31:
354:
451:, obtained him a post of professor (1851). In Russia, he also painted still lifes and landscapes. He participated in the encaustic decoration of the wooden ceiling of the gallery of ancient painting of the Hermitage, depicting the Seasons and antique artworks and buildings, (based on drawings by Georg Hiltensperger). Dusi also painted numerous icons for the
498:
In 1831, Dusi had been made honorary associate for the
Venetian Academy, and he had over the years periodically revisited his native Venice. He returned to Venice to stay finally in 1856, and hoped without success, for a professorship in the academy. The Austrian painter
590:
789:
439:. In Russia, he painted portraits of the Grand Duke and members of the imperial family and the court, including General Suhozanet (1842), Kavos (1849), of Feodosiya Tarassova Gromova. His
365:
burned down in a fire, Dusri was commissioned in 1837–1838 to paint the sipario (main drop-curtain) for the newly rebuilt theater house. The subject of the curtain was, appropriately, the
435:
Dusi had briefly lived in Munich, Bavaria, where he had painted mainly portraits, but around 1840, the Grand Duke
Nicholas of Russia, after visiting his Venetian studio, invited Dusi to
30:
490:, and the other, probably for the Alexandrine theater of St Petersburg in 1858. The czar awarded him the Order of St. Anne of third class and the Order of St Stanislaus of third class.
835:
679:
786:
330:
Dusi was commissioned to complete the main altarpiece of the
Collegiata of Santa Maria Maggiore of the main city of the Dalmatian island of Cherso (now
880:
479:
503:
was instead named to the professorship. His last known work, A vigil at home of
Tintoretto, exhibited in Venice in 1857. He painted two altarpieces:
483:
830:
203:
603:
256:(right lateral altar, 1833) and the Assumption of Mary (1834, main altarpiece) of the Sanctuary of Santa Assunta of Maria Luggau in West
850:
761:
895:
845:
885:
855:
743:
411:
890:
840:
574:
369:, however, by 1854, this curtain was replaced by a more patriotic and nationalistic scene. Drusi also painted screens for the
653:
225:, completed a series of lithographs depicting various trades of Venetians, published by Galvani. The subjects were mostly
628:
171:
After graduating in 1827, the academy awarded Dusi a room near the school and he exhibited the large historical canvas,
97:
209:
In Venice, Dusi collaborated in the production of illustrations for books and lithographic series. For the journal of
710:
860:
153:
875:
538:
202:. In 1830 he married Antonietta Ferrari, daughter and sister respectively of the sculptors Bartolomeo and
233:
of Venice has engravings and lithography by Drusi. He also traveled through Monaco, Germany, and Russia.
385:
229:
figures (fishmongers, chimney sweeps, etc.) or portraits (including singers, actors, and dancers). The
136:, painting mainly sacred and historical subjects. Dusi was nicknamed by his contemporaries the "modern
396:. For an exhibition held in the Venetian Academy to celebrate the visit, Drusi displayed seven works:
541:(in Italian), Dizionario Biografico degli Italiani - Volume 42 (1993) by Maddalena Malni Pascoletti.
452:
87:
83:
443:
granted him membership in the
Academy of Fine Arts of St. Petersburg in 1842, another painting of
342:. Dusi attempted to make an accurate copy (1833) of the icon. In 1834 he painted an altarpiece of
475:(1844-1855). He painted for private chapels of the buildings of the capital and country estates.
165:
641:
for Parish Church of S.S. Pietro e Paulo in Sexten, which this source name "Sesto" in
Italian.
758:
607:
436:
133:
870:
865:
388:
engraved prints celebrating the visit of
Emperor Ferdinand I of Austria. The subjects were
265:
741:
217:, that was used in Cicognara's obituary in 1834, and was based on a prior oil painting by
8:
370:
347:
297:
218:
214:
737:
257:
581:: Cosroe Dusi, the adventures of an artists at the court of the Tsars. (In Italian)
571:
362:
335:
157:
650:
793:
765:
747:
657:
578:
550:
320:
249:
161:
692:. Mühlwald is also referred with the alternate Italian name "Selva dei Molini".
500:
334:, Croatia). A fire in 1826 had destroyed the ancient Renaissance altarpiece of
222:
190:
824:
357:
Saints
Filomena, Lucy, and Agatha Painting by Cosroe Dusi, San Martino Church
199:
180:
129:
117:
230:
417:
Prayers of his bride convince Henry IV to absolve the prisoners of Calais
273:
682:(in Italian and German). Comune di Selva Dei Molini / Gemeinde Mühlwald
407:
379:
Michelangelo presenting the young
Giovanni da Udine to the Duke Gonzaga
137:
515:
455:
in St
Petersburg, later replaced by copies in mosaic, depicting: the
226:
72:
236:
In 1831 he was commissioned to paint the main altarpiece depicting
186:
143:
107:
183:. In 1829 at the annual exhibition of the Accademia, he displayed
519:
281:
128:(July 28, 1808 – October 9, 1859) was an Italian painter in the
427:, and finally an unspecified sketch for a historical painting.
289:
245:
149:
54:
551:
Della litteratura veneziana del secolo XIV: notizie ed appunti
374:
353:
312:
305:
140:", for his liveliness of invention and rapidity at painting.
198:, and two small paintings depicting scenes from writings of
631:(in Italian). Mein Suedtirol - La mia vacanza in Alto Adige
511:(1851) for the Venetian church of San Giovanni in Bragora.
331:
390:
Celebration of the Completion of the Dam of Malamocco
447:, made him an academician (1843), and finally, his
206:. Luigi had also studied at the academy with Dusi.
488:Ilsolenne entrance of Prince Požorskij into Moscow
280:(1836) for the side altar of a parish church near
276:; in 1836 he completed an altarpiece depicting a
272:(1835) for the main altar of the parish church of
459:, for the right side of the altar iconostasis, a
304:(1839) for the church of San Luca Evangelista in
822:
553:, by Count Filippo Nani-Mocenigo, pages 211-212.
144:Education and early work in the Veneto and Tyrol
836:Academic staff of the Imperial Academy of Arts
268:. Among his other religious paintings are his
629:"Chiesa parrocchiale di S.S. Pietro e Paulo"
593:reviewed for Cultura Italia by Laura Larcan.
319:. For the church of Santa Maria Assunta of
296:for the main altar of the parish church of
325:Holy Family with young St John the Baptist
244:for the parish church of the same name in
881:Accademia di Belle Arti di Venezia alumni
482:and two curtains, both lost, one for the
164:. At the academy, Dusi studied alongside
352:
831:Members of the Imperial Academy of Arts
715:is now in Diocesan Museum. (In Italian)
441:Mary Queen of Scots led to the scaffold
317:Communion of St Martin, bishop of Tours
288:for the parish church of St Michael at
823:
340:The Miracle of the Madonna of the Snow
315:, he painted the altarpiece depicting
311:For the parish church of St Martin in
160:, who had also taught the influential
373:of Venice and the Nobile theater of
270:Adoption of the Habit by St Gertrude
493:
242:Virgin of the Rosary and St Dominic
156:, where his mentor was the painter
13:
851:Emigrants from the Austrian Empire
394:Entry of the Emperor into Chioggia
346:(1834) for the Venetian church of
264:for the chapel in the cemetery of
260:. He also painted frescoes on the
221:. Dusi, along with Grigoletti and
213:, he made a lithographic portrait
98:Accademia di Belle Arti di Venezia
14:
907:
896:19th-century Italian male artists
846:Painters from the Austrian Empire
478:Dusi decorate the ceiling of the
430:
344:Saints Filomena, Lucy, and Agatha
886:Painters from the Russian Empire
856:Immigrants to the Russian Empire
805:Exhibition at Marostica in 2012.
377:. The subject of the latter was
132:style, active for many years in
29:
808:
799:
780:
771:
752:
727:
718:
704:
695:
672:
572:Exhibition at Marostica in 2012
514:He died on October 9, 1859, in
402:Communion of St Martin of Tours
701:Now in a reconstructed church.
663:
644:
621:
596:
584:
565:
556:
544:
532:
457:Savior and Mary, Mother of God
154:Academy of Fine Arts of Venice
1:
891:Italian neoclassical painters
841:19th-century Italian painters
796:Arte Arti notes. (In Italian)
525:
196:Virgin and child with St John
177:Paolo and Francesca da Rimini
152:. He enrolled in 1820 at the
84:Member Academy of Arts (1842)
734:Alcibiades among the Heterae
680:"Storia di Selva dei Molini"
445:Alcibiades among the Heterae
384:In 1838, Drusi designed and
7:
591:Cosroe Dusi 2012 Exhibition
254:St Luke painting the Virgin
179:, exhibited in 1831 at the
35:Kozroe Dusi (self portrait)
16:Italian painter (1808–1859)
10:
912:
473:St Catherine of Alexandria
386:Giovan Francesco Locatelli
240:and another altarpiece of
367:Apotheosis of the Phoenix
113:
103:
93:
79:
61:
40:
28:
21:
724:Nani-Mocenigo, page 212.
669:Nani-Mocenigo, page 212.
453:Cathedral of Saint Isaac
294:Glory of Saint Catherine
262:Resurrection of the Dead
88:Professor by rank (1851)
173:The Death of Alcibiades
166:Michelangelo Grigoletti
814:Treccani Encyclopedia.
777:Treccani Encyclopedia.
562:Treccani Encyclopedia.
406:(Socrates reproaches)
358:
861:Italian male painters
539:Treccani Encyclopedia
486:in Moscow, depicting
425:Portraits of a family
356:
238:Saints Peter and Paul
189:seduces the innocent
134:St Petersburg, Russia
876:Painters from Venice
736:is exhibited in the
712:Transit of St Joseph
302:Transit of St Joseph
505:St Anthony of Padua
371:San Samuele theater
278:Santa Maria Assunta
148:Cosroe was born in
792:2014-02-03 at the
764:2014-02-19 at the
746:2019-04-07 at the
656:2014-02-03 at the
577:2014-02-04 at the
359:
298:Graun im Vinschgau
219:Ludovico Lipparini
215:Leopoldo Cicognara
738:Revoltella Museum
651:Cortina d'Ampezzo
604:"MFA collections"
266:Cortina d'Ampezzo
123:
122:
903:
815:
812:
806:
803:
797:
784:
778:
775:
769:
759:Hermitage Museum
756:
750:
731:
725:
722:
716:
708:
702:
699:
693:
691:
689:
687:
676:
670:
667:
661:
648:
642:
640:
638:
636:
625:
619:
618:
616:
615:
606:. Archived from
600:
594:
588:
582:
569:
563:
560:
554:
548:
542:
536:
494:Return to Venice
480:Marinsky Theater
398:Romeo and Juliet
363:Teatro La Fenice
336:Andrea Vicentino
158:Teodoro Matteini
68:
50:
48:
33:
19:
18:
911:
910:
906:
905:
904:
902:
901:
900:
821:
820:
819:
818:
813:
809:
804:
800:
794:Wayback Machine
787:Exhibit on Dusi
785:
781:
776:
772:
766:Wayback Machine
757:
753:
748:Wayback Machine
732:
728:
723:
719:
709:
705:
700:
696:
685:
683:
678:
677:
673:
668:
664:
658:Wayback Machine
649:
645:
634:
632:
627:
626:
622:
613:
611:
602:
601:
597:
589:
585:
579:Wayback Machine
570:
566:
561:
557:
549:
545:
537:
533:
528:
496:
484:Bolshoi theater
433:
323:, he painted a
146:
94:Alma mater
86:
75:
70:
66:
65:October 9, 1859
57:
52:
46:
44:
36:
24:
17:
12:
11:
5:
909:
899:
898:
893:
888:
883:
878:
873:
868:
863:
858:
853:
848:
843:
838:
833:
817:
816:
807:
798:
779:
770:
751:
726:
717:
703:
694:
671:
662:
643:
620:
595:
583:
564:
555:
543:
530:
529:
527:
524:
501:Karl von Blaas
495:
492:
432:
431:Work in Russia
429:
223:Michele Fanoli
191:Hermaphroditus
175:, followed by
145:
142:
121:
120:
115:
111:
110:
105:
104:Known for
101:
100:
95:
91:
90:
81:
77:
76:
71:
69:(aged 51)
63:
59:
58:
53:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
908:
897:
894:
892:
889:
887:
884:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
828:
826:
811:
802:
795:
791:
788:
783:
774:
767:
763:
760:
755:
749:
745:
742:
739:
735:
730:
721:
714:
713:
707:
698:
681:
675:
666:
659:
655:
652:
647:
630:
624:
610:on 2019-04-10
609:
605:
599:
592:
587:
580:
576:
573:
568:
559:
552:
547:
540:
535:
531:
523:
521:
517:
512:
510:
506:
502:
491:
489:
485:
481:
476:
474:
470:
466:
462:
458:
454:
450:
446:
442:
438:
437:St Petersburg
428:
426:
422:
418:
414:
413:
409:
403:
399:
395:
391:
387:
382:
380:
376:
372:
368:
364:
355:
351:
349:
345:
341:
337:
333:
328:
326:
322:
318:
314:
309:
307:
303:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
259:
255:
252:. He painted
251:
247:
243:
239:
234:
232:
228:
224:
220:
216:
212:
211:Il Gondoliere
207:
205:
204:Luigi Ferrari
201:
200:Gasparo Gozzi
197:
193:
192:
188:
182:
178:
174:
169:
167:
163:
159:
155:
151:
141:
139:
135:
131:
127:
119:
118:Neoclassicism
116:
112:
109:
106:
102:
99:
96:
92:
89:
85:
82:
78:
74:
64:
60:
56:
51:July 28, 1808
43:
39:
32:
27:
20:
810:
801:
782:
773:
754:
740:in Trieste,
733:
729:
720:
711:
706:
697:
684:. Retrieved
674:
665:
646:
633:. Retrieved
623:
612:. Retrieved
608:the original
598:
586:
567:
558:
546:
534:
513:
508:
504:
497:
487:
477:
472:
469:St Anastasia
468:
464:
460:
456:
448:
444:
440:
434:
424:
420:
416:
405:
401:
397:
393:
389:
383:
378:
366:
360:
343:
339:
338:, depicting
329:
324:
316:
310:
301:
293:
285:
277:
269:
261:
253:
241:
237:
235:
231:Museo Correr
210:
208:
195:
184:
176:
172:
170:
147:
130:Neoclassical
125:
124:
67:(1859-10-09)
871:1859 deaths
866:1808 births
461:Last Supper
348:San Martino
286:Crucifixion
126:Cosroe Dusi
23:Cosroe Dusi
825:Categories
614:2014-02-02
526:References
509:Deposition
465:Deposition
449:Deposition
410:among the
408:Alcibiades
361:After the
185:The Nymph
138:Tintoretto
47:1808-07-28
516:Marostica
421:Landscape
258:Carinthia
80:Education
73:Marostica
790:Archived
762:Archived
744:Archived
686:22 April
654:Archived
635:22 April
575:Archived
327:(1839).
300:; and a
292:; and a
274:Mühlwald
187:Salmacis
108:Painting
660:Parish.
520:Vicenza
518:, near
412:Heterae
400:; the
321:Taufers
282:Bruneck
507:and a
415:; the
290:Brixen
246:Sexten
150:Venice
55:Venice
375:Udine
313:Gsies
306:Padua
250:Tyrol
227:genre
181:Brera
162:Hayez
114:Style
688:2014
637:2014
471:and
463:, a
419:; a
392:and
332:Cres
284:; a
194:, a
62:Died
41:Born
248:in
827::
522:.
467:,
423:,
404:,
381:.
350:.
308:.
168:.
768:.
690:.
639:.
617:.
49:)
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_1830.jpg)