521:
last chapter of the story were removed. These include a poignant episode where
Charlotte, back in her own time, receives a package and a letter from Clare's sister, Emily, as an adult. Also removed is the original ending, in which the end of term comes and the boarders ride away in the school bus, Charlotte among them, heading home to Aviary Hall. The 1985 edition ends with Charlotte and Elizabeth finding Clare's exercise book, hidden in the leg of the bed for over forty years.
611:. Its lyrics concern Charlotte, the novel's central character. They refer to the opening paragraphs: "By bedtime all the faces, the voices had blurred for Charlotte to one face, one voice.... The light seemed too bright for them, glaring on white walls.", and to several events near the end of the book: people dancing in the streets at Armistice; and a school walk when Charlotte cries upon hearing of Clare's fate. The title of the single's
512:, wrote, "The book is good, really good.... I can see why this novel inspired The Cure. It's a somewhat gloomy book, an eerie story about childhood, identity, loneliness, and death. At the same time, it has all the pleasures of a good time-travel yarn." Gersen continues, "Adolescence is all about forging an identity, and this novel speaks to those questions of “who am I?” and “how do other people see me?” in an abstract, haunting way."
447:, this is really a study in disintegration, the study of a girl finding an identity by losing it.... Above all, here is a dream-allegory which teaches not through statement but through feeling. We sense the meaning of Charlotte's changes of identity in the way that she senses them herself.... a book of quite exceptional distinction... a haunting, convincing story which comes close to being a masterpiece of its kind...."
194:
and
Charlotte have grown in their own ways and aren't exactly based on my mother and her sister now, but this is where it started." Penelope Farmer's mother, Penelope Boothby, who was "talkative and unconventional", besides being the inspiration for Emma, also inspired the character of Emily. The boarding school in the novel is set near where Penelope Farmer lived in London, but based on the
36:
422:. Emma and Bobby are reading journals in the study of Elijah – Emma and Charlotte's grandfather – in which they find an article theorising about the non-linear nature of time. It describes time as being like a coiled spring, which can be pushed together, so that some moments in time can be very near a moment in another time.
217:
addresses her as "Clare". She tries to spend the day in 1918 without being noticed. Each night, Charlotte finds herself swapping between her own time and Clare's time. They must learn to live two different lives. Charlotte and Clare manage to write to each other in Clare's diary, which they share and hide in their bed.
600:. When Charlotte observes the marbles placed by Emily in a jar of water, she notes how big they look in the water, yet ordinary when taken out: "But when she put her fingers into the water and pulled a marble out, it was small by comparison with those still in the glass, and unimportant too" (p. 157).
1385:
The story was about Jay himself. How he went to sleep at home one day and woke up in the same house but a hundred years earlier. And how everybody in the house looked at him as if he came from outer space and said what are you doing here? Where did you come from? And they drove him out as if he was a
288:
One day, Charlotte learns what has become of Emily and Clare through a conversation with Sarah. Sarah's mother is Emily, and Clare died in the flu epidemic after the war. Later, Charlotte and
Elizabeth discuss the events Charlotte has experienced. They find the exercise book in one of the legs of the
520:
Two versions of the novel exist. A revised edition published by Dell in 1985 has a number of changes made by the author. Almost all the revisions were minor, such as modernisation of vocabulary and punctuation, and minor re-wording of some sentences. The only large change is that a few events in the
390:
I realized that I was writing a book about identity. I am a twin, a non-identical one, and apparently one of the chief problems of non-identical twins is always the establishment of a genuine and separate sense of identity. Looking back I can see this has in fact been an obsession with me, since the
193:
ahead of time based on family experiences. She later wrote that
Charlotte and Emma were originally based on her mother and her mother's sister as children, having no parents and "having to be everything to each other", one being the responsible one, the other being rather difficult. She wrote, "Emma
149:
who finds one morning she has traveled mysteriously back more than 40 years and is known as Clare. Charlotte and Clare change places each night, alternating between 1918 and
Charlotte's time; although Charlotte and Clare never meet, they communicate through diary notes in an exercise book. The story
241:
Charlotte and Emily form a plan to enter the school by night in an attempt to get
Charlotte into the bed which will take Charlotte back to her own time. Inside her room, which is now being used as the school sickroom, Charlotte finds the bed is occupied, and thus she cannot return home. She escapes
229:
Charlotte, expecting to have returned to her own time for the last time, is shocked to find that she has not, and is still in 1918. She will go into lodgings with the Chisel Brown family: it appears she will be trapped in the past. In the house, Miss Agnes Chisel Brown shows
Charlotte and Emily the
198:
in
Sevenoaks, Kent, which she and her twin sister Judith attended in the 1950s. Elements in the book based on the school include the pillared front door, the glass verandah and the cedar tree, which still stands, as of 2020. Some characters were based on real students of the time. The episode when
687:
While the novel does not state
Charlotte's year, it indicates that 14 September was a Saturday in both Charlotte's and Clare's years; that Charlotte travelled back "over forty years"; and that, had Charlotte become trapped in the past and grown up in Clare's place, she would be "a woman of nearly
284:
On arriving back, Charlotte is startled to learn that her roommate
Elizabeth had deduced the truth about her swap with Clare. Charlotte wonders about Sarah's mother and what has become of Emily and Clare. At the school, Charlotte sees the elderly Miss Wilkin. Charlotte realises that she had known
454:
wrote, "Farmer writes with style. She is vivid in her depiction of place: on almost every page, scattered with colourful figures of speech, we are drawn into the school and the surroundings of the school through sights and sounds and smells and textures... above all we are moved by the depth and
260:
in an attempt to speak to Arthur. The girls hide behind the curtains to observe. During the seance, they hear Clare's voice crying out for Emily. Emily cries out, and the two girls are discovered and disciplined. Later, Miss Agnes asks about the voice they heard at the seance – Clare's. She then
216:
named Sarah. Sarah's mother also attended the school. She is to share a room with other girls, Susannah, Elizabeth, Janet, and Vanessa. The next morning she finds herself in the same place, but in the year 1918 – with war still going on. A younger girl called Emily calls Charlotte her sister and
292:
Charlotte receives a package from Emily as an adult. It contains a letter from Emily, and the toys which Miss Agnes had given them over forty years ago. Charlotte places the marbles from the solitaire set in a jar and fills it with water, which the other girls admire. Charlotte feels a sense of
398:
also points out that identity as a major theme. He wrote, "Its most memorable passages are poignant or resigned or concerned with absence, loss, or death.... Its theme is not so much maturing relationships, but identity.... Charlotte begins to wonder, with increasing dismay, if she really is
245:
Charlotte is not the only one who struggles with identity. Emily tells of the wretchedness of being motherless and unwanted, moving between homes while her father fights in the war. Meanwhile, Charlotte dreams she is fighting to stay as Charlotte. She dreams about Arthur.
293:
personal identity in now having her own decoration to her dresser, yet muses that the marbles belonged to her when she was living the life of another person, namely Clare. The end of term comes, and the boarders leave the school in the school bus, singing rhymes.
249:
A letter arrives for Clare and Emily from their father. Emily does not let Charlotte read it, to the bewilderment of the other girls. Charlotte, thoughtful as always, wonders who Sarah's mother is: perhaps it will be Charlotte herself if she is trapped in 1918?
671:, written in a matter-of-fact style, a young girl experiences a time-slip, with the narrative switching between World War I and the present day. In both novels, people, places and items which were seen in the past show up again in the present day narrative.
491:
wrote in 1980 of how "the book is none the worse for breaking the conventional bounds of the children's novel. It is probably Penelope Farmer's finest novel – complex, taut, not a word wrong – and it thoroughly deserves the popularity it has attained."
642:. In his story, the student went to sleep and woke up in the same house, but one hundred years earlier. The inhabitants of the house looked at him strangely, asking him what he was doing there, and where he came from, and drove him out of the house.
399:
Charlotte: perhaps she has turned into Clare, rather than just substituted for her. This may be an adult fear – the fear of not being everything you and other people have always said you are, the realization that you may be someone totally different."
268:
comes. The war is over: people dance and celebrate in the street, and Charlotte and Emily join in, even though it would anger Mr Chisel Brown. In disgrace, Charlotte and Emily are sent back to the school. Miss Agnes gives them the toys as a gift.
238:. Charlotte reflects, forward and back: to Arthur in the past; her own sister Emma in the future; and Clare, trapped in Charlotte's time. She struggles with her identity, being Charlotte sometimes but Clare at other times.
220:
Emily and Clare are supposed to leave their room soon and go into lodgings with the Chisel Brown family. They have to make sure this happens when Clare is in 1918, because they won't be able to switch again after that.
692:
was written – being the only year fitting these descriptions. Although some reviewers have given 1958 as Charlotte's year, being exactly forty years after 1918, the year 1958 is not given in the book.
455:
poignancy of the relationship between Charlotte and Emily." She continues, "Farmer is always gifted in her grasp of possibilities that bring us up short with surprise and delight and satisfaction."
253:
At night, Charlotte dreams about Arthur again, as a drummer boy, and that she has turned into Agnes. Her crisis of identity comes to a head as she struggles to preserve her identity as Charlotte.
343:, although there are references to them. For example, Charlotte compares Emily with her sister Emma in her own time, and compares the Chisel Brown family home with her own home, Aviary Hall.
573:
aired an abridged reading of the novel, read by Deborah Findlay, in July–August 1994. The seven-part abridged version was created by Hilary Brand, with the Sally Avens as the producer.
1063:
141:, published in 1969 in Britain and the United States. It is the third and best-known of three books featuring the Makepeace sisters, Charlotte and Emma, sometimes known as the
317:
after Charlotte has left her small village school, and covers the period of her first term at boarding school. Although Charlotte's year is not explicitly stated in
615:, "Splintered in Her Head", was also taken from a line in the novel. The Cure later released another song based on the novel, "The Empty World", on their 1984 album
1537:
150:
is written from Charlotte's point of view: the narrative never follows Clare. Charlotte becomes trapped in Clare's time, struggling to maintain her identity.
1380:
484:
wrote, " is a fascinating exploration of the fragile barriers between layers of time, handled with great skill in the writing and delicacy of perception.
468:
is a book of quite exceptional distinction.... The book is essentially about humanity caught up in the still trickery of time.... Not easily forgotten."
281:
the students are able to play wild games in the dormitories, and eventually Charlotte is able to sleep in the bed that will return her to her own time.
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503:"shows a brilliant handling of the time-switch technique and a sincerity which rejects slick solutions to the dilemmas of the two heroines."
525:
1203:
1173:
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563:. Daphne Jones adapted the text as a serial, and the programme featured photographs by Jimmy Matthews Joyce. The executive producer was
1399:
1055:
199:
Charlotte walks onto the glass verandah is based on a real event, when Penelope Farmer climbed on the glass verandah and broke it.
631:. Its storyline is unrelated to Penelope Farmer's novel, although its title comes from the song by The Cure, based on the novel.
1522:
1512:
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20:
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596:, a collection of essays on British and US children's literature. Its title comes from the eighth chapter of part 2 of
1532:
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374:, Farmer was unaware that identity was such a dominant theme in the book. She only realised that when she read
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162:. One story originally intended for it proved too long to include. This was rewritten as the first chapter of
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460:
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ends, and indicates that Charlotte will stay a week with one of the friends she made at boarding school.
195:
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627:
604:
556:
1269:"The British Scene: A Review of The Marble in the Water, and The Signal Approach to Children's Books"
1119:
1085:
1241:
The Marble in the Water: Essays on Contemporary Writers of Fiction for Children and Young Adults
932:
The Marble in the Water: Essays on Contemporary Writers of Fiction for Children and Young Adults
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1165:
1133:
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bed, where it has been for forty years. It includes the last letter Charlotte wrote to Clare.
885:
481:
158:
At the age of 21, Penelope Farmer was contracted for her first collection of short stories,
753:
179:
1420:
Q: Did you pick your name for the Cure song? A: from the book which the cure song is about
645:"Charlotte Sometimes" was formerly used as a stage name by the American singer-songwriter
8:
589:
488:
395:
332:(1966) — which was set during Charlotte's second term at boarding school — the events of
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board with marbles. She tells the two girls about her brother Arthur, who died in the
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876:
Geoff Fox; Graham Hammond; Terry Jones; Frederic Smith; Kenneth Sterck, eds. (1976).
560:
1282:
716:
638:, in which a high school student writes a story in class with a similar premise to
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164:
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617:
451:
146:
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Ruth recalls her "dream" of seeing Clare whilst in the sickroom. Because of the
728:
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436:
375:
170:
122:
168:(1962), her first book featuring Charlotte and Emma Makepeace. A second book,
35:
1486:
1443:
231:
1037:, ed. Tracy Chevalier, 3rd ed. St James Press, 1989, pp. 126–127, cited in
1016:
Margaret K. McElderry, "Penelope Farmer: The Development of an Author". In
777:
Margaret K. McElderry, "Penelope Farmer: The Development of an Author". In
508:
1268:
1138:
849:, Harcourt, 1969. (This last episode is not in the 1985 revised edition.)
570:
321:, several passages suggest that Charlotte's year is 1963, the year after
306:
278:
235:
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then follows Emma's story while Charlotte returns to boarding school.
339:
Charlotte's sister Emma and their grandfather Elijah do not appear in
564:
547:
382:. She had a similar realisation, this time on her own, while writing
265:
212:
Charlotte arrives at a new boarding school, and is shown around by a
1406:. Charlotte Sometimes PO Box 1001, Bayonne, NJ 07002. Archived from
1239:
688:
sixty when Emma was still only twelve," with 1963 – the year after
608:
576:
In 1993, Chivers Children's Audio Books released an adaptation of
242:
being seen by Nurse Gregory but is seen by another student, Ruth.
1056:"How the Brain Forgets: On Penelope Farmer's Charlotte Sometimes"
824:"The Cure(d)". Penelope Farmer's personal blog entry, 9 June 2007
659:
542:
213:
612:
257:
1400:"Charlotte Sometimes - Fan Questions: entry dated 2 May 2011"
729:
Kidlit - Clare Moby, in Aviary Hall books, by Penelope Farmer
414:, of time travel into the past. While this is unexplained in
793:
791:
531:
930:
David Rees, "The Marble in the Water: Penelope Farmer". In
477:
described the book as "this year's most haunting fantasy".
301:
The first novel featuring Charlotte and Emma Makepeace was
1386:
mad dog, got into the house – his own house – by accident.
788:
439:, in a 1969 review for her children's literature journal
835:
Penelope Farmer's personal blog entry, 21 November 2007.
230:
toys she once played with, including toy soldiers and a
1425:
1020:
Vol. 51, No. 6, September 1974, pp. 802–803. Quoted in
524:
The original 1969 text of the book was re-published by
261:
tells Charlotte and Emily of Arthur's war experiences.
634:
In 2007, Penelope Farmer herself wrote another novel,
174:, with Emma as the main character, followed in 1966.
19:
This article is about the novel. For other uses, see
336:occur beforehand, during Charlotte's first term.
1142:. No. 2618. BBC. 10 January 1974. p. 12.
536:
349:begins during the same Christmas holidays at which
877:
781:Vol. 51, No. 6, September 1974, p. 804. Quoted in
285:Miss Wilkin when she was a young teacher in 1918.
1377:"Lifting the world: A story...chapter by chapter"
1260:
934:, The Horn Book, Inc., 1980, pp. 1–13. Quoted in
1484:
1202:. No. 3680. BBC. 23 July 1994. p. 16.
1365:Motion picture, Eric Byler, USA, 11 March 2002.
1318:
951:. London: Chatto & Windus, 1969, Chapter 4.
652:
1172:. No. 2618. 10 January 1974. p. 28.
559:, serialised reading in January 1974, read by
754:"Charlotte Sometimes: The Redoubled Subject"
145:books. The story follows a girl starting at
137:is a children's novel by the English writer
1475:Blog post concerning West Heath School and
657:Other similar novels of the period include
189:Penelope Farmer arranged many incidents in
1538:Children's books set in the United Kingdom
988:. Revised edition, Dell, 1985, rear cover.
34:
1196:"Children's Radio 4: Charlotte Sometimes"
1049:
1047:
532:Influence, adaptations and similar novels
526:The New York Review Children's Collection
1398:Poland, Jessica Charlotte (2 May 2011).
1383:from the original on 27 September 2008.
1087:Apple Books Preview: Charlotte Sometimes
1469:"Charlotte Sometimes – Back To School."
1431:
1368:
980:
978:
926:
924:
1485:
1397:
1374:
1248:from the original on 14 September 2022
1231:
1053:
1044:
938:, Vol. 8. Gale Research Company, 1985.
506:Writer Hannah Gersen, in a review for
433:received widespread critical acclaim.
256:One evening, the Chisel Browns hold a
1078:
997:Neil Millar, "Tales from School", in
418:, a theorised explanation appears in
1375:Farmer, Penelope (31 January 2007).
1315:. Revised edition, Dell, 1985. p. 7.
1266:
1237:
1035:Twentieth-Century Children's Writers
1024:Vol. 8. Gale Research Company, 1985.
1007:Vol. 8. Gale Research Company, 1985.
1003:, 6 November 1969. p. B5. Quoted in
975:
921:
785:Vol. 8. Gale Research Company, 1985.
497:Twentieth-Century Children's Writers
313:begins one year after the events in
1473:Granny P's rockpool in the kitchen.
968:, November 1969, p. 1408, cited in
884:. New York: Agathon Press. p.
713:Children's books and their creators
386:. She writes that "halfway through
13:
1324:
14:
1549:
1461:
1301:from the original on 8 July 2022.
1094:from the original on 29 June 2022
1054:Gersen, Hannah (31 August 2015).
1238:Rees, David (30 November 1979).
1206:from the original on 5 July 2022
1176:from the original on 5 July 2022
1146:from the original on 5 July 2022
1066:from the original on 3 June 2022
909:"Penelope (Jane) Farmer 1939-".
545:children's television programme
537:Audio and television adaptations
328:While written three years after
305:, published in 1962, set in the
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607:" was released by English band
391:age of twelve or so at least."
178:was first published in 1969 by
1432:Ortenzi, Rob (7 August 2008).
1404:Fanbridge: Charlotte Sometimes
1090:. Apple Inc. 3 February 1992.
880:Writers, Critics, and Children
828:
817:
804:
771:
746:
733:
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487:The British children's author
410:continues the theme, begun in
402:
16:Novel by Penelope Farmer, 1969
1:
1000:The Christian Science Monitor
461:The Christian Science Monitor
296:
272:
182:in the United States, and by
153:
1357:"Charlotte Sometimes (2002)"
1022:Children's Literature Review
1005:Children's Literature Review
936:Children's Literature Review
911:Children's Literature Review
783:Children's Literature Review
699:
653:Similar novels of the period
603:In 1981, a single entitled "
583:
186:in the UK in the same year.
7:
758:The New York Public Library
515:
378:'s comments on the book in
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224:
207:
10:
1554:
1226:Something About the Author
1039:Something About the Author
970:Something About the Author
960:Margery Fisher, review of
812:Something About the Author
799:Something About the Author
741:Something About the Author
425:
18:
1528:Chatto & Windus books
1523:British children's novels
1513:Children's fantasy novels
625:released a film entitled
621:. In 2002 the film-maker
360:
117:
109:
101:
91:
81:
71:
63:
55:
45:
33:
1493:Novels about time travel
1274:The Lion and the Unicorn
674:
647:Jessica Charlotte Poland
588:In 1980, British writer
196:West Heath Girls' School
1518:Novels about friendship
1331:Rockpool in the Kitchen
594:The Marble in the Water
202:
1508:British fantasy novels
1267:Rees, Compton (1981).
1033:Peggy Heeks, entry in
495:Peggy Heeks writes in
309:in southern England.
1533:1969 children's books
1434:"Charlotte Sometimes"
1224:'Penelope Farmer' in
810:'Penelope Farmer' in
797:'Penelope Farmer' in
739:"Penelope Farmer" in
482:Margaret K. McElderry
480:Children's publisher
450:Children's novelist
29:Charlotte Sometimes
1503:1969 fantasy novels
1498:1969 British novels
1479:, 21 November 2007.
1477:Charlotte Sometimes
1313:Charlotte Sometimes
986:Charlotte Sometimes
962:Charlotte Sometimes
864:Chatto & Windus
847:Charlotte Sometimes
640:Charlotte Sometimes
628:Charlotte Sometimes
605:Charlotte Sometimes
598:Charlotte Sometimes
580:on audio cassette.
578:Charlotte Sometimes
553:Charlotte Sometimes
501:Charlotte Sometimes
466:Charlotte Sometimes
431:Charlotte Sometimes
416:Charlotte Sometimes
408:Charlotte Sometimes
388:Charlotte Sometimes
384:Charlotte Sometimes
351:Charlotte Sometimes
341:Charlotte Sometimes
334:Charlotte Sometimes
319:Charlotte Sometimes
311:Charlotte Sometimes
191:Charlotte Sometimes
184:Chatto & Windus
176:Charlotte Sometimes
134:Charlotte Sometimes
86:Chatto & Windus
30:
21:Charlotte Sometimes
1446:on 13 January 2010
1325:Farmer, Penelope.
1287:10.1353/uni.0.0334
1018:Elementary English
779:Elementary English
711:Anita Silvey, ed:
557:five-part abridged
28:
1467:Penelope Farmer:
1439:Alternative Press
1311:Penelope Farmer,
1244:. The Horn Book.
1228:105 (1999) p. 65.
1041:105 (1999) p. 68.
984:Penelope Farmer,
972:105 (1999) p. 68.
947:Penelope Farmer,
858:Penelope Farmer,
845:Penelope Farmer,
814:105 (1999) p. 66.
743:105 (1999) p. 67.
636:Lifting the World
561:Rosalie Crutchley
130:
129:
102:Publication place
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1442:. Archived from
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1410:on 13 April 2012
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474:The Sunday Times
323:The Summer Birds
315:The Summer Birds
303:The Summer Birds
165:The Summer Birds
160:The China People
118:Preceded by
93:Publication date
76:Children's novel
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458:Neil Millar in
452:Eleanor Cameron
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370:While writing
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1060:The Millions
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1414:21 February
1200:Radio Times
1170:Radio Times
1166:"Jackanory"
1139:Radio Times
1134:"Jackanory"
917:: 65. 1985.
715:(New York,
571:BBC Radio 4
403:Time travel
307:South Downs
143:Aviary Hall
56:Illustrator
1487:Categories
862:. London:
663:(1967) by
623:Eric Byler
592:published
590:David Rees
489:David Rees
396:David Rees
297:Continuity
273:Part three
154:Background
1295:144144479
1281:: 76–81.
1118:ignored (
1108:cite book
700:Footnotes
584:Influence
565:Anna Home
551:featured
548:Jackanory
528:in 2007.
471:In 1969,
266:Armistice
232:solitaire
82:Publisher
1381:Archived
1341:31 March
1299:Archived
1246:Archived
1204:Archived
1180:30 March
1174:Archived
1150:30 March
1144:Archived
1092:Archived
1070:31 March
1064:Archived
609:The Cure
516:Editions
464:wrote, "
366:Identity
225:Part two
208:Part one
180:Harcourt
64:Language
1450:25 June
1252:1 April
1098:30 June
669:Jessamy
660:Jessamy
618:The Top
543:BBC One
426:Reviews
394:Author
214:prefect
67:English
1293:
1210:5 July
892:
667:. In
613:B-side
361:Themes
258:seance
125:
46:Author
1291:S2CID
675:Notes
555:as a
499:that
113:Print
72:Genre
1471:In:
1452:2012
1416:2012
1361:IMDb
1343:2020
1254:2020
1212:2022
1182:2020
1152:2020
1120:help
1100:2022
1072:2020
890:ISBN
765:2020
541:The
203:Plot
97:1969
1283:doi
567:.
236:war
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