
77:
74:
73:
71:
67:
62:
59:
55:
51:
47:
44:
41:
37:
30:
25:
20:
4260:
4250:
4240:
4230:
4222:The Irishman
4220:
4210:
4200:
4190:
4180:
4170:
4160:
4150:
4140:
4130:
4120:
4110:
4100:
4090:
4080:
4070:
4062:Mystic River
4060:
4050:
4040:
4033:2001–present
4019:
4009:
3999:
3989:
3979:
3969:
3961:Pulp Fiction
3959:
3955:Forrest Gump
3953:
3943:
3933:
3923:
3913:
3903:
3893:
3883:
3873:
3863:
3853:
3843:
3837:
3827:
3817:
3811:
3801:
3791:
3782:
3781:
3771:
3761:
3740:
3736:Barry Lyndon
3734:
3724:
3714:
3704:
3694:
3684:
3674:
3664:
3654:
3644:
3634:
3624:
3614:
3604:
3594:
3584:
3574:
3564:
3554:
3544:
3534:
3524:
3514:
3504:
3494:
3473:
3463:
3453:
3443:
3433:
3423:
3413:
3403:
3393:
3385:Citizen Kane
3383:
3373:
3363:
3353:
3343:
3333:
3325:The Informer
3323:
3313:
3303:
3293:
3233:
3216:Lanton Mills
3214:
3195:
3187:
3181:Song to Song
3179:
3171:
3163:
3155:
3147:
3139:
3132:
3131:
3123:
3103:Bibliography
3047:– via
3033:. New York:
3028:
3013:
2996:
2979:
2962:
2948:
2941:
2935:Film Comment
2934:
2927:
2920:
2913:
2907:Film Comment
2906:
2899:
2892:
2878:
2871:
2865:Bibliography
2850:. Retrieved
2841:
2829:. Retrieved
2822:
2813:
2803:September 9,
2801:. Retrieved
2797:the original
2792:
2783:
2774:
2765:
2754:. Retrieved
2750:
2741:
2730:. Retrieved
2726:
2717:
2703:
2696:
2688:the original
2678:
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176:Running time
153:Release date
81:Brooke Adams
76:Richard Gere
4232:Da 5 Bloods
3935:Howards End
3355:The Citadel
3208:Short films
3098:Filmography
2333:Rich, Frank
2034:Vanity Fair
1684:World War I
1520:December 6,
953:Roger Ebert
901:magazine's
883:Gene Siskel
722:Billy Weber
688:golden hour
661:Roger Ebert
632:John Bailey
619:instead of
617:Leo Tolstoy
537:Whiskey Gap
493:'s work on
468:Sam Shepard
370:Sam Shepard
346:World War I
244:Sam Shepard
204:$ 3 million
122:Billy Weber
100:Narrated by
86:Sam Shepard
57:Produced by
39:Directed by
4286:1978 films
4280:Categories
4212:Green Book
3596:Question 7
3044:0826429777
2949:Wide Angle
2852:August 15,
2756:2011-10-06
2751:oscars.org
2732:2021-07-21
2727:Oscars.org
2664:. Time Inc
2552:Metacritic
2192:August 11,
2089:0810851326
2008:0824209885
1876:Moviemaker
1669:2020-09-25
1645:2020-09-25
1372:August 11,
1347:References
1304:widescreen
1294:Home media
1255:4th place
1238:Nominated
1234:Palme d'Or
1211:Nominated
1194:Nominated
1157:Nominated
1135:Best Sound
1129:Nominated
1114:Nominated
1071:Recipient
982:Metacritic
903:Frank Rich
818:3rd Avenue
809:Box office
798:Leo Kottke
790:Cajun tune
750:Soundtrack
596:magic hour
408:Production
376:Linda Manz
329:steel mill
248:Linda Manz
209:Box office
180:94 minutes
164:1978-09-13
136:Leo Kottke
103:Linda Manz
91:Linda Manz
49:Written by
4052:The Hours
3793:Manhattan
3754:1976–2000
3742:Nashville
3716:The Sting
3616:Tom Jones
3487:1951–1975
3286:1932–1950
2613:March 29,
2532:March 13,
2296:March 29,
2165:March 27,
2045:April 22,
1912:March 12,
1818:April 17,
1414:March 12,
1352:Citations
1249:Best Film
1068:Category
1008:In 2012,
984:it has a
866:Dave Kehr
730:close-ups
600:painterly
588:Polaroids
555:Jack Fisk
448:Al Pacino
392:inductee
323:In 1916,
118:Edited by
4202:The Post
3839:Betrayal
3125:Badlands
2985:AllMovie
2831:June 14,
2638:March 2,
2607:Time Out
2575:(2008).
2557:28 March
2489:June 14,
2228:New York
1796:Disaster
1460:7 August
905:wrote, "
718:Badlands
682:Most of
653:Panaflex
378:as Linda
263:Badlands
225:romantic
193:Language
128:Music by
69:Starring
3706:Cabaret
3696:Macbeth
3435:Henry V
3005:at the
2668:Feb 20,
2289:Variety
1999:349–350
1620:July 5,
1393:Variety
1337:Blu-ray
1074:Result
993:to his
885:of the
878:Variety
738:project
559:plywood
549:Calgary
541:Montana
533:Alberta
519:), and
366:as Abby
360:as Bill
325:Chicago
311:by the
293:at the
196:English
185:Country
162: (
4265:(2023)
4255:(2022)
4245:(2021)
4235:(2020)
4225:(2019)
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3238:(2016)
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3192:(2019)
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3041:
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1724:
1065:Award
1046:Awards
1042:list.
843:Rififi
608:peanut
575:peanut
201:Budget
3981:Shine
3536:Marty
3200:(TBA)
1585:(PDF)
1077:Ref.
950:'
4142:Hugo
3819:Reds
3039:ISBN
2968:IMDb
2854:2023
2833:2012
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2670:2013
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2534:2024
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