550:
film was 'more suitable for adults' than children. Bryan Senn, an
American film historian, writes that 'in England, the picture was trimmed by 10 minutes in order to fit the distributor's need for a shorter supporting feature', while British film historian Phil Hardy lists alternate run times of 77 and 61 minutes, but without noting if different countries got different run times. The British website Colonialfilms.org lists a running time of 61 minutes.
27:
705:
animals devouring each other): 'Africa: A country that for centuries was hidden from civilised man (...) Africa: Where primitive people still practise evil religions which weave a dark web of death around all those who sin against their gods'". The reviewer further points out that Major Lomas describes the
Simbazi by saying, "These people are further from civilisation than Stone Age men".
326:
Mike later insists Janet meet him that night in the bar of his hotel to discuss their future. Janet stands him up, and Mike hooks up with a woman at the bar. He goes to her flat with her but passes out on her bed as soon as they arrive. He has a nightmare about Saidi, who at that moment is being held
734:
Hamilton writes: "Not surprisingly, given the tight shooting time and forced rescheduling, the film exhibits a rushed and amateurish feel". He continues: "The cramped sets (...) look bland and somewhat seedy, and the flat lighting and unimaginative camerawork only compound the impression of watching
334:
At his hotel that night, Mike is awakened by someone rattling his room's doorknob. He grabs his revolver, opens the door, sees
Simbaza, pushes him away, and fires four rounds through the closed door. Janet is called by a Police Inspector, who explains what has happened and confiscates Mike's pistol.
330:
Mike again invites Janet out for a drink and a chat. As they sit at their table, Mike sees
Simbaza wearing a suit, tie, and hat, looking at him. Janet sees nothing. Mike follows Simbaza through the streets of London and onto a bus. When Mike gets aboard, Simbaza has vanished. When Mike sits down and
533:
The movie was originally budgeted at £35,000 and meant to be shot in four weeks, but because, as Gordon said in an interview, 'The weather really botched things up and sort of depressed everybody', it ended up being completed a week over schedule and £15,000 over budget. But even at £50,000, it was
308:
when one of the hunters, Radlett, wounds a lion. Mike says he now must kill it, but Major Lomas warns him that they are on
Simbazi land and, as the Simbazi worship lions, Mike will be cursed. Mike scoffs at the notion and heads out with his native guide Saidi. Mike kills the lion but gets mauled in
549:
website shows an A-certification, which was granted on 27 May 1965, and a run time of exactly 61 minutes 51 seconds. At the time, an X-cert would have restricted showing the movie only to theatre-goers of age 16 or older; an A-cert, which was less strict, had no age restrictions but meant that the
746:
the film, for its slow pace and cranky characters possess little appeal", and for the visual problems inherent in having "London-area woodlands standing in for the Dark
Continent". He calls the movie "a deadly serious film with no touch of whimsy or camp about it". Senn also says that Daniely has
704:
While
Haliday's obituary calls the film "faintly racist", Hardy describes it as "a crudely racist story". The anonymous reviewer for Blackhorrormovies.com writes, "Wow. Could this be any more offensive? It opens documentary-style with a voiceover (and a montage of booga-booga tribesmen and wild
700:
wrote: "A turgid piece of nonsense, filmed for the most part in what appears to be Epping Forest and
Wimbledon Common, and incorporating stock animal footage. The script is composed exclusively of clichés, and the direction staggers from TV close-up to TV close-up with paralysing incompetence."
513:
of
African fauna was extensively used. Gordon defended the use of stock footage, saying in an interview that it is 'one of the ways to make low-budget pictures - to have plenty of running time, without having to do a lot of complicated shooting'. However, as British film historian John Hamilton
346:, which he says could be caused by his alcoholism, his infected wounds, or probably both. Janet declares that she will nurse Mike back to health. That night, Simbaza peers through Mike's window, still in city clothes, and Mike has another nightmare about Saidi, who is still being held captive.
322:
In
Johannesburg, Major and Mrs. Lomas arrange to meet Mike at a nightclub. There, it is explained that Janet, Mike's wife, has left him, taking their son Tommy to her mother's home in London. When a drunken Mike shows up, Mrs. Lomas tells him that he ought to go home and save his marriage.
349:
After three days of care, the doctor recommends that Mike be committed to a mental institution. Janet refuses to do so and instead consults a Simbazi expert, who tells her the only way Mike will survive the curse is to return to Africa and kill the man who had put it on him.
71:
646:
in November 1966, a little more than a year after it first appeared in theatres. It was part of a 12-film package titled 'Teleworld 12' and syndicated to local TV stations by Teleworld itself. It was still being broadcast in the late 1970s; e.g. on
327:
captive by Simbazi tribesmen. At 4:00 a.m., Mike walks back to his hotel, but a lion seemingly stalks him. He returns to the woman's flat later that day. She says that she too heard a lion – but, then, she lives only 500 yards from the zoo.
319:. Most of the bearers have run off during the night, frightened by the curse. As they drive through the bush, Saidi attempts to stab Mike, who has lost consciousness from his injuries. Saidi and Lomas struggle. Lomas wins; Saidi runs away.
295:
who brings a curse home to England after enraging the Simbazi, an African tribe, by killing one of the lions that the tribe venerates. To break the curse and live, he must return to Africa and kill the tribal chief who put it on him.
553:
In the US, the film's runtime is usually listed as 77 minutes. Senn, however, disagrees with the others on both the UK and the US running time, listing them instead as 66 minutes for the UK print and 82 minutes for the US print.
714:
magazine review of 13 December 1965 says that "for the undemanding audience" which seems to "relish such goings-on, it's not disappointing fare", and that '"it's as actionful as anything that's preceded this import". As such,
353:
Mike and Janet go back to Africa. They meet Lomas at a bush camp. Mike turns down Lomas' offer of help and sets out alone. He finds tribesmen stomping Saidi and shoots, killing one of them while the others scatter.
518:, the stock footage is 'poorly integrated and reinforces the slap-dash feel of the production'. He says the film is Gordon's 'least favourite of the pictures worked on'. Interiors were shot at
312:
The Simbazi chief, Simbaza, and several warriors arrive at the safari camp. Spotting the lion skin stretched on a rack, Simbaza curses Mike by thrusting a spear into the ground at his feet.
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by two Simbazi warriors carrying spears and in native dress. He wakes up in his hotel room after this, being treated by a doctor. Janet tells the doctor about Mike's
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747:"seemingly disavowed her film work, claiming not to remember anything about it" but 'Money' was her terse reply when asked what attracted her to
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truck, crushing him between a front wheel and the frame. Simbaza is dead; the curse is broken. Mike and Saidi walk away, both now free.
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Jeeps and a 1942 Dodge WC 56 ¾-Ton (1500-lb) Command/Reconnaissance Car, with which Mike runs over Simbaza at the climax of the film.
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looks over his shoulder, Simbaza is sitting behind him. Mike looks away, and when he glances back, Simbaza has again disappeared.
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was first shown in the US on 22 September 1965 in Ohio. It opened in Los Angeles almost four months later, on 12 January 1966.
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a rather dull TV drama". Hamilton is also of the opinion that Regent's Park is a poor substitute for anywhere in Africa.
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Mike and Simbaza stalk each other through the jungle. Mike eventually runs Simbaza down with a World War II vintage
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listed them in the credits as 'Halliday' and 'Danielly'. Senn writes, 'Fortunately, Mr Haliday didn't notice'.
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Return of the B Science Fiction and Horror Heroes: The Mutant Melding of Two Volumes of Classic Interviews
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been a child star notes that while he continued recording into the 1960s - he was under contract to
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for their star performer Haliday. Though set in Africa, outdoor sequences were filmed in London's
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Although production started in 1964, the vehicles used in the safari scenes are World War II-era
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then - no recordings of his from the 1960s have been released. The obituary makes no mention of
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661:. It was first issued as a single disc on 4 May 1999, then included in four-disc packs titled
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The unnamed reviewer at Blackhorrormovies.com wonders if the only Caucasian person in the
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Senn also notes that both Haliday's and Daniely's names were misspelled on US prints of
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Please expand the article to include this information. Further details may exist on the
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495:(written under the pseudonym 'Tom O'Grady' and with additional dialogue and scenes by
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has been released on DVD in the US three times for home viewing by the same company,
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Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business 1953-1968
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rated the film as "good" on its very-poor-to-excellent scale, while noting that
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1216:"Bobby Breen, a Child Star Who Hit a High Note in the 1930s, Dies at 87"
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669:, released 3 February 2004. The three other films in both packs were
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The next morning, to Mike's dismay, the safari packs up to return to
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598:. Both were given 'a superfluous "l"' in their surnames, so that
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is the only film in which the quintet appears, according to the
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In the United States where it was shown as the second film on a
26:
995:. Jefferson NC: McFarland & Company Inc. pp. 285–286.
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about the film's theatrical/home media releases, and reception.
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who was a well-known child singer and actor during the 1930s.
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Production began in April 1964 as a joint project of the UK's
70:
537:
There is disagreement about the rating and running time of
877:. Baltimore MD: Midnight Marquee Press. pp. 142–145.
570:
561:, which performs during the nightclub scene, is the same
1480:
993:
A Year of Fear: A Day-to-Day Guide to 366 Horror Films
875:
X-Cert: The British Independent Horror Film 1951-1970
543:
X-Cert: The British Independent Horror Film 1951-1970
1269:. Durham NC: Duke University Press. p. 257.
1165:"Curse of the Voodoo (AKA Curse of Simba) (1965)"
1613:
1358:(372): 108. 1 January 1965 – via ProQuest.
1111:. NY: Harper & Row Publishers. p. 160.
491:and director Shonteff selected a screenplay by
373:as Mike Stacey (in credits as Bryant Halliday)
247:), is a black-and-white 1965 British-American
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385:as Janet Stacey (in credits as Lisa Danielly)
738:Senn writes that "It's difficult to dislike
772:The British Independent Horror Film 1951-70
397:as doctor (in credits as Ronald Leigh Hunt)
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642:The film was released to US television as
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789:British Film Institute Collections Search
545:at a running time of 77 minutes. But the
541:in the UK. Hamilton includes the film in
534:'still less than $ 150,000' at the time.
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809:Sanders, Sir Ronald (12 December 2010).
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267:(as Tom O'Grady) and it was produced by
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1214:Grimes, William (25 September 2016).
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1081:Drums O' Terror: Voodoo in the Cinema
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16:1965 British film by Lindsay Shonteff
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1369:Dannott, Adrian (7 September 1996).
1301:from the original on 5 February 2018
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1055:from the original on 11 January 2013
1049:British Board of Film Classification
1045:"History of the age ratings symbols"
1024:British Board of Film Classification
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811:"Hollywood actor dies at Yarrokabra"
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338:Mike is next pursued across a misty
285:Frankenstein Meets the Space Monster
75:Australian theatrical release poster
20:
304:Alcoholic Mike Stacey is leading a
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1627:Films directed by Lindsay Shonteff
1241:"Curse of the Voodoo, Movie, 1965"
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1125:
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1083:. Albany GA: Bear Mountain Press.
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751:and 'crap' her evaluation of it".
14:
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1652:British supernatural horror films
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858:, Bear Manor Media 2011 p 114-118
856:The Horror Hits of Richard Gordon
579:obituary for the Bobby Breen who
1109:The Encyclopedia of Horror Films
665:, released 29 October 2002, and
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1632:1960s supernatural horror films
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651:in New York on 7 January 1978.
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1637:British black-and-white films
1245:Internet Cars Movie Data Base
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667:The British Horror Collection
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628:in the US by Allied Artists.
620:was distributed in the UK by
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1642:1960s English-language films
1321:"Curse of the Voodoo (1965)"
934:"Curse of the Voodoo (1965)"
774:Hemlock Books 2013 p 142-144
690:
7:
1682:Films scored by Brian Fahey
1583:No. 1 of the Secret Service
436:Andy Meyers as Tommy Stacey
10:
1698:
1519:The Million Eyes of Sumuru
1371:"Obituary: Bryant Haliday"
622:Gala Film Distributors Ltd
487:(1964) executive producer
1591:Licensed to Love and Kill
1489:
1351:The Monthly Film Bulletin
1265:Heffernan, Kevin (2004).
1107:Hardy, Phil, ed. (1986).
697:The Monthly Film Bulletin
573:filmography of the band.
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836:Richard Gordon Interview
263:. The screenplay was by
249:supernatural horror film
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959:"Curse of Simba (1965)"
938:American Film Institute
873:Hamilton, John (2013).
364:
299:
278:with the low-budget US
1194:British Film Institute
963:British Film Institute
36:is missing information
1190:"Bobby Breen Quintet"
1672:Films set in England
1662:Films shot in London
1657:Allied Artists films
1079:Senn, Bryan (2018).
991:Senn, Bryan (2007).
499:) originally titled
454:as Simbaza in London
1677:1960s British films
1647:Films set in Africa
1599:How Sleep the Brave
1430:Curse of the Voodoo
749:Curse of the Voodoo
740:Curse of the Voodoo
659:Elite Entertainment
655:Curse of the Voodoo
644:Curse of the Voodoo
637:Curse of the Voodoo
626:Curse of the Voodoo
596:Curse of the Voodoo
559:Bobby Breen Quintet
470:Bobby Breen Quintet
466:as nightclub pickup
460:as nightclub dancer
433:as Police Inspector
425:Michael Nightingale
291:The film follows a
244:Curse of the Voodoo
1667:Films about curses
1481:Films directed by
1400:BoxOffice Magazine
1297:. 7 January 1978.
1295:The New York Times
1220:The New York Times
1142:. 13 December 1965
1140:BoxOffice Magazine
834:p.186 Weaver, Tom
576:The New York Times
520:Shepperton Studios
481:As a follow-up to
442:as Africane expert
407:Dennis Alba Peters
238:Voodoo Blood Death
97:(as "Tom O'Grady")
1609:
1608:
1169:Blackhorrormovies
1136:"Feature Reviews"
906:Colonialfilms.org
728:Parents' Magazine
531:Gordon Films Inc.
529:and the American
472:as nightclub band
395:Ronald Leigh-Hunt
391:as Janet's Mother
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1511:Licensed to Kill
1483:Lindsay Shonteff
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1402:. 27 June 1966.
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171:Release date
131:Gerald Gibbs
122:Dennis Price
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681:(1973) and
563:Bobby Breen
497:Leigh Vance
464:Valli Newby
200:61 min (US)
198:77 min (UK)
140:Brian Fahey
104:Produced by
99:Leigh Vance
81:Directed by
50:August 2019
1622:1965 films
1616:Categories
1559:Big Zapper
1535:Permissive
1495:Devil Doll
1118:0060550503
755:References
684:Inseminoid
632:Exhibition
484:Devil Doll
477:Production
431:John Witty
421:as Radlett
415:as Simbaza
401:Jean Lodge
147:Production
1575:Spy Story
717:BoxOffice
711:BoxOffice
691:Reception
607:Willys MB
448:as barman
288:(1965).
154:Gala Film
42:talk page
1404:Archived
1325:Allmovie
1299:Archived
1053:Archived
687:(1981).
675:(1972),
409:as Saidi
213:Language
136:Music by
114:Starring
722:Variety
649:WNEW-TV
224:£50,000
216:English
205:Country
180: (
149:company
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1594:(1979)
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1527:Clegg
794:7 May
1435:IMDb
1412:2020
1382:2020
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1271:ISBN
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744:like
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300:Plot
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182:1965
178:1965
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