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Combats littéraires

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228:« The public wants love and only love, and writers are forced to sell it. They dispense it in boxes, bags, decanters, and bottles. If literature has remained behind the sciences in the ascent toward the conquest of ideas, it is because it is hungrier for immediate success and for money. Literature has been more inclined to embody the routines, vices, and ignorance of a public that wishes to be lulled and duped with stories of another world. » (July 25, 1890). 234:« Today action must take refuge in books. Only in books – disengaged from the multiple and sickly contingencies that stifle and destroy it – does action find the proper terrain in which to cultivate the ideas it sows. Ideas remain and multiply. Once sowed, they germinate. After germinating, they flower. And humanity comes to pick these flowers, making bouquets of joy for its future deliverance. » (March 11, 1895). 105:, between 1876 and 1916, on literature, journalism, and publishing over the course of his long career as an influential journalist. Although Mirbeau collaborated with numerous daily newspapers, he was never officially assigned the work of literary reviewer. Of these articles, some 60 were published between 1925 and 1926 under the title 212:
Literature, for Mirbeau, was contested terrain, as were the social issues for which he campaigned, and while he rejected the discredited function of literary critic, he played in the realm of literature, as he did in the domain of the fine arts, the role of intercessor, promoter, and discoverer.
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However, Mirbeau was well aware that, in a conformist bourgeois society, and under a capitalist economy whose sole object was profit, journalism and publishing were becoming increasingly contaminated, serving only as an instrument for besotting the masses. Good literature, Mirbeau believed, was
231:« There is no need, I believe, to understand everything in art. There are dark, harmonious, and sonorous things that envelop you in a mystery that it is wrong to illumine. Since we do not understand life, why wish to understand everything in what paraphrases it? » (January 1893). 222:« In art, exactness means deformation, and truth means falsehood. In literature, there is nothing that is absolutely true, or, rather, there exist as many human truths as there are individuals. » (Nov. 3, 1884). 225:« It is no longer a matter of creating a beautiful work; instead, it is necessary to know how to organize a beautiful publicity campaign. » (May 11, 1889) 148: 254: 506: 196:. In Mirbeau's eyes, they all had the merit of showing people and things in a new light and of having a style that was uniquely personal. 426: 204:
and publicity, and so its impact could only be limited. Mirbeau harbored no illusion about writers' ability to change the world..
724: 498: 729: 719: 608: 267: 714: 251: 419: 169: 690: 482: 466: 412: 140: 684: 387: 181: 110: 642: 557: 152:, Mirbeau demonstrates eclectic taste, expressing appreciation for such diverse authors as 101:
is the title of a 2006 collection of 187 articles and prefaces written by the French writer
584: 549: 127: 8: 541: 157: 490: 136: 600: 193: 143:, considered by Mirbeau to be one of the century's gravest errors in matters of art. 657: 173: 662: 647: 271: 258: 652: 565: 522: 435: 185: 102: 28: 177: 708: 616: 514: 394: 458: 189: 132: 474: 201: 153: 450: 165: 161: 287: 667: 398: 378: 319: 262: 358: 351: 335: 323: 307: 303: 299: 283: 592: 339: 135:, toward whom Mirbeau was not otherwise so kindly disposed, and on 340:
Charles Vogel, « Le Prix Goncourt et M. Octave Mirbeau »
404: 399:« L'esthétique de Mirbeau critique littéraire » 139:, they evidence an aesthetic that is overtly hostile to 706: 200:incompatible with the prevailing trend toward 420: 16:2006 collection of writing by Octave Mirbeau 427: 413: 121:Even if certain articles by the author of 507:Les Vingt et un Jours d'un neurasthénique 707: 304:« À propos du hard labour » 207: 408: 320:« La Comédie de la gloire » 116: 13: 434: 14: 741: 371: 288:« Maurice Maeterlinck » 345: 329: 313: 293: 277: 245: 123:Les affaires sont les affaires 1: 725:French non-fiction literature 238: 216: 109:, and these are available on 336:« M. Léon Daudet » 7: 264:Dictionnaire Octave Mirbeau 10: 746: 609:L'Amour de la femme vénale 499:The Diary of a Chambermaid 308:« Sur un livre » 676: 635: 576: 533: 442: 324:« À Léon Blum » 252:« Naturalisme » 86: 76: 68: 60: 52: 44: 34: 24: 170:Jules Barbey d'Aurevilly 730:Essays about literature 720:Works by Octave Mirbeau 483:Les Mémoires de mon ami 391:, n° 14, 2007, 174-185. 383:d'Octave Mirbeau » 284:« Léon Bloy » 72:L'Age d'Homme, Lausanne 715:2006 non-fiction books 685:Cahiers Octave Mirbeau 388:Cahiers Octave Mirbeau 182:Charles-Louis Philippe 146:Even more than in his 550:Business is business 300:« Un fou » 128:Business is business 20:Combats littéraires 625:Combats littéraires 558:Farces et moralités 542:Les Mauvais Bergers 381:Combats littéraires 208:A Realm of struggle 158:Maurice Maeterlinck 149:Combats esthétiques 131:) bestow praise on 98:Combats littéraires 39:Combats littéraires 35:Original title 21: 491:The Torture Garden 270:2012-02-03 at the 257:2011-09-28 at the 137:Edmond de Goncourt 117:Eclectic Criticism 19: 702: 701: 601:La Mort de Balzac 585:Lettres de l'Inde 354:La Maison blanche 194:Marguerite Audoux 94: 93: 87:Publication place 737: 429: 422: 415: 406: 405: 365: 349: 343: 333: 327: 317: 311: 297: 291: 281: 275: 249: 174:Anna de Noailles 78:Publication date 22: 18: 745: 744: 740: 739: 738: 736: 735: 734: 705: 704: 703: 698: 672: 631: 572: 529: 438: 433: 374: 369: 368: 350: 346: 334: 330: 318: 314: 298: 294: 282: 278: 272:Wayback Machine 259:Wayback Machine 250: 246: 241: 219: 210: 119: 79: 17: 12: 11: 5: 743: 733: 732: 727: 722: 717: 700: 699: 697: 696: 692:Octave Mirbeau 688: 680: 678: 674: 673: 671: 670: 665: 660: 655: 653:Isidore Lechat 650: 645: 639: 637: 633: 632: 630: 629: 621: 613: 605: 597: 589: 580: 578: 574: 573: 571: 570: 562: 554: 546: 537: 535: 531: 530: 528: 527: 523:Un gentilhomme 519: 511: 503: 495: 487: 479: 471: 467:Sébastien Roch 463: 455: 446: 444: 440: 439: 436:Octave Mirbeau 432: 431: 424: 417: 409: 403: 402: 392: 373: 372:External links 370: 367: 366: 344: 328: 312: 292: 276: 243: 242: 240: 237: 236: 235: 232: 229: 226: 223: 218: 215: 209: 206: 186:Jules Laforgue 118: 115: 103:Octave Mirbeau 92: 91: 88: 84: 83: 80: 77: 74: 73: 70: 66: 65: 62: 58: 57: 54: 50: 49: 46: 42: 41: 36: 32: 31: 29:Octave Mirbeau 26: 15: 9: 6: 4: 3: 2: 742: 731: 728: 726: 723: 721: 718: 716: 713: 712: 710: 695: 693: 689: 687: 686: 682: 681: 679: 677:Miscellaneous 675: 669: 666: 664: 663:Père Pamphile 661: 659: 656: 654: 651: 649: 646: 644: 641: 640: 638: 634: 627: 626: 622: 619: 618: 617:Contes cruels 614: 611: 610: 606: 603: 602: 598: 595: 594: 590: 587: 586: 582: 581: 579: 575: 568: 567: 563: 560: 559: 555: 552: 551: 547: 544: 543: 539: 538: 536: 532: 525: 524: 520: 517: 516: 512: 509: 508: 504: 501: 500: 496: 493: 492: 488: 485: 484: 480: 477: 476: 472: 469: 468: 464: 461: 460: 456: 453: 452: 448: 447: 445: 441: 437: 430: 425: 423: 418: 416: 411: 410: 407: 400: 396: 395:Pierre Michel 393: 390: 389: 384: 382: 377:Samuel Lair, 376: 375: 363: 362: 356: 355: 348: 341: 337: 332: 325: 321: 316: 309: 305: 301: 296: 289: 285: 280: 273: 269: 266: 265: 260: 256: 253: 248: 244: 233: 230: 227: 224: 221: 220: 214: 205: 203: 197: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 151: 150: 144: 142: 138: 134: 130: 129: 124: 114: 112: 108: 107:Les Écrivains 104: 100: 99: 89: 85: 81: 75: 71: 67: 63: 59: 55: 51: 47: 43: 40: 37: 33: 30: 27: 23: 691: 683: 624: 623: 615: 607: 599: 591: 583: 564: 556: 548: 540: 521: 513: 505: 497: 489: 481: 475:Dans le ciel 473: 465: 457: 449: 386: 380: 361:Marie-Claire 360: 359:Foreword to 353: 352:Foreword to 347: 331: 315: 295: 279: 263: 247: 211: 202:mercantilism 198: 147: 145: 126: 122: 120: 106: 97: 96: 95: 38: 694:(sculpture) 577:Other works 451:Le Calvaire 401:, Foreword. 379:« Les 178:Léon Daudet 166:Oscar Wilde 162:Leo Tolstoy 709:Categories 668:Jean Roule 636:Characters 459:Abbé Jules 239:References 217:Quotations 190:Léon Werth 141:naturalism 133:Émile Zola 111:Wikisource 56:literature 643:Célestine 593:La 628-E8 154:Léon Bloy 69:Publisher 268:Archived 255:Archived 45:Language 53:Subject 658:Lucien 628:(2006) 620:(1990) 612:(1922) 604:(1918) 596:(1907) 588:(1885) 569:(1908) 561:(1904) 553:(1903) 545:(1897) 526:(1920) 518:(1913) 510:(1900) 502:(1900) 494:(1899) 486:(1899) 478:(1893) 470:(1890) 462:(1888) 454:(1886) 443:Novels 188:, and 90:France 64:essays 48:French 25:Author 648:Clara 534:Drama 515:Dingo 261:, in 61:Genre 566:Home 357:and 338:and 322:and 306:and 286:and 180:and 172:and 164:and 156:and 82:2006 192:or 711:: 397:, 385:, 302:, 184:, 176:, 168:, 160:, 113:. 428:e 421:t 414:v 364:. 342:. 326:. 310:. 290:. 274:. 125:(

Index

Octave Mirbeau
Octave Mirbeau
Wikisource
Business is business
Émile Zola
Edmond de Goncourt
naturalism
Combats esthétiques
Léon Bloy
Maurice Maeterlinck
Leo Tolstoy
Oscar Wilde
Jules Barbey d'Aurevilly
Anna de Noailles
Léon Daudet
Charles-Louis Philippe
Jules Laforgue
Léon Werth
Marguerite Audoux
mercantilism
« Naturalisme »
Archived
Wayback Machine
Dictionnaire Octave Mirbeau
Archived
Wayback Machine
« Léon Bloy »
« Maurice Maeterlinck »
« Un fou »
« À propos du hard labour »

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