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Clive Barnes

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449:(1) He has no ear for American speech; (2) he cannot deal with American drama; (3) he prefers, in all ways, English theatre to American theatre; (4) he would find it not at all ignoble if Broadway were to become primarily an importing agent; (5) he prefers ballet to theatre; (6) he is a smart ass; (7) he enjoys glorifying himself publicly through his position; (8) he changes his opinions constantly, which is certainly the right of free men, but not so helpful when the life or death of a play is based on a critic's having the courage to say what he thinks now, not a month later in a ballet column; (9) he has little interest in learning the financial aspects of Broadway, to which he is central. 44: 410:, Gordon Cox said Barnes "helped nurture the explosion of the form in Gotham in the 1970s." Regarding television, Barnes once wrote: "It is the first truly democratic culture, the first culture available to everyone and entirely governed by what the people want. The most terrifying thing is what people do want." 471:
Barnes was married four times, with the first three marriages, to Joyce Tolman in 1947, to Patricia Winkley in 1958, and to Amy Pagnozzi in 1985, ending in divorce; his fourth marriage, to Valerie Taylor, lasted from 2004 until his death. He had two children from his second marriage.
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noted that Barnes sometimes wrote four reviews a day, possibly because New Yorkers were "greedy for his brand of pithy English open-mindedness." He was credited with having drawn attention to Nureyev and
267:, London, the only child of ambulance driver Arthur Lionel Barnes (1898–1940) and Freda Marguerite, nÊe Garratt. After their divorce when he was seven, he was raised by his mother. Barnes was educated at 336:, as the paper's editors were concerned by the level of influence amassed by one person holding both roles. In 1978, after being asked to fully divest of his role as a drama critic, he was hired by the 404:
The British writer was known for his "lively and enthusiastic approach to criticism" which contributed to an upswing in dance criticism in New York City media. Writing for
672: 822: 837: 807: 562: 255:. Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City. 847: 427:, dancers who went on to attain great fame. The English writer was particularly good at identifying American talent and introducing artists like 349:
Barnes authored and contributed to numerous books related to theatre and the performing arts, particularly dance. These include four volumes of
857: 239: 332:, and moved to New York in 1965 to become their dance critic and drama critic. In 1967, many of his duties as drama critic were given to 867: 802: 792: 445:
called Barnes "the most dangerous, the most crippling critic in modern Broadway history." Goldman gave the following reasons for this:
852: 797: 787: 243:(13 May 1927 – 19 November 2008) was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for the 827: 579: 437: 17: 291:
Barnes began writing dance criticism in 1949, during his time at Oxford, and afterward, he was a writer and editor for
749: 644: 276: 102: 817: 480: 295:, which he contributed to until its demise in 1998. In the 1950s, he was a freelance writer, contributing to the 872: 862: 877: 700:"Clive Barnes. Dance critic who went from working class roots in England to huge influence on Broadway". 497: 727: 459: 455: 842: 812: 612: 832: 505: 314: 611: 782: 777: 524:
The Clive Barnes Foundation was established in 2009 to administer the Clive Barnes Awards.
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for the next thirty years, continuing to write there until a few weeks before his death.
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Cox, Gordon (20 November 2008). "Critic was a force in arts circle."
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Masters of Movement: Portraits of America's Great Choreographers
342:, which allowed him to cover both mediums. He remained with the 560:"Barnes, Clive Alexander (1927–2008), dance and drama critic". 639:(1st ed.). New York: Helene Obolensky Enterprises. 317:, until he was appointed the inaugural dance critic for 671:, vol. 301, no. 34, pp. 1 ff. – via 719: 566:(online ed.). Oxford University Press. 2012. 769: 363:American Ballet Theatre: A 25 Year Retrospective 435:to London audiences. In his book on Broadway, 823:Commanders of the Order of the British Empire 838:Deaths from liver cancer in New York (state) 742:"The Award (including lists of recipients)" 466: 42: 726:. New York: Limelight Editions. pp.  713: 711: 808:Alumni of St Catherine's College, Oxford 717: 563:Oxford Dictionary of National Biography 504:in 1975, and appointed a knight of the 375:New York Times Directory of the Theater 365:(with Elizabeth Kaye), the foreword to 14: 848:English emigrants to the United States 770: 708: 632: 609: 555: 553: 551: 549: 547: 545: 543: 541: 539: 537: 519: 483:in New York City on 19 November 2008. 326:In 1963, Barnes began writing for the 249:, and, from 1978 until his death, the 858:Knights of the Order of the Dannebrog 722:The season: A candid look at Broadway 605: 603: 601: 599: 438:The Season: A Candid Look at Broadway 351:50 Best Plays of the American Theatre 610:Grimes, William (20 November 2008). 752:from the original on 10 August 2022 746:Clive and Valerie Barnes Foundation 534: 24: 686:Barnes, Clive (30 December 1969). 596: 25: 889: 868:People educated at Emanuel School 803:21st-century English male writers 793:20th-century English male writers 197: 1985, divorced) 176: 1958, divorced) 155: 1947, divorced) 853:English male non-fiction writers 798:21st-century English journalists 788:20th-century English journalists 704:. 21 November 2008. p. 37. 496:He was made a Commander of the 371:Ballet in Britain Since the War 212: 194: 173: 152: 828:The New York Times journalists 734: 693: 680: 661: 626: 387:Inside American Ballet Theatre 277:St Catherine's College, Oxford 103:St Catharine's College, Oxford 13: 1: 527: 258: 677:. Accessed 23 December 2021. 590:UK public library membership 413: 7: 498:Order of the British Empire 10: 894: 491: 718:Goldman, William (1984). 486: 389:, as well as biographies 313:; he also worked for the 286: 225: 133: 116: 108: 98: 81: 67: 50: 41: 34: 27:English writer and critic 818:British theatre critics 572:10.1093/ref:odnb/100573 467:Personal life and death 633:Barnes, Clive (1982). 506:Order of the Dannebrog 464: 369:(by Rose Eichenbaum), 315:Greater London Council 236:Clive Alexander Barnes 873:The Times journalists 447: 18:Clive Barnes (critic) 863:New York Post people 481:Mount Sinai Hospital 454:Goldman (1984). pp. 878:Writers from London 702:The Daily Telegraph 520:Clive Barnes Awards 379:Ballet Here and Now 355:Best American Plays 323:of London in 1961. 293:Dance & Dancers 279:. He served in the 263:Barnes was born in 77:New York City, U.S. 674:Gale OneFile: News 619:The New York Times 510:Queen Margrethe II 502:Queen Elizabeth II 393:Tennessee Williams 588:(Subscription or 581:978-0-19-861411-1 475:Barnes died from 429:George Balanchine 353:, nine series of 233: 232: 16:(Redirected from 885: 762: 761: 759: 757: 738: 732: 731: 725: 715: 706: 705: 697: 691: 684: 678: 665: 659: 658: 630: 624: 623: 615: 607: 594: 593: 585: 557: 462: 396: 242: 216: 214: 198: 196: 177: 175: 163:Patricia Winkley 156: 154: 74: 71:19 November 2008 60: 58: 46: 32: 31: 21: 893: 892: 888: 887: 886: 884: 883: 882: 843:English critics 768: 767: 766: 765: 755: 753: 740: 739: 735: 716: 709: 699: 698: 694: 685: 681: 666: 662: 647: 631: 627: 608: 597: 587: 582: 559: 558: 535: 530: 522: 494: 489: 469: 463: 453: 443:William Goldman 420:Daily Telegraph 416: 390: 383:Dance Scene USA 289: 283:for two years. 281:Royal Air Force 261: 238: 221: 218: 215: 2004) 210: 206: 200: 192: 188: 185: 179: 171: 167: 164: 158: 150: 146: 143: 129: 99:Alma mater 94: 76: 72: 63:London, England 62: 56: 54: 37: 28: 23: 22: 15: 12: 11: 5: 891: 881: 880: 875: 870: 865: 860: 855: 850: 845: 840: 835: 830: 825: 820: 815: 813:Ballet critics 810: 805: 800: 795: 790: 785: 780: 764: 763: 733: 707: 692: 688:New York Times 679: 660: 645: 625: 622:. p. A41. 595: 580: 532: 531: 529: 526: 521: 518: 493: 490: 488: 485: 468: 465: 451: 415: 412: 399:Rudolf Nureyev 329:New York Times 288: 285: 269:Emanuel School 260: 257: 246:New York Times 231: 230: 227: 223: 222: 220: 219: 208: 205:Valerie Taylor 204: 203: 201: 190: 186: 183: 182: 180: 169: 165: 162: 161: 159: 148: 144: 141: 140: 137: 135: 131: 130: 128: 127: 124: 120: 118: 114: 113: 110: 106: 105: 100: 96: 95: 93: 92: 89: 85: 83: 79: 78: 75:(aged 81) 69: 65: 64: 52: 48: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 890: 879: 876: 874: 871: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 833:Dance critics 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 775: 773: 751: 747: 743: 737: 729: 724: 723: 714: 712: 703: 696: 689: 683: 676: 675: 670: 669:Daily Variety 664: 656: 652: 648: 646:0-9609736-2-1 642: 638: 637: 629: 621: 620: 614: 606: 604: 602: 600: 591: 583: 577: 573: 569: 565: 564: 556: 554: 552: 550: 548: 546: 544: 542: 540: 538: 533: 525: 517: 515: 511: 507: 503: 499: 484: 482: 478: 473: 461: 457: 450: 446: 444: 440: 439: 434: 433:Martha Graham 430: 426: 421: 411: 409: 408: 402: 400: 394: 388: 384: 380: 376: 372: 368: 364: 360: 356: 352: 347: 345: 341: 340: 339:New York Post 335: 331: 330: 324: 322: 321: 316: 312: 311: 310:The Spectator 306: 305: 304:Daily Express 300: 299: 298:New Statesman 294: 284: 282: 278: 274: 270: 266: 256: 254: 253: 252:New York Post 248: 247: 241: 237: 228: 224: 202: 181: 160: 139: 138: 136: 132: 125: 122: 121: 119: 115: 111: 107: 104: 101: 97: 90: 87: 86: 84: 80: 70: 66: 53: 49: 45: 40: 33: 30: 19: 754:. Retrieved 745: 736: 721: 701: 695: 687: 682: 673: 668: 663: 635: 628: 617: 561: 523: 495: 477:liver cancer 474: 470: 448: 436: 419: 417: 405: 403: 386: 382: 378: 374: 370: 366: 362: 359:John Gassner 354: 350: 348: 343: 337: 327: 325: 318: 308: 302: 296: 292: 290: 262: 250: 244: 235: 234: 184:Amy Pagnozzi 142:Joyce Tolman 73:(2008-11-19) 36:Clive Barnes 29: 783:2008 deaths 778:1927 births 756:23 December 508:in 1972 by 425:Baryshnikov 334:Walter Kerr 61:13 May 1927 772:Categories 592:required.) 528:References 259:Background 91:journalist 82:Occupation 57:1927-05-13 414:Reception 320:The Times 273:Battersea 112:1949–2008 750:Archived 730:, 91–92. 452:—  401:(1982). 226:Children 117:Subjects 655:8846460 636:Nureyev 514:Denmark 492:Honours 407:Variety 265:Lambeth 217:​ 209:​ 199:​ 191:​ 187:​ 178:​ 170:​ 166:​ 157:​ 149:​ 145:​ 126:theater 653:  643:  586: 578:  487:Legacy 395:(1975) 357:(with 307:, and 301:, the 287:Career 134:Spouse 109:Period 88:Critic 211:( 207: 193:( 189: 172:( 168: 151:( 147: 123:Dance 758:2021 651:OCLC 641:ISBN 576:ISBN 431:and 418:The 397:and 344:Post 275:and 68:Died 51:Born 568:doi 512:of 500:by 479:at 391:of 361:), 271:in 240:CBE 774:: 748:. 744:. 728:84 710:^ 649:. 616:. 598:^ 574:. 536:^ 516:. 460:92 456:91 441:, 385:, 381:, 377:, 373:, 213:m. 195:m. 174:m. 153:m. 760:. 690:. 657:. 584:. 570:: 458:– 229:2 59:) 55:( 20:)

Index

Clive Barnes (critic)

St Catharine's College, Oxford
CBE
New York Times
New York Post
Lambeth
Emanuel School
Battersea
St Catherine's College, Oxford
Royal Air Force
New Statesman
Daily Express
The Spectator
Greater London Council
The Times
New York Times
Walter Kerr
New York Post
John Gassner
Tennessee Williams
Rudolf Nureyev
Variety
Baryshnikov
George Balanchine
Martha Graham
The Season: A Candid Look at Broadway
William Goldman
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