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black community of Harlem. Captain Bryce—who has a portrait of
Richard Nixon prominently displayed in his office—tells Jones and Johnson not to treat O'Malley as a suspect, orders that the duo ignore. Jones and Johnson go to the apartment of Iris Brown, O'Malley's mistress, believing he will come to see her at some point, but are called away. Iris is able to escape from the policeman sent to guard her. Iris is shocked to discover O'Malley seducing Mabel Hill, the widow of one of his subordinates killed in the robbery, leading to a fight between the two women and Iris being disillusioned with O'Malley.
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to a violent search as rival gangsters seek the money. Iris tells Jones and
Johnson the truth—namely that the robbery was part of a plan to allow O'Malley to steal the money without discrediting himself, but that he was double-crossed by his partner Calhoun, a white career criminal whom he met in prison who decided to take the money for himself. Calhoun kidnaps Iris to torture her for information about where the bale is, but after a shoot-out, Jones and Johnson rescue her.
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338:, but instead he chose to be just a petty conman who exploited ordinary people. As O'Malley begs for support, the audience turn their backs on him and walks out. Detectives Jones and Johnson then blackmail Tom, a white mob leader, to give them $ 87,000 — to be restored to the original donors — after discovering that Uncle Budd has run off with the stolen money and emigrated to
36:
598:. The detectives work throughout the movie to prove that the black community was being taken advantage of, and by the end of the film, they gain the respect of white officers and are able to demand $ 87,000 from the white mafioso who runs the Harlem rackets, which they use to replace the money stolen at the beginning of the film.
496:) and the so-called Black Citizens Patrol volunteered to control the scenes with their experience in keeping out unwanted spectators and policing traffic. The Black Citizens Patrol's purpose was to protect the black community from itself, so they made themselves available at all times, even operating as an escort service.
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At a theater in Harlem, Iris's friend, the dancer Billie, uses the bale of cotton as part of her act, which attracts both
Calhoun and O'Malley to the theater. Jones and Johnson arrest and humiliate Calhoun—who was dressed in blackface—at the theater. In the back of the theater, Johnson beats O'Malley
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Uncle Budd, a scavenger, finds the bale of cotton and sells it for $ 25 to a junk dealer, but later buys it back for $ 30. There is a reward out for the $ 87,000, and
Gravedigger and Coffin deduce that the money was hidden inside the bale that fell out of the getaway vehicle during the chase, leading
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falls out of the vehicle, unremarked at the time. Though the authorities approve of O'Malley, regarding his "Back-to-Africa" movement as a way to solve
American racial problems, both Jones and even more so Johnson are hostile towards him, viewing him as a charlatan who is exploiting the impoverished
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The film grossed $ 90,000 in its opening week, setting a house record at the Woods
Theatre. After its third week it had grossed $ 506,000 from six cities, setting additional house records in New York and Detroit. Produced on a budget of $ 1.2 million, it earned $ 5.2 million in
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film, although others felt that it was merely an action comedy film. Detectives
Gravedigger and Coffin Ed do not always follow the rules. They are not necessarily fighting to protect the rule of law, but they try to protect their people from racist attitudes.
635:. 'They don't say a thing about my people!' However, like the dancer's balloons, fans and feathers, the movie's stick-ups, shootouts, chases, murders and wisecracks say little about the Black Experience except that
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is one of the most commercially successful films
Hollywood produced in the 1970s starring a predominantly black cast. The film was one of the many black films that appeared in the 1970s eventually becoming a
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Fun City (Pt. 2): Location
Comedies / Two Sides of Sidney Lumet, You're a Big Boy Now, Cotton Comes to Harlem, Bye Bye Braverman, Serpico, by J. Hoberman posted August 6, 2013
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in a fight. Jones and
Johnson expose the Reverend O’Malley to the audience of the theater as the fraud that he is, remarking that he could have been another
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is mostly about the ride, with chases and barbed banter urging the movie along, keeping the whole endeavor light on its toes," giving the film a B+.
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Seeing that the film would be shot in Harlem, and was featuring large crowd scenes, such as riots and rallies, John Shabazz (a former bodyguard for
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313:. During the rally, several masked gunmen jump out of a meat truck and steal $ 87,000 in donated cash from the back of an armored car. Two
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in Detroit before expanding a week later in New York City, Louisville, Milwaukee, Washington D.C., and a further theater in Detroit.
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neighborhood where it was filmed. This helped to put a positive spotlight on Harlem, which at the time was ravaged with crime.
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SCREENING, Cotton Comes to Harlem, Part of Fun City: New York in the Movies 1967–75, Saturday, August 10, 2013, 5:00 p.m.
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due to strong artistic differences with Samuel Goldwyn, Jr. and his studio executives. The eventual sequel,
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Soul Searching: Black-Themed Cinema from the March on Washington to the Rise ..., By Christopher Sieving
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with much original material injected, ended up being directed by
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UA film 'cotton comes to harlem' in the ghetto. (1969, Nov 08).
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in Chicago on May 27, 1970. The following week it opened at the
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1370:. Johnson Publishing Company. February 25, 1971. p.
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In contrast, in retrospective reviews, Ken Hanke of the
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employed many local residents as extras and crew in the
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Sidney Poitier: Man, Actor, Icon, By Aram Goudsouzian
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267:. The film, later cited as an early example of the
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704:during its North American release, making it the
673:films," and Brian Orndorf of Blu-Ray.com wrote, "
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1291:"This 'Cotton' Doesn't Shrink (advertisement)".
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1154:"Classic Soul Cinema: 'Cotton Comes to Harlem'"
1123:"Classic Soul Cinema: 'Cotton Comes to Harlem'"
829:(under license from MGM) on September 9, 2014.
568:-winners for their performances in the play).
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922:. Lanham, MD: Scarecrow Press. p. 427.
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1172:"Coffin Ed Johnson and Grave Digger Jones"
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761:Learn how and when to remove this message
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16:1970 American action film by Ossie Davis
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1403:20th Century Fox Home Entertainment
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919:Historical Dictionary of Film Noir
706:22nd highest-grossing film of 1970
481:Filmed between May and June 1969,
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1244:"Cotton Comes to Harlem Blu-ray,"
1143:(Big Weekend Edition) (1966–1973)
1121:McMillan, Stephen (11 May 2015).
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873:List of American films of 1970
669:"one of the earliest and best
21:Cotton Comes to Harlem (novel)
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1750:African-American comedy films
1745:African-American action films
1700:Films directed by Ossie Davis
905:. 6 January 1971. p. 11.
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305:rally, for the purchase of a
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1331:. June 10, 1970. p. 13.
1297:. June 17, 1970. p. 17.
899:"Big Rental Films of 1970".
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859:and was released in 1972 by
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297:Deke "Reverend" O'Malley, a
19:For the original novel, see
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1715:Films shot in New York City
1695:Films based on crime novels
1342:Box Office Information for
1314:. June 17, 1970. p. 5.
1277:. June 3, 1970. p. 11.
1246:Blu-ray.com (Sep 27, 2014).
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813:(acting as distributor for
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388:as Deke "Reverend" O'Malley
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1710:Films set in New York City
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1176:www.thrillingdetective.com
1106:.Retrieved April 13, 2020.
1094:.Retrieved April 13, 2020.
1082:.Retrieved April 13, 2020.
1070:.Retrieved April 13, 2020.
976:Turner Broadcasting System
851:, loosely based on Himes'
848:Come Back, Charleston Blue
499:The film saw the debut of
286:Come Back, Charleston Blue
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1325:"50 Top-Grossing Films".
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433:Mabel Robinson as Billie
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1383:Cotton Comes to Harlem.
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843:Cotton Comes to Harlem,
511:. Another debut was by
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1483:Hannan, Brian (2016).
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351:Cotton Comes to Harlem
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241:Cotton Comes to Harlem
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643:' Gold Coast fables,
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1720:United Artists films
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950:. December 31, 1969.
688:was released at the
436:Dick Sabol as Jarema
1705:Films set in Harlem
1629:Countdown at Kusini
1460:. September 9, 2014
817:) January 9, 2001.
377:Raymond St. Jacques
372:"Gravedigger" Jones
271:genre, is based on
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244:is a 1970 American
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106:Raymond St. Jacques
1583:Films directed by
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1205:The New York Times
726:possibly contains
702:theatrical rentals
620:The New York Times
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590:also demonstrates
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1740:1970 comedy films
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1418:. January 9, 2001
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1198:(June 11, 1970).
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1039:"Obituaries"
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194:Running time
171:Release date
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1585:Ossie Davis
1445:Kino Lorber
1256:Hannan 2016
1043:Daily Press
980:Time Warner
857:Mark Warren
827:Kino Lorber
637:Ossie Davis
612:Film critic
592:Black Power
538:Melba Moore
448:as "Lo Boy"
428:J.D. Cannon
424:as Anderson
404:Emily Yancy
349:Showing of
281:Melba Moore
253:Ossie Davis
88:Produced by
65:Arnold Perl
62:Ossie Davis
53:Ossie Davis
49:Directed by
1660:1970 films
1654:Categories
1637:Crown Dick
1613:Black Girl
1181:2019-11-14
1158:Soul Train
1127:Soul Train
1024:B0007EYQFO
879:References
801:Home media
735:improve it
681:Box office
566:Tony Award
560:) starred
477:Production
470:Don Bexley
430:as Calhoun
418:as Goodman
416:Lou Jacobi
227:Box office
198:97 minutes
182:1970-05-27
145:Production
59:Written by
884:Citations
794:Super Fly
739:verifying
646:Tony Rome
602:Reception
544:musical,
513:Redd Foxx
505:Judy Pace
494:Malcolm X
466:as Casper
398:Redd Foxx
392:Judy Pace
336:Malcolm X
265:Redd Foxx
232:(rentals)
124:Edited by
1548:AllMovie
1053:27 March
1047:Archived
1004:(1966).
867:See also
542:Broadway
454:as Barry
412:as Bryce
406:as Mabel
289:(1972).
246:neo-noir
211:Language
134:Music by
98:Starring
71:Based on
1476:Sources
1464:June 7,
1450:Blu-ray
1422:June 7,
1328:Variety
1311:Variety
1294:Variety
1274:Variety
1215:June 7,
986:June 7,
972:Atlanta
948:Variety
902:Variety
823:Blu-ray
733:Please
665:called
353:at the
299:con man
214:English
203:Country
180: (
147:company
1640:(1987)
1632:(1976)
1624:(1973)
1616:(1972)
1608:(1970)
1600:(1970)
1501:
1377:May 4,
1022:
926:
839:sequel
833:Sequel
675:Harlem
629:Harlem
572:Themes
552:Purlie
547:Purlie
507:, and
487:Harlem
460:as Tom
303:Harlem
263:, and
219:Budget
788:Shaft
340:Ghana
1526:IMDb
1499:ISBN
1466:2017
1424:2017
1379:2016
1351:via
1349:IMDb
1217:2017
1055:2015
1020:ASIN
988:2017
924:ISBN
791:and
649:and
362:Cast
293:Plot
1546:at
1535:at
1524:at
1452:).
1410:).
1408:DVD
1367:Jet
841:to
825:by
809:by
807:DVD
737:by
631:'s
617:of
334:or
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184:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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