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Cord-marked pottery

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culture, Tapenkeng culture (coarse corded ware culture), fine corded ware culture (red cord-marked ware culture), and the proto-historical culture. There were also the eastern cord-marked cultures of eastern, central, and southern Taiwan. Pottery of the Suntangpu culture consists mainly of jars, bowls, and basins. Three main kinds of pottery: reddish sandy pottery, orange sandy pottery, and orange clay pottery, are recognized from these red cord-marked wares. Reddish Sandy pottery characterized by red coatings and dominant pyroxene tempers is considered most characteristic of Suntangpu culture. Micro-Raman spectroscopy, XRD, and SEM-EDX can be used on corded Ware pottery to unravel mineralogical composition and can also be specifically used on red cord-marked pottery to help determine whether the same raw materials were used in the red coatings and ceramic bodies by ancient Potters.
222: 86: 65:, the latter of which means to build up a pot with coils of rolled clay. Layers of coiled clay are then pinched, thinned, and smoothed. Another method, paddling, is accomplished by pounding a lump of clay with a wooden paddle against a large stone. The fabric texture may appear on the side of the pottery if the paddle was covered with fabric. Otherwise, the pot could be created by shaping and pinching a lump of clay. 143:(c. a. AD 1100–1450). Round shaped or globular pottery meant that the vessels could be steadied on several small stones or placed directly on a fire for cooking. There were also different rim shaped: flared rims, straight rims, or collared, meaning thickened, rims. Fingernail impressions or incised lines were sometimes added for decoration. 108:
and the central and southern parts of the western side of the island, and a culture with similar pottery occupied the eastern coastal areas. Archaeologically, the prehistory of Taiwan can be subdivided into at least four major cultural sequences. From earliest to most recent, these are the Changpin
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Cord-marked pottery was made in several shapes. An inverted cone shape, with a pointed bottom and up to 2 1/2 feet tall, was used for storing food. The walls of the pottery were very thick, and were too heavy to haul food a great distance. This would have been a great improvement over storing food
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Mostly three types of impressions are obtained by using (1) single strand cord, (2) double strands twisted cord and (3) knots of thick cord in Maipur. The cords are wrapped around a paddle in case of the first two types, while the paddle is covered with a net made by tying knots in series of thick
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Cord-marked pottery was then made with a paddle and anvil method that was accomplished by pressing cord-wrapped paddles against the side of the pottery to form and thin the pottery. This was done while holding an anvil stone on the inside of the vessel. The fiber cords prevented the paddles from
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is an early form of a simple earthenware pottery. It allowed food to be stored and cooked over fire. Cord-marked pottery varied slightly around the world, depending upon the clay and raw materials that were available. It generally coincided with cultures moving to an agrarian and more settled
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The rough surface that was created made it easy to hold on to the vessels, particularly when wet or greasy. The rough surface also allowed "more effective transfer of heat (energy) from a cooking fire to the contents of the pot compared to a vessel with a smooth exterior."
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Cord-marked pottery was made in the plains between the early centuries AD and through to the 1700s. Wilmington Cord-Marked, made of clay or grog and tempered with grit or sherd, was found at the mouth of the
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was coined by Edward S. Morse who discovered corded ware at the Omori site in 1867. In Taiwan, the Fengpitou (鳳鼻頭) culture, characterized by fine red cord-marked pottery, was found in
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in Colorado. Pottery designated as white rock cord-marked pottery was obtained at the white rock site, seven miles east of Boulder and thirty miles north of Denver, Colorado in 1948.
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Native groups of people created their own styles, based upon the raw materials that they used or the decorations that they added to the pottery. Some used crushed
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it to prevent cracking and shrinking when dried and fired. Several methods were used to create the rough shape of the vessel: pinching and shaping, paddling, or
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directly underground without a container. Over time, the pottery walls became thinner and rounder as pottery-makers became more skilled, such as during the
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from AD 1100 to 1450. Similar pottery was made in the Oklahoma panhandle, southwestern Kansas, and southeastern Colorado. Cord-marked pottery, made by the
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Pottery was made by gathering clay from hillsides or streams. Other material—shells, stone, sand, plant fibers, crushed fired clay—added to the clay
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Liou, Ying San (2010). "Micro-Raman spectroscopic study of cord-marked pottery decorated with red coatings from Taiwan, ca 2600–1700 B.C.".
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and along the coastal plain of South and North Carolina. The earliest Wilmington pottery was dated to 500 BC. Cord-marked pottery made by
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sticking to the wet clay. This created small, parallel ridges in the pottery. Pottery was then dried for two weeks and fired.
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to temper the clay pottery. Decorations were made with punctuations, impressions, and incised lines. During the
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about 500 BC. Over the next 500 years, pottery-making cultures spread west, south, and northwest into the
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Savannah cord marked bowl, St. Catherines Period, AD 800–1300, Fernbank Museum of Natural History
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In North America, cord-marked pottery is believed to have originated in the
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Earthenware with cord-marked and incised decoration (Tokoshinai 5 type),
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tempered pottery, Wilmington cord marked, Wilmington Period, AD 350–800,
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Santa Fe Trails Scenic and Historic Byway. Retrieved February 1, 2020.
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about 900 years ago called Borger Cordmarked Pottery (found at
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along the Canadian River, believed to be people of the
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shells were used to temper Keyser Cord-marked pottery.
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Indian Archaeological Society: 79–105 2339: 1663: 1302: 568: 473: 1664: 391: 77:cord in the case of the third type. 2357:Indigenous ceramics of the Americas 174:), is named for the nearby town of 13: 28:Fernbank Museum of Natural History 14: 2368: 1616:Megalithic architectural elements 457: 1303: 220: 208: 112: 2235:Evolutionary origin of religion 451: 412: 385: 358: 1: 1848:Art of the Middle Paleolithic 1378:British megalith architecture 394:Journal of Raman Spectroscopy 246: 1843:Art of the Upper Paleolithic 1383:Nordic megalith architecture 45:, as compared to a strictly 41:lifestyle, like that of the 7: 10: 2373: 1991:British Isles and Brittany 1912:Gwion Gwion rock paintings 371:World History Encyclopedia 201: 116: 91:Metropolitan Museum of Art 53:Making cord-marked pottery 2193: 2006: 1833: 1680: 1676: 1659: 1545: 1509: 1358: 1315: 1311: 1298: 1105: 936: 909: 834: 760: 751: 656: 581: 577: 569: 564: 507: 338:Hazarika, Manjil (2013). 194:period has been found at 156:prehistoric West Virginia 129:Midwestern United States 2223:Evolutionary musicology 1626:Oldest extant buildings 1553:Archaeological features 1072:Prepared-core technique 80: 2185:Unchambered long cairn 2033:Mound Builders culture 1366:Neolithic architecture 501:Prehistoric technology 280:texasbeyondhistory.net 184:Antelope Creek culture 93: 30: 2352:Pre-Columbian pottery 1860:List of Stone Age art 1062:Microblade technology 1010:Langdale axe industry 608:Ard / plough 310:archaeology.uiowa.edu 141:Plains Village period 125:Eastern United States 88: 22: 2267:Prehistoric medicine 2262:Prehistoric counting 2245:Prehistoric religion 2240:Paleolithic religion 2218:Behavioral modernity 1575:Causewayed enclosure 1467:Abri de la Madeleine 591:Neolithic Revolution 2306:Prehistoric warfare 1052:Magdalenian culture 1015:Levallois technique 946:Earliest toolmaking 34:Cord-marked pottery 16:Earthenware pottery 2257:Origin of language 2250:Spiritual drug use 2160:Rectangular dolmen 2062:Dartmoor kistvaens 1875:Carved stone balls 1587:Circular enclosure 1546:Other architecture 1489:Alp pile dwellings 1077:Solutrean industry 988:Gravettian culture 638:Secondary products 94: 38:Cordmarked pottery 31: 2334: 2333: 2330: 2329: 2326: 2325: 2279:Prehistoric music 2228:music archaeology 1885:Cup and ring mark 1710:Clothing/textiles 1655: 1654: 1651: 1650: 1294: 1293: 1290: 1289: 1097:Yubetsu technique 1082:Striking platform 1047:Lithic technology 932: 931: 917:Game drive system 836:Projectile points 728:Mortar and pestle 424:www.scpottery.com 238:, 4800 BC, 2364: 2294:Divje Babe flute 2201:Archaeoastronomy 1944:Petrosomatoglyph 1678: 1677: 1661: 1660: 1510:Water management 1313: 1312: 1300: 1299: 1203:Denticulate tool 1025:Lithic reduction 758: 757: 579: 578: 566: 565: 494: 487: 480: 471: 470: 464: 463: 455: 449: 441: 435: 434: 432: 430: 416: 410: 409: 406:10.1002/jrs.2813 400:(5): 1062–1068. 389: 383: 382: 380: 378: 362: 356: 355: 353: 351: 335: 326: 325: 323: 321: 312:. 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Retrieved 279: 160: 145: 137: 133:Great Plains 122: 98:JĹŤmon period 95: 75: 71: 67: 56: 37: 33: 32: 2133:unchambered 2128:Long barrow 2118:Grave goods 2074:Court cairn 2069:Clava cairn 2021:Bowl barrow 1959:Rock cupule 1902:Golden hats 1895:Hill figure 1796:Unstan ware 1776:Cord-marked 1641:Sweet Track 1563:Burnt mound 1484:Stilt house 1472:Sibudu Cave 1265:Tally stick 1233:Quern-stone 1218:Hammerstone 1208:Fire plough 1179:Pesse canoe 1137:Bannerstone 1107:Other tools 1020:Lithic core 968:Aurignacian 856:Bare Island 738:Quern-stone 429:February 1, 377:February 1, 320:February 1, 285:February 1, 236:Banpo phase 230:cordmarked 190:during the 152:Luray phase 49:lifestyle. 2341:Categories 2272:trepanning 2165:Ring cairn 2123:Jar burial 2106:transepted 2038:U.S. sites 1939:Petroglyph 1865:Bird stone 1823:wine press 1496:Stone roof 1479:Roundhouse 1371:long house 1348:Stonehenge 1316:Ceremonial 1260:Stone tool 1087:Tool stone 1057:Metallurgy 961:Mousterian 938:Toolmaking 876:Cumberland 849:Transverse 819:Schöningen 711:Qesem cave 679:Earth oven 633:Irrigation 544:Technology 512:Prehistory 460:Plains2020 247:References 2316:symbolism 2180:Tor cairn 2138:Grønsalen 2079:Cremation 1971:Sculpture 1949:Pictogram 1934:Petroform 1754:amber use 1722:Cosmetics 1532:Reservoir 1517:Check dam 1447:Pueblitos 1442:Pit-house 1425:Longhouse 1359:Dwellings 1228:Microlith 1159:Bow drill 1154:Bone tool 1147:prismatic 956:Acheulean 871:Cresswell 844:Arrowhead 770:Boomerang 686:Granaries 648:Terracing 527:Stone Age 192:Tipi Ring 1954:Rock art 1917:painting 1890:Geoglyph 1715:timeline 1695:Beadwork 1435:Mehrgarh 1430:Mudbrick 1338:megalith 1213:Fire-saw 1035:debitage 1030:analysis 998:Hand axe 978:Cupstone 556:Glossary 517:Timeline 350:20 April 228:Yangshao 2311:Symbols 1922:pigment 1808:Weaving 1771:Cardium 1766:Pottery 1761:Mirrors 1749:Jewelry 1690:Baskets 1670:culture 1522:Cistern 1328:Pyramid 1270:Weapons 1248:Scraper 1238:Racloir 1198:Cleaver 1186:Chopper 1092:Uniface 1003:Grooves 993:Hafting 951:Oldowan 910:Systems 861:Cascade 824:woomera 814:harpoon 787:history 753:Hunting 733:Pottery 674:Cooking 583:Farming 549:history 522:Outline 240:Shaanxi 232:amphora 202:Gallery 63:coiling 59:tempers 2289:flutes 2084:Dolmen 2008:Burial 1818:winery 1791:Linear 1621:Midden 1599:Cursus 1592:Goseck 1452:Pueblo 1403:Dugout 1388:Burdei 1067:Mining 891:Lamoka 886:Folsom 866:Clovis 723:Metate 701:Hearth 669:Basket 643:Sickle 188:Apache 106:Penghu 2206:sites 2150:Mummy 1870:Cairn 1786:JĹŤmon 1737:shoes 1732:Hides 1604:Henge 1558:Broch 1420:Jacal 1275:Wheel 1223:Knife 1169:Canoe 1164:Burin 1142:Blade 1040:flake 901:Plano 809:baton 799:Spear 765:Arrow 718:Manos 571:Tools 102:Jomon 2299:gudi 2057:Cist 1986:list 1813:Wine 1742:Ă–tzi 1727:Glue 1700:Beds 1668:and 1666:Arts 1537:Well 1393:Cave 1323:Kiva 1253:side 1243:Rope 1191:tool 1125:bone 1115:Adze 881:Eden 794:Nets 664:Fire 628:Goad 613:Celt 431:2020 379:2020 352:2020 322:2020 287:2020 81:Asia 24:Grog 1408:Hut 1343:row 1174:Oar 1132:Axe 1120:Awl 402:doi 154:of 36:or 2343:: 422:. 398:42 396:. 368:. 342:. 330:^ 308:. 295:^ 278:. 255:^ 234:, 493:e 486:t 479:v 462:. 433:. 408:. 404:: 381:. 354:. 324:. 289:.

Index


Grog
Fernbank Museum of Natural History
Woodland period
hunter-gatherer
tempers
coiling

Metropolitan Museum of Art
JĹŤmon period
Jomon
Penghu
Ceramics of indigenous peoples of the Americas
Eastern United States
Midwestern United States
Great Plains
Plains Village period
volcanic stone
Luray phase
prehistoric West Virginia
Savannah River
Plain Villagers
Landergin Mesa
Borger, Texas
Texas Panhandle
Antelope Creek culture
Apache
Tipi Ring
Picture Canyon
Savannah cord marked bowl, St. Catherines Period, AD 800–1300, Fernbank Museum of Natural History

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