Contemporary African art

204:'s thesis, to be post-ethnic . Neither being out of time nor belated, contemporary African art strategically inhabits a third epistemological space by being in time." As they add, this being "fundamentally of its time" counts for all contemporary art, not only the African. In their book, Enwezor and Okeke-Agulu discuss contemporary African art by its approaches and guiding topics, rather than trying to define categories on the basis of styles, markets or traditions. Their chapters therefore are designated as "Between postcolonial utopia and postcolonial realism", "Networks of practice" in the globalized field of cultural production, "Politics, culture and critique", "Archive, document, memory", "Abstraction, figuration and subjectivity" and "The body politic: difference, gender, sexuality". Doing so, they locate contemporary African art within a historical perspective, something that had largely missed in previous discussions. 109:

African art that reflects the modern experience of cultural pluralism and hybridity. Modernity as a colonial and postcolonial experience appears as an intrinsic and significant attribute in most conceptions of contemporary African art. Scholars and curators therefore have proposed a wide range of taxonomies that tried firstly to define what is African about this art, and secondly, the range of genres it covers. Diverse attempts to define particular genres of contemporary African art, however, mirrored the fascination of art scholars and curators for the appropriation of cultural elements from assumed "Western" into "African" modes of expression and traditions.

2016: 772:, Center for African Art, New York / Prestel-Verlag, Munich, 1991. Curated by Susan Vogel in collaboration with Ima Ebong, The Centre for African Arts, New York (1991); University Art Museum di Berkeley; Dallas Museum of Art; Saint Louis Art Museum; Mint Museum of Art di Charlotte; The Carnegie Museum of Art di Pittsburgh; The Corcoran Gallery of Art di Washington D.C.; The Center for Fine Arts di Miami; Lüdwig; Forum für Internationale Kunst di Aachen, Germany (1993); Fundació Antoni Tàpies di Barcellona (1993); Espace Lyonnais d'Art Contemporain di Lyon (1994); Tate Gallery, Liverpool (1994). 661: 126:, in turn, proposes to think of three currents, rather than categories, namely a "tradition-inspired" one, a "modernist" trend, and "a popular art", whereby Mount's categories would be situated somewhere "between the tradition-inspired and the modernist trend". Similar to other categorizations, this proposal considers the education of the artists as well as the envisaged clientele/patrons as important factors for the respective "currents". In the exhibition catalogue of 213:

production, animation, interactive projects, websites, filmmaking, graphic art, and design. And such practices include, among others, net art, digital installation art, virtual reality, and digitized forms of painting, drawing, sculpture, photography, music, etc. When applied to or exhibited in and on Africa they constitute what is referred to as African Digital Art. Below are some artists who can be regarded as African digital artists.

195:, 1995) is a case in point. Rather than grafting binary taxonomies, it narrated seven modern art histories in different parts of Africa by invited curators and artists, who were familiar with these recent histories and their respective art scenes. The exhibition proved to offer a highly complex, historically informed and well-researched presentation. Another example for subverting binary taxonomies is the book 234: 105:

contemporary art. At the same time, there are a lot of contemporary art practices and forms in African regions and cities that are almost exclusively locally known. While meeting all three requirements of being contemporary, art, and African, they fail to fit into a certain type of art production that has been spreading on the international art market since at least the 1980s.

1619:, Museum for African Art, New York. Curated by Laurie Ann Farrell, Museum for African Art, New York (14 November 2003 – 1 March 2004); Peabody Essex Museum, Salem, MA (27 March–18 July 2004); Cranbrook Art Museum, Bloomfield Hills, MI (12 September–28 November 2004); Museu Calouste Gulbenkian, Lisboa (1 March 2005); Museum of African Diaspora, San Francisco (March 2006). 1569:, edited by Okwui Enwezor, Prestel, Munich-New York, 2001. Curated by Okwui Enwezor, Villa Stuck, Munich (15 February–22 April 2001); Haus der Kulturen der Welt, Berlin (18 May–22 July 2001); Museum of Contemporary Art, Chicago (8 September–30 December 2001); P.S.1 Contemporary Art Center and The Museum of Modern Art, New York (10 February–5 May 2002). 2310:(Tunisia), Gonçalo Mabunda (Mozambique), Mustafa Maluka (South Africa), Abu Bakarr Mansaray (Sierra Leone), J. D. 'Okhai Ojeikere (Nigeria), Joshua Okoromodeke (Nigeria), Richard Onyango (Kenya), Idrissa Ouédraogo* (Burkina Faso), Chéri Samba (Congo), Sarkis & Guem & Perdrix* (France/Bénin), Zineb Sedira (Algérie), 1481:, Modo Verlag Freiburg, 2000. Contemporaneamente in quattro spazi espositivi: Ludwig Forum for International Art, Aachen; the Bonnefanten Museum, Maastricht (exhibition on Africa curated by Marjorie A. Jongbloed); the National Gallery, Heerlen; the Museum of Modern and Contemporary Art, Liége (21 May–21 September 2000). 200:

belated nor does it exist out of time; second, because it is post-historical, it did not emerge out of a succession of historical styles; third, because it is critical of colonial valorization of an authentic past, it is postcolonial; and fourth, in relation to its post-colonialism, it seeks, according to

2279:

242:

Fanuel Leul is an African digital artist based in Addis Ababa, Ethiopia. His work is focused on the concept of Afrofuturism, which contrasts African traditions with the futuristic world. He has digitally created many advanced works of art highlighting a very futuristic layout with elements of African

130:(1991), curator Susan Vogel distinguished between "traditional art", "new functional art", "urban art", "international art", and "extinct art". Rejecting these categories, collector André Magnin proposed to group similar works into sections named "territory", "frontier" and "world" in his survey book 48:

a far more relaxed engagement with definitions and identity ascriptions. The global presence and entanglement of Africa and its contemporary artists have become a widely acknowledged fact that still requires and provokes critical reflection, but finds itself beyond the pressure of self-justification.

47:

Western scholars and curators have made numerous attempts at defining contemporary African art since the 1990s and early 2000s and proposed a range of categories and genres. They triggered heated debates and controversies, especially on the foundations of postcolonial critique. Recent trends indicate

43:

in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category " are problematic in themselves: What exactly is "contemporary", what makes

2038:(Tanzania); Almighty God (Ghana); Bruce Onobrakpeya, Prince Twins Seven Seven, (Nigeria); Kivuthi Mbuno (Kenia); Ester Mahlangu, Churchill Songezile Madikida (Sud Africa). Curated by Antonella Pisilli, Ex Convento dei Carmelitani Scalzi per la settima edizione di Vitarte, Viterbo, (12–15 March 2010) 159:

between art and craft, Europe and Africa, urban and rural, and traditional and contemporary. These dichotomies tend to consider mutual influences in African and European art as an exception rather than the norm. Even more, they fail to think of African art independent from Europe as its counterpart

108:

Exhibitions variously showed work by artists based in Africa; by artists using aesthetics typical to African traditions; by African artists living in the West but including aesthetics and topics related to their "roots"; traditional artworks related to customary practices such as rituals; and urban

248:

Wanjiku Nyachae, has worked in the art world for over twenty-five years offering mental health and well-being support through digital art. She is a strong believer that art has the capacity to change lives. She is the founder of Cascade SciArts, an organization dedicated to creating evidence-based

224:

Bassey Effiong Ndon is a multi-talented Nigerian painter, experimental artist, and digital artist. He has worked with African symbols, dance culture, and societal critiques over the years. Being a fan of music and the digital technology, his work focuses on musical themes and creative emotions. He

117:

One example is Marshall W. Mount, who proposed four categories: first, "survivals of traditional styles", which show continuities in traditional working material and methods such as bronze casting or wood carving; secondly, art inspired by Christian missions; thirdly, souvenir art in the sense of

80:

in 1989 is widely considered (but also challenged as) a key exhibition in this very recent history of international reception of African and other non-western art. However, this reception, too, has its roots in an exotic and mystifying view on African culture from a dominant western position, as

212:

Digital art has been defined in different ways. For instance, Lizelle Bisschoff defines it as "artistic work or practice that uses digital technologies as an essential part of the creative and/or presentation, dissemination and exhibition process". Such works include, among others, audio-visual

199:

by Okwui Enwezor and Chika Okeke-Agulu. Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial. "irst, within categories of time, it is neither

104:

Contemporary African art is believed to feature particularities typical to African aesthetics, while at the same time it shares properties with other international contemporary arts. Therefore, it is both, shaped by and feeding into the globalizing art worlds and art markets, like any other

1557:, edited by Salah Hassan and Iftikhar Dadi, Museum Boijmans Van Beuningen & NAI Publishers, Rotterdam, 2001. Curated by Salah Hassan and Iftikhar Dadi in collaboration with Chris Dercon and Patricia Pulles, Museum Boijmans Van Beuningen, Rotterdam (13 December 2001 – 24 February 2002). 92:

Therefore, although this exhibition and many that followed had a strong influence in creating a kind of a common understanding of what constitutes contemporary African art, it is true that it has been and still is subject to discussions and controversies. Almost every exhibition following

625: 599:), edited by Christina Bjork, Kerstin Danielson and Bengt Serenander, Riksutställninger, Kulturhuset, Stoccolma, 1989. Curated by Kerstin Danielsson, Kulturhuset & Kulturhuset, Stoccolma (19 May–24 September 1989); itinerant in Sweden and in Scandinavian countries until May 1990. 1708:. Curated by Thomas Miegang and Tobias Wendl, Kunsthalle Wien, Austria (4 November 2004 – 30 January 2005); Iwalewa-Haus, Bayreuth, Germany (29 April–12 September 2004); Kunstverein Aalen (3 April–12 July 2005); Museum der Weltkulturen in Frankfurt (8 July 2005 – 15 January 2006). 220:

Tatenda Ndove is a digital illustrator and a character designer from Zimbabwe. She has experience as a digital painter, book illustrator, comic book artist, and colorist. Tatenda spent three years pursuing her studies in fine art at the National Art Gallery of Zimbabwe Visual Art

1373:, Münchner Stadtmuseum, 1998. Curated by Tobias Wendl and Heike Behrend, Münchner Stadtmuseum (1998); Städtisches Museum Abteiberg, Mönchengladbach; Iwalewa Haus, Bayreuth, Germany; National Museum for African Art, Smithsonian Institution, Washington D.C., US (1999). 2314:(Mali), Abderrahmane Sissako* (Mauritanie), Yinka Shonibare MBE (UK/Nigéria), Pascale Marthine Tayou (Cameroon), Barthélémy Toguo (Cameroon), 8 May–6 July 2014, Château de Penthes Ch. de l'Impératrice, Genève-Pregny, Commissaire générale Adelina von Fürstenberg. 225:

has recently been exploring the use of digital media to understand African art. His study into the digital media brings a new vigour in the visual portrayal of African art, incorporating several motivating themes and social commentaries to voice his opinions.

254:

Freddie Jacob, from Nigeria is a queer woman who uses various parts of her intersectionality to create her own NFTs. She often utilizes themes typically deal with female empowerment, love and relationships. She has been an active artist and creator since

1282:. Curated by Brahim Alaoui, Pia Alisjahbana, Suhail Bisharat, Clifford Chanin, Salima Hashmi, Salah Hassan, Hasan-Uddin Khan, Beral Madra, Toeti Heraty Noerhadi, A. D. Pirous, Zenobio Institute, in contemporanea con la XLVII Biennale di Venezia, 1997. 142:

to exclude Northern Africa in such considerations and to follow a global, rather than "particularistic focus on the study of the art of the continent" that would provide more specific and deeper bodies of knowledge. In the 1990 exhibition

228:

Puleng Mongale is a South African photographer and digital artists born in Soweto in 1991, who sparked up an interest in Photography in 2019. Her work in digital collaging has been popularized and continues to be a work of expression for

1594:. Curated by Arbeitsgruppe Unterbrochen Karrieren, Thomas Michalak, Torsten, Neuendorff, Beate M. Sauer-Dolezal, Sabine Schlenker, Ingo Taubhorn, Neue Gesellschaft für bildende Kunst, Berlin, Germany (14 December 2002 – 9 February 2003). 3146:. Edited by Paul Chike Dike and Pat Oyelola, with essays by Cornelius O. Adepegba, Oloidi, Don Akatakpo and Jacob Jari. 298 pp. 302 b/w reproductions and 133 colour reproductions. A publication of the National Gallery of Art, 1998. 1428:. Curated by Michael D. Harris, Ackland Art Museum (12 December 1999 – 26 March 2000); Washington D.C., Smithsonian Institution (21 May–3 September 2000); Chicago, DuSable Museum of African American History (7 October–31 December 2000). 2684:(Monograph of Prints and Paintings 1978–1985), with introduction by Prof. Babatunde Lawal. 256 pp. 182 b/w, 3 drawings, 60 colour illustrations, essays, interviews, notes and comments, biographical and bibliographical notes. 1985. 56:

Although African art has always been contemporary to its producers, the term "contemporary African art" implies a particular kind of art that has conquered, or, as some would say, has been absorbed by the international art world and

2306:(Bénin), Omar Ba (Sénégal), Faouzi Bensaïdi* (Maroc), Filipe Branquinho (Mozambique), Frédéric Bruly Bouabré (Côte d'Ivoire), Edson Chagas (Angola), Romuald Hazoumé (Bénin), Pieter Hugo (South Africa), Adelita Husni-Bey (Libye), 122:", such as the likes of Artworks by South African Visual Artist, Ezequiel Mabote, as defined later by Jules-Rossette; and finally, an emerging art requiring "techniques that were unknown or rare in traditional African art". 69:

became aware of art made in Africa by individual artists, thus breaking with the colonial tradition of assuming collective "ethnic" origins of so-called "tribal art" as found in most ethnographic collections. The exhibition

1840:, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna, 2006. Curated by Elvira Dyangani Ose in collaboration with Tracy Murinik, Gabi Ngcobo and Khwezi Gule, CAAM, Isole Canarie (23 February-30 April 2006). 1485: 2602:

Africa's contemporary art and artists: a review of creative activities in painting, sculpture, ceramics and crafts of over 300 artists working in the modern industrialized societies of some of the countries of sub Saharan

151:

tried to take the perspective of the presented artists and distinguished between African artists who refuse outside influences; African artists who adopt modes of Western art; and African artists who fuse both strategies.

160:

or "influence", resulting in a frequent reproach of African artists "copycatting" or "mimicking" European achievements of modernism. Such Eurocentric attitudes have been revealingly criticized by theorists such as

3512: 3708:, Washington DC, USA. Curated by Janet L. Stanley, Warren M. Robbins Library, National Museum of African Art, Smithsonian Institution Libraries. Begun in 1995, this annotated reading list is continually updated. 1852:, International Center of Photography, New York, 2006. Curated by Okwui Enwezor, International Center of Photography, New York (10 March–28 May 2006), Miami Art Central, Miami, Florida (30 June–27 August 2006). 134:, thus placing them into "imaginary maps". However, this approach was also criticized by Dele Jegede with convincing arguments against its ethnocentric perspective. Among other things, he pointed to the 838:, Mazzotta, Milano, 1991. Curated by Pierre Gaudibert and Wijdan Ali (in collaboration with Umberto Melotti), Galleria civica d'arte contemporanea "Francesco Pizzo", Marsala (14 February–14 April 1991). 975:

e Joëlle Busca (coordinamento generale di Orlando Britto Jinorio), Las Palmas de Gran Canaria (15 November 1994 – 15 January 1995); Palma de Mallorca Fundacion "La Caixa" (15 February–16 April 1995).

5572: 1444:, La Joie par les Livres AJPL, Clamart, Francia, 1999. Curated by Marie Laurentin, Viviana Quiñones and Cécile Lebon, Fiera Internazionale del Libro per l'Infanzia, Bologna (8–11 April 1999). 2543:

Repenser la coopération culturelle en Afrique: Rencontre Africalia d'Ostende (27–29/05/2003), Rencontre Africalia de Liège (26–27/06/2003), Rencontre Africalia de Bruxelles (19–20/09/2003)

1720:, Editions Autrement, Paris, 2004. Curated by Olivier Sultan, Musée des Arts derniers/Jean-Marc Patras Galerie/Espace CPP, Paris. In occasione della Foire internationale des Arts derniers. 2551:, edited by Gerardo Mosquera and Jean Fisher (con il progetto artistico di Francis Alÿs), New Museum of Contemporary Art-New York/The MIT Press-Cambridge Massachusetts & London, 2004. 651:

in collaboration with Suhail Bisharat, Scorpion Publishing on behalf of the Royal Society of Fine Arts, Amman, London, 1989. Curated by Wijdan Ali, Barbican Concourse Gallery, London.

97:

offered a taxonomy or system of categorization that helped to reflect the very notion of contemporary African art, but they failed to recognize the postcolonial need of giving up the

2242:

Making Way: Contemporary Art from South Africa and China. Curated by Ruth Simbao. Albany Museum, Fort Selwyn and the Provost, National Arts Festival, Grahamstown, South Africa (2012)

3697: 1827:, Associação Cultural Videobrasil, 2006. Curated by FundaCAo Cultural Palmares, Museu de Arte Moderna Da Bahia, Mam E Sala Walter Da Silveira, Salvador-Ba (18 March–17 April 2005). 2822:

A Study Exploring Opportunities to Strengthen U.S.-Based Collaborations with Performing Artists of Africa, Asia and Latin America. Prepared with the Support of the Ford Foundation

938:, African Studies and Research Center, Institute for African Development, Council for the Creative and Performing Arts, Cornell University, Ithaca, 1993. Curated by Salah Hassan. 3176:. Edited by Mudiare Onobrakpeya and Uche Abalogu with an introduction by Simon Ikpakronyi. A collection of 26 essays on Bruce Onobrakpeya. 70 pp. Ovuomaroro Gallery Production. 2824:, New England Foundation for the Arts, 3 June 1994. Project director Ceclila Fitzgibbon; Project consultants Elizabeth Peterson and Robert Wisdom (Archivio Ford Foundation). 3859:

See also Firstenberg, Lauri (2003). "Negotiating the Taxonomy of Contemporary African Art – Production, Exhibition, Commodification", in Farrell, L. A., Byvanck, V. (eds),

4821: 1159:, Santolo De Luca, Roberto Nottoli, Roberto Lucca Taroni, Ngwenya Valente Malangatana, Mickael Elma, Alain Padeau, Thierry Fontaine, Alim'Roivili dit Napalo, Sandile Zulu. 5847: 3261:, edited by Giovanni Parodi di Passano, no. 2-3/99, December 1999; "Dossier: Sulla storia dell'arte africana contemporanea", edited by Iolanda Pensa, no. 55, August 2006. 5577: 2183: 961:, Curated by Antonio Picariello, artisti: Jack Beng-Thi, Michael Elma, Alain Padeau, Eric Pongérard, Edouard Rajaona, Alì M'roivili dit Napalo, Malla Chummun Raymyead. 3182:, Catalogue. Edited by Pat Oyelola. Poems and extracts from various literary works. 56 pp. 30 illustrations in colour and b/w Ovuomaroro Gallery Production, 2003 1219:, Sala 1, Roma and Adriano Parise Editore, Verona, 1996. A cura Francesca Capriccioli, Sala 1, Roma (1 February 1996). Artisti partecipanti: El Anatsui, Theo Eshetu, 4082:

Hassan, Salah (1999). "The Modernist Experience in African Art: Visual Expressions of the Self and Cross-cultural Aesthetics", in Oguibe, O., and O. Enwezor (eds),

3158:. Edited by Mudiare Onobrakpeya and curated by Mike Omoighe and Toyin Akinosho; 40 pp. 25 b/w and 32 colour reproductions. Ovuomaroro Gallery production, 1999. 1983: 3812:

Firstenberg, Lauri (2003). "Negotiating the Taxonomy of Contemporary African Art – Production, Exhibition, Commodification", in Farrell, L. A., V. Byvanck (eds),

3252: 1893: 1613:, Contemporary Art Museum, St. Louis – USA, 2003. Curated by Shannon Fitzgerald, Carnegie Mellon University, Pittsburgh USA (20 September 2003 – 3 January 2004). 5882: 3956:

Marshall W. Mount (1973) quoted in: Mudimbe, Valentin Y. (1991). "'Reprendre': Enunciations and Strategies in Contemporary African Arts", in Vogel, S. (ed.),

3209:"AniMystikAKtivist - Between Traditional and the Contemporary in African Art" Jens Hoffmann and Z.S. Strother. Yale University Press and MercatorFonds, 2018, 1539:, Forum For African Arts, Ithaca (NY), 2001. Curated by Salah Hassan and Olu Oguibe, exhibition "a latere" 49ª Biennale di Venezia (9 June–30 September 2001). 5557: 4505: 5878: 5747: 5732: 5632: 5031: 1043: 684: 1766:. Curated by "Oltre l'Africa"-Centro Studi e Documentazione Africana, in collaboration with la SUI-Sviluppi Umani Immaginati, Toscana (15 September 2004–) 5592: 2321: 1015: 249:

interventions to elevate mood. Her work mainly consists of live music, projections and VR visuals which stimulate uplifting hallucinogens in her clients.

5869: 5552: 4944: 1698:, Marie-Laure Bernadac, Roger Malbert, Museum Kunst Palast, Düsseldorf (24 July-7 November 2004); Hayward Gallery, London (10 February–17 April 2005); 1504:. Curated by Solange Oliveira Farkas, Fundação Cultural Palmares and Associação Cultural Videobrasil, São Paulo, Brasile (16 August–17 September 2000). 5547: 2179: 1047: 1027: 169: 1563:. Curated by Hervé Chandès in collaboration with Hélène Kelmachter and André Magnin, Fondation Cartier pour l'art, Paris, (21 June–4 November 2001). 5886: 5722: 5423: 5418: 5413: 5408: 5398: 5393: 5388: 5383: 5378: 5373: 5368: 5363: 2163: 2003: 1898: 1666: 3133:. Monograph of prints and paintings Edited by Safy Quel 132 pp. 17 colour and 155 b/w and line pictures, Ovuomaroro Gallery production, 1982. 1754:. Curated by Kinsey Katchka and Allyson Purpurra, National Museum of African Art, Smithsonian Institution, Washington DC (febbraio-novembre 2004). 981:, Institute du Monde Arabe, Paris, 1994. Curated by Brahim Alaoui and Jean-Hubert Martin, Paris, Institut du Monde Arabe (6 April–15 August 1994). 5757: 5717: 5682: 5542: 5282: 2215: 2211: 1131: 1096:, Tokyo (23 September–19 November 1995); Tokushima Modern Art Museum (20 January–17 March 1996); Himeji City Museum of Art (6 April-6 May 1996); 525:, Paris, 1987. In collaboration with Le Centre Culturel Français d'Abidjan, Musée d'Art Naïf - Max Fourny, Paris (11 September–11 November 1987). 2395:, Paris: Presence Africaine, 1968. Conferenza a cura della Society of African Culture (SAC) in collaboration with UNESCO, 30 March–8 April 1966. 2236: 2147: 2057: 5856: 5843: 5835: 5762: 5702: 5667: 5647: 5612: 5597: 5567: 5527: 5517: 3665: 2219: 1995: 1791:. Curated by Christian Hanussek, Akademie der Bildenden Künste, Nürnberg (3–17 June 2005); Universität der Künste, Berlin (18–28 January 2006). 3164:, print notes and comments No.9. Introduced by Bruce Onobrakpeya 49 pp. 48 b/w line reproductions; Ovuomaroro Gallery Publications, 1989. 5865: 5804: 5772: 5637: 5627: 5617: 5562: 5522: 3477: 3415: 2175: 1999: 1987: 1023: 844:, Kuru Cultural Project, Botswana, 1991. Curated by Kuru Cultural Project of D'Kar, Botswana in collaboration with Namibian Arts Association. 3248:. Quarterly digital and annual print publication founded by Suzette and Brendon Bell-Roberts, Cape Town, South Africa, from 2002 to current. 3114:. Editor Leclair Grier Lambert. 101 pp. 81 b/w illustrations. Asele Institute Nimo/African American Cultural Centre, Minneapolis, 1982. 435:). Curated by Sabine Hollburg and Gereon Sievernich, Staatliche Kunsthalle, Berlin (24 June–12 August 1979); same exhibition with the title 5839: 5672: 5657: 5304: 2262:

Making Way: Contemporary Art from South Africa and China. Curated by Ruth Simbao. Standard Bank Gallery, Johannesburg, South Africa (2013)

1631:, inIVA, London, 2003. Curated by Gilane Tawadros and Sarah Campbell, all'interno della 50ª Biennale di Venezia (15 June–2 November 2003). 5602: 5319: 4826: 4759: 4188: 987:. Curated by Peter Herrmann and Achim Kubinski, Galerie Peter Herrmann, Stuttgart (1994); Douala (1995); Berlin (1999); Stuttgart (1999). 576:), Snoeck-Ducaju & Zoon, Rotterdam, 1988. Curated by Paul Faber, Museo di Etnologia, Rotterdam (4 November 1988 – 13 February 1989). 5021: 3918: 1991: 1520:, Royal Museum for Central Africa, Tervuren, 2000. Curated by Toma Muteba Luntumbue, Royal Museum for Central Africa, Tervuren, Belgio. 706:

Art from the Frontline: Contemporary Art from South Africa, Angola, Botswana, Mozambique, Tanzanian, Zambia, Zimbabwe, Frontline States

431:(Nr. 1, 1979). Eine Ausstellung der Berliner Festspiele mit Unterstützung der Staatliche Kunsthalle, Berlin, 1979 (title on the cover 3406: 522: 2979:

by Richard A. Singletary. 78 pp. 143 colour reproductions. The Ford Foundation, The Institute of International Education, 2002.

1438:), Museum für Völkerkunde, Frankfurt am Main, 1999. Curated by Joanna Agathe, Museum für Völkerkunde, Galerie 37, Frankfurt am Main. 1298:, Château de Tanlay-Yonne, Yonne, Francia, 1997. Curated by Michel Nuridsany, Centre d'Art de Tanlay, Yonne (7 June–5 October 1997). 4934: 17: 4040:

Oguibe, Olu (1999). "Art, Identity, Boundaries: Postmodernism and Contemporary African Art", in Oguibe, O., and O. Enwezor (eds),

907:, Museum for African Art, New York, 1993. Curated by Thomas McEvilly and Susan Vogel, all'interno della Biennale di Venezia, 1993. 5793: 5492: 5277: 4642: 4630: 4589: 3339: 5197: 5026: 4919: 1714:. Curated by Laurent Jacob, Espace 251 Nord asbl, 2004; Tri Postal, Lille, Francia (31 March–8 August 2004) durante Lille 2004. 1248:, Editions CQFD, Paris, 1998. Exhibition and residency project, Centre Culturel Français du Benin (12 August–9 September 1997). 826:, 1991. Curated by Joanna Agthe and Christina Mundt, Museum für Völkerkunde, Frankfurt am Main (26 April 1991 – 19 April 1992). 1655:. Curated by Mary Angela Schroth, Chiesa San Bartolomeo and Galleria Limiti inchiusi, Campobasso (29 August–20 September 2003) 1625:. Curated by Toma Muteba Luntumbue, Palais des Beaux-Arts, Bruxelles (21 June–14 September 2003), all'interno di Africalia 03. 4963: 2080:, Stuart Bird, Athi Patra Ruga, Vitshios Mwilambwe Bondo, Primo Marella Gallery, Milano (12 November 2010 – 30 January 2011). 712:, 1990. Curated by Peter Sinclair and Emma Wallace, Glasgow Art Gallery and Museum (esposizione itinerante in Gran Bretagna). 1803:, edited by Olivier Sultan, Musée des arts derniers, Paris, 2005. Curated by Olivier Sultan, Musée des arts derniers, Paris. 5250: 4983: 4265: 4239: 3972:

Mudimbe, Valentin Y. (1991). "'Reprendre': Enunciations and Strategies in Contemporary African Arts", in Vogel, S. (ed.),

2497:, edited by Nkiru Nzegwu, International Society for the Study of Africa, ISSA Binghamton University, Binghamton, NY, 1998. 172:. This problem is not easy to solve, and in some cases, it is tackled by simply subverting any attempt of categorization. 5230: 3326:. Quarterly print publication founded by Suzette and Brendon Bell-Roberts, Cape Town, South Africa, from 2002 to current. 871: 4742: 2828:

Catalogue de la collection d'oeuvres d'artistes contemporains d'Afrique et d'Océanie acquises ou conservées par l'ADEIAO

1665:, edited by Fernando Alvim, Heike Munder and Ulf Wuggenig, Migros Museum für Gegenwartskunst, Zürich, 2005). Curated by 3785: 443:

at Commonwealth Institute, London (1981). The exhibition was also presented in Frankfurt/Main (Paulskirche) during the

2527:, edited by N'Goné Fall and Jean Loup Pivin, Paris: Éditions Revue Noire, 2001. Raccolta di saggi e schede di artisti. 2509:, edited by Olu Oguibe and Okwui Enwenzor, Institute of International Visual Arts (inIVA) and MIT Press, London, 1999. 5235: 4924: 3214: 2560:"Hand Grenades From My Heart" Kendell Geers writings, edited by Jérôme Sans, Blue Kingfisher Limited, Beijing, 2013, 611:, in collaboration with Jacques Soulillou, André Magnin, Aline Luque, Centre Pompidou, Paris (18 May–14 August 1989). 3257:. Director Sandra Federici, Cooperativa Lai-Momo, Sasso Marconi (Bologna), from 1992. Please refer in particular to 2762:(exhibition of prints and drawings), with an introduction by Prof. Babatunde Lawal. Ovuomaroro Gallery, Lagos, 1983. 914: 5445: 4831: 4602: 4502: 4372: 1545:, Centre de Cultura Contemporania de Barcelona, Barcelona, 2001. Curated by Pep Subiros (29 May–11 September 2001). 888:, Musée Royal de l'Afrique Centrele, Tervuren, 1992. Musée Royal de l'Afrique Centrele, Tervuren, Bruxelles (1992). 439:, Terra, Zutphen, 1980. Curated by Harrie M. Leyten and Paul Faber, Tropenmuseum, Amsterdam (1980); with the title 1862:

Des Hommes sans Histoire: Histoire et spoliation des biens culturels à travers les œuvres d'artistes contemporains

5294: 5071: 5016: 4011:

Jegede, Dele (1998). "On Scholars and Magicians: A Review of 'Contemporary Art of Africa'", in Nzegwu, N. (ed.),

3656: 381: 3152:. 84 pp. 127 b/w and 33 colour reproductions. Curated by Mike Omoighe, Ovuomaroro Gallery Production, 1999. 4674: 4669: 2565: 2368: 1659:

NEXT FLAG.Reexistencia cultural generalizada: Exposition d'art contemporain africain – Collection Hans Bogatzke

371: 344: 3600: 3120:. Text by Dele Jegede 68 pp. 48 b/w illustration. Society of Nigerian Artists, Lagos State Chapter, 1985. 2118: 1934: 1911:, Fondazione Pinacoteca del Lingotto Giovanni and Marella Agnelli, Mondadori Electa, Milano, 2007. Curated by 1815:. Curated by Brian Wallis, International Center of Photography, New York (9 December 2005 – 26 February 2006). 384:, Chicago, 1974. Curated by Maude Wahlman, National Museum of African Art, Chicago (20 April–3 November 1974). 5036: 3517: 3432: 3570: 3486: 1489:. Curated by Ibrahim Loutou, L'Afrique en créations, Salle des Malades, Lille (23 October–30 November 2000). 3733: 3648: 2557:, edited by Fernando Alvim, Heike Munder and Ulf Wuggenig, Migros Museum für Gegenwartskunst, Zürich, 2005. 2006:(Congo), Kyo Art Gallery, Viterbo, 2 September 2009 – 26 September 2009. Curated by Massimiliano Del Ninno. 1846:. Curated by Enrico Mascelloni, Franco Riccardo and Sarenco, Castel dell'Ovo, Napoli (18 May–13 June 2006). 300: 237:"Serengeti Cyborg" by Fanuel Leul. Leul's works combine elements of African tradition and futuristic ideas. 3828:

Firstenberg (2003). "Negotiating the Taxonomy of Contemporary African Art", in Farrell and Byvanck (eds),

3653:, Washington, DC, USA. Warren M. Robbins Library, National Museum of African Art, Smithsonian Institution. 1600:, Steidl, 2002. Curated by Thomas Miessgang, Gerald Matt, Barbara Schröder, Kunsthalle Wien, Vienna, 2002. 1457:, Edizione Lai Momo, Bologna, 2000. Curated by Mary Angela Schroth, Bologna (15 January-24 February 2000). 917:, Nantes, 1993. Curated by Henry-Claude Cousseau, André Magnin, Jonas Storsve (25 June–25 September 1993). 5485: 5056: 4752: 4582: 3587: 2650:- Wendy Lawrence. Best of Africa - Toronto 1979. of the African Studies Association, San Francisco, 1975. 1265: 1100:(18 May–23 June 1996); Genichiro Museum of Contemporary Art, Marugame Inokuma (7 July–1 September 1996); 1097: 3623: 1463:, Edizioni Skira, Milano, 2000. Curated by Sarenco ed Enrico Mascelloni (Orvieto, 8 April–30 June 2000). 1000:, Ministerio de Asuntos Exterioires, Tabapress, Madrid, 1995. Curated by Octavio Zaya and Tumelo Mosaka. 832:. Curated by Leroi Coubagy, Commonwealth Institute, London (1991). In sostegno ai programmi dell'UNICEF. 582:, Institut du Monde Arabe, Paris, 1988. Curated by Brahim Alaoui, Institut du Monde Arabe, Paris (1988). 5215: 5066: 4790: 4747: 4732: 2451:, edited by Harrie Leyten and B. Damen, KIT Press-Koninklijk Instituut voor de Tropen, Amsterdam, 1993. 2393:

Colloquium: Function and Significance of African Negro Art in the Life of the People and for the People

1166: 779: 1514:, Centro Atlantico de Arte Moderno (12 December 2000 – 4 February 2001); Madrid, 19 April–31 May 2001. 5916: 5314: 5120: 4846: 4841: 4836: 4775: 4704: 4625: 3675: 3042: 2903: 1809:. Curated by Elizabeth Harney, Smithsonian Museum of African Art, Washington D.C. (2 September 2005). 1101: 217:

Semilore Stef Ogunsanya (born 1998) is a Nigerian African visual artist. She specializes in sculptor.

4522: 4419: 3703: 3343:. Publication of the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, from 1990. 2015: 5509: 5340: 5110: 5046: 4949: 4878: 4716: 4699: 3353: 3140:. Introduction by C. O. Adepegba, 57 pp. 51 b/w pictures, Ovuomaroro Gallery production, 1984. 2192:, Almighty God, Kyo Art Gallery, Viterbo, 29 April 2011 – 7 May 2011. Curated by Antonella Pisilli. 1235:, Panga Wa Panga, George Zogo. Testi in catalogo: Mary Angela Schroth, Gianni Baiocchi, Olu Oguibe. 809: 539:, Autrements, Paris, 1987. Catalogue with essays by Bruno Tilliette, Simon Njami, Jean-Loup Pivin, 2296:

and Mbali Khoza. Curated by Ruth Simbao. Albany Museum, Grahamstown, South Africa (September 2014)

2034:: Cheri Cherin, Pierre Bodo, Amani Bodo,Jean Paul Mika Nsimba (Repubblica democratica del Congo); 5105: 5100: 4990: 4785: 3700: : annual analysis on the modern & contemporary African & its diaspora's art market. 3418:: Bimestriel panafricain d'opinions, de formation et de réflexion sur l'art contemporain africain 3098: 1699: 1691: 1526:, Ifa Gallery, Bonn. Curated by Marcel Odenbach, Ifa Galleries Bonn, Stuttgart, Berlin (2000–01). 1031: 746: 618: 505: 470:. Curated by Fatmah Abdellah, Mordecai Buluma, Elimo Njau, Commonwealth Institute, London (1984). 148: 1345:, Toshio Shimizu, Jean-Hubert Martin, Tobu Museum of Art, Tokyo (11 September–24 November 1998). 44:

art "African", and when are we talking about art and not any other kind of creative expression?

5478: 5309: 5289: 5269: 5152: 4968: 4929: 4795: 4780: 4679: 4575: 4491: 3104: 2107: 2073: 1057: 279: 3537:. Founded by Jean Loup Pivin, Simon Njami, Pascal Martin Saint Léon, Paris, from 1991 to 1999. 2288:(South Africa) | Saliou Traoré (Burkina Faso) | Guy Woueté (Cameroon) | Ezra Wube (Ethiopia). 1858:. Curated by André Magnin, The Guggenheim Museum Bilbao, Spagna (October 2006– February 2007). 1582:, Iwalewa-Haus, Bayreuth, Germany. Curated by Otto Frick (24 October 2002 – 16 February 2003). 1551:, Iwalewa-Haus, Bayreuth, Germany. Curated by Kerstin Bauer (21 October 2001 – 31 March 2002). 4939: 4346: 2531:

Afriche, Diaspore, Ibridi – Il concettualismo come strategia dell'arte africana contemporanea

2171: 2159: 2151: 2077: 2069: 2061: 1498:. Curated by Peter Herrmann, Galerie Peter Herrmann, Stuttgart (4 November–24 December 2000). 1151:, curated by Antonio Picariello (presentazione di Omar Calabrese), Electa Na, 1996. Artisti: 1117: 733: 689: 603: 72: 3524: 3174:

Forty Years of Bruce Onobrakpeya in Contemporary Visual Art: The Portrait of a Visual Artist

2515:, edited by Fernando Alvim and Catherine Goffeau Alvim, Espace Sussuta Boé, Bruxelles, 1999. 2449:

Art, Anthropology and the Modes of Re-Presentation: Museums and Contemporary non-Western Art

2121:, Kyo Art Gallery, Viterbo, 9 October 2010 – 15 November 2010. Curated by Antonella Pisilli. 5911: 4689: 2402: 1649:, Iwalewa-Haus, Bayreuth, Germany. Curated by Artur Elmer (24 April 2003 – 24 August 2003). 1387: 1322:

and Mora J. Beauchamp-Byrd, the Caribbean Cultural Center/African Diaspora, New York, 1997.

1305: 930: 330: 4321: 3890:

Nzegwu, Nkiru (1998). "Introduction: Contemporary African Art and Exclusionary Politics",

3482: 2222:(Kenya), Fondazione 107, Torino, 17 June–16 October 2011. Curated by Achille Bonito Oliva. 1588:, Iwalewa-Haus, Bayreuth, Germany. Curated by Sigrid Horsch-Albert (9 May–31 August 2002). 1007: 699: 180: 8: 5826: 5820: 5125: 5115: 5041: 4914: 4909: 4809: 4711: 4694: 4637: 4474: 3566: 3445: 3365: 2785:

L'identité culturelle en crise: Art et différence à l'époque postmoderne et postcoloniale

1946: 1135: 1093: 123: 3276: 2769:, Paris: Editions Dialogue Entre Cultures, 1992 (Association Afrique en Création, 1996). 2521:, edited by Sherifa Zuhur, The American University in Cairo Press, Cairo-New York, 2001. 2155: 2065: 1957:, Siriki Ky, Ndary Lo, Toyin Loye, Churchill Madikida, Joel Mpah Dooh, Francis Mampuya, 1950: 1673:, Site de l'Université du Travail Paul Pastur, Charleroi, Belgio (14 March–18 May 2003). 5299: 5192: 5172: 5130: 5095: 5051: 4978: 4659: 3196:

The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists

2485:, edited by Katy Deepwell, Saffron Books, African Art and Society Series, London, 1997. 2455:

Banque centrale des etats de l'Afrique de l'ouest. BCEAO: Collection d'art contemporain

2338:

The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists

1738:, Curated by Enrico Mascelloni and Virginia Ryan, Camera dei deputati, Roma, June 2004. 1726:. Curated by Peter Herrmann, Galerie Peter Herrmann, Stuttgart (24 April–20 June 2004). 1695: 1361:, Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria (15 April–14 June 1998). 1075: 1067: 922: 608: 444: 334: 77: 4503:"Divine Comedy – Heaven, Purgatory and Hell Revisited by Contemporary African Artists" 2303: 2134:

Primo Marella Gallery, Milano, 2010. Un progetto di Primo Giovanni Marella, a cura di

1779:. Curated by Dany Keller, Iwalewa-Haus, Bayreuth, Germany (28 April–4 September 2005). 5742: 5438: 5255: 5140: 5061: 5004: 4684: 4652: 4610: 4214: 4145: 3210: 3150:

Agbarha-Otor 98 and 99: A Catalogue of First and Second Harmattan Workshop Exhibition

3126:. Barbara Haeger 105 pp. 13 b/w illustrations. African Universities Press, 1981. 3086: 2606: 2561: 2307: 2099: 1232: 1184: 1019: 749:, New York, 1990. Curated by Grace Stanislaus, the Studio Museum in Harlem, New York. 741: 638: 398: 184: 2774:

New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change

2135: 2045: 1922: 1419: 1351:. Curated by Anke van der Laan, Stadsgalerij Heerlen, Olanda (4 April–14 June 1998). 1342: 1326:

Inklusion: Exklusion. Kunst im Zeitalter von Postkolonialismus und globale Migration

806:

Art and Ambiguity: Prospectives on the Brenthurst Collection of Southern African Art

5225: 5162: 4954: 4135: 4123: 3945:

The Messages of Tourist Art: An African Semiotic System in Comparative Perspective.

3793: 3192:

and Peju Layiwola, 439 b/w and colour illustrations, Ovuomaroro Studio Press, 2009.

3170:

by Oji Onoko, 468 pp. 99 B/W reproductions. All Media International Ltd, 1999.

3103:

Events of the Self: Portraiture and Social Identity: Contemporary African Art from

2280:

Wanja Kimani (Kenya) | Nicene Kossentini (Tunisia) | Kai Lossgott (South Africa) |

2167: 2106:

Events of the Self: Portraiture and Social Identity: Contemporary African Art from

1864:. Curated by Olivier Sultan, Musée des Arts Derniers, Paris (29 June–31 July 2006). 1422:

and Yuonre Vera, Accra (10 November–5 December 1999); Berna (6 April–25 June 2000).

1365:

Transforming the Crown: African, Asian & Caribbean Artists in Britain 1966–1996

1319: 1316:

Transforming the Crown: African, Asian and Caribbean artistis in Britain, 1966–1996

1213:, edited by Salah Hassan, Africa World Press, 1997. Curated by Salah Hassan (1996). 783: 737: 626:

The Other Story (exhibition)The Other Story: Afro-Asian Artists in Post-War Britain

540: 40: 5537: 4140: 2689:

The Messages of Tourist Art: An African Semiotic System in Comparative Perspective

2590:, New York: Random House, 1938 (1966, Harvard Belknap Press, Cambridge, MA, 1986). 2311: 1889:. Curated by Luca Faccenda and Marco Parri, La Vetrina di Roma, Rome, Italy, 2007. 971:), Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria, 1994. Curated by 5727: 5677: 5454: 5326: 5207: 5187: 5182: 5177: 5167: 4866: 4737: 4664: 4647: 4509: 2381:"OrnAmenTum'EtKriMen" Kendell Geers curated by Danillo Eccher, M77 Gallery Milano 2199: 2143: 2095: 2053: 1586:

Die Welt ist ein Maskentanz: Afrikanische Künstler in der Sammlung Greiffenberger

1120:, 1995. Newtown Galleries, Newtown, Johannesburg (27 September–10 November 1995). 1085: 799: 729: 630: 501: 484: 3219: 3068: 2952: 2419:

Patrimoine Culturel et Création Contemporaine: en Afrique et dans le Monde Arabe

1912: 1110:. Curated by Rose Issa, London-Barbican Centre/Amsterdam-Treoenmuseum Kit, 1995. 894:, Asake Bomani and Belvie Rooks (eds), San Francisco: Q.E.D. Press, 1992, 56 pp. 5809: 5782: 5692: 5582: 5403: 5358: 5353: 5348: 4973: 4851: 3894:. Binghamton, NY: International Society for the Study of Africa ISSA, pp. 1–18. 3555: 3295: 3199: 3052: 2998:

Matisse und Picasso als Kulturreisende: Primitivismus und Anthropologie um 1900

2491:, edited by Sherifa Zuhur, The American University in Cairo Press, Cairo, 1998. 2439:, edited by A. Nettleton and D. Hammond-Tooke, Johannesburg: A.D. Donker, 1989. 2364: 2281: 2239:, Kyo Art Gallery, Viterbo, 14 April–14 May 2012. Curated by Antonella Pisilli. 2203: 2035: 1979: 1938: 1876:, La Casa Encendida, Obra Social Caja Madrid, 2006. Curated by Danielle Tilkin. 1479:

Continental Shift: A Voyage Between Cultures. An Exhibition of Contemporary Art

1406:. Curated by Piet Vanrobaeys, S.M.A.K. extra muros, Gent (4 April–16 May 1999). 1302:

Image and Form: Prints, Drawings and Sculpture from Southern Africa and Nigeria

1252:

Die Anderen Modernen: Zeitgenössische Kunst aus Afrika, Asien und Lateinamerika

1156: 1152: 1051: 880:

Home and the World: Architectural Sculpture by Two Contemporary African Artists

672: 634: 397:, The Gallery, Washington D.C, 1977. Curated by Kojo Fosu, The Gallery of Art, 82: 4397: 4015:. Binghamton: International Society for the Study of Africa ISSA, pp. 187-195. 3375:. Founded by Ntone Edjabe, Kalakuta Trust, Cape Town, South Africa, from 2002. 2630:, Bloomington: Indiana University Press, 1973 (New York: Da Capo Press, 1989). 2259:, Kyo Art Gallery, Viterbo, 28 June–7 July 2013. Curated by Antonella Pisilli. 1760:. Haus der Kulturen der Welt, Berlin, Germany (17 September–15 November 2004). 1254:, Editions Braus & Hauses der Kulturen des Welt, Berlin, 1997. Curated by 790:, Olanda (7 December–9 February 1992), Centro Cultural de Arte Contemporaneo, 5905: 5607: 5532: 5459: 5220: 4904: 4149: 3094: 3090: 2463:, Musée National des Arts d'Afrique and d'Océanie, Paris, 23–24 October 1993. 2360: 2324:, Kyo Art Gallery, Viterbo, 28 June–1 July 2014. Curated by Antonella Pisilli 2293: 2091: 2023: 1962: 1958: 1954: 1942: 1870:. Curated by Michael Stevenson, Cape Town, Sudafrica (8 June–12 August 2006). 1494: 1397: 1228: 1224: 1127: 1011: 725: 721: 660: 566:. Musée National des Arts Africains et Océaniens, Paris (08/06–25 July 1988). 188: 165: 66: 3775: 3168:

Glimpses of Our Stars - An Intimate Encounter with Nigerian Leading Artistes

2477:

Cultural Diversity in the Arts: art, art policies and the facelift of Europe

1567:

The Short Century: Independence and Liberation Movements in Africa 1945–1994

1367:. Curated by M. Franklin Sirmans and Mora J. Beauchamp-Byrd, New York, 1998. 5767: 5752: 5737: 5707: 5697: 5687: 5662: 5652: 5622: 5587: 5245: 4861: 3872:

Mosquera, Gerardo (1995). "Das Marco-Polo-Syndrom", in Hermanns, U. (ed.),

3765: 2898:

Afrika – Asien. Kunst und Ritualobjekte – die Sammlungen im Haus der Völker

2139: 2049: 2044:

Primo Marella Gallery, Milano, 2010. By Primo Giovanni Marella, curated by

1358: 1309: 1273: 1269: 1220: 1176: 1071: 1060:, Liverpool, 1995 (13 September–10 December 1995), all'interno di Africa95. 882:, The Museum for African Art, Collana Focus on African Art, New York, 1992. 868: 813: 554: 201: 138:

of attempts to talk about art of a whole continent, but also to the common

98: 3687:: an international platform for contemporary art from developing countries 2723:. Introduction by Dele Jegede, 279 pp. Ovuomaroro Gallery production 1992. 2421:, edited by Mohamed Aziza, Dakar: Les Nouvelles Editions Africaines, 1977. 2284:(D.R.Congo) | Nathalie Mba Bikoro (Gabon) | Victor Mutelekesha (Zambia) | 1592:

africa apart _ Afrikanische Künstlerinnen und Künstlern konfrontieren Aids

5777: 5712: 5501: 5240: 5157: 4871: 4856: 4455: 3780: 3770: 3533: 3502:. Founded by Demas Nwoko, New Culture Studios Ibadan, Nigeria, from 1978. 3203: 2971:

Zeitgenössische Kunst aus Afrika: 14 Künstler aus Côte d´Ivoire und Bénin

2790: 2537:

African cultural dynamics: Africalia Encounters in Bamako (01–03/11/2002)

2519:

Colors of Enchantment: Theater, Dance, and the Visual Arts of Middle East

2470: 2207: 1921:

in Ateliers des Tanneurs, Brussels, Belgium. Group exhibition curated by

1902: 1687: 1670: 1511: 1392: 972: 926: 791: 709: 532: 348: 4892: 2334:, Galerie Cécile Fakhoury, Abidjan, 26 September 2014 – 15 November 2014 1643:, Iwalewa-Haus, Bayreuth, Germany (14 November 2003 – 22 February 2004). 580:

Art contemporain arabe: collection du Musée du l'Institut du Monde Arabe

414:. Curated by Josef Thiel, Haus Völker und Kulturen, St. Augustine, 1978. 112: 5642: 3760: 3549: 3541: 3358: 2707:

I primitivi traditi: L'arte dei "selvaggi" e la presunzione occidentale

2433:, edited by Ronald Ruprecht, Iwalewa-Haus, Universität, Bayreuth, 1988. 2285: 2256: 2087: 1930: 1926: 1821:, Skira, Milano, 2005. Curated by André Magnin, Grimaldi Forum, Monaco. 1785:. Iwalewa-Haus, Bayreuth, Germany (20 October 2005 – 26 February 2006). 1637:, Iwalewa-Haus, Bayreuth, Germany (15 October 2003 – 22 February 2004). 1255: 1194: 1180: 952: 717: 668: 648: 283: 161: 58: 4549:"REVUE NOIRE - REVUE NOIRE / Arts contemporains d'Afrique et du Monde" 3725: 3421: 3393: 2830:, introduction by Lucette Albaret and Paul Balta, ADEIAO, Paris, 1995. 2816:

Race, Sex and Gender in Contemporary Art: The Rise of Minority Culture

2714:

Wegzeichen: Kunst aus Ostafrika (Signs: Art from East Africa), 1974–98

886:

La naissance de la peinture contemporaine en Afrique centrale, 1930–70

850:, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain. 429:

Rahmen des West-Berliner Festivals Horizonte Festival der Weltkulturen

4189:"Tatenda Ndove Zimbabwean Digital Illustrator and Character Designer" 4163: 3245:

A comprehensive editorial content of art from Africa and the diaspora

3189: 2479:, edited by Ria Lavrijsen, Royal Tropical Institute, Amsterdam, 1993. 2275:, Ben Uri Museum, London, 1–30 March 2014. Curated by Kisito Assangni 2186:, Primo Marella Gallery, Milano (12 November 2010 – 30 January 2011). 1702:, Paris (25 May-15 August 2005); Mori Art Museum, Tokyo (2 May 2006). 934: 823: 787: 756: 156: 4084:

Reading the Contemporary: African Art from Theory to the Marketplace

4042:

Reading the Contemporary: African Art from Theory to the Marketplace

3156:

Amos Tutuola Show: A Folklore Inspired Art In Honour of the Novelist

2922:

Dialogo notturno sull'arte contemporanea alla luce del piccolo carro

2507:

Reading the Contemporary. African Art from Theory to the Marketplace

2489:

Images of Enchantment: Visual and performing Arts of the Middle East

2399:

Ethnic and Tourists Arts: Cultural Expressions from the Fourth World

1915:, Pinacoteca del Lingotto, Torino, 6 October 2007 – 3 February 2008. 1475:. Curated by Salah Hassan. Apexart, New York (18 April–20 May 2000). 1442:

Amabhuku|Amabhuku: Illustrations d'Afrique/Illustrations from Africa

1108:

Sign Traces Calligraphy: Five contemporary artists from North Africa

621:, Paris, 1989. Curated by Mohamed Métalsi (24 April–15 August 1989). 4296: 4215:"Nigerian Artist - Bassey Ndon - Directory of Artists from Nigeria" 3968: 3966: 3750:, Amsterdam. Founded by Fons Geerlings and Maarten Rens, from 2001. 3220:"Foundations of Contemporary African Art" by Matthew Stanford, 2009 3089:, Gabrielle Conrath-Scholl, Willis E. Hartshorn, Virginia Heckert, 2818:, London: Art Books International; New York: Harry N. Abrams, 1994. 2698:, Zaria: Gaskiya Corporation, 1986 (Accra: Artists Alliance, 1993). 2461:

Creer en Afrique: 2e colloque européen sur les arts d'Afrique noire

1797:. Museu de Arte Moderna da Bahia, Brasile (18 March–17 April 2005). 1732:. Palazzo Pazzi-Ammanti, Firenze (29 December 2004 – 6 March 2005). 1543:

Africas: The Artist and the City – A Journey and an Exhibition

1304:, (edited by) John Picton, School of Oriental and African Studies, 1035: 483:, BMW Communications Department, 1985. Curated by Richard Burdett, 4567: 4437: 3824: 3822: 2111:, Neu-Ulm, Germany. Curated by Okwui Enwezor (June 2010–May 2011). 27:

Art made by Africans or their descendants in the post-colonial era

3425: 3198:(Mara Ambrožič, Zdenka Badovinac, Roberto Casati, Johannes Hoff, 2331: 1850:

Snap Judgments: New Positions in Contemporary African Photography

461: 4124:"The future is digital: an introduction to African digital arts" 3963: 3321: 2929:

L'art contemporain africain: du colonialisme au postcolonialisme

2467:

Global Visions Towards a New Internationalism in the Visual Arts

1412:, Sotheby's, London, 1999. Asta presso Sotheby's (24 June 1999). 1211:

Gendered Visions: The Art of Contemporary Africana Women Artists

564:

Art pour l'Afrique: Exposition internationale d'art contemporain

260:

Safina Kimbokota (born 1982) is an African artist from Tanzania.

155:

A commonality to all these categorizations is their reliance on

4598: 3842: 3840: 3838: 3819: 3387:. Director Souleymane Bachir Diagne, Dakar, Senegal, from 1996. 3243: 3236:. Johannesburg, from 1989 to 1996. Founded by Jennifer Sorrell. 1461:

Il ritorno dei Maghi: Il Sacro nell'arte africana contemporanea

695: 192: 139: 135: 62: 36: 5470: 3370: 3354:

Black Orpheus: Journal of African and Afro-American Literature

3284: 2302:– L'Afrique contemporaine à travers le regard de ses artistes 2098:, Pascale Marthine Tayou. Nationalgalerie, Berlin. Curated by 233: 4036: 4034: 3886: 3884: 3882: 3631: 3607: 3491: 2415:), edited by Sune Nordgren, Kalejdoskop, Lund (Svezia), 1978. 1426:

Transatlantic Dialogue: Contemporary Art In and Out of Africa

1089: 778:. Curated by André Magnin, Centro Atlantico de Arte Moderno, 458:

L'art en Afrique est la vie: Paul Ahyi & El loko aus Togo

412:

Christliches Africa: Kunst und Kunsthandwerk in Schwarzafrika

4548: 4492:

http://www.accad.osu.edu/~eodita/aeafart/archive/archive.htm

3835: 3552:: Third World Perspectives on Contemporary Art & Culture 3333: 2781:

Art and Otherness: Crisis in Cultural Identity, Documenttext

2776:, Smithsonian Institution Press, London-Washington DC, 1992. 2637:, F. Muller, London-Africa Book Service (EA).-Nairobi, 1975. 1961:, Robert Hutter, Serigne Niang, Babacar Niang, Samuel Olou, 1258:, Hauses der Kulturen des Welt, Berlin (8 May–27 July 1997). 1246:

Veilleurs de Monde: Gbedji Kpontolè – Une aventure béninoise

3861:

Looking both Ways: Art of the Contemporary African Diaspora

3814:

Looking Both Ways: Art of the Contemporary African Diaspora

3615: 2655:

An Annotated Bibliography of the Visual Arts of East Africa

2533:, edited by Eriberto Eulisse, AIEP Edizioni, Bologna, 2003. 2501:

Dialogue of the Present: 18 Contemporary Arab Women Artists

2445:, edited by Susan Hiller, London/New York: Routledge, 1991. 1706:

Africa Screams: The Evil in Cinema, Art and popular Culture

1617:

Looking Both Ways: Art of the Contemporary African Diaspora

921:

Creative Impulses/Modern Expressions-Four African Artists:

4031: 3879: 3711: 3690: 3682: 3441:. Delta Gallery Publications, Harare, Zimbabwe, from 1994. 3281:. Director Mario Zamponi, AIEP Editore, Bologna, dal 1999. 3273:. Center of African Studies, UCLA, Los Angeles, USA, 1967. 3030:

La promotion de l'art africain contemporain et les N.T.I.C

3005:

African Style: Stilisti, mode e design nel continente nero

2993:, University of Minnesota Press, Minneapolis/London, 2003. 2437:

African Art in Southern Africa: From Tradition to Township

1034:, London (27 September–26 November 1995), in the frame of 820:

Mit Pinsel und Meissel, Zeitgenössische afrikanische Kunst

4526: 3670: 3485:, from 1996. From 2005 the magazine has been produced by 3012:

L'art de la friche: Essai sur l'art africain contemporain

2863:

Diversity in Contemporary African Art: Causes And Effects

1629:

Fault Lines: Contemporary African Art Shifting Landscapes

1410:

Contemporary African Art from the Jean Pigozzi Collection

1268:, Tampa (4 September–18 October 1997); Track 16 Gallery, 892:

Paris Connections: African and Caribbean Artists in Paris

3846:

Araeen, Rasheed (1989). "Our Bauhaus Others' Mudhouse",

3739: 3641: 2581:

African Arts and Crafts: Their Development in the School

2549:

Over Here: International Perspectives on Art and Culture

2349:"AfroPunk- Kendell Geers" Didier Claes Gallery, Brussels 1744:. Kunstmuseum Bochum, Germany (31 July–7 November 2004). 1292:, Couvent des Cordeliers, Paris (5 March–16 April 1997). 481:

Tributaries: A View of Contemporary Southern African Art

4456:"Welcome to insights -- National Museum of African Art" 3112:

Uche Okeke: Art In Development - A Nigerian Perspective

2503:, edited by Siumee H. Keelan, Fran Lloyd, London, 1999. 2102:, Britta Schmitz, Udo Kittelmann (2 June–23 September). 1905:. 52nd Venice Biennale, Venice, Italy (June–July 2007). 1467:

Partage d'Exotisme: Biennale d'Art Contemporain de Lyon

1339:

Africa Africa: Vibrant New Art from a Dynamic Continent

1078:(20 September–5 December 1995), all'intero di Africa95. 607:, Editions du Centre Pompidou, Paris, 1989. Curated by 299:. Musée Dynamique, Dakar (1–24 April 1966), within the 4266:"The Extraordinary Digital Artworks of Puleng Mongale" 4240:"The Extraordinary Digital Artworks of Puleng Mongale" 3745: 2795:

The Black Atlantic: Modernity and Double Consciousness

2642:

The Place of Fine Art in the East African Universities

1819:

Arts of Africa: Jean Pigozzi's Contemporary Collection

1175:, Solomon Guggenheim, 1996. Curated by Okwui Enwezor, 4523:"La Biennale de l'art africain contemporain, Dak'Art" 4373:"10 African Artists Using Technology as Their Canvas" 3385:

Convergences: Revue trimestrielle d'art et de culture

2849:

Das Bild unserer Welt; Afrika: von Kairo bis Kapstadt

2359:

IncarNations - African Art as Philosophy, Curated by

1807:

TEXTures: word and symbol in contemporary African art

1777:

Zeitgenössische Kunst aus Afrika und Europa im Dialog

1611:

A Fiction of Authenticity: Contemporary Africa Abroad

1400:, Barbican Centre, London (29 January–28 March 1999). 113:

Attempts to define genres of contemporary African art

3056:

The Buried Treasures of the Ga: Coffin Art in Ghana.

2891:

Kilengi. Afrikanische Kunst aus der Sammlung Bareiss

2457:, edited by Ousmane Sow Huchard, BCEAO, Dakar, 1993. 2427:, Institut für Auslandsbeziehungen, Stuttgart, 1987. 1486:

La Cour Africaine: Mobiliers et objets contemporains

1173:

In/Sight: African Photographers: 1940 to the Present

955:, Bluecoat Gallery, Liverpool (18 June–23 July 1994) 35:

is commonly understood to be art made by artists in

2811:, Cambridge (UK): Cambridge University Press, 1994. 2787:, Nîmes, France: Editions Jacqueline Chambon, 1992. 2605:, Division of Social Research and Experimentation, 2273:

STILL FIGHTING IGNORANCE & INTELLECTUAL PERFIDY

1742:

New Identities. Zeitgenössische Kunst aus Südafrika

905:

Fusion: West African Artists at the Venice Biennale

716:Contemporary African Artists: Changing Traditions, 553:Venice Biennal (Aperto 88) International Exiption, 4347:"Wanjiku Nyachae | The Clore Leadership Programme" 3998:Magnin, André, and Jacques Soulillou, eds (1996). 3500:New Culture: A Review of Contemporary African Arts 3180:Bruce Onobrakpeya: Portfolio of Art and Literature 2716:, Museum für Völkerkunde, Frankfurt-an-Main, 1990. 1138:, 1995. Curated by Salah Hassan and Okwui Enwezor. 207: 3874:Havanna. Sao Paulo. Junge Kunst aus Lateinamerika 3408:Journal of African art history and visual culture 3323:A comprehensive overview of art from South Africa 2936:Black Visual Culture: modernity and postmodernity 2872:, Gainesville: University Press of Florida, 1997. 2865:, Columbus Ohio: The Ohio State University, 1997. 2739:L'art contemporain dans les pays du "Tiers-monde" 2405:, University of California Press, Berkeley, 1976. 1549:African Styles: Kleidung und Textilien aus Afrika 1114:Persons and Pictures: the Modernist Eye in Africa 5903: 4473:Geers, Kendell; Dokolo, Sindika (28 June 2019). 4399:Safina Kimbokota ~ What it means to be an Artist 4026:Contemporary African Artists. Changing Tradition 3014:, Paris: Editions Flammarion, 2005. In Italian: 2737:, Koeln: DuMont Buchverlag GmbH & Co, 1991. 2676:Art History in Africa: An Introduction to Method 1124:New Visions: Recent Works by Six African Artists 531:, Paris, 1987. Curated by Bruno Tilliette & 145:Contemporary African Artists: Changing Tradition 3876:. Berlin: Haus der Kulturen der Welt, p. 34-39. 3713:OCPA Observatory of Cultural Policies in Africa 3558:, Kala Press, London, from 1987. In particular 2635:Art in East Africa: A Guide to Contemporary Art 1149:Archetyp'Art Italia-Africa, Premio Termoli 1996 1132:Zora Neale Hurston National Museum of Fine Arts 4108:Enwezor, Okwui, and Chika Okeke-Agulu (2009). 4056:Enwezor, Okwui, and Chika Okeke-Agulu (2009). 3863:. New York: Museum for African Art, pp. 37-41. 3513:Position: Journal on Contemporary African Arts 2884:Afrikanische Kunst: von der Frühzeit bis heute 2870:Modern Islamic Art: Development and Continuity 2682:Bruce Onobrakpeya: Symbols of Ancestral Groves 2657:, Bloomington: Indiana University Press, 1980. 2648:Bruce Onobrakpeya: Nigeria's Master Printmaker 1193:, Edition Braus, Heidelberg, 1996. Curated by 979:Rencontres Africaines: Exposition d'Art Actuel 776:Africa Hoy/Africa Now: Jean Pigozzi Collection 5486: 4583: 3588:The African and Asian Visual Artists' Archive 2662:Neue Kunst in Afrika: das Buch zur Austellung 2431:Kunstreise nach Afrika: Tradition und Moderne 1493:Dreierkonferenz: Aboudramane, Owusu-Ankomah, 1469:, Lione, 2000. Curated by Jean-Hubert Martin. 1436:All in a day's work: images of work in Africa 1418:, Berna, 2000. Curated by Bernhard Fibicher, 681:Lotte or the Transformation of the Art Object 364:. African-American Institute, New York, 1974. 3571:A Journal of the Arts, Culture & Society 3529:. Founded by Alioune Diop, Paris, from 1947. 2943:Perspectives sur l'art contemporain africain 2443:The Myth of Primitivism: Perspectives on Art 1844:Africa Nera: Protagonisti dell'arte africana 1641:Roots & Routes: Afrikaner in Oberfranken 1555:Unpacking Europe: Towards a Critical Reading 836:Il Sud del Mondo: L'altra arte contemporanea 4472: 3677:Contemporary African Music and Arts Archive 3496:. Founded by Okwui Enwezor, USA, from 1994. 3461:. Director Dieter Bechtloff. In particular 3314:, then "Arts Premiers". Arnouville, France. 3294:. Dakar, from 2005 and associated with the 3186:Bruce Onobrakpeya: Jewels of Nomadic Images 2844:, New York-London: Thames and Hudson, 1996. 2539:, curated by Joëlle Busca, Africalia, 2003. 1752:Selections from the contemporary collection 1598:Flash Afrique: Photography from West Africa 1197:, Haus der Kulturen der Welt, Berlin, 1996. 1042:Vital: Three Contemporary African Artists ( 1038:; Malmö, Svezia (27 January-17 March 1996). 842:Contemporary Bushmen art of Southern Africa 61:since the 1980s. It is in that decade when 5493: 5479: 4590: 4576: 4475:"IncarNations - African Art as Philosophy" 3816:. New York: Museum for African Art, p. 40. 3747:Virtual Museum of Contemporary African Art 3144:The Zaria Art Society: A New Consciousness 3124:Africa On Her Schedule Is Written a Change 2545:, edited by Joëlle Busca, Africalia, 2004. 1341:. Curated by Rajae Benchemsi, Rob Burnet, 401:, Washington D.C. (30 April–31 July 1977). 4139: 4121: 4097:Seven Stories about Modern Art in Africa. 3987:Africa Explores: 20th Century African Art 3974:Africa Explores: 20th Century African Art 3958:Africa Explores: 20th Century African Art 3411:. Founded by Sylvester Okwunodu Ogbechie. 3334:Rivista online founded by Sue Williamson. 2877:Black Art and Culture in the 20th Century 2735:Zeitgenoessische Kunst des "Dritten Welt" 2525:Anthologie de l'art africain du XX siècle 1825:Mostra Pan-Africana de Arte Contemporanea 1795:Mostra Pan-Africana de Arte Contemporânea 1764:L'arte africana dall'Algeria al Sudafrica 1201:Die Andere Reise: Afrika und die Diaspora 1006:, Flammarion, New York, 1995. Curated by 770:Africa Explores: 20th Century African Art 3742:'s web site. Created by Jess Castellote. 3705:Modern African Art: A Basic Reading List 3493:NKA: Journal of Contemporary African Art 3162:Bruce Onobrakpeya: Poems and Lithographs 3007:, Cooper & Castelvecchi, Roma, 2003. 2858:, Trenton, NJ: Africa World Press, 1997. 2755:, Trenton, NJ: Africa World Press, 1991. 2753:Africa through the Eyes of Women Artists 2385: 2014: 1690:in collaboration with Els van der Plas, 1082:An Inside Story: African Art of Our Time 1004:Seven Stories About Modern Art in Africa 659: 468:Sanaa: Contemporary Art from East Africa 232: 177:Seven Stories about Modern Art in Africa 4122:Bisschoff, Lizelle (2 September 2017). 3391:Contemporary Art from the Islamic World 3340:Atlantica Revista de Arte y Pensamiento 2924:, Verona: Adriano Parise Editore, 1999. 2728:African Art: A Contemporary Source Book 2678:, London & New York: Longman, 1984. 2597:, Bibliograf. Institut, Mannheim, 1957. 1887:Africa Today – The dark side of the art 1838:Olvida quién soy/Erase me from who I am 1813:African American vernacular photography 1718:Les Afriques: 36 artistes contemporains 1371:Snap me one! Studiofotografen in Afrika 753:Wegzeichen: Kunst aus Ostafrika 1974–89 645:Contemporary Art from the Islamic World 14: 5904: 3919:"Art dream takes flight at King Shaka" 3916: 3907:Bloomington: Indiana University Press. 3453:Journal de la Société des Africanistes 3188:, 196 pp., with essays by Ekpo Udoma, 1524:Blick-Wechsel: Afrikanische Videokunst 1432:Tagewerke: Bilder zur Arbeit in Afrika 1205:The Other Journey: Africa and Diaspora 911:La grande vérité, les astres africains 5474: 4571: 4371:Ian, Wabwire Joseph (5 August 2022). 4291: 4289: 4287: 4073:London/New York: Thames & Hudson. 4052: 4050: 3735:Virtual Museum of Modern Nigerian Art 3061:Okwui Enwezor and Chika Okeke-Agulu. 3039:, Cape Town: Michael Stevenson, 2006. 3037:Distant Relatives / Relative Distance 2783:, New York: McPherson and Co., 1992. 2748:, Paris: Editions Cercle d'Art, 1991. 2730:, Benin City: Osasu Publishers, 1991. 2595:Neue Kunst in Afrika: eine Einführung 1502:Mostra Africana de Arte Contemporânea 1384:Africa by Africa: A Photographic View 1092:, 1995. Curated by Yukiya Kawaguchi, 362:African Art Today: Four Major Artists 316:. Transcription Centre, London, 1967. 4297:"Fanuel Leul (@Fanuel) | Foundation" 4110:Contemporary African Art since 1980. 4086:. Cambridge: MIT Press, pp. 214–235. 4058:Contemporary African Art since 1980. 4028:. New York: Studio Museum in Harlem. 3692:Foundation of Contemporary Art-Ghana 3259:Dossier: Arte africana contemporanea 3021:Christophe Domino and André Magnin. 3018:, Bollati Boringhieri, Torino, 2007. 2910:, London: Thames & Hudson, 1999. 2840:André Magnin and Jacques Soulillou. 2555:Next Flag: The African Sniper Reader 1663:Next Flag: The African Sniper Reader 1455:TransAfricana: Artisti contemporanei 1088:, Japan Association of Art Museums, 876:, The Saatchi Gallery, London, 1992. 4597: 4370: 3666:Contemporary African Art Collection 3063:Contemporary African art since 1980 2705:, The University of Chicago, 1989. 2669:African Philosophy: Myth or Reality 2425:Airport Art: das exotische Souvenir 1868:Distant Relatives/Relative Distance 1801:Africa Urbis: Perspectives urbaines 872:Contemporary African Art Collection 197:Contemporary African Art after 1980 191:, Wanjiku Nyachae and El Hadji Sy ( 24: 4284: 4047: 4044:. Cambridge: MIT Press, pp. 16–29. 4013:Issues in Contemporary African Art 3917:Naidoo, Natalie (2 January 2016). 3905:African Art: The Years since 1920. 3892:Issues in Contemporary African Art 2879:, London: Thames and Hudson, 1997. 2856:Africa: Women's Art, Women's Lives 2837:, London: Thames and Hudson, 1995. 2804:, New York: Abbeville Press, 1993. 2623:, London: Thames and Hudson, 1971. 2495:Issues in Contemporary African Art 1933:, El Berry Bickle and Luis Basto, 1262:Cross/ing: Time | Space | Movement 1084:, edited by Yukiya Kawaguchi, The 969:Another Century: African Stepovers 959:F.R.A.C. Réunion, Lieux De Mémoire 25: 5928: 5236:Confederation of African Football 4563: 3065:, Bologna: Damiani Editore, 2009. 2966:, Dakar: Editions Dekkando, 2002. 2917:, Paris: Editions Karthala, 1999. 2900:, Innsbruck: Haymon-Verlag, 1997. 2703:Primitive Art in Civilized Places 2628:African Art: The Years since 1920 2616:, London: Pall Mall Press, 1968. 1909:Why Africa? La Collezione Pigozzi 1661:(il titolo della pubblicazione è 782:(17 September–17 November 1991); 759:, 1990. Curated by Johanna Agthe. 5805:Sahrawi Arab Democratic Republic 5573:Democratic Republic of the Congo 4095:Deliss, Clémentine, ed. (1995). 3943:Jules-Rosette, Bennetta (1984). 3527:: Revue Culturelle du Monde Noir 3420:. Founded by Achillekà Komguem, 3308:, no. 246, 1–53, 9 October 1966. 3304:. Namur, Belgium. Special issue 3078:André Magnin and Luca Beatrice, 3000:, Akademie Verlag, Berlin, 2003. 2767:Art africain contemporain: Guide 2760:Sabbatical Experiments 1978–1983 1945:, Annie Haloba, Jak Katarikawe, 164:, Rasheed Araeen, Nkiru Nzegwu, 5500: 4541: 4515: 4496: 4485: 4466: 4448: 4430: 4412: 4390: 4364: 4339: 4314: 4258: 4232: 4207: 4181: 4156: 4115: 4102: 4089: 4076: 4063: 4018: 4005: 3992: 3979: 3950: 3789:Monumental African art heirloom 3786:Philosopher's Legacy (Heirloom) 3698:Global Africa Art Market Report 2691:, Plenum Press, New York, 1984. 1296:Lumière noire: Art contemporain 1104:(13 September–27 October 1996). 671:(1998–2001), on display at the 382:Field Museum of Natural History 333:, London & New York, 1969. 208:African digital art and artists 3937: 3910: 3897: 3866: 3853: 3806: 3640:Africa South Art Initiative – 2893:, Hanover: Kestner-Ges., 1997. 2588:Primitivism in Modern Painting 915:Musée des Beaux-Arts de Nantes 345:Otis College of Art and Design 264: 13: 1: 4141:10.1080/21681392.2017.1376506 3799: 3601:– Books from and about Africa 3016:L'arte africana contemporanea 2947:L'arte contemporanea africana 2938:, London: I. B. Tauris, 2000. 2920:Enrico Mascelloni e Sarenco. 2572: 1272:(28 February–24 April 1998); 1126:, edited by Salah Hassan and 1064:Big City: Artists from Africa 597:Art/Images in Southern Africa 523:Musée d'Art Naïf - Max Fourny 4002:London: Thames & Hudson. 3671:The Jean Pigozzi collection. 3579: 3361:, Ibadan, Nigeria (1957–75). 3349:. Claremont, USA, from 1976. 3234:ADA: Architecture Design Art 3226: 2973:, Wien: Böhlau Verlag, 2002. 2945:, Paris: L'Harmattan, 2000. 2851:, aktualisierte Ausg., 1996. 2132:Africa, Assume Art Position! 2042:Africa, Assume Art Position! 1919:AfriqueEurope: Reves croises 1207:), Holzhausen, Vienne, 1996. 1163:Colours: Kunst aus Südafrika 965:Otro Païs: Escalas Africanas 464:, 1984 (3–18 November 1984). 301:World Festival of Black Arts 7: 4964:International organisations 4099:Paris/New York: Flammarion. 4024:Studio Museum, ed. (1990): 4000:Contemporary Art of Africa. 3903:Mount, Marshall W. (1973). 3754: 3138:25 Years of Creative Search 3032:, Paris: L'Harmattan, 2005. 3023:L'art africain contemporain 2949:, L'Harmattan Italia, 2002. 2746:L'art africain contemporain 2741:, Paris: L'Harmattan, 1995. 2513:autopsia & desarquivios 2473:, London: Kala Press, 1994. 2300:Ici l'Afrique / Here Africa 1312:, Lisa Muncke, John Picton. 1308:, London, 1997. Curated by 1266:University of South Florida 1187:(24 May–29 September 1996). 1098:Koriyama City Museum of Art 1070:, London, 1995. Curated by 794:(20 February–7 June 1992); 633:, London, 1989. Curated by 570:Kunst uit een andere wereld 297:Tendances et Confrontations 10: 5933: 5216:Africa Cricket Association 5022:Countries by GDP (nominal) 4069:Kasfir, Sidney L. (1999). 3985:Vogel, Susan, ed. (1991). 3976:. Munich: Prestel, p. 280. 3960:. Munich: Prestel, p. 279. 3650:Archive of African Artists 3508:. Musée de l'Homme, Paris. 3108:, Göttingen: Steidl, 2010. 2986:, Jaca Book, Milano, 2003. 2931:,Paris: L'Harmattan, 2000. 2915:Les peintres de l'estuaire 2882:Karl-Ferdinand Schaedler. 2842:Contemporary Art of Africa 2696:20th century art of Africa 2614:Contemporary Art in Africa 1965:, and Guy Bertrand Wouété. 1941:, Mustapha Dime, El Loko, 1280:Modernities & Memories 1167:Haus der Kulturen der Welt 822:, Museum für Volkerkunde, 780:Las Palmas de Gran Canaria 755:, Museum für Völkerkunde, 85:argued in his response to 5818: 5791: 5508: 5432: 5339: 5268: 5231:Australian-rules football 5206: 5148: 5139: 5091: 5084: 5012: 5003: 4900: 4891: 4822:Countries and territories 4817: 4808: 4768: 4725: 4618: 4609: 4071:Contemporary African Art. 3080:Africa arte contemporanea 3043:Sidney Littlefield Kasfir 2964:L'impossible Art Africain 2904:Sidney Littlefield Kasfir 2835:Primitivism and Modernism 1789:Gleichzeitig in Afrika... 1580:Afrikanische Reklamekunst 1473:Insertion: Self and Other 1264:. Curated by Olu Oguibe, 1102:Museum of Fine Arts, Gifu 874:at the Saatchi Collection 856:, Rooseum, Malmö, Svezia. 593:Bild/konst i södra Afrika 378:Contemporary African Arts 276:Art from the Commonwealth 5558:Central African Republic 4128:Critical African Studies 4060:Bologna: Damiani, p. 21. 3923:IOL (Independent Online) 3459:Kunstforum International 3085:Okwui Enwezor, ed., and 3073:Africa? Una nuova storia 3047:Contemporary African Art 2908:Contemporary African Art 2847:Ulrike Bässler-Pietsch. 2807:Christopher B. Steiner. 2709:, Einaudi, Torino, 1992. 2687:Bennetta Jules-Rosette. 2583:, London: Longman, 1937. 2483:Art Criticism and Africa 2184:Vitshios Mwilambwe Bondo 1874:There & Back: Africa 1653:Fuoriluogo 8 / Afritalia 1647:Correspondances Afriques 998:Black Looks, White Masks 810:Johannesburg Art Gallery 694:& Accademia d'Arte, 487:, Johannesburg, Germany. 425:Moderne Kunst aus Afrika 395:African Contemporary Art 374:, Washington D.C., 1974. 368:Contemporary African Art 341:Contemporary African Art 327:Contemporary African Art 314:Contemporary African Art 132:Contemporary African Art 51: 33:Contemporary African art 18:Contemporary African Art 5278:Countries by population 4991:United States of Africa 4351:www.cloreleadership.org 3740:Pan-Atlantic University 3118:Offerings from the Gods 3025:, Editions Scala, 2005. 2886:, München: Heyne, 1997. 2733:Jutta Stroeter-Bender. 2664:, Berlin: Reimer, 1980. 2115:Colui che non-dimentica 2032:L'Africa nei loro occhi 1712:Black Box: Les Afriques 1700:Centre Georges Pompidou 1032:Whitechapel Art Gallery 747:Studio Museum in Harlem 619:Institut du Monde Arabe 506:Whitechapel Art Gallery 437:Moderne Kunst in Afrika 149:Studio Museum in Harlem 5027:Countries by GDP (PPP) 4969:Pan-African Parliament 4760:Science and technology 3562:, no. 23, Summer 1993. 3463:Weltkunst-Globalkultur 3403:Critical Interventions 3105:the Walther Collection 3082:, Milan: Prearo, 2009. 3075:, Rome: Gangemi, 2009. 3035:Sophie Perryer (ed.). 2959:, Maltemi, Roma, 2002. 2640:Kiure Francis Msangi. 2119:Frédéric Bruly Bouabré 2108:the Walther Collection 2027: 1984:Maurus Mikael Malikita 1935:Frédéric Bruly Bouabré 1390:in collaboration with 1328:, Köln, Germany, 1997. 1229:Kwesi O. Owusu-Ankomah 1058:Tate Gallery Liverpool 676: 574:Art from another world 280:Commonwealth Institute 238: 5718:São Tomé and Príncipe 5578:Republic of the Congo 4680:European colonisation 4643:Pre-colonial kingdoms 4508:22 March 2014 at the 4219:www.the-art-world.com 4164:"African Digital Art" 3727:Universes in Universe 3518:Director Dapo Adeniyi 3253:Africa e Mediterraneo 2797:, London: Verso, 1993 2644:, 18th Annual Meeting 2626:Marshall Ward Mount. 2409:Modern Konst I Afrika 2386:Collections of essays 2172:Moridja Kitenge Banza 2160:Joel Andrianomearisoa 2078:Moridja Kitenge Banza 2070:Joel Andrianomearisoa 2018: 1894:Check List Luanda Pop 1191:Neue Kunst aus Afrika 1183:and Danielle Tilkin, 1118:Newtown, Johannesburg 1116:, Newtown Galleries, 734:Nicholas Mukomberanwa 663: 604:Magiciens de la terre 372:Museum of African Art 236: 95:Magiciens de la terre 87:Magiciens de la terre 73:Magiciens de la terre 5251:Stadiums by capacity 5198:World Heritage Sites 4675:European exploration 4442:continentalshift.org 4424:galerie-herrmann.com 3716:, Maputo, Mozambico. 3594:, London, from 1989. 3560:Africa Special Issue 3312:Arts d'Afrique Noire 3267:. Varsavia, Polonia. 3131:Sahelian Masquerades 3058:Bern: Benteli, 2008. 3003:Michela Manservisi. 2889:Christopher D. Roy. 2861:E. Okechukwu Odita. 2814:Edward Lucie-Smith. 2721:The Spirit in Ascent 2413:Modern Art in Africa 2403:Nelson H. H. Graburn 2076:, Nandipha Mntambo, 1925:. Artists included: 1537:Authentic/Ex-Centric 1388:Barbican Art Gallery 1306:University of London 931:Mohammed Omer Khalil 732:, Souleymane Keita, 615:Croisement de Signes 331:Studio International 5848:Plazas de soberanía 5794:States with limited 4935:Freedom of religion 4920:Heads of government 4712:Scramble for Africa 4438:"Continental Shift" 4420:"Around and Around" 4270:African Digital Art 4244:African Digital Art 4193:African Digital Art 4168:African Digital Art 3599:Africa Book Centre 3592:Diversity Art Forum 3567:Transition Magazine 3372:Who no know go know 3255:: Cultura e società 3136:Bruce Onobrakpeya: 3129:Bruce Onobrakpeya: 3049:, Paw Prints, 2008. 3010:Jean-Loup Amselle. 2962:Iba Ndiaye Diadji. 2875:Richard J. Powell. 2758:Bruce Onobrakpeya: 2719:Bruce Onobrakpeya: 2667:Paulin Hountondji. 1947:Jems Robert Koko Bi 1508:El Tiempo de Africa 1094:Setagaya Art Museum 698:, 1990. Curated by 637:, Hayward Gallery, 519:L'art Naïf Africain 187:, Salah M. Hassan, 124:Valentin Y. Mudimbe 4660:Indian Ocean trade 4529:on 2 February 2004 4195:. 21 February 2023 3989:. Munich: Prestel. 3525:Présence Africaine 3396:Nafas Art Magazine 2779:Thomas McEvilley. 2744:Pierre Gaudibert. 2633:Judith D. Miller. 2593:Rolf Italiaander. 2586:Robert Goldwater. 2579:Margaret Trowell. 2084:Who Knows Tomorrow 2028: 1758:Der Black Atlantic 1730:Africani in Africa 1696:Jean-Hubert Martin 1231:, Hadjira Preure, 1155:, Massimo Pulini, 1076:Julia Peyton-Jones 1068:Serpentine Gallery 1044:Cyprien Tokoudegba 1010:and Salah Hassan, 923:Skunder Boghossian 685:Grazer Kunstverein 677: 609:Jean-Hubert Martin 460:, Galerie Altana, 445:Frankfurt Bookfair 335:Camden Arts Centre 239: 78:Jean-Hubert Martin 5899: 5898: 5593:Equatorial Guinea 5468: 5467: 5335: 5334: 5264: 5263: 5080: 5079: 5057:Natural resources 4999: 4998: 4945:Linguistic rights 4887: 4886: 4804: 4803: 4322:"Wanjiku Nyachae" 4112:Bologna: Damiani. 3947:Boston: Springer. 3830:Looking Both Ways 3658:Artafrica Project 3620:, Dakar, Senegal. 3483:Clémentine Deliss 3465:(no. 118, 1992), 3449:, Lagos, Nigeria. 3278:Afriche e Orienti 3265:Africana bulletin 3087:Chika Okeke-Agulu 2809:Africa in Transit 2671:, New York, 1982. 2609:, New York, 1966. 2607:Harmon Foundation 2600:Evelyn S. Brown. 2322:Lovemore Kambudzi 2308:Nadia Kaabi-Linke 2100:Chika Okeke-Agulu 1976:Tanzania VS Congo 1783:Plakate in Afrika 1736:Escape and Memory 1724:L'Afrique à venir 1386:. Curated by the 1286:Suites Africaines 1233:Twins Seven Seven 1227:, Kivuthi Mbuno, 1185:Guggenheim Museum 1020:Chika Okeke-Agulu 1016:Catherine Lampert 1008:Clémentine Deliss 985:Around and Around 824:Frankfurt am Main 757:Frankfurt-am-Main 742:Bruce Onobrakpeya 720:, Youssouf Bath, 700:Clémentine Deliss 639:South Bank Centre 447:and in Stockholm. 399:Howard University 185:Chika Okeke-Agulu 181:Clémentine Deliss 16:(Redirected from 5924: 5917:Contemporary art 5892: 5891:(United Kingdom) 5887:Tristan da Cunha 5883:Ascension Island 5875: 5862: 5853: 5510:Sovereign states 5495: 5488: 5481: 5472: 5471: 5448: 5441: 5226:Afro-Asian Games 5146: 5145: 5089: 5088: 5067:Renewable energy 5032:Countries by HDI 5010: 5009: 4898: 4897: 4815: 4814: 4616: 4615: 4592: 4585: 4578: 4569: 4568: 4557: 4556: 4545: 4539: 4538: 4536: 4534: 4525:. Archived from 4519: 4513: 4500: 4494: 4489: 4483: 4482: 4470: 4464: 4463: 4452: 4446: 4445: 4434: 4428: 4427: 4416: 4410: 4409: 4408: 4406: 4394: 4388: 4387: 4385: 4383: 4368: 4362: 4361: 4359: 4357: 4343: 4337: 4336: 4334: 4332: 4318: 4312: 4311: 4309: 4307: 4293: 4282: 4281: 4279: 4277: 4262: 4256: 4255: 4253: 4251: 4236: 4230: 4229: 4227: 4225: 4211: 4205: 4204: 4202: 4200: 4185: 4179: 4178: 4176: 4174: 4160: 4154: 4153: 4143: 4119: 4113: 4106: 4100: 4093: 4087: 4080: 4074: 4067: 4061: 4054: 4045: 4038: 4029: 4022: 4016: 4009: 4003: 3996: 3990: 3983: 3977: 3970: 3961: 3954: 3948: 3941: 3935: 3934: 3932: 3930: 3914: 3908: 3901: 3895: 3888: 3877: 3870: 3864: 3857: 3851: 3850:no. 6, pp. 3–16. 3844: 3833: 3826: 3817: 3810: 3794:Contemporary art 3738:, hosted at the 3720:Power of Culture 3506:Objets et Mondes 3487:Metronome Press. 3473:(no. 174, 2005). 3469:(n. 122, 1993), 3467:Afrika – Iwalewa 3318:Art South Africa 3045:and Gus Gordon. 3028:Hortense Volle. 2991:The Culture Game 2969:Thomas Fillitz. 2913:Nicolas Bissek. 2202:(South Africa), 2168:Nandipha Mntambo 2156:Abdoulaye Konaté 2152:Barthélémy Toguo 2066:Abdoulaye Konaté 2062:Barthélémy Toguo 1951:Abdoulaye Konaté 1416:South meets West 1320:Franklin Sirmans 1276:(7 August 1999). 830:A Grain of Wheat 784:Groninger Museum 738:Henry Munyaradzi 693: 641:, London (1989). 541:Pierre Gaudibert 433:Kunst aus Africa 41:African diaspora 21: 5932: 5931: 5927: 5926: 5925: 5923: 5922: 5921: 5902: 5901: 5900: 5895: 5890: 5873: 5860: 5851: 5829: 5824: 5814: 5798: 5795: 5787: 5504: 5499: 5469: 5464: 5451: 5444: 5437: 5428: 5331: 5327:Youth in Africa 5305:Life expectancy 5260: 5202: 5178:Africanfuturism 5135: 5076: 5072:Stock exchanges 4995: 4883: 4842:Natural history 4800: 4764: 4721: 4670:Muslim conquest 4665:Bantu expansion 4605: 4596: 4566: 4561: 4560: 4547: 4546: 4542: 4532: 4530: 4521: 4520: 4516: 4510:Wayback Machine 4501: 4497: 4490: 4486: 4471: 4467: 4454: 4453: 4449: 4436: 4435: 4431: 4418: 4417: 4413: 4404: 4402: 4396: 4395: 4391: 4381: 4379: 4369: 4365: 4355: 4353: 4345: 4344: 4340: 4330: 4328: 4320: 4319: 4315: 4305: 4303: 4295: 4294: 4285: 4275: 4273: 4264: 4263: 4259: 4249: 4247: 4238: 4237: 4233: 4223: 4221: 4213: 4212: 4208: 4198: 4196: 4187: 4186: 4182: 4172: 4170: 4162: 4161: 4157: 4120: 4116: 4107: 4103: 4094: 4090: 4081: 4077: 4068: 4064: 4055: 4048: 4039: 4032: 4023: 4019: 4010: 4006: 3997: 3993: 3984: 3980: 3971: 3964: 3955: 3951: 3942: 3938: 3928: 3926: 3915: 3911: 3902: 3898: 3889: 3880: 3871: 3867: 3858: 3854: 3845: 3836: 3827: 3820: 3811: 3807: 3802: 3757: 3625:African Colours 3582: 3577: 3306:Vivante afrique 3229: 3224: 3206:, Pep Subirós). 2996:Bärbel Küster. 2800:Robert Atkins. 2726:Osa D. Egonwa. 2712:Johanna Agthe. 2575: 2570: 2388: 2304:Georges Adéagbo 2200:Esther Mahlangu 2190:Il Divin saggio 2180:Athi Patra Ruga 2144:Cameron Platter 2096:Yinka Shonibare 2094:, Antonio Ole, 2054:Cameron Platter 1518:EXITCONGOMUSEUM 1349:Body & Soul 1169:, Berlin, 1996. 1086:Yomiuri Shimbun 1048:Touhami Ennadre 1028:Wanjiku Nyachae 848:Desplazamientos 802:, London, 1993. 800:Saatchi Gallery 730:Rosemary Karuga 687: 631:Hayward Gallery 502:Nicholas Serota 498:From Two Worlds 485:Africana Museum 441:Art from Africa 337:, London, 1969. 286:, London, 1962. 267: 210: 183:and curated by 175:The exhibition 170:Salah M. Hassan 128:Africa Explores 115: 54: 28: 23: 22: 15: 12: 11: 5: 5930: 5920: 5919: 5914: 5897: 5896: 5894: 5893: 5876: 5863: 5854: 5836:Canary Islands 5832: 5830: 5819: 5816: 5815: 5813: 5812: 5807: 5801: 5799: 5792: 5789: 5788: 5786: 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5730: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5685: 5680: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5605: 5600: 5595: 5590: 5585: 5580: 5575: 5570: 5565: 5560: 5555: 5550: 5545: 5540: 5535: 5530: 5525: 5520: 5514: 5512: 5506: 5505: 5498: 5497: 5490: 5483: 5475: 5466: 5465: 5463: 5462: 5457: 5450: 5449: 5442: 5434: 5433: 5430: 5429: 5427: 5426: 5421: 5416: 5411: 5406: 5401: 5396: 5391: 5386: 5381: 5376: 5371: 5366: 5361: 5356: 5351: 5345: 5343: 5337: 5336: 5333: 5332: 5330: 5329: 5324: 5323: 5322: 5317: 5307: 5302: 5297: 5292: 5287: 5286: 5285: 5274: 5272: 5266: 5265: 5262: 5261: 5259: 5258: 5256:Tour d'Afrique 5253: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5212: 5210: 5204: 5203: 5201: 5200: 5195: 5190: 5185: 5180: 5175: 5170: 5165: 5160: 5155: 5149: 5143: 5137: 5136: 5134: 5133: 5128: 5123: 5118: 5113: 5111:Climate change 5108: 5103: 5098: 5092: 5086: 5082: 5081: 5078: 5077: 5075: 5074: 5069: 5064: 5059: 5054: 5049: 5047:Infrastructure 5044: 5039: 5034: 5029: 5024: 5019: 5013: 5007: 5001: 5000: 4997: 4996: 4994: 4993: 4988: 4987: 4986: 4976: 4974:Pan-Africanism 4971: 4966: 4961: 4960: 4959: 4958: 4957: 4950:Women's rights 4947: 4942: 4937: 4927: 4925:Heads of state 4922: 4917: 4912: 4907: 4901: 4895: 4889: 4888: 4885: 4884: 4882: 4881: 4876: 4875: 4874: 4869: 4864: 4859: 4854: 4844: 4839: 4834: 4832:Impact craters 4829: 4827:Highest points 4824: 4818: 4812: 4806: 4805: 4802: 4801: 4799: 4798: 4793: 4788: 4783: 4778: 4772: 4770: 4766: 4765: 4763: 4762: 4757: 4756: 4755: 4745: 4743:Historiography 4740: 4735: 4729: 4727: 4723: 4722: 4720: 4719: 4717:Decolonisation 4714: 4709: 4708: 4707: 4702: 4697: 4692: 4682: 4677: 4672: 4667: 4662: 4657: 4656: 4655: 4650: 4640: 4635: 4634: 4633: 4622: 4620: 4613: 4607: 4606: 4595: 4594: 4587: 4580: 4572: 4565: 4564:External links 4562: 4559: 4558: 4553:revuenoire.com 4540: 4514: 4495: 4484: 4465: 4447: 4429: 4411: 4389: 4363: 4338: 4313: 4301:foundation.app 4283: 4272:. 11 July 2021 4257: 4246:. 11 July 2021 4231: 4206: 4180: 4155: 4134:(3): 261–267. 4114: 4101: 4088: 4075: 4062: 4046: 4030: 4017: 4004: 3991: 3978: 3962: 3949: 3936: 3909: 3896: 3878: 3865: 3852: 3834: 3818: 3804: 3803: 3801: 3798: 3797: 3796: 3791: 3783: 3778: 3773: 3768: 3763: 3756: 3753: 3752: 3751: 3743: 3731: 3723: 3717: 3709: 3701: 3695: 3688: 3680: 3673: 3662: 3654: 3646: 3637: 3629: 3621: 3613: 3605: 3596: 3581: 3578: 3576: 3575: 3563: 3556:Rasheed Araeen 3546: 3538: 3530: 3521: 3509: 3503: 3497: 3489: 3474: 3456: 3450: 3442: 3436: 3429: 3412: 3400: 3388: 3382: 3376: 3362: 3350: 3344: 3336: 3327: 3315: 3309: 3299: 3296:Dakar Biennale 3289: 3282: 3274: 3268: 3262: 3249: 3237: 3230: 3228: 3225: 3223: 3222: 3217: 3207: 3200:Achille Mbembe 3193: 3183: 3177: 3171: 3165: 3159: 3153: 3147: 3141: 3134: 3127: 3121: 3115: 3109: 3099:Deborah Willis 3083: 3076: 3066: 3059: 3053:Regula Tschumi 3050: 3040: 3033: 3026: 3019: 3008: 3001: 2994: 2987: 2980: 2974: 2967: 2960: 2950: 2941:Joëlle Busca. 2939: 2932: 2927:Joëlle Busca. 2925: 2918: 2911: 2901: 2894: 2887: 2880: 2873: 2866: 2859: 2854:Betty LaDuke. 2852: 2845: 2838: 2833:Colin Rhodes. 2831: 2825: 2819: 2812: 2805: 2798: 2788: 2777: 2772:Jean Kennedy. 2770: 2763: 2756: 2751:Betty LaDuke. 2749: 2742: 2731: 2724: 2717: 2710: 2699: 2692: 2685: 2679: 2672: 2665: 2658: 2651: 2645: 2638: 2631: 2624: 2619:Frank Willet. 2617: 2610: 2598: 2591: 2584: 2576: 2574: 2571: 2569: 2568: 2558: 2552: 2546: 2540: 2534: 2528: 2522: 2516: 2510: 2504: 2498: 2492: 2486: 2480: 2474: 2464: 2458: 2452: 2446: 2440: 2434: 2428: 2422: 2416: 2406: 2396: 2389: 2387: 2384: 2383: 2382: 2373: 2372: 2365:Sindika Dokolo 2351: 2350: 2341: 2340: 2335: 2325: 2315: 2297: 2282:Michele Magema 2277: 2276: 2264: 2263: 2260: 2244: 2243: 2240: 2224: 2223: 2204:George Lilanga 2193: 2187: 2164:Perter Eastman 2136:Yacouba Konaté 2123: 2122: 2112: 2103: 2081: 2046:Yacouba Konaté 2039: 2036:George Lilanga 2008: 2007: 2004:Jean Paul Mika 1980:George Lilanga 1967: 1966: 1939:Dilomprizulike 1923:Yacouba Konaté 1916: 1906: 1899:Fernando Alvim 1890: 1878: 1877: 1871: 1865: 1859: 1853: 1847: 1841: 1829: 1828: 1822: 1816: 1810: 1804: 1798: 1792: 1786: 1780: 1768: 1767: 1761: 1755: 1745: 1739: 1733: 1727: 1721: 1715: 1709: 1703: 1675: 1674: 1667:Fernando Alvim 1656: 1650: 1644: 1638: 1635:Iwalewa Reload 1632: 1626: 1620: 1614: 1602: 1601: 1595: 1589: 1583: 1571: 1570: 1564: 1558: 1552: 1546: 1540: 1528: 1527: 1521: 1515: 1505: 1499: 1490: 1482: 1476: 1470: 1464: 1458: 1446: 1445: 1439: 1429: 1423: 1420:Yacouba Konaté 1413: 1407: 1401: 1375: 1374: 1368: 1362: 1355:Transatlantico 1352: 1346: 1343:Yacouba Konaté 1330: 1329: 1323: 1313: 1299: 1293: 1283: 1277: 1259: 1249: 1237: 1236: 1223:, Ali Kichou, 1214: 1208: 1198: 1188: 1170: 1160: 1157:Gilberto Zorio 1153:Mimmo Paladino 1140: 1139: 1121: 1111: 1105: 1079: 1061: 1052:Farid Belkahia 1039: 1001: 989: 988: 982: 976: 962: 956: 940: 939: 918: 908: 896: 895: 889: 883: 877: 858: 857: 851: 845: 839: 833: 827: 817: 803: 773: 761: 760: 750: 713: 703: 673:British Museum 653: 652: 642: 635:Rasheed Araeen 622: 612: 600: 584: 583: 577: 567: 561: 558: 545: 544: 526: 510: 509: 489: 488: 472: 471: 465: 449: 448: 416: 415: 403: 402: 386: 385: 375: 365: 353: 352: 338: 318: 317: 305: 304: 288: 287: 266: 263: 262: 261: 257: 256: 251: 250: 245: 244: 231: 230: 226: 222: 218: 209: 206: 179:, directed by 114: 111: 101:epistemology. 83:Rasheed Araeen 53: 50: 26: 9: 6: 4: 3: 2: 5929: 5918: 5915: 5913: 5910: 5909: 5907: 5888: 5884: 5880: 5877: 5871: 5867: 5864: 5858: 5855: 5849: 5845: 5841: 5837: 5834: 5833: 5831: 5828: 5822: 5817: 5811: 5808: 5806: 5803: 5802: 5800: 5797: 5790: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5684: 5681: 5679: 5676: 5674: 5671: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5633:Guinea-Bissau 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5519: 5516: 5515: 5513: 5511: 5507: 5503: 5496: 5491: 5489: 5484: 5482: 5477: 5476: 5473: 5461: 5458: 5456: 5453: 5452: 5447: 5443: 5440: 5436: 5435: 5431: 5425: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5402: 5400: 5397: 5395: 5392: 5390: 5387: 5385: 5382: 5380: 5377: 5375: 5372: 5370: 5367: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5346: 5344: 5342: 5338: 5328: 5325: 5321: 5318: 5316: 5313: 5312: 5311: 5308: 5306: 5303: 5301: 5298: 5296: 5295:Ethnic groups 5293: 5291: 5288: 5284: 5281: 5280: 5279: 5276: 5275: 5273: 5271: 5267: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5221:African Games 5219: 5217: 5214: 5213: 5211: 5209: 5205: 5199: 5196: 5194: 5191: 5189: 5186: 5184: 5181: 5179: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5159: 5156: 5154: 5151: 5150: 5147: 5144: 5142: 5138: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5106:Caste systems 5104: 5102: 5101:Birth control 5099: 5097: 5094: 5093: 5090: 5087: 5083: 5073: 5070: 5068: 5065: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5025: 5023: 5020: 5018: 5017:Central banks 5015: 5014: 5011: 5008: 5006: 5002: 4992: 4989: 4985: 4982: 4981: 4980: 4977: 4975: 4972: 4970: 4967: 4965: 4962: 4956: 4953: 4952: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4932: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4905:African Union 4903: 4902: 4899: 4896: 4894: 4890: 4880: 4877: 4873: 4870: 4868: 4865: 4863: 4860: 4858: 4855: 4853: 4850: 4849: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4823: 4820: 4819: 4816: 4813: 4811: 4807: 4797: 4794: 4792: 4789: 4787: 4784: 4782: 4779: 4777: 4774: 4773: 4771: 4767: 4761: 4758: 4754: 4751: 4750: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4730: 4728: 4724: 4718: 4715: 4713: 4710: 4706: 4705:Trans-Saharan 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4687: 4686: 4683: 4681: 4678: 4676: 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4654: 4651: 4649: 4646: 4645: 4644: 4641: 4639: 4636: 4632: 4629: 4628: 4627: 4624: 4623: 4621: 4617: 4614: 4612: 4608: 4604: 4600: 4593: 4588: 4586: 4581: 4579: 4574: 4573: 4570: 4554: 4550: 4544: 4528: 4524: 4518: 4511: 4507: 4504: 4499: 4493: 4488: 4480: 4476: 4469: 4461: 4457: 4451: 4443: 4439: 4433: 4425: 4421: 4415: 4401: 4400: 4393: 4378: 4374: 4367: 4352: 4348: 4342: 4327: 4323: 4317: 4302: 4298: 4292: 4290: 4288: 4271: 4267: 4261: 4245: 4241: 4235: 4220: 4216: 4210: 4194: 4190: 4184: 4169: 4165: 4159: 4151: 4147: 4142: 4137: 4133: 4129: 4125: 4118: 4111: 4105: 4098: 4092: 4085: 4079: 4072: 4066: 4059: 4053: 4051: 4043: 4037: 4035: 4027: 4021: 4014: 4008: 4001: 3995: 3988: 3982: 3975: 3969: 3967: 3959: 3953: 3946: 3940: 3924: 3920: 3913: 3906: 3900: 3893: 3887: 3885: 3883: 3875: 3869: 3862: 3856: 3849: 3843: 3841: 3839: 3831: 3825: 3823: 3815: 3809: 3805: 3795: 3792: 3790: 3787: 3784: 3782: 3779: 3777: 3774: 3772: 3769: 3767: 3764: 3762: 3759: 3758: 3749: 3748: 3744: 3741: 3737: 3736: 3732: 3729: 3728: 3724: 3721: 3718: 3715: 3714: 3710: 3707: 3706: 3702: 3699: 3696: 3694: 3693: 3689: 3686: 3685: 3681: 3679: 3678: 3674: 3672: 3668: 3667: 3663: 3661: 3659: 3655: 3652: 3651: 3647: 3644: 3643: 3638: 3636: 3634: 3630: 3628: 3626: 3622: 3619: 3618: 3614: 3611: 3610: 3606: 3603: 3602: 3597: 3595: 3591: 3589: 3584: 3583: 3573: 3572: 3568: 3564: 3561: 3557: 3554:. Founded by 3553: 3551: 3547: 3544: 3543: 3539: 3536: 3535: 3531: 3528: 3526: 3522: 3519: 3515: 3514: 3510: 3507: 3504: 3501: 3498: 3495: 3494: 3490: 3488: 3484: 3481:. Founded by 3480: 3479: 3475: 3472: 3471:Out of Africa 3468: 3464: 3460: 3457: 3454: 3451: 3448: 3447: 3443: 3440: 3437: 3435: 3434: 3433:Drum Magazine 3430: 3427: 3423: 3419: 3417: 3413: 3410: 3409: 3404: 3401: 3399: 3397: 3392: 3389: 3386: 3383: 3380: 3377: 3374: 3373: 3368: 3367: 3363: 3360: 3357:, founded by 3356: 3355: 3351: 3348: 3345: 3342: 3341: 3337: 3335: 3331: 3328: 3325: 3324: 3319: 3316: 3313: 3310: 3307: 3303: 3300: 3297: 3293: 3290: 3288: 3287: 3283: 3280: 3279: 3275: 3272: 3269: 3266: 3263: 3260: 3256: 3254: 3250: 3247: 3246: 3241: 3238: 3235: 3232: 3231: 3221: 3218: 3216: 3215:9780300233230 3212: 3208: 3205: 3201: 3197: 3194: 3191: 3187: 3184: 3181: 3178: 3175: 3172: 3169: 3166: 3163: 3160: 3157: 3154: 3151: 3148: 3145: 3142: 3139: 3135: 3132: 3128: 3125: 3122: 3119: 3116: 3113: 3110: 3107: 3106: 3100: 3096: 3095:Artur Walther 3092: 3091:Kobena Mercer 3088: 3084: 3081: 3077: 3074: 3070: 3067: 3064: 3060: 3057: 3054: 3051: 3048: 3044: 3041: 3038: 3034: 3031: 3027: 3024: 3020: 3017: 3013: 3009: 3006: 3002: 2999: 2995: 2992: 2988: 2985: 2984:Arte Africana 2982:Ivan Bargna. 2981: 2978: 2975: 2972: 2968: 2965: 2961: 2958: 2954: 2951: 2948: 2944: 2940: 2937: 2933: 2930: 2926: 2923: 2919: 2916: 2912: 2909: 2905: 2902: 2899: 2896:Gert. Chesi. 2895: 2892: 2888: 2885: 2881: 2878: 2874: 2871: 2867: 2864: 2860: 2857: 2853: 2850: 2846: 2843: 2839: 2836: 2832: 2829: 2826: 2823: 2820: 2817: 2813: 2810: 2806: 2803: 2799: 2796: 2792: 2789: 2786: 2782: 2778: 2775: 2771: 2768: 2765:Nicole Guez. 2764: 2761: 2757: 2754: 2750: 2747: 2743: 2740: 2736: 2732: 2729: 2725: 2722: 2718: 2715: 2711: 2708: 2704: 2701:Sally Price. 2700: 2697: 2693: 2690: 2686: 2683: 2680: 2677: 2674:Jan Vansina. 2673: 2670: 2666: 2663: 2659: 2656: 2653:Eugene Burt. 2652: 2649: 2646: 2643: 2639: 2636: 2632: 2629: 2625: 2622: 2618: 2615: 2611: 2608: 2604: 2599: 2596: 2592: 2589: 2585: 2582: 2578: 2577: 2567: 2563: 2559: 2556: 2553: 2550: 2547: 2544: 2541: 2538: 2535: 2532: 2529: 2526: 2523: 2520: 2517: 2514: 2511: 2508: 2505: 2502: 2499: 2496: 2493: 2490: 2487: 2484: 2481: 2478: 2475: 2472: 2468: 2465: 2462: 2459: 2456: 2453: 2450: 2447: 2444: 2441: 2438: 2435: 2432: 2429: 2426: 2423: 2420: 2417: 2414: 2410: 2407: 2404: 2400: 2397: 2394: 2391: 2390: 2380: 2379: 2378: 2377: 2370: 2366: 2362: 2361:Kendell Geers 2358: 2357: 2356: 2355: 2348: 2347: 2346: 2345: 2339: 2336: 2333: 2329: 2326: 2323: 2319: 2316: 2313: 2312:Malick Sidibé 2309: 2305: 2301: 2298: 2295: 2294:Igshaan Adams 2291: 2290: 2289: 2287: 2283: 2274: 2271: 2270: 2269: 2268: 2261: 2258: 2254: 2251: 2250: 2249: 2248: 2241: 2238: 2234: 2231: 2230: 2229: 2228: 2221: 2217: 2216:Kivuthi Mbuno 2213: 2212:Mikidadi Bush 2209: 2205: 2201: 2197: 2196:Transafricana 2194: 2191: 2188: 2185: 2181: 2177: 2173: 2169: 2165: 2161: 2157: 2153: 2149: 2145: 2141: 2137: 2133: 2130: 2129: 2128: 2127: 2120: 2116: 2113: 2110: 2109: 2104: 2101: 2097: 2093: 2092:Zarina Bhimji 2089: 2085: 2082: 2079: 2075: 2074:Peter Eastman 2071: 2067: 2063: 2059: 2055: 2051: 2047: 2043: 2040: 2037: 2033: 2030: 2029: 2025: 2024:Tapfuma Gutsa 2021: 2017: 2013: 2012: 2005: 2001: 1997: 1994:, (Tanzania) 1993: 1989: 1985: 1981: 1977: 1974: 1973: 1972: 1971: 1964: 1963:Freddy Tsimba 1960: 1959:Ingrid Mwangi 1956: 1955:Bill Kouelany 1952: 1948: 1944: 1943:Tapfuma Gutsa 1940: 1936: 1932: 1928: 1924: 1920: 1917: 1914: 1910: 1907: 1904: 1900: 1897:. Curated by 1896: 1895: 1891: 1888: 1885: 1884: 1883: 1882: 1875: 1872: 1869: 1866: 1863: 1860: 1857: 1854: 1851: 1848: 1845: 1842: 1839: 1836: 1835: 1834: 1833: 1826: 1823: 1820: 1817: 1814: 1811: 1808: 1805: 1802: 1799: 1796: 1793: 1790: 1787: 1784: 1781: 1778: 1775: 1774: 1773: 1772: 1765: 1762: 1759: 1756: 1753: 1749: 1746: 1743: 1740: 1737: 1734: 1731: 1728: 1725: 1722: 1719: 1716: 1713: 1710: 1707: 1704: 1701: 1697: 1693: 1692:David Elliott 1689: 1686:. Curated by 1685: 1682: 1681: 1680: 1679: 1672: 1668: 1664: 1660: 1657: 1654: 1651: 1648: 1645: 1642: 1639: 1636: 1633: 1630: 1627: 1624: 1621: 1618: 1615: 1612: 1609: 1608: 1607: 1606: 1599: 1596: 1593: 1590: 1587: 1584: 1581: 1578: 1577: 1576: 1575: 1568: 1565: 1562: 1561:Art populaire 1559: 1556: 1553: 1550: 1547: 1544: 1541: 1538: 1535: 1534: 1533: 1532: 1525: 1522: 1519: 1516: 1513: 1510:. Curated by 1509: 1506: 1503: 1500: 1497: 1496: 1495:Lawson Oyekan 1491: 1488: 1487: 1483: 1480: 1477: 1474: 1471: 1468: 1465: 1462: 1459: 1456: 1453: 1452: 1451: 1450: 1443: 1440: 1437: 1433: 1430: 1427: 1424: 1421: 1417: 1414: 1411: 1408: 1405: 1402: 1399: 1395: 1394: 1389: 1385: 1382: 1381: 1380: 1379: 1372: 1369: 1366: 1363: 1360: 1357:. Curated by 1356: 1353: 1350: 1347: 1344: 1340: 1337: 1336: 1335: 1334: 1327: 1324: 1321: 1317: 1314: 1311: 1307: 1303: 1300: 1297: 1294: 1291: 1288:. Curated by 1287: 1284: 1281: 1278: 1275: 1271: 1267: 1263: 1260: 1257: 1253: 1250: 1247: 1244: 1243: 1242: 1241: 1234: 1230: 1226: 1225:Bertina Lopes 1222: 1218: 1215: 1212: 1209: 1206: 1202: 1199: 1196: 1192: 1189: 1186: 1182: 1178: 1174: 1171: 1168: 1164: 1161: 1158: 1154: 1150: 1147: 1146: 1145: 1144: 1137: 1133: 1129: 1128:Okwui Enwezor 1125: 1122: 1119: 1115: 1112: 1109: 1106: 1103: 1099: 1095: 1091: 1087: 1083: 1080: 1077: 1073: 1069: 1065: 1062: 1059: 1055: 1053: 1049: 1045: 1040: 1037: 1033: 1029: 1025: 1021: 1017: 1013: 1012:David Koloane 1009: 1005: 1002: 999: 996: 995: 994: 993: 986: 983: 980: 977: 974: 970: 966: 963: 960: 957: 954: 951:. Curated by 950: 947: 946: 945: 944: 937: 936: 932: 928: 924: 919: 916: 912: 909: 906: 903: 902: 901: 900: 893: 890: 887: 884: 881: 878: 875: 873: 870: 865: 864: 863: 862: 855: 852: 849: 846: 843: 840: 837: 834: 831: 828: 825: 821: 818: 815: 811: 807: 804: 801: 797: 796:Out of Africa 793: 789: 785: 781: 777: 774: 771: 768: 767: 766: 765: 758: 754: 751: 748: 744: 743: 739: 735: 731: 727: 726:Tapfuma Gutsa 723: 722:Ablade Glover 719: 714: 711: 707: 704: 701: 697: 691: 686: 682: 679: 678: 674: 670: 666: 662: 658: 657: 650: 646: 643: 640: 636: 632: 628: 627: 623: 620: 616: 613: 610: 606: 605: 601: 598: 594: 591: 590: 589: 588: 581: 578: 575: 571: 568: 565: 562: 559: 556: 552: 551: 550: 549: 542: 538: 534: 530: 527: 524: 520: 517: 516: 515: 514: 507: 503: 500:. Co-curator 499: 496: 495: 494: 493: 486: 482: 479: 478: 477: 476: 469: 466: 463: 459: 456: 455: 454: 453: 446: 442: 438: 434: 430: 426: 423: 422: 421: 420: 413: 410: 409: 408: 407: 400: 396: 393: 392: 391: 390: 383: 379: 376: 373: 369: 366: 363: 360: 359: 358: 357: 350: 346: 342: 339: 336: 332: 328: 325: 324: 323: 322: 315: 312: 311: 310: 309: 302: 298: 295: 294: 293: 292: 285: 281: 277: 274: 273: 272: 271: 259: 258: 253: 252: 247: 246: 241: 240: 235: 227: 223: 219: 216: 215: 214: 205: 203: 198: 194: 190: 189:David Koloane 186: 182: 178: 173: 171: 167: 166:Okwui Enwezor 163: 158: 153: 150: 146: 141: 137: 133: 129: 125: 121: 110: 106: 102: 100: 96: 90: 88: 84: 79: 75: 74: 68: 67:United States 64: 60: 49: 45: 42: 38: 34: 30: 19: 5879:Saint Helena 5821:Dependencies 5743:South Africa 5733:Sierra Leone 5538:Burkina Faso 5310:Urbanization 5270:Demographics 5246:Rugby Africa 5153:Architecture 5037:Billionaires 4930:Human rights 4700:Indian Ocean 4631:North Africa 4552: 4543: 4531:. Retrieved 4527:the original 4517: 4498: 4487: 4478: 4468: 4459: 4450: 4441: 4432: 4423: 4414: 4403:, retrieved 4398: 4392: 4380:. Retrieved 4376: 4366: 4354:. Retrieved 4350: 4341: 4329:. Retrieved 4325: 4316: 4304:. Retrieved 4300: 4274:. Retrieved 4269: 4260: 4248:. Retrieved 4243: 4234: 4222:. Retrieved 4218: 4209: 4197:. Retrieved 4192: 4183: 4171:. Retrieved 4167: 4158: 4131: 4127: 4117: 4109: 4104: 4096: 4091: 4083: 4078: 4070: 4065: 4057: 4041: 4025: 4020: 4012: 4007: 3999: 3994: 3986: 3981: 3973: 3957: 3952: 3944: 3939: 3927:. Retrieved 3922: 3912: 3904: 3899: 3891: 3873: 3868: 3860: 3855: 3847: 3832:, pp. 37-41. 3829: 3813: 3808: 3788: 3766:Fathi Hassan 3746: 3734: 3726: 3722:, Amsterdam. 3719: 3712: 3704: 3691: 3683: 3676: 3664: 3657: 3649: 3645:, Cape Town. 3639: 3633:African Loxo 3632: 3624: 3616: 3612:, Amsterdam. 3609:Africaserver 3608: 3598: 3593: 3585: 3565: 3559: 3548: 3540: 3532: 3523: 3520:, from 2001. 3511: 3505: 3499: 3492: 3476: 3470: 3466: 3462: 3458: 3452: 3444: 3438: 3431: 3428:, from 2007. 3414: 3407: 3402: 3395: 3390: 3384: 3378: 3371: 3364: 3352: 3346: 3338: 3329: 3322: 3317: 3311: 3305: 3301: 3291: 3286:Africultures 3285: 3277: 3271:African Arts 3270: 3264: 3258: 3251: 3244: 3239: 3233: 3195: 3185: 3179: 3173: 3167: 3161: 3155: 3149: 3143: 3137: 3130: 3123: 3117: 3111: 3102: 3079: 3072: 3069:André Magnin 3062: 3055: 3046: 3036: 3029: 3022: 3015: 3011: 3004: 2997: 2990: 2989:Olu Oguibe. 2983: 2976: 2970: 2963: 2956: 2953:Teresa Macrì 2946: 2942: 2935: 2928: 2921: 2914: 2907: 2897: 2890: 2883: 2876: 2869: 2868:Wijdan Ali. 2862: 2855: 2848: 2841: 2834: 2827: 2821: 2815: 2808: 2801: 2794: 2784: 2780: 2773: 2766: 2759: 2752: 2745: 2738: 2734: 2727: 2720: 2713: 2706: 2702: 2695: 2688: 2681: 2675: 2668: 2661: 2660:Ulli Beier. 2654: 2647: 2641: 2634: 2627: 2620: 2613: 2612:Ulli Beier. 2601: 2594: 2587: 2580: 2554: 2548: 2542: 2536: 2530: 2524: 2518: 2512: 2506: 2500: 2494: 2488: 2482: 2476: 2469:, edited by 2466: 2460: 2454: 2448: 2442: 2436: 2430: 2424: 2418: 2412: 2408: 2401:, edited by 2398: 2392: 2375: 2374: 2353: 2352: 2343: 2342: 2337: 2327: 2317: 2299: 2278: 2272: 2266: 2265: 2252: 2246: 2245: 2232: 2226: 2225: 2220:Peter Wanjau 2214:(Tanzania), 2206:(Tanzania), 2195: 2189: 2140:Mounir Fatmi 2131: 2125: 2124: 2114: 2105: 2083: 2050:Mounir Fatmi 2041: 2031: 2019: 2010: 2009: 1996:Cheri Cherin 1975: 1969: 1968: 1918: 1913:André Magnin 1908: 1892: 1886: 1880: 1879: 1873: 1867: 1861: 1855: 1849: 1843: 1837: 1831: 1830: 1824: 1818: 1812: 1806: 1800: 1794: 1788: 1782: 1776: 1770: 1769: 1763: 1757: 1751: 1747: 1741: 1735: 1729: 1723: 1717: 1711: 1705: 1684:Africa Remix 1683: 1677: 1676: 1662: 1658: 1652: 1646: 1640: 1634: 1628: 1622: 1616: 1610: 1604: 1603: 1597: 1591: 1585: 1579: 1573: 1572: 1566: 1560: 1554: 1548: 1542: 1536: 1530: 1529: 1523: 1517: 1507: 1501: 1492: 1484: 1478: 1472: 1466: 1460: 1454: 1448: 1447: 1441: 1435: 1431: 1425: 1415: 1409: 1403: 1391: 1383: 1377: 1376: 1370: 1364: 1359:Octavio Zaya 1354: 1348: 1338: 1332: 1331: 1325: 1318:, edited by 1315: 1310:Robert Loder 1301: 1295: 1289: 1285: 1279: 1274:Indianapolis 1270:Santa Monica 1261: 1251: 1245: 1239: 1238: 1221:Fathi Hassan 1216: 1210: 1204: 1200: 1190: 1177:Octavio Zaya 1172: 1162: 1148: 1142: 1141: 1123: 1113: 1107: 1081: 1072:Jean Pigozzi 1063: 1041: 1003: 997: 991: 990: 984: 978: 968: 964: 958: 948: 942: 941: 920: 910: 904: 898: 897: 891: 885: 879: 869:Jean Pigozzi 866: 860: 859: 854:Transmission 853: 847: 841: 835: 829: 819: 814:Johannesburg 805: 795: 775: 769: 763: 762: 752: 715: 705: 680: 664: 655: 654: 647:, edited by 644: 624: 614: 602: 596: 592: 586: 585: 579: 573: 569: 563: 555:Fathi Hassan 547: 546: 536: 528: 518: 512: 511: 497: 491: 490: 480: 474: 473: 467: 457: 451: 450: 440: 436: 432: 428: 424: 418: 417: 411: 405: 404: 394: 388: 387: 377: 367: 361: 355: 354: 340: 326: 320: 319: 313: 307: 306: 296: 290: 289: 275: 269: 268: 211: 202:Hans Belting 196: 176: 174: 154: 144: 131: 127: 119: 118:tourist or " 116: 107: 103: 94: 91: 86: 71: 55: 46: 32: 31: 29: 5912:African art 5827:territories 5796:recognition 5748:South Sudan 5638:Ivory Coast 5502:African art 5320:urban areas 5241:FIBA Africa 4940:LGBT rights 4638:Archaeology 4405:28 February 4382:28 February 4377:ARTnews.com 4356:28 February 4331:28 February 4306:28 February 4276:28 February 4250:28 February 4224:28 February 4199:28 February 3929:4 September 3925:. p. 1 3781:African art 3771:Ben Enwonwu 3534:Revue Noire 3416:DiARTgonale 3204:Simon Njami 2977:Onobrakpeya 2957:Postculture 2791:Paul Gilroy 2694:Kojo Fosu. 2621:African Art 2471:Jean Fisher 2328:Nouchi City 2210:(Senegal), 2208:Seni Camara 2176:Stuart Bird 2000:Cheick Ledy 1988:M. Charinda 1903:Simon Njami 1856:100% Africa 1688:Simon Njami 1671:Simon Njami 1512:Simon Njami 1393:Revue Noire 1290:Revue Noire 1024:El Hadji Sy 973:Simon Njami 949:Seen/Unseen 927:Rashid Diab 792:Mexico City 710:Karia Press 688: [ 665:Man's Cloth 560:June 1988). 533:Simon Njami 349:Los Angeles 265:Exhibitions 157:dichotomies 120:airport art 99:Eurocentric 5906:Categories 5861:(Portugal) 5810:Somaliland 5728:Seychelles 5693:Mozambique 5678:Mauritania 5663:Madagascar 5618:The Gambia 5553:Cape Verde 5290:Emigration 5193:Philosophy 5173:Literature 4619:Chronology 3848:Third Text 3800:References 3776:Aimé Mpane 3761:El Anatsui 3590:, renamed 3550:Third Text 3542:Staffrider 3366:Chimurenga 3359:Ulli Beier 3240:ART AFRICA 2573:Monographs 2566:9881506476 2371:, Brussels 2286:Johan Thom 2257:Gavin Rain 2237:Soly Cissé 2148:Soly Cissé 2088:El Anatsui 2058:Soly Cissé 1931:Nu Barreto 1927:El Anatsui 1623:Transferts 1256:Alfons Hug 1195:Alfons Hug 1181:Clare Bell 1136:Eatonville 953:Olu Oguibe 718:El Anatsui 708:, London: 669:El Anatsui 649:Wijdan Ali 537:Ethnicolor 529:Ethnicolor 284:Kensington 243:tradition. 162:Olu Oguibe 59:art market 5683:Mauritius 5126:Languages 5116:Etiquette 5042:Education 4915:Democracy 4910:Elections 4810:Geography 4769:By region 4753:conflicts 4626:Antiquity 4512:, Kerber. 4150:2168-1392 3730:, Berlin. 3617:Africinfo 3604:, London. 3580:Databases 3478:Metronome 3379:Coartnews 3347:Black Art 3302:Art nègre 3292:Afrik'Art 3227:Magazines 3190:Olu Amoda 2934:Gen Doy. 2318:Happiness 2233:Bestiario 2218:(Kenya), 1398:Autograph 935:Amir Nour 788:Groningen 5885: / 5881: / 5874:(France) 5868: / 5846: / 5842: / 5838: / 5783:Zimbabwe 5758:Tanzania 5608:Ethiopia 5603:Eswatini 5583:Djibouti 5548:Cameroon 5533:Botswana 5455:Category 5300:HIV/AIDS 5131:Religion 5096:Abortion 5052:Internet 4979:Politics 4955:feminism 4893:Politics 4748:Military 4726:By topic 4690:Atlantic 4653:Sahelian 4603:articles 4506:Archived 4326:Artswork 3755:See also 3684:Devearts 3586:AAVAA – 3455:, Paris. 3446:Glendora 3330:Artthrob 2802:Artspoke 1992:M.Sagula 1748:Insights 1404:Trafique 1217:Africana 1036:Africa95 65:and the 39:and the 5870:Réunion 5866:Mayotte 5857:Madeira 5852:(Spain) 5844:Melilla 5768:Tunisia 5738:Somalia 5723:Senegal 5708:Nigeria 5698:Namibia 5688:Morocco 5653:Liberia 5648:Lesotho 5598:Eritrea 5568:Comoros 5543:Burundi 5518:Algeria 5439:Outline 5341:By year 5283:density 5168:Cuisine 5141:Culture 5085:Society 5062:Poverty 5005:Economy 4984:parties 4852:Central 4847:Regions 4837:Islands 4776:Central 4738:Empires 4733:Economy 4695:Barbary 4685:Slavery 4648:Empires 4611:History 4173:1 March 3439:Gallery 3426:Camerun 3422:Yaoundé 2332:Aboudia 2020:Genesis 816:, 1991. 508:(1986). 462:Hamburg 351:, 1969. 229:Puleng. 221:School. 5889: 5872: 5859: 5850: 5825:other 5778:Zambia 5773:Uganda 5713:Rwanda 5668:Malawi 5628:Guinea 5523:Angola 5460:Portal 5315:cities 5163:Cinema 5121:Health 4879:Rivers 4601: 4599:Africa 4533:16 May 4460:si.edu 4148: 3213: 2603:Africa 2564: 2292:SLIP: 2026:(2010) 1050:& 745:, the 696:Vienna 193:London 147:, the 140:reflex 136:hubris 63:Europe 37:Africa 5840:Ceuta 5753:Sudan 5703:Niger 5658:Libya 5643:Kenya 5623:Ghana 5613:Gabon 5588:Egypt 5528:Benin 5446:Index 5208:Sport 5188:Music 5183:Media 4867:South 4862:North 4791:South 4786:North 4479:BOZAR 3394:then 2369:BOZAR 2048:with 1090:Tokyo 692:] 255:2020. 52:Scope 5763:Togo 5673:Mali 5563:Chad 5424:2020 5419:2019 5414:2018 5409:2017 5404:2016 5399:2015 5394:2014 5389:2013 5384:2012 5379:2011 5374:2010 5369:2009 5364:2008 5359:2007 5354:2006 5349:2005 4872:West 4857:East 4796:West 4781:East 4535:2019 4407:2023 4384:2023 4358:2023 4333:2023 4308:2023 4278:2023 4252:2023 4226:2023 4201:2023 4175:2023 4146:ISSN 3931:2023 3642:ASAI 3211:ISBN 2562:ISBN 2376:2020 2363:and 2354:2019 2344:2018 2267:2014 2253:Lena 2247:2013 2227:2012 2138:con 2126:2011 2011:2010 1970:2009 1901:and 1881:2007 1832:2006 1771:2005 1678:2004 1669:and 1605:2003 1574:2002 1531:2001 1449:2000 1396:and 1378:1999 1333:1998 1240:1997 1143:1996 1074:and 992:1995 943:1994 899:1993 867:The 861:1992 764:1991 656:1990 587:1989 548:1988 513:1987 492:1986 475:1985 452:1984 419:1979 406:1978 389:1977 356:1974 321:1969 308:1967 291:1966 270:1962 5823:and 5158:Art 4136:doi 2022:by 667:by 427:im 168:or 76:by 5908:: 4551:. 4477:. 4458:. 4440:. 4422:. 4375:. 4349:. 4324:. 4299:. 4286:^ 4268:. 4242:. 4217:. 4191:. 4166:. 4144:. 4130:. 4126:. 4049:^ 4033:^ 3965:^ 3921:. 3881:^ 3837:^ 3821:^ 3669:. 3569:: 3516:, 3424:, 3405:: 3369:: 3332:. 3320:: 3242:: 3202:, 3101:. 3097:, 3093:, 3071:, 2955:. 2906:. 2793:, 2367:, 2330:, 2320:, 2255:, 2235:, 2198:, 2182:, 2178:, 2174:, 2170:, 2166:, 2162:, 2158:, 2154:, 2150:, 2146:, 2142:, 2117:, 2090:, 2086:: 2072:, 2068:, 2064:, 2060:, 2056:, 2052:, 2002:, 1998:, 1990:, 1986:, 1982:, 1978:, 1953:, 1949:, 1937:, 1929:, 1750:: 1694:, 1179:, 1165:, 1134:, 1130:, 1066:, 1056:. 1046:, 1030:, 1026:, 1022:, 1018:, 1014:, 933:, 929:, 925:, 913:, 812:, 808:, 798:, 786:, 740:, 736:, 728:, 724:, 690:de 683:, 629:, 617:, 535:. 521:, 504:, 380:, 370:, 347:, 343:. 329:, 282:, 278:, 89:. 5494:e 5487:t 5480:v 4591:e 4584:t 4577:v 4555:. 4537:. 4481:. 4462:. 4444:. 4426:. 4386:. 4360:. 4335:. 4310:. 4280:. 4254:. 4228:. 4203:. 4177:. 4152:. 4138:: 4132:9 3933:. 3660:. 3635:. 3627:. 3574:. 3545:. 3398:. 3381:. 3298:. 2411:( 1434:( 1203:( 1054:) 967:( 702:. 675:. 595:( 572:( 557:. 543:. 303:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.