Cecil B. DeMille - Knowledge

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attract a high-class audience, DeMille based many of his early films on stage melodramas, novels, and short stories. He began the production of epics earlier in his career until they began to solidify his career in the 1920s. By 1930, DeMille had perfected his film style of mass-interest spectacle films with Western, Roman, or Biblical themes. DeMille was often criticized for making his spectacles too colorful and for being too occupied with entertaining the audience rather than accessing the artistic and auteur possibilities that film could provide. However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic. Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation. Throughout his career, he did not alter his films to better adhere to contemporary or popular styles. Actor Charlton Heston admitted DeMille was, "terribly unfashionable" and

1525:. The film began production in 1949, Ringling Brothers-Barnum and Bailey were paid $ 250,000 for use of the title and facilities. DeMille toured with the circus while helping write the script. Noisy and bright, it was not well-liked by critics, but was a favorite among audiences. DeMille signed a contract with Prentice Hall publishers in August 1953 to publish an autobiography. DeMille would reminisce into a voice recorder, the recording would be transcribed, and the information would be organized in the biography based on the topic. Art Arthur also interviewed people for the autobiography. DeMille did not like the first draft of the biography, saying that he thought the person portrayed in the biography was an "SOB"; he said it made him sound too egotistical. Besides filmmaking and finishing his autobiography, DeMille was involved in other projects. In the early 1950s, DeMille was recruited by 2096: 2176:, a leading proponent of the auteur theory, ranked DeMille highly as an auteur in the "Far Side of Paradise", just below the "Pantheon". Sarris added that despite the influence of the styles of contemporary directors throughout his career, DeMille's style remained unchanged. Robert Birchard wrote that one could argue the auteurship of DeMille on the basis that DeMille's thematic and visual style remained consistent throughout his career. However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form. Meanwhile, Sumiko Higashi sees DeMille as "not only a figure who was shaped and influenced by the forces of his era but as a filmmaker who left his own signature on the 1816: 1755: 1834:

artist Dan Sayre Groesbeck's concept, costume, and storyboard art. Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision. His art was even shown at Paramount meetings when pitching new films. DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets. As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films. While visually appealing, this made the films appear more old-fashioned.

2505: 1846:(1956), said that he was skilled in humiliating people. Jeakins admitted that she received quality training from him, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired. DeMille had an authoritarian persona on set; he required absolute attention from the cast and crew. He had a band of assistants who catered to his needs. He would speak to the entire set, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set. He was disliked by many inside and outside of the film industry for his cold and controlling reputation. 976: 2192: 1738:, whose ideas trickled down to DeMille. DeMille noted that his mother had a "high sense of the dramatic" and was determined to continue the artistic legacy of her husband after he died. Beatrice became a play broker and author's agent, influencing DeMille's early life and career. DeMille's father worked with David Belasco who was a theatrical producer, impresario, and playwright. Belasco was known for adding realistic elements in his plays such as real flowers, food, and aromas that could transport his audiences into the scenes. While working in theatre, DeMille used real fruit trees in his play 2067:

women in society. Moreover, before his religious-themed films, many of his silent era films revolved around "husband-and-wife-divorce-and-remarry satires", considerably more adult-themed. According to Simon Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality. Religion was a theme that DeMille returned to throughout his career. Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism in films such as

1285: 459: 1721:, in Laughlin Park to his daughter Cecilia because his wife had dementia and was unable to care for an estate. She would die one year later. His personal will drew a line between Cecilia and his three adopted children, with Cecilia receiving a majority of DeMille's inheritance and estate. The other three children were surprised by this, as DeMille did not treat the children differently in life. Cecilia lived in the house for many years until her death in 1984, but the house was auctioned by his granddaughter Cecilia DeMille Presley who also lived there in the late 1980s. 1137: 1830:

unique in using this technique. In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image. Another important aspect of DeMille's editing technique was to put the film away for a week or two after an initial edit in order to re-edit the picture with a fresh mind. This allowed for the rapid production of his films in the early years of the Lasky Company. The cuts were sometimes rough, but the movies were always interesting.

10613: 10590: 2400: 2226:: "Directorially, I think his pictures were the most horrible things I've ever seen in my life. But he put on pictures that made a fortune. In that respect, he was better than any of us." Producer David O. Selznick wrote: "There has appeared only one Cecil B. DeMille. He is one of the most extraordinarily able showmen of modern times. However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment." 1623:, DeMille (who was seventy-three) climbed a 107-foot (33 m) ladder to the top of the massive Per Rameses set and suffered a serious heart attack. Despite the urging of his associate producer, DeMille wanted to return to the set right away. DeMille developed a plan with his doctor to allow him to continue directing while reducing his physical stress. Although DeMille completed the film, his health was diminished by several more heart attacks. His daughter Cecilia took over as director as DeMille sat behind the camera with 568: 2075:. Western and frontier American were also themes that DeMille returned to throughout his career. His first several films were Westerns, and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity and redemption found in Western America. Another common theme in DeMille's films is the reversal of fortune and the portrayal of the rich and the poor, including the war of the classes and man versus society conflicts such as in 14750: 1011:. This was the first of few film collaborations with his brother William. They struggled to adapt the play from the stage to the set. After the film was shown, viewers complained that the shadows and lighting prevented the audience from seeing the actors' full faces, complaining that they would only pay half price. However, Sam Goldwyn realized that if they called it "Rembrandt" lighting, the audience would pay double the price. Additionally, because of DeMille's cordiality after the 14822: 14774: 1073:

Department's Intelligence Office, investigating friends, neighbors, and others he came in contact with in connection with the Famous Players–Lasky. He volunteered for the Intelligence Office during World War II as well. Although DeMille considered enlisting in World War I, he stayed in the United States and made films. However, he did take a few months to set up a movie theater for the French front. Famous Players–Lasky donated the films. DeMille and Adams adopted

1059:. Zukor became president with Lasky as the vice president. DeMille was maintained as director-general, and Goldwyn became chairman of the board. Goldwyn was later fired from Famous Players–Lasky due to frequent clashes with Lasky, DeMille, and Zukor. While on a European vacation in 1921, DeMille contracted rheumatic fever in Paris. He was confined to bed and unable to eat. His poor physical condition upon his return home affected the production of his 1922 film 14786: 14762: 1443: 1691: 579:, leaving Beatrice with three children. To provide for her family, she opened the Henry C. de Mille School for Girls in her home in February 1893. The aim of the school was to teach young women to properly understand and fulfill the women's duty to herself, her home, and her country. Before Henry de Mille's death, Beatrice had "enthusiastically supported" her husband's theatrical aspirations. She later became the second female play broker on 14834: 44: 10381: 14810: 927:(1914), co-directed by Oscar Apfel, was a sensation, and it established the Lasky Company. This was the first feature-length film made in Hollywood. There were problems with the perforation of the film stock, and it was discovered the DeMille had brought a cheap British film perforator, which had punched in sixty-five holes per foot instead of the industry-standard of sixty-four. Lasky and DeMille convinced film pioneer 14798: 1090:, who DeMille had known from his time at the American Academy of Dramatic Arts, and he became DeMille's art director. William deMille reluctantly became a story editor. William deMille would later convert from theater to Hollywood and would spend the rest of his career as a film director. Throughout his career, DeMille would frequently remake his own films. In his first instance, in 1917, he remade 1966: 989:. This is the earliest of DeMille's films available in a quality, color-tinted video format. However, this version is actually a 1918 re-release. The first few years of the Lasky Company were spent in making films nonstop, literally writing the language of film. DeMille himself directed twenty films by 1915. The most successful films during the beginning of the Lasky Company were 1133:, which was a significant change from his previous stint of irreligious films. The film was produced on a large budget of $ 600,000, the most expensive production at Paramount. This concerned the executives at Paramount; however, the film turned out to be the studio's highest-grossing film. It held the Paramount record for twenty-five years until DeMille broke the record again. 1742:, as influenced by Belasco. Similar to Belasco, DeMille's theatre revolved around entertainment rather than artistry. Generally, Belasco's influence of DeMille's career can be seen in DeMille's showmanship and narration. E. H. Sothern's early influence on DeMille's work can be seen in DeMille's perfectionism. DeMille recalled that one of the most influential plays he saw was 841: 14738: 1178:, silent films in America became obsolete, and DeMille was forced to shoot a shoddy final reel with the new sound production technique. Although this final reel looked so different from the previous eleven reels that it appeared to be from another movie, according to Simon Louvish, the film is one of DeMille's strangest and most "DeMillean" film. 665:

an outward appearance of a faithful marriage. One of DeMille's affairs was with his screenwriter Jeanie MacPherson. Despite his reputation for extramarital affairs, DeMille did not like to have affairs with his stars, as he believed it would cause him to lose control as a director. He related a story that he maintained his self-control when

1349:, which passed. This prohibited denying anyone the right to work if they refuse to pay a political assessment, however, the law did not apply retroactively. Consequently, DeMille's television and radio appearance ban lasted for the remainder of his life, though he was permitted to appear on radio or television to publicize a movie. 595:, but failed to meet the age requirement. At the military college, even though his grades were average, he reportedly excelled in personal conduct. DeMille attended the American Academy of Dramatic Arts (tuition-free due to his father's service to the academy). He graduated in 1900, and for graduation, his performance was the play 867:

first year of films made by the Lasky Feature Play Company. Sometimes, he directed scenes for other directors at the Feature Play Company in order to release films on time. Moreover, when he was busy directing other films, he would co-author other Lasky Company scripts as well as create screen adaptations that others directed.

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of each scene. Plot and dialogue were not a strong point of DeMille's films. Consequently, he focused his efforts on his films' visuals. He worked with visual technicians, editors, art directors, costume designers, cinematographers, and set carpenters in order to perfect the visual aspects of his films. With his editor,

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right to work. He began presenting speeches across the United States for the next few years. DeMille's primary criticism was of closed shops, but later included criticism of communism and unions in general. The United States Supreme Court declined to review his case. Despite his loss, DeMille continued to lobby for the

2002:; DeMille based some of his most well-known scenes on the work of Doré. DeMille was the first director to connect art to filmmaking; he created the title of "art director" on the film set. DeMille was also known for his use of special effects without the use of digital technology. Notably, DeMille had cinematographer 2063:

Biblical spectacles, musical comedies, suspense, and war films. At least one DeMille film can represent each film genre. DeMille produced the majority of his films before the 1930s, and by the time sound films were invented, film critics saw DeMille as antiquated, with his best filmmaking years behind him.

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According to Sam Goldwyn, critics did not like DeMille's films, but the audiences did, and "they have the final word". Similarly, scholar David Blanke, argued that DeMille had lost the respect of his colleagues and film critics by his late film career. However, his final films maintained that DeMille

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DeMille's films contained many similar themes throughout his career. However, the films of his silent era were often thematically different from the films of his sound era. His silent-era films often included the "battle of the sexes" theme due to the era of women's suffrage and the enlarging role of

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DeMille's filmmaking process always began with extensive research. Next, he would work with writers to develop the story that he was envisioning. Then, he would help writers construct a script. Finally, he would leave the script with artists and allow them to create artistic depictions and renderings

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The Lasky Play Company sought out William deMille to join the company, but he rejected the offer because he did not believe there was any promise in a film career. When William found out that DeMille had begun working in the motion picture industry, he wrote DeMille a letter, disappointed that he was

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in 1913, over which DeMille became director-general. Lasky and DeMille were said to have sketched out the organization of the company on the back of a restaurant menu. As director-general, DeMille's job was to make the films. In addition to directing, DeMille was the supervisor and consultant for the

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DeMille was poor and struggled to find work. Consequently, his mother hired him for her agency The DeMille Play Company, and taught him how to be an agent and a playwright. Eventually, he became manager of the agency and later, a junior partner with his mother. In 1911, DeMille became acquainted with

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They were sexually incompatible; according to DeMille, Adams was too "pure" to "feel such violent and evil passions". DeMille had more violent sexual preferences and fetishes than his wife. Adams allowed DeMille to have several long-term mistresses during their marriage as an outlet while maintaining

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DeMille's legacy is maintained by his granddaughter Cecilia DeMille Presley who serves as the president of the Cecil B. DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California. In 1963, the Cecil B. DeMille Foundation donated the "Paradise" ranch

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warned DeMille that Catholics would find the film too irreverent, while non-Catholics would have considered the film Catholic propaganda. Consequently, the film was never made. Jeanie MacPherson would work as a scriptwriter for many of DeMille's films. In 1938, DeMille supervised the compilation of

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show was one of the most popular weekly shows in the history of radio. While DeMille was host, the show had forty million weekly listeners, gaining DeMille an annual salary of $ 100,000. From 1936 to 1945, he produced, hosted, and directed all shows with the occasional exception of a guest director.

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DeMille's parents met as members of a music and literary society in New York. Henry was a tall, red-headed student. Beatrice was intelligent, educated, forthright, and strong-willed. The two were married on July 1, 1876, despite Beatrice's parents' objections because of the young couple's differing

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After the death of William deMille, DeMille revealed to Richard DeMille that William was his father and he had been born to William and a mistress. DeMille had adopted him to avoid revealing the affairs to William's wife. The mistress could not keep the boy due to her tuberculosis. DeMille became a

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In summer 2019, The Friends of the Pompton Lakes Library hosted a Cecil B DeMille film festival to celebrate DeMille's achievements and connection to Pompton Lakes. They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there. Two schools have

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Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously. He was consistently criticized for producing shallow films without talent or artistic care. Compared to other directors, few film scholars have

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DeMille often edited in a manner that favored psychological space rather than physical space through his cuts. In this way, the characters' thoughts and desires are the visual focus rather than the circumstances regarding the physical scene. As DeMille's career progressed, he increasingly relied on

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DeMille rarely gave direction to actors; he preferred to "office-direct", where he would work with actors in his office, going over characters and reading through scripts. Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie

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DeMille sued the union for reinstatement but lost. He then appealed to the California Supreme Court and lost again. When the AFRA expanded to television, DeMille was banned from television appearances. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the

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with the use of daydream images; moonlight and sunset on a mountain; and side-lighting through a tent flap. In the early age of cinema, DeMille differentiated the Lasky Company from other production companies due to the use of dramatic, low-key lighting they called "Lasky lighting" and marketed as

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are more serious films. It is difficult to typify DeMille's films into one specific genre. His first three films were Westerns, and he filmed many Westerns throughout his career. However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda,

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Aside from his Biblical and historical epics, which are concerned with how man relates to God, some of DeMille's films contained themes of "neo-naturalism", which portray the conflict between the laws of man and the laws of nature. Although he is known for his later "spectacular" films, his early

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DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention. Many of these displays were thought to be staged, however, as an exercise in discipline. He despised actors who were unwilling to take physical risks, especially when he had first

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described DeMille as "sparing no effort" when filmmaking. Bernstein recalled that DeMille would scream, yell, or flatter—whatever it took to achieve the perfection he required in his films. DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew.

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We have just lived through a war where our people were systematically executed. Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture. Now he wants to make the life of Moses. We should get down on our knees to Cecil and say "Thank

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made up of film studio employees with DeMille as captain. Eventually, the Guard was enlarged to a battalion and recruited soldiers from other film studios. They took time off weekly from film production to practice military drills. Additionally, during the war, DeMille volunteered for the Justice

2018:"the greatest special effect in film history". The actual parting of the sea was created by releasing 360,000 gallons of water into a huge water tank split by a U-shaped trough, overlaying it with a film of a giant waterfall that was built on the Paramount backlot, and playing the clip backward. 1397:

and Hollywood. Critics were impressed with the visuals but found the scripts dull, calling it DeMille's "poorest Western". Despite the criticism, it was Paramount's highest-grossing film of the year. Audiences liked its highly saturated color, so DeMille made no further black-and-white features.

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In his early films, DeMille experimented with photographic light and shade, which created dramatic shadows instead of glare. His specific use of lighting, influenced by his mentor David Belasco, was for the purpose of creating "striking images" and heightening "dramatic situations". DeMille was

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and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and

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Cecil B. DeMille's film production career evolved from critically significant silent films to financially significant sound films. He began his career with reserved yet brilliant melodramas; from there, his style developed into marital comedies with outrageously melodramatic plots. In order to

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began in October 1954. The Exodus scene was filmed on-site in Egypt with the use of four Technicolor-VistaVision camera filming 12,000 people. They continued filming in 1955 in Paris and Hollywood on 30 different sound stages. They were even required to expand to RKO sound studios for filming.

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were critically and financially unsuccessful. He had completely adapted to the production of sound film despite the film's poor dialogue. After his contract ended at MGM, he left, but no production studios would hire him. He attempted to create a guild of a half a dozen directors with the same

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in 1915, an extra, Bob Fleming, died on set when another extra failed to heed DeMille's orders to unload all guns for rehearsal. DeMille instructed the guilty man to leave town and would never reveal his name. Lasky and DeMille maintained the widow Fleming on the payroll; however, according to

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From the film industry, DeMille received the Irving G. Thalberg Memorial Award at the Academy Awards in 1953, and a Lifetime Achievement Award from the Directors Guild of America Award the same year. In the same ceremony, DeMille received a nomination from Directors Guild of America Award for

1510:(1947) had the longest running time (146 minutes), longest filming schedule (102 days), and largest budget ($ 5 million). The sets and effects were so realistic that 30 extras needed to be hospitalized due to a scene with fireballs and flaming arrows. It was commercially very successful. 1404:

due to its communist themes, despite the fact he had already paid $ 100,000 for the rights to the novel. He was so eager to produce the film that he hadn't yet read the novel. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his

678:. Publicists wrote that he became an actor in order to learn how direct and produce, but DeMille admitted that he became an actor in order to pay the bills. From 1904 to 1905, DeMille attempted to make a living as a stock theatre actor with his wife, Constance. DeMille made a 1905 reprise in 1300:

activist, becoming more conservative as he aged. He was known as anti-union and worked to prevent the unionizing of film production studios. However, according to DeMille himself, he was not anti-union and belonged to a few unions himself. He said he was rather against union leaders such as

1051:, DeMille refused to stop production for the funeral of Fleming. Peters claimed that he encouraged the cast to attend the funeral with him anyway since DeMille would not be able to shoot the film without him. On July 19, 1916, the Jesse Lasky Feature Play Company merged with Adolph Zukor's 1589:, had been record-breaking hits. Adolph Zukor convinced the board to change their minds on the grounds of morality. DeMille did not have an exact budget proposal for the project, and it promised to be the most costly in U.S. film history. Still, the members unanimously approved it. 789:. He also toured with the Standard Opera Company, but there are few records to indicate DeMille's singing ability. DeMille had a daughter, Cecilia, on November 5, 1908, who would be his only biological child. In the 1910s, DeMille began directing and producing other writer's plays. 955:

was a success, which led to the eventual founding of Paramount Pictures and Hollywood becoming the "film capital of the world". The film grossed over ten times its budget after its New York premiere in February 1914. DeMille's next project was to aid Oscar Apfel in directing

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willing "to throw away future" when he was "born and raised in the finest traditions of the theater". The Lasky Company wanted to attract high-class audiences to their films, so they began producing films from literary works. The Lasky Company bought the rights to the play

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and in 1928 made his largest campaign donation to Hoover. DeMille also liked Franklin D. Roosevelt, however, finding him charismatic, tenacious, and intelligent and agreeing with Roosevelt's abhorrence of Prohibition. DeMille lent Roosevelt a car for his campaign for the

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established DeMille as "master of the grandiose and of biblical sagas". Considered at the time to be the most successful Christian film of the silent era, DeMille calculated that it had been viewed over 800 million times around the world. After the release of DeMille's

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for a ranch that would become his getaway. He called this place, "Paradise", declaring it a wildlife sanctuary; no shooting of animals besides snakes was allowed. His wife did not like Paradise, so DeMille often brought his mistresses there with him, including actress

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recalled that DeMille had the skill to maintain control of not only the lead actors in a frame but the many extras in the frame as well. DeMille was adept at directing "thousands of extras", and many of his pictures include spectacular set pieces: the toppling of the

1771:, DeMille used editing techniques to allow the visual images to bring the plot to climax rather than dialogue. DeMille had large and frequent office conferences to discuss and examine all aspects of the working film including story-boards, props, and special effects. 843: 474:, where his parents had been vacationing for the summer. On September 1, 1881, the family returned with the newborn DeMille to their flat in New York. DeMille was named after his grandmothers Cecelia Wolff and Margarete Blount. He was the second of three children of 2120:

was still respected by his audiences. Five of DeMille's films were the highest-grossing films at the year of their release, with only Spielberg topping him with six of his films as the highest-grossing films of the year. DeMille's highest-grossing films include:

1874:, who shot forty-three of DeMille's films; brother William deMille who would occasionally serve as his screenwriter; and Jeanie Macpherson, who served as DeMille's exclusive screenwriter for fifteen years; and Eddie Salven, DeMille's favorite assistant director. 962:, which was wildly successful. In December 1914, Constance Adams brought home John DeMille, a fifteen-month-old, whom the couple legally adopted three years later. Biographer Scott Eyman suggested that this may have been a result of Adams's recent miscarriage. 2435:". It opened on December 13, 1985, and features some of DeMille's personal artifacts. The Lasky-DeMille Barn was dedicated as a California historical landmark in a ceremony on December 27, 1956; DeMille was the keynote speaker. It was listed on the 1256:

was the first film to integrate all cinematic techniques. The film was considered a "masterpiece" and surpassed the quality of other sound films of the time. DeMille followed this epic uncharacteristically with two dramas released in 1933 and 1934.

915:, but he felt that Arizona did not typify the Western look they were searching for. They also learned that other filmmakers were successfully shooting in Los Angeles, even in winter. He continued to Los Angeles. Once there, he chose not to shoot in 388:(1949), a biblical epic that became the highest-grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward "neo-naturalism", which tried to portray the laws of man fighting the forces of nature. 1973:

According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant. DeMille's distinctive style can be seen through camera and lighting effects as early as

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Further illustrated by his home life, DeMille required formality and politeness at home. Sons-and daughters-in-law were required to call him "Mr. DeMille", and Richard deMille never recalled hugging his father, claiming he received handshakes

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Known as the father of the Hollywood motion picture industry, Cecil B. DeMille made 70 films including several box-office hits. DeMille is one of the more commercially successful film directors in history, with his films before the release of

773:, a mythological Native American story. Life was difficult for DeMille and his wife as traveling actors; however, traveling allowed him to experience part of the United States he had not yet seen. DeMille sometimes worked with the director 1439:. Though the film was not high-grossing, it was well-received, and DeMille was asked to shorten its running time to allow for more showings per day. MGM distributed the film in 1941 and donated profits to World War II relief charities. 1698:

Cecil B. DeMille suffered a series of heart attacks from June 1958 to January 1959, and died on January 21, 1959, following an attack. DeMille's funeral was held on January 23 at St. Stephen's Episcopal Church. He was entombed at the

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suggests that this was to conceal DeMille's partial Jewish heritage. Adams was 29 years old at the time of their marriage, eight years older than DeMille. They had met in a theater in Washington D.C. while they were both acting in

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vaudeville producer Jesse Lasky when Lasky was searching for a writer for his new musical. He initially sought out William deMille. William had been a successful playwright, but DeMille was suffering from the failure of his plays

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in the lead role. They offered Farnum a choice to have a quarter stock in the company (similar to William deMille) or $ 250 per week as salary. Farnum chose $ 250 per week. Already $ 15,000 in debt to Royle for the screenplay of

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obsolete before they were produced, and true theatrical success eluded him. He produced many flops. Having become disinterested in working in theatre, DeMille's passion for film was ignited when he watched the 1912 French film

741:, producing and presenting it as his own work. DeMille was credited in small print as "based on an idea by Cecil DeMille". The play was successful, and DeMille was distraught that his childhood idol had plagiarized his work. 3362:

DeMille frequently made cameos as himself in other Paramount films. Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience.

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As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry. DeMille's early silent comedies influenced the comedies of

2352:. As one of the establishing members of Paramount Pictures and co-founder of Hollywood, DeMille had a role in the development of the film industry. Consequently, the name "DeMille" has become synonymous with filmmaking. 2355:

Publicly Episcopalian, DeMille drew on his Christian and Jewish ancestors to convey a message of tolerance. DeMille received more than a dozen awards from Christian and Jewish religious and cultural groups, including

892:, Lasky's relatives bought the $ 5,000 stock to save the Lasky Company from bankruptcy. With no knowledge of filmmaking, DeMille was introduced to observe the process at film studios. He was eventually introduced to 1085:

Film started becoming more sophisticated and the subsequent films of the Lasky company were criticized for primitive and unrealistic set design. Consequently, Beatrice deMille introduced the Famous Players–Lasky to

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was used by his children Cecilia, John, Richard, and Katherine. DeMille's brother, William, and his daughters, Margaret and Agnes, as well as DeMille's granddaughter, Cecilia de Mille Presley, also used the

2558:. An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry. For his contribution to the motion picture and radio industry, DeMille has two stars on the 9465: 2368:

despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent 1950s. In response to the claims, DeMille donated some of the profits from

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came under fire. Furthermore, DeMille argued with Zukor over his extravagant and over-budget production costs. Consequently, DeMille left Paramount in 1924 despite having helped establish it. He joined the

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show because he refused to pay a dollar to the American Federation of Radio Artists (AFRA) because he did not believe that any organization had the right to "levy a compulsory assessment upon any member."

1193:. He was additionally vice president of the Commercial National Trust and Savings Bank in Los Angeles where he approved loans for other filmmakers. In 1916, DeMille purchased a mansion in Hollywood. 923:

due to DeMille's inexperience; however, DeMille learned quickly and was particularly adept at impromptu screenwriting as necessary. He made his first film run sixty minutes, as long as a short play.

343:. Its interracial love story made it commercially successful, and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of 528:

DeMille was a brave and confident child. He gained his love of theater while watching his father and Belasco rehearse their plays. A lasting memory for DeMille was a lunch with his father and actor

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DeMille believed his first influences to be his parents, Henry and Beatrice DeMille. His playwright father introduced him to the theater at a young age. Henry was heavily influenced by the work of

14189: 2620:. The first 24 of his silents were produced during the first three years of his career (1913–1916). Eight of his films were "epics" with five classified as "Biblical". Six of DeMille's films — 2022:

films are held in high regard by critics and film historians. DeMille discovered the possibilities of the "bathroom" or "boudoir" in the film without being "vulgar" or "cheap". DeMille's films

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When "talking pictures" were invented in 1928, Cecil B. DeMille made a successful transition, offering his own innovations to the painful process; he devised a microphone boom and a soundproof

560:. DeMille's parents operated a private school in town and attended Christ Episcopal Church. DeMille recalled that this church was the place where he visualized the story of his 1923 version of 1237:

due to issues with his production company. This was, according to DeMille, the lowest point of his career. DeMille traveled abroad to find employment until he was offered a deal at Paramount.

1552:. DeMille's designs, most notably his design of the distinctive cadet parade uniform, won praise from Air Force and Academy leadership, were ultimately adopted, and are still worn by cadets. 556:

could practice her shooting. DeMille's sister, Agnes, was born on April 23, 1891; his mother nearly did not survive the birth. Agnes would die on February 11, 1894, at the age of three from

1858:. Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille told the actor that he was "one hundred percent yellow". 765:

as the Earl of Huntington was well received by audiences. DeMille wrote a few of his own plays in-between stage performances, but his playwriting was not as successful. His first play was

2471:, is named in honor of DeMille. During the Apollo 11 mission, Buzz Aldrin referred to himself in one instance as "Cecil B. DeAldrin", as a humorous nod to DeMille. The title of the 2000 3787:

The set was discovered by Peter Brosnan after hearing a rumor in 1982 that DeMille had ordered the enormous set to be buried after filming rather than taken away. A documentary titled

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to the Hathaway Foundation, which cares for emotionally disturbed and abused children. A large collection of DeMille's materials including scripts, storyboards, and films resides at

919:, where many studios were, but in Hollywood. DeMille rented a barn to function as their film studio. Filming began on December 29, 1913, and lasted three weeks. Apfel filmed most of 6820: 8853: 1383:

as his saving grace. The surgery caused him to suffer from sexual dysfunction for the rest of his life, according to some family members. Following his surgery and the success of

844: 3613:, his most cherished boat, to the merchant marine for service during World War II. The boat was returned to him destroyed. DeMille gave up the boat and never bought another one. 2262:

when Gloria Swanson spoke the line: "All right, Mr. DeMille. I'm ready for my close-up." DeMille plays himself in the film. DeMille's reputation had a renaissance in the 2010s.

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The Ten Commandments (Documentary: “Making Miracles”) (Six-Disc Limited Edition Blu-ray/DVD Combo) Cecil B. DeMille / Paramount. Hollywood, California: Paramount Pictures.2011

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in 1925. He directed and produced four films on his own, working with Producers Distributing Corporation because he found front office supervision too restricting. Aside from

709:. However, none of these were very successful; William deMille was most successful when he worked alone. DeMille and his brother at times worked with the legendary impresario 2222:

intensely disliked both DeMille and his films. "He was a thoroughly bad director", Huston said. "A dreadful showoff. Terrible. To diseased proportions." Said fellow director

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honored DeMille as "pioneer of movies", "the greatest creator and showman of our industry", and "the founder of Hollywood". DeMille left his multi-million dollar estate in

8031: 1593:, released in 1956, was DeMille's final film. It was the longest (3 hours, 39 minutes) and most expensive ($ 13 million) film in Paramount history. Production of 7315: 15099: 14864: 4273: 2218:

DeMille was liked by some of his fellow directors and disliked by others, though his actual films were usually dismissed by his peers as a vapid spectacle. Director

1371:. The Union Pacific gave DeMille access to historical data, early period trains, and expert crews, adding to the authenticity of the film. During pre-production of 15019: 2447:, known as the "Lost City of Cecil B. DeMille". Donated by the Cecil B. DeMille Foundation in 2004, the moving image collection of Cecil B. DeMille is held at the 2087:

was a minor theme present in some of his films. Another minor characteristic of DeMille's films include train crashes, which can be found in several of his films.

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reputation and avoid appearing reactionary. While concurrently filmmaking, he served in World War II at the age of sixty as his neighborhood air-raid warden.

1005:. DeMille adapted Belasco's dramatic lighting techniques to film technology, mimicking moonlight with U.S. cinema's first attempts at "motivated lighting" in 416: 15009: 935:

of Philadelphia to have his experienced technicians reperforate the film This was also the first American feature film; however, only by release date, as

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on August 16, 1902, at Adams's father's home in East Orange, New Jersey. The wedding party was small. Beatrice DeMille's family was not in attendance, and

1991:, according to director Martin Scorsese, is renowned for its level of production and the care and detail that went into creating the film. He stated that 1296:

Cecil B. DeMille was outspoken about his strong Episcopalian integrity, but his private life included mistresses and adultery. DeMille was a conservative

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In the early 1920s, scandal surrounded Paramount; religious groups and the media opposed portrayals of immorality in films. A censorship board called the

1096:(1918), only waiting four years from the 1914 original. Despite its quick turnaround, the film was fairly successful. However, DeMille's second remake at 2530: 1065:. According to Richard Birchard, DeMille's weakened state during production may have led to the film being received as uncharacteristically substandard. 690:

would appear as the featured actress in several productions that summer and would develop a lasting friendship with DeMille. (He would later cast her in

1581:. He went before the Paramount board of directors, which was mostly Jewish-American. The members rejected his proposal, even though his last two films, 14944: 12942: 11561: 10509: 10058: 9426: 7287: 2312:

as an influence of his work and one of his top ten favorite films. DeMille has influenced the careers of many modern directors. Martin Scorsese cited

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in 1949, became Paramount's highest-grossing film up to that time. A Biblical epic with sex, it was a characteristically DeMille film. Again, 1952's

445:, which was named in his honor. DeMille's reputation had a renaissance in the 2010s, and his work has influenced numerous other films and directors. 9925: 1103:

After five years and thirty hit films, DeMille became the American film industry's most successful director. In the silent era, he was renowned for

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creative desires called the Director's Guild. However, the idea failed due to lack of funding and commitment. Moreover, DeMille was audited by the

491: 325:, and grew up in New York City. He began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with 9679: 15094: 8726: 8324: 5942: 2199:

DeMille was one of the first directors to become a celebrity in his own right. He cultivated the image of the omnipotent director, complete with

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set was the place to discuss minor character or line issues. DeMille was particularly adept at directing and managing large crowds in his films.

1189:, one of America's first commercial airlines. He was also a real estate speculator, an underwriter of political campaigns, and vice president of 697:

His brother, William, was establishing himself as a playwright and sometimes invited DeMille to collaborate. DeMille and William collaborated on

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DeMille claimed that MacPherson was not a good writer, but she received credit in his films because she gave him many ideas for the screenplays.

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and are categorized as "early DeMille films" due to their particular style of production and costume and set design. However, his earlier films

15089: 14999: 8580: 6619: 4153: 781:, the Henry de Mille School lost students. The school closed, and Beatrice filed for bankruptcy. DeMille wrote another play originally called 15059: 11554: 7496: 1678:

to star in the film, but it was never made. DeMille also was planning a film about the space race as well as another biblical epic about the

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In 1932, DeMille returned to Paramount at the request of Lasky, bringing with him his own production unit. His first film back at Paramount,

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was one of the films that influenced him to become a filmmaker. Furthermore, DeMille influenced about half of Spielberg's films, including

305:; August 12, 1881 – January 21, 1959) was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both 15024: 8084: 2542:, wherein he received an honorary Doctorate of Letter degree. Additionally, in 1958, he received an honorary Doctorate of Law degree from 1024:; DeMille's direction in the film was acclaimed. In 1916, exhausted from three years of nonstop filmmaking, DeMille purchased land in the 15084: 15064: 15044: 14994: 14954: 14939: 14874: 10128: 10100: 9951: 8957: 8389: 5557: 3630:. To DeMille's dismay, Katherine became an actress; however, she ultimately gained his approval. In 1936 she married actor Anthony Quinn. 1667: 10632: 10015: 9244: 8923: 8650: 7689: 15114: 15049: 15034: 14889: 14869: 10988: 10712: 9270: 9192: 5457: 2841: 8058: 7129: 5023: 3765:

DeMille had considered making the film himself. He bought the rights to the novel in 1925 but abandoned the project in pre-production.

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Frequent actors and actresses on the show included Barbara Stanwyck, Claudette Colbert, Loretta Young, Don Ameche, and Fred MacMurray.

15104: 15029: 14949: 14879: 10637: 9591: 1125:(1928). DeMille's trademark scenes included bathtubs, lion attacks, and Roman orgies. Many of his films featured scenes in two-color 801:. However, Beatrice introduced Lasky to DeMille instead. The collaboration of DeMille and Lasky produced a successful musical called 14442: 12670: 1521:

became Paramount's highest-grossing film to that point. Furthermore, DeMille's film won the Academy Award for Best Picture and the

1315: 583:. On Henry de Mille's deathbed, he told his wife that he did not want his sons to become playwrights. DeMille's mother sent him to 10687:, Vault SC.1958.03, ULS Special Collections, University of Pittsburgh Library, includes conversations with DeMille about her plays 10664:, DeMille's personal and business papers including correspondence, audio, and video recordings, financial ledgers, and memorabilia 9466:"'So Let It Be Done':As ABC Re-Airs 'Ten Commandments' for the 45th Time, Here's What You Didn't Know About 1 Epic Special Effect" 15124: 15054: 15039: 14979: 12546: 10848: 9984: 8826: 2737: 2248:. He often appeared in his coming-attraction trailers and narrated many of his later films, even stepping on screen to introduce 8035: 1983:" to appeal to the public. DeMille achieved international recognition for his unique use of lighting and color tint in his film 15109: 2360:. However, not everyone received DeMille's religious films favorably. DeMille was accused of antisemitism after the release of 1077:

in 1920, whom Adams had found in the orphanage over which she was the director. In 1922, the couple adopted Richard deMille.

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in playwriting; their best-known collaborations included "The Wife", "Lord Chumley", "The Charity Ball", and "Men and Women".

14969: 8218: 8193: 6281: 4505: 4078: 1214:. He also popularized the camera crane. His first three sound films were produced at Metro-Goldwyn-Mayer. These three films, 10537: 1248:. DeMille's return was approved by Zukor under the condition that DeMille not exceed his production budget of $ 650,000 for 1015:

incident, DeMille was able to rekindle his partnership with Belasco. He adapted several of Belasco's screenplays into film.

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recalled that DeMille looked like "a king on a throne surrounded by his court" while directing films on a camera platform.

2168:. DeMille was omitted from the list, thought to be too unsophisticated and antiquated to be considered an auteur. However, 1537: 8456: 3917: 949:, but released later. Additionally, this was the only film in which DeMille shared director's credit with Oscar C. Apfel. 14984: 14934: 13569: 12618: 10938: 10868: 3729:

While the film was a huge success, DeMille regretted that he could not share the success with his wife who had developed

2801: 2745: 2562:. The first, for radio contributions, is located at 6240 Hollywood Blvd. The second star is located at 1725 Vine Street. 2211:. He was known for his unique working wardrobe, which included riding boots, riding pants, and soft, open necked shirts. 2052: 1007: 863: 442: 12294: 8854:"Vietnamese Language Roundtable showcased effectiveness of dual-language immersion program at DeMille Elementary School" 2172:

wrote "he was the complete master and auteur of his films", and Anton Kozlovic called him the "unsung American auteur".

1962:", adding that DeMille, "...an original thought in his head", though Heston added that DeMille was much more than that. 828: 366:(1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. 15129: 15074: 14924: 14158: 10748: 10547: 10519: 10489: 10460: 10418: 10399: 10371: 10306: 10285: 10210: 10191: 10164: 10138: 10110: 8622:

White, Timothy R. (1988). "Life After Divorce: The Corporate Strategy of Paramount Pictures Corporation in the 1950s".

3269: 2459:, which was closed and demolished in 2010 to make way for a new high school; and Cecil B. DeMille Elementary School in 2443:, contains an exhibition of artifacts uncovered in the desert near Guadalupe from DeMille's set of his 1923 version of 1156: 958: 777:, who influenced DeMille's later perfectionism in his work. In 1907, due to a scandal with one of Beatrice's students, 715: 8483: 3840: 686:

in Denver, Colorado. He appeared in eleven of the fifteen plays presented that season, although all were minor roles.

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The estate cycled through several different homeowners for the next 30 years until it was bought by American actress

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when William deMille (Cecil's grandfather) added an "e" for "visual symmetry". As an adult, he adopted the spelling

11519: 11459: 11248: 10898: 10671: 10653: 3511: 3415: 3250: 3202: 3041: 2769: 2654: 2490: 1602:. Nominated for an Academy Award for Best Picture, it grossed over $ 80 million, which surpassed the gross of 1474: 1389: 1297: 1068:

During World War I, the Famous Players–Lasky organized a military company underneath the National Guard called the

434: 411: 353: 155: 8484:"The Construction of a Christ-figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments" 737:

sparked controversy, because Belasco had taken DeMille's unnamed screenplay, changed the characters, and named it

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category at the 1953 Academy Awards for the same film. He was further nominated in the Best Picture category for

2574: 1549: 392: 17: 6655: 357:(1923), was both a critical and commercial success; it held the Paramount revenue record for twenty-five years. 14909: 13028: 11577: 11499: 11208: 10828: 10705: 10436: 10348: 10329: 10266: 10237: 8433: 8399: 8210: 7470: 5707: 5695: 4247: 4163: 3479: 3234: 3009: 2729: 2534:

DeMille (middle, standing) receives an Honorary Doctorate degree at Brigham Young University commencement, 1957

1821: 1453: 995: 725: 513:. She had emigrated from England with her parents in 1871 when she was 18; the newly arrived family settled in 510: 384: 379: 8878: 8110: 7921: 5559:

The Challenge of the Silver Screen: An Analysis of the Cinematic Portraits of Jesus, Rama, Buddha and Muhammad

3712:. Though the rally drew a good response, most Hollywood celebrities who took a public position sided with the 2387:

received votes, but did not make the top 100 films. Although many of DeMille's films are available on DVD and

1465:. It was produced with a large budget and contained many special effects including an electronically operated 486:, was born on July 25, 1878. Henry de Mille, whose ancestors were of English and Dutch-Belgian descent, was a 13189: 11308: 11298: 10838: 10818: 9888:"'Star-Spangled Rhythm,' Bulky All-Star Variety Show, Makes Its Premiere Appearance at the Paramount Theatre" 8778: 8753: 8676: 3301: 3089: 3081: 2721: 2334: 1432: 1318:

and voted for him. However, he would never again vote for a Democratic candidate in a presidential election.

1115: 1001: 805:, which opened in New York in January 1912. Another DeMille-Lasky production that opened in January 1912 was 362: 7654: 1682:. DeMille's autobiography was mostly completed by the time DeMille died and was published in November 1959. 1197:

lived next door for a time, and after he moved, DeMille purchased the other house and combined the estates.

14914: 14435: 11138: 5308: 2953: 2517: 2509: 1522: 1328: 8350: 8136: 5180: 15069: 14694: 13368: 12929: 11776: 11188: 11108: 10758: 7260: 3277: 2993: 2929: 2569:: an Honorary Award for "37 years of brilliant showmanship" in 1950 and a Best Picture award in 1953 for 2308: 1442: 1375:, DeMille was dealing with his first serious health issue. In March 1938, he underwent a major emergency 1052: 932: 314: 6671: 1273:

received good reviews. DeMille would stick to his large-budget spectaculars for the rest of his career.

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These films represent those which DeMille produced or assisted in directing, credited or uncredited.

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estimated to have grossed $ 650 million worldwide. Adjusted for inflation, DeMille's remake of

1654: 1636: 1608: 1393:. DeMille wanted to film in Canada; however, due to budget constraints, the film was instead shot in 1228: 1092: 985: 888: 850: 545: 335: 9616: 9049:""The Ten Commandments" director Cecil B. DeMille was friend to LDS Church President David O. McKay" 12282: 11479: 11419: 11268: 11228: 11178: 10768: 10679: 10661: 6545: 4734: 3447: 3285: 3218: 3170: 3057: 3025: 2985: 2539: 2486: 2144:

has been called "the Cecil B. DeMille of the digital era" due to his classical and medieval epics.

1754: 1234: 1186: 1061: 1056: 814: 758: 592: 475: 209: 9089: 7361: 6920: 6446:"Sixty years later, The Ten Commandments remains one of the most popular biblical films ever made" 2302:

to try producing epics. Cecil B. DeMille has influenced the work of several well-known directors.

15014: 14428: 13462: 12614: 12222: 11931: 11489: 11389: 11118: 10998: 10948: 10888: 9296: 3866: 3519: 3487: 3471: 3463: 3226: 3146: 2937: 2849: 2809: 2761: 2573:. DeMille received a Golden Globe Award for Best Director and was additionally nominated for the 2460: 2286: 2258: 1506: 1400: 1259: 1181:

The immense popularity of DeMille's silent films enabled him to branch out into other areas. The

1042: 1025: 649: 471: 382:. After more than thirty years in film production, DeMille reached a pinnacle in his career with 322: 167: 75: 13402: 9167: 9142: 7222: 5699: 2504: 1913:

in multiple pictures. DeMille cast some of his performers repeatedly, including Henry Wilcoxon,

1815: 14636: 13229: 12946: 12480: 12298: 11399: 11168: 11008: 10968: 10229: 5309:"Anthony Quinn: Colourful Hollywood star who built a career playing ethnic heroes and villains" 3730: 3154: 2977: 2857: 2825: 2663: 2593: 2559: 2456: 2028: 1906: 1718: 1498: 1368: 1265: 541: 420: 340: 8556: 8550: 6921:"Cecil B. DeMille's "Samson and Delilah" Brings the World's Greatest Love Story to the Screen" 3774:

In the 1950s, Paramount sold its entire pre-1948 film library, including those of DeMille, to

2014:, which was one of the most expensive special effects in film history, and has been called by 713:, who had been a friend and collaborator of their father. DeMille would later adapt Belasco's 498:). He worked as a playwright, administrator, and faculty member during the early years of the 14212: 12828: 12302: 11955: 11409: 11288: 11198: 11088: 11068: 11018: 10958: 10675: 10657: 10608: 10023: 3600:

Unlike the other children the DeMille's adopted, John was never told about his birth parents.

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On December 12, 1913, DeMille, his cast, and crew boarded a Southern Pacific train bound for

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Cecil B. DeMille's mother, Beatrice, a literary agent and scriptwriter, was the daughter of

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was a friend of the family, and DeMille recalled throwing mud balls in the air so neighbor

429: 372:(1932) is said to be the first sound film to integrate all aspects of cinematic technique. 10452: 8904: 8: 14838: 14826: 14588: 12920: 12707: 12700: 12684: 12416: 11258: 11048: 3609:

DeMille liked to sail and dive; he had several boats throughout his lifetime. He donated

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as DeMille films that have imparted lasting memories on him. Scorsese said he had viewed

1942: 1379:. He suffered from a post-surgery infection from which he nearly did not recover, citing 1252:. Produced in eight weeks without exceeding budget, the film was financially successful. 1097: 813:

by Lee Wilson, a play about a high society girl wrongly accused of manslaughter starring

495: 402: 14188: 8996:"Cecilia DeMille Presley Joins National Film Preservation Foundation Board of Directors" 7388:"The Deep Focus Typecasting of Joseph Schildkraut as Judas Figure in Four DeMille Films" 1612:. A unique practice at the time, DeMille offered ten percent of his profit to the crew. 624:

Cecil B. DeMille began his career as an actor on the stage in the theatrical company of

14778: 14676: 14618: 14264: 13382: 13061: 12761: 12408: 12370: 12350: 11752: 11469: 10808: 10778: 10612: 10589: 10360: 10318: 10222: 9992: 9218: 8995: 8631: 8059:"Hollywood Flashback: Cecil B. DeMille Accepted the Golden Globe Named for Him in 1952" 7820: 5688: 5345: 4158:. Vol. 2. Chapel Hill, North Carolina: University of North Carolina Press. p. 51. 3713: 3431: 3423: 3293: 3210: 2713: 2468: 2464: 2424: 2408: 2404: 2357: 1980: 1938: 1918: 1679: 1461: 941: 904: 878: 584: 483: 344: 223: 116: 13484: 10411:

The International Dictionary of Films and Filmmakers: Directors/Filmmakers (Volume II)

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DeMille was anti-communist and abandoned a project in 1940 to film Ernest Hemingway's

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Denver's historic Elitch Theatre : a nostalgic journey (a history of its times)

502:, established in New York City in 1884. Henry deMille frequently collaborated with 14742: 14704: 14624: 14600: 14576: 14516: 14498: 14462: 14366: 14276: 14248: 14031: 13962: 13946: 13850: 13842: 13826: 13741: 13677: 13597: 13374: 13364: 13300: 13217: 13141: 13114: 13016: 12950: 12900: 12886: 12858: 12784: 12772: 12731: 12721: 12542: 12528: 12310: 12218: 12202: 12067: 11995: 11939: 11859: 11835: 11328: 10622: 10224:

Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934

10179: 10059:"Screen: 'The Ten Commandments'; De Mille's Production Opens at Criterion The Cast" 8801:

The Free Public Library of the Borough of Pompton Lakes – Emanuel Einstein Memorial

8460: 8032:"BFI – Sight & Sound – Top Ten Poll 2002 – How the directors and critics voted" 7399: 5028: 3097: 2375: 2303: 2272: 2177: 2015: 1930: 1926: 1859: 1735: 1350: 1182: 1121: 1087: 1048: 608: 580: 479: 262: 213: 198: 2501:

Cecil B. DeMille received many awards and honors, especially later in his career.

2227: 1159:. His first film in the new production company, DeMille Pictures Corporation, was 1080: 1033:. In addition to his Paradise, DeMille purchased a yacht in 1921, which he called 482:(née Samuel; January 30, 1853 – October 8, 1923), known as Beatrice. His brother, 14372: 14354: 14039: 14010: 13994: 13701: 13526: 13430: 13388: 13354: 13330: 13324: 13054: 12875: 12812: 12648: 12596: 12580: 12572: 12498: 12366: 12274: 12246: 12210: 12162: 12055: 11991: 11915: 11891: 11823: 11800: 11760: 11688: 11546: 11158: 11078: 10667: 10445: 9883: 7292: 3503: 2969: 2905: 2223: 2212: 2149: 1898: 1838: 1776: 1645: 1494: 1490: 1427: 1194: 1190: 1105: 625: 600: 536:-like character, evidence of his creativity and imagination. The family lived in 522: 14396: 10581: 9953:

Film Quotations: 11,000 Lines Spoken on Screen, Arranged by Subject, and Indexed

9374: 9348: 9022:"BYU special collections archives houses extensive Cecil B. DeMille memorabilia" 7690:""Reap the Wild Wind"...or Don't: Cecil B. DeMille, the Evolving Neo-Naturalist" 6211: 1999: 1703:(now known as Hollywood Forever). After his death, notable news outlets such as 1548:

asked DeMille for help in designing the cadet uniforms at the newly established

14802: 14664: 14652: 14606: 14582: 14552: 14546: 14534: 14504: 14390: 14384: 14324: 14318: 14254: 14230: 14079: 14055: 14047: 14002: 13954: 13938: 13914: 13898: 13882: 13866: 13818: 13778: 13749: 13613: 13518: 13434: 13406: 13350: 13294: 13290: 13195: 13104: 13067: 12994: 12916: 12819: 12735: 12727: 12658: 12592: 12588: 12516: 12510: 12362: 12338: 12334: 12318: 12278: 12258: 12174: 12154: 12091: 12003: 11979: 11907: 11851: 11847: 11843: 11772: 11736: 11720: 11712: 11696: 11278: 11028: 10918: 7976: 5634: 3805: 3778:. Consequently, most of DeMille's pre-1948 films no longer belong to Paramount. 3743: 3709: 3701: 3697: 3588: 3065: 2873: 2785: 2566: 2299: 2267: 2181: 2003: 1878: 1641: 1599: 1534: 1421: 1310: 1302: 936: 928: 897: 859: 858:

Desiring a change of scene, Cecil B. DeMille, Jesse Lasky, Sam Goldfish (later

818: 683: 666: 633: 487: 467: 326: 228: 13456: 12680: 11533: 10203:

Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood

10183: 9168:"5th Annual DGA Awards: Honoring Outstanding Directorial Achievement for 1952" 2538:

In 1957, DeMille gave the commencement address for the graduation ceremony of

2103:

which is the eighth highest-grossing film in the world, adjusted for inflation

1666:. In the months before his death, DeMille was researching a film biography of 517:, New York, where they maintained a middle-class, English-speaking household. 14848: 14670: 14564: 14492: 14468: 14336: 14242: 14236: 14103: 14018: 13978: 13906: 13858: 13765: 13733: 13725: 13685: 13605: 13466: 13420: 13344: 13336: 13318: 13306: 13273: 13263: 13251: 13179: 13159: 13147: 13129: 13087: 13012: 12970: 12966: 12823: 12799: 12779: 12753: 12745: 12711: 12676: 12622: 12568: 12564: 12532: 12432: 12420: 12346: 12322: 12234: 12190: 12158: 12138: 12095: 12063: 12043: 12027: 12007: 11987: 11951: 11923: 11875: 11827: 11656: 11429: 10511:

American Silent Horror, Science Fiction, and Fantasy Feature Films, 1913–1929

9490: 9143:"5th Annual DGA Awards Honoring Outstanding Directorial Achievement for 1952" 4515: 4070: 3923: 3809: 3693: 3178: 2645: 2586: 2235: 2191: 2173: 2169: 2084: 1959: 1934: 1910: 1886: 1871: 1851: 1850:

demonstrated that the required stunt would not harm them. This occurred with

1768: 1631: 1577:

In 1952, DeMille sought approval for a lavish remake of his 1923 silent film

1376: 1321:

From June 1, 1936, until January 22, 1945, Cecil DeMille hosted and directed

1306: 882: 778: 774: 754: 710: 653: 576: 503: 424: 12399: 9245:"Academy Alum Cecil B. DeMille, The Founding Father of Hollywood Filmmaking" 8651:"Hollywood Heritage volunteers preserve the Industry's earliest incarnation" 7977:"Samson as a Moses-Figure in Cecil B. DeMille's "Samson and Delilah" (1949)" 7922:"Ridley Scott: from Alien to Exodus, a Cecil B. DeMille for the digital age" 6165:(Bloomington and Indianapolis: Indiana University Press, 2011), pp. 231–232. 3565:

because he believed it would look better on a marquee, but continued to use

2399: 2328:

forty or fifty times. Famed director Steven Spielberg stated that DeMille's

979:

Famous Players–Lasky Corporation – DeMille is seated, second from the right.

749:

DeMille performed on stage with actors whom he would later direct in films:

14646: 14630: 14594: 14522: 14402: 14378: 14330: 14294: 14288: 14270: 14140: 14111: 14095: 14063: 13986: 13930: 13922: 13794: 13717: 13709: 13661: 13653: 13621: 13508: 13504: 13470: 13448: 13392: 13340: 13312: 13269: 13245: 13235: 13223: 13211: 13201: 13110: 13077: 13071: 13048: 13044: 13022: 12984: 12954: 12936: 12912: 12890: 12866: 12803: 12793: 12766: 12749: 12634: 12626: 12610: 12600: 12584: 12550: 12538: 12494: 12395: 12378: 12330: 12270: 12262: 12238: 12230: 12118: 12099: 12071: 11967: 11664: 11648: 11624: 11592: 11318: 10878: 7899: 7894: 7028: 4274:"Back in the Day - Sept. 18, 1991: De Mille's Pompton Lakes roots recalled" 3813: 3801: 3791:

follows the story of Brosnan's 30-year journey to find and uncover the set.

3717: 3681: 3627: 3550: 3455: 2753: 2555: 2291: 2253: 2242:". DeMille appeared as himself in numerous films, including the MGM comedy 2157: 2141: 2037: 1955: 1882: 1662:

in December 1958. DeMille was unable to attend the Los Angeles premiere of

1624: 1530: 1526: 1380: 1222: 553: 348: 233: 9715:

Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer

7889: 7843:. Vol. 60 (2015 ed.). Guinness World Records. pp. 160–161. 7131:

Creating the Illusion: A Fashionable History of Hollywood Costume Designer

6620:"Angelina Jolie Buys Cecil B. DeMille's Estate at Record-Shattering Price" 5604:"How a Hollywood Director Almost Launched L.A.'s First Commercial Airline" 458: 14814: 14682: 14658: 14570: 14558: 14540: 14480: 14348: 14342: 14312: 14282: 14224: 14071: 13890: 13834: 13802: 13786: 13757: 13645: 13629: 13589: 13538: 13498: 13476: 13426: 13378: 13358: 13239: 13169: 13135: 13081: 12980: 12976: 12908: 12789: 12654: 12630: 12560: 12504: 12449: 12428: 12382: 12314: 12254: 12194: 12182: 12170: 12079: 12059: 12035: 12019: 12011: 11971: 11899: 11804: 11704: 11680: 11672: 11640: 11616: 11608: 11359: 8803:. The Free Public Library of the Borough of Pompton Lakes. Archived from 7825: 7404: 7387: 5735:"Angelina Jolie Buys Historic Cecil B. DeMille Estate for $ 24.5 Million" 3705: 3689: 3685: 3623: 3399: 3122: 2617: 2472: 2231: 2219: 2204: 2165: 1902: 1675: 1649: 1501: 1466: 1211: 1126: 908: 893: 769:

set in seventeenth century Russia. Another unperformed play he wrote was

687: 567: 529: 306: 94: 9090:"BYU Hears: "Understand the Law of God", DeMille Advises 1957 Graduates" 8322: 2451:

and includes home movies, outtakes, and never-before-seen test footage.

2391:

release, only 20 of his silent films are commercially available on DVD

1136: 729:

into films. DeMille was credited with creating the premise of Belasco's

494:. DeMille's father was also an English teacher at Columbia College (now 14510: 14306: 14260: 14218: 14127: 13810: 13693: 13522: 13512: 13494: 13396: 13257: 13173: 13118: 13038: 13032: 12904: 12846: 12690: 12576: 12146: 12122: 12023: 11963: 10858: 10595: 10176:

Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

9799: 8635: 3658:

The project was later completed by DeMille's former assistant director

3309: 2554:. In 1952, DeMille was awarded the first Cecil B. DeMille Award at the 2239: 2148:

taken the time to academically analyze his films and style. During the

1914: 1630:

Due to his frequent heart attacks, DeMille asked his son-in-law, actor

1616: 1284: 1030: 682:

as Osric. In the summer of 1905, DeMille joined the stock cast at the

533: 330: 310: 10429:

Written in Stone: Making Cecil B. DeMille's Epic, The Ten Commandments

9647: 9271:"Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes" 9193:"Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes" 619: 14612: 14408: 14206: 14119: 13970: 13874: 13480: 13416: 13205: 13153: 12286: 12214: 12083: 11792: 11768: 11632: 4583: 4495: 2649: 2516:

In August 1941, DeMille was honored with a block in the forecourt of

2365: 2290:. Moreover, DeMille's epics inspired directors such as Howard Hawks, 2200: 2161: 1922: 1658:

was a disappointment. DeMille attended the Santa Barbara premiere of

1145: 822: 14190:

Directors Guild of America Lifetime Achievement Award – Feature Film

8391:

The Persistence of History: Cinema, Television, and the Modern Event

6157: 6155: 761:. DeMille also produced and directed plays. His 1905 performance in 415:(1956), also a Best Picture Academy Award nominee, is currently the 13669: 13006: 12862: 12851: 12696: 12644: 3659: 2659: 2208: 1781: 1671: 1431:

to represent the contribution of the American film industry to the

514: 8325:"Cecil B. DeMille – the greatest filmmaking showman rediscovered!" 6397: 5450: 2592:

Two of DeMille's films have been selected for preservation in the

628:

in 1900. He debuted as an actor on February 21, 1900, in the play

43: 14833: 12638: 10633:

Cecil B. DeMille's Early Films' Costs and Grosses by David Pierce

9681:

The Golden Age of Disaster Cinema: A Guide to the Films 1950-1979

8603: 6152: 5975: 5973: 5971: 5924: 5922: 5920: 5918: 5752: 2388: 1805: 1185:

were the boom years and DeMille took full advantage, opening the

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On January 8, 1893, at age 40, Henry de Mille died suddenly from

246: 10573: 9635: 9125: 9123: 7756: 6694: 6692: 6484: 6482: 6480: 6478: 6306: 6304: 6302: 1862:'s refusal to risk personal injury in a scene involving fire in 417:

eighth-highest-grossing film of all time, adjusted for inflation

10539:

Larry Cohen: The Radical Allegories of an Independent Filmmaker

10130:

Within Our Gates: Ethnicity in American Feature Film, 1911–1960

8581:"The International Film Magazine, Sight & Sound, All films" 6855: 6853: 6785: 6783: 6781: 6779: 5518: 5326: 3515:(1956) as Himself (film introduction) and Narrator (uncredited) 2153: 1394: 1353:

was his replacement. DeMille would never again work on radio.

1081:

Scandalous dramas, Biblical epics, and departure from Paramount

983:

Cecil B. DeMille's second film credited exclusively to him was

674: 532:. As a child, DeMille created an alter ego, Champion Driver, a 9355:. Academy of Motion Picture Arts and Sciences. October 4, 2014 8323:

Liz Smith and the Tribune Content Agency (December 19, 2014).

6218:. Academy of Motion Picture Arts and Sciences. October 4, 2014 6009: 5968: 5915: 5506: 4837: 4835: 4822: 4820: 4818: 4816: 4803: 4801: 4531: 4529: 4527: 4525: 4324: 4322: 4135: 4133: 4004: 4002: 4000: 3549:

There are several variants of DeMille's surname. His family's

1690: 1412:

and brother William deMille in order to produce a film called

277: 13185: 10016:"Rare 1949 Photographs Show the Making of 'Sunset Boulevard'" 9775: 9751: 9445: 9381:. Academy of Motion Picture Arts and Sciences. March 26, 2015 9120: 7522: 7203: 7191: 7179: 6939: 6689: 6475: 6463: 6425: 6385: 6363: 6361: 6359: 6344: 6299: 6292:

Radford, Bill. "A Digger, A Director and A Practical Joker".

5941:

Cutchins, Dennis; Krebs, Katja; Voigts, Eckart, eds. (2018).

5840: 5764: 4981: 4979: 1842:

Costume designer Dorothy Jeakins, who worked with DeMille on

1327:, a weekly digest of current feature films. Broadcast on the 1244:, was also his first success since leaving Paramount besides 1169:

none of DeMille's films away from Paramount were successful.

14797: 7857: 7634: 7424: 6850: 6776: 6584: 6079: 6077: 5776: 5015: 1640:. DeMille served as executive producer, overseeing producer 1459:

In 1942, DeMille released Paramount's most successful film,

339:(1914), was also the first full-length feature film shot in 8518: 8369: 8256: 8254: 8252: 7768: 6062: 5236: 4935: 4895: 4832: 4813: 4798: 4754: 4541: 4522: 4407: 4319: 4130: 3997: 3775: 3531:(1958) as Himself - Prologue (uncredited) (final film role) 2550:

Outstanding Directorial Achievement in Motion Pictures for

2083:. In relation to his own interests and sexual preferences, 285: 271: 9833:

Evelyn Brent: The Life and Films of Hollywood's Lady Crook

7732: 7708: 7024:"'The Ten Commandments: Making Miracles' premieres at BYU" 6877: 6356: 6118: 6116: 5800: 5539: 5537: 5535: 5533: 4976: 2527:

honored DeMille with an Alumni Achievement Award in 1958.

1998:

DeMille was interested in art and his favorite artist was

1356: 12662: 9684:. Jefferson, NC: McFarland & Company Inc. p. 6. 7498:

American Film History: Selected Readings, Origins to 1960

7495:

Lucia, Cynthia; Grundmann, Roy; Simon, Art, eds. (2016).

6901: 6889: 6716: 6637: 6230: 6128: 6074: 6033: 5997: 5876: 5384:"Cecil DeMille, 77, Pioneer of Movies, Dead in Hollywood" 2455:

been named after him: Cecil B. DeMille Middle School, in

1598:

Post-production lasted a year, and the film premiered in

1387:, in 1940, DeMille first used three-strip Technicolor in 809:. DeMille found success in the spring of 1913, producing 419:. In addition to his Best Picture Awards, he received an 294: 10076: 9905: 9739: 9659: 9617:"The Only Son/Cecil B. Demille [motion picture]" 9592:"Robert Townsend Directing 'Brewster's Millions' Reboot" 9571: 9559: 8827:"After 54 years, it's the end for DeMille Middle School" 8249: 8011: 7999: 7951: 7111: 7109: 6052: 6050: 6048: 5905: 5903: 5852: 5478: 5248: 5124: 5114: 5112: 5087: 5085: 5055: 4637: 4635: 4610: 4608: 4553: 4477: 4475: 4473: 4458: 4436: 4434: 4419: 4395: 4385: 4383: 4381: 1367:

was successful through DeMille's collaboration with the

10126: 9956:. Jefferson, NC: McFarland & Company. p. 478. 9866: 9864: 9862: 9860: 9836:. Jefferson, NC: McFarland & Company. p. 228. 9805: 9653: 9547: 9535: 9523: 9511: 8905:"Apollo 11-Technical Air to Ground Voice Transcription" 8287:"DeMille's Re-Released 'Commandments'—Better Than Ever" 7939: 7780: 7744: 7412: 7048: 7046: 6740: 6704: 6113: 6101: 6089: 5583: 5530: 5402: 3863:"Famous Masons I: Dreamers and Doers: Cecil B. DeMille" 1540:, the public face of the organization that oversaw the 466:

Cecil Blount DeMille was born on August 12, 1881, in a

318:

member of Prince of Orange Lodge #16 in New York City.

10720: 10127:

American Film Institute (1997). Gevinson, Alan (ed.).

9787: 8530: 7869: 7720: 7594: 7584: 7582: 7580: 7578: 7541: 7539: 7537: 7155: 7003: 6865: 6821:"New Testament to Genius: Turner's "Cecil B. DeMille"" 6728: 5788: 5635:"Register of the Cecil B. DeMille Archives, 1863-1983" 5147: 5145: 5143: 5141: 5139: 5072: 5070: 4966: 4964: 4962: 4118: 3985: 1870:. DeMille did receive help in his films, notably from 1627:

as the cinematographer. This film would be his last.

1555: 970: 478:(September 4, 1853 – February 10, 1893) and his wife, 27:

American film director, producer and actor (1881–1959)

14726: 14450: 10320:

Cecil B. DeMille and American Culture: The Silent Era

9811: 9108: 8304: 8266: 8166: 7622: 7563: 7551: 7167: 7106: 7094: 7082: 7070: 7058: 6522: 6373: 6332: 6296:, USAF Academy 50th Anniversary Edition, Spring 2004. 6254: 6242: 6180: 6168: 6140: 6045: 6021: 5985: 5900: 5888: 5212: 5109: 5097: 5082: 5003: 4991: 4947: 4883: 4871: 4847: 4742: 4707: 4647: 4632: 4620: 4605: 4593: 4565: 4470: 4431: 4378: 4350: 4307: 3935: 3933: 862:), and a group of East Coast businessmen created the 821:. However, changes in the theater rendered DeMille's 274: 268: 10038: 9857: 8925:

Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys

8154: 8111:"Disp L.A. Case #45: Cecil B. DeMille's Riding Crop" 7229:. Women Film Pioneers Project at Columbia University 7043: 6838: 6764: 6752: 5828: 5721:

cecil b demille approved loans for other filmmakers.

5438: 5426: 5414: 5272: 5260: 5200: 4859: 2152:, critics began to categorize certain filmmakers as 1941:

with saving his career following his eclipse in the

896:, a stage director who had been a director with the 297: 282: 10298:

Empire of Dreams: The Epic Life of Cecil B. DeMille

9763: 8237: 7575: 7534: 7494: 6494: 5940: 5864: 5136: 5067: 4959: 4446: 4207: 4195: 4106: 4026: 4014: 3973: 3945: 1568:– Alfred Zukor responding to DeMille's proposal of 620:

Charles Frohman, Constance Adams, and David Belasco

291: 288: 265: 12943:Society of Motion Picture and Television Engineers 11576: 10480:Presley, Cecilia DeMille; Vieira, Mark A. (2014). 10444: 10359: 10317: 10221: 8797:"Cecil B. DeMille Film Festival – July 2 & 16" 8754:""The Lost City of Cecil B. DeMille": Film Review" 7981:Americana e-Journal of American Studies in Hungary 5687: 5661:"Financing Hollywood through the Great Depression" 5224: 3930: 3881: 3680:The gathering drew 93,000, with short speeches by 2431:was filmed was converted into a museum named the " 2116:is the eighth highest-grossing film in the world. 1937:, and William Boyd. DeMille was credited by actor 1819:DeMille's set pieces include this pagan temple in 407:Golden Globe Award for Best Motion Picture – Drama 378:(1934) was his first film to be nominated for the 8351:"10 Great Films that Influenced Alfred Hitchcock" 7127: 4923: 4766: 4092: 4090: 1276: 462:The American Academy of Dramatic Arts in New York 15100:Producers who won the Best Picture Academy Award 14865:20th-century American dramatists and playwrights 14846: 12579:, Devereaux Jennings, Irmin Roberts, Art Smith, 10507: 9950:Nowlan, Robert A.; Nowlan, Gwendolyn W. (1994). 9641: 8428:. Owings Mills, MD: Galactic Books. p. 56. 6672:"Christie's East to Auction DeMille Possessions" 3259: 2589:in retrospect at the 2002 Cannes Film Festival. 1615:On November 7, 1954, while in Egypt filming the 15020:Directors of Best Picture Academy Award winners 11538: 10278:Paramount Pictures and the People Who Made Them 10228:. New York: Columbia University Press. p. 3587:DeMille's niece and William deMille's daughter 1129:. In 1923, DeMille released a modern melodrama 10498: 10251:demille madam satan destruction of an airship. 9757: 8702:"National Register of Historic Places Program" 7832: 7798: 7247: 6789: 6015: 5979: 5928: 5782: 5524: 5512: 5496: 4941: 4913: 4841: 4826: 4665: 4535: 4372: 4301: 4087: 4008: 3435:(1942) as Prologue Speaker (voice, uncredited) 3403:(1930) as Radio Newscaster (voice, uncredited) 1995:was the final culmination of DeMille's style. 1309:, whom he compared to dictators. He supported 1205: 490:-born dramatist, actor, and lay reader in the 14436: 14174: 13554: 12710:, and the Republic Studio Sound Department / 12465: 11562: 10706: 10479: 10280:. San Diego: A.S. Barnes & Company, Inc. 10275: 10014:Rothman, Lily; Ronk, Liz (February 2, 2017). 9781: 9489: 9451: 9129: 9072: 8609: 8375: 7890:"All-Time Box-Office Hits By Decade and Year" 7881: 7863: 7802: 7640: 7528: 7209: 7197: 7185: 6945: 6859: 6698: 6590: 6516: 6488: 6469: 6431: 6403: 6391: 6350: 6326: 6310: 5846: 5770: 5758: 5049: 4985: 4917: 4901: 4807: 4792: 4760: 4738:. May 14, 1913 – via fultonhistory.com. 4685: 4669: 4547: 4413: 4328: 4225: 4139: 4048: 3899: 2394: 1544:service. In 1954, Secretary of the Air Force 767:The Pretender-A Play in a Prologue and 4 Acts 744: 636:. In 1901, DeMille starred in productions of 313:. He is acknowledged as a founding father of 10324:. Berkeley: University of California Press. 10133:. Berkeley: University of California Press. 9949: 9718:. Philadelphia: Running Press. p. 184. 8449: 8085:"Reel dictators: why despots love directors" 7288:"Charlton Heston: as you won't remember him" 7286:McSmith, Andy; Byrne, Ciar (April 7, 2008). 7285: 7134:. Philadelphia: Running Press. p. 300. 7128:Jorgensen, Jay; Scoggins, Donald L. (2015). 5629: 5627: 5625: 4067:No Intermissions: The Life of Agnes de Mille 1694:DeMille's tomb at Hollywood Forever Cemetery 1606:and every other film in history, except for 911:. His tentative plan was to shoot a film in 835: 591:, at age 15. He fled the school to join the 15010:Cecil B. DeMille Award Golden Globe winners 10508:Soister, John T.; Nicolella, Henry (2012). 10482:Cecil B. DeMille: The Art of Hollywood Epic 10205:. Lexington: University Press of Kentucky. 10013: 5610:. Public Media Group of Southern California 5174: 5172: 3816:was the 2019 Cecil B. DeMille Award winner. 3640:notable psychiatrist, filmmaker and writer. 1435:. DeMille used clips from his own films in 648:At the age of 21, Cecil B. DeMille married 14443: 14429: 14181: 14167: 13568: 13561: 13547: 12479: 12472: 12458: 11569: 11555: 10713: 10699: 10611: 10588: 10542:. Jefferson, NC: McFarland & Company. 10514:. Jefferson, NC: McFarland & Company. 8425:War of the Worlds: From Wells to Spielberg 7970: 7968: 7966: 7824:. January 25, 1956. p. 3 – via 7655:"A Brief History of Movie Special Effects" 6814: 6812: 6810: 2616:DeMille made 70 features, 52 of which are 2188:one of the ten greatest films of all time. 42: 14945:American people of British-Jewish descent 9711: 9427:"Complete National Film Registry Listing" 8135:Rasmussen, Cecelia (September 21, 1997). 8134: 7403: 7261:"Hollywood Legend Claudette Colbert Dies" 6613: 6611: 6571:Fade to Black: A Book of Movie Obituaries 6539: 6537: 5622: 5346:"Guide to the Richard DeMille Collection" 5179:Rasmussen, Cecilia (September 21, 1997). 5178: 2496: 1901:. He also cast established stars such as 1504:of California. DeMille's subsequent film 453: 391:He received his first nomination for the 14960:American people of German-Jewish descent 14920:American male dramatists and playwrights 14895:American Academy of Dramatic Arts alumni 10535: 10154: 10082: 10056: 9991:. British Film Institute. Archived from 9911: 9882: 9745: 9665: 9577: 9565: 9553: 9541: 9529: 9517: 9399: 9289: 8879:"Chapman alum filmmaker takes a 'Stand'" 8674: 8587:. British Film Institute. Archived from 8512: 8481: 8387: 8348: 8260: 8017: 8005: 7974: 7468: 7430: 7385: 6669: 6443: 6415: 5408: 5370: 5242: 5169: 4748: 4493: 4245: 2529: 2503: 2398: 2276:. Additionally, DeMille's epics such as 2190: 2094: 1964: 1814: 1753: 1689: 1441: 1316:1932 United States presidential election 1283: 1269:were box office disappointments, though 1135: 974: 965: 839: 566: 457: 14990:American theatre managers and producers 13123:Museum of Modern Art Department of Film 10499:Ringgold, Gene; Bodeen, DeWitt (1969). 10387: 10338: 10315: 10219: 9019: 8524: 8137:"Echoes of Epics in DeMille's Paradise" 8108: 8056: 7963: 7957: 7945: 7838: 7786: 7774: 7762: 7750: 7738: 7726: 7714: 7687: 7612: 7600: 7557: 7469:Peterson, Bettelou (December 6, 1988). 7418: 7392:Journal of Religion and Popular Culture 7359: 7347: 7009: 6807: 6801: 6734: 6722: 6710: 6602: 6546:"Hollywood Star Walk: Cecil B. DeMille" 6274:Legacy of Ashes: The History of the CIA 6107: 6095: 6068: 5601: 5589: 5543: 5332: 5290: 5218: 5181:"Echoes of Epics in DeMille's Paradise" 5130: 5118: 5103: 5091: 5061: 5009: 4997: 4953: 4877: 4865: 4853: 4713: 4697: 4681: 4653: 4641: 4626: 4614: 4599: 4571: 4559: 4481: 4440: 4425: 4401: 4389: 4368: 4356: 4344: 4340: 4313: 4297: 4271: 4229: 4185: 4096: 4044: 3967: 3951: 3915: 1866:cost her DeMille's favor and a role in 1357:Adventure films and dramatic spectacles 1200: 669:sat on his lap, refusing to touch her. 14: 15095:People from Washington, North Carolina 14847: 10442: 10173: 9923: 9793: 9677: 9589: 9463: 8928:. London: Wallflower. pp. 41–42. 8921: 8751: 8675:Sullivan, Michael (December 9, 2010). 8536: 8284: 7919: 7875: 7313: 7021: 6883: 6871: 6818: 6670:Vyzralek, Patti (September 26, 1988). 6608: 6534: 5806: 5794: 5555: 5306: 4155:Dictionary of North Carolina Biography 4151: 4064: 4058: 3800:Later recipients of the award include 3622:Katherine's father had been killed in 3499:(1952) as Narrator (voice, uncredited) 3419:(1940) as Narrator (voice, uncredited) 2581:at the 1957 Academy Awards. DeMille's 1969:Cecil B. DeMille at Paramount Pictures 1958:called DeMille, "the cheap version of 1877:DeMille made stars of unknown actors: 1634:, to direct a remake of his 1938 film 1452:(1952), the film for which he won the 15090:People from Pompton Lakes, New Jersey 15000:Burials at Hollywood Forever Cemetery 14424: 14162: 13542: 12453: 11550: 11537: 10694: 10643: 10294: 10276:Edmonds, I.G.; Mimura, Reiko (1980). 10256: 10057:Crowther, Bosley (November 9, 1956). 9817: 9769: 9329:. Hollywood Foreign Press Association 9249:The American Academy of Dramatic Arts 9225:. Hollywood Foreign Press Association 9114: 9076: 9046: 9000:National Film Preservation Foundation 8621: 8548: 8421: 8310: 8272: 8172: 8160: 7628: 7616: 7588: 7569: 7545: 7501:. Chichester, UK: Wiley. p. 87. 7173: 7161: 7115: 7100: 7088: 7076: 7064: 7052: 6907: 6895: 6844: 6770: 6758: 6746: 6643: 6617: 6528: 6512: 6419: 6379: 6367: 6338: 6322: 6260: 6248: 6236: 6198: 6186: 6174: 6146: 6134: 6122: 6083: 6056: 6039: 6027: 6003: 5991: 5944:The Routledge Companion to Adaptation 5909: 5894: 5882: 5870: 5858: 5834: 5822: 5732: 5685: 5484: 5444: 5432: 5420: 5376: 5294: 5278: 5266: 5254: 5206: 5163: 5151: 5076: 4970: 4889: 4727:"News of Other Cities, Atlantic City" 4500:. Theodore Borrillo. pp. 64–65. 4464: 4452: 4272:LaPlaca, Bryan (September 19, 2011). 4233: 4213: 4201: 4189: 4124: 4112: 4100: 4052: 4032: 4020: 3991: 3979: 3963: 3939: 3903: 3887: 3746:in 2017 for nearly $ 25 million. 3427:(1941) as Movie Director (uncredited) 614: 603:, who would cast DeMille in his play 15060:Golden Globe Award-winning producers 10668:Other collections related to DeMille 10408: 10357: 10200: 10098: 10044: 9870: 9829: 9020:Hubbard, Lincoln (August 28, 2000). 8955: 8851: 8648: 8394:. New York: Routledge. p. 112. 8243: 8109:Nichols, Chris (February 16, 2013). 8082: 7975:Kozlovic, Anton Karl (Spring 2009). 7920:Pulver, Andrew (November 28, 2014). 7652: 7386:Kozlovic, Anton Karl (Spring 2004). 7317:Leonard Maltin's Classic Movie Guide 6959:"The Spectacles of Cecil B. DeMille" 6500: 6163:FDR, Dewey, and the Election of 1944 5818: 5500: 5230: 5021: 4929: 4788: 4784: 4772: 4701: 3536: 3395:(1930) as Himself (Guest Appearance) 3357: 2669: 2508:DeMille's block in the forecourt of 2437:National Register of Historic Places 2036:can be retrospectively described as 1538:National Committee for a Free Europe 548:; they named this estate "Pamlico". 441:. He was the first recipient of the 15080:People from Ashfield, Massachusetts 14885:20th-century American screenwriters 12947:Gilbert M. "Broncho Billy" Anderson 10628:Cecil B. DeMille at Virtual History 10261:. New York: Crown Publishers, Inc. 9251:. American Academy of Dramatic Arts 8555:. New York: Harmony Books. p. 8057:Higgins, Bill (November 25, 2018). 7022:Howard, Rosemarie (April 4, 2011). 5690:Women Filmmakers in Early Hollywood 4246:Acocella, Joan (November 5, 2015). 3662:who was notoriously anti-communist. 3507:(1952) as Photographer (uncredited) 3411:(1937) as Crowd Member (uncredited) 1948: 1800:; the destruction of an airship in 1556:Final works and unrealized projects 1018:DeMille's most successful film was 971:Westerns, Paradise, and World War I 864:Jesse L. Lasky Feature Play Company 672:In 1902, he played a small part in 443:Golden Globe Cecil B. DeMille Award 24: 15085:People from Los Feliz, Los Angeles 15065:Jewish American military personnel 15045:Film directors from North Carolina 14995:Best Director Golden Globe winners 14955:American people of English descent 14940:American people of Belgian descent 14875:20th-century American male writers 10619:Works by or about Cecil B. DeMille 10578:by the Cecil B. DeMille Foundation 10301:. New York: Simon & Schuster. 10091: 9590:McNary, Dave (February 27, 2015). 9277:. Variety Media. December 17, 2018 9199:. Variety Media. December 17, 2018 9047:Toone, Trent (December 11, 2014). 8993: 8188:New York: Scribner, 1989. p. 399. 7688:Watkins, Daniel (March 10, 2015). 7360:Folkart, Burt A. (March 7, 1984). 6573:(3rd ed.). Omnibus Press. p. 318. 6444:Phillips, Casey (March 26, 2016). 4248:"Agnes DeMille's Artistic Justice" 3373:(1914) as Faro Dealer (uncredited) 1157:Producers Distributing Corporation 540:, until Henry built a three-story 437:for Lifetime Achievement, and the 25: 15141: 15115:Screenwriters from North Carolina 15050:Film producers from Massachusetts 15035:Film directors from Massachusetts 14890:Academy Honorary Award recipients 14870:20th-century American male actors 14452:Irving G. Thalberg Memorial Award 12901:Bausch & Lomb Optical Company 12883:20th Century-Fox Film Corporation 12669:and his associates / Rey Scott / 12547:Museum of Modern Art Film Library 10565: 10447:Leonard Maltin's 2009 Movie Guide 9493:; Leonard, Suzanne, eds. (2015). 8029: 7887: 7816:"Dirt is Not Necessarily Paydirt" 6543: 5022:Lowe, Walter (October 22, 1956). 3919:Autobiography of Cecil B. DeMille 3789:The Lost City of Cecil B. DeMille 3688:. Among those in attendance were 3591:was a famed dancer-choreographer. 3569:in private life. The family name 2525:American Academy of Dramatic Arts 2415:(1913) was filmed. It became the 1416:, which was intended to be about 521:religions; Beatrice converted to 500:American Academy of Dramatic Arts 439:Irving G. Thalberg Memorial Award 121:American Academy of Dramatic Arts 15105:Screenwriters from Massachusetts 15030:Episcopalians from Massachusetts 14950:American people of Dutch descent 14880:20th-century American memoirists 14832: 14820: 14808: 14796: 14784: 14772: 14760: 14748: 14736: 10685:The Mary Roberts Rinehart Papers 10672:L. Tom Perry Special Collections 10654:L. Tom Perry Special Collections 10431:. New York: Vestal Press, 1990. 10394:. New York: Thomas Dunne Books. 10379: 10159:. University Press of Kentucky. 10050: 10007: 9977: 9943: 9917: 9876: 9823: 9705: 9671: 9609: 9583: 9483: 9464:Warren, Steve (April 20, 2019). 9457: 9419: 9393: 9367: 9341: 9315: 9263: 9237: 9211: 9185: 9160: 9135: 9082: 9066: 9040: 9013: 8987: 8949: 8915: 8897: 8871: 8845: 8819: 8789: 8771: 8745: 8719: 8694: 8668: 8642: 8615: 8573: 8542: 8506: 8475: 8459:. Assistnews.net. Archived from 8415: 8381: 8342: 8316: 8278: 8224: 8199: 8178: 8128: 8102: 8076: 8050: 8023: 7913: 7839:Records, Guinness World (2014). 7808: 7792: 7681: 7672: 7646: 7606: 7488: 7471:"What Happened to William Boyd?" 7462: 7436: 7379: 7353: 7341: 7320:. New York: Plume. p. 496. 7307: 7279: 7253: 7241: 7215: 7121: 7015: 6977: 6951: 6913: 6795: 6663: 6649: 6596: 6563: 6506: 6437: 6409: 6316: 6286: 6266: 6204: 6192: 5934: 5812: 5726: 5679: 5653: 5602:Masters, Nathan (May 23, 2017). 5595: 5549: 5490: 5364: 5338: 5300: 4152:Powell, William S., ed. (1986). 3794: 3781: 3768: 3759: 3749: 3736: 3723: 3674: 3665: 3652: 3643: 3633: 3616: 2491:L. Tom Perry Special Collections 1420:. After reading the screenplay, 1148:was established. DeMille's film 829:Les Amours de la reine Élisabeth 423:for his film contributions, the 409:. His last and best-known film, 333:producer. DeMille's first film, 261: 15025:Directors of Palme d'Or winners 13164:National Endowment for the Arts 12671:British Ministry of Information 10484:. Philadelphia: Running Press. 10409:Lyon, Christopher, ed. (1984). 10391:Cecil B. DeMille: A Life in Art 10366:. Harpenden, UK: Kamera Books. 9400:McCarthy, Todd (May 26, 2002). 8752:Linden, Sheri (June 13, 2017). 8733:. Guadalupe-Nipomo Dunes Center 8649:King, Susan (August 21, 2015). 8457:"Dan Wooding's strategic times" 8083:Hoad, Phil (January 15, 2016). 6985:"Cinema: The Great Train Wreck" 5639:L.Tom Perry Special Collections 5307:Bergan, Ronald (June 5, 2001). 5284: 5157: 5043: 4907: 4778: 4719: 4691: 4675: 4659: 4577: 4487: 4362: 4334: 4291: 4265: 4239: 4219: 4179: 4145: 4038: 3603: 3594: 3581: 3483:(1949) as Narrator (uncredited) 3467:(1947) as Narrator (uncredited) 3451:(1944) as Narrator (uncredited) 2658:is broadcast every Saturday at 2238:were "the three great American 1550:United States Air Force Academy 571:DeMille as a young man, c. 1904 544:-style house for his family in 393:Academy Award for Best Director 179: 15125:Western (genre) film directors 15055:Film producers from New Jersey 15040:Film directors from New Jersey 14980:American silent film directors 12661:, John N. A. Hawkins, and the 11578:Academy Award for Best Picture 10989:The Trail of the Lonesome Pine 10178:. London: Palgrave Macmillan. 8852:Inga, Daniel (April 2, 2017). 8488:Journal of Religion & Film 8388:Sobchack, Vivian, ed. (1996). 8285:Thomas, Kevin (May 16, 1990). 8211:University of California Press 6276:. New York: Doubleday. p. 36. 5696:Johns Hopkins University Press 5024:"DeMille at 75 Still Creating" 4590:. Retrieved: December 8, 2011. 4494:Borrillo, Theodore A. (2012). 3957: 3909: 3893: 3855: 3829: 3543: 2842:The Trail of the Lonesome Pine 2611: 2463:. The former film building at 2252:. DeMille was immortalized in 1454:Academy Award for Best Picture 403:Academy Award for Best Picture 380:Academy Award for Best Picture 13: 1: 15110:Screenwriters from New Jersey 13190:National Film Board of Canada 12417:Daniel Kwan, Daniel Scheinert 10501:The Films of Cecil B. DeMille 10443:Maltin, Leonard, ed. (2009). 9303:. A&E Television Networks 8779:"Cecil B. DeMille Collection" 7314:Maltin, Leonard, ed. (2005). 6819:Shales, Tom (April 5, 2004). 5733:Stein, Megan (June 2, 2017). 5667:. Bank of America Corporation 5562:. Leiden: Brill. p. 18. 3260:Directing or producing credit 2439:in 2014. The Dunes Center in 1729: 1724: 1533:to serve on the board of the 1408:In 1942, DeMille worked with 1331:(CBS) from 1935 to 1954, the 585:Pennsylvania Military College 117:Pennsylvania Military College 49: 14970:American radio personalities 12411:, Patrick Wachsberger (2021) 10413:. Chicago: St. James Press. 10257:Eames, John Douglas (1985). 10157:Cecil B. DeMille's Hollywood 10155:Birchard, Robert S. (2004). 10102:Encyclopedia of Early Cinema 9806:American Film Institute 1997 9654:American Film Institute 1997 9642:Soister & Nicolella 2012 9219:"The Cecil B. deMille Award" 8677:"Hollywood preservator dies" 8349:Mantgani, Ian (March 2016). 6618:David, Mark (June 2, 2017). 5352:. California Digital Library 5350:Online Archive of California 3823: 3553:surname, originally spelled 2662:in the United States on the 2099:Charlton Heston as Moses in 1987:. DeMille's 1956 version of 1523:Academy Award for Best Story 1329:Columbia Broadcasting System 1100:in 1931 would be a failure. 587:(now Widener University) in 448: 7: 14930:American male screenwriters 12930:Samurai I: Musashi Miyamoto 11539:Awards for Cecil B. DeMille 10849:The Girl of the Golden West 10451:. New York: Plume. p. 10362:Dalí, Surrealism and Cinema 10343:. New York: Da Capo Press. 10099:Abel, Richard, ed. (2005). 9985:"Samson and Delilah (1949)" 9924:T.M.P. (October 16, 1947). 9470:Christian Broadcast Network 8482:Kozlovic, Anton K. (2016). 7227:Women Film Pioneers Project 5458:"He Himself Was "Colossal"" 3966:, pp. 15–17, 30, 206; 3626:and her mother had died of 2738:The Girl of the Golden West 2644:(1918) — were destroyed by 2407:was the place of origin of 2346:'s later film about Moses, 1701:Hollywood Memorial Cemetery 1446:DeMille in the trailer for 1288:DeMille as producer of the 1206:MGM and return to Paramount 1053:Famous Players Film Company 933:Lubin Manufacturing Company 716:The Girl of the Golden West 401:(1952), which won both the 351:. His first biblical epic, 10: 15146: 14985:American theatre directors 14935:American male stage actors 12619:Motion Picture Relief Fund 12390:Mollye Asher, Dan Janvey, 11510:The Greatest Show on Earth 10586:Internet Broadway Database 10503:. New York: Citadel Press. 9758:Ringgold & Bodeen 1969 9402:"'Pianist' tickles Cannes" 9172:Directors Guild of America 9147:Directors Guild of America 9028:. Brigham Young University 8909:Nasa Lunar Surface Journal 8883:The Orange County Register 8727:"The Lost City of Demille" 8552:Jimmy Stewart: A Biography 7799:Ringgold & Bodeen 1969 7248:Ringgold & Bodeen 1969 6790:Ringgold & Bodeen 1969 6016:Ringgold & Bodeen 1969 5980:Ringgold & Bodeen 1969 5929:Ringgold & Bodeen 1969 5783:Ringgold & Bodeen 1969 5686:Mahar, Karen Ward (2006). 5641:. Brigham Young University 5525:Ringgold & Bodeen 1969 5513:Ringgold & Bodeen 1969 5497:Ringgold & Bodeen 1969 4942:Ringgold & Bodeen 1969 4914:Ringgold & Bodeen 1969 4842:Ringgold & Bodeen 1969 4827:Ringgold & Bodeen 1969 4666:Ringgold & Bodeen 1969 4588:Internet Broadway Database 4536:Ringgold & Bodeen 1969 4373:Ringgold & Bodeen 1969 4302:Ringgold & Bodeen 1969 4009:Ringgold & Bodeen 1969 3916:DeMille, Cecil B. (1959). 3837:"TODAY in Masonic History" 3496:The Greatest Show on Earth 3408:The Last Train from Madrid 3345:(1953, executive producer) 3337:(1951, executive producer) 3243:The Greatest Show on Earth 2674:Filmography obtained from 2571:The Greatest Show on Earth 2552:The Greatest Show on Earth 2411:and the location in which 2395:Commemoration and tributes 2330:The Greatest Show on Earth 2322:The Greatest Show on Earth 2306:cited DeMille's 1921 film 2134:The Greatest Show on Earth 1868:The Greatest Show on Earth 1798:The Greatest Show on Earth 1604:The Greatest Show on Earth 1587:The Greatest Show on Earth 1519:The Greatest Show on Earth 1481:at the rally organized by 1449:The Greatest Show on Earth 1433:1939 New York World's Fair 993:(co-directed by DeMille), 745:Losing interest in theatre 538:Washington, North Carolina 398:The Greatest Show on Earth 107:Hollywood Forever Cemetery 15130:Widener University alumni 15075:Members of The Lambs Club 14925:American male film actors 14458: 14196: 13576: 13283: 13097: 12887:Bell & Howell Company 12839: 12663:RCA Manufacturing Company 12487: 12110: 11815: 11584: 11544: 11460:North West Mounted Police 11340: 11139:Don't Change Your Husband 11039:A Romance of the Redwoods 10729: 10339:Highman, Charles (1973). 10201:Dick, Bernard F. (2001). 10184:10.1007/978-3-319-76986-8 9782:Edmonds & Mimura 1980 9623:. The Library of Congress 9621:Performing Arts Databases 9495:Fifty Hollywood Directors 9452:Presley & Vieira 2014 9375:"The 29th Academy Awards" 9349:"The 25th Academy Awards" 9130:Presley & Vieira 2014 9073:Presley & Vieira 2014 8964:Columbia University Press 8959:Gay Directors, Gay Films? 8610:Presley & Vieira 2014 8376:Presley & Vieira 2014 8030:James, Nick; et al. 7864:Presley & Vieira 2014 7803:Presley & Vieira 2014 7641:Presley & Vieira 2014 7529:Presley & Vieira 2014 7210:Presley & Vieira 2014 7198:Presley & Vieira 2014 7186:Presley & Vieira 2014 6946:Presley & Vieira 2014 6860:Presley & Vieira 2014 6699:Presley & Vieira 2014 6591:Presley & Vieira 2014 6517:Presley & Vieira 2014 6515:, pp. 494–496, 500; 6489:Presley & Vieira 2014 6470:Presley & Vieira 2014 6432:Presley & Vieira 2014 6404:Presley & Vieira 2014 6392:Presley & Vieira 2014 6351:Edmonds & Mimura 1980 6327:Presley & Vieira 2014 6311:Presley & Vieira 2014 6212:"The 25th Academy Awards" 5847:Presley & Vieira 2014 5771:Presley & Vieira 2014 5759:Presley & Vieira 2014 5556:Bakker, Freek L. (2009). 5050:Presley & Vieira 2014 4986:Presley & Vieira 2014 4918:Presley & Vieira 2014 4902:Edmonds & Mimura 1980 4808:Edmonds & Mimura 1980 4793:Presley & Vieira 2014 4761:Presley & Vieira 2014 4686:Presley & Vieira 2014 4670:Presley & Vieira 2014 4548:Presley & Vieira 2014 4414:Presley & Vieira 2014 4329:Presley & Vieira 2014 4226:Presley & Vieira 2014 4140:Presley & Vieira 2014 4049:Presley & Vieira 2014 3900:Presley & Vieira 2014 3416:North West Mounted Police 3203:North West Mounted Police 2954:Don't Change Your Husband 2882:A Romance of the Redwoods 2676:Fifty Hollywood Directors 2518:Grauman's Chinese Theatre 2510:Grauman's Chinese Theatre 2433:Hollywood Heritage Museum 2417:Hollywood Heritage Museum 2090: 1804:; and the parting of the 1749: 1390:North West Mounted Police 1226:, and his 1931 remake of 836:1913–1914: entering films 739:The Return of Peter Grimm 735:The Return of Peter Grimm 731:The Return of Peter Grimm 546:Pompton Lakes, New Jersey 240: 219: 205: 189: 161: 151: 143: 126: 112: 102: 83: 57: 41: 34: 14975:American radio producers 14965:American radio directors 14900:American anti-communists 11480:The Story of Dr. Wassell 11179:Something to Think About 11109:We Can't Have Everything 10680:Brigham Young University 10662:Brigham Young University 10358:King, Elliot H. (2007). 10316:Higashi, Sumiko (1994). 10220:Doherty, Thomas (1999). 8922:Mennel, Barbara (2012). 8357:. British Film Institute 7765:, pp. 81, 111, 178. 6660:, upi.com, June 26, 1984 6569:Donnelley, Paul (2004). 6294:Colorado Springs Gazette 4735:New York Dramatic Mirror 4584:"Cecil B. DeMille plays" 3926:– via archive.org. 3448:The Story of Dr. Wassell 3219:The Story of Dr. Wassell 2986:Something to Think About 2930:We Can't Have Everything 2638:We Can't Have Everything 2540:Brigham Young University 2487:Brigham Young University 2373:to charity. In the 2012 1685: 1644:. Despite a cast led by 1292:, broadcast on CBS, 1937 1235:Internal Revenue Service 1187:Mercury Aviation Company 945:was filmed earlier than 480:Matilda Beatrice deMille 476:Henry Churchill de Mille 214:Matilda Beatrice deMille 210:Henry Churchill de Mille 12615:William Cameron Menzies 11119:Till I Come Back to You 10999:The Heart of Nora Flynn 10949:Chimmie Fadden Out West 10869:The Warrens of Virginia 10650:Cecil B. DeMille papers 10536:Williams, Tony (2014). 10388:Louvish, Simon (2007). 9712:Jorgensen, Jay (2010). 8422:Flynn, John L. (2005). 8207:The Parade's Gone by... 7900:American Movie Classics 7450:. Turner Classic Movies 6991:. Time USA. May 7, 1951 5947:. New York: Routledge. 3520:The Buster Keaton Story 3472:Jens Mansson in America 2938:Till I Come Back to You 2850:The Heart of Nora Flynn 2810:Chimmie Fadden Out West 2746:The Warrens of Virginia 2461:Midway City, California 2195:DeMille directing, 1920 2010:scene in his 1956 film 1909:, Paulette Goddard and 1746:, directed by Sothern. 1401:For Whom the Bell Tolls 1026:Angeles National Forest 1008:The Warrens of Virginia 783:Sergeant Devil May Care 726:The Warrens of Virginia 472:Ashfield, Massachusetts 323:Ashfield, Massachusetts 168:Constance Adams DeMille 76:Ashfield, Massachusetts 15120:Special effects people 15005:California Republicans 14905:American Episcopalians 13570:Cecil B. DeMille Award 13230:Michelangelo Antonioni 12754:William Nicholas Selig 12481:Academy Honorary Award 11400:Four Frightened People 10174:Blanke, David (2018). 8956:Levy, Emanuel (2015). 8758:The Hollywood Reporter 8063:The Hollywood Reporter 7841:Guinness World Records 6657:De Mille daughter dies 5335:, p. 90, 206-207. 4065:Easton, Carol (1996). 3155:Four Frightened People 2664:ABC Television Network 2594:National Film Registry 2560:Hollywood Walk of Fame 2535: 2513: 2497:Awards and recognition 2457:Long Beach, California 2420: 2270:and Charlie Chaplin's 2196: 2104: 2008:parting of the Red Sea 1970: 1826: 1763: 1719:Los Feliz, Los Angeles 1695: 1565: 1456: 1369:Union Pacific Railroad 1293: 1271:Four Frightened People 1266:Four Frightened People 1141: 980: 855: 599:. In the audience was 572: 463: 454:1881–1899: early years 421:Academy Honorary Award 14910:American film editors 13186:Eastman Kodak Company 12829:The Walls of Malapaga 12303:James W. Skotchdopole 12295:Alejandro G. Iñárritu 12191:Ethan Coen, Joel Coen 11380:The Sign of the Cross 11289:The Road to Yesterday 11199:The Affairs of Anatol 11169:Why Change Your Wife? 11149:For Better, for Worse 11089:The Whispering Chorus 11069:Nan of Music Mountain 10789:The Call of the North 10676:Harold B. Lee Library 10658:Harold B. Lee Library 10638:Silent Film Bookshelf 10295:Eyman, Scott (2010). 10105:. London: Routledge. 9886:(December 31, 1942). 9497:. London: Routledge. 9094:The Salt Lake Tribune 9079:, pp. 34–36, 496 8706:National Park Service 8205:Brownlow, K. (1976). 8038:on September 15, 2016 4055:, pp. 15–17, 138 3342:The War of the Worlds 3318:Nan of Music Mountain 3139:The Sign of the Cross 3074:The Road to Yesterday 3002:The Affairs of Anatol 2978:Why Change Your Wife? 2962:For Better, for Worse 2914:The Whispering Chorus 2698:The Call of the North 2648:, and are considered 2646:nitrate decomposition 2596:by the United States 2565:DeMille received two 2533: 2507: 2441:Guadalupe, California 2402: 2379:poll, both DeMille's 2194: 2122:The Sign of the Cross 2098: 2073:The Road to Yesterday 2059:The Whispering Chorus 2034:The Affairs of Anatol 2029:Why Change Your Wife? 1968: 1818: 1790:The Road to Yesterday 1757: 1693: 1670:, the founder of the 1560: 1513:DeMille's next film, 1445: 1418:Mary, mother of Jesus 1336:He resigned from the 1287: 1254:The Sign of the Cross 1250:The Sign of the Cross 1242:The Sign of the Cross 1162:The Road to Yesterday 1151:The Affairs of Anatol 1139: 978: 966:1915–1928: silent era 848: 589:Chester, Pennsylvania 570: 461: 395:for his circus drama 369:The Sign of the Cross 14689:Francis Ford Coppola 14361:Francis Ford Coppola 14301:Joseph L. Mankiewicz 13403:Jean-Claude Carrière 12993:/ Fred L. Metzler / 12991:William L. Hendricks 12869:/ George Mitchell / 11884:Richard Attenborough 11850:, John Peverall and 11785:Francis Ford Coppola 11520:The Ten Commandments 11249:The Ten Commandments 11059:The Woman God Forgot 10899:The Wild Goose Chase 10427:Orrison, Katherine. 9678:Havert, Nik (2019). 9297:"DeMille wins Oscar" 8785:. September 4, 2014. 8783:Academy Film Archive 8549:Eliot, Marc (2006). 7405:10.3138/jrpc.6.1.002 6418:, pp. 357–358; 6406:, pp. 381, 387. 6272:Weiner, Tim (2007). 5463:The Montreal Gazette 4103:, pp. 16–17, 23 3869:on November 10, 2013 3512:The Ten Commandments 3440:Star Spangled Rhythm 3251:The Ten Commandments 3042:The Ten Commandments 2898:The Woman God Forgot 2770:The Wild Goose Chase 2655:The Ten Commandments 2626:The Wild Goose Chase 2606:The Ten Commandments 2579:The Ten Commandments 2481:alludes to DeMille. 2449:Academy Film Archive 2445:The Ten Commandments 2385:The Ten Commandments 2383:and 1923 version of 2344:DreamWorks Animation 2340:The Ten Commandments 2326:The Ten Commandments 2296:Joseph L. Mankiewicz 2250:The Ten Commandments 2230:wrote that DeMille, 2186:The Ten Commandments 2138:The Ten Commandments 2114:The Ten Commandments 2110:The Ten Commandments 2101:The Ten Commandments 2012:The Ten Commandments 1993:The Ten Commandments 1989:The Ten Commandments 1844:The Ten Commandments 1810:The Ten Commandments 1808:in both versions of 1621:The Ten Commandments 1595:The Ten Commandments 1591:The Ten Commandments 1579:The Ten Commandments 1570:The Ten Commandments 1487:Los Angeles Coliseum 1479:master of ceremonies 1201:1929–1956: sound era 1140:Advertisement (1919) 1131:The Ten Commandments 1057:Famous Players–Lasky 785:, which was renamed 692:The Ten Commandments 593:Spanish–American War 562:The Ten Commandments 412:The Ten Commandments 354:The Ten Commandments 321:DeMille was born in 257:Cecil Blount DeMille 62:Cecil Blount DeMille 48:Publicity portrait, 14915:American Freemasons 14589:Lawrence Weingarten 13060:Charles S. Boren / 12717:The House I Live In 12708:Daniel J. Bloomberg 12685:Metro-Goldwyn-Mayer 12407:Fabrice Gianfermi, 11049:The Little American 10749:Brewster's Millions 10474:free and easy film. 10259:The Paramount Story 10026:on February 2, 2017 9830:Kear, Lynn (2009). 9431:Library of Congress 9327:Golden Globe Awards 9223:Golden Globe Awards 8612:, pp. 404–405. 8591:on February 5, 2016 8527:, pp. 422–423. 7777:, pp. 90, 255. 7433:, pp. 235–236. 7223:"Jeanie Macpherson" 6910:, pp. 324–325. 6898:, pp. 297–298. 6886:, pp. 272–273. 6825:The Washington Post 6646:, pp. 506–507. 6370:, p. 218, 340. 6239:, pp. 436–437. 6137:, pp. 336–337. 6086:, pp. 337–338. 6071:, pp. 359–360. 6042:, pp. 332–333. 6006:, pp. 375–377. 5885:, pp. 270–272. 5821:, pp. 15, 21; 5809:, pp. 129–130. 5761:, pp. 152–155. 5257:, pp. 140–141. 5245:, pp. 172–173. 4467:, pp. 167–168. 3731:Alzheimer's disease 3334:When Worlds Collide 3270:Brewster's Millions 2890:The Little American 2598:Library of Congress 2349:The Prince of Egypt 1943:Hollywood blacklist 1668:Robert Baden-Powell 1469:. After working on 1361:In 1939, DeMille's 991:Brewster's Millions 959:Brewster's Millions 642:To Have and to Hold 496:Columbia University 427:(posthumously) for 15070:Jewish film people 14677:Dino De Laurentiis 14619:Albert R. Broccoli 14265:William A. Wellman 13383:George Stevens Jr. 13062:Edward G. Robinson 12762:George Kirke Spoor 12599:and Allen Davey / 12595:, Walter Oberst / 12591:, Harry D. Mills, 12409:Philippe Rousselet 12371:Charles B. Wessler 12351:Guillermo del Toro 11500:Samson and Delilah 11470:Reap the Wild Wind 10829:Rose of the Rancho 10779:The Man on the Box 10721:Films directed by 10652:, Vault MSS 1400, 10644:Archival materials 10609:TCM Movie Database 10063:The New York Times 9995:on August 11, 2016 9930:The New York Times 9892:The New York Times 9323:"Cecil B. deMille" 9026:The Daily Universe 8184:Grobel, Lawrence. 7741:, pp. xv–xvi. 7717:, pp. xiv–xv. 6422:, pp. 452–453 5861:, pp. 98–100. 5466:. January 22, 1959 5390:. January 22, 1959 5388:The New York Times 4700:, pp. 46–47; 3480:Samson and Delilah 3432:Reap the Wild Wind 3294:The Man on the Box 3235:Samson and Delilah 3211:Reap the Wild Wind 2730:Rose of the Rancho 2536: 2514: 2469:Orange, California 2465:Chapman University 2425:Lasky-DeMille Barn 2421: 2409:Paramount Pictures 2405:Lasky-DeMille Barn 2381:Samson and Delilah 2318:Samson and Delilah 2197: 2130:Samson and Delilah 2105: 1981:Rembrandt lighting 1971: 1939:Edward G. Robinson 1919:Joseph Schildkraut 1856:Samson and Delilah 1827: 1822:Samson and Delilah 1788:; train wrecks in 1786:Samson and Delilah 1764: 1705:The New York Times 1696: 1680:Book of Revelation 1609:Gone with the Wind 1583:Samson and Delilah 1515:Samson and Delilah 1497:ticket as well as 1489:in support of the 1471:Reap the Wild Wind 1462:Reap the Wild Wind 1457: 1294: 1167:The King of Kings, 1142: 996:Rose of the Rancho 981: 942:Judith of Bethulia 879:Edwin Milton Royle 856: 721:Rose of the Rancho 615:1900–1912: theater 573: 484:William C. deMille 470:on Main Street in 464: 385:Samson and Delilah 345:Paramount Pictures 224:William C. deMille 97:, California, U.S. 14724: 14723: 14718: 14717: 14709:Michael G. Wilson 14641:Richard D. Zanuck 14475:David O. Selznick 14418: 14417: 14156: 14155: 14088:Denzel Washington 13638:Maurice Chevalier 13536: 13535: 13491:Samuel L. Jackson 13453:Donald Sutherland 13439:Frederick Wiseman 13001:William J. Tuttle 12961:Maurice Chevalier 12871:Joseph M. Schenck 12813:The Bicycle Thief 12740:Claude Jarman Jr. 12706:Republic Studio, 12667:Leopold Stokowski 12607:Douglas Fairbanks 12524:The March of Time 12447: 12446: 12437:Christopher Nolan 12392:Frances McDormand 12143:Barrie M. Osborne 11944:Richard D. Zanuck 11868:Ronald L. Schwary 11789:Gray Frederickson 11531: 11530: 11309:The King of Kings 11299:The Volga Boatman 11099:Old Wives for New 10979:The Golden Chance 10839:The Ghost Breaker 10819:The Man from Home 8994:Gibson, Barbara. 8885:. January 5, 2015 8655:Los Angeles Times 8463:on March 29, 2003 8291:Los Angeles Times 8219:978-0-520-03068-8 8194:978-1-62914-289-0 8141:Los Angeles Times 7653:Townsend, Allie. 7366:Los Angeles Times 7265:Los Angeles Times 6965:. CBS Interactive 6925:Lethbridge Herald 6749:, pp. 18–22. 6725:, pp. 15–16. 6676:Los Angeles Times 6550:Los Angeles Times 6282:978-0-3855-1445-3 6161:David M. Jordan, 6125:, pp. 96–97. 5487:, p. 13, 23. 5186:Los Angeles Times 5133:, pp. 76–77. 5064:, pp. 69–70. 4562:, pp. 32–33. 4507:978-0-9744331-4-1 4428:, pp. 30–31. 4404:, pp. 20–21. 4127:, pp. 26–27. 4080:978-0-306-80975-0 4069:. New York City: 3994:, pp. 15–21. 3537:Explanatory notes 3523:(1957) as Himself 3491:(1950) as Himself 3475:(1947) as Himself 3459:(1947) as Himself 3443:(1942) as Himself 3389:(1930) as Himself 3381:(1923) as Himself 3358:Acting and cameos 3302:The Ghost Breaker 3090:The King of Kings 3082:The Volga Boatman 2922:Old Wives for New 2834:The Golden Chance 2722:The Man from Home 2670:Directed features 2544:Temple University 2478:Cecil B. Demented 2376:Sight & Sound 2371:The King of Kings 2362:The King of Kings 2335:War of the Worlds 2282:Sergei Eisenstein 2140:(1956). Director 2077:The Golden Chance 1895:Claudette Colbert 1758:Cecil B. DeMille 1710:Los Angeles Times 1546:Harold E. Talbott 1542:Radio Free Europe 1483:David O. Selznick 1410:Jeanie MacPherson 1324:Lux Radio Theatre 1290:Lux Radio Theatre 1279:Lux Radio Theatre 1246:The King of Kings 1171:The King of Kings 1116:The Volga Boatman 1002:The Ghost Breaker 846: 795:The Royal Mounted 787:The Royal Mounted 703:The Royal Mounted 659:Hearts Are Trumps 630:Hearts Are Trumps 605:Hearts are Trumps 558:spinal meningitis 550:John Philip Sousa 363:The King of Kings 360:DeMille directed 329:, who was then a 254: 253: 195:Katherine DeMille 144:Years active 16:(Redirected from 15137: 14837: 14836: 14825: 14824: 14823: 14813: 14812: 14811: 14801: 14800: 14789: 14788: 14787: 14777: 14776: 14775: 14765: 14764: 14763: 14753: 14752: 14751: 14741: 14740: 14739: 14732: 14705:Barbara Broccoli 14695:Kathleen Kennedy 14625:Steven Spielberg 14601:Pandro S. Berman 14577:Alfred Hitchcock 14529:Cecil B. DeMille 14517:Darryl F. Zanuck 14499:Darryl F. Zanuck 14463:Darryl F. Zanuck 14445: 14438: 14431: 14422: 14421: 14367:Steven Spielberg 14277:Rouben Mamoulian 14249:Alfred Hitchcock 14201:Cecil B. DeMille 14183: 14176: 14169: 14160: 14159: 14149: 14144: 14136: 14131: 14123: 14115: 14107: 14099: 14091: 14083: 14075: 14067: 14059: 14051: 14043: 14035: 14032:Steven Spielberg 14027: 14022: 14014: 14006: 13998: 13990: 13982: 13974: 13966: 13963:Barbra Streisand 13958: 13950: 13947:Shirley MacLaine 13942: 13934: 13926: 13918: 13910: 13902: 13894: 13886: 13878: 13870: 13862: 13854: 13851:Barbara Stanwyck 13846: 13843:Elizabeth Taylor 13838: 13830: 13827:Laurence Olivier 13822: 13814: 13806: 13798: 13790: 13782: 13774: 13769: 13761: 13753: 13745: 13742:Alfred Hitchcock 13737: 13729: 13721: 13713: 13705: 13697: 13689: 13681: 13678:Joseph E. Levine 13673: 13665: 13657: 13649: 13641: 13633: 13625: 13617: 13609: 13601: 13598:Darryl F. Zanuck 13593: 13585: 13582:Cecil B. DeMille 13563: 13556: 13549: 13540: 13539: 13375:D. A. Pennebaker 13365:James Earl Jones 13218:Federico Fellini 13142:Barbara Stanwyck 13115:Laurence Olivier 13017:Y. Frank Freeman 12951:Charles Brackett 12859:Merian C. Cooper 12808:Cecil B. DeMille 12785:Monsieur Vincent 12732:Laurence Olivier 12722:Peggy Ann Garner 12701:Margaret O'Brien 12543:W. Howard Greene 12529:W. Howard Greene 12474: 12467: 12460: 12451: 12450: 12440: 12424: 12412: 12403: 12386: 12374: 12361:, Brian Currie, 12354: 12342: 12326: 12311:Blye Pagon Faust 12306: 12290: 12266: 12250: 12242: 12226: 12219:Nicolas Chartier 12206: 12203:Christian Colson 12198: 12186: 12178: 12166: 12150: 12134: 12126: 12103: 12087: 12075: 12068:Harvey Weinstein 12051: 12039: 12031: 12015: 11999: 11996:Steven Spielberg 11983: 11975: 11959: 11947: 11940:Lili Fini Zanuck 11935: 11927: 11919: 11911: 11903: 11895: 11887: 11879: 11871: 11863: 11860:Stanley R. Jaffe 11855: 11839: 11836:Charles H. Joffe 11831: 11808: 11796: 11780: 11777:Michael Phillips 11764: 11756: 11748: 11740: 11732: 11724: 11716: 11708: 11700: 11692: 11684: 11676: 11668: 11660: 11652: 11644: 11636: 11628: 11620: 11612: 11604: 11601:Cecil B. DeMille 11596: 11571: 11564: 11557: 11548: 11547: 11535: 11534: 11524: 11514: 11504: 11494: 11484: 11474: 11464: 11454: 11444: 11434: 11424: 11414: 11404: 11394: 11390:This Day and Age 11384: 11374: 11364: 11354: 11333: 11329:The Godless Girl 11323: 11313: 11303: 11293: 11283: 11273: 11263: 11253: 11243: 11233: 11223: 11213: 11203: 11193: 11183: 11173: 11163: 11153: 11143: 11133: 11123: 11113: 11103: 11093: 11083: 11073: 11063: 11053: 11043: 11033: 11023: 11013: 11003: 10993: 10983: 10973: 10963: 10953: 10943: 10933: 10923: 10913: 10903: 10893: 10883: 10873: 10863: 10853: 10843: 10833: 10823: 10813: 10803: 10793: 10783: 10773: 10763: 10753: 10743: 10723:Cecil B. DeMille 10715: 10708: 10701: 10692: 10691: 10623:Internet Archive 10615: 10605:Cecil B. DeMille 10596:Cecil B. DeMille 10592: 10582:Cecil B. DeMille 10577: 10576: 10574:Official website 10560: 10558: 10556: 10532: 10530: 10528: 10504: 10495: 10476: 10471: 10469: 10450: 10424: 10405: 10384: 10383: 10377: 10365: 10354: 10341:Cecil B. DeMille 10335: 10323: 10312: 10291: 10272: 10253: 10248: 10246: 10227: 10216: 10197: 10170: 10151: 10149: 10147: 10123: 10121: 10119: 10086: 10080: 10074: 10073: 10071: 10069: 10054: 10048: 10042: 10036: 10035: 10033: 10031: 10022:. Archived from 10011: 10005: 10004: 10002: 10000: 9989:BFI Film Forever 9981: 9975: 9974: 9972: 9970: 9947: 9941: 9940: 9938: 9936: 9921: 9915: 9909: 9903: 9902: 9900: 9898: 9884:Crowther, Bosley 9880: 9874: 9868: 9855: 9854: 9852: 9850: 9827: 9821: 9815: 9809: 9803: 9797: 9791: 9785: 9779: 9773: 9767: 9761: 9755: 9749: 9743: 9737: 9736: 9734: 9732: 9709: 9703: 9702: 9700: 9698: 9675: 9669: 9663: 9657: 9651: 9645: 9639: 9633: 9632: 9630: 9628: 9613: 9607: 9606: 9604: 9602: 9587: 9581: 9575: 9569: 9563: 9557: 9551: 9545: 9539: 9533: 9527: 9521: 9515: 9509: 9508: 9487: 9481: 9480: 9478: 9476: 9461: 9455: 9449: 9443: 9442: 9440: 9438: 9423: 9417: 9416: 9414: 9412: 9397: 9391: 9390: 9388: 9386: 9371: 9365: 9364: 9362: 9360: 9345: 9339: 9338: 9336: 9334: 9319: 9313: 9312: 9310: 9308: 9293: 9287: 9286: 9284: 9282: 9267: 9261: 9260: 9258: 9256: 9241: 9235: 9234: 9232: 9230: 9215: 9209: 9208: 9206: 9204: 9189: 9183: 9182: 9180: 9178: 9164: 9158: 9157: 9155: 9153: 9139: 9133: 9127: 9118: 9112: 9106: 9105: 9103: 9101: 9086: 9080: 9070: 9064: 9063: 9061: 9059: 9044: 9038: 9037: 9035: 9033: 9017: 9011: 9010: 9008: 9006: 8991: 8985: 8984: 8982: 8980: 8953: 8947: 8946: 8944: 8942: 8919: 8913: 8912: 8901: 8895: 8894: 8892: 8890: 8875: 8869: 8868: 8866: 8864: 8849: 8843: 8842: 8840: 8838: 8823: 8817: 8816: 8814: 8812: 8807:on July 10, 2019 8793: 8787: 8786: 8775: 8769: 8768: 8766: 8764: 8749: 8743: 8742: 8740: 8738: 8723: 8717: 8716: 8714: 8712: 8698: 8692: 8691: 8689: 8687: 8672: 8666: 8665: 8663: 8661: 8646: 8640: 8639: 8619: 8613: 8607: 8601: 8600: 8598: 8596: 8585:BFI Film Forever 8577: 8571: 8570: 8546: 8540: 8534: 8528: 8522: 8516: 8510: 8504: 8503: 8501: 8499: 8479: 8473: 8472: 8470: 8468: 8453: 8447: 8446: 8444: 8442: 8419: 8413: 8412: 8410: 8408: 8385: 8379: 8373: 8367: 8366: 8364: 8362: 8355:BFI Film Forever 8346: 8340: 8339: 8337: 8335: 8320: 8314: 8308: 8302: 8301: 8299: 8297: 8282: 8276: 8270: 8264: 8258: 8247: 8241: 8235: 8232:Cecil B. DeMille 8228: 8222: 8203: 8197: 8182: 8176: 8170: 8164: 8158: 8152: 8151: 8149: 8147: 8132: 8126: 8125: 8123: 8121: 8106: 8100: 8099: 8097: 8095: 8080: 8074: 8073: 8071: 8069: 8054: 8048: 8047: 8045: 8043: 8034:. 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Archived from 3859: 3853: 3852: 3850: 3848: 3843:on July 26, 2021 3839:. Archived from 3833: 3817: 3798: 3792: 3785: 3779: 3772: 3766: 3763: 3757: 3753: 3747: 3740: 3734: 3727: 3721: 3678: 3672: 3669: 3663: 3656: 3650: 3647: 3641: 3637: 3631: 3620: 3614: 3607: 3601: 3598: 3592: 3585: 3579: 3547: 3488:Sunset Boulevard 3353:(1958, producer) 3329:(1927, Producer) 3147:This Day and Age 3098:The Godless Girl 2304:Alfred Hitchcock 2287:Alexander Nevsky 2273:A Woman of Paris 2259:Sunset Boulevard 2178:culture industry 2016:Steven Spielberg 1949:Style and themes 1931:Theodore Roberts 1927:Charles Bickford 1860:Paulette Goddard 1762:from his library 1736:Charles Kingsley 1674:. DeMille asked 1652:, the 1958 film 1573: 1351:William Keighley 1347:Taft–Hartley Act 1260:This Day and Age 1183:Roaring Twenties 1176:The Godless Girl 1122:The Godless Girl 1088:Wilfred Buckland 1075:Katherine Lester 1049:House Peters Sr. 854:(1914) full film 847: 815:Frederick Burton 807:The Antique Girl 771:Son of the Winds 759:Pedro de Cordoba 751:Charlotte Walker 646:Are You a Mason? 597:The Arcady Trail 492:Episcopal Church 304: 303: 300: 299: 296: 293: 290: 287: 284: 280: 279: 276: 273: 270: 267: 250: 249: 247:Official website 199:Richard de Mille 183: 181: 90: 87:January 21, 1959 71: 69: 51: 46: 36:Cecil B. DeMille 32: 31: 21: 15145: 15144: 15140: 15139: 15138: 15136: 15135: 15134: 14845: 14844: 14843: 14831: 14821: 14819: 14809: 14807: 14795: 14785: 14783: 14773: 14771: 14761: 14759: 14749: 14747: 14737: 14735: 14727: 14725: 14720: 14719: 14714: 14487:Sidney Franklin 14454: 14449: 14419: 14414: 14373:Martin Scorsese 14355:Stanley Kubrick 14192: 14187: 14157: 14152: 14148:No Award (2024) 14147: 14139: 14135:No Award (2022) 14134: 14126: 14118: 14110: 14102: 14094: 14086: 14078: 14070: 14062: 14054: 14046: 14040:Martin Scorsese 14038: 14030: 14026:No Award (2008) 14025: 14017: 14011:Anthony Hopkins 14009: 14001: 13995:Michael Douglas 13993: 13985: 13977: 13969: 13961: 13953: 13945: 13937: 13929: 13921: 13913: 13905: 13897: 13889: 13881: 13873: 13865: 13857: 13849: 13841: 13833: 13825: 13817: 13809: 13801: 13793: 13785: 13777: 13773:No Award (1976) 13772: 13764: 13756: 13748: 13740: 13732: 13724: 13716: 13708: 13702:Charlton Heston 13700: 13692: 13684: 13676: 13668: 13660: 13652: 13644: 13636: 13628: 13620: 13612: 13604: 13596: 13588: 13580: 13572: 13567: 13537: 13532: 13527:Carol Littleton 13485:Lina Wertmüller 13445:Charles Burnett 13431:Lynn Stalmaster 13389:Angela Lansbury 13355:Jean-Luc Godard 13331:Robert F. Boyle 13325:Ennio Morricone 13279: 13093: 13055:Charlie Chaplin 12907:/ Kemp Niver / 12876:Forbidden Games 12835: 12758:Albert E. Smith 12649:Nathan Levinson 12597:Oliver T. Marsh 12581:Farciot Edouart 12573:Gordon Jennings 12499:Charlie Chaplin 12483: 12478: 12448: 12443: 12427: 12415: 12406: 12389: 12377: 12367:Nick Vallelonga 12357: 12345: 12329: 12309: 12293: 12275:Anthony Katagas 12269: 12253: 12247:Thomas Langmann 12245: 12229: 12211:Kathryn Bigelow 12209: 12201: 12189: 12181: 12169: 12163:Albert S. Ruddy 12153: 12137: 12131:Martin Richards 12129: 12117: 12106: 12090: 12078: 12056:Donna Gigliotti 12054: 12042: 12034: 12018: 12002: 11992:Gerald R. Molen 11986: 11978: 11962: 11950: 11938: 11930: 11922: 11916:Arnold Kopelson 11914: 11906: 11898: 11892:James L. Brooks 11890: 11882: 11874: 11866: 11858: 11842: 11834: 11824:Robert Chartoff 11822: 11811: 11801:Michael Douglas 11799: 11783: 11767: 11761:Albert S. Ruddy 11759: 11753:Philip D'Antoni 11751: 11743: 11735: 11727: 11719: 11711: 11703: 11695: 11689:Tony Richardson 11687: 11679: 11671: 11663: 11655: 11647: 11639: 11631: 11623: 11615: 11607: 11599: 11591: 11580: 11575: 11540: 11532: 11527: 11517: 11507: 11497: 11487: 11477: 11467: 11457: 11447: 11437: 11427: 11417: 11407: 11397: 11387: 11377: 11367: 11357: 11347: 11336: 11326: 11316: 11306: 11296: 11286: 11276: 11266: 11256: 11246: 11236: 11226: 11216: 11209:Fool's Paradise 11206: 11196: 11189:Forbidden Fruit 11186: 11176: 11166: 11159:Male and Female 11156: 11146: 11136: 11126: 11116: 11106: 11096: 11086: 11079:The Devil-Stone 11076: 11066: 11056: 11046: 11036: 11026: 11016: 11006: 10996: 10986: 10976: 10966: 10956: 10946: 10936: 10926: 10916: 10906: 10896: 10886: 10876: 10866: 10856: 10846: 10836: 10826: 10816: 10809:What's His Name 10806: 10796: 10786: 10776: 10766: 10759:The Master Mind 10756: 10746: 10736: 10725: 10719: 10646: 10572: 10571: 10568: 10563: 10554: 10552: 10550: 10526: 10524: 10522: 10492: 10467: 10465: 10463: 10421: 10402: 10378: 10374: 10351: 10332: 10309: 10288: 10269: 10244: 10242: 10240: 10213: 10194: 10167: 10145: 10143: 10141: 10117: 10115: 10113: 10094: 10092:General sources 10089: 10081: 10077: 10067: 10065: 10055: 10051: 10043: 10039: 10029: 10027: 10012: 10008: 9998: 9996: 9983: 9982: 9978: 9968: 9966: 9964: 9948: 9944: 9934: 9932: 9922: 9918: 9910: 9906: 9896: 9894: 9881: 9877: 9869: 9858: 9848: 9846: 9844: 9828: 9824: 9816: 9812: 9804: 9800: 9792: 9788: 9780: 9776: 9768: 9764: 9756: 9752: 9744: 9740: 9730: 9728: 9726: 9710: 9706: 9696: 9694: 9692: 9676: 9672: 9664: 9660: 9652: 9648: 9640: 9636: 9626: 9624: 9615: 9614: 9610: 9600: 9598: 9588: 9584: 9576: 9572: 9564: 9560: 9552: 9548: 9540: 9536: 9528: 9524: 9516: 9512: 9505: 9488: 9484: 9474: 9472: 9462: 9458: 9450: 9446: 9436: 9434: 9425: 9424: 9420: 9410: 9408: 9398: 9394: 9384: 9382: 9373: 9372: 9368: 9358: 9356: 9347: 9346: 9342: 9332: 9330: 9321: 9320: 9316: 9306: 9304: 9295: 9294: 9290: 9280: 9278: 9269: 9268: 9264: 9254: 9252: 9243: 9242: 9238: 9228: 9226: 9217: 9216: 9212: 9202: 9200: 9191: 9190: 9186: 9176: 9174: 9166: 9165: 9161: 9151: 9149: 9141: 9140: 9136: 9128: 9121: 9113: 9109: 9099: 9097: 9088: 9087: 9083: 9075:, p. 402; 9071: 9067: 9057: 9055: 9045: 9041: 9031: 9029: 9018: 9014: 9004: 9002: 8992: 8988: 8978: 8976: 8974: 8966:. p. 314. 8954: 8950: 8940: 8938: 8936: 8920: 8916: 8903: 8902: 8898: 8888: 8886: 8877: 8876: 8872: 8862: 8860: 8850: 8846: 8836: 8834: 8833:. June 17, 2010 8825: 8824: 8820: 8810: 8808: 8795: 8794: 8790: 8777: 8776: 8772: 8762: 8760: 8750: 8746: 8736: 8734: 8725: 8724: 8720: 8710: 8708: 8700: 8699: 8695: 8685: 8683: 8673: 8669: 8659: 8657: 8647: 8643: 8620: 8616: 8608: 8604: 8594: 8592: 8579: 8578: 8574: 8567: 8547: 8543: 8535: 8531: 8523: 8519: 8511: 8507: 8497: 8495: 8480: 8476: 8466: 8464: 8455: 8454: 8450: 8440: 8438: 8436: 8420: 8416: 8406: 8404: 8402: 8386: 8382: 8374: 8370: 8360: 8358: 8347: 8343: 8333: 8331: 8329:Chicago Tribune 8321: 8317: 8313:, pp. 1–2. 8309: 8305: 8295: 8293: 8283: 8279: 8275:, pp. 7–8. 8271: 8267: 8259: 8250: 8242: 8238: 8229: 8225: 8204: 8200: 8183: 8179: 8171: 8167: 8159: 8155: 8145: 8143: 8133: 8129: 8119: 8117: 8107: 8103: 8093: 8091: 8081: 8077: 8067: 8065: 8055: 8051: 8041: 8039: 8028: 8024: 8016: 8012: 8004: 8000: 7990: 7988: 7973: 7964: 7960:, p. xvii. 7956: 7952: 7944: 7940: 7930: 7928: 7918: 7914: 7904: 7902: 7886: 7882: 7874: 7870: 7862: 7858: 7851: 7837: 7833: 7814: 7813: 7809: 7797: 7793: 7785: 7781: 7773: 7769: 7761: 7757: 7749: 7745: 7737: 7733: 7725: 7721: 7713: 7709: 7699: 7697: 7686: 7682: 7677: 7673: 7663: 7661: 7651: 7647: 7639: 7635: 7627: 7623: 7611: 7607: 7599: 7595: 7587: 7576: 7572:, pp. 5–6. 7568: 7564: 7556: 7552: 7544: 7535: 7527: 7523: 7513: 7511: 7509: 7493: 7489: 7479: 7477: 7467: 7463: 7453: 7451: 7444:"Union Pacific" 7442: 7441: 7437: 7429: 7425: 7417: 7413: 7384: 7380: 7370: 7368: 7358: 7354: 7346: 7342: 7332: 7330: 7328: 7312: 7308: 7298: 7296: 7293:The Independent 7284: 7280: 7270: 7268: 7267:. July 31, 1996 7259: 7258: 7254: 7246: 7242: 7232: 7230: 7221: 7220: 7216: 7208: 7204: 7196: 7192: 7184: 7180: 7172: 7168: 7160: 7156: 7146: 7144: 7142: 7126: 7122: 7114: 7107: 7099: 7095: 7087: 7083: 7075: 7071: 7063: 7059: 7051: 7044: 7034: 7032: 7020: 7016: 7008: 7004: 6994: 6992: 6983: 6982: 6978: 6968: 6966: 6957: 6956: 6952: 6944: 6940: 6930: 6928: 6927:. April 7, 1951 6919: 6918: 6914: 6906: 6902: 6894: 6890: 6882: 6878: 6870: 6866: 6858: 6851: 6843: 6839: 6829: 6827: 6817: 6808: 6800: 6796: 6788: 6777: 6769: 6765: 6757: 6753: 6745: 6741: 6733: 6729: 6721: 6717: 6713:, pp. 8–9. 6709: 6705: 6697: 6690: 6680: 6678: 6668: 6664: 6654: 6650: 6642: 6638: 6628: 6626: 6616: 6609: 6601: 6597: 6589: 6585: 6568: 6564: 6554: 6552: 6542: 6535: 6527: 6523: 6511: 6507: 6499: 6495: 6487: 6476: 6468: 6464: 6454: 6452: 6442: 6438: 6430: 6426: 6414: 6410: 6402: 6398: 6390: 6386: 6378: 6374: 6366: 6357: 6349: 6345: 6337: 6333: 6325:, p. 438; 6321: 6317: 6309: 6300: 6291: 6287: 6271: 6267: 6259: 6255: 6247: 6243: 6235: 6231: 6221: 6219: 6210: 6209: 6205: 6197: 6193: 6185: 6181: 6173: 6169: 6160: 6153: 6145: 6141: 6133: 6129: 6121: 6114: 6106: 6102: 6094: 6090: 6082: 6075: 6067: 6063: 6055: 6046: 6038: 6034: 6026: 6022: 6014: 6010: 6002: 5998: 5990: 5986: 5978: 5969: 5959: 5957: 5955: 5939: 5935: 5927: 5916: 5908: 5901: 5893: 5889: 5881: 5877: 5869: 5865: 5857: 5853: 5845: 5841: 5833: 5829: 5817: 5813: 5805: 5801: 5793: 5789: 5781: 5777: 5769: 5765: 5757: 5753: 5743: 5741: 5731: 5727: 5714: 5712: 5710: 5684: 5680: 5670: 5668: 5665:Bank of America 5659: 5658: 5654: 5644: 5642: 5633: 5632: 5623: 5613: 5611: 5600: 5596: 5588: 5584: 5574: 5572: 5570: 5554: 5550: 5542: 5531: 5523: 5519: 5515:, pp. 5–6. 5511: 5507: 5495: 5491: 5483: 5479: 5469: 5467: 5456: 5455: 5451: 5443: 5439: 5431: 5427: 5419: 5415: 5407: 5403: 5393: 5391: 5382: 5381: 5377: 5369: 5365: 5355: 5353: 5344: 5343: 5339: 5331: 5327: 5317: 5315: 5305: 5301: 5293:, p. 185; 5289: 5285: 5277: 5273: 5265: 5261: 5253: 5249: 5241: 5237: 5229: 5225: 5217: 5213: 5205: 5201: 5191: 5189: 5177: 5170: 5162: 5158: 5150: 5137: 5129: 5125: 5117: 5110: 5102: 5098: 5090: 5083: 5075: 5068: 5060: 5056: 5048: 5044: 5034: 5032: 5020: 5016: 5008: 5004: 4996: 4992: 4984: 4977: 4969: 4960: 4952: 4948: 4940: 4936: 4928: 4924: 4912: 4908: 4900: 4896: 4888: 4884: 4876: 4872: 4864: 4860: 4852: 4848: 4840: 4833: 4825: 4814: 4806: 4799: 4787:, p. 229; 4783: 4779: 4771: 4767: 4759: 4755: 4747: 4743: 4729: 4725: 4724: 4720: 4712: 4708: 4696: 4692: 4680: 4676: 4664: 4660: 4652: 4648: 4640: 4633: 4625: 4621: 4613: 4606: 4598: 4594: 4582: 4578: 4570: 4566: 4558: 4554: 4546: 4542: 4534: 4523: 4508: 4492: 4488: 4480: 4471: 4463: 4459: 4451: 4447: 4439: 4432: 4424: 4420: 4412: 4408: 4400: 4396: 4388: 4379: 4367: 4363: 4355: 4351: 4339: 4335: 4327: 4320: 4312: 4308: 4296: 4292: 4282: 4280: 4278:NorthJersey.com 4270: 4266: 4256: 4254: 4244: 4240: 4224: 4220: 4212: 4208: 4200: 4196: 4184: 4180: 4170: 4168: 4166: 4150: 4146: 4138: 4131: 4123: 4119: 4111: 4107: 4095: 4088: 4081: 4063: 4059: 4043: 4039: 4031: 4027: 4019: 4015: 4007: 3998: 3990: 3986: 3978: 3974: 3962: 3958: 3950: 3946: 3938: 3931: 3914: 3910: 3898: 3894: 3886: 3882: 3872: 3870: 3861: 3860: 3856: 3846: 3844: 3835: 3834: 3830: 3826: 3821: 3820: 3799: 3795: 3786: 3782: 3773: 3769: 3764: 3760: 3754: 3750: 3741: 3737: 3728: 3724: 3679: 3675: 3670: 3666: 3657: 3653: 3648: 3644: 3638: 3634: 3621: 3617: 3608: 3604: 3599: 3595: 3586: 3582: 3548: 3544: 3539: 3534: 3504:Son of Paleface 3360: 3278:The Master Mind 3262: 3257: 3104: 3010:Fool's Paradise 2994:Forbidden Fruit 2970:Male and Female 2906:The Devil-Stone 2714:What's His Name 2672: 2634:The Devil-Stone 2614: 2499: 2397: 2364:, and director 2309:Forbidden Fruit 2224:William Wellman 2213:Joseph Henabery 2150:French New Wave 2093: 2024:Male and Female 1951: 1899:Charlton Heston 1839:Elmer Bernstein 1777:Martin Scorsese 1752: 1732: 1727: 1688: 1646:Charlton Heston 1575: 1567: 1558: 1437:Land of Liberty 1428:Land of Liberty 1414:Queen of Queens 1359: 1282: 1208: 1203: 1195:Charlie Chaplin 1191:Bank of America 1106:Male and Female 1083: 973: 968: 840: 838: 763:The Prince Chap 747: 650:Constance Adams 626:Charles Frohman 622: 617: 601:Charles Frohman 523:Episcopalianism 456: 451: 347:with Lasky and 315:American cinema 281: 264: 260: 245: 244: 232: 227: 212: 185: 182: 1902) 177: 173: 170: 152:Political party 139: 119: 113:Alma mater 98: 92: 88: 79: 73: 72:August 12, 1881 67: 65: 64: 63: 53: 37: 28: 23: 22: 18:Cecil B DeMille 15: 12: 11: 5: 15143: 15133: 15132: 15127: 15122: 15117: 15112: 15107: 15102: 15097: 15092: 15087: 15082: 15077: 15072: 15067: 15062: 15057: 15052: 15047: 15042: 15037: 15032: 15027: 15022: 15017: 15015:DeMille family 15012: 15007: 15002: 14997: 14992: 14987: 14982: 14977: 14972: 14967: 14962: 14957: 14952: 14947: 14942: 14937: 14932: 14927: 14922: 14917: 14912: 14907: 14902: 14897: 14892: 14887: 14882: 14877: 14872: 14867: 14862: 14857: 14842: 14841: 14829: 14817: 14805: 14793: 14781: 14769: 14757: 14745: 14722: 14721: 14716: 14715: 14713: 14712: 14702: 14699:Frank Marshall 14692: 14686: 14680: 14674: 14668: 14665:Norman Jewison 14662: 14656: 14653:Clint Eastwood 14650: 14644: 14634: 14628: 14622: 14616: 14610: 14607:Walter Mirisch 14604: 14598: 14592: 14586: 14583:Ingmar Bergman 14580: 14574: 14568: 14562: 14556: 14553:Stanley Kramer 14550: 14547:Jack L. Warner 14544: 14538: 14535:George Stevens 14532: 14526: 14520: 14514: 14508: 14505:Samuel Goldwyn 14502: 14496: 14490: 14484: 14478: 14472: 14466: 14459: 14456: 14455: 14448: 14447: 14440: 14433: 14425: 14416: 14415: 14413: 14412: 14406: 14400: 14394: 14391:Norman Jewison 14388: 14385:Clint Eastwood 14382: 14376: 14370: 14364: 14358: 14352: 14346: 14340: 14334: 14328: 14325:Akira Kurosawa 14322: 14319:Ingmar Bergman 14316: 14310: 14304: 14298: 14292: 14286: 14280: 14274: 14268: 14258: 14255:Fred Zinnemann 14252: 14246: 14240: 14234: 14231:George Stevens 14228: 14222: 14216: 14210: 14204: 14197: 14194: 14193: 14186: 14185: 14178: 14171: 14163: 14154: 14153: 14151: 14150: 14145: 14137: 14132: 14124: 14116: 14108: 14100: 14092: 14084: 14080:George Clooney 14076: 14068: 14060: 14056:Morgan Freeman 14052: 14048:Robert De Niro 14044: 14036: 14028: 14023: 14015: 14007: 14003:Robin Williams 13999: 13991: 13983: 13975: 13967: 13959: 13955:Jack Nicholson 13951: 13943: 13939:Dustin Hoffman 13935: 13927: 13919: 13915:Robert Redford 13911: 13903: 13899:Robert Mitchum 13895: 13887: 13883:Audrey Hepburn 13879: 13871: 13867:Clint Eastwood 13863: 13855: 13847: 13839: 13831: 13823: 13819:Sidney Poitier 13815: 13807: 13799: 13791: 13783: 13779:Walter Mirisch 13775: 13770: 13762: 13754: 13750:Samuel Goldwyn 13746: 13738: 13730: 13722: 13714: 13706: 13698: 13690: 13682: 13674: 13666: 13658: 13650: 13642: 13634: 13626: 13618: 13614:Jack L. Warner 13610: 13602: 13594: 13586: 13577: 13574: 13573: 13566: 13565: 13558: 13551: 13543: 13534: 13533: 13531: 13530: 13519:Angela Bassett 13516: 13502: 13488: 13474: 13460: 13442: 13435:Anne V. Coates 13424: 13414: 13411:Maureen O'Hara 13407:Hayao Miyazaki 13400: 13386: 13372: 13362: 13351:Kevin Brownlow 13348: 13334: 13328: 13322: 13316: 13310: 13304: 13298: 13295:Robert Redford 13291:Sidney Poitier 13287: 13285: 13281: 13280: 13278: 13277: 13267: 13261: 13255: 13249: 13243: 13233: 13227: 13221: 13215: 13209: 13199: 13196:Akira Kurosawa 13193: 13183: 13177: 13167: 13157: 13151: 13145: 13139: 13133: 13126: 13108: 13105:Margaret Booth 13101: 13099: 13095: 13094: 13092: 13091: 13085: 13075: 13068:Henri Langlois 13065: 13058: 13052: 13042: 13036: 13026: 13020: 13010: 13004: 12998: 12995:Jerome Robbins 12988: 12974: 12964: 12958: 12940: 12934: 12926: 12917:Vincent Winter 12898: 12880: 12856: 12843: 12841: 12837: 12836: 12834: 12833: 12820:Louis B. Mayer 12817: 12797: 12777: 12743: 12736:Ernst Lubitsch 12728:Harold Russell 12725: 12704: 12694: 12688: 12674: 12659:William Garity 12652: 12642: 12639:Technicolor SA 12604: 12593:Louis Mesenkop 12589:Loren L. Ryder 12557:J. Arthur Ball 12554: 12536: 12520: 12517:D. W. Griffith 12514: 12511:Shirley Temple 12508: 12502: 12491: 12489: 12485: 12484: 12477: 12476: 12469: 12462: 12454: 12445: 12444: 12442: 12441: 12425: 12413: 12404: 12387: 12375: 12363:Peter Farrelly 12355: 12343: 12339:Adele Romanski 12335:Jeremy Kleiner 12327: 12319:Nicole Rocklin 12307: 12291: 12279:Jeremy Kleiner 12267: 12259:George Clooney 12251: 12243: 12227: 12207: 12199: 12187: 12179: 12175:Cathy Schulman 12167: 12155:Clint Eastwood 12151: 12135: 12127: 12114: 12112: 12108: 12107: 12105: 12104: 12092:David Franzoni 12088: 12076: 12052: 12040: 12032: 12016: 12004:Wendy Finerman 12000: 11984: 11980:Clint Eastwood 11976: 11960: 11948: 11936: 11928: 11920: 11912: 11908:Sydney Pollack 11904: 11896: 11888: 11880: 11872: 11864: 11856: 11852:Barry Spikings 11848:Michael Deeley 11844:Michael Cimino 11840: 11832: 11819: 11817: 11813: 11812: 11810: 11809: 11797: 11781: 11773:Julia Phillips 11765: 11757: 11749: 11745:Frank McCarthy 11741: 11737:Jerome Hellman 11733: 11725: 11721:Walter Mirisch 11717: 11713:Fred Zinnemann 11709: 11701: 11697:Jack L. Warner 11693: 11685: 11677: 11669: 11661: 11653: 11645: 11637: 11629: 11621: 11613: 11605: 11597: 11588: 11586: 11582: 11581: 11574: 11573: 11566: 11559: 11551: 11545: 11542: 11541: 11529: 11528: 11526: 11525: 11515: 11505: 11495: 11485: 11475: 11465: 11455: 11445: 11435: 11425: 11415: 11405: 11395: 11385: 11375: 11365: 11355: 11344: 11342: 11338: 11337: 11335: 11334: 11324: 11314: 11304: 11294: 11284: 11279:The Golden Bed 11274: 11264: 11254: 11244: 11234: 11224: 11219:Saturday Night 11214: 11204: 11194: 11184: 11174: 11164: 11154: 11144: 11134: 11124: 11114: 11104: 11094: 11084: 11074: 11064: 11054: 11044: 11034: 11029:Joan the Woman 11024: 11019:The Dream Girl 11014: 11004: 10994: 10984: 10974: 10964: 10954: 10944: 10934: 10924: 10919:Chimmie Fadden 10914: 10904: 10894: 10884: 10874: 10864: 10854: 10844: 10834: 10824: 10814: 10804: 10794: 10784: 10774: 10764: 10754: 10744: 10733: 10731: 10727: 10726: 10718: 10717: 10710: 10703: 10695: 10689: 10688: 10682: 10665: 10645: 10642: 10641: 10640: 10635: 10630: 10625: 10616: 10602: 10593: 10579: 10567: 10566:External links 10564: 10562: 10561: 10549:978-1476618197 10548: 10533: 10521:978-0786435814 10520: 10505: 10496: 10491:978-0762454907 10490: 10477: 10462:978-0452289789 10461: 10440: 10425: 10420:978-0912289052 10419: 10406: 10401:978-0312377335 10400: 10385: 10373:978-1904048909 10372: 10355: 10349: 10336: 10330: 10313: 10308:978-0743289559 10307: 10292: 10287:978-0498023224 10286: 10273: 10267: 10254: 10238: 10217: 10212:978-0813122021 10211: 10198: 10193:978-3319769868 10192: 10171: 10166:978-0813123240 10165: 10152: 10140:978-0520209640 10139: 10124: 10112:978-0415234405 10111: 10095: 10093: 10090: 10088: 10087: 10085:, p. 376. 10075: 10049: 10047:, p. 126. 10037: 10006: 9976: 9962: 9942: 9916: 9914:, p. 375. 9904: 9875: 9873:, p. 125. 9856: 9842: 9822: 9820:, p. 275. 9810: 9808:, p. 318. 9798: 9796:, p. 492. 9786: 9784:, p. 121. 9774: 9762: 9750: 9748:, p. 370. 9738: 9724: 9704: 9690: 9670: 9668:, p. 369. 9658: 9646: 9644:, p. 219. 9634: 9608: 9582: 9580:, p. 134. 9570: 9568:, p. 125. 9558: 9546: 9534: 9522: 9510: 9503: 9491:Tasker, Yvonne 9482: 9456: 9454:, p. 404. 9444: 9433:. Congress.gov 9418: 9392: 9366: 9340: 9314: 9288: 9262: 9236: 9210: 9184: 9159: 9134: 9132:, p. 369. 9119: 9117:, p. 493. 9107: 9096:. June 7, 1957 9081: 9065: 9039: 9012: 8986: 8972: 8948: 8934: 8914: 8896: 8870: 8844: 8831:Press-Telegram 8818: 8788: 8770: 8744: 8718: 8693: 8667: 8641: 8614: 8602: 8572: 8565: 8541: 8539:, p. 139. 8529: 8517: 8505: 8474: 8448: 8434: 8414: 8400: 8380: 8368: 8341: 8315: 8303: 8277: 8265: 8263:, p. 374. 8248: 8236: 8223: 8209:Berkeley, CA: 8198: 8177: 8175:, p. 147. 8165: 8153: 8127: 8101: 8075: 8049: 8022: 8020:, p. 355. 8010: 8008:, p. xii. 7998: 7962: 7950: 7948:, p. 270. 7938: 7912: 7880: 7878:, p. 300. 7868: 7856: 7849: 7831: 7807: 7791: 7789:, p. 402. 7779: 7767: 7755: 7753:, p. 340. 7743: 7731: 7719: 7707: 7680: 7671: 7645: 7633: 7631:, p. 478. 7621: 7605: 7593: 7574: 7562: 7550: 7533: 7531:, p. 375. 7521: 7507: 7487: 7461: 7435: 7423: 7421:, p. 478. 7411: 7378: 7352: 7340: 7326: 7306: 7278: 7252: 7240: 7214: 7212:, p. 363. 7202: 7200:, p. 344. 7190: 7188:, p. 259. 7178: 7176:, p. 369. 7166: 7154: 7140: 7120: 7118:, p. 364. 7105: 7103:, p. 363. 7093: 7091:, p. 298. 7081: 7079:, p. 112. 7069: 7067:, p. 100. 7057: 7042: 7014: 7002: 6976: 6950: 6948:, p. 124. 6938: 6912: 6900: 6888: 6876: 6874:, p. 272. 6864: 6849: 6837: 6806: 6794: 6775: 6763: 6751: 6739: 6727: 6715: 6703: 6701:, p. 398. 6688: 6662: 6648: 6636: 6607: 6595: 6583: 6562: 6533: 6531:, p. 507. 6521: 6505: 6493: 6491:, p. 402. 6474: 6472:, p. 387. 6462: 6436: 6434:, p. 396. 6424: 6408: 6396: 6394:, p. 384. 6384: 6382:, p. 218. 6372: 6355: 6353:, p. 115. 6343: 6341:, p. 438. 6331: 6315: 6313:, p. 371. 6298: 6285: 6265: 6263:, p. 482. 6253: 6251:, p. 481. 6241: 6229: 6203: 6191: 6189:, p. 191. 6179: 6177:, p. 183. 6167: 6151: 6149:, p. 158. 6139: 6127: 6112: 6110:, p. 271. 6100: 6098:, p. 372. 6088: 6073: 6061: 6059:, p. 149. 6044: 6032: 6030:, p. 140. 6020: 6018:, p. 369. 6008: 5996: 5994:, p. 375. 5984: 5982:, p. 368. 5967: 5953: 5933: 5931:, p. 367. 5914: 5912:, p. 288. 5899: 5897:, p. 376. 5887: 5875: 5863: 5851: 5849:, p. 198. 5839: 5827: 5811: 5799: 5797:, p. 129. 5787: 5775: 5773:, p. 166. 5763: 5751: 5725: 5708: 5678: 5652: 5621: 5594: 5592:, p. 278. 5582: 5568: 5548: 5546:, p. xiv. 5529: 5517: 5505: 5499:, p. 10; 5489: 5477: 5449: 5437: 5425: 5413: 5401: 5375: 5363: 5337: 5325: 5299: 5283: 5281:, p. 162. 5271: 5269:, p. 141. 5259: 5247: 5235: 5223: 5211: 5209:, p. 370. 5199: 5168: 5156: 5135: 5123: 5108: 5096: 5081: 5066: 5054: 5042: 5014: 5002: 4990: 4975: 4958: 4946: 4934: 4922: 4906: 4894: 4882: 4870: 4858: 4846: 4831: 4812: 4797: 4777: 4765: 4753: 4741: 4718: 4706: 4690: 4674: 4658: 4646: 4631: 4619: 4604: 4592: 4576: 4564: 4552: 4540: 4521: 4506: 4486: 4469: 4457: 4445: 4430: 4418: 4406: 4394: 4377: 4371:, p. 20; 4361: 4349: 4343:, p. 14; 4333: 4318: 4306: 4290: 4264: 4252:The New Yorker 4238: 4228:, p. 20; 4218: 4206: 4194: 4188:, p. 13; 4178: 4164: 4144: 4129: 4117: 4105: 4086: 4079: 4057: 4051:, p. 18; 4037: 4025: 4013: 3996: 3984: 3972: 3956: 3944: 3929: 3908: 3902:, p. 18; 3892: 3880: 3854: 3827: 3825: 3822: 3819: 3818: 3806:Robert Redford 3793: 3780: 3767: 3758: 3748: 3744:Angelina Jolie 3735: 3722: 3710:Walter Pidgeon 3702:Adolphe Menjou 3698:Randolph Scott 3673: 3664: 3651: 3642: 3632: 3615: 3602: 3593: 3589:Agnes de Mille 3580: 3541: 3540: 3538: 3535: 3533: 3532: 3524: 3516: 3508: 3500: 3492: 3484: 3476: 3468: 3460: 3452: 3444: 3436: 3428: 3420: 3412: 3404: 3396: 3390: 3382: 3374: 3365: 3359: 3356: 3355: 3354: 3346: 3338: 3330: 3322: 3314: 3306: 3298: 3290: 3282: 3274: 3261: 3258: 3256: 3255: 3247: 3239: 3231: 3223: 3215: 3207: 3199: 3191: 3183: 3175: 3167: 3159: 3151: 3143: 3135: 3127: 3119: 3110: 3103: 3102: 3094: 3086: 3078: 3070: 3066:The Golden Bed 3062: 3054: 3046: 3038: 3030: 3022: 3018:Saturday Night 3014: 3006: 2998: 2990: 2982: 2974: 2966: 2958: 2950: 2942: 2934: 2926: 2918: 2910: 2902: 2894: 2886: 2878: 2874:Joan the Woman 2870: 2866:The Dream Girl 2862: 2854: 2846: 2838: 2830: 2822: 2814: 2806: 2798: 2790: 2786:Chimmie Fadden 2782: 2774: 2766: 2758: 2750: 2742: 2734: 2726: 2718: 2710: 2702: 2694: 2685: 2671: 2668: 2630:The Dream Girl 2613: 2610: 2567:Academy Awards 2498: 2495: 2396: 2393: 2300:George Stevens 2268:Ernst Lubitsch 2182:Camille Paglia 2180:." The critic 2092: 2089: 2004:John P. Fulton 1950: 1947: 1907:Robert Preston 1879:Gloria Swanson 1751: 1748: 1731: 1728: 1726: 1723: 1687: 1684: 1672:Scout Movement 1642:Henry Wilcoxon 1600:Salt Lake City 1559: 1557: 1554: 1535:anti-communist 1422:Daniel A. Lord 1358: 1355: 1311:Herbert Hoover 1303:Walter Reuther 1281: 1275: 1207: 1204: 1202: 1199: 1082: 1079: 1047:leading actor 1040:While filming 972: 969: 967: 964: 937:D. W. Griffith 929:Siegmund Lubin 898:Edison Company 860:Samuel Goldwyn 837: 834: 819:Sydney Shields 746: 743: 684:Elitch Theatre 667:Gloria Swanson 634:Garden Theater 632:at New York's 621: 618: 616: 613: 488:North Carolina 468:boarding house 455: 452: 450: 447: 327:Jesse L. Lasky 252: 251: 242: 238: 237: 229:Agnes de Mille 221: 217: 216: 207: 203: 202: 197:(adopted) and 191: 187: 186: 175: 171: 166: 165: 163: 159: 158: 153: 149: 148: 145: 141: 140: 138: 137: 134: 130: 128: 124: 123: 114: 110: 109: 104: 100: 99: 93: 91:(aged 77) 85: 81: 80: 74: 61: 59: 55: 54: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 15142: 15131: 15128: 15126: 15123: 15121: 15118: 15116: 15113: 15111: 15108: 15106: 15103: 15101: 15098: 15096: 15093: 15091: 15088: 15086: 15083: 15081: 15078: 15076: 15073: 15071: 15068: 15066: 15063: 15061: 15058: 15056: 15053: 15051: 15048: 15046: 15043: 15041: 15038: 15036: 15033: 15031: 15028: 15026: 15023: 15021: 15018: 15016: 15013: 15011: 15008: 15006: 15003: 15001: 14998: 14996: 14993: 14991: 14988: 14986: 14983: 14981: 14978: 14976: 14973: 14971: 14968: 14966: 14963: 14961: 14958: 14956: 14953: 14951: 14948: 14946: 14943: 14941: 14938: 14936: 14933: 14931: 14928: 14926: 14923: 14921: 14918: 14916: 14913: 14911: 14908: 14906: 14903: 14901: 14898: 14896: 14893: 14891: 14888: 14886: 14883: 14881: 14878: 14876: 14873: 14871: 14868: 14866: 14863: 14861: 14858: 14856: 14853: 14852: 14850: 14840: 14835: 14830: 14828: 14818: 14816: 14806: 14804: 14799: 14794: 14792: 14782: 14780: 14770: 14768: 14758: 14756: 14755:United States 14746: 14744: 14734: 14733: 14730: 14710: 14706: 14703: 14700: 14696: 14693: 14690: 14687: 14684: 14681: 14678: 14675: 14672: 14671:Warren Beatty 14669: 14666: 14663: 14660: 14657: 14654: 14651: 14648: 14645: 14642: 14638: 14635: 14632: 14629: 14626: 14623: 14620: 14617: 14614: 14611: 14608: 14605: 14602: 14599: 14596: 14593: 14590: 14587: 14584: 14581: 14578: 14575: 14572: 14569: 14566: 14565:William Wyler 14563: 14560: 14557: 14554: 14551: 14548: 14545: 14542: 14539: 14536: 14533: 14530: 14527: 14524: 14521: 14518: 14515: 14512: 14509: 14506: 14503: 14500: 14497: 14494: 14493:Hal B. Wallis 14491: 14488: 14485: 14482: 14479: 14476: 14473: 14470: 14469:Hal B. Wallis 14467: 14464: 14461: 14460: 14457: 14453: 14446: 14441: 14439: 14434: 14432: 14427: 14426: 14423: 14410: 14407: 14404: 14401: 14398: 14395: 14392: 14389: 14386: 14383: 14380: 14377: 14374: 14371: 14368: 14365: 14362: 14359: 14356: 14353: 14350: 14347: 14344: 14341: 14338: 14337:Robert Altman 14335: 14332: 14329: 14326: 14323: 14320: 14317: 14314: 14311: 14308: 14305: 14302: 14299: 14296: 14293: 14290: 14287: 14284: 14281: 14278: 14275: 14272: 14269: 14266: 14262: 14259: 14256: 14253: 14250: 14247: 14244: 14243:William Wyler 14241: 14238: 14237:Frank Borzage 14235: 14232: 14229: 14226: 14223: 14220: 14217: 14214: 14211: 14208: 14205: 14202: 14199: 14198: 14195: 14191: 14184: 14179: 14177: 14172: 14170: 14165: 14164: 14161: 14146: 14142: 14138: 14133: 14129: 14125: 14121: 14117: 14113: 14109: 14105: 14104:Oprah Winfrey 14101: 14097: 14093: 14089: 14085: 14081: 14077: 14073: 14069: 14065: 14061: 14057: 14053: 14049: 14045: 14041: 14037: 14033: 14029: 14024: 14020: 14019:Warren Beatty 14016: 14012: 14008: 14004: 14000: 13996: 13992: 13988: 13984: 13980: 13979:Harrison Ford 13976: 13972: 13968: 13964: 13960: 13956: 13952: 13948: 13944: 13940: 13936: 13932: 13928: 13924: 13920: 13916: 13912: 13908: 13907:Lauren Bacall 13904: 13900: 13896: 13892: 13888: 13884: 13880: 13876: 13872: 13868: 13864: 13860: 13859:Anthony Quinn 13856: 13852: 13848: 13844: 13840: 13836: 13832: 13828: 13824: 13820: 13816: 13812: 13808: 13804: 13800: 13796: 13792: 13788: 13784: 13780: 13776: 13771: 13767: 13766:Hal B. Wallis 13763: 13759: 13755: 13751: 13747: 13743: 13739: 13735: 13734:Frank Sinatra 13731: 13727: 13726:Joan Crawford 13723: 13719: 13715: 13711: 13707: 13703: 13699: 13695: 13691: 13687: 13686:James Stewart 13683: 13679: 13675: 13671: 13667: 13663: 13659: 13655: 13651: 13647: 13643: 13639: 13635: 13631: 13627: 13623: 13619: 13615: 13611: 13607: 13606:Jean Hersholt 13603: 13599: 13595: 13591: 13587: 13583: 13579: 13578: 13575: 13571: 13564: 13559: 13557: 13552: 13550: 13545: 13544: 13541: 13528: 13524: 13520: 13517: 13514: 13510: 13506: 13503: 13500: 13496: 13492: 13489: 13486: 13482: 13478: 13475: 13472: 13468: 13467:Lalo Schifrin 13464: 13461: 13458: 13454: 13450: 13446: 13443: 13440: 13436: 13432: 13428: 13425: 13422: 13421:Gena Rowlands 13418: 13415: 13412: 13408: 13404: 13401: 13398: 13394: 13390: 13387: 13384: 13380: 13376: 13373: 13370: 13366: 13363: 13360: 13356: 13352: 13349: 13346: 13345:Gordon Willis 13342: 13338: 13337:Lauren Bacall 13335: 13332: 13329: 13326: 13323: 13320: 13319:Robert Altman 13317: 13314: 13311: 13308: 13307:Blake Edwards 13305: 13302: 13301:Peter O'Toole 13299: 13296: 13292: 13289: 13288: 13286: 13282: 13275: 13274:Ernest Lehman 13271: 13268: 13265: 13264:Andrzej Wajda 13262: 13259: 13256: 13253: 13252:Stanley Donen 13250: 13247: 13244: 13241: 13237: 13234: 13231: 13228: 13225: 13222: 13219: 13216: 13213: 13210: 13207: 13203: 13200: 13197: 13194: 13191: 13187: 13184: 13181: 13180:Ralph Bellamy 13178: 13175: 13171: 13168: 13165: 13161: 13160:James Stewart 13158: 13155: 13152: 13149: 13148:Mickey Rooney 13146: 13143: 13140: 13137: 13134: 13131: 13130:Alec Guinness 13127: 13124: 13120: 13116: 13112: 13109: 13106: 13103: 13102: 13100: 13096: 13089: 13088:Mary Pickford 13086: 13083: 13079: 13076: 13073: 13069: 13066: 13063: 13059: 13056: 13053: 13050: 13046: 13043: 13040: 13037: 13034: 13030: 13029:John Chambers 13027: 13024: 13021: 13018: 13014: 13013:Yakima Canutt 13011: 13008: 13005: 13002: 12999: 12996: 12992: 12989: 12986: 12982: 12978: 12975: 12972: 12971:Lee de Forest 12968: 12967:Buster Keaton 12965: 12962: 12959: 12956: 12952: 12948: 12944: 12941: 12938: 12935: 12932: 12931: 12927: 12924: 12923: 12918: 12914: 12910: 12906: 12902: 12899: 12896: 12892: 12888: 12884: 12881: 12878: 12877: 12872: 12868: 12864: 12860: 12857: 12854: 12853: 12848: 12845: 12844: 12842: 12838: 12831: 12830: 12825: 12824:George Murphy 12821: 12818: 12815: 12814: 12809: 12805: 12801: 12800:Jean Hersholt 12798: 12795: 12791: 12787: 12786: 12781: 12780:Walter Wanger 12778: 12775: 12774: 12769: 12768: 12763: 12759: 12755: 12751: 12747: 12746:James Baskett 12744: 12741: 12737: 12733: 12729: 12726: 12723: 12719: 12718: 12713: 12712:Walter Wanger 12709: 12705: 12702: 12698: 12695: 12692: 12689: 12686: 12682: 12678: 12677:Charles Boyer 12675: 12672: 12668: 12664: 12660: 12656: 12653: 12650: 12646: 12643: 12640: 12636: 12632: 12628: 12624: 12623:Jean Hersholt 12620: 12616: 12612: 12608: 12605: 12602: 12598: 12594: 12590: 12586: 12582: 12578: 12574: 12570: 12569:Mickey Rooney 12566: 12565:Deanna Durbin 12562: 12558: 12555: 12552: 12548: 12544: 12540: 12537: 12534: 12533:Harold Rosson 12530: 12526: 12525: 12521: 12518: 12515: 12512: 12509: 12506: 12503: 12500: 12496: 12493: 12492: 12490: 12486: 12482: 12475: 12470: 12468: 12463: 12461: 12456: 12455: 12452: 12438: 12434: 12433:Charles Roven 12430: 12426: 12422: 12421:Jonathan Wang 12418: 12414: 12410: 12405: 12401: 12397: 12393: 12388: 12384: 12380: 12376: 12372: 12368: 12364: 12360: 12356: 12352: 12348: 12347:J. Miles Dale 12344: 12340: 12336: 12332: 12328: 12324: 12323:Michael Sugar 12320: 12316: 12312: 12308: 12304: 12300: 12296: 12292: 12288: 12284: 12283:Steve McQueen 12280: 12276: 12272: 12268: 12264: 12260: 12256: 12252: 12248: 12244: 12240: 12236: 12235:Emile Sherman 12232: 12228: 12224: 12220: 12216: 12212: 12208: 12204: 12200: 12196: 12192: 12188: 12184: 12180: 12176: 12172: 12168: 12164: 12160: 12159:Tom Rosenberg 12156: 12152: 12148: 12144: 12140: 12139:Peter Jackson 12136: 12132: 12128: 12124: 12120: 12116: 12115: 12113: 12109: 12101: 12097: 12096:Branko Lustig 12093: 12089: 12085: 12081: 12077: 12073: 12069: 12065: 12064:David Parfitt 12061: 12057: 12053: 12049: 12045: 12044:James Cameron 12041: 12037: 12033: 12029: 12028:Alan Ladd Jr. 12025: 12021: 12017: 12013: 12009: 12008:Steve Starkey 12005: 12001: 11997: 11993: 11989: 11988:Branko Lustig 11985: 11981: 11977: 11973: 11969: 11965: 11961: 11957: 11953: 11952:Kevin Costner 11949: 11945: 11941: 11937: 11933: 11929: 11925: 11924:Jeremy Thomas 11921: 11917: 11913: 11909: 11905: 11901: 11897: 11893: 11889: 11885: 11881: 11877: 11876:David Puttnam 11873: 11869: 11865: 11861: 11857: 11853: 11849: 11845: 11841: 11837: 11833: 11829: 11828:Irwin Winkler 11825: 11821: 11820: 11818: 11814: 11806: 11802: 11798: 11794: 11790: 11786: 11782: 11778: 11774: 11770: 11766: 11762: 11758: 11754: 11750: 11746: 11742: 11738: 11734: 11730: 11726: 11722: 11718: 11714: 11710: 11706: 11702: 11698: 11694: 11690: 11686: 11682: 11678: 11674: 11670: 11666: 11662: 11658: 11657:Sam Zimbalist 11654: 11650: 11646: 11642: 11638: 11634: 11630: 11626: 11622: 11618: 11614: 11610: 11606: 11602: 11598: 11594: 11590: 11589: 11587: 11583: 11579: 11572: 11567: 11565: 11560: 11558: 11553: 11552: 11549: 11543: 11536: 11522: 11521: 11516: 11512: 11511: 11506: 11502: 11501: 11496: 11492: 11491: 11486: 11482: 11481: 11476: 11472: 11471: 11466: 11462: 11461: 11456: 11452: 11451: 11450:Union Pacific 11446: 11442: 11441: 11440:The Buccaneer 11436: 11432: 11431: 11430:The Plainsman 11426: 11422: 11421: 11416: 11412: 11411: 11406: 11402: 11401: 11396: 11392: 11391: 11386: 11382: 11381: 11376: 11372: 11371: 11370:The Squaw Man 11366: 11362: 11361: 11356: 11352: 11351: 11346: 11345: 11343: 11339: 11331: 11330: 11325: 11321: 11320: 11315: 11311: 11310: 11305: 11301: 11300: 11295: 11291: 11290: 11285: 11281: 11280: 11275: 11271: 11270: 11265: 11261: 11260: 11255: 11251: 11250: 11245: 11241: 11240: 11235: 11231: 11230: 11225: 11221: 11220: 11215: 11211: 11210: 11205: 11201: 11200: 11195: 11191: 11190: 11185: 11181: 11180: 11175: 11171: 11170: 11165: 11161: 11160: 11155: 11151: 11150: 11145: 11141: 11140: 11135: 11131: 11130: 11129:The Squaw Man 11125: 11121: 11120: 11115: 11111: 11110: 11105: 11101: 11100: 11095: 11091: 11090: 11085: 11081: 11080: 11075: 11071: 11070: 11065: 11061: 11060: 11055: 11051: 11050: 11045: 11041: 11040: 11035: 11031: 11030: 11025: 11021: 11020: 11015: 11011: 11010: 11005: 11001: 11000: 10995: 10991: 10990: 10985: 10981: 10980: 10975: 10971: 10970: 10965: 10961: 10960: 10955: 10951: 10950: 10945: 10941: 10940: 10935: 10931: 10930: 10925: 10921: 10920: 10915: 10911: 10910: 10905: 10901: 10900: 10895: 10891: 10890: 10885: 10881: 10880: 10875: 10871: 10870: 10865: 10861: 10860: 10855: 10851: 10850: 10845: 10841: 10840: 10835: 10831: 10830: 10825: 10821: 10820: 10815: 10811: 10810: 10805: 10801: 10800: 10799:The Virginian 10795: 10791: 10790: 10785: 10781: 10780: 10775: 10771: 10770: 10765: 10761: 10760: 10755: 10751: 10750: 10745: 10741: 10740: 10739:The Squaw Man 10735: 10734: 10732: 10728: 10724: 10716: 10711: 10709: 10704: 10702: 10697: 10696: 10693: 10686: 10683: 10681: 10677: 10673: 10669: 10666: 10663: 10659: 10655: 10651: 10648: 10647: 10639: 10636: 10634: 10631: 10629: 10626: 10624: 10620: 10617: 10614: 10610: 10606: 10603: 10601: 10597: 10594: 10591: 10587: 10583: 10580: 10575: 10570: 10569: 10551: 10545: 10541: 10540: 10534: 10523: 10517: 10513: 10512: 10506: 10502: 10497: 10493: 10487: 10483: 10478: 10475: 10464: 10458: 10454: 10449: 10448: 10441: 10438: 10434: 10430: 10426: 10422: 10416: 10412: 10407: 10403: 10397: 10393: 10392: 10386: 10382: 10375: 10369: 10364: 10363: 10356: 10352: 10346: 10342: 10337: 10333: 10327: 10322: 10321: 10314: 10310: 10304: 10300: 10299: 10293: 10289: 10283: 10279: 10274: 10270: 10264: 10260: 10255: 10252: 10241: 10235: 10231: 10226: 10225: 10218: 10214: 10208: 10204: 10199: 10195: 10189: 10185: 10181: 10177: 10172: 10168: 10162: 10158: 10153: 10142: 10136: 10132: 10131: 10125: 10114: 10108: 10104: 10103: 10097: 10096: 10084: 10083:Birchard 2004 10079: 10064: 10060: 10053: 10046: 10041: 10025: 10021: 10017: 10010: 9994: 9990: 9986: 9980: 9965: 9963:9780786474066 9959: 9955: 9954: 9946: 9931: 9927: 9920: 9913: 9912:Birchard 2004 9908: 9893: 9889: 9885: 9879: 9872: 9867: 9865: 9863: 9861: 9845: 9843:9780786443635 9839: 9835: 9834: 9826: 9819: 9814: 9807: 9802: 9795: 9790: 9783: 9778: 9771: 9766: 9760:, p. 12. 9759: 9754: 9747: 9746:Birchard 2004 9742: 9727: 9725:9780762438051 9721: 9717: 9716: 9708: 9693: 9691:9781476634807 9687: 9683: 9682: 9674: 9667: 9666:Birchard 2004 9662: 9656:, p. 14. 9655: 9650: 9643: 9638: 9622: 9618: 9612: 9597: 9593: 9586: 9579: 9578:Birchard 2004 9574: 9567: 9566:Birchard 2004 9562: 9556:, p. 83. 9555: 9554:Birchard 2004 9550: 9544:, p. 64. 9543: 9542:Birchard 2004 9538: 9532:, p. 50. 9531: 9530:Birchard 2004 9526: 9520:, p. 47. 9519: 9518:Birchard 2004 9514: 9506: 9504:9781315745039 9500: 9496: 9492: 9486: 9471: 9467: 9460: 9453: 9448: 9432: 9428: 9422: 9407: 9403: 9396: 9380: 9376: 9370: 9354: 9350: 9344: 9328: 9324: 9318: 9302: 9298: 9292: 9276: 9272: 9266: 9250: 9246: 9240: 9224: 9220: 9214: 9198: 9194: 9188: 9173: 9169: 9163: 9148: 9144: 9138: 9131: 9126: 9124: 9116: 9111: 9095: 9091: 9085: 9078: 9074: 9069: 9054: 9050: 9043: 9027: 9023: 9016: 9001: 8997: 8990: 8975: 8973:9780231526531 8969: 8965: 8961: 8960: 8952: 8937: 8935:9780231850209 8931: 8927: 8926: 8918: 8910: 8906: 8900: 8884: 8880: 8874: 8859: 8855: 8848: 8832: 8828: 8822: 8806: 8802: 8798: 8792: 8784: 8780: 8774: 8759: 8755: 8748: 8732: 8728: 8722: 8707: 8703: 8697: 8682: 8678: 8671: 8656: 8652: 8645: 8637: 8633: 8629: 8625: 8618: 8611: 8606: 8590: 8586: 8582: 8576: 8568: 8566:9781400052219 8562: 8558: 8554: 8553: 8545: 8538: 8533: 8526: 8521: 8515:, p. 292 8514: 8513:Birchard 2004 8509: 8493: 8489: 8485: 8478: 8462: 8458: 8452: 8437: 8431: 8427: 8426: 8418: 8403: 8397: 8393: 8392: 8384: 8377: 8372: 8356: 8352: 8345: 8330: 8326: 8319: 8312: 8307: 8292: 8288: 8281: 8274: 8269: 8262: 8261:Birchard 2004 8257: 8255: 8253: 8246:, p. 59. 8245: 8240: 8233: 8227: 8220: 8216: 8212: 8208: 8202: 8195: 8191: 8187: 8181: 8174: 8169: 8163:, p. 64. 8162: 8157: 8142: 8138: 8131: 8116: 8112: 8105: 8090: 8086: 8079: 8064: 8060: 8053: 8037: 8033: 8026: 8019: 8018:Williams 2014 8014: 8007: 8006:Birchard 2004 8002: 7986: 7982: 7978: 7971: 7969: 7967: 7959: 7954: 7947: 7942: 7927: 7923: 7916: 7901: 7897: 7896: 7891: 7884: 7877: 7872: 7866:, p. 14. 7865: 7860: 7852: 7850:9781908843708 7846: 7842: 7835: 7827: 7823: 7822: 7817: 7811: 7804: 7801:, p. 5; 7800: 7795: 7788: 7783: 7776: 7771: 7764: 7759: 7752: 7747: 7740: 7735: 7729:, p. 69. 7728: 7723: 7716: 7711: 7695: 7691: 7684: 7675: 7660: 7656: 7649: 7643:, p. 16. 7642: 7637: 7630: 7625: 7618: 7615:, p. 3; 7614: 7609: 7603:, p. 64. 7602: 7597: 7590: 7585: 7583: 7581: 7579: 7571: 7566: 7559: 7554: 7547: 7542: 7540: 7538: 7530: 7525: 7510: 7508:9781118475133 7504: 7500: 7499: 7491: 7476: 7472: 7465: 7449: 7445: 7439: 7432: 7431:Birchard 2004 7427: 7420: 7415: 7406: 7401: 7397: 7393: 7389: 7382: 7367: 7363: 7356: 7350:, p. 346 7349: 7344: 7329: 7327:9780147516824 7323: 7319: 7318: 7310: 7295: 7294: 7289: 7282: 7266: 7262: 7256: 7249: 7244: 7228: 7224: 7218: 7211: 7206: 7199: 7194: 7187: 7182: 7175: 7170: 7163: 7158: 7143: 7141:9780762458073 7137: 7133: 7132: 7124: 7117: 7112: 7110: 7102: 7097: 7090: 7085: 7078: 7073: 7066: 7061: 7055:, p. 94. 7054: 7049: 7047: 7031: 7030: 7025: 7018: 7012:, p. 26. 7011: 7006: 6990: 6986: 6980: 6964: 6960: 6954: 6947: 6942: 6926: 6922: 6916: 6909: 6904: 6897: 6892: 6885: 6880: 6873: 6868: 6862:, p. 11. 6861: 6856: 6854: 6847:, p. 48. 6846: 6841: 6826: 6822: 6815: 6813: 6811: 6803: 6798: 6791: 6786: 6784: 6782: 6780: 6773:, p. 53. 6772: 6767: 6761:, p. 51. 6760: 6755: 6748: 6743: 6737:, p. 13. 6736: 6731: 6724: 6719: 6712: 6707: 6700: 6695: 6693: 6677: 6673: 6666: 6659: 6658: 6652: 6645: 6640: 6625: 6621: 6614: 6612: 6605:, p. 433 6604: 6599: 6593:, p. 12. 6592: 6587: 6580: 6579:1-844-49430-6 6576: 6572: 6566: 6551: 6547: 6544:Blake, Gene. 6540: 6538: 6530: 6525: 6519:, p. 402 6518: 6514: 6509: 6503:, p. 76. 6502: 6497: 6490: 6485: 6483: 6481: 6479: 6471: 6466: 6451: 6447: 6440: 6433: 6428: 6421: 6417: 6416:Birchard 2004 6412: 6405: 6400: 6393: 6388: 6381: 6376: 6369: 6364: 6362: 6360: 6352: 6347: 6340: 6335: 6329:, p. 371 6328: 6324: 6319: 6312: 6307: 6305: 6303: 6295: 6289: 6283: 6279: 6275: 6269: 6262: 6257: 6250: 6245: 6238: 6233: 6217: 6213: 6207: 6201:, p. 202 6200: 6195: 6188: 6183: 6176: 6171: 6164: 6158: 6156: 6148: 6143: 6136: 6131: 6124: 6119: 6117: 6109: 6104: 6097: 6092: 6085: 6080: 6078: 6070: 6065: 6058: 6053: 6051: 6049: 6041: 6036: 6029: 6024: 6017: 6012: 6005: 6000: 5993: 5988: 5981: 5976: 5974: 5972: 5956: 5954:9781315690254 5950: 5946: 5945: 5937: 5930: 5925: 5923: 5921: 5919: 5911: 5906: 5904: 5896: 5891: 5884: 5879: 5872: 5867: 5860: 5855: 5848: 5843: 5837:, p. 88. 5836: 5831: 5824: 5820: 5815: 5808: 5803: 5796: 5791: 5784: 5779: 5772: 5767: 5760: 5755: 5740: 5736: 5729: 5722: 5711: 5705: 5701: 5697: 5694:. Baltimore: 5692: 5691: 5682: 5666: 5662: 5656: 5640: 5636: 5630: 5628: 5626: 5609: 5605: 5598: 5591: 5586: 5571: 5569:9789004168619 5565: 5561: 5560: 5552: 5545: 5540: 5538: 5536: 5534: 5526: 5521: 5514: 5509: 5502: 5498: 5493: 5486: 5481: 5465: 5464: 5459: 5453: 5447:, p. 28. 5446: 5441: 5435:, p. 19. 5434: 5429: 5423:, p. 17. 5422: 5417: 5411:, p. 21. 5410: 5409:Birchard 2004 5405: 5389: 5385: 5379: 5373:, p. xvi 5372: 5371:Birchard 2004 5367: 5351: 5347: 5341: 5334: 5329: 5314: 5310: 5303: 5297:, p. 162 5296: 5292: 5287: 5280: 5275: 5268: 5263: 5256: 5251: 5244: 5243:Birchard 2004 5239: 5233:, p. 11. 5232: 5227: 5221:, p. 95. 5220: 5215: 5208: 5203: 5188: 5187: 5182: 5175: 5173: 5166:, p. 131 5165: 5160: 5154:, p. 11. 5153: 5148: 5146: 5144: 5142: 5140: 5132: 5127: 5121:, p. 84. 5120: 5115: 5113: 5106:, p. 75. 5105: 5100: 5094:, p. 71. 5093: 5088: 5086: 5079:, p. 99. 5078: 5073: 5071: 5063: 5058: 5051: 5046: 5031: 5030: 5025: 5018: 5012:, p. 60. 5011: 5006: 5000:, p. 65. 4999: 4994: 4987: 4982: 4980: 4973:, p. 10. 4972: 4967: 4965: 4963: 4956:, p. 59. 4955: 4950: 4943: 4938: 4931: 4926: 4919: 4915: 4910: 4904:, p. 40. 4903: 4898: 4891: 4886: 4880:, p. 58. 4879: 4874: 4867: 4862: 4856:, p. 66. 4855: 4850: 4843: 4838: 4836: 4828: 4823: 4821: 4819: 4817: 4810:, p. 38. 4809: 4804: 4802: 4794: 4791:, p. 7; 4790: 4786: 4781: 4774: 4769: 4763:, p. 22. 4762: 4757: 4750: 4749:Birchard 2004 4745: 4737: 4736: 4728: 4722: 4716:, p. 47. 4715: 4710: 4703: 4699: 4694: 4687: 4684:, p. 45; 4683: 4678: 4671: 4668:, p. 1; 4667: 4662: 4656:, p. 38. 4655: 4650: 4644:, p. 31. 4643: 4638: 4636: 4629:, p. 29. 4628: 4623: 4617:, p. 27. 4616: 4611: 4609: 4602:, p. 26. 4601: 4596: 4589: 4585: 4580: 4574:, p. 37. 4573: 4568: 4561: 4556: 4550:, p. 20. 4549: 4544: 4537: 4532: 4530: 4528: 4526: 4517: 4513: 4509: 4503: 4499: 4498: 4490: 4484:, p. 24. 4483: 4478: 4476: 4474: 4466: 4461: 4455:, p. 80. 4454: 4449: 4443:, p. 90. 4442: 4437: 4435: 4427: 4422: 4416:, p. 21. 4415: 4410: 4403: 4398: 4392:, p. 20. 4391: 4386: 4384: 4382: 4374: 4370: 4365: 4359:, p. 17. 4358: 4353: 4346: 4342: 4337: 4331:, p. 47. 4330: 4325: 4323: 4316:, p. 14. 4315: 4310: 4303: 4300:, p. 8; 4299: 4294: 4279: 4275: 4268: 4253: 4249: 4242: 4235: 4232:, p. 8; 4231: 4227: 4222: 4216:, p. 29. 4215: 4210: 4204:, p. 28. 4203: 4198: 4191: 4187: 4182: 4167: 4161: 4157: 4156: 4148: 4142:, p. 18. 4141: 4136: 4134: 4126: 4121: 4115:, p. 24. 4114: 4109: 4102: 4099:, p. 4; 4098: 4093: 4091: 4082: 4076: 4072: 4071:Da Capo Press 4068: 4061: 4054: 4050: 4046: 4041: 4035:, p. 22. 4034: 4029: 4023:, p. 23. 4022: 4017: 4010: 4005: 4003: 4001: 3993: 3988: 3982:, p. 17. 3981: 3976: 3970:, p. 465 3969: 3965: 3960: 3953: 3948: 3942:, p. 18. 3941: 3936: 3934: 3925: 3924:Prentice Hall 3921: 3920: 3912: 3905: 3901: 3896: 3890:, p. 15. 3889: 3884: 3868: 3864: 3858: 3842: 3838: 3832: 3828: 3815: 3811: 3810:Lauren Bacall 3807: 3803: 3797: 3790: 3784: 3777: 3771: 3762: 3752: 3745: 3739: 3732: 3726: 3719: 3715: 3711: 3707: 3703: 3699: 3695: 3694:Ginger Rogers 3691: 3687: 3683: 3677: 3668: 3661: 3655: 3646: 3636: 3629: 3625: 3619: 3612: 3606: 3597: 3590: 3584: 3577: 3572: 3568: 3564: 3560: 3556: 3552: 3546: 3542: 3530: 3529: 3528:The Buccaneer 3525: 3522: 3521: 3517: 3514: 3513: 3509: 3506: 3505: 3501: 3498: 3497: 3493: 3490: 3489: 3485: 3482: 3481: 3477: 3474: 3473: 3469: 3466: 3465: 3461: 3458: 3457: 3453: 3450: 3449: 3445: 3442: 3441: 3437: 3434: 3433: 3429: 3426: 3425: 3421: 3418: 3417: 3413: 3410: 3409: 3405: 3402: 3401: 3397: 3394: 3391: 3388: 3387: 3386:Free and Easy 3383: 3380: 3379: 3375: 3372: 3371: 3370:The Squaw Man 3367: 3366: 3364: 3352: 3351: 3350:The Buccaneer 3347: 3344: 3343: 3339: 3336: 3335: 3331: 3328: 3327: 3323: 3320: 3319: 3315: 3312: 3311: 3307: 3304: 3303: 3299: 3296: 3295: 3291: 3288: 3287: 3283: 3280: 3279: 3275: 3272: 3271: 3267: 3266: 3265: 3253: 3252: 3248: 3245: 3244: 3240: 3237: 3236: 3232: 3229: 3228: 3224: 3221: 3220: 3216: 3213: 3212: 3208: 3205: 3204: 3200: 3197: 3196: 3195:Union Pacific 3192: 3189: 3188: 3187:The Buccaneer 3184: 3181: 3180: 3179:The Plainsman 3176: 3173: 3172: 3168: 3165: 3164: 3160: 3157: 3156: 3152: 3149: 3148: 3144: 3141: 3140: 3136: 3133: 3132: 3131:The Squaw Man 3128: 3125: 3124: 3120: 3117: 3116: 3112: 3111: 3109: 3108: 3100: 3099: 3095: 3092: 3091: 3087: 3084: 3083: 3079: 3076: 3075: 3071: 3068: 3067: 3063: 3060: 3059: 3055: 3052: 3051: 3047: 3044: 3043: 3039: 3036: 3035: 3031: 3028: 3027: 3023: 3020: 3019: 3015: 3012: 3011: 3007: 3004: 3003: 2999: 2996: 2995: 2991: 2988: 2987: 2983: 2980: 2979: 2975: 2972: 2971: 2967: 2964: 2963: 2959: 2956: 2955: 2951: 2948: 2947: 2946:The Squaw Man 2943: 2940: 2939: 2935: 2932: 2931: 2927: 2924: 2923: 2919: 2916: 2915: 2911: 2908: 2907: 2903: 2900: 2899: 2895: 2892: 2891: 2887: 2884: 2883: 2879: 2876: 2875: 2871: 2868: 2867: 2863: 2860: 2859: 2855: 2852: 2851: 2847: 2844: 2843: 2839: 2836: 2835: 2831: 2828: 2827: 2823: 2820: 2819: 2815: 2812: 2811: 2807: 2804: 2803: 2799: 2796: 2795: 2791: 2788: 2787: 2783: 2780: 2779: 2775: 2772: 2771: 2767: 2764: 2763: 2759: 2756: 2755: 2751: 2748: 2747: 2743: 2740: 2739: 2735: 2732: 2731: 2727: 2724: 2723: 2719: 2716: 2715: 2711: 2708: 2707: 2706:The Virginian 2703: 2700: 2699: 2695: 2692: 2691: 2690:The Squaw Man 2687: 2686: 2684: 2683: 2679: 2677: 2667: 2665: 2661: 2657: 2656: 2651: 2647: 2643: 2642:The Squaw Man 2639: 2635: 2631: 2627: 2623: 2619: 2609: 2607: 2603: 2599: 2595: 2590: 2588: 2584: 2583:Union Pacific 2580: 2576: 2575:Best Director 2572: 2568: 2563: 2561: 2557: 2556:Golden Globes 2553: 2547: 2545: 2541: 2532: 2528: 2526: 2521: 2519: 2511: 2506: 2502: 2494: 2492: 2488: 2482: 2480: 2479: 2474: 2470: 2466: 2462: 2458: 2452: 2450: 2446: 2442: 2438: 2434: 2430: 2429:The Squaw Man 2426: 2423:The original 2418: 2414: 2413:The Squaw Man 2410: 2406: 2401: 2392: 2390: 2386: 2382: 2378: 2377: 2372: 2367: 2363: 2359: 2353: 2351: 2350: 2345: 2341: 2337: 2336: 2331: 2327: 2323: 2319: 2315: 2311: 2310: 2305: 2301: 2297: 2293: 2289: 2288: 2283: 2279: 2275: 2274: 2269: 2263: 2261: 2260: 2255: 2251: 2247: 2246: 2245:Free and Easy 2241: 2237: 2236:Marx Brothers 2233: 2229: 2228:Salvador Dalí 2225: 2221: 2216: 2214: 2210: 2206: 2202: 2193: 2189: 2187: 2183: 2179: 2175: 2174:Andrew Sarris 2171: 2170:Simon Louvish 2167: 2163: 2159: 2155: 2151: 2145: 2143: 2139: 2135: 2131: 2127: 2123: 2117: 2115: 2111: 2102: 2097: 2088: 2086: 2085:sadomasochism 2082: 2078: 2074: 2070: 2064: 2061: 2060: 2055: 2054: 2049: 2048: 2043: 2039: 2035: 2031: 2030: 2025: 2019: 2017: 2013: 2009: 2005: 2001: 1996: 1994: 1990: 1986: 1982: 1977: 1976:The Squaw Man 1967: 1963: 1961: 1960:D.W. Griffith 1957: 1946: 1944: 1940: 1936: 1935:Akim Tamiroff 1932: 1928: 1924: 1920: 1916: 1912: 1911:Fredric March 1908: 1904: 1900: 1896: 1892: 1888: 1887:Rod La Rocque 1884: 1880: 1875: 1873: 1872:Alvin Wyckoff 1869: 1865: 1861: 1857: 1853: 1852:Victor Mature 1847: 1845: 1840: 1835: 1831: 1824: 1823: 1817: 1813: 1811: 1807: 1803: 1799: 1795: 1794:Union Pacific 1791: 1787: 1783: 1778: 1772: 1770: 1769:Anne Bauchens 1761: 1756: 1747: 1745: 1741: 1737: 1722: 1720: 1716: 1712: 1711: 1706: 1702: 1692: 1683: 1681: 1677: 1673: 1669: 1665: 1664:The Buccaneer 1661: 1660:The Buccaneer 1657: 1656: 1655:The Buccaneer 1651: 1647: 1643: 1639: 1638: 1637:The Buccaneer 1633: 1632:Anthony Quinn 1628: 1626: 1622: 1619:sequence for 1618: 1613: 1611: 1610: 1605: 1601: 1596: 1592: 1588: 1584: 1580: 1574: 1571: 1564: 1553: 1551: 1547: 1543: 1539: 1536: 1532: 1528: 1524: 1520: 1516: 1511: 1509: 1508: 1503: 1500: 1496: 1492: 1488: 1484: 1480: 1477:, he was the 1476: 1472: 1468: 1464: 1463: 1455: 1451: 1450: 1444: 1440: 1438: 1434: 1430: 1429: 1423: 1419: 1415: 1411: 1406: 1403: 1402: 1396: 1392: 1391: 1386: 1385:Union Pacific 1382: 1378: 1377:prostatectomy 1374: 1373:Union Pacific 1370: 1366: 1365: 1364:Union Pacific 1354: 1352: 1348: 1342: 1339: 1334: 1330: 1326: 1325: 1319: 1317: 1312: 1308: 1307:Harry Bridges 1304: 1299: 1291: 1286: 1280: 1277:Politics and 1274: 1272: 1268: 1267: 1262: 1261: 1255: 1251: 1247: 1243: 1238: 1236: 1231: 1230: 1229:The Squaw Man 1225: 1224: 1219: 1218: 1213: 1198: 1196: 1192: 1188: 1184: 1179: 1177: 1172: 1168: 1164: 1163: 1158: 1153: 1152: 1147: 1138: 1134: 1132: 1128: 1124: 1123: 1118: 1117: 1112: 1108: 1107: 1101: 1099: 1095: 1094: 1093:The Squaw Man 1089: 1078: 1076: 1071: 1066: 1064: 1063: 1058: 1054: 1050: 1045: 1044: 1038: 1036: 1032: 1027: 1023: 1022: 1016: 1014: 1010: 1009: 1004: 1003: 998: 997: 992: 988: 987: 986:The Virginian 977: 963: 961: 960: 954: 953:The Squaw Man 950: 948: 947:The Squaw Man 944: 943: 938: 934: 930: 926: 925:The Squaw Man 922: 921:The Squaw Man 918: 914: 910: 906: 901: 899: 895: 891: 890: 889:The Squaw Man 884: 883:Dustin Farnum 880: 876: 875: 874:The Squaw Man 868: 865: 861: 853: 852: 851:The Squaw Man 833: 831: 830: 824: 820: 816: 812: 808: 804: 800: 796: 790: 788: 784: 780: 779:Evelyn Nesbit 776: 775:E. H. Sothern 772: 768: 764: 760: 756: 755:Mary Pickford 752: 742: 740: 736: 732: 728: 727: 722: 718: 717: 712: 711:David Belasco 708: 704: 700: 695: 693: 689: 685: 681: 677: 676: 670: 668: 662: 660: 655: 654:Simon Louvish 651: 647: 643: 639: 635: 631: 627: 612: 610: 606: 602: 598: 594: 590: 586: 582: 578: 577:typhoid fever 569: 565: 563: 559: 555: 551: 547: 543: 539: 535: 531: 526: 524: 518: 516: 512: 507: 505: 504:David Belasco 501: 497: 493: 489: 485: 481: 477: 473: 469: 460: 446: 444: 440: 436: 432: 431: 430:Union Pacific 426: 422: 418: 414: 413: 408: 404: 400: 399: 394: 389: 387: 386: 381: 377: 376: 371: 370: 365: 364: 358: 356: 355: 350: 346: 342: 338: 337: 336:The Squaw Man 332: 328: 324: 319: 316: 312: 308: 302: 258: 248: 243: 239: 235: 230: 225: 222: 218: 215: 211: 208: 204: 200: 196: 193:4, including 192: 188: 169: 164: 160: 157: 154: 150: 146: 142: 135: 132: 131: 129: 125: 122: 118: 115: 111: 108: 105: 103:Resting place 101: 96: 86: 82: 77: 60: 56: 45: 40: 33: 30: 19: 14839:Christianity 14827:Conservatism 14647:George Lucas 14631:Billy Wilder 14595:Mervyn LeRoy 14528: 14523:Arthur Freed 14403:Ridley Scott 14397:Miloš Forman 14379:Mike Nichols 14331:Sidney Lumet 14295:Billy Wilder 14289:Orson Welles 14271:George Cukor 14200: 14141:Eddie Murphy 14112:Jeff Bridges 14096:Meryl Streep 14064:Jodie Foster 13987:Gene Hackman 13931:Sean Connery 13923:Sophia Loren 13795:Lucille Ball 13718:Gregory Peck 13710:Kirk Douglas 13662:Judy Garland 13654:Fred Astaire 13622:Mervyn LeRoy 13581: 13509:Diane Warren 13505:Euzhan Palcy 13471:Cicely Tyson 13449:Owen Roizman 13393:Steve Martin 13341:Roger Corman 13313:Sidney Lumet 13284:2001–present 13270:Jack Cardiff 13246:Michael Kidd 13236:Kirk Douglas 13224:Deborah Kerr 13212:Satyajit Ray 13202:Sophia Loren 13128:Hal Elias / 13111:Walter Lantz 13078:Howard Hawks 13072:Groucho Marx 13049:Orson Welles 13045:Lillian Gish 13023:Arthur Freed 12985:Hayley Mills 12955:B. B. Kahane 12937:Eddie Cantor 12928: 12922:Gate of Hell 12921: 12913:Jon Whiteley 12891:Joseph Breen 12874: 12867:Harold Lloyd 12850: 12827: 12811: 12807: 12804:Fred Astaire 12794:Adolph Zukor 12783: 12771: 12767:Bill and Coo 12765: 12750:Thomas Armat 12715: 12635:Conrad Nagel 12627:Ralph Morgan 12611:Judy Garland 12601:Harry Warner 12585:Loyal Griggs 12551:Mack Sennett 12539:Edgar Bergen 12522: 12495:Warner Bros. 12396:Peter Spears 12379:Bong Joon-ho 12331:Dede Gardner 12271:Dede Gardner 12263:Grant Heslov 12239:Gareth Unwin 12231:Iain Canning 12223:Greg Shapiro 12119:Brian Grazer 12111:2001–present 12100:Douglas Wick 12072:Edward Zwick 11968:Edward Saxon 11932:Mark Johnson 11665:Billy Wilder 11649:Arthur Freed 11633:Michael Todd 11625:Harold Hecht 11600: 11593:Arthur Freed 11518: 11508: 11498: 11488: 11478: 11468: 11458: 11448: 11438: 11428: 11420:The Crusades 11418: 11408: 11398: 11388: 11378: 11368: 11358: 11348: 11327: 11319:Walking Back 11317: 11307: 11297: 11287: 11277: 11269:Feet of Clay 11267: 11257: 11247: 11237: 11229:Manslaughter 11227: 11217: 11207: 11197: 11187: 11177: 11167: 11157: 11147: 11137: 11127: 11117: 11107: 11097: 11087: 11077: 11067: 11057: 11047: 11037: 11027: 11017: 11007: 10997: 10987: 10977: 10967: 10957: 10947: 10937: 10927: 10917: 10907: 10897: 10887: 10879:The Unafraid 10877: 10867: 10857: 10847: 10837: 10827: 10817: 10807: 10797: 10787: 10777: 10769:The Only Son 10767: 10757: 10747: 10737: 10722: 10553:. 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Retrieved 3841:the original 3831: 3814:Jeff Bridges 3802:Kirk Douglas 3796: 3788: 3783: 3770: 3761: 3751: 3738: 3725: 3682:Hedda Hopper 3676: 3667: 3654: 3645: 3635: 3628:tuberculosis 3618: 3610: 3605: 3596: 3583: 3575: 3570: 3566: 3562: 3558: 3554: 3545: 3526: 3518: 3510: 3502: 3494: 3486: 3478: 3470: 3462: 3456:Variety Girl 3454: 3446: 3438: 3430: 3422: 3414: 3406: 3398: 3392: 3384: 3376: 3368: 3361: 3348: 3340: 3332: 3324: 3316: 3308: 3305:(1914, lost) 3300: 3292: 3289:(1914, lost) 3286:The Only Son 3284: 3276: 3273:(1914, lost) 3268: 3263: 3249: 3241: 3233: 3225: 3217: 3209: 3201: 3193: 3185: 3177: 3171:The Crusades 3169: 3161: 3153: 3145: 3137: 3129: 3121: 3113: 3106: 3105: 3096: 3088: 3080: 3072: 3064: 3061:(1924, Lost) 3058:Feet of Clay 3056: 3048: 3040: 3032: 3026:Manslaughter 3024: 3016: 3008: 3000: 2992: 2984: 2976: 2968: 2960: 2952: 2949:(1918, Lost) 2944: 2936: 2933:(1918, Lost) 2928: 2920: 2912: 2904: 2896: 2888: 2880: 2872: 2869:(1916, Lost) 2864: 2856: 2848: 2840: 2832: 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1730:Influences 1725:Filmmaking 1298:Republican 1070:Home Guard 1031:Julia Faye 823:melodramas 803:California 799:The Genius 707:After Five 699:The Genius 534:Robin Hood 433:(1939), a 425:Palme d'Or 331:vaudeville 156:Republican 68:1881-08-12 14743:Biography 14613:Ray Stark 14409:Spike Lee 14207:John Ford 14120:Tom Hanks 13971:Al Pacino 13875:Doris Day 13481:Wes Studi 13417:Spike Lee 13206:Myrna Loy 13154:Hal Roach 13098:1976–2000 12840:1951–1975 12773:Shoeshine 12488:1928–1950 12359:Jim Burke 12287:Brad Pitt 12215:Mark Boal 12084:Dan Jinks 11816:1976–2000 11793:Fred Roos 11769:Tony Bill 11585:1951–1975 11410:Cleopatra 10959:The Cheat 10045:Lyon 1984 9871:Lyon 1984 8979:August 1, 8941:August 1, 8244:King 2007 8234:, p. 357. 8230:Presley, 6501:Dick 2001 5819:Dick 2001 5501:Dick 2001 5470:April 29, 5231:Dick 2001 5035:April 29, 4930:Dick 2001 4789:Dick 2001 4785:Abel 2005 4773:Dick 2001 4702:Dick 2001 4516:823177622 4283:April 21, 3873:April 11, 3847:April 11, 3824:Citations 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