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Bruegge, Andrew Vorder "W. S. Gilbert: Antiquarian
Authenticity and Artistic Autocracy" (Associate Professor, Department Chair, Department of Theatre and Dance, Winthrop University). Professor Bruegge presented this paper at the Victorian Interdisciplinary Studies Association of the Western United
93:'s service, which he was prepared to accept if his father would settle an income of ÂŁ400 on his mother. The elder Kean refused to do this, and his son determined to become an actor. He made his first appearance at
142:, but his success was not pronounced enough to encourage him to remain in London, especially as he had already won a high position in the provinces. In January 1838, however, he returned to Drury Lane, and played
150:(1805–1880) on 25 January 1842, they performed on the Lincoln Circuit in April and May 1845 appearing at Stamford, Peterborough, Boston, Lincoln (where the theatre was uncommonly well attended) and the Georgian
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From his "tour round the world" Kean returned in 1866 in broken health, and died in London on 22 January 1868 at the age of 57. He is buried at
Horndean, Hampshire.
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Emigrant in Motley: The
Journey of Charles and Ellen Kean in Quest of a Theatrical Fortune in Australia and America, as told in their hitherto unpublished letters
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Parish register confirms birth 18 January 1811, Baptism 24 December 1816, St George
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After a visit to the United States in 1830, where he was received with much favour, he appeared in 1833 at
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with a success which gave him a place among the principal tragedians of his time. He married the actress
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for Kean to appear in, which became one of the most popular plays of the
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His daughter Mary Maria Kean, married the eminent military surgeon, Surgeon general
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and Lady
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Chambers). After preparatory education at
Worplesdon and at Greenford, near
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169:. The most noteworthy feature of his management was a series of gorgeous
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378:. Vol. 15 (11th ed.). Cambridge University Press. p. 706.
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revivals that aimed for "authenticity". Kean also mentored the young
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Returning to
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This article incorporates text from a publication now in the
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in juvenile roles. In melodramatic parts such as the king in
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19:For the British trade union leader, see
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426:An Inventory of the Collection at the
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