622:
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He played each note of the melody as if it were a significant poetic word, which effect was heightened in that he used the thumb for each one of these notes, and dropping his hand in a languid manner as he did this. He would dwell slightly here or there on a note as if entranced and then resume the
342:
201:. The fifth Consolation is the earliest of the compositions and dates from 1844. In an early manuscript, the fifth Consolation is entitled “Madrigal”. Liszt dedicated the Madrigal to a friend of his, a Weimar Intendant named
656:
motion without leaving a feeling that the time had been disturbed. I do not recall the particular measures in which he did this; but even then I felt that he might do it in a different place each time he played the piece.
420:. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal.
340:
396:
were published. This third
Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades.
562:
464:
341:
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560:
462:
141:(Six poetic thoughts), a title not used for Breitkopf's 1850 publication but for a set published shortly thereafter, in the same year, by the Bureau Central de Musique in Paris.
424:
Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this
Consolation and opined on the positive effect it would have on the more tranquil passages.
561:
463:
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333:
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2187:
508:
1549:
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1432:
389:
1611:
503:-Consolation (Star Consolation) because of the six-pointed white star that appears on the printed score. The Consolation was inspired by a
2277:
2557:
511:, the Grand Duchess of Saxe-Weimar-Eisenach. The mood of the composition has been described as "churchly-religious" and "prayerlike".
1738:
595:
vocal style. This
Consolation has the oldest genealogy having been reworked from the "Madrigal" of the earlier fifth version of the
2126:
2580:
1612:"Liszt's Sonata in B minor and a Woman Composer's Fingerprint: The quasi Adagio theme and a Lied by Maria Pavlovna (Romanova)"
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1886:
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1600:
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110:
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1731:
1813:
2107:
294:. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the
2146:
1925:
392:. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the
2661:
1555:
651:
major third
Consolation. Lachmund provides insight into the style in which Liszt played the Consolation, stating:
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1974:
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408:. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote:
1837:
553:
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119:
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2070:
2065:
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1827:
412:
In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des
Sylphes, by
197:
The third
Consolation is an arrangement of a Hungarian folksong that would be later reused by Liszt in his
2309:
1192:
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2235:
2416:
2132:
2054:
1832:
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268:, the original third Consolation (S. 171a/3) was replaced with a new Consolation (Lento placido in D
1960:
1932:
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198:
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is based on
Lamartine's collection of poems. Another possible inspiration for the title are the
2635:
2193:
1995:
1690:
The complete music for solo piano, Vol. 56 – Rarities, Curiosities, Album Leaves and
Fragments
2491:
2156:
2151:
1702:
101:
1967:
2598:
2441:
2263:
2256:
1781:
645:, one of Liszt's students, as more characteristic of Liszt's style than the more renowned D
519:
8:
2270:
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1390:
Living with Liszt: From the Diary of Carl
Lachmund, an American Pupil of Liszt, 1882–1884
405:
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1953:
1898:
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1341:
1298:
Anthology of romantic piano music: intermediate to early advanced works by 36 composers
1283:
1254:
401:
41:
with each having its own distinctive style. Each
Consolation is composed in either the
400:
In 1883, years after composing the Consolation, Liszt received a Grand piano from the
130:
poetry where friendship is extolled as a consolation for the loss of religious faith.
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666:
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1981:
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1946:
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63:
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1939:
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2019:
1988:
413:
260:
is better known than the first version and was published in 1850 in Leipzig by
1768:
1764:
1760:
1756:
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1748:
1343:
The complete music for solo piano, Vol. 9 – Sonata, Elegies & Consolations
2645:
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2411:
2406:
2356:
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1417:
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1708:
Oeuvres de Lamartine de l'académie française: édition complète en un volume
127:
1570:
Sainte-Beuve, Charles-Augustin de (2004). Murray, Christopher John (ed.).
637:
with a total of 100 measures. It is the most technically demanding of the
2506:
2207:
1868:
1844:
1804:
1744:
1015:
42:
34:
388:'s Nocturnes; in particular, it seems to have been inspired by Chopin's
298:, S. 171b. Consolation No. 2 is also in E major and is initially marked
2333:
2002:
1861:
577:
479:
357:
252:
Composed between 1849 and 1850, they are Liszt's second version of the
62:) was composed by Liszt between 1844 and 1849 and published in 1992 by
1428:
Consolations – Original Version and First Edition of the Early Version
1287:
1258:
629:
The sixth and final Consolation is in E major. It is initially marked
182:
Composed between 1844 and 1849, they are Liszt's first version of the
51:
major. E major is a key regularly used by Liszt for religious themes.
1531:
Mező, Imre; Gárdonyi, Zoltán; Szelényi, István; Sulyok, Imre (1981).
190:. The manuscripts are located at the Goethe and Schiller Archives in
1492:
The Pianist's Guide to Standard Teaching and Performance Literature
1425:
Liszt, Franz (1992). Heinemann, Heinemann; Eckhardt, Mária (eds.).
1279:
1250:
38:
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879:
877:
302:. It is often played directly after the first, without a break.
385:
191:
2604:
1773:
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70:) was composed between 1849 and 1850 and published in 1850 by
1266:
Helm, Everett (1963). "A Newly Discovered Liszt Manuscript".
979:
874:
603:
is shorter, having 56 measures compared to the Madrigal's 69;
30:
104:
poem "Une larme, ou Consolation" from the poetry collection
1218:(illustrated, reprint ed.). Indiana University Press.
850:
742:
504:
153:, S. 171a, consist of six solo compositions for the piano.
1530:
1056:
1054:
1021:
217:, S. 172, consist of six solo compositions for the piano.
762:
760:
798:
796:
794:
792:
587:
Consolation No. 5 is in E major. It is initially marked
2317:
Fantasy on Themes from Mozart's Figaro and Don Giovanni
1361:
The complete music for solo piano, Vol. 36 – Excelsior!
1233:
Eckhardt, Mária (1992). "Zur Entstehungsgeschichte der
1144:
1051:
840:
838:
779:
777:
775:
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Franz Liszt International Piano Competition (Budapest)
1168:
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954:
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599:. Compared to the earlier Madrigal, this Consolation:
108:(Poetic and Religious Harmonies). Liszt's piano cycle
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894:
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1268:
Studia Musicologica Academiae Scientiarum Hungaricae
1239:
Studia Musicologica Academiae Scientiarum Hungaricae
1197:(illustrated ed.). Greenwood Publishing Group.
1090:
835:
823:
772:
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1117:
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1027:
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947:
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514:Liszt later re-used the Consolation's theme in the
1655:Franz Liszt: The Weimar Years, 1848–1861, Volume 2
1431:(Urtext ed.). G. Henle Verlag. Archived from
1393:(illustrated, revised ed.). Pendragon Press.
1129:
1102:
991:
916:
889:
1410:Consolations. Six pensées pöétiques pour le piano
904:
862:
695:
2643:
1547:
985:
883:
163:Lento, quasi recitativo (E major/C-sharp minor)
606:shares several sections with similar melodies;
1789:
1513:Revolution and Religion in the Music of Liszt
1468:Liszt, Franz (2006). Banowetz, Joseph (ed.).
37:. The compositions take the musical style of
1569:
1447:Liszt, Franz (1995). Hinson, Maurice (ed.).
856:
499:. Composed in 1849, it is also known as the
281:
264:. In comparison to the first version of the
67:
59:
2558:International Franz Liszt Piano Competition
1573:Encyclopedia of the Romantic Era, 1760–1850
1796:
1782:
1548:Mező, Imre; Kaczmarczyk, Adrienne (2011).
208:
144:
1739:International Music Score Library Project
1720:(First ed.). Breitkopf & Härtel.
1453:(2nd ed.). Alfred Music Publishing.
1554:. Editio Musica Budapest. Archived from
1383:
1232:
1211:
1174:
1162:
1060:
766:
751:
689:
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529:
431:
309:
166:Quasi Adagio, cantabile con devozione (D
126:, published in 1830, is a collection of
1509:
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1372:
1072:
829:
802:
736:
665:Consolation No. 3 is heard in the film
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2581:University of Music Franz Liszt Weimar
2548:Liszthaus Raiding (Liszt's birthplace)
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724:
75:
1887:The Bells of the Strasbourg Cathedral
1777:
1609:
1576:. Vol. 1. Taylor & Francis.
1467:
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1424:
1407:
1138:
1123:
1111:
1084:
1033:
929:
910:
868:
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660:
248:Allegretto sempre cantabile (E major)
16:Compositions for piano by Franz Liszt
1265:
1150:
958:
616:
525:
427:
305:
186:and were first published in 1992 by
1412:. Paris:Bureau central de musique.
290:is in E major and initially marked
13:
2170:Harmonies poétiques et religieuses
1677:
641:. The piece has been described by
542:
444:
381:and also a favorite encore piece.
322:
111:Harmonies poétiques et religieuses
106:Harmonies poétiques et religieuses
14:
2678:
1725:
625:Consolation No. 6, first few bars
534:Consolation No. 5, first few bars
436:Consolation No. 4, first few bars
314:Consolation No. 3, first few bars
296:Album-Leaf (Première Consolation)
118:of the French literary historian
2629:
2603:
2594:
2593:
2127:Variation on a Waltz by Diabelli
1718:Consolations, 2nd version, S.172
576:Problems playing this file? See
558:
516:Andante sostenuto / quasi adagio
478:Problems playing this file? See
460:
377:. It is the most popular of the
356:Problems playing this file? See
338:
334:Consolation No. 3, Lento placido
199:Hungarian Rhapsody No.1, S.244/1
175:Andantino (E major) – "Madrigal"
54:There exist two versions of the
2367:Hans Bronsart von Schellendorff
1926:Ce qu'on entend sur la montagne
1803:
1471:Twenty-one selected piano works
1215:The Pianist's Guide to Pedaling
612:and is rhythmically less rigid.
568:Performed by Constantin Stephan
470:Performed by Constantin Stephan
456:Consolation No. 4, Quasi Adagio
495:major and is initially marked
404:with a design that included a
373:major and initially marked as
1:
672:
367:The third Consolation is in D
348:Benedict Kramer, piano (3:46)
2667:Compositions in D-flat major
2553:Franz Liszt Academy of Music
1658:. Cornell University Press.
1322:. Indiana University Press.
554:Consolation No. 5, Andantino
7:
2657:Compositions by Franz Liszt
2652:Compositions for solo piano
1495:. Alfred Music Publishing.
1474:. Alfred Music Publishing.
1387:(1999). Arnold, Ben (ed.).
1301:. Alfred Music Publishing.
986:Mező & Kaczmarczyk 2011
884:Mező & Kaczmarczyk 2011
631:Allegretto sempre cantabile
224:Un poco piĂą mosso (E major)
160:Un poco piĂą mosso (E major)
10:
2683:
2108:Morceau de salon, Ab Irato
2102:Grandes Ă©tudes de Paganini
1535:. Editio Musica Budapest.
633:and is the longest of the
609:employs simpler harmonies;
221:Andante con moto (E major)
157:Andante con moto (E major)
74:, containing the familiar
2589:
2540:
2349:
2326:
2310:RĂ©miniscences de Don Juan
2301:
2086:
2046:
2012:
1915:
1878:
1853:
1820:
1811:
1619:The Liszt Society Journal
1591:Searle, Humphrey (2013).
1212:Banowetz, Joseph (1992).
489:Consolation No. 4 is in D
282:Consolations Nos. 1 and 2
274:major) and the remaining
1933:Tasso: lamento e trionfo
1893:Slavimo slavno, Slaveni!
1693:(booklet). Franz Liszt.
1364:(booklet). Franz Liszt.
1346:(booklet). Franz Liszt.
1319:The Pianist's Dictionary
1316:Hinson, Maurice (2004).
1295:Hinson, Maurice (2003).
591:. The Consolation has a
384:Its style is similar to
137:are also referred to as
96:The source of the title
91:
29:) are a set of six solo
2662:Compositions in E major
2502:Agnes Street-Klindworth
2250:Grand galop chromatique
2236:Bagatelle sans tonalité
1743:Consolations played by
1595:. Courier Corporation.
1450:Six Consolations, S.172
1373:Huneker, James (1911).
520:Piano Sonata in B Minor
209:Second version (S. 172)
145:First version (S. 171a)
25:, S. 171a/172 (German:
2188:Sarabande and Chaconne
2013:Other orchestral works
1703:Lamartine, Alphonse de
1510:Merrick, Paul (1987).
1489:Magrath, Jane (1995).
1379:. C. Scribners's Sons.
658:
626:
547:
535:
449:
437:
422:
327:
315:
262:Breitkopf & Härtel
256:. This version of the
72:Breitkopf & Härtel
2492:William Hall Sherwood
2387:Élie-Miriam Delaborde
2095:Transcendental Études
1716:Liszt, Franz (1850).
1652:Walker, Alan (1993).
1610:Szász, Tibor (2010).
1408:Liszt, Franz (1850).
653:
624:
546:
533:
448:
435:
410:
390:Nocturne Op. 27 No. 2
326:
313:
139:Six pensées poétiques
2447:José Vianna da Motta
2442:Sebastian Bach Mills
2264:Hungarian Rhapsodies
2201:Dem Andenken Petőfis
2133:Années de pèlerinage
2114:Three Concert Études
2071:Piano Concerto No. 3
2066:Piano Concerto No. 2
2061:Piano Concerto No. 1
1814:List of compositions
1711:(in French). Wahlen.
1191:Arnold, Ben (2002).
178:Allegretto (G major)
120:Charles Sainte-Beuve
2285:Rhapsodie espagnole
2278:Rondeau fantastique
2271:Glanes de Woronince
2047:Piano and orchestra
1194:The Liszt Companion
754:, p. 450, 453.
245:Andantino (E major)
2576:Lisztomania (song)
2215:La lugubre gondola
2121:Two Concert Études
1906:Les quatre élémens
1593:The Music of Liszt
1533:Neue Liszt Ausgabe
1237:von Franz Liszt".
1153:, p. 103–105.
661:In popular culture
627:
548:
536:
450:
438:
416:, and No. 3 of my
328:
316:
2617:
2616:
2487:Giovanni Sgambati
2302:Opera paraphrases
2183:Sonata in B minor
2055:Hungarian Fantasy
1602:978-0-486-78640-7
1551:New Liszt Edition
857:Sainte-Beuve 2004
667:A Man Called Otto
617:Consolation No. 6
563:
526:Consolation No. 5
465:
428:Consolation No. 4
343:
306:Consolation No. 3
300:Un poco piĂą mosso
286:The first of the
278:were simplified.
122:. Sainte-Beuve's
76:Consolation No. 3
2674:
2634:
2633:
2632:
2625:
2607:
2597:
2596:
2527:JĂłzef Wieniawski
2497:Alexander Siloti
2397:Arthur Friedheim
2229:Mephisto Waltzes
2147:Feuilles d'album
2037:Mephisto Waltzes
1798:
1791:
1784:
1775:
1774:
1737:: Scores at the
1721:
1712:
1698:
1695:Hyperion Records
1669:
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1646:
1645:
1639:
1633:. Archived from
1616:
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1527:
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1366:Hyperion Records
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1348:Hyperion Records
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1274:(1/4): 101–106.
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1245:(3/4): 449–457.
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1022:Mező et al. 1981
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292:Andante con moto
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227:Lento placido (D
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2536:
2477:Moriz Rosenthal
2452:Dionys Pruckner
2432:Heinrich Lutter
2417:Frederic Lamond
2402:Karl Klindworth
2382:Arthur De Greef
2345:
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2222:Valse-Impromptu
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2008:
1975:Héroïde funèbre
1917:Symphonic poems
1911:
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1678:Further reading
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1516:. CUP Archive.
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518:section of his
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236:Quasi Adagio (D
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188:G. Henle Verlag
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64:G. Henle Verlag
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45:of E major or D
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1177:, p. 53.
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819:
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767:Eckhardt 1992
763:
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692:, p. 37.
691:
690:Lachmund 1999
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643:Carl Lachmund
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375:Lento placido
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80:Lento placido
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61:
58:. The first (
57:
52:
44:
40:
36:
32:
28:
24:
23:
2568:
2472:Eduard Reuss
2427:Max Liebling
2315:
2308:
2292:Liebesträume
2290:
2283:
2269:
2262:
2255:
2227:
2192:
2175:
2168:
2163:Consolations
2162:
2161:
2139:
2131:
2119:
2112:
2100:
2093:
2075:
2053:
2035:
2028:
2020:
2001:
1994:
1987:
1980:
1973:
1966:
1959:
1952:
1945:
1940:Les préludes
1938:
1931:
1924:
1904:
1897:
1885:
1879:Choral works
1867:
1860:
1733:Consolations
1732:
1717:
1707:
1689:
1673:
1654:
1642:. Retrieved
1635:the original
1622:
1618:
1592:
1572:
1560:. Retrieved
1556:the original
1550:
1532:
1512:
1491:
1470:
1449:
1437:. Retrieved
1433:the original
1427:
1409:
1389:
1375:
1360:
1342:
1318:
1297:
1271:
1267:
1242:
1238:
1235:Consolations
1234:
1214:
1193:
1183:
1182:
1170:
1158:
1146:
1141:, p. 4.
1119:
1114:, p. 1.
1092:
1080:
1073:Huneker 1911
1068:
1041:
1029:
1017:
1012:, p. 7.
1005:
993:
981:
976:, p. 4.
944:, p. 4.
937:
932:, p. V.
906:
864:
852:
832:, p. 9.
830:Merrick 1987
825:
803:Magrath 1995
737:Merrick 1987
732:
704:, p. 3.
697:
685:
677:
676:
664:
654:
639:Consolations
638:
635:Consolations
634:
630:
628:
597:Consolations
596:
592:
588:
586:
575:
515:
513:
500:
497:Quasi adagio
496:
488:
477:
423:
418:Consolations
417:
411:
399:
394:Consolations
393:
383:
379:Consolations
378:
374:
366:
355:
299:
295:
291:
288:Consolations
287:
285:
276:Consolations
275:
266:Consolations
265:
258:Consolations
257:
254:Consolations
253:
251:
215:Consolations
214:
212:
202:
196:
184:Consolations
183:
181:
151:Consolations
150:
148:
138:
135:Consolations
134:
132:
128:Romantic era
124:Consolations
123:
116:Consolations
115:
109:
105:
98:Consolations
97:
95:
79:
56:Consolations
55:
53:
26:
22:Consolations
21:
20:
18:
2571:(1975 film)
2569:Lisztomania
2507:Karl Tausig
2208:Nuages gris
1869:Sardanapalo
1845:Lisztomania
1805:Franz Liszt
1745:Jorge Bolet
1376:Franz Liszt
1097:Searle 2013
1046:Walker 1993
1010:Howard 1995
998:Howard 1991
974:Howard 1995
942:Howard 1991
899:Howard 1995
845:Hinson 2003
818:Hinson 2004
784:Walker 1993
725:Arnold 2002
507:written by
102:Lamartine's
35:Franz Liszt
2646:Categories
2532:GĂ©za Zichy
2342:(daughter)
2334:Adam Liszt
2087:Solo piano
2003:Die Ideale
1968:Festklänge
1954:Prometheus
1899:Via crucis
1862:Don Sanche
1833:Late works
1665:0801497213
1644:2014-01-19
1583:157958361X
1562:2014-01-19
1523:0521326273
1502:1457438976
1481:0739043455
1460:1457443473
1439:2014-01-19
1400:0945193564
1329:0253216826
1308:0739032879
1225:0253207320
1204:0313306893
1139:Liszt 1995
1124:Szász 2010
1112:Szász 2010
1085:Szász 2010
1034:Liszt 2006
930:Liszt 1992
911:Liszt 1992
869:Liszt 1850
702:Liszt 1995
673:References
578:media help
480:media help
358:media help
27:Tröstungen
2077:Totentanz
1631:0141-0792
1541:497313146
1418:498231708
1151:Helm 1963
959:Helm 1963
593:cantilena
589:Andantino
39:nocturnes
33:works by
2599:Category
2336:(father)
2031:Symphony
2023:Symphony
1982:Hungaria
1735:, S. 172
1705:(1836).
1687:(1999).
1358:(1995).
1340:(1991).
669:(2022).
648:♭
492:♭
370:♭
271:♭
239:♭
230:♭
169:♭
85:♭
48:♭
2541:Related
2392:Amy Fay
2257:Csárdás
1961:Mazeppa
1947:Orpheus
1184:Sources
414:Berlioz
88:major.
60:S. 171a
2622:Portal
2350:Pupils
2327:Family
2142:Sonata
1989:Hamlet
1854:Operas
1662:
1629:
1599:
1580:
1539:
1520:
1499:
1478:
1457:
1416:
1397:
1326:
1305:
1288:901533
1286:
1259:902295
1257:
1222:
1201:
386:Chopin
242:major)
233:major)
192:Weimar
172:major)
82:, in D
68:S. 172
2609:Audio
2140:Dante
2029:Dante
2021:Faust
1821:Music
1769:No. 6
1765:No. 5
1761:No. 4
1757:No. 3
1753:No. 2
1749:No. 1
1638:(PDF)
1615:(PDF)
1284:JSTOR
1255:JSTOR
678:Notes
501:Stern
92:Title
31:piano
1660:ISBN
1627:ISSN
1597:ISBN
1578:ISBN
1537:OCLC
1518:ISBN
1497:ISBN
1476:ISBN
1455:ISBN
1414:OCLC
1395:ISBN
1324:ISBN
1303:ISBN
1220:ISBN
1199:ISBN
505:Lied
213:The
149:The
133:The
19:The
1276:doi
1247:doi
43:key
2648::
1767:,
1763:,
1759:,
1755:,
1751:,
1747::
1625:.
1623:35
1621:.
1617:.
1282:.
1270:.
1253:.
1243:34
1131:^
1104:^
1053:^
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810:^
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709:^
522:.
205:.
194:.
78:,
2624::
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2203:"
2199:"
1797:e
1790:t
1783:v
1697:.
1668:.
1647:.
1605:.
1586:.
1565:.
1543:.
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