1326:
1353:
1278:
1290:
1081:
1302:
1338:
389:
869:
1266:
1242:
732:
1073:
1314:
1006:
995:
1197:
442:
951:, it is the eastern one that presents a floor layout as close as possible to the original one, with the exception of the connection with the main chancel, which was initially absent in both. The area is frontally screened by plutei consisting of marble slabs interspersed with pillars, of which only the two placed on either side of the central entrance are adorned with polychrome inlays (mostly lost in the one on the left); the wall below, which bridges the difference in level between the nave and chancel, is also covered with marble. The presbytery area is accessed via three small masonry staircases: the central one has five steps, while the two lateral ones have four steps each; the elevation, as well as the sides of the middle staircase, are ornamented with polychrome pavement motifs.
398:†ANNO AB INCARNATIONE D(omi)NI M C° X° / II NONAS SEMPTEMBRIS INDICTIONE QUARTA / HEC ECCL(esi)A CONSECRATA FUIT IN HONORE<m> / D(omi)NI SALVATORIS S(anc)TEQ(ue) MARIE VIRG(inis) / ET S(an)C(t)E CRUCIS S(an)C(t)ORU(m)Q(ue) AP(osto)LORU(m) PETRI ET / PAULI ET S(an)C(t)I MENNE CONF(essoris) P(er) MANUS / D(omi)NI PASCHALIS S(e)C(un)DI P(a)P(e) P(rae)SENTIBUS / TAM CARDINALIBUS QUA(m) COEPIS EAMQ(ue) D(omi)N(u)S PAPA SUB IURE ROMANE ECCL(esi)AE / BEATI PETRI AP(osto)LI IN SUA DEFENSIONE / SUSCEPIT EI DONANTE ATQ(ue) CONCE / D(e)NTE DO(mi)NO R(oberto) COMITE HUIUS AECCL(esi)AE FUN / DATORE TAM P(ro) SEQUAM S(ui) Her<e>DIB(us) / UND(e) BENEFICIENTES BENEDICTIONI DONAVIT / IBI VERO MALEFICIENTES EXCOMMUNICATIONE DAMNAV(it)
1254:
401:"In the year 1100 from the Incarnation of the Lord, on the second day of the ninth of September, in the fourth indiction, this church was consecrated in honor of the Lord Savior, the Holy Virgin Mary, the Holy Cross, the Holy Apostles Peter and Paul and St. Menna the Confessor, by the hand of the Lord Pope Paschal II in the presence of both cardinals and bishops. The Lord Pope took it under the authority of the Roman Church of the Blessed Apostle Peter to defend it, which the Lord Count Robert, founder of this Church both for himself and for his heirs, had given and granted to him; from which he bestowed blessings on the benefactors, while condemning to excommunication the malefactors (who) would go there."
818:
659:
32:
504:
955:
849:, specially made to compensate for the reduced height of the underlying shafts and to harmonize with the Ionic artifacts in front; the third capital on the right and the fourth on the left, on the other hand, are the result of a medieval reinterpretation of the Corinthian order. Finally, the column in each row closest to the apse features the reuse of a capital with geometrically interwoven decoration datable to the mid-11th century. The columns were composed in such a way as to allow the springing line of the arches to rise progressively in the direction of the chancel, according to a scenographic rather than structural purpose.
48:
1215:
structure (bottom) and some details of two different characters (middle) are still visible; the upper one, on the other hand, presumably depicts St. Christopher and would date from the second half of the 14th century or the beginning of the 15th. To the same area as the latter is attributable the fresco of the
Madonna Enthroned with Child placed on the face facing the western pillar, below which part of a pre-existing Crucifixion with mourners and saint is visible. On the face facing the colonnade is Saint Catherine of Alexandria with donor, from the first half of the 15th century.
1230:, which may date back to the construction of the church, except for the one in the left apsidiole, which probably dates from the 16th century; in particular, the splay of the window above the altar is decorated with a polychrome floral motif, while the other decorations are barely visible. In addition, to the side of the right-hand staircase to the chancel, where the original presbytery area was modified to connect the three apses on the level, below today's floor level, two faux-marble mirrors are visible.
966:, currently the only one present inside the church. It consists of a provisional structure built following the dismemberment in the first half of the 1960s of the ancient medieval casket altar, which had remained intact over the centuries and whose remains are currently displayed in the second bay of the left aisle. Today's altar consists of a metal structure that holds the mensa, made of wood, connecting it to a slab of Proconnesian marble that serves as an
2934:
1106:, of which it is the most similar example; the link with the Cassinese mosaic pavement and that of Sant'Agata is as much in the arrangement of the panels as in the individual ornamental motifs as well as in the wide variety of elements present in the central band, which allows the work to be attributed to workers linked to the Benedictine abbey. Forty-four different marble types are recorded, with frequent use of ancient
2910:
2922:
55:
743:, is found in the excavation in the outer wall of the left aisle, at the fifth arch. At present, the only portal is placed in the façade, along the longitudinal axis of the church. Its notable prominence from the counter-facade wall is attributable to its insertion, originally, within a forepart to which the Baroque atrium would later, in the 18th century, be attached, which replaced a
947:, elevated above the rest of the church, entirely occupies the three apses with which the aisles end, and the terminal part of the hall corresponding to the last arch of each colonnade. The front boundary of the chancel is not rectilinear, but at the right apsidiole it is shifted backward. Of the two side apses, since the western one was in the later period repurposed as a
982:; it is inscribed within a circle flanked by two vine shoots, with leaves. From the interior of the demolished altar comes a modestly sized opisthographic slab, currently on display in the hall, pertaining to the presence within it of the relics of Saints Menna, Brizio and Socio, which until their desecration in 1674 were placed within a child
911:
on the left) flanked by two lateral backgrounds, also rectangular but narrower, with geometric inlays that echo those of the church floor, in the center of which are two disks (in red porphyry, original, on the left and in white marble, the result of reconstruction, on the right). At the ends of each
856:
that open six in the minor aisles, and five on each side in the major one. A monofora also opens in the center of each of the three apses. The walls are plastered white except for the arches between the aisles, which are left with exposed stonework. Halfway down the left aisle is a small quadrangular
808:
is divided into five bands ornamented with bas-reliefs: the outermost one, which is wider than the others, is ornamented with a double wavy shoot with fruits and plant elements, projecting from the gaping jaws two sea serpents, placed at the ends; the next one with an oval and beaded motif; the third
449:
During the 18th century the church underwent some major alterations since, as evidenced by the record of the pastoral visit of 1702, it was in very poor condition. To reinforce the structure, in 1779 or 1789, the columns dividing the naves were incorporated within masonry pillars on which new arches,
1113:
The mosaic pavement of the hall is developed in rectangular fields on either side of a central band, which follows the longitudinal axis of the church and is divided into two sections, of which the first corresponds to the space of the nave reserved for the faithful and the second to the area of the
678:, therefore, takes place laterally; while the western entrance (toward the area of the ancient monastery) is devoid of decorative elements, the eastern one (toward Piazza Castello) is characterized by a monumental staircase leading to a portal with stucco molding and cornice, surmounted by an arched
1140:
having the same size but made of marble types alternating with each other, as are the cornices. The next one is almost entirely occupied by a large disc in granite with, at each corner, a considerably smaller one in porphyry. In the last one, however, placed at the foot of the central staircase for
1214:
On the face of the eastern pillar facing the main nave, although in a very poor condition, there are two overlapping levels of painting, dating from two different eras: the lower one can be dated between the 12th century and the first half of the following century, and of it a beaded architectural
465:
caused the roof of the left aisle to collapse, necessitating a restoration carried out in 1990-1992 and directed by Flavia
Belardelli. In 2010, on the occasion of the ninth centenary since the dedication of the church, the relics of Saints Menna, Brizio and Socio, which were already kept under the
460:
In 1921 at the behest of
Domenico Mustilli a masonry excavation was carried out in one of the pillars, which brought to light the column underneath. Between 1955 and 1957 major restoration work was carried out under the direction of Riccardo Pacini and Antonio Rusconi, as part of which all Baroque
1127:
and surrounded by four smaller discs; in the second, however, there is a phytomorphic motif with six petals, completely unprecedented compared to earlier floors, which would be taken up in variant form in the first half of the 13th century in the nave of the cathedral of Saints Peter and Paul in
429:
in Rome, to which it remained subject until 1773; in 1590 San Menna became curacy of the parish of Sant'Angelo de
Munculanis. In 1674 the altar of the church was desecrated by a certain Giacinto Cacciapuoti, who had rented the premises of the former abbey, who violated it in the hope of finding
353:” The pre-existence of the building would also be supported by the presence within it of the relics of Saints Brizio and Socio, which therefore would have been venerated there even before the arrival of those of the hermit saint. The church was dedicated on September 4, 1100, by
1102:(the missing areas were restored as part of the restorations of the last quarter of the 20th century by means of white marble elements engraved with patterns similar to the respective lost ones). The floor is strongly inspired by the lost one of the Desiderian basilica of
450:
less wide than the medieval ones, were set; presumably in the same circumstance, the atrium and the outer rectilinear termination of the apses were built, and the frescoes were plastered white; in the
Baroque period, moreover, the altar was provided with a
409:
Between the 12th and mid-15th centuries the interior of the church was enriched with wall paintings on several occasions, so much so that it was described during the pastoral visitation of 1702 as “everywhere adorned with ancient paintings.”
707:
tower, presumably dating from the 1955-1957 restorations; it replaces the old bell tower located on the left apsidiole, which was mutilated in the 20th century. A rectangular window opens in the upper part of the façade wall, at the nave.
562:(late 11th century) and the church of Santa Maria in Foro Claudio in Ventaroli (before 1087). In addition, San Menna would be the result of the readjustment of the architectural modules of the cathedral of Santa Maria Assunta in
912:
slab, there are small pillars also decorated with marble inlay, and surmounted by circular bases (perhaps of small columns or other decorative elements), similar to those of the thirteenth-century plutei of Roman origin in the
1325:
779:
Let him who crosses the steps of the threshold forsake his sins. If (anyone) asks, let him know that the temple is placed under Peter, Prince (of the
Apostles), and that you, Count Robert, having founded it, have adorned it
690:
opens. The atrium opens toward the south with four asymmetrical arches on quadrangular pillars, of which the second from the left, located at the doorway to the interior of the church, is wider than the others; of the four
924:. The base is ornamented with a trichrome zigzag motif interspersed with porphyry squares. The co-presence of marble slabs and mosaic elements, absent in the Cassinese prototype, was also found in the enclosure of the
1122:
surrounded by eight smaller ones; this interlacing is connected to the outer frame by ovals, which are also present at the four corners. The first of the next two panels has a square, rotated 45 degrees, inscribing a
1055:
HIC IACET VENERABILE IUVENIS QONDA(m) ABBAS ANTONIUS DE TRAMONTO CANONICUS BENEVENTANUS QUI OBIIT AN(n)O D(omi)NI MCCCLXI DIE XIII ME(n)SIS FEBRUARII XIIII I(n)DICCIO(n)IS CUI(us) A(n)I(m)A REQ(ui)ESCA(t) I(n)
1352:
674:, from the late 18th century, which is preceded by a coeval garden carved out of the space between the church and the wall in front, of which some remains are still visible in that section. Access to the
1372:
250:
1059:
Here rests the venerable young man, once abbot
Antonio De Tramonto, canon of Benevento, who died in the year of our Lord 1361, on February 13, the fourteenth indiction, whose soul may rest in peace.
755:. The portal, which in its present state is the result of reworkings, has a structure similar to those of the cathedral of Sant'Agata de' Goti, the former cathedral of Saints Bernard and Martin in
1742:
2755:. Byzantino-Sicula VI: La Sicilia e Bisanzio nei secoli XI e XII. Atti delle X Giornate di Studio della Associazione Italiana di Studi Bizantini (Palermo, 27-28 maggio 2011). pp. 299–342.
1184:
and marble ovals. A similar motif, although with circumferences exclusively of one size, can be seen on the front of the altar step, which is integrally preserved. The mosaic pavement of the
833:
each, which rest on ten reclaimed columns in different varieties of marble, and at the end on quadrangular half-pillars with simple stucco cornices. Of the columns, only four have ancient
457:. In 1846-1847 Abbot Filippo Ventapane unearthed the ancient wall paintings, which, however, upon his death (1892) were covered over again at the behest of the royal bursar's office.
1337:
349:
between the end of the 11th century and the beginning of the next, and had presumably been completed in 1108, the year of the oldest document that makes express mention of it as “
523:
to the town. Its orientation along the north-south axis (with the apses to the north) rather than the usual east-west is attributable to the presence of pre-existing buildings.
1301:
719:
context. The prominence of this wall with respect to the termination of the aisles is emphasized by the single-pitched roof sloping toward the north. A splayed and rounded
1277:
1265:
1289:
326:. There they were received in the pre-existing church of St. Peter, located at the southern end of the town, immediately inside the town wall, which was attached to a
1118:
interspersed with two sets of three smaller disks each, with four more disks in the corners. This is followed by a large square field in which is inscribed a large
903:. The two surviving elements are made of masonry and present frontally a polychrome marble facing, symmetrical, consisting of a single rectangular central slab (in
891:, which was dismantled during work in the late 18th century. Of the original enclosure, which enclosed the area on all three sides as in the Desiderian basilica of
1046:
Below the penultimate arch on the right, in an area close to that of the original burial, is displayed the tomb slab of Abbot
Antonio De Tramonto, originally from
1313:
430:
precious objects inside. For the greater safety of the relics that were instead kept there, they were moved to the cathedral; in 1701, at the request of the
970:. The latter can be dated between the 8th and 10th centuries and features a bas-relief, off-center due to the tampering it has undergone, depicting a large
857:
niche in which various stone artifacts found in the garden in front of the church atrium, including floor tiles and epigraphic fragments, have been placed.
1178:
alternating in size, of which the central one is larger than all the others; each of the lateral elements is connected to the outer frame of the panel by
581:; however, below the apses there are still some rooms intended for secular use, which can be accessed from outside the building, from the rear elevation.
2969:
1734:
1241:
1253:
413:
In the minutes of pastoral visits in the first half of the 16th century, the church and abbey are indicated as no longer being entrusted to the
1080:
2959:
2954:
1735:"Celebrazione Eucaristica in occasione del IX Centenario della dedicazione della Chiesa di San Menna, 12 settembre 2010, Tarcisio Bertone"
388:
1050:, who died in 1316, engraved with the figure of the deceased and his coat of arms, along the edge of which is the following inscription:
2775:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. 2014. pp. 73–92.
2702:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. 2014. pp. 59–66.
75:
868:
47:
2813:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 193–256.
2794:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 257–270.
2734:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 113–146.
2682:
Le epigrafi medievali di San Menna: un titulus di dedicazione, una attestazione di reliquie ed una Charta lapidaria di consacrazione
2588:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 175–192.
2482:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 273–280.
800:. Above the architrave is the raised-arch lunette, around which is a semicircular projecting cornice resting on two elephant-shaped
776:
CRIMINA DIMITTAT QUI LIMINIS ALTA SUBINTRAT TEMPLUM SI POSCAT / SUB PETRO PRINCIPE NOSCAT QUOD CUM FUNDASTI ROTBERTE COMES DECORASTI
306:, already had a reputation for holiness during his lifetime and died around 538/584. In 1094, wishing to give greater luster to the
2752:
Opus sectile a
Palermo nel secolo XII. Sinergie e mutuazioni nei cantieri di Santa Maria dell'Ammiraglio e della Cappella Palatina
2684:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 31–48.
2665:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 49–58.
2569:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 19–30.
2501:. La chiesa di San Menna a Sant'Agata de' Goti. Atti del convegno di studi - 9 giugno 2010 - Sant'Agata de' Goti. pp. 11–18.
731:
1072:
319:
1196:
345:
The aforementioned church of St. Peter is to be identified with the present church of St. Menna. It was built at the behest of
2837:
2818:
2799:
2780:
2760:
2739:
2707:
2689:
2670:
2631:
2612:
2593:
2574:
2506:
2487:
1005:
994:
1174:, in the area of the last bay of the nave, is traversed transversely by a concatenation, almost entirely reconstructed, of
913:
748:
555:
441:
1149:. The squares that make up the rest of the floor of the hall, which in the left aisle is largely lost as a result of the
482:, established the authenticity of the relics of St. Menna, while it ruled out the belonging of those of St. Brice to the
435:
2555:
362:
936:, the presence of which is attested in the minutes of the pastoral visitation of 1538, which situates it inside the
276:, such as the oldest presbyteral structure with most of the original elements still in place, as well as the oldest
711:
The rear elevation of the church, on Viale
Vittorio Emanuele III, consists of the wall that incorporates the three
417:, but to the Augustinians. They remained there until the suppression of the congregation in 1575 at the behest of
322:
Roffredo, on April 11 of a year between 1102 and 1007 (presumably 1103 or 1006) the relics were transferred to
2517:
2964:
426:
650:
Externally, the building has integrally plastered light-colored walls, with pitched roofs with brick tiles.
817:
658:
257:
31:
2874:
Memorie istoriche della cittĂ di S. Agata de' Goti per l'epoca dal principio dell'era volgare sino al 1840
475:
467:
445:
The interior of the church following eighteenth-century alterations, in an 1896 drawing by Émile Bertaux.
2830:
Lo sviluppo architettonico e i problemi conservativi delle chiese di Santa Lucia e del Salvatore a Gaeta
954:
670:, facing south, is salient and traces the building's internal layout. Leaning against it is the Baroque
503:
2900:
715:, dating from the late 18th century, an architectural feature that is absent everywhere in Campania's
944:
788:
This text, in Romanesque capitals, was formulated both as a call to conversion, as a reminder of the
574:
563:
512:
487:
478:
on September 12. The following year a canonical survey was conducted on the relics, which, using the
331:
323:
242:
110:
2605:
Interazioni culturali ai confini del Regno: i pannelli marmorei ricomposti nella cattedrale di Gaeta
747:
on columns, perhaps not dissimilar in its general configuration from that of the side portal of the
534:
plan separated by arcades on columns, covered with wooden trusses and each ending in a semicircular
845:
ones of the third on the left and the fourth on the right. The first two capitals on the right are
760:
547:
2731:
Il pavimento in opus sectile della chiesa di San Menna. Maestranze cassinesi a Sant'Agata de' Goti
962:
Inside the central apse the chancel is further elevated. In the center of the room is located the
2882:
Alfonso Viparielli (1916). "Roberto normanno conte di S. Agata e la chiesa badiale di S. Menna".
1150:
1110:
and a very extensive use of salvaged materials, among which some epigraphic fragments stand out.
716:
683:
527:
462:
190:
1038:
Here rest the bodies of the martyred saints Brizio and Socio, each in its own half (of the urn).
2938:
892:
834:
584:
Below are the main measurements of the church, with reference to the interior of the building:
160:
133:
2859:
1035:
HIC REQUIESCUNT CORPORA / S(an)C(t)ORUM BRICII ET SOCII M(a)R(tirum) / DE UNOQUOQUE / MEDIETAS
1103:
687:
671:
543:
414:
351:
ecclesiæ beati Petri apostuli site infra munitionem nostri castelli civitatis Sanctæ Agathes.
283:
246:
2718:
932:
prior to the 1121-1136 reconstruction. There are no traces of the lost medieval monumental
768:
679:
197:
8:
2914:
2700:
Reliquie di San Menna, San Brizio e altri Santi. Datazione radiometrica dei reperti ossei
1098:
mosaic pavement, contemporary with the building and largely unaltered, especially in the
896:
339:
185:
2651:
1158:
692:
479:
431:
422:
299:
2887:
2833:
2814:
2795:
2776:
2756:
2735:
2703:
2685:
2666:
2627:
2608:
2589:
2570:
2551:
2525:
2502:
2483:
929:
830:
418:
315:
307:
546:(1066-1071), with a layout similar to that of several coeval buildings, such as the
486:, who died in 444, since they were traced back to the period of the founding of the
2811:
Il reimpiego a Sant'Agata de' Goti: San Menna, il Duomo e Sant'Angelo de Munculanis
842:
793:
566:
in its primitive layout in the last years of the 11th century, which, however, was
471:
382:
330:
men's monastery and served as a comital chapel. The mortal remains of St. Menna in
238:
314:
had the saint's remains transferred there; however, due to disagreements with the
2872:
2848:
986:
from the Roman era, in two separate housings identified by the two inscriptions:
933:
921:
846:
797:
385:
and Menna, as recorded in the dedicatory epigraph still visible in the building:
354:
346:
311:
265:
261:
235:
153:
138:
542:
present in the prototype, is reminiscent of that of the Desiderian basilica of
511:
The church of San Menna is located at the southern edge of the ancient town of
483:
366:
273:
269:
207:
1211:
wall decoration has been preserved, mostly in the area of the counter facade.
662:
The main facade with the remains of the ancient circle of walls in front of it
2948:
2891:
2529:
1163:
1129:
90:
77:
2926:
2499:
Il papa di San Menna. Lineamenti del pontificato di Pasquale II (1099-1118)
1107:
1094:
904:
792:, the ancient titular of the building, and with it the universality of the
739:
Originally, the church had two entrances, of which the minor one, from the
696:
632:
425:, on whose death (1584) the church with its annuities was entrusted to the
327:
278:
170:
2624:
La scena del sacro. L'arredo liturgico del basso Lazio tra XI e XIV secolo
1153:, in addition to the patterns also have marble elements, in the form of a
2539:
Monumenti romanici a S. Agata dei Goti: il Duomo e la chiesa di San Menna
1092:
The interior floor of the entire church is characterized by a polychrome
983:
971:
967:
838:
789:
567:
378:
370:
704:
454:
374:
335:
1185:
1047:
805:
744:
700:
538:. The early Christian basilica structure, despite the absence of the
520:
516:
2770:
2729:
2567:
San Menna: un culto nella Campania normanna tra devozione e politica
2518:"Per la storia dell'arte nel Napoletano - Sant'Agata dei Goti. Note"
1373:
Roman Catholic Diocese of Cerreto Sannita-Telese-Sant'Agata de' Goti
883:, corresponding to the last two arches of each colonnade before the
667:
2933:
2750:
1223:
1219:
1167:, arranged in different ways side by side to form complex figures.
1146:
948:
853:
756:
740:
720:
539:
303:
114:
682:
and inserted in a façade that ends, at the top, with a triangular
1171:
1154:
1142:
922:
cathedral of Saints Erasmus and Marcianus and Santa Maria Assunta
908:
884:
675:
358:
2850:
Italia sacra sive de Episcopis Italiae, et insularum adjacentium
466:
altar of the church, were brought back there; on that occasion,
1208:
801:
451:
295:
2909:
2886:(1). Benevento: Cooperativa Tipografi Chiostro S. Sofia: 18.
1188:
and the area in front are the result of extensive tampering.
1179:
979:
975:
963:
917:
764:
752:
703:. Above the first left arch of the atrium rises a two-arched
578:
559:
551:
118:
796:, as well as a celebration of the building's founder, Count
1227:
1099:
880:
826:
712:
535:
531:
771:
that, on the architrave, bears the following inscription:
2832:. Gaeta medievale e la sua cattedrale. pp. 125–144.
2607:. Gaeta medievale e la sua cattedrale. pp. 371–396.
405:—Plaque commemorating the dedication of the church.
2792:
I brani di affresco supersitit nella chiesa di San Menna
1042:—Inscription pertaining to Saints Brizio and Socio
809:
with a dice motif; and the fifth with a spiral relief.
2866:(1). Napoli: Salvatore Pergola e Filippo Cirelli: 182.
2656:. Cava de' Tirreni: Grafica Metelliana. pp. 7–23.
2898:
2853:(in Latin) (II ed.). Venezia: Sebastiano Coleti.
695:
into which the room is divided, only the main one is
438:
Filippo Albini subjected them to a canonical survey.
282:
floor, both modeled after the Desiderian basilica of
264:
and built a few years earlier at the behest of Count
251:
diocese of Cerreto Sannita-Telese-Sant'Agata de' Goti
2663:
Le reliquie di San Menna e le Ricognizioni Canoniche
1114:schola cantorum. The first panel has three granite
1025:
Here rests the body of Blessed Menna the confessor.
784:—Inscription on the architrave of the portal.
338:destination, and the saint was attributed multiple
2698:
2480:La Chiesa di San Menna nei verbali di Santa Visita
1762:
1022:HIC REQUIESCIT / CORPUS BEATI / MENNE CONFESSORIS
860:
2946:
421:, following which Pompeo Bozzuto was appointed
1881:
1879:
2545:
1810:
1633:
1631:
1063:—Inscription pertaining to Saint Menna.
1029:—Inscription pertaining to Saint Menna.
2772:La chiesa di San Menna a Sant'Agata de' Goti
2723:(in Latin). Parigi: Migne. pp. 991–998.
1331:Palimpsest of frescoes on the eastern pillar
2107:
1876:
1402:
1400:
841:ones of the first two on the left, and the
767:. The opening, rectangular, is framed by a
519:, opposite the comital castle and near the
268:, holds within it important testimonies of
54:
2970:Buildings and structures completed in 1108
2769:
2431:
2365:
2281:
2257:
2125:
1969:
1945:
1921:
1840:
1798:
1661:
1628:
1514:
1478:
573:Despite the considerable elevation of the
515:, on a small hillock close to the Lombard
30:
2716:
1927:
1430:
1218:Pieces of fresco can also be seen in the
2550:. L'Italia romanica. Milano: Jaka Book.
2546:Mario d'Onofrio, Valentino Pace (1997).
1397:
1359:Saint Catherine of Alexandria with donor
1195:
1079:
1071:
953:
867:
816:
735:The lunette and architrave of the portal
730:
657:
502:
440:
387:
212:late 11th century or early 12th century
2947:
2858:Francesco Viparelli (August 1, 1846).
974:from whose side arms hang the letters
318:Constantine and the insistence of the
2881:
2621:
2602:
2524:(I). Napoli: Arte tipografica: 3–9.
2477:
2245:
2221:
2209:
2185:
2173:
2161:
2149:
1637:
1586:
1391:
852:The aisles are lit by narrow arched
320:metropolitan archbishop of Benevento
16:Church in Sant'Agata de' Goti, Italy
2960:Roman Catholic churches in Campania
2955:Romanesque architecture in Campania
2870:
2857:
2808:
2293:
2077:
1774:
1763:Lambert, Lubritto & Ricci (2014
1649:
1598:
1550:
920:, now partially reassembled in the
13:
2720:Acta translationis Sancti Mennatis
2660:
2649:
2583:
2356:, pp. 116–117, 119, 122-123.)
2317:
2089:
2065:
2029:
1993:
1721:
1709:
1685:
1610:
1502:
577:, the church of San Menna lacks a
14:
2981:
2846:
2790:Francesca Romana Moretti (2014).
2789:
2679:
2515:
2461:
2449:
2305:
2137:
2017:
2005:
1673:
1574:
1562:
1466:
1442:
1406:
1271:Interior toward the counterfacade
1207:Only a small part of the ancient
829:are separated by two rows of six
761:basilica of Sant'Angelo in Formis
548:basilica of Sant'Angelo in Formis
361:to strengthen relations with the
2932:
2920:
2908:
2643:Studies on cosmatesque pavements
2496:
1526:
1351:
1336:
1324:
1312:
1307:Tombstone of Antonio de Tramonto
1300:
1288:
1276:
1264:
1252:
1240:
1233:
1004:
993:
699:, while the remaining three are
484:bishop of Tours of the same name
53:
46:
2827:
2748:
2727:
2640:
2564:
2536:
2471:
2455:
2443:
2437:
2425:
2419:
2413:
2407:
2401:
2395:
2389:
2383:
2377:
2371:
2359:
2353:
2347:
2341:
2335:
2329:
2323:
2311:
2299:
2287:
2275:
2269:
2263:
2251:
2239:
2233:
2227:
2215:
2203:
2197:
2191:
2179:
2167:
2155:
2143:
2131:
2119:
2113:
2101:
2095:
2083:
2071:
2059:
2053:
2047:
2041:
2035:
2023:
2011:
1999:
1987:
1981:
1975:
1963:
1957:
1951:
1939:
1933:
1915:
1909:
1903:
1897:
1891:
1885:
1870:
1864:
1858:
1852:
1846:
1834:
1828:
1822:
1816:
1804:
1792:
1786:
1780:
1768:
1756:
1745:from the original on 2024-09-19
1727:
1715:
1703:
1697:
1691:
1679:
1667:
1655:
1643:
1622:
1616:
1604:
1592:
1580:
1568:
1556:
1544:
1538:
1532:
1520:
1508:
1496:
1490:
1454:
1418:
1319:White marble floor restorations
804:, which are badly damaged. The
498:
2272:, pp. 104, n. 10, e 117.)
1484:
1472:
1460:
1448:
1436:
1424:
1412:
1385:
493:
365:counties; it was dedicated to
1:
2860:"Chiesa badiale del S. Menna"
1378:
1259:Right side and rear elevation
1226:of the nave and those of the
723:opens at each internal apse.
436:bishop of Sant'Agata de' Goti
2871:Francesco Viparelli (1841).
2116:, pp. 98 e 104, n. 13.)
1861:, pp. 98 e 104, n. 16.)
1849:, pp. 98 e 104, n. 13.)
1088:(seen from the chancel side)
914:former church of Santa Lucia
749:former church of Santa Lucia
461:additions were removed. The
7:
2847:Ferdinando Ughelli (1721).
2809:Patrizio Pensabene (2014).
2641:Dorothy Finn Glass (1980).
2622:Manuela Gianandrea (2006).
2603:Manuela Gianandrea (2018).
2584:Francesco Gandolfo (2014).
2478:Antonio Abbatiello (2014).
2366:Longo & Romagnoli (2014
2282:Longo & Romagnoli (2014
2258:Longo & Romagnoli (2014
2126:Longo & Romagnoli (2014
1970:Longo & Romagnoli (2014
1946:Longo & Romagnoli (2014
1922:Longo & Romagnoli (2014
1799:Longo & Romagnoli (2014
1662:Longo & Romagnoli (2014
1515:Longo & Romagnoli (2014
1479:Longo & Romagnoli (2014
1366:
1191:
1136:is a panel containing nine
812:
645:
468:Cardinal Secretary of State
10:
2986:
2884:Rivista storica del Sannio
1811:D'Onofrio & Pace (1997
653:
289:
2586:Gli scultori di San Menna
1132:. Immediately inside the
907:on the right and in gray
726:
216:
206:
184:
179:
169:
159:
149:
144:
132:
124:
106:
72:
41:
29:
24:
19:Church in Campania, Italy
2717:Leone Marsicano (1854).
2661:Franco Iannotta (2014).
2650:Franco Iannotta (2005).
1067:
2828:Eleonora Tosti (2018).
2680:Chiara Lambert (2014).
2537:Luigi R. Cielo (1980).
2497:Claudio Azzara (2014).
530:in style, with a three-
476:Eucharistic celebration
463:1980 Irpinia earthquake
427:Scottish Jesuit college
2749:Ruggero Longo (2010).
2728:Ruggero Longo (2014).
2516:Émile Bertaux (1896).
1984:, p. 105, n. 31.)
1888:, p. 104, n. 17.)
1664:, pp. 80, 86-87.)
1601:, pp. 24–25, 27.)
1517:, pp. 77–79, 84.)
1204:
1089:
1077:
959:
876:
825:Internally, the three
822:
736:
663:
508:
446:
393:
2653:Nove secoli di storia
2565:Amalia Galdi (2014).
2164:, pp. 162, 165.)
2092:, pp. 176, 178).
2080:, pp. 198, 200).
1431:Leone Marsicano (1854
1199:
1083:
1075:
957:
895:, only the two front
887:, was originally the
875:, presbytery and apse
871:
820:
734:
661:
622:Length of the aisles
556:church of Santa Lucia
506:
444:
415:order of St. Benedict
391:
247:province of Benevento
91:41.08861°N 14.50361°E
2965:Churches in Campania
2864:Poliorama Pittoresco
2541:. Roma: Rari Nantes.
2464:, pp. 257-258.)
2452:, pp. 259-261.)
2416:, pp. 118-119.)
2296:, pp. 200-201.)
2032:, pp. 183-184.)
1912:, pp. 100-101.)
1577:, pp. 257-261.)
1433:, pp. 991-998.)
940:, on the left side.
837:: these are the two
630:Surface area of the
260:on Sept. 4, 1100 by
128:Piazza Castello, snc
2877:. Napoli: Avallone.
2140:, p. 5, n. 1.)
2104:, pp. 99-100.)
1924:, pp. 85, 87.)
1837:, pp. 27, 96.)
1801:, pp. 79, 85.)
1346:(14th-15th century)
1014:Opisthographic slab
831:semicircular arches
570:-shaped even then.
564:Sant'Agata de' Goti
513:Sant'Agata de' Goti
392:Dedicatory epigraph
340:miraculous healings
332:Sant'Agata de' Goti
324:Sant'Agata de' Goti
243:Sant'Agata de' Goti
228:church of San Menna
111:Sant'Agata de' Goti
87: /
61:Church of San Menna
25:Church of San Menna
2522:Napoli Nobilissima
2308:, pp. 34-35.)
2284:, pp. 89-92.)
2020:, pp. 32-33.)
1972:, pp. 85-86.)
1948:, pp. 86-87.)
1565:, pp. 37-38.)
1481:, pp. 75-77.)
1445:, pp. 36-37.)
1205:
1090:
1078:
960:
879:At the end of the
877:
823:
737:
664:
509:
447:
423:commendatory abbot
394:
300:Taburno Camposauro
96:41.08861; 14.50361
2839:978-88-85795-06-8
2820:978-88-97581-22-2
2801:978-88-97581-22-2
2782:978-88-97581-22-2
2762:978-88-904623-3-7
2741:978-88-97581-22-2
2709:978-88-97581-22-2
2691:978-88-97581-22-2
2672:978-88-97581-22-2
2633:978-88-8334-247-9
2614:978-88-85795-06-8
2595:978-88-97581-22-2
2576:978-88-97581-22-2
2508:978-88-97581-22-2
2489:978-88-97581-22-2
2260:, p. 74-75.)
1344:Madonna and Child
1170:The floor of the
1076:Floor of the nave
930:Salerno Cathedral
643:
642:
554:(1072-1087), the
419:Pope Gregory XIII
316:bishop of Caiazzo
308:Caiazzo Cathedral
224:
223:
202:
195:
175:September 4, 1100
2977:
2937:
2936:
2925:
2924:
2923:
2913:
2912:
2904:
2895:
2878:
2867:
2854:
2843:
2824:
2805:
2786:
2766:
2745:
2724:
2713:
2695:
2676:
2657:
2646:
2637:
2626:. Roma: Viella.
2618:
2599:
2580:
2561:
2542:
2533:
2512:
2493:
2465:
2459:
2453:
2447:
2441:
2435:
2429:
2423:
2417:
2411:
2405:
2399:
2393:
2387:
2381:
2375:
2369:
2363:
2357:
2351:
2345:
2339:
2333:
2327:
2321:
2315:
2309:
2303:
2297:
2291:
2285:
2279:
2273:
2267:
2261:
2255:
2249:
2246:Gianandrea (2006
2243:
2237:
2231:
2225:
2222:Gianandrea (2006
2219:
2213:
2210:Gianandrea (2018
2207:
2201:
2195:
2189:
2186:Gianandrea (2018
2183:
2177:
2174:Gianandrea (2006
2171:
2165:
2162:Gianandrea (2006
2159:
2153:
2150:Gianandrea (2006
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2093:
2087:
2081:
2075:
2069:
2063:
2057:
2051:
2045:
2039:
2033:
2027:
2021:
2015:
2009:
2003:
1997:
1991:
1985:
1979:
1973:
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1901:
1895:
1889:
1883:
1874:
1868:
1862:
1856:
1850:
1844:
1838:
1832:
1826:
1820:
1814:
1808:
1802:
1796:
1790:
1784:
1778:
1772:
1766:
1760:
1754:
1753:
1751:
1750:
1731:
1725:
1719:
1713:
1707:
1701:
1695:
1689:
1683:
1677:
1671:
1665:
1659:
1653:
1647:
1641:
1638:Viparielli (1916
1635:
1626:
1620:
1614:
1608:
1602:
1596:
1590:
1587:Abbatiello (2014
1584:
1578:
1572:
1566:
1560:
1554:
1548:
1542:
1536:
1530:
1524:
1518:
1512:
1506:
1505:, pp. 8-9.)
1500:
1494:
1488:
1482:
1476:
1470:
1464:
1458:
1452:
1446:
1440:
1434:
1428:
1422:
1416:
1410:
1404:
1395:
1392:Gianandrea (2006
1389:
1355:
1340:
1328:
1316:
1304:
1295:Right side aisle
1292:
1280:
1268:
1256:
1244:
1008:
997:
587:
586:
575:presbyteral area
480:carbon-14 method
474:presided over a
472:Tarcisio Bertone
470:of the Holy See
367:Jesus the Savior
239:place of worship
200:
193:
102:
101:
99:
98:
97:
92:
88:
85:
84:
83:
80:
57:
56:
50:
34:
22:
21:
2985:
2984:
2980:
2979:
2978:
2976:
2975:
2974:
2945:
2944:
2943:
2939:Catholic Church
2931:
2921:
2919:
2907:
2899:
2840:
2821:
2802:
2783:
2763:
2742:
2710:
2692:
2673:
2634:
2615:
2596:
2577:
2558:
2509:
2490:
2474:
2469:
2468:
2460:
2456:
2448:
2444:
2440:, p. 100.)
2436:
2432:
2428:, p. 115.)
2424:
2420:
2412:
2408:
2404:, p. 120.)
2400:
2396:
2392:, p. 118.)
2388:
2384:
2380:, p. 179.)
2376:
2372:
2364:
2360:
2352:
2348:
2340:
2336:
2332:, p. 117.)
2328:
2324:
2316:
2312:
2304:
2300:
2294:Pensabene (2014
2292:
2288:
2280:
2276:
2268:
2264:
2256:
2252:
2248:, p. 163.)
2244:
2240:
2232:
2228:
2224:, p. 164.)
2220:
2216:
2212:, p. 386.)
2208:
2204:
2200:, p. 120.)
2196:
2192:
2188:, p. 380.)
2184:
2180:
2176:, p. 103.)
2172:
2168:
2160:
2156:
2148:
2144:
2136:
2132:
2128:, p. 107.)
2124:
2120:
2112:
2108:
2100:
2096:
2088:
2084:
2078:Pensabene (2014
2076:
2072:
2068:, p. 179.)
2064:
2060:
2056:, p. 108.)
2052:
2048:
2044:, p. 111.)
2040:
2036:
2028:
2024:
2016:
2012:
2004:
2000:
1996:, p. 183.)
1992:
1988:
1980:
1976:
1968:
1964:
1960:, p. 116.)
1956:
1952:
1944:
1940:
1936:, p. 100.)
1932:
1928:
1920:
1916:
1908:
1904:
1900:, p. 113.)
1896:
1892:
1884:
1877:
1869:
1865:
1857:
1853:
1845:
1841:
1833:
1829:
1825:, p. 134.)
1821:
1817:
1813:, p. 206.)
1809:
1805:
1797:
1793:
1789:, p. 102.)
1785:
1781:
1777:, p. 195.)
1775:Pensabene (2014
1773:
1769:
1761:
1757:
1748:
1746:
1733:
1732:
1728:
1720:
1716:
1708:
1704:
1696:
1692:
1684:
1680:
1676:, p. 257.)
1672:
1668:
1660:
1656:
1652:, p. 182.)
1650:Viparelli (1846
1648:
1644:
1636:
1629:
1621:
1617:
1609:
1605:
1599:Viparelli (1841
1597:
1593:
1589:, p. 275.)
1585:
1581:
1573:
1569:
1561:
1557:
1551:Viparelli (1841
1549:
1545:
1537:
1533:
1525:
1521:
1513:
1509:
1501:
1497:
1489:
1485:
1477:
1473:
1465:
1461:
1453:
1449:
1441:
1437:
1429:
1425:
1417:
1413:
1405:
1398:
1394:, p. 166.)
1390:
1386:
1381:
1369:
1362:
1356:
1347:
1341:
1332:
1329:
1320:
1317:
1308:
1305:
1296:
1293:
1284:
1283:Left side aisle
1281:
1272:
1269:
1260:
1257:
1248:
1245:
1236:
1222:of some of the
1194:
1151:1980 earthquake
1134:schola cantorum
1086:schola cantorum
1070:
1065:
1061:
1060:
1057:
1044:
1040:
1039:
1036:
1031:
1027:
1026:
1023:
1018:
1017:
1016:
1015:
1011:
1010:
1009:
1000:
999:
998:
945:presbytery area
938:schola cantorum
926:schola cantorum
889:schola cantorum
873:Schola cantorum
866:
862:Schola cantorum
815:
798:Robert of Alife
786:
782:
781:
777:
729:
656:
648:
639:260 m² approx.
614:Length of nave
501:
496:
407:
403:
402:
399:
355:Pope Paschal II
347:Robert of Alife
312:Robert of Alife
292:
266:Robert of Alife
262:Pope Paschal II
196:
154:Robert of Alife
95:
93:
89:
86:
81:
78:
76:
74:
73:
68:
67:
66:
65:
64:
63:
62:
58:
37:
20:
17:
12:
11:
5:
2983:
2973:
2972:
2967:
2962:
2957:
2942:
2941:
2929:
2917:
2897:
2896:
2879:
2868:
2855:
2844:
2838:
2825:
2819:
2806:
2800:
2787:
2781:
2767:
2761:
2746:
2740:
2725:
2714:
2708:
2696:
2690:
2677:
2671:
2658:
2647:
2645:. Oxford: BAR.
2638:
2632:
2619:
2613:
2600:
2594:
2581:
2575:
2562:
2556:
2543:
2534:
2513:
2507:
2494:
2488:
2473:
2470:
2467:
2466:
2454:
2442:
2430:
2418:
2406:
2394:
2382:
2370:
2368:, p. 88.)
2358:
2346:
2344:, p. 28.)
2334:
2322:
2310:
2298:
2286:
2274:
2262:
2250:
2238:
2236:, p. 99.)
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2166:
2154:
2152:, p. 62.)
2142:
2130:
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2090:Gandolfo (2014
2082:
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2066:Gandolfo (2014
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2046:
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2022:
2010:
2008:, p. 32.)
1998:
1994:Gandolfo (2014
1986:
1974:
1962:
1950:
1938:
1926:
1914:
1902:
1890:
1875:
1873:, p. 98.)
1863:
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1827:
1815:
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1779:
1767:
1765:, p. 62.)
1755:
1726:
1724:, p. 50.)
1722:Iannotta (2014
1714:
1712:, p. 23.)
1710:Iannotta (2005
1702:
1700:, p. 93.)
1690:
1688:, p. 18.)
1686:Iannotta (2005
1678:
1666:
1654:
1642:
1640:, p. 18.)
1627:
1625:, p. 92.)
1615:
1613:, p. 49.)
1611:Iannotta (2014
1603:
1591:
1579:
1567:
1555:
1553:, p. 41.)
1543:
1541:, p. 91).
1531:
1529:, p. 11.)
1519:
1507:
1503:Iannotta (2005
1495:
1493:, p. 26.)
1483:
1471:
1459:
1457:, p. 91.)
1447:
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1423:
1421:, p. 20.)
1411:
1396:
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1361:(15th century)
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270:Romanesque art
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2138:Bertaux (1896
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2030:Gandolfo 2014
2026:
2019:
2018:Lambert (2014
2014:
2007:
2006:Lambert (2014
2002:
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1408:
1407:Bertaux (1896
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1234:Image gallery
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1145:, there is a
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1130:Sessa Aurunca
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893:Monte Cassino
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23:
2915:Architecture
2883:
2873:
2863:
2849:
2829:
2810:
2791:
2771:
2751:
2730:
2719:
2699:
2681:
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2566:
2547:
2538:
2521:
2498:
2479:
2472:Bibliography
2457:
2445:
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2397:
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2349:
2337:
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2313:
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2229:
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2205:
2193:
2181:
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2157:
2145:
2133:
2121:
2109:
2097:
2085:
2073:
2061:
2049:
2037:
2025:
2013:
2001:
1989:
1977:
1965:
1953:
1941:
1929:
1917:
1905:
1893:
1866:
1854:
1842:
1830:
1818:
1806:
1794:
1782:
1770:
1758:
1747:. Retrieved
1738:
1729:
1717:
1705:
1693:
1681:
1669:
1657:
1645:
1618:
1606:
1594:
1582:
1570:
1558:
1546:
1534:
1527:Azzara (2014
1522:
1510:
1498:
1486:
1474:
1469:, col. 346.)
1467:Ughelli 1721
1462:
1450:
1438:
1426:
1414:
1387:
1358:
1343:
1217:
1213:
1206:
1201:
1180:
1175:
1169:
1162:
1137:
1133:
1124:
1119:
1115:
1112:
1108:red porphyry
1104:Montecassino
1095:opus sectile
1093:
1091:
1085:
1062:
1045:
1041:
1028:
961:
942:
937:
925:
905:red porphyry
900:
888:
878:
872:
861:
851:
824:
787:
783:
738:
710:
686:in which an
665:
649:
633:opus sectile
631:
593:Measurement
583:
572:
544:Montecassino
525:
521:main gateway
510:
499:Architecture
459:
448:
412:
408:
404:
350:
344:
293:
284:Montecassino
279:opus sectile
277:
256:The church,
255:
231:
227:
225:
180:Architecture
134:Denomination
2548:La Campania
2438:Cielo (1980
2426:Longo (2014
2414:Cielo (1980
2402:Longo (2014
2390:Cielo (1980
2378:Longo (2010
2354:Longo (2014
2342:Glass (1980
2330:Cielo (1980
2270:Cielo (1980
2234:Cielo (1980
2198:Cielo (1980
2114:Cielo (1980
2102:Cielo (1980
2054:Cielo (1980
2042:Cielo (1980
1982:Cielo (1980
1958:Longo (2014
1934:Cielo (1980
1910:Cielo (1980
1898:Longo (2014
1886:Cielo (1980
1871:Cielo (1980
1859:Cielo (1980
1847:Cielo (1980
1835:Cielo (1980
1823:Tosti (2018
1787:Cielo (1980
1698:Cielo (1980
1623:Cielo (1980
1539:Cielo (1980
1491:Galdi (2014
1455:Cielo (1980
1419:Galdi (2014
1202:Crucifixion
984:sarcophagus
972:Greek cross
968:antependium
568:Latin cross
494:Description
488:Santagatese
377:and Saints
371:Virgin Mary
328:Benedictine
230:, formerly
171:Consecrated
94: /
2949:Categories
1749:2024-09-18
1739:vatican.va
1379:References
1220:intradoses
1186:apsidioles
843:Corinthian
717:Romanesque
705:bell gable
590:Parameter
528:Romanesque
455:altarpiece
375:True Cross
336:pilgrimage
232:San Pietro
191:Romanesque
161:Dedication
150:Founder(s)
82:14°30′13″E
2892:1720-0113
2530:0027-7835
1224:monoforas
1048:Benevento
854:monoforas
847:composite
806:archivolt
780:worthily.
745:prothyrum
666:The main
517:town wall
334:became a
294:Menna, a
258:dedicated
245:, in the
217:Completed
79:41°5′19″N
1743:Archived
1367:See also
1209:frescoed
1192:Frescoes
1147:quincunx
949:sacristy
835:capitals
821:Interior
813:Interior
759:and the
757:Carinola
741:cloister
721:monofora
684:tympanum
646:Exterior
609:13,04 m
601:22,48 m
540:transept
490:church.
310:, Count
304:Vitulano
236:Catholic
201:(atrium)
194:(church)
139:Catholic
115:Campania
107:Location
36:Exterior
2901:Portals
1172:chancel
1155:rhombus
1143:chancel
909:granite
901:in situ
899:remain
885:chancel
802:corbels
769:molding
676:pronaos
654:Facades
625:2,65 m
617:6,46 m
598:Length
432:chapter
359:Samnium
298:on the
290:History
234:, is a
220:by 1108
198:Baroque
145:History
125:Address
2890:
2836:
2817:
2798:
2779:
2759:
2738:
2706:
2688:
2669:
2630:
2611:
2592:
2573:
2554:
2528:
2505:
2486:
1181:guttae
897:plutei
794:Church
727:Portal
688:oculus
672:atrium
668:facade
636:floor
606:Width
452:stucco
434:, the
373:, the
369:, the
363:Norman
296:hermit
2927:Italy
1228:apses
1068:Floor
980:omega
976:alpha
964:altar
958:Altar
934:ambon
918:Gaeta
839:Ionic
827:naves
765:Capua
763:near
753:Gaeta
713:apses
680:niche
579:crypt
560:Gaeta
552:Capua
550:near
379:Peter
302:near
186:Style
165:Menna
119:Italy
2888:ISSN
2834:ISBN
2815:ISBN
2796:ISBN
2777:ISBN
2757:ISBN
2736:ISBN
2704:ISBN
2686:ISBN
2667:ISBN
2628:ISBN
2609:ISBN
2590:ISBN
2571:ISBN
2552:ISBN
2526:ISSN
2503:ISBN
2484:ISBN
1176:rotæ
1159:disk
1138:rotæ
1125:rota
1120:rota
1116:rotæ
1100:nave
1056:PACE
978:and
943:The
881:nave
693:bays
536:apse
532:nave
507:Plan
383:Paul
249:and
226:The
1161:or
928:of
916:in
751:in
558:in
272:in
241:in
2951::
2862:.
2520:.
1878:^
1741:.
1737:.
1630:^
1399:^
1157:,
381:,
342:.
286:.
253:.
117:,
113:,
2903::
2894:.
2842:.
2823:.
2804:.
2785:.
2765:.
2744:.
2712:.
2694:.
2675:.
2636:.
2617:.
2598:.
2579:.
2560:.
2532:.
2511:.
2492:.
2320:.
1752:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
