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most striking examples here. Sir Giles and Adrian
Gilbert Scott turned to the parabolic arch as a basis of construction, Sir Giles initially with his rejected designs for the rebuilding of Coventry Cathedral in 1944, and Adrian at St Leonard's, St Leonard's on Sea, Hastings, of 1953-61 and at SS Mary and Joseph, Lansbury. The latter, was part of the Festival of Britain's 'Live Architecture' show at Lansbury, belatedly built in 1951-4.
58:
696:"Pretentious and timid" and "aggressive and flaccid" was how Ian Nairn described it, with a grandiose conceit asserted from far and near. The coffin-shaped windows, and the Egyptian-arched main portal, served only to endorse Nairn's view of this massively centralised pile of brick as being a "free standing crushing bathos".
724:
The style is not easily defined, but is best described as 'Jazz-Modern
Byzantine', although it also has a suggestion of Hispanic Moorish, while the tapered roundheaded arches have been described as 'Egyptian', as well as being likened to those found at Ctesiphan in Ancient Persia. The design is very
656:
In the immediate post-war period, reinforced concrete was the natural material to use due to its cheapness and availability. Bricks and steel remained in short supply even after the end of building restrictions in
November 1954, allowing church building to resume. It is possible to pick out only the
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plan, it is built of steel girders and brick, with a reinforced concrete spire. On the outside, the plan becomes a series of rectangular blocks.
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Australian
Catholic Liturgical Art: A Work of the National Liturgical Architecture and Art Council
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much transitional. It is reminiscent of
Clemens Holzmeister's Vienna Crematorium of 1922...)
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Oliver
Wainwright, 'Architects hark back to Festival of Britain with "vertical carnival"',
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511:"Church of St Mary and St Joseph: A Grade II Listed Building in Mile End, London"
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408:'s descriptive phrase 'Jazz Modern Byzantine' was used in the church's listing.
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arches (described as 'camel vaulted' at the time of its listing). Its mixed or
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590:"William Wardell's Ladye Chapel, St Patrick's Cathedral, Melbourne, Victoria"
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671:"Developments in Catholic Churchbuilding in the British Isles, 1945-1980"
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with elements suggesting
Hispanic Moorish, ancient Persian or Egyptian.
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Survey of London: Volumes 43 and 44, Poplar, Blackwall and Isle of Dogs
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Survey of London: Volumes 43 and 44, Poplar, Blackwall and Isle of Dogs
469:'William Wilson: Print | Paint | Glass: 8 October - 13 November 2022',
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148:
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461:'Poplar – St Mary and St Joseph, Upper North Street, London E14' in
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20th-century Roman
Catholic church buildings in the United Kingdom
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641:"The Use of Reinforced Concrete in Early 20th Century Churches"
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in
October 1960. It replaced an earlier church of the 1850s by
331:
713:. Originally published by London County Council, London, 1994"
543:. Originally published by London County Council, London, 1994"
709:"The Lansbury Estate: Gazetteer of permanent developments,
539:"The Lansbury Estate: Gazetteer of permanent developments,
346:
The modern church was built in 1951-1954, as part of the
463:
Taking Stock: Catholic
Churches of England & Wales
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Churches in the Roman Catholic Diocese of Westminster
354:
Live Architecture Exhibition, and was consecrated by
374:The building is listed Grade II. Its architect was
764:. London: Ellipsis London Ltd (under licence from
388:It is notable for its elongated and tapered round
809:
796:Pevsner, Sir Nikolaus; Cherry, Bridget (2005).
378:, who specialised in ecclesiastical buildings.
70:Location of church within Tower Hamlets, London
676:(PhD diss., University of Sheffield). Quoting
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761:England: a Guide to Post-War Listed Buildings
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742:Catalogue of the Drawings Collection of the
430:The interior contains stone reliefs of the
798:The Buildings of England: London, Volume 5
415:and to Adrian Gilbert Scott's own earlier
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838:Roman Catholic churches completed in 1954
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587:
425:St Leonard's Church, St Leonards-on-Sea
411:The design has similarities to work by
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744:Royal Institute of British Architects
686:, October 1954, p.263-4). p. 340
615:"C20 Churches: St Mary and St Joseph"
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417:St. James Anglican Church (Vancouver)
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588:de Jong, Ursula (26 April 2021).
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568:Roman Catholic Parish of Poplar
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317:Church of St Mary and St Joseph
38:Church of St Mary and St Joseph
27:Church of St Mary and St Joseph
818:1960 establishments in England
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669:Walker, Paul D. (1985).
645:buildingconservation.com
515:British Listed Buildings
768:). pp. 7.16–7.17.
758:Harwood, Elain (2000).
477:'Church of the Month',
97:51.512028°N 0.0206278°W
471:Royal Scottish Academy
432:Stations of the Cross
102:51.512028; -0.0206278
64:St Mary and St Joseph
22:St Mary and St Joseph
683:Architectural Review
434:by Peter Watts. The
376:Adrian Gilbert Scott
224:Adrian Gilbert Scott
202:Heritage designation
413:Giles Gilbert Scott
348:Festival of Britain
93: /
746:: The Scott Family
564:"About the Parish"
394:transitional style
319:is a 20th-century
736:Geoffrey Fisher,
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244:Byzantine Revival
194:Functional status
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370:Architecture
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316:
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219:Architect(s)
213:5 March 1998
189:Architecture
184:October 1960
133:Denomination
85:51°30′43.3″N
738:Gavin Stamp
406:Gavin Stamp
402:Jazz Modern
383:Greek Cross
281:Westminster
276:Archdiocese
269:Westminster
240:Jazz modern
180:Consecrated
100: /
88:0°1′14.26″W
812:Categories
781:6 February
740:, et al.,
718:6 February
690:6 February
650:6 February
624:6 February
599:6 February
573:6 February
548:6 February
520:5 February
494:References
419:, and its
293:Archbishop
210:Designated
678:Ian Nairn
396:combines
390:parabolic
305:Priest(s)
253:July 1954
250:Completed
398:Art Deco
264:Province
236:Art Deco
205:Grade II
119:, London
113:Location
342:History
336:England
166:History
157:/poplar
144:Website
124:Country
772:
438:is by
332:London
287:Clergy
174:Active
171:Status
151:.rcdow
149:parish
674:(PDF)
381:On a
231:Style
783:2023
770:ISBN
720:2023
692:2023
652:2023
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550:2023
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315:The
153:.org
400:or
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326:in
155:.uk
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159:/
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