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Chitra (play)

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being separate from herself and that even if she had slept with Arjuna, it would not be the true her that he loved- only her beauty. Vasanta advises Chitra to go to Arjuna and spend the year with him and that at the year's end Arjuna will be able to embrace the true Chitra once the spell of perfect beauty is gone. Chitra does so, but throughout their year together she assumes that Arjuna will not love her once the year is up. After much time has passed, Arjuna begins to grow restless and longs to hunt once again. He also begins to ask Chitra questions about her past, wondering if she has anyone at home that is missing her. Chitra remarks that she has no past and that she's as transient as a drop of dew, which upsets Arjuna. With the year approaching its end, Chitra asks that the two gods make her last night her most beautiful, which they do.
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that some villagers have informed him that Manipur is under attack. Chitra assures him that the city is well protected but to no avail. Arjuna's mind is occupied with thoughts of the princess, to which Chitra bitterly asks if he would love her more if she were like the Princess Chitra he admires. Arjuna replies that since she has always kept her true self a secret, he has never truly grown to love her as much as he could and that his love is "incomplete". Noticing that this upsets her, Arjuna tries to console his companion.
123:, Chitra fell instantly in love with him. The following day she tried to approach him and plead her case, but Arjuna turned her away due to his vows. Chitra begs the two gods to give her a day of perfect beauty so she can win over Arjuna and have just one night of love with him. Moved by her pleas, the two gods give her not just one day but an entire year to spend with Arjuna. 138:
The play ends with Chitra finally admitting to Arjuna that she is the princess of which he spoke of and that she begged for beauty in order to win him over. She admits that she is not a perfect beauty, but that if he would accept her then she would remain with him forever. Chitra also admits that she
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However, around the same time, Arjuna hears tales of the warrior Princess Chitra and begins to wonder what she might be like. Never having told him her name, Chitra assures Arjuna that he would never have noticed Chitra if he had passed by her and tries to coax him into bed. Arjuna declines, saying
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Later the next day, Chitra admits to Madana and Vasanta that she had spurned Arjuna due to him falling for what she saw as a false image of herself. The two gods scold her as they had only given her what she had asked of them. Chitra replies that despite their gift, she sees the perfect beauty as a
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The next scene opens with Arjuna marveling over the perfect beauty he has seen. Chitra, the beauty of which he mentions, enters and Arjuna immediately strikes up a conversation with her. He requests to know what she is searching for, to which Chitra coyly replies that she is seeking the man of her
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and has been raised like a boy as her father had no male heir. She is a great warrior and hero despite being born as a woman, but has never had the chance to truly live as a woman or learn how to use "feminine wiles". Chitra explains that she had met the warrior hero Arjuna after seeing him in the
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desires. The two go back and forth until Chitra admits that she is looking for him, which prompts Arjuna to say that he will no longer hold to his vows of chastity. Chitra is extremely unhappy since he is not falling for her true self and tells him not to offer his heart to an illusion.
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throughout the years has been positive, and the work has been described as "the crown of this first half of the poet's career." Versions of the play have been performed since its initial writing and
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forest while she was hunting for game. Despite knowing that he had pledged several vows including one for twelve years of
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commented that Tagore touched upon modern feminism with the character of Chitra while using Hindu legends.
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is pregnant with his son. Arjuna meets this news with joy and states that his life is truly full.
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has been performed worldwide and has been adapted into several different formats, such as dance.
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has been adapted into several formats including dance. A 1914 article in
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and begins with Chitra beginning a conversation with
1132:The Last Harvest: Paintings of Rabindranath Tagore 1164: 492: 288: 242:Review of Reviews and World's Work, Volume 49 499: 485: 262: 157:: The god of springtime and eternal youth 436: 360: 506: 315:"Tagore's Chitra will woo Torontonians" 312: 1165: 364:Rabindranath Tagore, His Life and Work 480: 292:The Philosophy of Rabindranath Tagore 245:. Review of Reviews company. p.  238: 13: 367:. Wesleyan Mission Press. p.  289:Radhakrishnan, Sarvepalli (1919). 263:CHOWDURIE, TAPATI (June 9, 2011). 74:and centers upon the character of 14: 1189: 455: 540: 1002:Stories by Rabindranath Tagore 430: 404: 378: 361:Thompson, Edward John (1921). 354: 332: 306: 282: 256: 232: 207:Chitrangada: The Crowning Wish 200: 1: 1039:Shilaidaha Rabindra Kuthibari 313:Firdaus, Ali (Jun 22, 2006). 295:. Macmillan and Co. pp.  225: 214:film written and directed by 142: 94:The play adapts the story of 64:is a one-act play written by 1178:Plays by Rabindranath Tagore 1152:Tagore sculpture controversy 696:Bhanusimha Thakurer Padabali 178: 7: 1044:Rabindra Bharati University 373:Chitra Rabindranath Tagore. 251:Chitra Rabindranath Tagore. 89: 10: 1194: 1113: 1067: 1016: 921: 866: 823: 730: 671: 646: 563: 549: 538: 514: 31: 23: 18: 1059:Visva-Bharati University 437:Roychoudhury, Amborish. 1034:Shahjadpur Kachharibari 887:The Cult of the Charkha 786:Chitto Jetha Bhayshunyo 183:Critical reception for 110:, the god of love, and 770:Bharoto Bhagyo Bidhata 412:"Tagore's Ideal Woman" 218:, is loosely based on 1024:Jorasanko Thakur Bari 874:Rabindra Nritya Natya 265:"In step with Tagore" 239:Shaw, Albert (1914). 908:The Essential Tagore 1146:Rabindra Chitravali 1008:Robi Thakurer Golpo 981:Rabindranath Tagore 880:The Religion of Man 508:Rabindranath Tagore 66:Rabindranath Tagore 27:Rabindranath Tagore 416:The New York Times 194:The New York Times 173:Assorted villagers 151:: The god of love. 1160: 1159: 917: 916: 756:Amar Sonar Bangla 471:Project Gutenberg 386:"Tagore's Chitra" 57: 56: 1185: 1126:Rabindra Jayanti 1121:Adi Brahmo Samaj 832:Valmiki-Pratibha 743:Rabindra Sangeet 561: 560: 544: 501: 494: 487: 478: 477: 473: 449: 448: 434: 428: 427: 425: 423: 408: 402: 401: 399: 397: 382: 376: 375: 358: 352: 351: 349: 347: 336: 330: 329: 327: 325: 310: 304: 303: 286: 280: 279: 277: 275: 260: 254: 253: 236: 212:Bengali-language 16: 15: 1193: 1192: 1188: 1187: 1186: 1184: 1183: 1182: 1163: 1162: 1161: 1156: 1109: 1063: 1054:Rabindra Tirtha 1012: 913: 862: 848:The Post Office 819: 732: 726: 688:Prabhat Sangeet 680:Sandhya Sangeet 667: 642: 545: 536: 532:Political views 510: 505: 463: 458: 453: 452: 435: 431: 421: 419: 410: 409: 405: 395: 393: 384: 383: 379: 359: 355: 345: 343: 338: 337: 333: 323: 321: 311: 307: 287: 283: 273: 271: 261: 257: 237: 233: 228: 216:Rituparno Ghosh 203: 181: 145: 92: 53: 12: 11: 5: 1191: 1181: 1180: 1175: 1158: 1157: 1155: 1154: 1149: 1142: 1141: 1140: 1128: 1123: 1117: 1115: 1111: 1110: 1108: 1107: 1102: 1097: 1095:Mrinalini Devi 1092: 1087: 1082: 1077: 1071: 1069: 1065: 1064: 1062: 1061: 1056: 1051: 1049:Rabindra Sadan 1046: 1041: 1036: 1031: 1026: 1020: 1018: 1014: 1013: 1011: 1010: 1005: 998: 991: 984: 977: 970: 963: 956: 949: 942: 935: 927: 925: 919: 918: 915: 914: 912: 911: 904: 897: 894:Songs of Kabir 890: 883: 876: 870: 868: 864: 863: 861: 860: 852: 844: 836: 827: 825: 821: 820: 818: 817: 810: 807:Jete Nahi Dibo 803: 796: 793:Dui Bigha Jomi 789: 782: 781: 780: 777:Jana Gana Mana 766: 759: 752: 745: 739: 737: 728: 727: 725: 724: 720:Song Offerings 716: 708: 700: 692: 684: 675: 673: 669: 668: 666: 665: 658: 650: 648: 644: 643: 641: 640: 632: 628:Shesher Kabita 624: 616: 608: 600: 592: 584: 576: 567: 565: 558: 547: 546: 539: 537: 535: 534: 529: 524: 518: 516: 512: 511: 504: 503: 496: 489: 481: 475: 474: 461: 457: 456:External links 454: 451: 450: 429: 418:. 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Index

Rabindranath Tagore
Mahabharata
Chitrangada
Arjuna
Chitrāngadā
Arjuna
Mahabharata
Madana
Vasanta
Manipur
celibacy
The New York Times
Chitrangada: The Crowning Wish
Bengali-language
Rituparno Ghosh
Review of Reviews and World's Work, Volume 49
503
"In step with Tagore"
The Philosophy of Rabindranath Tagore
73
"Tagore's Chitra will woo Torontonians"
"Tagore's 'Chitra' holds audiences spellbound in Trinidad and Tobago"
Rabindranath Tagore, His Life and Work
27
"Tagore's Chitra"
"Tagore's Ideal Woman"
"Rituparno Ghosh and the enduring influence of Tagore"
Mint
Chitra
Project Gutenberg

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