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164:, by nineteen votes to four. Fauré was thought by the conservative Académie members to be too innovative; Lenepveu's staunch traditionalism was more to their taste. At the same time as lecturing at the Conservatoire, Lenepveu remained active as a composer. Two one-act operas were completed but not staged. At the behest of its dedicatee,
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205:, the director of the Conservatoire, had already announced his forthcoming retirement and brought it forward in the wake of the scandal. Lenepveu, as a member of France's musical Establishment, had been expected to succeed him, but, seeking drastic reforms, the French government appointed Fauré over Lenepveu's head.
193:, who was widely recognised as a composer of outstanding talent and promise, was eliminated from that year's Prix de Rome. When it emerged that Lenepveu, who was on the jury, had contrived to exclude all but his own pupils from the finals, there was a public outcry. He was denounced by the leading critic
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Much of
Lenepveu's career was as a professor at the Conservatoire from 1880. He was known as a strict conservative, hostile to musical innovation, as was much of the French musical Establishment of the time. He was expected to succeed
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in Paris. Lenepveu was an outstanding student, and qualified to practise law in
December 1862. During his time at the Sorbonne he had been taking lessons in music theory and harmony with Augustin Savard, professor at the
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In Paris
Lenepveu taught private pupils and, in 1880, he was appointed to the faculty of the Conservatoire. When Ambroise Thomas died in 1896, Lenepveu was elected to succeed him as a member of the
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as director of the
Conservatoire in 1905, but his chances evaporated when he was implicated in an attempt to rig the results of that year's Prix de Rome in favour of his own pupils.
32:(4 October 1840 – 16 August 1910), was a French composer and teacher. Destined for a career as a lawyer, he defied his family and followed a musical career. He studied at the
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Petit. The young
Lenepveu received a traditional education in his home town, while at the same time teaching himself musical theory and learning to play the violin.
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in Paris in
February 1874. It was moderately successful there and achieved greater success in the provinces. Before the delayed presentation of
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was performed at Notre-Dame de
Bordeaux in 1871, won critical approval, and was given in Paris the following year.
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as "a poor musician, author of a few worthless compositions; without ideas or art; but he is a member of the
128:. While there he successfully took part in a competition for dramatic composition; his three-act comic opera
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Havard de la
Montagne, Denis. "Charles Lenepveu", Musica et Memoria, retrieved 25 August 2014 (in French)
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found the composer's melodies unoriginal and undistinguished but praised his skilful orchestration.
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Lenepveu senior was strongly opposed to his son's seeking a musical career and enrolled him at the
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In 1862, Lenepveu won first prize in a competition with a cantata, which was performed in
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Lenepveu died at his home in Paris, at the age of 69. He was buried in his native Rouen.
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108:. The following year he won France's most prestigious musical award, the
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In 1905, Lenepveu was at the centre of what became known as
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30:Charles-Ferdinand Lenepveu
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259:(subscription required)
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152:Professor
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