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engages feminist politics due to it being a fan-made film for fans of Garbo and
Dietrich - stars who are significant in film history, lesbian subculture, and feminist criticism. Barriga's film also assists in validating one's sexual identity with Hollywood role models, which is both empowering and
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in order to create a space for lesbian identity politics and identity formation. It offers an alternative viewing of these famous
Hollywood stars which effectively re-envisions them as icons of the burgeoning gay and lesbian movement of the early 1990s.
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because their construction through appropriation and juxtaposition of fragments from a variety of films supposedly offers a commentary on the meaning process of all films." The critic
105:. In 1983 she began her career in cinema, and in 1984 completed her university degree. In 1994, she moved to New York to further her studies in screenwriting and video art at
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was shown at
Montreal Women's Film and Video Festival and New York International Festival of Gay and Lesbian Film. She directed her first feature film
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Desjardins, Mary (Spring 1995). ""Meeting Two Queens": Feminist Film-Making, Identity
Politics, and the Melodramatic Fantasy".
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in New York City. It premiered at the
Donostia-San SebastiƔn Film Festival in 2000 as part of Zabaltegi.
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is
Barriga's attempt at re-editing and cutting various scenes from films featuring Hollywood stars
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Mary
Desjardins writes in Film Quarterly that, "Film scholars have placed these works within the
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85:(born 1957) is a Chilean-Spanish film director. Her 1991 film
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liberating for the formation of gay identity and solidarity.
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The Girls in the Back Room: Looking at the
Lesbian Bar
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The Girls in the Back Room: Looking at the
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She left home at 19 to study sound and image at the
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382:. U of Minnesota Press. pp.
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187:Ni locas, ni terroristas
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