17:
829:
132:
follow each of the others except the sixteenth (which leads directly into the seventeenth, the ascription for which applies to both) and the ninth and eighteenth, which are respectively preceded by the following remarks: "Here
Florestan made an end, and his lips quivered painfully", and "Quite superfluously Eusebius remarked as follows: but all the time great bliss spoke from his eyes."
131:
about contemporary music between
Schumann's characters Florestan and Eusebius. These respectively represent the impetuous and the lyrical, poetic sides of Schumann's nature. Each piece is ascribed to one or both of them. Their names follow the first piece and the appropriate initial or initials
139:
from the title, as well as making various alterations, including the addition of some repeats. The first edition is generally favored, though some readings from the second are often used. The suite ends with the striking of twelve low Cs to signify the coming of midnight.
801:
475:
571:
486:
28:
493:
481:
849:
806:
626:
854:
301:(Alla ballata molto vivo) (1st edition), ("Sehr" and "Molto" capitalized in 2nd edition), D minor (ends major), Florestan;
83:. On September 5, 1839, Schumann wrote to his former professor: "She was practically my sole motivation for writing the
564:
358:
major with a return to the opening section (with the option to go round the piece once more), Florestan and
Eusebius;
772:
510:
110:
by Clara Wieck. The intimate character pieces are his most personal work. In 1838, Schumann told Clara that the
376:(Come da lontano), B major and minor (including a full reprise of No. 2), Florestan and Eusebius; and finally,
610:
605:
600:
92:
88:
709:
557:
67:
27:
This article is about
Schumann's 1837 piano suite. For George Balanchine's 1980 ballet to this music, see
859:
819:
529:
779:
99:." They are an expression of his passionate love, anxieties, longings, visions, dreams and fantasies.
744:
702:
647:
595:
414:
Kaminsky, Peter (Autumn 1989). "Principles of Formal
Structure in Schumann's Early Piano Cycles".
864:
499:
833:
786:
730:
96:
416:
147:
654:
79:
Robert
Schumann's early piano works were substantially influenced by his relationship with
135:
In the second edition of the work, Schumann removed these ascriptions and remarks and the
8:
751:
695:
640:
192:
The individual pieces, unnamed, have the following tempo markings, keys and ascriptions:
61:
661:
633:
433:
549:
120:(German wedding eve party, during which old crockery is smashed to bring good luck)".
465:, Volume I, edited by Clara Schumann, originally published by Breitkopf & Härtel.
224:
429:
425:
233:
765:
56:
581:
52:
737:
535:
520:
843:
723:
716:
365:(Con buon umore) (in 2nd edition, "Con umore"), G major – Etwas langsamer:
232:, is an untranslatable colloquialism roughly meaning "coarse" or "clumsy".
544:
506:
116:
80:
44:
758:
16:
437:
681:
272:(Non presto profondamente espressivo) (1st edition), Nicht schnell:
128:
114:
contained "many wedding thoughts" and that "the story is an entire
143:
Peter
Kaminsky has analysed the structure of the work in detail.
107:
59:. The low opus number is misleading: the work was written after
322:(Selvaggio e gaio), B minor and major, Florestan and Eusebius;
124:
48:
261:(Molto vivo, con intimo fervore) (1st edition), Sehr rasch:
369:(Un poco più lento), B minor; leading without a break into
514:
20:
First page the autograph of “Davidsbündlertänze” , Op. 6.
579:
817:
802:List of solo piano compositions by Robert Schumann
315:(Con umore), B minor–E minor and major, Florestan;
841:
265:(Molto vivo) (2nd edition), D minor, Florestan;
218:(Con umore) (2nd edition), G major, Florestan (
146:The first edition is preceded by the following
276:(Non presto) (2nd edition), G minor, Eusebius;
268:Nicht schnell mit äußerst starker Empfindung:
214:(Un poco impetuoso) (1st edition), Mit Humor:
565:
294:(Vivace) (2nd edition), C major, Florestan;
207:(Con intimo sentimento), B minor, Eusebius;
572:
558:
200:(Vivace), G major, Florestan and Eusebius;
494:International Music Score Library Project
482:International Music Score Library Project
404:, Op. 6 (see "External links" for score).
55:, who named them after his music society
413:
236:translated it as "cockeyed" in his book
15:
807:List of compositions by Robert Schumann
286:No tempo indication (metronome mark of
842:
308:(Semplice), B minor–D major, Eusebius;
183:and be ready for sorrow with courage.
553:
283:(Con freschezza), C minor, Florestan;
247:(Con impazienza), B minor, Florestan;
127:, but characteristic pieces, musical
47:6, is a group of eighteen pieces for
29:Robert Schumann's Davidsbündlertänze
13:
448:
14:
876:
469:
270:Not fast, with very great feeling
827:
532:, performed by Catherine Collard
458:. New York; Hill and Wang, 1959.
400:The mazurka is No. 5 in Wieck's
383:(Non presto), C major, Eusebius.
511:Isabella Stewart Gardner Museum
290:= 126) (1st edition), Lebhaft:
257:Sehr rasch und in sich hinein:
24:Piano pieces by Robert Schumann
850:Piano music by Robert Schumann
628:Variations on the name "Abegg"
430:10.1525/mts.1989.11.2.02a00040
407:
394:
254:(Semplice), D major, Eusebius;
1:
456:Encyclopedia of Concert Music
387:
164:Bleibt fromm in Lust und seid
162:Verknüpft sich Lust und Leid:
74:
41:Dances of the League of David
238:The Literature of the Piano.
7:
855:Compositions for solo piano
187:
179:joy and sorrow are mingled:
10:
881:
543:on YouTube Piano Soloist:
297:Balladenmäßig sehr rasch:
26:
797:
746:Faschingsschwank aus Wien
672:
619:
588:
259:Very quickly and inwardly
348:major – Etwas bewegter:
166:Dem Leid mit Mut bereit
152:
123:The pieces are not true
299:Balladically very fast
21:
417:Music Theory Spectrum
329:(Dolce e cantando), E
177:In each and every age
160:In all und jeder Zeit
19:
580:Solo piano music by
463:Complete Piano Works
327:Tenderly and singing
181:Remain pious in joy,
51:composed in 1837 by
774:Drei Fantasiestücke
753:Album for the Young
372:Wie aus der Ferne:
352:(poco piu mosso), E
342:(Con freschezza), B
690:Davidsbündlertänze
663:Geistervariationen
539:Davidsbündlertänze
524:Davidsbündlertänze
502:Davidsbündlertänze
477:Davidsbündlertänze
325:Zart und singend:
320:Wildly and merrily
210:Etwas hahnbüchen:
104:Davidsbündlertänze
85:Davidsbündlertänze
36:Davidsbündlertänze
22:
860:1837 compositions
815:
814:
788:Gesänge der Frühe
711:Symphonic Studies
488:Soirées musicales
461:Robert Schumann,
402:Soirées musicales
361:Mit gutem Humor:
318:Wild und lustig:
212:Somewhat clumsily
102:The theme of the
68:Symphonic Studies
65:, Op. 9, and the
872:
832:
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830:
823:
574:
567:
560:
551:
550:
541:
526:
496:, No. 6: Mazurka
492:: Scores at the
490:(Clara Schumann)
480:: Scores at the
442:
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411:
405:
398:
357:
356:
347:
346:
335:major, Eusebius;
334:
333:
289:
234:Ernest Hutcheson
175:
158:
880:
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869:
840:
839:
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834:Classical music
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818:
816:
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793:
674:
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620:Single-movement
615:
584:
582:Robert Schumann
578:
536:
521:
500:Performance of
472:
451:
449:Further reading
446:
445:
412:
408:
399:
395:
390:
379:Nicht schnell:
374:As if from afar
367:A little slower
363:With good humor
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287:
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53:Robert Schumann
32:
25:
12:
11:
5:
878:
868:
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865:Suites (music)
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704:Fantasiestücke
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589:Multi-movement
586:
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470:External links
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424:(2): 207–225.
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350:With agitation
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222:, now usually
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106:is based on a
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767:Bunte Blätter
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596:Fantasie in C
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57:Davidsbündler
54:
50:
46:
42:
38:
37:
30:
18:
787:
781:Albumblätter
780:
773:
766:
759:
752:
745:
738:
731:
725:Kreisleriana
724:
718:Kinderszenen
717:
710:
703:
696:
689:
688:
682:
662:
655:
648:
641:
634:
627:
611:Sonata No. 3
606:Sonata No. 2
601:Sonata No. 1
538:
523:
501:
487:
476:
462:
455:
454:David Ewen,
421:
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409:
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396:
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366:
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349:
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326:
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312:
305:
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280:
273:
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263:Very quickly
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243:Ungeduldig:
237:
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172:
170:
156:Alter Spruch
155:
153:
145:
142:
136:
134:
122:
115:
111:
103:
101:
97:"Novelettes"
84:
78:
66:
60:
40:
35:
34:
33:
739:Nachtstücke
732:Novelletten
675:collections
649:Blumenstück
545:Jerome Rose
507:Jeremy Denk
311:Mit Humor:
245:Impatiently
117:Polterabend
81:Clara Wieck
844:Categories
760:Waldszenen
673:Suites and
537:Schumann:
522:Schumann:
388:References
313:With humor
230:hagebüchen
225:hanebüchen
220:hahnbüchen
216:With humor
205:Intimately
173:Old saying
75:Background
71:, Op. 13.
683:Papillons
656:Humoreske
509:from the
304:Einfach:
250:Einfach:
196:Lebhaft:
129:dialogues
697:Carnaval
642:Arabeske
381:Not fast
355:♭
345:♭
338:Frisch:
332:♭
279:Frisch:
274:Not fast
188:Sections
148:epigraph
95:and the
89:Concerto
62:Carnaval
635:Toccata
530:YouTube
340:Freshly
281:Freshly
203:Innig:
108:mazurka
820:Portal
517:format
438:198923
436:
306:Simply
292:Lively
252:Simply
198:Lively
125:dances
112:Dances
93:Sonata
91:, the
87:, the
434:JSTOR
137:Tänze
49:piano
528:on
515:MP3
513:in
505:by
426:doi
228:or
45:Op.
43:),
846::
432:.
422:11
420:.
240:);
150::
822::
573:e
566:t
559:v
440:.
428::
288:♩
39:(
31:.
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