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attract a high-class audience, DeMille based many of his early films on stage melodramas, novels, and short stories. He began the production of epics earlier in his career until they began to solidify his career in the 1920s. By 1930, DeMille had perfected his film style of mass-interest spectacle films with
Western, Roman, or Biblical themes. DeMille was often criticized for making his spectacles too colorful and for being too occupied with entertaining the audience rather than accessing the artistic and auteur possibilities that film could provide. However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic. Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation. Throughout his career, he did not alter his films to better adhere to contemporary or popular styles. Actor Charlton Heston admitted DeMille was, "terribly unfashionable" and
1525:. The film began production in 1949, Ringling Brothers-Barnum and Bailey were paid $ 250,000 for use of the title and facilities. DeMille toured with the circus while helping write the script. Noisy and bright, it was not well-liked by critics, but was a favorite among audiences. DeMille signed a contract with Prentice Hall publishers in August 1953 to publish an autobiography. DeMille would reminisce into a voice recorder, the recording would be transcribed, and the information would be organized in the biography based on the topic. Art Arthur also interviewed people for the autobiography. DeMille did not like the first draft of the biography, saying that he thought the person portrayed in the biography was an "SOB"; he said it made him sound too egotistical. Besides filmmaking and finishing his autobiography, DeMille was involved in other projects. In the early 1950s, DeMille was recruited by
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2176:, a leading proponent of the auteur theory, ranked DeMille highly as an auteur in the "Far Side of Paradise", just below the "Pantheon". Sarris added that despite the influence of the styles of contemporary directors throughout his career, DeMille's style remained unchanged. Robert Birchard wrote that one could argue the auteurship of DeMille on the basis that DeMille's thematic and visual style remained consistent throughout his career. However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form. Meanwhile, Sumiko Higashi sees DeMille as "not only a figure who was shaped and influenced by the forces of his era but as a filmmaker who left his own signature on the
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artist Dan Sayre
Groesbeck's concept, costume, and storyboard art. Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision. His art was even shown at Paramount meetings when pitching new films. DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets. As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films. While visually appealing, this made the films appear more old-fashioned.
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1846:(1956), said that he was skilled in humiliating people. Jeakins admitted that she received quality training from him, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired. DeMille had an authoritarian persona on set; he required absolute attention from the cast and crew. He had a band of assistants who catered to his needs. He would speak to the entire set, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set. He was disliked by many inside and outside of the film industry for his cold and controlling reputation.
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1738:, whose ideas trickled down to DeMille. DeMille noted that his mother had a "high sense of the dramatic" and was determined to continue the artistic legacy of her husband after he died. Beatrice became a play broker and author's agent, influencing DeMille's early life and career. DeMille's father worked with David Belasco who was a theatrical producer, impresario, and playwright. Belasco was known for adding realistic elements in his plays such as real flowers, food, and aromas that could transport his audiences into the scenes. While working in theatre, DeMille used real fruit trees in his play
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women in society. Moreover, before his religious-themed films, many of his silent era films revolved around "husband-and-wife-divorce-and-remarry satires", considerably more adult-themed. According to Simon
Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality. Religion was a theme that DeMille returned to throughout his career. Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism in films such as
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1721:, in Laughlin Park to his daughter Cecilia because his wife had dementia and was unable to care for an estate. She would die one year later. His personal will drew a line between Cecilia and his three adopted children, with Cecilia receiving a majority of DeMille's inheritance and estate. The other three children were surprised by this, as DeMille did not treat the children differently in life. Cecilia lived in the house for many years until her death in 1984, but the house was auctioned by his granddaughter Cecilia DeMille Presley who also lived there in the late 1980s.
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unique in using this technique. In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image. Another important aspect of DeMille's editing technique was to put the film away for a week or two after an initial edit in order to re-edit the picture with a fresh mind. This allowed for the rapid production of his films in the early years of the Lasky
Company. The cuts were sometimes rough, but the movies were always interesting.
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2226:: "Directorially, I think his pictures were the most horrible things I've ever seen in my life. But he put on pictures that made a fortune. In that respect, he was better than any of us." Producer David O. Selznick wrote: "There has appeared only one Cecil B. DeMille. He is one of the most extraordinarily able showmen of modern times. However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment."
1623:, DeMille (who was seventy-three) climbed a 107-foot (33 m) ladder to the top of the massive Per Rameses set and suffered a serious heart attack. Despite the urging of his associate producer, DeMille wanted to return to the set right away. DeMille developed a plan with his doctor to allow him to continue directing while reducing his physical stress. Although DeMille completed the film, his health was diminished by several more heart attacks. His daughter Cecilia took over as director as DeMille sat behind the camera with
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2075:. Western and frontier American were also themes that DeMille returned to throughout his career. His first several films were Westerns, and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity and redemption found in Western America. Another common theme in DeMille's films is the reversal of fortune and the portrayal of the rich and the poor, including the war of the classes and man versus society conflicts such as in
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1011:. This was the first of few film collaborations with his brother William. They struggled to adapt the play from the stage to the set. After the film was shown, viewers complained that the shadows and lighting prevented the audience from seeing the actors' full faces, complaining that they would only pay half price. However, Sam Goldwyn realized that if they called it "Rembrandt" lighting, the audience would pay double the price. Additionally, because of DeMille's cordiality after the
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Department's
Intelligence Office, investigating friends, neighbors, and others he came in contact with in connection with the Famous PlayersâLasky. He volunteered for the Intelligence Office during World War II as well. Although DeMille considered enlisting in World War I, he stayed in the United States and made films. However, he did take a few months to set up a movie theater for the French front. Famous PlayersâLasky donated the films. DeMille and Adams adopted
1059:. Zukor became president with Lasky as the vice president. DeMille was maintained as director-general, and Goldwyn became chairman of the board. Goldwyn was later fired from Famous PlayersâLasky due to frequent clashes with Lasky, DeMille, and Zukor. While on a European vacation in 1921, DeMille contracted rheumatic fever in Paris. He was confined to bed and unable to eat. His poor physical condition upon his return home affected the production of his 1922 film
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579:, leaving Beatrice with three children. To provide for her family, she opened the Henry C. de Mille School for Girls in her home in February 1893. The aim of the school was to teach young women to properly understand and fulfill the women's duty to herself, her home, and her country. Before Henry de Mille's death, Beatrice had "enthusiastically supported" her husband's theatrical aspirations. She later became the second female play broker on
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927:(1914), co-directed by Oscar Apfel, was a sensation, and it established the Lasky Company. This was the first feature-length film made in Hollywood. There were problems with the perforation of the film stock, and it was discovered the DeMille had brought a cheap British film perforator, which had punched in sixty-five holes per foot instead of the industry-standard of sixty-four. Lasky and DeMille convinced film pioneer
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1090:, who DeMille had known from his time at the American Academy of Dramatic Arts, and he became DeMille's art director. William deMille reluctantly became a story editor. William deMille would later convert from theater to Hollywood and would spend the rest of his career as a film director. Throughout his career, DeMille would frequently remake his own films. In his first instance, in 1917, he remade
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989:. This is the earliest of DeMille's films available in a quality, color-tinted video format. However, this version is actually a 1918 re-release. The first few years of the Lasky Company were spent in making films nonstop, literally writing the language of film. DeMille himself directed twenty films by 1915. The most successful films during the beginning of the Lasky Company were
1133:, which was a significant change from his previous stint of irreligious films. The film was produced on a large budget of $ 600,000, the most expensive production at Paramount. This concerned the executives at Paramount; however, the film turned out to be the studio's highest-grossing film. It held the Paramount record for twenty-five years until DeMille broke the record again.
1742:, as influenced by Belasco. Similar to Belasco, DeMille's theatre revolved around entertainment rather than artistry. Generally, Belasco's influence of DeMille's career can be seen in DeMille's showmanship and narration. E. H. Sothern's early influence on DeMille's work can be seen in DeMille's perfectionism. DeMille recalled that one of the most influential plays he saw was
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1178:, silent films in America became obsolete, and DeMille was forced to shoot a shoddy final reel with the new sound production technique. Although this final reel looked so different from the previous eleven reels that it appeared to be from another movie, according to Simon Louvish, the film is one of DeMille's strangest and most "DeMillean" film.
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an outward appearance of a faithful marriage. One of DeMille's affairs was with his screenwriter Jeanie MacPherson. Despite his reputation for extramarital affairs, DeMille did not like to have affairs with his stars, as he believed it would cause him to lose control as a director. He related a story that he maintained his self-control when
1349:, which passed. This prohibited denying anyone the right to work if they refuse to pay a political assessment, however, the law did not apply retroactively. Consequently, DeMille's television and radio appearance ban lasted for the remainder of his life, though he was permitted to appear on radio or television to publicize a movie.
595:, but failed to meet the age requirement. At the military college, even though his grades were average, he reportedly excelled in personal conduct. DeMille attended the American Academy of Dramatic Arts (tuition-free due to his father's service to the academy). He graduated in 1900, and for graduation, his performance was the play
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first year of films made by the Lasky
Feature Play Company. Sometimes, he directed scenes for other directors at the Feature Play Company in order to release films on time. Moreover, when he was busy directing other films, he would co-author other Lasky Company scripts as well as create screen adaptations that others directed.
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of each scene. Plot and dialogue were not a strong point of DeMille's films. Consequently, he focused his efforts on his films' visuals. He worked with visual technicians, editors, art directors, costume designers, cinematographers, and set carpenters in order to perfect the visual aspects of his films. With his editor,
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right to work. He began presenting speeches across the United States for the next few years. DeMille's primary criticism was of closed shops, but later included criticism of communism and unions in general. The United States
Supreme Court declined to review his case. Despite his loss, DeMille continued to lobby for the
2002:; DeMille based some of his most well-known scenes on the work of Doré. DeMille was the first director to connect art to filmmaking; he created the title of "art director" on the film set. DeMille was also known for his use of special effects without the use of digital technology. Notably, DeMille had cinematographer
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Biblical spectacles, musical comedies, suspense, and war films. At least one DeMille film can represent each film genre. DeMille produced the majority of his films before the 1930s, and by the time sound films were invented, film critics saw DeMille as antiquated, with his best filmmaking years behind him.
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According to Sam
Goldwyn, critics did not like DeMille's films, but the audiences did, and "they have the final word". Similarly, scholar David Blanke, argued that DeMille had lost the respect of his colleagues and film critics by his late film career. However, his final films maintained that DeMille
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DeMille's films contained many similar themes throughout his career. However, the films of his silent era were often thematically different from the films of his sound era. His silent-era films often included the "battle of the sexes" theme due to the era of women's suffrage and the enlarging role of
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DeMille's filmmaking process always began with extensive research. Next, he would work with writers to develop the story that he was envisioning. Then, he would help writers construct a script. Finally, he would leave the script with artists and allow them to create artistic depictions and renderings
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The Lasky Play
Company sought out William deMille to join the company, but he rejected the offer because he did not believe there was any promise in a film career. When William found out that DeMille had begun working in the motion picture industry, he wrote DeMille a letter, disappointed that he was
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in 1913, over which DeMille became director-general. Lasky and DeMille were said to have sketched out the organization of the company on the back of a restaurant menu. As director-general, DeMille's job was to make the films. In addition to directing, DeMille was the supervisor and consultant for the
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DeMille was poor and struggled to find work. Consequently, his mother hired him for her agency The DeMille Play
Company, and taught him how to be an agent and a playwright. Eventually, he became manager of the agency and later, a junior partner with his mother. In 1911, DeMille became acquainted with
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They were sexually incompatible; according to DeMille, Adams was too "pure" to "feel such violent and evil passions". DeMille had more violent sexual preferences and fetishes than his wife. Adams allowed DeMille to have several long-term mistresses during their marriage as an outlet while maintaining
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DeMille's legacy is maintained by his granddaughter Cecilia DeMille Presley who serves as the president of the Cecil B. DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California. In 1963, the Cecil B. DeMille Foundation donated the "Paradise" ranch
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warned DeMille that Catholics would find the film too irreverent, while non-Catholics would have considered the film Catholic propaganda. Consequently, the film was never made. Jeanie MacPherson would work as a scriptwriter for many of DeMille's films. In 1938, DeMille supervised the compilation of
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show was one of the most popular weekly shows in the history of radio. While DeMille was host, the show had forty million weekly listeners, gaining DeMille an annual salary of $ 100,000. From 1936 to 1945, he produced, hosted, and directed all shows with the occasional exception of a guest director.
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DeMille's parents met as members of a music and literary society in New York. Henry was a tall, red-headed student. Beatrice was intelligent, educated, forthright, and strong-willed. The two were married on July 1, 1876, despite Beatrice's parents' objections because of the young couple's differing
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After the death of William deMille, DeMille revealed to Richard DeMille that William was his father and he had been born to William and a mistress. DeMille had adopted him to avoid revealing the affairs to William's wife. The mistress could not keep the boy due to her tuberculosis. DeMille became a
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In summer 2019, The Friends of the Pompton Lakes Library hosted a Cecil B DeMille film festival to celebrate DeMille's achievements and connection to Pompton Lakes. They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there. Two schools have
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Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously. He was consistently criticized for producing shallow films without talent or artistic care. Compared to other directors, few film scholars have
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DeMille often edited in a manner that favored psychological space rather than physical space through his cuts. In this way, the characters' thoughts and desires are the visual focus rather than the circumstances regarding the physical scene. As DeMille's career progressed, he increasingly relied on
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DeMille rarely gave direction to actors; he preferred to "office-direct", where he would work with actors in his office, going over characters and reading through scripts. Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie
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DeMille sued the union for reinstatement but lost. He then appealed to the California Supreme Court and lost again. When the AFRA expanded to television, DeMille was banned from television appearances. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the
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with the use of daydream images; moonlight and sunset on a mountain; and side-lighting through a tent flap. In the early age of cinema, DeMille differentiated the Lasky Company from other production companies due to the use of dramatic, low-key lighting they called "Lasky lighting" and marketed as
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are more serious films. It is difficult to typify DeMille's films into one specific genre. His first three films were Westerns, and he filmed many Westerns throughout his career. However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda,
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Aside from his Biblical and historical epics, which are concerned with how man relates to God, some of DeMille's films contained themes of "neo-naturalism", which portray the conflict between the laws of man and the laws of nature. Although he is known for his later "spectacular" films, his early
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DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention. Many of these displays were thought to be staged, however, as an exercise in discipline. He despised actors who were unwilling to take physical risks, especially when he had first
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described DeMille as "sparing no effort" when filmmaking. Bernstein recalled that DeMille would scream, yell, or flatterâwhatever it took to achieve the perfection he required in his films. DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew.
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We have just lived through a war where our people were systematically executed. Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture. Now he wants to make the life of Moses. We should get down on our knees to Cecil and say "Thank
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made up of film studio employees with DeMille as captain. Eventually, the Guard was enlarged to a battalion and recruited soldiers from other film studios. They took time off weekly from film production to practice military drills. Additionally, during the war, DeMille volunteered for the Justice
2018:"the greatest special effect in film history". The actual parting of the sea was created by releasing 360,000 gallons of water into a huge water tank split by a U-shaped trough, overlaying it with a film of a giant waterfall that was built on the Paramount backlot, and playing the clip backward.
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and Hollywood. Critics were impressed with the visuals but found the scripts dull, calling it DeMille's "poorest Western". Despite the criticism, it was Paramount's highest-grossing film of the year. Audiences liked its highly saturated color, so DeMille made no further black-and-white features.
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In his early films, DeMille experimented with photographic light and shade, which created dramatic shadows instead of glare. His specific use of lighting, influenced by his mentor David Belasco, was for the purpose of creating "striking images" and heightening "dramatic situations". DeMille was
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and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and
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Cecil B. DeMille's film production career evolved from critically significant silent films to financially significant sound films. He began his career with reserved yet brilliant melodramas; from there, his style developed into marital comedies with outrageously melodramatic plots. In order to
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began in October 1954. The Exodus scene was filmed on-site in Egypt with the use of four Technicolor-VistaVision camera filming 12,000 people. They continued filming in 1955 in Paris and Hollywood on 30 different sound stages. They were even required to expand to RKO sound studios for filming.
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were critically and financially unsuccessful. He had completely adapted to the production of sound film despite the film's poor dialogue. After his contract ended at MGM, he left, but no production studios would hire him. He attempted to create a guild of a half a dozen directors with the same
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in 1915, an extra, Bob Fleming, died on set when another extra failed to heed DeMille's orders to unload all guns for rehearsal. DeMille instructed the guilty man to leave town and would never reveal his name. Lasky and DeMille maintained the widow Fleming on the payroll; however, according to
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From the film industry, DeMille received the Irving G. Thalberg Memorial Award at the Academy Awards in 1953, and a Lifetime Achievement Award from the Directors Guild of America Award the same year. In the same ceremony, DeMille received a nomination from Directors Guild of America Award for
1510:(1947) had the longest running time (146 minutes), longest filming schedule (102 days), and largest budget ($ 5 million). The sets and effects were so realistic that 30 extras needed to be hospitalized due to a scene with fireballs and flaming arrows. It was commercially very successful.
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due to its communist themes, despite the fact he had already paid $ 100,000 for the rights to the novel. He was so eager to produce the film that he hadn't yet read the novel. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his
678:. Publicists wrote that he became an actor in order to learn how direct and produce, but DeMille admitted that he became an actor in order to pay the bills. From 1904 to 1905, DeMille attempted to make a living as a stock theatre actor with his wife, Constance. DeMille made a 1905 reprise in
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activist, becoming more conservative as he aged. He was known as anti-union and worked to prevent the unionizing of film production studios. However, according to DeMille himself, he was not anti-union and belonged to a few unions himself. He said he was rather against union leaders such as
1051:, DeMille refused to stop production for the funeral of Fleming. Peters claimed that he encouraged the cast to attend the funeral with him anyway since DeMille would not be able to shoot the film without him. On July 19, 1916, the Jesse Lasky Feature Play Company merged with Adolph Zukor's
1589:, had been record-breaking hits. Adolph Zukor convinced the board to change their minds on the grounds of morality. DeMille did not have an exact budget proposal for the project, and it promised to be the most costly in U.S. film history. Still, the members unanimously approved it.
789:. He also toured with the Standard Opera Company, but there are few records to indicate DeMille's singing ability. DeMille had a daughter, Cecilia, on November 5, 1908, who would be his only biological child. In the 1910s, DeMille began directing and producing other writer's plays.
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was a success, which led to the eventual founding of Paramount Pictures and Hollywood becoming the "film capital of the world". The film grossed over ten times its budget after its New York premiere in February 1914. DeMille's next project was to aid Oscar Apfel in directing
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willing "to throw away future" when he was "born and raised in the finest traditions of the theater". The Lasky Company wanted to attract high-class audiences to their films, so they began producing films from literary works. The Lasky Company bought the rights to the play
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and in 1928 made his largest campaign donation to Hoover. DeMille also liked Franklin D. Roosevelt, however, finding him charismatic, tenacious, and intelligent and agreeing with Roosevelt's abhorrence of Prohibition. DeMille lent Roosevelt a car for his campaign for the
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established DeMille as "master of the grandiose and of biblical sagas". Considered at the time to be the most successful Christian film of the silent era, DeMille calculated that it had been viewed over 800 million times around the world. After the release of DeMille's
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for a ranch that would become his getaway. He called this place, "Paradise", declaring it a wildlife sanctuary; no shooting of animals besides snakes was allowed. His wife did not like Paradise, so DeMille often brought his mistresses there with him, including actress
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recalled that DeMille had the skill to maintain control of not only the lead actors in a frame but the many extras in the frame as well. DeMille was adept at directing "thousands of extras", and many of his pictures include spectacular set pieces: the toppling of the
1771:, DeMille used editing techniques to allow the visual images to bring the plot to climax rather than dialogue. DeMille had large and frequent office conferences to discuss and examine all aspects of the working film including story-boards, props, and special effects.
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474:, where his parents had been vacationing for the summer. On September 1, 1881, the family returned with the newborn DeMille to their flat in New York. DeMille was named after his grandmothers Cecelia Wolff and Margarete Blount. He was the second of three children of
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was still respected by his audiences. Five of DeMille's films were the highest-grossing films at the year of their release, with only Spielberg topping him with six of his films as the highest-grossing films of the year. DeMille's highest-grossing films include:
1874:, who shot forty-three of DeMille's films; brother William deMille who would occasionally serve as his screenwriter; and Jeanie Macpherson, who served as DeMille's exclusive screenwriter for fifteen years; and Eddie Salven, DeMille's favorite assistant director.
962:, which was wildly successful. In December 1914, Constance Adams brought home John DeMille, a fifteen-month-old, whom the couple legally adopted three years later. Biographer Scott Eyman suggested that this may have been a result of Adams's recent miscarriage.
2435:". It opened on December 13, 1985, and features some of DeMille's personal artifacts. The Lasky-DeMille Barn was dedicated as a California historical landmark in a ceremony on December 27, 1956; DeMille was the keynote speaker. It was listed on the
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was the first film to integrate all cinematic techniques. The film was considered a "masterpiece" and surpassed the quality of other sound films of the time. DeMille followed this epic uncharacteristically with two dramas released in 1933 and 1934.
915:, but he felt that Arizona did not typify the Western look they were searching for. They also learned that other filmmakers were successfully shooting in Los Angeles, even in winter. He continued to Los Angeles. Once there, he chose not to shoot in
388:(1949), a biblical epic that became the highest-grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward "neo-naturalism", which tried to portray the laws of man fighting the forces of nature.
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According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant. DeMille's distinctive style can be seen through camera and lighting effects as early as
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Further illustrated by his home life, DeMille required formality and politeness at home. Sons-and daughters-in-law were required to call him "Mr. DeMille", and Richard deMille never recalled hugging his father, claiming he received handshakes
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Known as the father of the Hollywood motion picture industry, Cecil B. DeMille made 70 films including several box-office hits. DeMille is one of the more commercially successful film directors in history, with his films before the release of
773:, a mythological Native American story. Life was difficult for DeMille and his wife as traveling actors; however, traveling allowed him to experience part of the United States he had not yet seen. DeMille sometimes worked with the director
1439:. Though the film was not high-grossing, it was well-received, and DeMille was asked to shorten its running time to allow for more showings per day. MGM distributed the film in 1941 and donated profits to World War II relief charities.
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Cecil B. DeMille suffered a series of heart attacks from June 1958 to January 1959, and died on January 21, 1959, following an attack. DeMille's funeral was held on January 23 at St. Stephen's Episcopal Church. He was entombed at the
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suggests that this was to conceal DeMille's partial Jewish heritage. Adams was 29 years old at the time of their marriage, eight years older than DeMille. They had met in a theater in Washington D.C. while they were both acting in
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vaudeville producer Jesse Lasky when Lasky was searching for a writer for his new musical. He initially sought out William deMille. William had been a successful playwright, but DeMille was suffering from the failure of his plays
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in the lead role. They offered Farnum a choice to have a quarter stock in the company (similar to William deMille) or $ 250 per week as salary. Farnum chose $ 250 per week. Already $ 15,000 in debt to Royle for the screenplay of
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obsolete before they were produced, and true theatrical success eluded him. He produced many flops. Having become disinterested in working in theatre, DeMille's passion for film was ignited when he watched the 1912 French film
741:, producing and presenting it as his own work. DeMille was credited in small print as "based on an idea by Cecil DeMille". The play was successful, and DeMille was distraught that his childhood idol had plagiarized his work.
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DeMille frequently made cameos as himself in other Paramount films. Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience.
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As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry. DeMille's early silent comedies influenced the comedies of
2352:. As one of the establishing members of Paramount Pictures and co-founder of Hollywood, DeMille had a role in the development of the film industry. Consequently, the name "DeMille" has become synonymous with filmmaking.
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Publicly Episcopalian, DeMille drew on his Christian and Jewish ancestors to convey a message of tolerance. DeMille received more than a dozen awards from Christian and Jewish religious and cultural groups, including
892:, Lasky's relatives bought the $ 5,000 stock to save the Lasky Company from bankruptcy. With no knowledge of filmmaking, DeMille was introduced to observe the process at film studios. He was eventually introduced to
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Film started becoming more sophisticated and the subsequent films of the Lasky company were criticized for primitive and unrealistic set design. Consequently, Beatrice deMille introduced the Famous PlayersâLasky to
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was used by his children Cecilia, John, Richard, and Katherine. DeMille's brother, William, and his daughters, Margaret and Agnes, as well as DeMille's granddaughter, Cecilia de Mille Presley, also used the
2558:. An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry. For his contribution to the motion picture and radio industry, DeMille has two stars on the
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despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent 1950s. In response to the claims, DeMille donated some of the profits from
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came under fire. Furthermore, DeMille argued with Zukor over his extravagant and over-budget production costs. Consequently, DeMille left Paramount in 1924 despite having helped establish it. He joined the
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show because he refused to pay a dollar to the American Federation of Radio Artists (AFRA) because he did not believe that any organization had the right to "levy a compulsory assessment upon any member."
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due to DeMille's inexperience; however, DeMille learned quickly and was particularly adept at impromptu screenwriting as necessary. He made his first film run sixty minutes, as long as a short play.
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DeMille was a brave and confident child. He gained his love of theater while watching his father and Belasco rehearse their plays. A lasting memory for DeMille was a lunch with his father and actor
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DeMille believed his first influences to be his parents, Henry and Beatrice DeMille. His playwright father introduced him to the theater at a young age. Henry was heavily influenced by the work of
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2620:. The first 24 of his silents were produced during the first three years of his career (1913â1916). Eight of his films were "epics" with five classified as "Biblical". Six of DeMille's films â
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films are held in high regard by critics and film historians. DeMille discovered the possibilities of the "bathroom" or "boudoir" in the film without being "vulgar" or "cheap". DeMille's films
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When "talking pictures" were invented in 1928, Cecil B. DeMille made a successful transition, offering his own innovations to the painful process; he devised a microphone boom and a soundproof
560:. DeMille's parents operated a private school in town and attended Christ Episcopal Church. DeMille recalled that this church was the place where he visualized the story of his 1923 version of
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due to issues with his production company. This was, according to DeMille, the lowest point of his career. DeMille traveled abroad to find employment until he was offered a deal at Paramount.
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could practice her shooting. DeMille's sister, Agnes, was born on April 23, 1891; his mother nearly did not survive the birth. Agnes would die on February 11, 1894, at the age of three from
1858:. Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille told the actor that he was "one hundred percent yellow".
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as the Earl of Huntington was well received by audiences. DeMille wrote a few of his own plays in-between stage performances, but his playwriting was not as successful. His first play was
2471:, is named in honor of DeMille. During the Apollo 11 mission, Buzz Aldrin referred to himself in one instance as "Cecil B. DeAldrin", as a humorous nod to DeMille. The title of the 2000
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The set was discovered by Peter Brosnan after hearing a rumor in 1982 that DeMille had ordered the enormous set to be buried after filming rather than taken away. A documentary titled
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to the Hathaway Foundation, which cares for emotionally disturbed and abused children. A large collection of DeMille's materials including scripts, storyboards, and films resides at
919:, where many studios were, but in Hollywood. DeMille rented a barn to function as their film studio. Filming began on December 29, 1913, and lasted three weeks. Apfel filmed most of
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as his saving grace. The surgery caused him to suffer from sexual dysfunction for the rest of his life, according to some family members. Following his surgery and the success of
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3613:, his most cherished boat, to the merchant marine for service during World War II. The boat was returned to him destroyed. DeMille gave up the boat and never bought another one.
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when Gloria Swanson spoke the line: "All right, Mr. DeMille. I'm ready for my close-up." DeMille plays himself in the film. DeMille's reputation had a renaissance in the 2010s.
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The Ten Commandments (Documentary: âMaking Miraclesâ) (Six-Disc Limited Edition Blu-ray/DVD Combo) Cecil B. DeMille / Paramount. Hollywood, California: Paramount Pictures.2011
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in 1925. He directed and produced four films on his own, working with Producers Distributing Corporation because he found front office supervision too restricting. Aside from
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intensely disliked both DeMille and his films. "He was a thoroughly bad director", Huston said. "A dreadful showoff. Terrible. To diseased proportions." Said fellow director
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honored DeMille as "pioneer of movies", "the greatest creator and showman of our industry", and "the founder of Hollywood". DeMille left his multi-million dollar estate in
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1593:, released in 1956, was DeMille's final film. It was the longest (3 hours, 39 minutes) and most expensive ($ 13 million) film in Paramount history. Production of
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DeMille was liked by some of his fellow directors and disliked by others, though his actual films were usually dismissed by his peers as a vapid spectacle. Director
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2447:, known as the "Lost City of Cecil B. DeMille". Donated by the Cecil B. DeMille Foundation in 2004, the moving image collection of Cecil B. DeMille is held at the
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was a minor theme present in some of his films. Another minor characteristic of DeMille's films include train crashes, which can be found in several of his films.
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reputation and avoid appearing reactionary. While concurrently filmmaking, he served in World War II at the age of sixty as his neighborhood air-raid warden.
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of Philadelphia to have his experienced technicians reperforate the film This was also the first American feature film; however, only by release date, as
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on August 16, 1902, at Adams's father's home in East Orange, New Jersey. The wedding party was small. Beatrice DeMille's family was not in attendance, and
1991:, according to director Martin Scorsese, is renowned for its level of production and the care and detail that went into creating the film. He stated that
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Cecil B. DeMille was outspoken about his strong Episcopalian integrity, but his private life included mistresses and adultery. DeMille was a conservative
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In the early 1920s, scandal surrounded Paramount; religious groups and the media opposed portrayals of immorality in films. A censorship board called the
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would appear as the featured actress in several productions that summer and would develop a lasting friendship with DeMille. (He would later cast her in
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as an influence of his work and one of his top ten favorite films. DeMille has influenced the careers of many modern directors. Martin Scorsese cited
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in 1949, became Paramount's highest-grossing film up to that time. A Biblical epic with sex, it was a characteristically DeMille film. Again, 1952's
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After five years and thirty hit films, DeMille became the American film industry's most successful director. In the silent era, he was renowned for
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creative desires called the Director's Guild. However, the idea failed due to lack of funding and commitment. Moreover, DeMille was audited by the
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DeMille was one of the first directors to become a celebrity in his own right. He cultivated the image of the omnipotent director, complete with
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set was the place to discuss minor character or line issues. DeMille was particularly adept at directing and managing large crowds in his films.
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His brother, William, was establishing himself as a playwright and sometimes invited DeMille to collaborate. DeMille and William collaborated on
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DeMille claimed that MacPherson was not a good writer, but she received credit in his films because she gave him many ideas for the screenplays.
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and are categorized as "early DeMille films" due to their particular style of production and costume and set design. However, his earlier films
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to star in the film, but it was never made. DeMille also was planning a film about the space race as well as another biblical epic about the
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In 1932, DeMille returned to Paramount at the request of Lasky, bringing with him his own production unit. His first film back at Paramount,
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was one of the films that influenced him to become a filmmaker. Furthermore, DeMille influenced about half of Spielberg's films, including
305:; August 12, 1881 – January 21, 1959) was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both
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2542:, wherein he received an honorary Doctorate of Letter degree. Additionally, in 1958, he received an honorary Doctorate of Law degree from
1024:; DeMille's direction in the film was acclaimed. In 1916, exhausted from three years of nonstop filmmaking, DeMille purchased land in the
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DeMille had considered making the film himself. He bought the rights to the novel in 1925 but abandoned the project in pre-production.
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Frequent actors and actresses on the show included Barbara Stanwyck, Claudette Colbert, Loretta Young, Don Ameche, and Fred MacMurray.
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1125:(1928). DeMille's trademark scenes included bathtubs, lion attacks, and Roman orgies. Many of his films featured scenes in two-color
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became Paramount's highest-grossing film to that point. Furthermore, DeMille's film won the Academy Award for Best Picture and the
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583:. On Henry de Mille's deathbed, he told his wife that he did not want his sons to become playwrights. DeMille's mother sent him to
10687:, Vault SC.1958.03, ULS Special Collections, University of Pittsburgh Library, includes conversations with DeMille about her plays
10664:, DeMille's personal and business papers including correspondence, audio, and video recordings, financial ledgers, and memorabilia
9466:"'So Let It Be Done':As ABC Re-Airs 'Ten Commandments' for the 45th Time, Here's What You Didn't Know About 1 Epic Special Effect"
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1983:" to appeal to the public. DeMille achieved international recognition for his unique use of lighting and color tint in his film
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2360:. However, not everyone received DeMille's religious films favorably. DeMille was accused of antisemitism after the release of
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in 1920, whom Adams had found in the orphanage over which she was the director. In 1922, the couple adopted Richard deMille.
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in playwriting; their best-known collaborations included "The Wife", "Lord Chumley", "The Charity Ball", and "Men and Women".
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1214:. He also popularized the camera crane. His first three sound films were produced at Metro-Goldwyn-Mayer. These three films,
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1248:. DeMille's return was approved by Zukor under the condition that DeMille not exceed his production budget of $ 650,000 for
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incident, DeMille was able to rekindle his partnership with Belasco. He adapted several of Belasco's screenplays into film.
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recalled that DeMille looked like "a king on a throne surrounded by his court" while directing films on a camera platform.
2168:. DeMille was omitted from the list, thought to be too unsophisticated and antiquated to be considered an auteur. However,
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While the film was a huge success, DeMille regretted that he could not share the success with his wife who had developed
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2562:. The first, for radio contributions, is located at 6240 Hollywood Blvd. The second star is located at 1725 Vine Street.
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wrote "he was the complete master and auteur of his films", and Anton Kozlovic called him the "unsung American auteur".
1962:", adding that DeMille, "...an original thought in his head", though Heston added that DeMille was much more than that.
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366:(1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers.
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White, Timothy R. (1988). "Life After Divorce: The Corporate Strategy of Paramount Pictures Corporation in the 1950s".
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2443:, contains an exhibition of artifacts uncovered in the desert near Guadalupe from DeMille's set of his 1923 version of
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in Denver, Colorado. He appeared in eleven of the fifteen plays presented that season, although all were minor roles.
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The estate cycled through several different homeowners for the next 30 years until it was bought by American actress
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when William deMille (Cecil's grandfather) added an "e" for "visual symmetry". As an adult, he adopted the spelling
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1602:. Nominated for an Academy Award for Best Picture, it grossed over $ 80 million, which surpassed the gross of
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During World War I, the Famous PlayersâLasky organized a military company underneath the National Guard called the
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8484:"The Construction of a Christ-figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments"
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sparked controversy, because Belasco had taken DeMille's unnamed screenplay, changed the characters, and named it
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category at the 1953 Academy Awards for the same film. He was further nominated in the Best Picture category for
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357:(1923), was both a critical and commercial success; it held the Paramount revenue record for twenty-five years.
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DeMille (middle, standing) receives an Honorary Doctorate degree at Brigham Young University commencement, 1957
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The Challenge of the Silver Screen: An Analysis of the Cinematic Portraits of Jesus, Rama, Buddha and Muhammad
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received votes, but did not make the top 100 films. Although many of DeMille's films are available on DVD and
1465:. It was produced with a large budget and contained many special effects including an electronically operated
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9888:"'Star-Spangled Rhythm,' Bulky All-Star Variety Show, Makes Its Premiere Appearance at the Paramount Theatre"
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and voted for him. However, he would never again vote for a Democratic candidate in a presidential election.
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1682:. DeMille's autobiography was mostly completed by the time DeMille died and was published in November 1959.
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lived next door for a time, and after he moved, DeMille purchased the other house and combined the estates.
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1375:, DeMille was dealing with his first serious health issue. In March 1938, he underwent a major emergency
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received good reviews. DeMille would stick to his large-budget spectaculars for the rest of his career.
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These films represent those which DeMille produced or assisted in directing, credited or uncredited.
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estimated to have grossed $ 650 million worldwide. Adjusted for inflation, DeMille's remake of
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9049:""The Ten Commandments" director Cecil B. DeMille was friend to LDS Church President David O. McKay"
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has been called "the Cecil B. DeMille of the digital era" due to his classical and medieval epics.
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to try producing epics. Cecil B. DeMille has influenced the work of several well-known directors.
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2573:. DeMille received a Golden Globe Award for Best Director and was additionally nominated for the
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The immense popularity of DeMille's silent films enabled him to branch out into other areas. The
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in multiple pictures. DeMille cast some of his performers repeatedly, including Henry Wilcoxon,
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5309:"Anthony Quinn: Colourful Hollywood star who built a career playing ethnic heroes and villains"
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6921:"Cecil B. DeMille's "Samson and Delilah" Brings the World's Greatest Love Story to the Screen"
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In the 1950s, Paramount sold its entire pre-1948 film library, including those of DeMille, to
2014:, which was one of the most expensive special effects in film history, and has been called by
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Unlike the other children the DeMille's adopted, John was never told about his birth parents.
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On December 12, 1913, DeMille, his cast, and crew boarded a Southern Pacific train bound for
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Cecil B. DeMille's mother, Beatrice, a literary agent and scriptwriter, was the daughter of
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was a friend of the family, and DeMille recalled throwing mud balls in the air so neighbor
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372:(1932) is said to be the first sound film to integrate all aspects of cinematic technique.
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DeMille liked to sail and dive; he had several boats throughout his lifetime. He donated
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as DeMille films that have imparted lasting memories on him. Scorsese said he had viewed
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1379:. He suffered from a post-surgery infection from which he nearly did not recover, citing
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by Lee Wilson, a play about a high society girl wrongly accused of manslaughter starring
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8996:"Cecilia DeMille Presley Joins National Film Preservation Foundation Board of Directors"
7388:"The Deep Focus Typecasting of Joseph Schildkraut as Judas Figure in Four DeMille Films"
1612:. A unique practice at the time, DeMille offered ten percent of his profit to the crew.
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Cecil B. DeMille began his career as an actor on the stage in the theatrical company of
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8059:"Hollywood Flashback: Cecil B. DeMille Accepted the Golden Globe Named for Him in 1952"
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4158:. Vol. 2. Chapel Hill, North Carolina: University of North Carolina Press. p. 51.
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The International Dictionary of Films and Filmmakers: Directors/Filmmakers (Volume II)
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DeMille was anti-communist and abandoned a project in 1940 to film Ernest Hemingway's
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Denver's historic Elitch Theatre : a nostalgic journey (a history of its times)
502:, established in New York City in 1884. Henry deMille frequently collaborated with
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Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930â1934
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10059:"Screen: 'The Ten Commandments'; De Mille's Production Opens at Criterion The Cast"
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The Free Public Library of the Borough of Pompton Lakes â Emanuel Einstein Memorial
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8032:"BFI â Sight & Sound â Top Ten Poll 2002 â How the directors and critics voted"
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Cecil B. DeMille received many awards and honors, especially later in his career.
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1159:. His first film in the new production company, DeMille Pictures Corporation, was
1080:
1033:. In addition to his Paradise, DeMille purchased a yacht in 1921, which he called
482:(nĂ©e Samuel; January 30, 1853 â October 8, 1923), known as Beatrice. His brother,
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536:-like character, evidence of his creativity and imagination. The family lived in
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Film Quotations: 11,000 Lines Spoken on Screen, Arranged by Subject, and Indexed
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9022:"BYU special collections archives houses extensive Cecil B. DeMille memorabilia"
7690:""Reap the Wild Wind"...or Don't: Cecil B. DeMille, the Evolving Neo-Naturalist"
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1999:
1703:(now known as Hollywood Forever). After his death, notable news outlets such as
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asked DeMille for help in designing the cadet uniforms at the newly established
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3778:. Consequently, most of DeMille's pre-1948 films no longer belong to Paramount.
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Desiring a change of scene, Cecil B. DeMille, Jesse Lasky, Sam Goldfish (later
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Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
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9168:"5th Annual DGA Awards: Honoring Outstanding Directorial Achievement for 1952"
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In 1957, DeMille gave the commencement address for the graduation ceremony of
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which is the eighth highest-grossing film in the world, adjusted for inflation
1666:. In the months before his death, DeMille was researching a film biography of
517:, New York, where they maintained a middle-class, English-speaking household.
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American Silent Horror, Science Fiction, and Fantasy Feature Films, 1913â1929
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9143:"5th Annual DGA Awards Honoring Outstanding Directorial Achievement for 1952"
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demonstrated that the required stunt would not harm them. This occurred with
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In 1952, DeMille sought approval for a lavish remake of his 1923 silent film
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From June 1, 1936, until January 22, 1945, Cecil DeMille hosted and directed
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9245:"Academy Alum Cecil B. DeMille, The Founding Father of Hollywood Filmmaking"
8651:"Hollywood Heritage volunteers preserve the Industry's earliest incarnation"
7977:"Samson as a Moses-Figure in Cecil B. DeMille's "Samson and Delilah" (1949)"
7922:"Ridley Scott: from Alien to Exodus, a Cecil B. DeMille for the digital age"
6165:(Bloomington and Indianapolis: Indiana University Press, 2011), pp. 231â232.
3565:
because he believed it would look better on a marquee, but continued to use
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forty or fifty times. Famed director Steven Spielberg stated that DeMille's
979:
Famous PlayersâLasky Corporation â DeMille is seated, second from the right.
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DeMille performed on stage with actors whom he would later direct in films:
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4274:"Back in the Day - Sept. 18, 1991: De Mille's Pompton Lakes roots recalled"
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follows the story of Brosnan's 30-year journey to find and uncover the set.
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2242:". DeMille appeared as himself in numerous films, including the MGM comedy
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in December 1958. DeMille was unable to attend the Los Angeles premiere of
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Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer
7889:
7843:. Vol. 60 (2015 ed.). Guinness World Records. pp. 160â161.
7131:
Creating the Illusion: A Fashionable History of Hollywood Costume Designer
6620:"Angelina Jolie Buys Cecil B. DeMille's Estate at Record-Shattering Price"
5604:"How a Hollywood Director Almost Launched L.A.'s First Commercial Airline"
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8803:. The Free Public Library of the Borough of Pompton Lakes. Archived from
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5735:"Angelina Jolie Buys Historic Cecil B. DeMille Estate for $ 24.5 Million"
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set in seventeenth century Russia. Another unperformed play he wrote was
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9090:"BYU Hears: "Understand the Law of God", DeMille Advises 1957 Graduates"
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and includes home movies, outtakes, and never-before-seen test footage.
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release, only 20 of his silent films are commercially available on DVD
1136:
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into films. DeMille was credited with creating the premise of Belasco's
494:. DeMille's father was also an English teacher at Columbia College (now
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Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture
9799:
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The project was later completed by DeMille's former assistant director
3309:
2554:. In 1952, DeMille was awarded the first Cecil B. DeMille Award at the
2239:
2148:
taken the time to academically analyze his films and style. During the
1914:
1630:
Due to his frequent heart attacks, DeMille asked his son-in-law, actor
1616:
1284:
1030:
682:
as Osric. In the summer of 1905, DeMille joined the stock cast at the
533:
330:
310:
10429:
Written in Stone: Making Cecil B. DeMille's Epic, The Ten Commandments
9647:
9271:"Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes"
9193:"Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes"
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In August 1941, DeMille was honored with a block in the forecourt of
2365:
2290:. Moreover, DeMille's epics inspired directors such as Howard Hawks,
2200:
2161:
1922:
1658:
was a disappointment. DeMille attended the Santa Barbara premiere of
1145:
822:
14190:
Directors Guild of America Lifetime Achievement Award â Feature Film
8391:
The Persistence of History: Cinema, Television, and the Modern Event
6157:
6155:
761:. DeMille also produced and directed plays. His 1905 performance in
415:(1956), also a Best Picture Academy Award nominee, is currently the
13669:
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12862:
12851:
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3659:
2659:
2208:
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to represent the contribution of the American film industry to the
514:
8325:"Cecil B. DeMille â the greatest filmmaking showman rediscovered!"
6397:
5450:
2592:
Two of DeMille's films have been selected for preservation in the
628:
in 1900. He debuted as an actor on February 21, 1900, in the play
43:
14833:
12638:
10633:
Cecil B. DeMille's Early Films' Costs and Grosses by David Pierce
9681:
The Golden Age of Disaster Cinema: A Guide to the Films 1950-1979
8603:
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5973:
5971:
5924:
5922:
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were the boom years and DeMille took full advantage, opening the
912:
575:
On January 8, 1893, at age 40, Henry de Mille died suddenly from
246:
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9635:
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1862:'s refusal to risk personal injury in a scene involving fire in
417:
eighth-highest-grossing film of all time, adjusted for inflation
10539:
Larry Cohen: The Radical Allegories of an Independent Filmmaker
10130:
Within Our Gates: Ethnicity in American Feature Film, 1911â1960
8581:"The International Film Magazine, Sight & Sound, All films"
6855:
6853:
6785:
6783:
6781:
6779:
5518:
5326:
3515:(1956) as Himself (film introduction) and Narrator (uncredited)
2153:
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1353:
was his replacement. DeMille would never again work on radio.
1081:
Scandalous dramas, Biblical epics, and departure from Paramount
983:
Cecil B. DeMille's second film credited exclusively to him was
674:
532:. As a child, DeMille created an alter ego, Champion Driver, a
9355:. Academy of Motion Picture Arts and Sciences. October 4, 2014
8323:
Liz Smith and the Tribune Content Agency (December 19, 2014).
6218:. Academy of Motion Picture Arts and Sciences. October 4, 2014
6009:
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There are several variants of DeMille's surname. His family's
1690:
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and brother William deMille in order to produce a film called
277:
13185:
10016:"Rare 1949 Photographs Show the Making of 'Sunset Boulevard'"
9775:
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9381:. Academy of Motion Picture Arts and Sciences. March 26, 2015
9120:
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6385:
6363:
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6299:
6292:
Radford, Bill. "A Digger, A Director and A Practical Joker".
5941:
Cutchins, Dennis; Krebs, Katja; Voigts, Eckart, eds. (2018).
5840:
5764:
4981:
4979:
1842:
Costume designer Dorothy Jeakins, who worked with DeMille on
1327:, a weekly digest of current feature films. Broadcast on the
1244:, was also his first success since leaving Paramount besides
1169:
none of DeMille's films away from Paramount were successful.
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1640:. DeMille served as executive producer, overseeing producer
1459:
In 1942, DeMille released Paramount's most successful film,
339:(1914), was also the first full-length feature film shot in
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3531:(1958) as Himself - Prologue (uncredited) (final film role)
2550:
Outstanding Directorial Achievement in Motion Pictures for
2083:. In relation to his own interests and sexual preferences,
285:
271:
9833:
Evelyn Brent: The Life and Films of Hollywood's Lady Crook
7732:
7708:
7024:"'The Ten Commandments: Making Miracles' premieres at BYU"
6877:
6356:
6118:
6116:
5800:
5539:
5537:
5535:
5533:
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honored DeMille with an Alumni Achievement Award in 1958.
1998:
DeMille was interested in art and his favorite artist was
1356:
12662:
9684:. Jefferson, NC: McFarland & Company Inc. p. 6.
7498:
American Film History: Selected Readings, Origins to 1960
7495:
Lucia, Cynthia; Grundmann, Roy; Simon, Art, eds. (2016).
6901:
6889:
6716:
6637:
6230:
6128:
6074:
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5876:
5384:"Cecil DeMille, 77, Pioneer of Movies, Dead in Hollywood"
2455:
been named after him: Cecil B. DeMille Middle School, in
1598:
Post-production lasted a year, and the film premiered in
1387:, in 1940, DeMille first used three-strip Technicolor in
809:. DeMille found success in the spring of 1913, producing
419:. In addition to his Best Picture Awards, he received an
294:
10076:
9905:
9739:
9659:
9617:"The Only Son/Cecil B. Demille [motion picture]"
9592:"Robert Townsend Directing 'Brewster's Millions' Reboot"
9571:
9559:
8827:"After 54 years, it's the end for DeMille Middle School"
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was successful through DeMille's collaboration with the
10126:
9956:. Jefferson, NC: McFarland & Company. p. 478.
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9836:. Jefferson, NC: McFarland & Company. p. 228.
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9535:
9523:
9511:
8905:"Apollo 11-Technical Air to Ground Voice Transcription"
8287:"DeMille's Re-Released 'Commandments'âBetter Than Ever"
7939:
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5402:
3863:"Famous Masons I: Dreamers and Doers: Cecil B. DeMille"
1540:, the public face of the organization that oversaw the
466:
Cecil Blount DeMille was born on August 12, 1881, in a
318:
member of Prince of Orange Lodge #16 in New York City.
10720:
10127:
American Film Institute (1997). Gevinson, Alan (ed.).
9787:
8530:
7869:
7720:
7594:
7584:
7582:
7580:
7578:
7541:
7539:
7537:
7155:
7003:
6865:
6821:"New Testament to Genius: Turner's "Cecil B. DeMille""
6728:
5788:
5635:"Register of the Cecil B. DeMille Archives, 1863-1983"
5147:
5145:
5143:
5141:
5139:
5072:
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4966:
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4118:
3985:
1870:. DeMille did receive help in his films, notably from
1627:
as the cinematographer. This film would be his last.
1555:
970:
478:(September 4, 1853 â February 10, 1893) and his wife,
27:
American film director, producer and actor (1881â1959)
14726:
14450:
10320:
Cecil B. DeMille and American Culture: The Silent Era
9811:
9108:
8304:
8266:
8166:
7622:
7563:
7551:
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7106:
7094:
7082:
7070:
7058:
6522:
6373:
6332:
6296:, USAF Academy 50th Anniversary Edition, Spring 2004.
6254:
6242:
6180:
6168:
6140:
6045:
6021:
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5900:
5888:
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4871:
4847:
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4707:
4647:
4632:
4620:
4605:
4593:
4565:
4470:
4431:
4378:
4350:
4307:
3935:
3933:
862:), and a group of East Coast businessmen created the
821:. However, changes in the theater rendered DeMille's
274:
268:
10038:
9857:
8925:
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys
8154:
8111:"Disp L.A. Case #45: Cecil B. DeMille's Riding Crop"
7229:. Women Film Pioneers Project at Columbia University
7043:
6838:
6764:
6752:
5828:
5721:
cecil b demille approved loans for other filmmakers.
5438:
5426:
5414:
5272:
5260:
5200:
4859:
2152:, critics began to categorize certain filmmakers as
1941:
with saving his career following his eclipse in the
896:, a stage director who had been a director with the
297:
282:
10298:
Empire of Dreams: The Epic Life of Cecil B. DeMille
9763:
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5136:
5067:
4959:
4446:
4207:
4195:
4106:
4026:
4014:
3973:
3945:
1568:â Alfred Zukor responding to DeMille's proposal of
620:
Charles Frohman, Constance Adams, and David Belasco
291:
288:
265:
12943:Society of Motion Picture and Television Engineers
11576:
10480:Presley, Cecilia DeMille; Vieira, Mark A. (2014).
10444:
10359:
10317:
10221:
8797:"Cecil B. DeMille Film Festival â July 2 & 16"
8754:""The Lost City of Cecil B. DeMille": Film Review"
7981:Americana e-Journal of American Studies in Hungary
5687:
5661:"Financing Hollywood through the Great Depression"
5224:
3930:
3881:
3680:The gathering drew 93,000, with short speeches by
2431:was filmed was converted into a museum named the "
2116:is the eighth highest-grossing film in the world.
1937:, and William Boyd. DeMille was credited by actor
1819:DeMille's set pieces include this pagan temple in
407:Golden Globe Award for Best Motion Picture â Drama
378:(1934) was his first film to be nominated for the
8351:"10 Great Films that Influenced Alfred Hitchcock"
7127:
4923:
4766:
4092:
4090:
1276:
462:The American Academy of Dramatic Arts in New York
15100:Producers who won the Best Picture Academy Award
14865:20th-century American dramatists and playwrights
14846:
12579:, Devereaux Jennings, Irmin Roberts, Art Smith,
10507:
9950:Nowlan, Robert A.; Nowlan, Gwendolyn W. (1994).
9641:
8428:. Owings Mills, MD: Galactic Books. p. 56.
6672:"Christie's East to Auction DeMille Possessions"
3259:
2589:in retrospect at the 2002 Cannes Film Festival.
1615:On November 7, 1954, while in Egypt filming the
15020:Directors of Best Picture Academy Award winners
11538:
10278:Paramount Pictures and the People Who Made Them
10228:. New York: Columbia University Press. p.
3587:DeMille's niece and William deMille's daughter
1129:. In 1923, DeMille released a modern melodrama
10498:
10251:demille madam satan destruction of an airship.
9757:
8702:"National Register of Historic Places Program"
7832:
7798:
7247:
6789:
6015:
5979:
5928:
5782:
5524:
5512:
5496:
4941:
4913:
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4535:
4372:
4301:
4087:
4008:
3435:(1942) as Prologue Speaker (voice, uncredited)
3403:(1930) as Radio Newscaster (voice, uncredited)
1995:was the final culmination of DeMille's style.
1309:, whom he compared to dictators. He supported
1205:
490:-born dramatist, actor, and lay reader in the
14436:
14174:
13554:
12710:, and the Republic Studio Sound Department /
12465:
11562:
10706:
10479:
10280:. San Diego: A.S. Barnes & Company, Inc.
10275:
10014:Rothman, Lily; Ronk, Liz (February 2, 2017).
9781:
9489:
9451:
9129:
9072:
8609:
8375:
7890:"All-Time Box-Office Hits By Decade and Year"
7881:
7863:
7802:
7640:
7528:
7209:
7197:
7185:
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6859:
6698:
6590:
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6391:
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6310:
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5049:
4985:
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4807:
4792:
4760:
4738:. May 14, 1913 – via fultonhistory.com.
4685:
4669:
4547:
4413:
4328:
4225:
4139:
4048:
3899:
2394:
1544:service. In 1954, Secretary of the Air Force
767:The Pretender-A Play in a Prologue and 4 Acts
744:
636:. In 1901, DeMille starred in productions of
313:. He is acknowledged as a founding father of
10324:. Berkeley: University of California Press.
10133:. Berkeley: University of California Press.
9949:
9718:. Philadelphia: Running Press. p. 184.
8449:
8085:"Reel dictators: why despots love directors"
7288:"Charlton Heston: as you won't remember him"
7286:McSmith, Andy; Byrne, Ciar (April 7, 2008).
7285:
7134:. Philadelphia: Running Press. p. 300.
7128:Jorgensen, Jay; Scoggins, Donald L. (2015).
5629:
5627:
5625:
4067:No Intermissions: The Life of Agnes de Mille
1694:DeMille's tomb at Hollywood Forever Cemetery
1606:and every other film in history, except for
911:. His tentative plan was to shoot a film in
835:
591:, at age 15. He fled the school to join the
15010:Cecil B. DeMille Award Golden Globe winners
10508:Soister, John T.; Nicolella, Henry (2012).
10482:Cecil B. DeMille: The Art of Hollywood Epic
10205:. Lexington: University Press of Kentucky.
10013:
5610:. Public Media Group of Southern California
5174:
5172:
3816:was the 2019 Cecil B. DeMille Award winner.
3640:notable psychiatrist, filmmaker and writer.
1435:. DeMille used clips from his own films in
648:At the age of 21, Cecil B. DeMille married
14443:
14429:
14181:
14167:
13568:
13561:
13547:
12479:
12472:
12458:
11569:
11555:
10713:
10699:
10611:
10588:
10542:. Jefferson, NC: McFarland & Company.
10514:. Jefferson, NC: McFarland & Company.
8425:War of the Worlds: From Wells to Spielberg
7970:
7968:
7966:
7824:. January 25, 1956. p. 3 – via
7655:"A Brief History of Movie Special Effects"
6814:
6812:
6810:
2616:DeMille made 70 features, 52 of which are
2188:one of the ten greatest films of all time.
42:
14945:American people of British-Jewish descent
9711:
9427:"Complete National Film Registry Listing"
8135:Rasmussen, Cecelia (September 21, 1997).
8134:
7403:
7261:"Hollywood Legend Claudette Colbert Dies"
6613:
6611:
6571:Fade to Black: A Book of Movie Obituaries
6539:
6537:
5622:
5346:"Guide to the Richard DeMille Collection"
5179:Rasmussen, Cecilia (September 21, 1997).
5178:
2496:
1901:. He also cast established stars such as
1504:of California. DeMille's subsequent film
453:
391:He received his first nomination for the
14960:American people of German-Jewish descent
14920:American male dramatists and playwrights
14895:American Academy of Dramatic Arts alumni
10535:
10154:
10082:
10056:
9991:. British Film Institute. Archived from
9911:
9882:
9745:
9665:
9577:
9565:
9553:
9541:
9529:
9517:
9399:
9289:
8879:"Chapman alum filmmaker takes a 'Stand'"
8674:
8587:. British Film Institute. Archived from
8512:
8481:
8387:
8348:
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8017:
8005:
7974:
7468:
7430:
7385:
6669:
6443:
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5408:
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5242:
5169:
4748:
4493:
4245:
2529:
2503:
2398:
2276:. Additionally, DeMille's epics such as
2190:
2094:
1964:
1814:
1753:
1689:
1441:
1316:1932 United States presidential election
1283:
1269:were box office disappointments, though
1135:
974:
965:
839:
566:
457:
14990:American theatre managers and producers
13123:Museum of Modern Art Department of Film
10499:Ringgold, Gene; Bodeen, DeWitt (1969).
10387:
10338:
10315:
10219:
9019:
8524:
8137:"Echoes of Epics in DeMille's Paradise"
8108:
8056:
7963:
7957:
7945:
7838:
7786:
7774:
7762:
7750:
7738:
7726:
7714:
7687:
7612:
7600:
7557:
7469:Peterson, Bettelou (December 6, 1988).
7418:
7392:Journal of Religion and Popular Culture
7359:
7347:
7009:
6807:
6801:
6734:
6722:
6710:
6602:
6546:"Hollywood Star Walk: Cecil B. DeMille"
6274:Legacy of Ashes: The History of the CIA
6107:
6095:
6068:
5601:
5589:
5543:
5332:
5290:
5218:
5181:"Echoes of Epics in DeMille's Paradise"
5130:
5118:
5103:
5091:
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5009:
4997:
4953:
4877:
4865:
4853:
4713:
4697:
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4626:
4614:
4599:
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4481:
4440:
4425:
4401:
4389:
4368:
4356:
4344:
4340:
4313:
4297:
4271:
4229:
4185:
4096:
4044:
3967:
3951:
3915:
1866:cost her DeMille's favor and a role in
1357:Adventure films and dramatic spectacles
1200:
669:sat on his lap, refusing to touch her.
14:
15095:People from Washington, North Carolina
14847:
10442:
10173:
9923:
9793:
9677:
9589:
9463:
8928:. London: Wallflower. pp. 41â42.
8921:
8751:
8675:Sullivan, Michael (December 9, 2010).
8536:
8284:
7919:
7875:
7313:
7021:
6883:
6871:
6818:
6670:Vyzralek, Patti (September 26, 1988).
6608:
6534:
5806:
5794:
5555:
5306:
4155:Dictionary of North Carolina Biography
4151:
4064:
4058:
3800:Later recipients of the award include
3622:Katherine's father had been killed in
3499:(1952) as Narrator (voice, uncredited)
3419:(1940) as Narrator (voice, uncredited)
2581:at the 1957 Academy Awards. DeMille's
1969:Cecil B. DeMille at Paramount Pictures
1958:called DeMille, "the cheap version of
1877:DeMille made stars of unknown actors:
1634:, to direct a remake of his 1938 film
1452:(1952), the film for which he won the
15090:People from Pompton Lakes, New Jersey
15000:Burials at Hollywood Forever Cemetery
14424:
14162:
13542:
12453:
11550:
11537:
10694:
10643:
10294:
10276:Edmonds, I.G.; Mimura, Reiko (1980).
10256:
10057:Crowther, Bosley (November 9, 1956).
9817:
9769:
9329:. Hollywood Foreign Press Association
9249:The American Academy of Dramatic Arts
9225:. Hollywood Foreign Press Association
9114:
9076:
9046:
9000:National Film Preservation Foundation
8621:
8548:
8421:
8310:
8272:
8172:
8160:
7628:
7616:
7588:
7569:
7545:
7501:. Chichester, UK: Wiley. p. 87.
7173:
7161:
7115:
7100:
7088:
7076:
7064:
7052:
6907:
6895:
6844:
6770:
6758:
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6617:
6528:
6512:
6419:
6379:
6367:
6338:
6322:
6260:
6248:
6236:
6198:
6186:
6174:
6146:
6134:
6122:
6083:
6056:
6039:
6027:
6003:
5991:
5944:The Routledge Companion to Adaptation
5909:
5894:
5882:
5870:
5858:
5834:
5822:
5732:
5685:
5484:
5444:
5432:
5420:
5376:
5294:
5278:
5266:
5254:
5206:
5163:
5151:
5076:
4970:
4889:
4727:"News of Other Cities, Atlantic City"
4500:. Theodore Borrillo. pp. 64â65.
4464:
4452:
4272:LaPlaca, Bryan (September 19, 2011).
4233:
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4201:
4189:
4124:
4112:
4100:
4052:
4032:
4020:
3991:
3979:
3963:
3939:
3903:
3887:
3746:in 2017 for nearly $ 25 million.
3427:(1941) as Movie Director (uncredited)
614:
603:, who would cast DeMille in his play
15060:Golden Globe Award-winning producers
10668:Other collections related to DeMille
10408:
10357:
10200:
10098:
10044:
9870:
9829:
9020:Hubbard, Lincoln (August 28, 2000).
8955:
8851:
8648:
8394:. New York: Routledge. p. 112.
8243:
8109:Nichols, Chris (February 16, 2013).
8082:
7975:Kozlovic, Anton Karl (Spring 2009).
7920:Pulver, Andrew (November 28, 2014).
7652:
7386:Kozlovic, Anton Karl (Spring 2004).
7317:Leonard Maltin's Classic Movie Guide
6959:"The Spectacles of Cecil B. DeMille"
6500:
6163:FDR, Dewey, and the Election of 1944
5818:
5500:
5230:
5021:
4929:
4788:
4784:
4772:
4701:
3536:
3395:(1930) as Himself (Guest Appearance)
3357:
2669:
2508:DeMille's block in the forecourt of
2437:National Register of Historic Places
2036:can be retrospectively described as
1538:National Committee for a Free Europe
548:; they named this estate "Pamlico".
441:. He was the first recipient of the
15080:People from Ashfield, Massachusetts
14885:20th-century American screenwriters
12947:Gilbert M. "Broncho Billy" Anderson
10628:Cecil B. DeMille at Virtual History
10261:. New York: Crown Publishers, Inc.
9251:. American Academy of Dramatic Arts
8555:. New York: Harmony Books. p.
8057:Higgins, Bill (November 25, 2018).
7022:Howard, Rosemarie (April 4, 2011).
5690:Women Filmmakers in Early Hollywood
4246:Acocella, Joan (November 5, 2015).
3662:who was notoriously anti-communist.
3507:(1952) as Photographer (uncredited)
3411:(1937) as Crowd Member (uncredited)
1948:
1800:; the destruction of an airship in
1556:Final works and unrealized projects
1018:DeMille's most successful film was
971:Westerns, Paradise, and World War I
864:Jesse L. Lasky Feature Play Company
672:In 1902, he played a small part in
443:Golden Globe Cecil B. DeMille Award
24:
15085:People from Los Feliz, Los Angeles
15065:Jewish American military personnel
15045:Film directors from North Carolina
14995:Best Director Golden Globe winners
14955:American people of English descent
14940:American people of Belgian descent
14875:20th-century American male writers
10619:Works by or about Cecil B. DeMille
10578:by the Cecil B. DeMille Foundation
10301:. New York: Simon & Schuster.
10091:
9590:McNary, Dave (February 27, 2015).
9277:. Variety Media. December 17, 2018
9199:. Variety Media. December 17, 2018
9047:Toone, Trent (December 11, 2014).
8993:
8188:New York: Scribner, 1989. p. 399.
7688:Watkins, Daniel (March 10, 2015).
7360:Folkart, Burt A. (March 7, 1984).
6573:(3rd ed.). Omnibus Press. p. 318.
6444:Phillips, Casey (March 26, 2016).
4248:"Agnes DeMille's Artistic Justice"
3373:(1914) as Faro Dealer (uncredited)
1157:Producers Distributing Corporation
540:, until Henry built a three-story
437:for Lifetime Achievement, and the
25:
15141:
15115:Screenwriters from North Carolina
15050:Film producers from Massachusetts
15035:Film directors from Massachusetts
14890:Academy Honorary Award recipients
14870:20th-century American male actors
14452:Irving G. Thalberg Memorial Award
12901:Bausch & Lomb Optical Company
12883:20th Century-Fox Film Corporation
12669:and his associates / Rey Scott /
12547:Museum of Modern Art Film Library
10565:
10447:Leonard Maltin's 2009 Movie Guide
9493:; Leonard, Suzanne, eds. (2015).
8029:
7887:
7816:"Dirt is Not Necessarily Paydirt"
6543:
5022:Lowe, Walter (October 22, 1956).
3919:Autobiography of Cecil B. DeMille
3789:The Lost City of Cecil B. DeMille
3688:. Among those in attendance were
3591:was a famed dancer-choreographer.
3569:in private life. The family name
2525:American Academy of Dramatic Arts
2415:(1913) was filmed. It became the
1416:, which was intended to be about
521:religions; Beatrice converted to
500:American Academy of Dramatic Arts
439:Irving G. Thalberg Memorial Award
121:American Academy of Dramatic Arts
15105:Screenwriters from Massachusetts
15030:Episcopalians from Massachusetts
14950:American people of Dutch descent
14880:20th-century American memoirists
14832:
14820:
14808:
14796:
14784:
14772:
14760:
14748:
14736:
10685:The Mary Roberts Rinehart Papers
10672:L. Tom Perry Special Collections
10654:L. Tom Perry Special Collections
10431:. New York: Vestal Press, 1990.
10394:. New York: Thomas Dunne Books.
10379:
10159:. University Press of Kentucky.
10050:
10007:
9977:
9943:
9917:
9876:
9823:
9705:
9671:
9609:
9583:
9483:
9464:Warren, Steve (April 20, 2019).
9457:
9419:
9393:
9367:
9341:
9315:
9263:
9237:
9211:
9185:
9160:
9135:
9082:
9066:
9040:
9013:
8987:
8949:
8915:
8897:
8871:
8845:
8819:
8789:
8771:
8745:
8719:
8694:
8668:
8642:
8615:
8573:
8542:
8506:
8475:
8459:. Assistnews.net. Archived from
8415:
8381:
8342:
8316:
8278:
8224:
8199:
8178:
8128:
8102:
8076:
8050:
8023:
7913:
7839:Records, Guinness World (2014).
7808:
7792:
7681:
7672:
7646:
7606:
7488:
7471:"What Happened to William Boyd?"
7462:
7436:
7379:
7353:
7341:
7320:. New York: Plume. p. 496.
7307:
7279:
7253:
7241:
7215:
7121:
7015:
6977:
6951:
6913:
6795:
6663:
6649:
6596:
6563:
6506:
6437:
6409:
6316:
6286:
6266:
6204:
6192:
5934:
5812:
5726:
5679:
5653:
5602:Masters, Nathan (May 23, 2017).
5595:
5549:
5490:
5364:
5338:
5300:
4152:Powell, William S., ed. (1986).
3794:
3781:
3768:
3759:
3749:
3736:
3723:
3674:
3665:
3652:
3643:
3633:
3616:
2491:L. Tom Perry Special Collections
1420:. After reading the screenplay,
1148:was established. DeMille's film
829:Les Amours de la reine Ălisabeth
423:for his film contributions, the
409:. His last and best-known film,
333:producer. DeMille's first film,
261:
15025:Directors of Palme d'Or winners
13164:National Endowment for the Arts
12671:British Ministry of Information
10484:. Philadelphia: Running Press.
10409:Lyon, Christopher, ed. (1984).
10391:Cecil B. DeMille: A Life in Art
10366:. Harpenden, UK: Kamera Books.
9400:McCarthy, Todd (May 26, 2002).
8752:Linden, Sheri (June 13, 2017).
8733:. Guadalupe-Nipomo Dunes Center
8649:King, Susan (August 21, 2015).
8457:"Dan Wooding's strategic times"
8083:Hoad, Phil (January 15, 2016).
6985:"Cinema: The Great Train Wreck"
5639:L.Tom Perry Special Collections
5307:Bergan, Ronald (June 5, 2001).
5284:
5157:
5043:
4907:
4778:
4719:
4691:
4675:
4659:
4577:
4487:
4362:
4334:
4291:
4265:
4239:
4219:
4179:
4145:
4038:
3603:
3594:
3581:
3483:(1949) as Narrator (uncredited)
3467:(1947) as Narrator (uncredited)
3451:(1944) as Narrator (uncredited)
2658:is broadcast every Saturday at
2238:were "the three great American
1550:United States Air Force Academy
571:DeMille as a young man, c. 1904
544:-style house for his family in
393:Academy Award for Best Director
179:
15125:Western (genre) film directors
15055:Film producers from New Jersey
15040:Film directors from New Jersey
14980:American silent film directors
12661:, John N. A. Hawkins, and the
11578:Academy Award for Best Picture
10989:The Trail of the Lonesome Pine
10178:. London: Palgrave Macmillan.
8852:Inga, Daniel (April 2, 2017).
8488:Journal of Religion & Film
8388:Sobchack, Vivian, ed. (1996).
8285:Thomas, Kevin (May 16, 1990).
8211:University of California Press
6276:. New York: Doubleday. p. 36.
5696:Johns Hopkins University Press
5024:"DeMille at 75 Still Creating"
4590:. Retrieved: December 8, 2011.
4494:Borrillo, Theodore A. (2012).
3957:
3909:
3893:
3855:
3829:
3543:
2842:The Trail of the Lonesome Pine
2611:
2463:. The former film building at
2252:. DeMille was immortalized in
1454:Academy Award for Best Picture
403:Academy Award for Best Picture
380:Academy Award for Best Picture
13:
1:
15110:Screenwriters from New Jersey
13190:National Film Board of Canada
12417:Daniel Kwan, Daniel Scheinert
10501:The Films of Cecil B. DeMille
10443:Maltin, Leonard, ed. (2009).
9303:. A&E Television Networks
8779:"Cecil B. DeMille Collection"
7314:Maltin, Leonard, ed. (2005).
6819:Shales, Tom (April 5, 2004).
5733:Stein, Megan (June 2, 2017).
5667:. Bank of America Corporation
5562:. Leiden: Brill. p. 18.
3260:Directing or producing credit
2439:in 2014. The Dunes Center in
1729:
1724:
1533:to serve on the board of the
1408:In 1942, DeMille worked with
1331:(CBS) from 1935 to 1954, the
585:Pennsylvania Military College
117:Pennsylvania Military College
49:
14970:American radio personalities
12411:, Patrick Wachsberger (2021)
10413:. Chicago: St. James Press.
10257:Eames, John Douglas (1985).
10157:Cecil B. DeMille's Hollywood
10155:Birchard, Robert S. (2004).
10102:Encyclopedia of Early Cinema
9806:American Film Institute 1997
9654:American Film Institute 1997
9642:Soister & Nicolella 2012
9219:"The Cecil B. deMille Award"
8677:"Hollywood preservator dies"
8349:Mantgani, Ian (March 2016).
6618:David, Mark (June 2, 2017).
5352:. California Digital Library
5350:Online Archive of California
3823:
3553:surname, originally spelled
2662:in the United States on the
2099:Charlton Heston as Moses in
1987:. DeMille's 1956 version of
1523:Academy Award for Best Story
1329:Columbia Broadcasting System
1100:in 1931 would be a failure.
587:(now Widener University) in
448:
7:
14930:American male screenwriters
12930:Samurai I: Musashi Miyamoto
11539:Awards for Cecil B. DeMille
10849:The Girl of the Golden West
10451:. New York: Plume. p.
10362:DalĂ, Surrealism and Cinema
10343:. New York: Da Capo Press.
10099:Abel, Richard, ed. (2005).
9985:"Samson and Delilah (1949)"
9924:T.M.P. (October 16, 1947).
9470:Christian Broadcast Network
8482:Kozlovic, Anton K. (2016).
7227:Women Film Pioneers Project
5458:"He Himself Was "Colossal""
3966:, pp. 15â17, 30, 206;
3626:and her mother had died of
2738:The Girl of the Golden West
2644:(1918) â were destroyed by
2407:was the place of origin of
2346:'s later film about Moses,
1701:Hollywood Memorial Cemetery
1446:DeMille in the trailer for
1288:DeMille as producer of the
1206:MGM and return to Paramount
1053:Famous Players Film Company
933:Lubin Manufacturing Company
716:The Girl of the Golden West
401:(1952), which won both the
351:. His first biblical epic,
10:
15146:
14985:American theatre directors
14935:American male stage actors
12619:Motion Picture Relief Fund
12390:Mollye Asher, Dan Janvey,
11510:The Greatest Show on Earth
10586:Internet Broadway Database
10503:. New York: Citadel Press.
9758:Ringgold & Bodeen 1969
9402:"'Pianist' tickles Cannes"
9172:Directors Guild of America
9147:Directors Guild of America
9028:. Brigham Young University
8909:Nasa Lunar Surface Journal
8883:The Orange County Register
8727:"The Lost City of Demille"
8552:Jimmy Stewart: A Biography
7799:Ringgold & Bodeen 1969
7248:Ringgold & Bodeen 1969
6790:Ringgold & Bodeen 1969
6016:Ringgold & Bodeen 1969
5980:Ringgold & Bodeen 1969
5929:Ringgold & Bodeen 1969
5783:Ringgold & Bodeen 1969
5686:Mahar, Karen Ward (2006).
5641:. Brigham Young University
5525:Ringgold & Bodeen 1969
5513:Ringgold & Bodeen 1969
5497:Ringgold & Bodeen 1969
4942:Ringgold & Bodeen 1969
4914:Ringgold & Bodeen 1969
4842:Ringgold & Bodeen 1969
4827:Ringgold & Bodeen 1969
4666:Ringgold & Bodeen 1969
4588:Internet Broadway Database
4536:Ringgold & Bodeen 1969
4373:Ringgold & Bodeen 1969
4302:Ringgold & Bodeen 1969
4009:Ringgold & Bodeen 1969
3916:DeMille, Cecil B. (1959).
3837:"TODAY in Masonic History"
3496:The Greatest Show on Earth
3408:The Last Train from Madrid
3345:(1953, executive producer)
3337:(1951, executive producer)
3243:The Greatest Show on Earth
2674:Filmography obtained from
2571:The Greatest Show on Earth
2552:The Greatest Show on Earth
2411:and the location in which
2395:Commemoration and tributes
2330:The Greatest Show on Earth
2322:The Greatest Show on Earth
2306:cited DeMille's 1921 film
2134:The Greatest Show on Earth
1868:The Greatest Show on Earth
1798:The Greatest Show on Earth
1604:The Greatest Show on Earth
1587:The Greatest Show on Earth
1519:The Greatest Show on Earth
1481:at the rally organized by
1449:The Greatest Show on Earth
1433:1939 New York World's Fair
993:(co-directed by DeMille),
745:Losing interest in theatre
538:Washington, North Carolina
398:The Greatest Show on Earth
107:Hollywood Forever Cemetery
15130:Widener University alumni
15075:Members of The Lambs Club
14925:American male film actors
14458:
14196:
13576:
13283:
13097:
12887:Bell & Howell Company
12839:
12663:RCA Manufacturing Company
12487:
12110:
11815:
11584:
11544:
11460:North West Mounted Police
11340:
11139:Don't Change Your Husband
11039:A Romance of the Redwoods
10729:
10339:Highman, Charles (1973).
10201:Dick, Bernard F. (2001).
10184:10.1007/978-3-319-76986-8
9782:Edmonds & Mimura 1980
9623:. The Library of Congress
9621:Performing Arts Databases
9495:Fifty Hollywood Directors
9452:Presley & Vieira 2014
9375:"The 29th Academy Awards"
9349:"The 25th Academy Awards"
9130:Presley & Vieira 2014
9073:Presley & Vieira 2014
8964:Columbia University Press
8959:Gay Directors, Gay Films?
8610:Presley & Vieira 2014
8376:Presley & Vieira 2014
8030:James, Nick; et al.
7864:Presley & Vieira 2014
7803:Presley & Vieira 2014
7641:Presley & Vieira 2014
7529:Presley & Vieira 2014
7210:Presley & Vieira 2014
7198:Presley & Vieira 2014
7186:Presley & Vieira 2014
6946:Presley & Vieira 2014
6860:Presley & Vieira 2014
6699:Presley & Vieira 2014
6591:Presley & Vieira 2014
6517:Presley & Vieira 2014
6515:, pp. 494â496, 500;
6489:Presley & Vieira 2014
6470:Presley & Vieira 2014
6432:Presley & Vieira 2014
6404:Presley & Vieira 2014
6392:Presley & Vieira 2014
6351:Edmonds & Mimura 1980
6327:Presley & Vieira 2014
6311:Presley & Vieira 2014
6212:"The 25th Academy Awards"
5847:Presley & Vieira 2014
5771:Presley & Vieira 2014
5759:Presley & Vieira 2014
5556:Bakker, Freek L. (2009).
5050:Presley & Vieira 2014
4986:Presley & Vieira 2014
4918:Presley & Vieira 2014
4902:Edmonds & Mimura 1980
4808:Edmonds & Mimura 1980
4793:Presley & Vieira 2014
4761:Presley & Vieira 2014
4686:Presley & Vieira 2014
4670:Presley & Vieira 2014
4548:Presley & Vieira 2014
4414:Presley & Vieira 2014
4329:Presley & Vieira 2014
4226:Presley & Vieira 2014
4140:Presley & Vieira 2014
4049:Presley & Vieira 2014
3900:Presley & Vieira 2014
3416:North West Mounted Police
3203:North West Mounted Police
2954:Don't Change Your Husband
2882:A Romance of the Redwoods
2676:Fifty Hollywood Directors
2518:Grauman's Chinese Theatre
2510:Grauman's Chinese Theatre
2433:Hollywood Heritage Museum
2417:Hollywood Heritage Museum
2090:
1804:; and the parting of the
1749:
1390:North West Mounted Police
1226:, and his 1931 remake of
836:1913â1914: entering films
739:The Return of Peter Grimm
735:The Return of Peter Grimm
731:The Return of Peter Grimm
546:Pompton Lakes, New Jersey
240:
219:
205:
189:
161:
151:
143:
126:
112:
102:
83:
57:
41:
34:
14975:American radio producers
14965:American radio directors
14900:American anti-communists
11480:The Story of Dr. Wassell
11179:Something to Think About
11109:We Can't Have Everything
10680:Brigham Young University
10662:Brigham Young University
10358:King, Elliot H. (2007).
10316:Higashi, Sumiko (1994).
10220:Doherty, Thomas (1999).
8922:Mennel, Barbara (2012).
8357:. British Film Institute
7765:, pp. 81, 111, 178.
6660:, upi.com, June 26, 1984
6569:Donnelley, Paul (2004).
6294:Colorado Springs Gazette
4735:New York Dramatic Mirror
4584:"Cecil B. DeMille plays"
3926:– via archive.org.
3448:The Story of Dr. Wassell
3219:The Story of Dr. Wassell
2986:Something to Think About
2930:We Can't Have Everything
2638:We Can't Have Everything
2540:Brigham Young University
2487:Brigham Young University
2373:to charity. In the 2012
1685:
1644:. Despite a cast led by
1292:, broadcast on CBS, 1937
1235:Internal Revenue Service
1187:Mercury Aviation Company
945:was filmed earlier than
480:Matilda Beatrice deMille
476:Henry Churchill de Mille
214:Matilda Beatrice deMille
210:Henry Churchill de Mille
12615:William Cameron Menzies
11119:Till I Come Back to You
10999:The Heart of Nora Flynn
10949:Chimmie Fadden Out West
10869:The Warrens of Virginia
10650:Cecil B. DeMille papers
10536:Williams, Tony (2014).
10388:Louvish, Simon (2007).
9712:Jorgensen, Jay (2010).
8422:Flynn, John L. (2005).
8207:The Parade's Gone by...
7900:American Movie Classics
7450:. Turner Classic Movies
6991:. Time USA. May 7, 1951
5947:. New York: Routledge.
3520:The Buster Keaton Story
3472:Jens Mansson in America
2938:Till I Come Back to You
2850:The Heart of Nora Flynn
2810:Chimmie Fadden Out West
2746:The Warrens of Virginia
2461:Midway City, California
2195:DeMille directing, 1920
2010:scene in his 1956 film
1909:, Paulette Goddard and
1746:, directed by Sothern.
1401:For Whom the Bell Tolls
1026:Angeles National Forest
1008:The Warrens of Virginia
783:Sergeant Devil May Care
726:The Warrens of Virginia
472:Ashfield, Massachusetts
323:Ashfield, Massachusetts
168:Constance Adams DeMille
76:Ashfield, Massachusetts
15120:Special effects people
15005:California Republicans
14905:American Episcopalians
13570:Cecil B. DeMille Award
13230:Michelangelo Antonioni
12754:William Nicholas Selig
12481:Academy Honorary Award
11400:Four Frightened People
10174:Blanke, David (2018).
8956:Levy, Emanuel (2015).
8758:The Hollywood Reporter
8063:The Hollywood Reporter
7841:Guinness World Records
6657:De Mille daughter dies
5335:, p. 90, 206-207.
4065:Easton, Carol (1996).
3155:Four Frightened People
2664:ABC Television Network
2594:National Film Registry
2560:Hollywood Walk of Fame
2535:
2513:
2497:Awards and recognition
2457:Long Beach, California
2420:
2270:and Charlie Chaplin's
2196:
2104:
2008:parting of the Red Sea
1970:
1826:
1763:
1719:Los Feliz, Los Angeles
1695:
1565:
1456:
1369:Union Pacific Railroad
1293:
1271:Four Frightened People
1266:Four Frightened People
1141:
980:
855:
599:. In the audience was
572:
463:
454:1881â1899: early years
421:Academy Honorary Award
14910:American film editors
13186:Eastman Kodak Company
12829:The Walls of Malapaga
12303:James W. Skotchdopole
12295:Alejandro G. Iñårritu
12191:Ethan Coen, Joel Coen
11380:The Sign of the Cross
11289:The Road to Yesterday
11199:The Affairs of Anatol
11169:Why Change Your Wife?
11149:For Better, for Worse
11089:The Whispering Chorus
11069:Nan of Music Mountain
10789:The Call of the North
10676:Harold B. Lee Library
10658:Harold B. Lee Library
10638:Silent Film Bookshelf
10295:Eyman, Scott (2010).
10105:. London: Routledge.
9886:(December 31, 1942).
9497:. London: Routledge.
9094:The Salt Lake Tribune
9079:, pp. 34â36, 496
8706:National Park Service
8205:Brownlow, K. (1976).
8038:on September 15, 2016
4055:, pp. 15â17, 138
3342:The War of the Worlds
3318:Nan of Music Mountain
3139:The Sign of the Cross
3074:The Road to Yesterday
3002:The Affairs of Anatol
2978:Why Change Your Wife?
2962:For Better, for Worse
2914:The Whispering Chorus
2698:The Call of the North
2648:, and are considered
2646:nitrate decomposition
2596:by the United States
2565:DeMille received two
2533:
2507:
2441:Guadalupe, California
2402:
2379:poll, both DeMille's
2194:
2122:The Sign of the Cross
2098:
2073:The Road to Yesterday
2059:The Whispering Chorus
2034:The Affairs of Anatol
2029:Why Change Your Wife?
1968:
1818:
1790:The Road to Yesterday
1757:
1693:
1670:, the founder of the
1560:
1513:DeMille's next film,
1445:
1418:Mary, mother of Jesus
1336:He resigned from the
1287:
1254:The Sign of the Cross
1250:The Sign of the Cross
1242:The Sign of the Cross
1162:The Road to Yesterday
1151:The Affairs of Anatol
1139:
978:
966:1915â1928: silent era
848:
589:Chester, Pennsylvania
570:
461:
395:for his circus drama
369:The Sign of the Cross
14689:Francis Ford Coppola
14361:Francis Ford Coppola
14301:Joseph L. Mankiewicz
13403:Jean-Claude CarriĂšre
12993:/ Fred L. Metzler /
12991:William L. Hendricks
12869:/ George Mitchell /
11884:Richard Attenborough
11850:, John Peverall and
11785:Francis Ford Coppola
11520:The Ten Commandments
11249:The Ten Commandments
11059:The Woman God Forgot
10899:The Wild Goose Chase
10427:Orrison, Katherine.
9678:Havert, Nik (2019).
9297:"DeMille wins Oscar"
8785:. September 4, 2014.
8783:Academy Film Archive
8549:Eliot, Marc (2006).
7405:10.3138/jrpc.6.1.002
6418:, pp. 357â358;
6406:, pp. 381, 387.
6272:Weiner, Tim (2007).
5463:The Montreal Gazette
4103:, pp. 16â17, 23
3869:on November 10, 2013
3512:The Ten Commandments
3440:Star Spangled Rhythm
3251:The Ten Commandments
3042:The Ten Commandments
2898:The Woman God Forgot
2770:The Wild Goose Chase
2655:The Ten Commandments
2626:The Wild Goose Chase
2606:The Ten Commandments
2579:The Ten Commandments
2481:alludes to DeMille.
2449:Academy Film Archive
2445:The Ten Commandments
2385:The Ten Commandments
2383:and 1923 version of
2344:DreamWorks Animation
2340:The Ten Commandments
2326:The Ten Commandments
2296:Joseph L. Mankiewicz
2250:The Ten Commandments
2230:wrote that DeMille,
2186:The Ten Commandments
2138:The Ten Commandments
2114:The Ten Commandments
2110:The Ten Commandments
2101:The Ten Commandments
2012:The Ten Commandments
1993:The Ten Commandments
1989:The Ten Commandments
1844:The Ten Commandments
1810:The Ten Commandments
1808:in both versions of
1621:The Ten Commandments
1595:The Ten Commandments
1591:The Ten Commandments
1579:The Ten Commandments
1570:The Ten Commandments
1487:Los Angeles Coliseum
1479:master of ceremonies
1201:1929â1956: sound era
1140:Advertisement (1919)
1131:The Ten Commandments
1057:Famous PlayersâLasky
785:, which was renamed
692:The Ten Commandments
593:SpanishâAmerican War
562:The Ten Commandments
412:The Ten Commandments
354:The Ten Commandments
321:DeMille was born in
257:Cecil Blount DeMille
62:Cecil Blount DeMille
48:Publicity portrait,
14915:American Freemasons
14589:Lawrence Weingarten
13060:Charles S. Boren /
12717:The House I Live In
12708:Daniel J. Bloomberg
12685:Metro-Goldwyn-Mayer
12407:Fabrice Gianfermi,
11049:The Little American
10749:Brewster's Millions
10474:free and easy film.
10259:The Paramount Story
10026:on February 2, 2017
9830:Kear, Lynn (2009).
9431:Library of Congress
9327:Golden Globe Awards
9223:Golden Globe Awards
8612:, pp. 404â405.
8591:on February 5, 2016
8527:, pp. 422â423.
7777:, pp. 90, 255.
7433:, pp. 235â236.
7223:"Jeanie Macpherson"
6910:, pp. 324â325.
6898:, pp. 297â298.
6886:, pp. 272â273.
6825:The Washington Post
6646:, pp. 506â507.
6370:, p. 218, 340.
6239:, pp. 436â437.
6137:, pp. 336â337.
6086:, pp. 337â338.
6071:, pp. 359â360.
6042:, pp. 332â333.
6006:, pp. 375â377.
5885:, pp. 270â272.
5821:, pp. 15, 21;
5809:, pp. 129â130.
5761:, pp. 152â155.
5257:, pp. 140â141.
5245:, pp. 172â173.
4467:, pp. 167â168.
3731:Alzheimer's disease
3334:When Worlds Collide
3270:Brewster's Millions
2890:The Little American
2598:Library of Congress
2349:The Prince of Egypt
1943:Hollywood blacklist
1668:Robert Baden-Powell
1469:. After working on
1361:In 1939, DeMille's
991:Brewster's Millions
959:Brewster's Millions
642:To Have and to Hold
496:Columbia University
427:(posthumously) for
15070:Jewish film people
14677:Dino De Laurentiis
14619:Albert R. Broccoli
14265:William A. Wellman
13383:George Stevens Jr.
13062:Edward G. Robinson
12762:George Kirke Spoor
12599:and Allen Davey /
12595:, Walter Oberst /
12591:, Harry D. Mills,
12409:Philippe Rousselet
12371:Charles B. Wessler
12351:Guillermo del Toro
11500:Samson and Delilah
11470:Reap the Wild Wind
10829:Rose of the Rancho
10779:The Man on the Box
10721:Films directed by
10652:, Vault MSS 1400,
10644:Archival materials
10609:TCM Movie Database
10063:The New York Times
9995:on August 11, 2016
9930:The New York Times
9892:The New York Times
9323:"Cecil B. deMille"
9026:The Daily Universe
8184:Grobel, Lawrence.
7741:, pp. xvâxvi.
7717:, pp. xivâxv.
6422:, pp. 452â453
5861:, pp. 98â100.
5466:. January 22, 1959
5390:. January 22, 1959
5388:The New York Times
4700:, pp. 46â47;
3480:Samson and Delilah
3432:Reap the Wild Wind
3294:The Man on the Box
3235:Samson and Delilah
3211:Reap the Wild Wind
2730:Rose of the Rancho
2536:
2514:
2469:Orange, California
2465:Chapman University
2425:Lasky-DeMille Barn
2421:
2409:Paramount Pictures
2405:Lasky-DeMille Barn
2381:Samson and Delilah
2318:Samson and Delilah
2197:
2130:Samson and Delilah
2105:
1981:Rembrandt lighting
1971:
1939:Edward G. Robinson
1919:Joseph Schildkraut
1856:Samson and Delilah
1827:
1822:Samson and Delilah
1788:; train wrecks in
1786:Samson and Delilah
1764:
1705:The New York Times
1696:
1680:Book of Revelation
1609:Gone with the Wind
1583:Samson and Delilah
1515:Samson and Delilah
1497:ticket as well as
1489:in support of the
1471:Reap the Wild Wind
1462:Reap the Wild Wind
1457:
1294:
1167:The King of Kings,
1142:
996:Rose of the Rancho
981:
942:Judith of Bethulia
879:Edwin Milton Royle
856:
721:Rose of the Rancho
615:1900â1912: theater
573:
484:William C. deMille
470:on Main Street in
464:
385:Samson and Delilah
345:Paramount Pictures
224:William C. deMille
97:, California, U.S.
14724:
14723:
14718:
14717:
14709:Michael G. Wilson
14641:Richard D. Zanuck
14475:David O. Selznick
14418:
14417:
14156:
14155:
14088:Denzel Washington
13638:Maurice Chevalier
13536:
13535:
13491:Samuel L. Jackson
13453:Donald Sutherland
13439:Frederick Wiseman
13001:William J. Tuttle
12961:Maurice Chevalier
12871:Joseph M. Schenck
12813:The Bicycle Thief
12740:Claude Jarman Jr.
12706:Republic Studio,
12667:Leopold Stokowski
12607:Douglas Fairbanks
12524:The March of Time
12447:
12446:
12437:Christopher Nolan
12392:Frances McDormand
12143:Barrie M. Osborne
11944:Richard D. Zanuck
11868:Ronald L. Schwary
11789:Gray Frederickson
11531:
11530:
11309:The King of Kings
11299:The Volga Boatman
11099:Old Wives for New
10979:The Golden Chance
10839:The Ghost Breaker
10819:The Man from Home
8994:Gibson, Barbara.
8885:. January 5, 2015
8655:Los Angeles Times
8463:on March 29, 2003
8291:Los Angeles Times
8219:978-0-520-03068-8
8194:978-1-62914-289-0
8141:Los Angeles Times
7653:Townsend, Allie.
7366:Los Angeles Times
7265:Los Angeles Times
6965:. CBS Interactive
6925:Lethbridge Herald
6749:, pp. 18â22.
6725:, pp. 15â16.
6676:Los Angeles Times
6550:Los Angeles Times
6282:978-0-3855-1445-3
6161:David M. Jordan,
6125:, pp. 96â97.
5487:, p. 13, 23.
5186:Los Angeles Times
5133:, pp. 76â77.
5064:, pp. 69â70.
4562:, pp. 32â33.
4507:978-0-9744331-4-1
4428:, pp. 30â31.
4404:, pp. 20â21.
4127:, pp. 26â27.
4080:978-0-306-80975-0
4069:. New York City:
3994:, pp. 15â21.
3537:Explanatory notes
3523:(1957) as Himself
3491:(1950) as Himself
3475:(1947) as Himself
3459:(1947) as Himself
3443:(1942) as Himself
3389:(1930) as Himself
3381:(1923) as Himself
3358:Acting and cameos
3302:The Ghost Breaker
3090:The King of Kings
3082:The Volga Boatman
2922:Old Wives for New
2834:The Golden Chance
2722:The Man from Home
2670:Directed features
2544:Temple University
2478:Cecil B. Demented
2376:Sight & Sound
2371:The King of Kings
2362:The King of Kings
2335:War of the Worlds
2282:Sergei Eisenstein
2140:(1956). Director
2077:The Golden Chance
1895:Claudette Colbert
1758:Cecil B. DeMille
1710:Los Angeles Times
1546:Harold E. Talbott
1542:Radio Free Europe
1483:David O. Selznick
1410:Jeanie MacPherson
1324:Lux Radio Theatre
1290:Lux Radio Theatre
1279:Lux Radio Theatre
1246:The King of Kings
1171:The King of Kings
1116:The Volga Boatman
1002:The Ghost Breaker
846:
795:The Royal Mounted
787:The Royal Mounted
703:The Royal Mounted
659:Hearts Are Trumps
630:Hearts Are Trumps
605:Hearts are Trumps
558:spinal meningitis
550:John Philip Sousa
363:The King of Kings
360:DeMille directed
329:, who was then a
254:
253:
195:Katherine DeMille
144:Years active
16:(Redirected from
15137:
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14705:Barbara Broccoli
14695:Kathleen Kennedy
14625:Steven Spielberg
14601:Pandro S. Berman
14577:Alfred Hitchcock
14529:Cecil B. DeMille
14517:Darryl F. Zanuck
14499:Darryl F. Zanuck
14463:Darryl F. Zanuck
14445:
14438:
14431:
14422:
14421:
14367:Steven Spielberg
14277:Rouben Mamoulian
14249:Alfred Hitchcock
14201:Cecil B. DeMille
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13963:Barbra Streisand
13958:
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13947:Shirley MacLaine
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13870:
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13854:
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13846:
13843:Elizabeth Taylor
13838:
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13827:Laurence Olivier
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13790:
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13753:
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13742:Alfred Hitchcock
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13678:Joseph E. Levine
13673:
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13641:
13633:
13625:
13617:
13609:
13601:
13598:Darryl F. Zanuck
13593:
13585:
13582:Cecil B. DeMille
13563:
13556:
13549:
13540:
13539:
13375:D. A. Pennebaker
13365:James Earl Jones
13218:Federico Fellini
13142:Barbara Stanwyck
13115:Laurence Olivier
13017:Y. Frank Freeman
12951:Charles Brackett
12859:Merian C. Cooper
12808:Cecil B. DeMille
12785:Monsieur Vincent
12732:Laurence Olivier
12722:Peggy Ann Garner
12701:Margaret O'Brien
12543:W. Howard Greene
12529:W. Howard Greene
12474:
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12460:
12451:
12450:
12440:
12424:
12412:
12403:
12386:
12374:
12361:, Brian Currie,
12354:
12342:
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12311:Blye Pagon Faust
12306:
12290:
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12250:
12242:
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12219:Nicolas Chartier
12206:
12203:Christian Colson
12198:
12186:
12178:
12166:
12150:
12134:
12126:
12103:
12087:
12075:
12068:Harvey Weinstein
12051:
12039:
12031:
12015:
11999:
11996:Steven Spielberg
11983:
11975:
11959:
11947:
11940:Lili Fini Zanuck
11935:
11927:
11919:
11911:
11903:
11895:
11887:
11879:
11871:
11863:
11860:Stanley R. Jaffe
11855:
11839:
11836:Charles H. Joffe
11831:
11808:
11796:
11780:
11777:Michael Phillips
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11756:
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11724:
11716:
11708:
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11692:
11684:
11676:
11668:
11660:
11652:
11644:
11636:
11628:
11620:
11612:
11604:
11601:Cecil B. DeMille
11596:
11571:
11564:
11557:
11548:
11547:
11535:
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11524:
11514:
11504:
11494:
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11434:
11424:
11414:
11404:
11394:
11390:This Day and Age
11384:
11374:
11364:
11354:
11333:
11329:The Godless Girl
11323:
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11283:
11273:
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10763:
10753:
10743:
10723:Cecil B. DeMille
10715:
10708:
10701:
10692:
10691:
10623:Internet Archive
10615:
10605:Cecil B. DeMille
10596:Cecil B. DeMille
10592:
10582:Cecil B. DeMille
10577:
10576:
10574:Official website
10560:
10558:
10556:
10532:
10530:
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10495:
10476:
10471:
10469:
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10424:
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10365:
10354:
10341:Cecil B. DeMille
10335:
10323:
10312:
10291:
10272:
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10080:
10074:
10073:
10071:
10069:
10054:
10048:
10042:
10036:
10035:
10033:
10031:
10022:. Archived from
10011:
10005:
10004:
10002:
10000:
9989:BFI Film Forever
9981:
9975:
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9972:
9970:
9947:
9941:
9940:
9938:
9936:
9921:
9915:
9909:
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9902:
9900:
9898:
9884:Crowther, Bosley
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9112:
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9101:
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9064:
9063:
9061:
9059:
9044:
9038:
9037:
9035:
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9017:
9011:
9010:
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8991:
8985:
8984:
8982:
8980:
8953:
8947:
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8919:
8913:
8912:
8901:
8895:
8894:
8892:
8890:
8875:
8869:
8868:
8866:
8864:
8849:
8843:
8842:
8840:
8838:
8823:
8817:
8816:
8814:
8812:
8807:on July 10, 2019
8793:
8787:
8786:
8775:
8769:
8768:
8766:
8764:
8749:
8743:
8742:
8740:
8738:
8723:
8717:
8716:
8714:
8712:
8698:
8692:
8691:
8689:
8687:
8672:
8666:
8665:
8663:
8661:
8646:
8640:
8639:
8619:
8613:
8607:
8601:
8600:
8598:
8596:
8585:BFI Film Forever
8577:
8571:
8570:
8546:
8540:
8534:
8528:
8522:
8516:
8510:
8504:
8503:
8501:
8499:
8479:
8473:
8472:
8470:
8468:
8453:
8447:
8446:
8444:
8442:
8419:
8413:
8412:
8410:
8408:
8385:
8379:
8373:
8367:
8366:
8364:
8362:
8355:BFI Film Forever
8346:
8340:
8339:
8337:
8335:
8320:
8314:
8308:
8302:
8301:
8299:
8297:
8282:
8276:
8270:
8264:
8258:
8247:
8241:
8235:
8232:Cecil B. DeMille
8228:
8222:
8203:
8197:
8182:
8176:
8170:
8164:
8158:
8152:
8151:
8149:
8147:
8132:
8126:
8125:
8123:
8121:
8106:
8100:
8099:
8097:
8095:
8080:
8074:
8073:
8071:
8069:
8054:
8048:
8047:
8045:
8043:
8034:. Archived from
8027:
8021:
8015:
8009:
8003:
7997:
7996:
7994:
7992:
7972:
7961:
7955:
7949:
7943:
7937:
7936:
7934:
7932:
7917:
7911:
7910:
7908:
7906:
7885:
7879:
7873:
7867:
7861:
7855:
7854:
7836:
7830:
7829:
7812:
7806:
7796:
7790:
7784:
7778:
7772:
7766:
7760:
7754:
7748:
7742:
7736:
7730:
7724:
7718:
7712:
7706:
7705:
7703:
7701:
7685:
7679:
7676:
7670:
7669:
7667:
7665:
7650:
7644:
7638:
7632:
7626:
7620:
7610:
7604:
7598:
7592:
7586:
7573:
7567:
7561:
7555:
7549:
7543:
7532:
7526:
7520:
7519:
7517:
7515:
7492:
7486:
7485:
7483:
7481:
7466:
7460:
7459:
7457:
7455:
7440:
7434:
7428:
7422:
7416:
7410:
7409:
7407:
7383:
7377:
7376:
7374:
7372:
7362:"Henry Wilcoxon"
7357:
7351:
7345:
7339:
7338:
7336:
7334:
7311:
7305:
7304:
7302:
7300:
7283:
7277:
7276:
7274:
7272:
7257:
7251:
7245:
7239:
7238:
7236:
7234:
7219:
7213:
7207:
7201:
7195:
7189:
7183:
7177:
7171:
7165:
7164:, pp. 9â10.
7159:
7153:
7152:
7150:
7148:
7125:
7119:
7113:
7104:
7098:
7092:
7086:
7080:
7074:
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7062:
7056:
7050:
7041:
7040:
7038:
7036:
7019:
7013:
7007:
7001:
7000:
6998:
6996:
6981:
6975:
6974:
6972:
6970:
6955:
6949:
6943:
6937:
6936:
6934:
6932:
6917:
6911:
6905:
6899:
6893:
6887:
6881:
6875:
6869:
6863:
6857:
6848:
6842:
6836:
6835:
6833:
6831:
6816:
6805:
6799:
6793:
6787:
6774:
6768:
6762:
6756:
6750:
6744:
6738:
6732:
6726:
6720:
6714:
6708:
6702:
6696:
6687:
6686:
6684:
6682:
6667:
6661:
6653:
6647:
6641:
6635:
6634:
6632:
6630:
6615:
6606:
6600:
6594:
6588:
6582:
6567:
6561:
6560:
6558:
6556:
6541:
6532:
6526:
6520:
6510:
6504:
6498:
6492:
6486:
6473:
6467:
6461:
6460:
6458:
6456:
6450:Times Free Press
6441:
6435:
6429:
6423:
6413:
6407:
6401:
6395:
6389:
6383:
6377:
6371:
6365:
6354:
6348:
6342:
6336:
6330:
6320:
6314:
6308:
6297:
6290:
6284:
6270:
6264:
6258:
6252:
6246:
6240:
6234:
6228:
6227:
6225:
6223:
6208:
6202:
6196:
6190:
6184:
6178:
6172:
6166:
6159:
6150:
6144:
6138:
6132:
6126:
6120:
6111:
6105:
6099:
6093:
6087:
6081:
6072:
6066:
6060:
6054:
6043:
6037:
6031:
6025:
6019:
6013:
6007:
6001:
5995:
5989:
5983:
5977:
5966:
5965:
5963:
5961:
5938:
5932:
5926:
5913:
5907:
5898:
5892:
5886:
5880:
5874:
5868:
5862:
5856:
5850:
5844:
5838:
5832:
5826:
5816:
5810:
5804:
5798:
5792:
5786:
5780:
5774:
5768:
5762:
5756:
5750:
5749:
5747:
5745:
5730:
5724:
5723:
5718:
5716:
5693:
5683:
5677:
5676:
5674:
5672:
5657:
5651:
5650:
5648:
5646:
5631:
5620:
5619:
5617:
5615:
5599:
5593:
5587:
5581:
5580:
5578:
5576:
5553:
5547:
5541:
5528:
5527:, pp. 8â12.
5522:
5516:
5510:
5504:
5494:
5488:
5482:
5476:
5475:
5473:
5471:
5454:
5448:
5442:
5436:
5430:
5424:
5418:
5412:
5406:
5400:
5399:
5397:
5395:
5380:
5374:
5368:
5362:
5361:
5359:
5357:
5342:
5336:
5330:
5324:
5323:
5321:
5319:
5304:
5298:
5288:
5282:
5276:
5270:
5264:
5258:
5252:
5246:
5240:
5234:
5228:
5222:
5216:
5210:
5204:
5198:
5197:
5195:
5193:
5176:
5167:
5161:
5155:
5149:
5134:
5128:
5122:
5116:
5107:
5101:
5095:
5089:
5080:
5074:
5065:
5059:
5053:
5047:
5041:
5040:
5038:
5036:
5029:Kentucky New Era
5019:
5013:
5007:
5001:
4995:
4989:
4983:
4974:
4968:
4957:
4951:
4945:
4939:
4933:
4927:
4921:
4911:
4905:
4899:
4893:
4892:, pp. 9â10.
4887:
4881:
4875:
4869:
4863:
4857:
4851:
4845:
4839:
4830:
4824:
4811:
4805:
4796:
4782:
4776:
4770:
4764:
4758:
4752:
4746:
4740:
4739:
4731:
4723:
4717:
4711:
4705:
4695:
4689:
4679:
4673:
4672:, pp. 20â21
4663:
4657:
4651:
4645:
4639:
4630:
4624:
4618:
4612:
4603:
4597:
4591:
4581:
4575:
4569:
4563:
4557:
4551:
4545:
4539:
4533:
4520:
4519:
4491:
4485:
4479:
4468:
4462:
4456:
4450:
4444:
4438:
4429:
4423:
4417:
4411:
4405:
4399:
4393:
4387:
4376:
4366:
4360:
4354:
4348:
4338:
4332:
4326:
4317:
4311:
4305:
4295:
4289:
4288:
4286:
4284:
4269:
4263:
4262:
4260:
4258:
4243:
4237:
4236:, pp. 30â31
4223:
4217:
4211:
4205:
4199:
4193:
4183:
4177:
4176:
4174:
4172:
4149:
4143:
4137:
4128:
4122:
4116:
4110:
4104:
4094:
4085:
4084:
4073:. pp. 6â8.
4062:
4056:
4042:
4036:
4030:
4024:
4018:
4012:
4006:
3995:
3989:
3983:
3977:
3971:
3961:
3955:
3949:
3943:
3937:
3928:
3927:
3913:
3907:
3897:
3891:
3885:
3879:
3878:
3876:
3874:
3865:. Archived from
3859:
3853:
3852:
3850:
3848:
3843:on July 26, 2021
3839:. Archived from
3833:
3817:
3798:
3792:
3785:
3779:
3772:
3766:
3763:
3757:
3753:
3747:
3740:
3734:
3727:
3721:
3678:
3672:
3669:
3663:
3656:
3650:
3647:
3641:
3637:
3631:
3620:
3614:
3607:
3601:
3598:
3592:
3585:
3579:
3547:
3488:Sunset Boulevard
3353:(1958, producer)
3329:(1927, Producer)
3147:This Day and Age
3098:The Godless Girl
2304:Alfred Hitchcock
2287:Alexander Nevsky
2273:A Woman of Paris
2259:Sunset Boulevard
2178:culture industry
2016:Steven Spielberg
1949:Style and themes
1931:Theodore Roberts
1927:Charles Bickford
1860:Paulette Goddard
1762:from his library
1736:Charles Kingsley
1674:. DeMille asked
1652:, the 1958 film
1573:
1351:William Keighley
1347:TaftâHartley Act
1260:This Day and Age
1183:Roaring Twenties
1176:The Godless Girl
1122:The Godless Girl
1088:Wilfred Buckland
1075:Katherine Lester
1049:House Peters Sr.
854:(1914) full film
847:
815:Frederick Burton
807:The Antique Girl
771:Son of the Winds
759:Pedro de Cordoba
751:Charlotte Walker
646:Are You a Mason?
597:The Arcady Trail
492:Episcopal Church
304:
303:
300:
299:
296:
293:
290:
287:
284:
280:
279:
276:
273:
270:
267:
250:
249:
247:Official website
199:Richard de Mille
183:
181:
90:
87:January 21, 1959
71:
69:
51:
46:
36:Cecil B. DeMille
32:
31:
21:
18:Cecil B. deMille
15145:
15144:
15140:
15139:
15138:
15136:
15135:
15134:
14845:
14844:
14843:
14831:
14821:
14819:
14809:
14807:
14795:
14785:
14783:
14773:
14771:
14761:
14759:
14749:
14747:
14737:
14735:
14727:
14725:
14720:
14719:
14714:
14487:Sidney Franklin
14454:
14449:
14419:
14414:
14373:Martin Scorsese
14355:Stanley Kubrick
14192:
14187:
14157:
14152:
14148:No Award (2024)
14147:
14139:
14135:No Award (2022)
14134:
14126:
14118:
14110:
14102:
14094:
14086:
14078:
14070:
14062:
14054:
14046:
14040:Martin Scorsese
14038:
14030:
14026:No Award (2008)
14025:
14017:
14011:Anthony Hopkins
14009:
14001:
13995:Michael Douglas
13993:
13985:
13977:
13969:
13961:
13953:
13945:
13937:
13929:
13921:
13913:
13905:
13897:
13889:
13881:
13873:
13865:
13857:
13849:
13841:
13833:
13825:
13817:
13809:
13801:
13793:
13785:
13777:
13773:No Award (1976)
13772:
13764:
13756:
13748:
13740:
13732:
13724:
13716:
13708:
13702:Charlton Heston
13700:
13692:
13684:
13676:
13668:
13660:
13652:
13644:
13636:
13628:
13620:
13612:
13604:
13596:
13588:
13580:
13572:
13567:
13537:
13532:
13527:Carol Littleton
13485:Lina WertmĂŒller
13445:Charles Burnett
13431:Lynn Stalmaster
13389:Angela Lansbury
13355:Jean-Luc Godard
13331:Robert F. Boyle
13325:Ennio Morricone
13279:
13093:
13055:Charlie Chaplin
12907:/ Kemp Niver /
12876:Forbidden Games
12835:
12758:Albert E. Smith
12649:Nathan Levinson
12597:Oliver T. Marsh
12581:Farciot Edouart
12573:Gordon Jennings
12499:Charlie Chaplin
12483:
12478:
12448:
12443:
12427:
12415:
12406:
12389:
12377:
12367:Nick Vallelonga
12357:
12345:
12329:
12309:
12293:
12275:Anthony Katagas
12269:
12253:
12247:Thomas Langmann
12245:
12229:
12211:Kathryn Bigelow
12209:
12201:
12189:
12181:
12169:
12163:Albert S. Ruddy
12153:
12137:
12131:Martin Richards
12129:
12117:
12106:
12090:
12078:
12056:Donna Gigliotti
12054:
12042:
12034:
12018:
12002:
11992:Gerald R. Molen
11986:
11978:
11962:
11950:
11938:
11930:
11922:
11916:Arnold Kopelson
11914:
11906:
11898:
11892:James L. Brooks
11890:
11882:
11874:
11866:
11858:
11842:
11834:
11824:Robert Chartoff
11822:
11811:
11801:Michael Douglas
11799:
11783:
11767:
11761:Albert S. Ruddy
11759:
11753:Philip D'Antoni
11751:
11743:
11735:
11727:
11719:
11711:
11703:
11695:
11689:Tony Richardson
11687:
11679:
11671:
11663:
11655:
11647:
11639:
11631:
11623:
11615:
11607:
11599:
11591:
11580:
11575:
11540:
11532:
11527:
11517:
11507:
11497:
11487:
11477:
11467:
11457:
11447:
11437:
11427:
11417:
11407:
11397:
11387:
11377:
11367:
11357:
11347:
11336:
11326:
11316:
11306:
11296:
11286:
11276:
11266:
11256:
11246:
11236:
11226:
11216:
11209:Fool's Paradise
11206:
11196:
11189:Forbidden Fruit
11186:
11176:
11166:
11159:Male and Female
11156:
11146:
11136:
11126:
11116:
11106:
11096:
11086:
11079:The Devil-Stone
11076:
11066:
11056:
11046:
11036:
11026:
11016:
11006:
10996:
10986:
10976:
10966:
10956:
10946:
10936:
10926:
10916:
10906:
10896:
10886:
10876:
10866:
10856:
10846:
10836:
10826:
10816:
10809:What's His Name
10806:
10796:
10786:
10776:
10766:
10759:The Master Mind
10756:
10746:
10736:
10725:
10719:
10646:
10572:
10571:
10568:
10563:
10554:
10552:
10550:
10526:
10524:
10522:
10492:
10467:
10465:
10463:
10421:
10402:
10378:
10374:
10351:
10332:
10309:
10288:
10269:
10244:
10242:
10240:
10213:
10194:
10167:
10145:
10143:
10141:
10117:
10115:
10113:
10094:
10092:General sources
10089:
10081:
10077:
10067:
10065:
10055:
10051:
10043:
10039:
10029:
10027:
10012:
10008:
9998:
9996:
9983:
9982:
9978:
9968:
9966:
9964:
9948:
9944:
9934:
9932:
9922:
9918:
9910:
9906:
9896:
9894:
9881:
9877:
9869:
9858:
9848:
9846:
9844:
9828:
9824:
9816:
9812:
9804:
9800:
9792:
9788:
9780:
9776:
9768:
9764:
9756:
9752:
9744:
9740:
9730:
9728:
9726:
9710:
9706:
9696:
9694:
9692:
9676:
9672:
9664:
9660:
9652:
9648:
9640:
9636:
9626:
9624:
9615:
9614:
9610:
9600:
9598:
9588:
9584:
9576:
9572:
9564:
9560:
9552:
9548:
9540:
9536:
9528:
9524:
9516:
9512:
9505:
9488:
9484:
9474:
9472:
9462:
9458:
9450:
9446:
9436:
9434:
9425:
9424:
9420:
9410:
9408:
9398:
9394:
9384:
9382:
9373:
9372:
9368:
9358:
9356:
9347:
9346:
9342:
9332:
9330:
9321:
9320:
9316:
9306:
9304:
9295:
9294:
9290:
9280:
9278:
9269:
9268:
9264:
9254:
9252:
9243:
9242:
9238:
9228:
9226:
9217:
9216:
9212:
9202:
9200:
9191:
9190:
9186:
9176:
9174:
9166:
9165:
9161:
9151:
9149:
9141:
9140:
9136:
9128:
9121:
9113:
9109:
9099:
9097:
9088:
9087:
9083:
9075:, p. 402;
9071:
9067:
9057:
9055:
9045:
9041:
9031:
9029:
9018:
9014:
9004:
9002:
8992:
8988:
8978:
8976:
8974:
8966:. p. 314.
8954:
8950:
8940:
8938:
8936:
8920:
8916:
8903:
8902:
8898:
8888:
8886:
8877:
8876:
8872:
8862:
8860:
8850:
8846:
8836:
8834:
8833:. June 17, 2010
8825:
8824:
8820:
8810:
8808:
8795:
8794:
8790:
8777:
8776:
8772:
8762:
8760:
8750:
8746:
8736:
8734:
8725:
8724:
8720:
8710:
8708:
8700:
8699:
8695:
8685:
8683:
8673:
8669:
8659:
8657:
8647:
8643:
8620:
8616:
8608:
8604:
8594:
8592:
8579:
8578:
8574:
8567:
8547:
8543:
8535:
8531:
8523:
8519:
8511:
8507:
8497:
8495:
8480:
8476:
8466:
8464:
8455:
8454:
8450:
8440:
8438:
8436:
8420:
8416:
8406:
8404:
8402:
8386:
8382:
8374:
8370:
8360:
8358:
8347:
8343:
8333:
8331:
8329:Chicago Tribune
8321:
8317:
8313:, pp. 1â2.
8309:
8305:
8295:
8293:
8283:
8279:
8275:, pp. 7â8.
8271:
8267:
8259:
8250:
8242:
8238:
8229:
8225:
8204:
8200:
8183:
8179:
8171:
8167:
8159:
8155:
8145:
8143:
8133:
8129:
8119:
8117:
8107:
8103:
8093:
8091:
8081:
8077:
8067:
8065:
8055:
8051:
8041:
8039:
8028:
8024:
8016:
8012:
8004:
8000:
7990:
7988:
7973:
7964:
7960:, p. xvii.
7956:
7952:
7944:
7940:
7930:
7928:
7918:
7914:
7904:
7902:
7886:
7882:
7874:
7870:
7862:
7858:
7851:
7837:
7833:
7814:
7813:
7809:
7797:
7793:
7785:
7781:
7773:
7769:
7761:
7757:
7749:
7745:
7737:
7733:
7725:
7721:
7713:
7709:
7699:
7697:
7686:
7682:
7677:
7673:
7663:
7661:
7651:
7647:
7639:
7635:
7627:
7623:
7611:
7607:
7599:
7595:
7587:
7576:
7572:, pp. 5â6.
7568:
7564:
7556:
7552:
7544:
7535:
7527:
7523:
7513:
7511:
7509:
7493:
7489:
7479:
7477:
7467:
7463:
7453:
7451:
7444:"Union Pacific"
7442:
7441:
7437:
7429:
7425:
7417:
7413:
7384:
7380:
7370:
7368:
7358:
7354:
7346:
7342:
7332:
7330:
7328:
7312:
7308:
7298:
7296:
7293:The Independent
7284:
7280:
7270:
7268:
7267:. July 31, 1996
7259:
7258:
7254:
7246:
7242:
7232:
7230:
7221:
7220:
7216:
7208:
7204:
7196:
7192:
7184:
7180:
7172:
7168:
7160:
7156:
7146:
7144:
7142:
7126:
7122:
7114:
7107:
7099:
7095:
7087:
7083:
7075:
7071:
7063:
7059:
7051:
7044:
7034:
7032:
7020:
7016:
7008:
7004:
6994:
6992:
6983:
6982:
6978:
6968:
6966:
6957:
6956:
6952:
6944:
6940:
6930:
6928:
6927:. April 7, 1951
6919:
6918:
6914:
6906:
6902:
6894:
6890:
6882:
6878:
6870:
6866:
6858:
6851:
6843:
6839:
6829:
6827:
6817:
6808:
6800:
6796:
6788:
6777:
6769:
6765:
6757:
6753:
6745:
6741:
6733:
6729:
6721:
6717:
6713:, pp. 8â9.
6709:
6705:
6697:
6690:
6680:
6678:
6668:
6664:
6654:
6650:
6642:
6638:
6628:
6626:
6616:
6609:
6601:
6597:
6589:
6585:
6568:
6564:
6554:
6552:
6542:
6535:
6527:
6523:
6511:
6507:
6499:
6495:
6487:
6476:
6468:
6464:
6454:
6452:
6442:
6438:
6430:
6426:
6414:
6410:
6402:
6398:
6390:
6386:
6378:
6374:
6366:
6357:
6349:
6345:
6337:
6333:
6325:, p. 438;
6321:
6317:
6309:
6300:
6291:
6287:
6271:
6267:
6259:
6255:
6247:
6243:
6235:
6231:
6221:
6219:
6210:
6209:
6205:
6197:
6193:
6185:
6181:
6173:
6169:
6160:
6153:
6145:
6141:
6133:
6129:
6121:
6114:
6106:
6102:
6094:
6090:
6082:
6075:
6067:
6063:
6055:
6046:
6038:
6034:
6026:
6022:
6014:
6010:
6002:
5998:
5990:
5986:
5978:
5969:
5959:
5957:
5955:
5939:
5935:
5927:
5916:
5908:
5901:
5893:
5889:
5881:
5877:
5869:
5865:
5857:
5853:
5845:
5841:
5833:
5829:
5817:
5813:
5805:
5801:
5793:
5789:
5781:
5777:
5769:
5765:
5757:
5753:
5743:
5741:
5731:
5727:
5714:
5712:
5710:
5684:
5680:
5670:
5668:
5665:Bank of America
5659:
5658:
5654:
5644:
5642:
5633:
5632:
5623:
5613:
5611:
5600:
5596:
5588:
5584:
5574:
5572:
5570:
5554:
5550:
5542:
5531:
5523:
5519:
5515:, pp. 5â6.
5511:
5507:
5495:
5491:
5483:
5479:
5469:
5467:
5456:
5455:
5451:
5443:
5439:
5431:
5427:
5419:
5415:
5407:
5403:
5393:
5391:
5382:
5381:
5377:
5369:
5365:
5355:
5353:
5344:
5343:
5339:
5331:
5327:
5317:
5315:
5305:
5301:
5293:, p. 185;
5289:
5285:
5277:
5273:
5265:
5261:
5253:
5249:
5241:
5237:
5229:
5225:
5217:
5213:
5205:
5201:
5191:
5189:
5177:
5170:
5162:
5158:
5150:
5137:
5129:
5125:
5117:
5110:
5102:
5098:
5090:
5083:
5075:
5068:
5060:
5056:
5048:
5044:
5034:
5032:
5020:
5016:
5008:
5004:
4996:
4992:
4984:
4977:
4969:
4960:
4952:
4948:
4940:
4936:
4928:
4924:
4912:
4908:
4900:
4896:
4888:
4884:
4876:
4872:
4864:
4860:
4852:
4848:
4840:
4833:
4825:
4814:
4806:
4799:
4787:, p. 229;
4783:
4779:
4771:
4767:
4759:
4755:
4747:
4743:
4729:
4725:
4724:
4720:
4712:
4708:
4696:
4692:
4680:
4676:
4664:
4660:
4652:
4648:
4640:
4633:
4625:
4621:
4613:
4606:
4598:
4594:
4582:
4578:
4570:
4566:
4558:
4554:
4546:
4542:
4534:
4523:
4508:
4492:
4488:
4480:
4471:
4463:
4459:
4451:
4447:
4439:
4432:
4424:
4420:
4412:
4408:
4400:
4396:
4388:
4379:
4367:
4363:
4355:
4351:
4339:
4335:
4327:
4320:
4312:
4308:
4296:
4292:
4282:
4280:
4278:NorthJersey.com
4270:
4266:
4256:
4254:
4244:
4240:
4224:
4220:
4212:
4208:
4200:
4196:
4184:
4180:
4170:
4168:
4166:
4150:
4146:
4138:
4131:
4123:
4119:
4111:
4107:
4095:
4088:
4081:
4063:
4059:
4043:
4039:
4031:
4027:
4019:
4015:
4007:
3998:
3990:
3986:
3978:
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3962:
3958:
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3946:
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3910:
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3750:
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3724:
3679:
3675:
3670:
3666:
3657:
3653:
3648:
3644:
3638:
3634:
3621:
3617:
3608:
3604:
3599:
3595:
3586:
3582:
3548:
3544:
3539:
3534:
3504:Son of Paleface
3360:
3278:The Master Mind
3262:
3257:
3104:
3010:Fool's Paradise
2994:Forbidden Fruit
2970:Male and Female
2906:The Devil-Stone
2714:What's His Name
2672:
2634:The Devil-Stone
2614:
2499:
2397:
2364:, and director
2309:Forbidden Fruit
2224:William Wellman
2213:Joseph Henabery
2150:French New Wave
2093:
2024:Male and Female
1951:
1899:Charlton Heston
1839:Elmer Bernstein
1777:Martin Scorsese
1752:
1732:
1727:
1688:
1646:Charlton Heston
1575:
1567:
1558:
1437:Land of Liberty
1428:Land of Liberty
1414:Queen of Queens
1359:
1282:
1208:
1203:
1195:Charlie Chaplin
1191:Bank of America
1106:Male and Female
1083:
973:
968:
840:
838:
763:The Prince Chap
747:
650:Constance Adams
626:Charles Frohman
622:
617:
601:Charles Frohman
523:Episcopalianism
456:
451:
347:with Lasky and
315:American cinema
281:
264:
260:
245:
244:
232:
227:
212:
185:
182: 1902)
177:
173:
170:
152:Political party
139:
119:
113:Alma mater
98:
92:
88:
79:
73:
72:August 12, 1881
67:
65:
64:
63:
53:
37:
28:
23:
22:
15:
12:
11:
5:
15143:
15133:
15132:
15127:
15122:
15117:
15112:
15107:
15102:
15097:
15092:
15087:
15082:
15077:
15072:
15067:
15062:
15057:
15052:
15047:
15042:
15037:
15032:
15027:
15022:
15017:
15015:DeMille family
15012:
15007:
15002:
14997:
14992:
14987:
14982:
14977:
14972:
14967:
14962:
14957:
14952:
14947:
14942:
14937:
14932:
14927:
14922:
14917:
14912:
14907:
14902:
14897:
14892:
14887:
14882:
14877:
14872:
14867:
14862:
14857:
14842:
14841:
14829:
14817:
14805:
14793:
14781:
14769:
14757:
14745:
14722:
14721:
14716:
14715:
14713:
14712:
14702:
14699:Frank Marshall
14692:
14686:
14680:
14674:
14668:
14665:Norman Jewison
14662:
14656:
14653:Clint Eastwood
14650:
14644:
14634:
14628:
14622:
14616:
14610:
14607:Walter Mirisch
14604:
14598:
14592:
14586:
14583:Ingmar Bergman
14580:
14574:
14568:
14562:
14556:
14553:Stanley Kramer
14550:
14547:Jack L. Warner
14544:
14538:
14535:George Stevens
14532:
14526:
14520:
14514:
14508:
14505:Samuel Goldwyn
14502:
14496:
14490:
14484:
14478:
14472:
14466:
14459:
14456:
14455:
14448:
14447:
14440:
14433:
14425:
14416:
14415:
14413:
14412:
14406:
14400:
14394:
14391:Norman Jewison
14388:
14385:Clint Eastwood
14382:
14376:
14370:
14364:
14358:
14352:
14346:
14340:
14334:
14328:
14325:Akira Kurosawa
14322:
14319:Ingmar Bergman
14316:
14310:
14304:
14298:
14292:
14286:
14280:
14274:
14268:
14258:
14255:Fred Zinnemann
14252:
14246:
14240:
14234:
14231:George Stevens
14228:
14222:
14216:
14210:
14204:
14197:
14194:
14193:
14186:
14185:
14178:
14171:
14163:
14154:
14153:
14151:
14150:
14145:
14137:
14132:
14124:
14116:
14108:
14100:
14092:
14084:
14080:George Clooney
14076:
14068:
14060:
14056:Morgan Freeman
14052:
14048:Robert De Niro
14044:
14036:
14028:
14023:
14015:
14007:
14003:Robin Williams
13999:
13991:
13983:
13975:
13967:
13959:
13955:Jack Nicholson
13951:
13943:
13939:Dustin Hoffman
13935:
13927:
13919:
13915:Robert Redford
13911:
13903:
13899:Robert Mitchum
13895:
13887:
13883:Audrey Hepburn
13879:
13871:
13867:Clint Eastwood
13863:
13855:
13847:
13839:
13831:
13823:
13819:Sidney Poitier
13815:
13807:
13799:
13791:
13783:
13779:Walter Mirisch
13775:
13770:
13762:
13754:
13750:Samuel Goldwyn
13746:
13738:
13730:
13722:
13714:
13706:
13698:
13690:
13682:
13674:
13666:
13658:
13650:
13642:
13634:
13626:
13618:
13614:Jack L. Warner
13610:
13602:
13594:
13586:
13577:
13574:
13573:
13566:
13565:
13558:
13551:
13543:
13534:
13533:
13531:
13530:
13519:Angela Bassett
13516:
13502:
13488:
13474:
13460:
13442:
13435:Anne V. Coates
13424:
13414:
13411:Maureen O'Hara
13407:Hayao Miyazaki
13400:
13386:
13372:
13362:
13351:Kevin Brownlow
13348:
13334:
13328:
13322:
13316:
13310:
13304:
13298:
13295:Robert Redford
13291:Sidney Poitier
13287:
13285:
13281:
13280:
13278:
13277:
13267:
13261:
13255:
13249:
13243:
13233:
13227:
13221:
13215:
13209:
13199:
13196:Akira Kurosawa
13193:
13183:
13177:
13167:
13157:
13151:
13145:
13139:
13133:
13126:
13108:
13105:Margaret Booth
13101:
13099:
13095:
13094:
13092:
13091:
13085:
13075:
13068:Henri Langlois
13065:
13058:
13052:
13042:
13036:
13026:
13020:
13010:
13004:
12998:
12995:Jerome Robbins
12988:
12974:
12964:
12958:
12940:
12934:
12926:
12917:Vincent Winter
12898:
12880:
12856:
12843:
12841:
12837:
12836:
12834:
12833:
12820:Louis B. Mayer
12817:
12797:
12777:
12743:
12736:Ernst Lubitsch
12728:Harold Russell
12725:
12704:
12694:
12688:
12674:
12659:William Garity
12652:
12642:
12639:Technicolor SA
12604:
12593:Louis Mesenkop
12589:Loren L. Ryder
12557:J. Arthur Ball
12554:
12536:
12520:
12517:D. W. Griffith
12514:
12511:Shirley Temple
12508:
12502:
12491:
12489:
12485:
12484:
12477:
12476:
12469:
12462:
12454:
12445:
12444:
12442:
12441:
12425:
12413:
12404:
12387:
12375:
12363:Peter Farrelly
12355:
12343:
12339:Adele Romanski
12335:Jeremy Kleiner
12327:
12319:Nicole Rocklin
12307:
12291:
12279:Jeremy Kleiner
12267:
12259:George Clooney
12251:
12243:
12227:
12207:
12199:
12187:
12179:
12175:Cathy Schulman
12167:
12155:Clint Eastwood
12151:
12135:
12127:
12114:
12112:
12108:
12107:
12105:
12104:
12092:David Franzoni
12088:
12076:
12052:
12040:
12032:
12016:
12004:Wendy Finerman
12000:
11984:
11980:Clint Eastwood
11976:
11960:
11948:
11936:
11928:
11920:
11912:
11908:Sydney Pollack
11904:
11896:
11888:
11880:
11872:
11864:
11856:
11852:Barry Spikings
11848:Michael Deeley
11844:Michael Cimino
11840:
11832:
11819:
11817:
11813:
11812:
11810:
11809:
11797:
11781:
11773:Julia Phillips
11765:
11757:
11749:
11745:Frank McCarthy
11741:
11737:Jerome Hellman
11733:
11725:
11721:Walter Mirisch
11717:
11713:Fred Zinnemann
11709:
11701:
11697:Jack L. Warner
11693:
11685:
11677:
11669:
11661:
11653:
11645:
11637:
11629:
11621:
11613:
11605:
11597:
11588:
11586:
11582:
11581:
11574:
11573:
11566:
11559:
11551:
11545:
11542:
11541:
11529:
11528:
11526:
11525:
11515:
11505:
11495:
11485:
11475:
11465:
11455:
11445:
11435:
11425:
11415:
11405:
11395:
11385:
11375:
11365:
11355:
11344:
11342:
11338:
11337:
11335:
11334:
11324:
11314:
11304:
11294:
11284:
11279:The Golden Bed
11274:
11264:
11254:
11244:
11234:
11224:
11219:Saturday Night
11214:
11204:
11194:
11184:
11174:
11164:
11154:
11144:
11134:
11124:
11114:
11104:
11094:
11084:
11074:
11064:
11054:
11044:
11034:
11029:Joan the Woman
11024:
11019:The Dream Girl
11014:
11004:
10994:
10984:
10974:
10964:
10954:
10944:
10934:
10924:
10919:Chimmie Fadden
10914:
10904:
10894:
10884:
10874:
10864:
10854:
10844:
10834:
10824:
10814:
10804:
10794:
10784:
10774:
10764:
10754:
10744:
10733:
10731:
10727:
10726:
10718:
10717:
10710:
10703:
10695:
10689:
10688:
10682:
10665:
10645:
10642:
10641:
10640:
10635:
10630:
10625:
10616:
10602:
10593:
10579:
10567:
10566:External links
10564:
10562:
10561:
10549:978-1476618197
10548:
10533:
10521:978-0786435814
10520:
10505:
10496:
10491:978-0762454907
10490:
10477:
10462:978-0452289789
10461:
10440:
10425:
10420:978-0912289052
10419:
10406:
10401:978-0312377335
10400:
10385:
10373:978-1904048909
10372:
10355:
10349:
10336:
10330:
10313:
10308:978-0743289559
10307:
10292:
10287:978-0498023224
10286:
10273:
10267:
10254:
10238:
10217:
10212:978-0813122021
10211:
10198:
10193:978-3319769868
10192:
10171:
10166:978-0813123240
10165:
10152:
10140:978-0520209640
10139:
10124:
10112:978-0415234405
10111:
10095:
10093:
10090:
10088:
10087:
10085:, p. 376.
10075:
10049:
10047:, p. 126.
10037:
10006:
9976:
9962:
9942:
9916:
9914:, p. 375.
9904:
9875:
9873:, p. 125.
9856:
9842:
9822:
9820:, p. 275.
9810:
9808:, p. 318.
9798:
9796:, p. 492.
9786:
9784:, p. 121.
9774:
9762:
9750:
9748:, p. 370.
9738:
9724:
9704:
9690:
9670:
9668:, p. 369.
9658:
9646:
9644:, p. 219.
9634:
9608:
9582:
9580:, p. 134.
9570:
9568:, p. 125.
9558:
9546:
9534:
9522:
9510:
9503:
9491:Tasker, Yvonne
9482:
9456:
9454:, p. 404.
9444:
9433:. Congress.gov
9418:
9392:
9366:
9340:
9314:
9288:
9262:
9236:
9210:
9184:
9159:
9134:
9132:, p. 369.
9119:
9117:, p. 493.
9107:
9096:. June 7, 1957
9081:
9065:
9039:
9012:
8986:
8972:
8948:
8934:
8914:
8896:
8870:
8844:
8831:Press-Telegram
8818:
8788:
8770:
8744:
8718:
8693:
8667:
8641:
8614:
8602:
8572:
8565:
8541:
8539:, p. 139.
8529:
8517:
8505:
8474:
8448:
8434:
8414:
8400:
8380:
8368:
8341:
8315:
8303:
8277:
8265:
8263:, p. 374.
8248:
8236:
8223:
8209:Berkeley, CA:
8198:
8177:
8175:, p. 147.
8165:
8153:
8127:
8101:
8075:
8049:
8022:
8020:, p. 355.
8010:
8008:, p. xii.
7998:
7962:
7950:
7948:, p. 270.
7938:
7912:
7880:
7878:, p. 300.
7868:
7856:
7849:
7831:
7807:
7791:
7789:, p. 402.
7779:
7767:
7755:
7753:, p. 340.
7743:
7731:
7719:
7707:
7680:
7671:
7645:
7633:
7631:, p. 478.
7621:
7605:
7593:
7574:
7562:
7550:
7533:
7531:, p. 375.
7521:
7507:
7487:
7461:
7435:
7423:
7421:, p. 478.
7411:
7378:
7352:
7340:
7326:
7306:
7278:
7252:
7240:
7214:
7212:, p. 363.
7202:
7200:, p. 344.
7190:
7188:, p. 259.
7178:
7176:, p. 369.
7166:
7154:
7140:
7120:
7118:, p. 364.
7105:
7103:, p. 363.
7093:
7091:, p. 298.
7081:
7079:, p. 112.
7069:
7067:, p. 100.
7057:
7042:
7014:
7002:
6976:
6950:
6948:, p. 124.
6938:
6912:
6900:
6888:
6876:
6874:, p. 272.
6864:
6849:
6837:
6806:
6794:
6775:
6763:
6751:
6739:
6727:
6715:
6703:
6701:, p. 398.
6688:
6662:
6648:
6636:
6607:
6595:
6583:
6562:
6533:
6531:, p. 507.
6521:
6505:
6493:
6491:, p. 402.
6474:
6472:, p. 387.
6462:
6436:
6434:, p. 396.
6424:
6408:
6396:
6394:, p. 384.
6384:
6382:, p. 218.
6372:
6355:
6353:, p. 115.
6343:
6341:, p. 438.
6331:
6315:
6313:, p. 371.
6298:
6285:
6265:
6263:, p. 482.
6253:
6251:, p. 481.
6241:
6229:
6203:
6191:
6189:, p. 191.
6179:
6177:, p. 183.
6167:
6151:
6149:, p. 158.
6139:
6127:
6112:
6110:, p. 271.
6100:
6098:, p. 372.
6088:
6073:
6061:
6059:, p. 149.
6044:
6032:
6030:, p. 140.
6020:
6018:, p. 369.
6008:
5996:
5994:, p. 375.
5984:
5982:, p. 368.
5967:
5953:
5933:
5931:, p. 367.
5914:
5912:, p. 288.
5899:
5897:, p. 376.
5887:
5875:
5863:
5851:
5849:, p. 198.
5839:
5827:
5811:
5799:
5797:, p. 129.
5787:
5775:
5773:, p. 166.
5763:
5751:
5725:
5708:
5678:
5652:
5621:
5594:
5592:, p. 278.
5582:
5568:
5548:
5546:, p. xiv.
5529:
5517:
5505:
5499:, p. 10;
5489:
5477:
5449:
5437:
5425:
5413:
5401:
5375:
5363:
5337:
5325:
5299:
5283:
5281:, p. 162.
5271:
5269:, p. 141.
5259:
5247:
5235:
5223:
5211:
5209:, p. 370.
5199:
5168:
5156:
5135:
5123:
5108:
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5081:
5066:
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5042:
5014:
5002:
4990:
4975:
4958:
4946:
4934:
4922:
4906:
4894:
4882:
4870:
4858:
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4831:
4812:
4797:
4777:
4765:
4753:
4741:
4718:
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4690:
4674:
4658:
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4631:
4619:
4604:
4592:
4576:
4564:
4552:
4540:
4521:
4506:
4486:
4469:
4457:
4445:
4430:
4418:
4406:
4394:
4377:
4371:, p. 20;
4361:
4349:
4343:, p. 14;
4333:
4318:
4306:
4290:
4264:
4252:The New Yorker
4238:
4228:, p. 20;
4218:
4206:
4194:
4188:, p. 13;
4178:
4164:
4144:
4129:
4117:
4105:
4086:
4079:
4057:
4051:, p. 18;
4037:
4025:
4013:
3996:
3984:
3972:
3956:
3944:
3929:
3908:
3902:, p. 18;
3892:
3880:
3854:
3827:
3825:
3822:
3819:
3818:
3806:Robert Redford
3793:
3780:
3767:
3758:
3748:
3744:Angelina Jolie
3735:
3722:
3710:Walter Pidgeon
3702:Adolphe Menjou
3698:Randolph Scott
3673:
3664:
3651:
3642:
3632:
3615:
3602:
3593:
3589:Agnes de Mille
3580:
3541:
3540:
3538:
3535:
3533:
3532:
3524:
3516:
3508:
3500:
3492:
3484:
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3468:
3460:
3452:
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3428:
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3412:
3404:
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3390:
3382:
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3354:
3346:
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3143:
3135:
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3110:
3103:
3102:
3094:
3086:
3078:
3070:
3066:The Golden Bed
3062:
3054:
3046:
3038:
3030:
3022:
3018:Saturday Night
3014:
3006:
2998:
2990:
2982:
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2942:
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2926:
2918:
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2894:
2886:
2878:
2874:Joan the Woman
2870:
2866:The Dream Girl
2862:
2854:
2846:
2838:
2830:
2822:
2814:
2806:
2798:
2790:
2786:Chimmie Fadden
2782:
2774:
2766:
2758:
2750:
2742:
2734:
2726:
2718:
2710:
2702:
2694:
2685:
2671:
2668:
2630:The Dream Girl
2613:
2610:
2567:Academy Awards
2498:
2495:
2396:
2393:
2300:George Stevens
2268:Ernst Lubitsch
2182:Camille Paglia
2180:." The critic
2092:
2089:
2004:John P. Fulton
1950:
1947:
1907:Robert Preston
1879:Gloria Swanson
1751:
1748:
1731:
1728:
1726:
1723:
1687:
1684:
1672:Scout Movement
1642:Henry Wilcoxon
1600:Salt Lake City
1559:
1557:
1554:
1535:anti-communist
1422:Daniel A. Lord
1358:
1355:
1311:Herbert Hoover
1303:Walter Reuther
1281:
1275:
1207:
1204:
1202:
1199:
1082:
1079:
1047:leading actor
1040:While filming
972:
969:
967:
964:
937:D. W. Griffith
929:Siegmund Lubin
898:Edison Company
860:Samuel Goldwyn
837:
834:
819:Sydney Shields
746:
743:
684:Elitch Theatre
667:Gloria Swanson
634:Garden Theater
632:at New York's
621:
618:
616:
613:
488:North Carolina
468:boarding house
455:
452:
450:
447:
327:Jesse L. Lasky
252:
251:
242:
238:
237:
229:Agnes de Mille
221:
217:
216:
207:
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202:
197:(adopted) and
191:
187:
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114:
110:
109:
104:
100:
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93:
91:(aged 77)
85:
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61:
59:
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39:
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26:
9:
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14958:
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14946:
14943:
14941:
14938:
14936:
14933:
14931:
14928:
14926:
14923:
14921:
14918:
14916:
14913:
14911:
14908:
14906:
14903:
14901:
14898:
14896:
14893:
14891:
14888:
14886:
14883:
14881:
14878:
14876:
14873:
14871:
14868:
14866:
14863:
14861:
14858:
14856:
14853:
14852:
14850:
14840:
14835:
14830:
14828:
14818:
14816:
14806:
14804:
14799:
14794:
14792:
14782:
14780:
14770:
14768:
14758:
14756:
14755:United States
14746:
14744:
14734:
14733:
14730:
14710:
14706:
14703:
14700:
14696:
14693:
14690:
14687:
14684:
14681:
14678:
14675:
14672:
14671:Warren Beatty
14669:
14666:
14663:
14660:
14657:
14654:
14651:
14648:
14645:
14642:
14638:
14635:
14632:
14629:
14626:
14623:
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14617:
14614:
14611:
14608:
14605:
14602:
14599:
14596:
14593:
14590:
14587:
14584:
14581:
14578:
14575:
14572:
14569:
14566:
14565:William Wyler
14563:
14560:
14557:
14554:
14551:
14548:
14545:
14542:
14539:
14536:
14533:
14530:
14527:
14524:
14521:
14518:
14515:
14512:
14509:
14506:
14503:
14500:
14497:
14494:
14493:Hal B. Wallis
14491:
14488:
14485:
14482:
14479:
14476:
14473:
14470:
14469:Hal B. Wallis
14467:
14464:
14461:
14460:
14457:
14453:
14446:
14441:
14439:
14434:
14432:
14427:
14426:
14423:
14410:
14407:
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14389:
14386:
14383:
14380:
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14371:
14368:
14365:
14362:
14359:
14356:
14353:
14350:
14347:
14344:
14341:
14338:
14337:Robert Altman
14335:
14332:
14329:
14326:
14323:
14320:
14317:
14314:
14311:
14308:
14305:
14302:
14299:
14296:
14293:
14290:
14287:
14284:
14281:
14278:
14275:
14272:
14269:
14266:
14262:
14259:
14256:
14253:
14250:
14247:
14244:
14243:William Wyler
14241:
14238:
14237:Frank Borzage
14235:
14232:
14229:
14226:
14223:
14220:
14217:
14214:
14211:
14208:
14205:
14202:
14199:
14198:
14195:
14191:
14184:
14179:
14177:
14172:
14170:
14165:
14164:
14161:
14146:
14142:
14138:
14133:
14129:
14125:
14121:
14117:
14113:
14109:
14105:
14104:Oprah Winfrey
14101:
14097:
14093:
14089:
14085:
14081:
14077:
14073:
14069:
14065:
14061:
14057:
14053:
14049:
14045:
14041:
14037:
14033:
14029:
14024:
14020:
14019:Warren Beatty
14016:
14012:
14008:
14004:
14000:
13996:
13992:
13988:
13984:
13980:
13979:Harrison Ford
13976:
13972:
13968:
13964:
13960:
13956:
13952:
13948:
13944:
13940:
13936:
13932:
13928:
13924:
13920:
13916:
13912:
13908:
13907:Lauren Bacall
13904:
13900:
13896:
13892:
13888:
13884:
13880:
13876:
13872:
13868:
13864:
13860:
13859:Anthony Quinn
13856:
13852:
13848:
13844:
13840:
13836:
13832:
13828:
13824:
13820:
13816:
13812:
13808:
13804:
13800:
13796:
13792:
13788:
13784:
13780:
13776:
13771:
13767:
13766:Hal B. Wallis
13763:
13759:
13755:
13751:
13747:
13743:
13739:
13735:
13734:Frank Sinatra
13731:
13727:
13726:Joan Crawford
13723:
13719:
13715:
13711:
13707:
13703:
13699:
13695:
13691:
13687:
13686:James Stewart
13683:
13679:
13675:
13671:
13667:
13663:
13659:
13655:
13651:
13647:
13643:
13639:
13635:
13631:
13627:
13623:
13619:
13615:
13611:
13607:
13606:Jean Hersholt
13603:
13599:
13595:
13591:
13587:
13583:
13579:
13578:
13575:
13571:
13564:
13559:
13557:
13552:
13550:
13545:
13544:
13541:
13528:
13524:
13520:
13517:
13514:
13510:
13506:
13503:
13500:
13496:
13492:
13489:
13486:
13482:
13478:
13475:
13472:
13468:
13467:Lalo Schifrin
13464:
13461:
13458:
13454:
13450:
13446:
13443:
13440:
13436:
13432:
13428:
13425:
13422:
13421:Gena Rowlands
13418:
13415:
13412:
13408:
13404:
13401:
13398:
13394:
13390:
13387:
13384:
13380:
13376:
13373:
13370:
13366:
13363:
13360:
13356:
13352:
13349:
13346:
13345:Gordon Willis
13342:
13338:
13337:Lauren Bacall
13335:
13332:
13329:
13326:
13323:
13320:
13319:Robert Altman
13317:
13314:
13311:
13308:
13307:Blake Edwards
13305:
13302:
13301:Peter O'Toole
13299:
13296:
13292:
13289:
13288:
13286:
13282:
13275:
13274:Ernest Lehman
13271:
13268:
13265:
13264:Andrzej Wajda
13262:
13259:
13256:
13253:
13252:Stanley Donen
13250:
13247:
13244:
13241:
13237:
13234:
13231:
13228:
13225:
13222:
13219:
13216:
13213:
13210:
13207:
13203:
13200:
13197:
13194:
13191:
13187:
13184:
13181:
13180:Ralph Bellamy
13178:
13175:
13171:
13168:
13165:
13161:
13160:James Stewart
13158:
13155:
13152:
13149:
13148:Mickey Rooney
13146:
13143:
13140:
13137:
13134:
13131:
13130:Alec Guinness
13127:
13124:
13120:
13116:
13112:
13109:
13106:
13103:
13102:
13100:
13096:
13089:
13088:Mary Pickford
13086:
13083:
13079:
13076:
13073:
13069:
13066:
13063:
13059:
13056:
13053:
13050:
13046:
13043:
13040:
13037:
13034:
13030:
13029:John Chambers
13027:
13024:
13021:
13018:
13014:
13013:Yakima Canutt
13011:
13008:
13005:
13002:
12999:
12996:
12992:
12989:
12986:
12982:
12978:
12975:
12972:
12971:Lee de Forest
12968:
12967:Buster Keaton
12965:
12962:
12959:
12956:
12952:
12948:
12944:
12941:
12938:
12935:
12932:
12931:
12927:
12924:
12923:
12918:
12914:
12910:
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12902:
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12892:
12888:
12884:
12881:
12878:
12877:
12872:
12868:
12864:
12860:
12857:
12854:
12853:
12848:
12845:
12844:
12842:
12838:
12831:
12830:
12825:
12824:George Murphy
12821:
12818:
12815:
12814:
12809:
12805:
12801:
12800:Jean Hersholt
12798:
12795:
12791:
12787:
12786:
12781:
12780:Walter Wanger
12778:
12775:
12774:
12769:
12768:
12763:
12759:
12755:
12751:
12747:
12746:James Baskett
12744:
12741:
12737:
12733:
12729:
12726:
12723:
12719:
12718:
12713:
12712:Walter Wanger
12709:
12705:
12702:
12698:
12695:
12692:
12689:
12686:
12682:
12678:
12677:Charles Boyer
12675:
12672:
12668:
12664:
12660:
12656:
12653:
12650:
12646:
12643:
12640:
12636:
12632:
12628:
12624:
12623:Jean Hersholt
12620:
12616:
12612:
12608:
12605:
12602:
12598:
12594:
12590:
12586:
12582:
12578:
12574:
12570:
12569:Mickey Rooney
12566:
12565:Deanna Durbin
12562:
12558:
12555:
12552:
12548:
12544:
12540:
12537:
12534:
12533:Harold Rosson
12530:
12526:
12525:
12521:
12518:
12515:
12512:
12509:
12506:
12503:
12500:
12496:
12493:
12492:
12490:
12486:
12482:
12475:
12470:
12468:
12463:
12461:
12456:
12455:
12452:
12438:
12434:
12433:Charles Roven
12430:
12426:
12422:
12421:Jonathan Wang
12418:
12414:
12410:
12405:
12401:
12397:
12393:
12388:
12384:
12380:
12376:
12372:
12368:
12364:
12360:
12356:
12352:
12348:
12347:J. Miles Dale
12344:
12340:
12336:
12332:
12328:
12324:
12323:Michael Sugar
12320:
12316:
12312:
12308:
12304:
12300:
12296:
12292:
12288:
12284:
12283:Steve McQueen
12280:
12276:
12272:
12268:
12264:
12260:
12256:
12252:
12248:
12244:
12240:
12236:
12235:Emile Sherman
12232:
12228:
12224:
12220:
12216:
12212:
12208:
12204:
12200:
12196:
12192:
12188:
12184:
12180:
12176:
12172:
12168:
12164:
12160:
12159:Tom Rosenberg
12156:
12152:
12148:
12144:
12140:
12139:Peter Jackson
12136:
12132:
12128:
12124:
12120:
12116:
12115:
12113:
12109:
12101:
12097:
12096:Branko Lustig
12093:
12089:
12085:
12081:
12077:
12073:
12069:
12065:
12064:David Parfitt
12061:
12057:
12053:
12049:
12045:
12044:James Cameron
12041:
12037:
12033:
12029:
12028:Alan Ladd Jr.
12025:
12021:
12017:
12013:
12009:
12008:Steve Starkey
12005:
12001:
11997:
11993:
11989:
11988:Branko Lustig
11985:
11981:
11977:
11973:
11969:
11965:
11961:
11957:
11953:
11952:Kevin Costner
11949:
11945:
11941:
11937:
11933:
11929:
11925:
11924:Jeremy Thomas
11921:
11917:
11913:
11909:
11905:
11901:
11897:
11893:
11889:
11885:
11881:
11877:
11876:David Puttnam
11873:
11869:
11865:
11861:
11857:
11853:
11849:
11845:
11841:
11837:
11833:
11829:
11828:Irwin Winkler
11825:
11821:
11820:
11818:
11814:
11806:
11802:
11798:
11794:
11790:
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11766:
11762:
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11754:
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11722:
11718:
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11710:
11706:
11702:
11698:
11694:
11690:
11686:
11682:
11678:
11674:
11670:
11666:
11662:
11658:
11657:Sam Zimbalist
11654:
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11476:
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11471:
11466:
11462:
11461:
11456:
11452:
11451:
11450:Union Pacific
11446:
11442:
11441:
11440:The Buccaneer
11436:
11432:
11431:
11430:The Plainsman
11426:
11422:
11421:
11416:
11412:
11411:
11406:
11402:
11401:
11396:
11392:
11391:
11386:
11382:
11381:
11376:
11372:
11371:
11370:The Squaw Man
11366:
11362:
11361:
11356:
11352:
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11345:
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11331:
11330:
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11165:
11161:
11160:
11155:
11151:
11150:
11145:
11141:
11140:
11135:
11131:
11130:
11129:The Squaw Man
11125:
11121:
11120:
11115:
11111:
11110:
11105:
11101:
11100:
11095:
11091:
11090:
11085:
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11051:
11050:
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11021:
11020:
11015:
11011:
11010:
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11000:
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10965:
10961:
10960:
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10940:
10935:
10931:
10930:
10925:
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10920:
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10911:
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10901:
10900:
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10885:
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10865:
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10860:
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10850:
10845:
10841:
10840:
10835:
10831:
10830:
10825:
10821:
10820:
10815:
10811:
10810:
10805:
10801:
10800:
10799:The Virginian
10795:
10791:
10790:
10785:
10781:
10780:
10775:
10771:
10770:
10765:
10761:
10760:
10755:
10751:
10750:
10745:
10741:
10740:
10739:The Squaw Man
10735:
10734:
10732:
10728:
10724:
10716:
10711:
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10704:
10702:
10697:
10696:
10693:
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10610:
10606:
10603:
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10570:
10569:
10551:
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10534:
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10517:
10513:
10512:
10506:
10502:
10497:
10493:
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10483:
10478:
10475:
10464:
10458:
10454:
10449:
10448:
10441:
10438:
10434:
10430:
10426:
10422:
10416:
10412:
10407:
10403:
10397:
10393:
10392:
10386:
10382:
10375:
10369:
10364:
10363:
10356:
10352:
10346:
10342:
10337:
10333:
10327:
10322:
10321:
10314:
10310:
10304:
10300:
10299:
10293:
10289:
10283:
10279:
10274:
10270:
10264:
10260:
10255:
10252:
10241:
10235:
10231:
10226:
10225:
10218:
10214:
10208:
10204:
10199:
10195:
10189:
10185:
10181:
10177:
10172:
10168:
10162:
10158:
10153:
10142:
10136:
10132:
10131:
10125:
10114:
10108:
10104:
10103:
10097:
10096:
10084:
10083:Birchard 2004
10079:
10064:
10060:
10053:
10046:
10041:
10025:
10021:
10017:
10010:
9994:
9990:
9986:
9980:
9965:
9963:9780786474066
9959:
9955:
9954:
9946:
9931:
9927:
9920:
9913:
9912:Birchard 2004
9908:
9893:
9889:
9885:
9879:
9872:
9867:
9865:
9863:
9861:
9845:
9843:9780786443635
9839:
9835:
9834:
9826:
9819:
9814:
9807:
9802:
9795:
9790:
9783:
9778:
9771:
9766:
9760:, p. 12.
9759:
9754:
9747:
9746:Birchard 2004
9742:
9727:
9725:9780762438051
9721:
9717:
9716:
9708:
9693:
9691:9781476634807
9687:
9683:
9682:
9674:
9667:
9666:Birchard 2004
9662:
9656:, p. 14.
9655:
9650:
9643:
9638:
9622:
9618:
9612:
9597:
9593:
9586:
9579:
9578:Birchard 2004
9574:
9567:
9566:Birchard 2004
9562:
9556:, p. 83.
9555:
9554:Birchard 2004
9550:
9544:, p. 64.
9543:
9542:Birchard 2004
9538:
9532:, p. 50.
9531:
9530:Birchard 2004
9526:
9520:, p. 47.
9519:
9518:Birchard 2004
9514:
9506:
9504:9781315745039
9500:
9496:
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8997:
8990:
8975:
8973:9780231526531
8969:
8965:
8961:
8960:
8952:
8937:
8935:9780231850209
8931:
8927:
8926:
8918:
8910:
8906:
8900:
8884:
8880:
8874:
8859:
8855:
8848:
8832:
8828:
8822:
8806:
8802:
8798:
8792:
8784:
8780:
8774:
8759:
8755:
8748:
8732:
8728:
8722:
8707:
8703:
8697:
8682:
8678:
8671:
8656:
8652:
8645:
8637:
8633:
8629:
8625:
8618:
8611:
8606:
8590:
8586:
8582:
8576:
8568:
8566:9781400052219
8562:
8558:
8554:
8553:
8545:
8538:
8533:
8526:
8521:
8515:, p. 292
8514:
8513:Birchard 2004
8509:
8493:
8489:
8485:
8478:
8462:
8458:
8452:
8437:
8431:
8427:
8426:
8418:
8403:
8397:
8393:
8392:
8384:
8377:
8372:
8356:
8352:
8345:
8330:
8326:
8319:
8312:
8307:
8292:
8288:
8281:
8274:
8269:
8262:
8261:Birchard 2004
8257:
8255:
8253:
8246:, p. 59.
8245:
8240:
8233:
8227:
8220:
8216:
8212:
8208:
8202:
8195:
8191:
8187:
8181:
8174:
8169:
8163:, p. 64.
8162:
8157:
8142:
8138:
8131:
8116:
8112:
8105:
8090:
8086:
8079:
8064:
8060:
8053:
8037:
8033:
8026:
8019:
8018:Williams 2014
8014:
8007:
8006:Birchard 2004
8002:
7986:
7982:
7978:
7971:
7969:
7967:
7959:
7954:
7947:
7942:
7927:
7923:
7916:
7901:
7897:
7896:
7891:
7884:
7877:
7872:
7866:, p. 14.
7865:
7860:
7852:
7850:9781908843708
7846:
7842:
7835:
7827:
7823:
7822:
7817:
7811:
7804:
7801:, p. 5;
7800:
7795:
7788:
7783:
7776:
7771:
7764:
7759:
7752:
7747:
7740:
7735:
7729:, p. 69.
7728:
7723:
7716:
7711:
7695:
7691:
7684:
7675:
7660:
7656:
7649:
7643:, p. 16.
7642:
7637:
7630:
7625:
7618:
7615:, p. 3;
7614:
7609:
7603:, p. 64.
7602:
7597:
7590:
7585:
7583:
7581:
7579:
7571:
7566:
7559:
7554:
7547:
7542:
7540:
7538:
7530:
7525:
7510:
7508:9781118475133
7504:
7500:
7499:
7491:
7476:
7472:
7465:
7449:
7445:
7439:
7432:
7431:Birchard 2004
7427:
7420:
7415:
7406:
7401:
7397:
7393:
7389:
7382:
7367:
7363:
7356:
7350:, p. 346
7349:
7344:
7329:
7327:9780147516824
7323:
7319:
7318:
7310:
7295:
7294:
7289:
7282:
7266:
7262:
7256:
7249:
7244:
7228:
7224:
7218:
7211:
7206:
7199:
7194:
7187:
7182:
7175:
7170:
7163:
7158:
7143:
7141:9780762458073
7137:
7133:
7132:
7124:
7117:
7112:
7110:
7102:
7097:
7090:
7085:
7078:
7073:
7066:
7061:
7055:, p. 94.
7054:
7049:
7047:
7031:
7030:
7025:
7018:
7012:, p. 26.
7011:
7006:
6990:
6986:
6980:
6964:
6960:
6954:
6947:
6942:
6926:
6922:
6916:
6909:
6904:
6897:
6892:
6885:
6880:
6873:
6868:
6862:, p. 11.
6861:
6856:
6854:
6847:, p. 48.
6846:
6841:
6826:
6822:
6815:
6813:
6811:
6803:
6798:
6791:
6786:
6784:
6782:
6780:
6773:, p. 53.
6772:
6767:
6761:, p. 51.
6760:
6755:
6748:
6743:
6737:, p. 13.
6736:
6731:
6724:
6719:
6712:
6707:
6700:
6695:
6693:
6677:
6673:
6666:
6659:
6658:
6652:
6645:
6640:
6625:
6621:
6614:
6612:
6605:, p. 433
6604:
6599:
6593:, p. 12.
6592:
6587:
6580:
6579:1-844-49430-6
6576:
6572:
6566:
6551:
6547:
6544:Blake, Gene.
6540:
6538:
6530:
6525:
6519:, p. 402
6518:
6514:
6509:
6503:, p. 76.
6502:
6497:
6490:
6485:
6483:
6481:
6479:
6471:
6466:
6451:
6447:
6440:
6433:
6428:
6421:
6417:
6416:Birchard 2004
6412:
6405:
6400:
6393:
6388:
6381:
6376:
6369:
6364:
6362:
6360:
6352:
6347:
6340:
6335:
6329:, p. 371
6328:
6324:
6319:
6312:
6307:
6305:
6303:
6295:
6289:
6283:
6279:
6275:
6269:
6262:
6257:
6250:
6245:
6238:
6233:
6217:
6213:
6207:
6201:, p. 202
6200:
6195:
6188:
6183:
6176:
6171:
6164:
6158:
6156:
6148:
6143:
6136:
6131:
6124:
6119:
6117:
6109:
6104:
6097:
6092:
6085:
6080:
6078:
6070:
6065:
6058:
6053:
6051:
6049:
6041:
6036:
6029:
6024:
6017:
6012:
6005:
6000:
5993:
5988:
5981:
5976:
5974:
5972:
5956:
5954:9781315690254
5950:
5946:
5945:
5937:
5930:
5925:
5923:
5921:
5919:
5911:
5906:
5904:
5896:
5891:
5884:
5879:
5872:
5867:
5860:
5855:
5848:
5843:
5837:, p. 88.
5836:
5831:
5824:
5820:
5815:
5808:
5803:
5796:
5791:
5784:
5779:
5772:
5767:
5760:
5755:
5740:
5736:
5729:
5722:
5711:
5705:
5701:
5697:
5694:. Baltimore:
5692:
5691:
5682:
5666:
5662:
5656:
5640:
5636:
5630:
5628:
5626:
5609:
5605:
5598:
5591:
5586:
5571:
5569:9789004168619
5565:
5561:
5560:
5552:
5545:
5540:
5538:
5536:
5534:
5526:
5521:
5514:
5509:
5502:
5498:
5493:
5486:
5481:
5465:
5464:
5459:
5453:
5447:, p. 28.
5446:
5441:
5435:, p. 19.
5434:
5429:
5423:, p. 17.
5422:
5417:
5411:, p. 21.
5410:
5409:Birchard 2004
5405:
5389:
5385:
5379:
5373:, p. xvi
5372:
5371:Birchard 2004
5367:
5351:
5347:
5341:
5334:
5329:
5314:
5310:
5303:
5297:, p. 162
5296:
5292:
5287:
5280:
5275:
5268:
5263:
5256:
5251:
5244:
5243:Birchard 2004
5239:
5233:, p. 11.
5232:
5227:
5221:, p. 95.
5220:
5215:
5208:
5203:
5188:
5187:
5182:
5175:
5173:
5166:, p. 131
5165:
5160:
5154:, p. 11.
5153:
5148:
5146:
5144:
5142:
5140:
5132:
5127:
5121:, p. 84.
5120:
5115:
5113:
5106:, p. 75.
5105:
5100:
5094:, p. 71.
5093:
5088:
5086:
5079:, p. 99.
5078:
5073:
5071:
5063:
5058:
5051:
5046:
5031:
5030:
5025:
5018:
5012:, p. 60.
5011:
5006:
5000:, p. 65.
4999:
4994:
4987:
4982:
4980:
4973:, p. 10.
4972:
4967:
4965:
4963:
4956:, p. 59.
4955:
4950:
4943:
4938:
4931:
4926:
4919:
4915:
4910:
4904:, p. 40.
4903:
4898:
4891:
4886:
4880:, p. 58.
4879:
4874:
4867:
4862:
4856:, p. 66.
4855:
4850:
4843:
4838:
4836:
4828:
4823:
4821:
4819:
4817:
4810:, p. 38.
4809:
4804:
4802:
4794:
4791:, p. 7;
4790:
4786:
4781:
4774:
4769:
4763:, p. 22.
4762:
4757:
4750:
4749:Birchard 2004
4745:
4737:
4736:
4728:
4722:
4716:, p. 47.
4715:
4710:
4703:
4699:
4694:
4687:
4684:, p. 45;
4683:
4678:
4671:
4668:, p. 1;
4667:
4662:
4656:, p. 38.
4655:
4650:
4644:, p. 31.
4643:
4638:
4636:
4629:, p. 29.
4628:
4623:
4617:, p. 27.
4616:
4611:
4609:
4602:, p. 26.
4601:
4596:
4589:
4585:
4580:
4574:, p. 37.
4573:
4568:
4561:
4556:
4550:, p. 20.
4549:
4544:
4537:
4532:
4530:
4528:
4526:
4517:
4513:
4509:
4503:
4499:
4498:
4490:
4484:, p. 24.
4483:
4478:
4476:
4474:
4466:
4461:
4455:, p. 80.
4454:
4449:
4443:, p. 90.
4442:
4437:
4435:
4427:
4422:
4416:, p. 21.
4415:
4410:
4403:
4398:
4392:, p. 20.
4391:
4386:
4384:
4382:
4374:
4370:
4365:
4359:, p. 17.
4358:
4353:
4346:
4342:
4337:
4331:, p. 47.
4330:
4325:
4323:
4316:, p. 14.
4315:
4310:
4303:
4300:, p. 8;
4299:
4294:
4279:
4275:
4268:
4253:
4249:
4242:
4235:
4232:, p. 8;
4231:
4227:
4222:
4216:, p. 29.
4215:
4210:
4204:, p. 28.
4203:
4198:
4191:
4187:
4182:
4167:
4161:
4157:
4156:
4148:
4142:, p. 18.
4141:
4136:
4134:
4126:
4121:
4115:, p. 24.
4114:
4109:
4102:
4099:, p. 4;
4098:
4093:
4091:
4082:
4076:
4072:
4071:Da Capo Press
4068:
4061:
4054:
4050:
4046:
4041:
4035:, p. 22.
4034:
4029:
4023:, p. 23.
4022:
4017:
4010:
4005:
4003:
4001:
3993:
3988:
3982:, p. 17.
3981:
3976:
3970:, p. 465
3969:
3965:
3960:
3953:
3948:
3942:, p. 18.
3941:
3936:
3934:
3925:
3924:Prentice Hall
3921:
3920:
3912:
3905:
3901:
3896:
3890:, p. 15.
3889:
3884:
3868:
3864:
3858:
3842:
3838:
3832:
3828:
3815:
3811:
3810:Lauren Bacall
3807:
3803:
3797:
3790:
3784:
3777:
3771:
3762:
3752:
3745:
3739:
3732:
3726:
3719:
3715:
3711:
3707:
3703:
3699:
3695:
3694:Ginger Rogers
3691:
3687:
3683:
3677:
3668:
3661:
3655:
3646:
3636:
3629:
3625:
3619:
3612:
3606:
3597:
3590:
3584:
3577:
3572:
3568:
3564:
3560:
3556:
3552:
3546:
3542:
3530:
3529:
3528:The Buccaneer
3525:
3522:
3521:
3517:
3514:
3513:
3509:
3506:
3505:
3501:
3498:
3497:
3493:
3490:
3489:
3485:
3482:
3481:
3477:
3474:
3473:
3469:
3466:
3465:
3461:
3458:
3457:
3453:
3450:
3449:
3445:
3442:
3441:
3437:
3434:
3433:
3429:
3426:
3425:
3421:
3418:
3417:
3413:
3410:
3409:
3405:
3402:
3401:
3397:
3394:
3391:
3388:
3387:
3386:Free and Easy
3383:
3380:
3379:
3375:
3372:
3371:
3370:The Squaw Man
3367:
3366:
3364:
3352:
3351:
3350:The Buccaneer
3347:
3344:
3343:
3339:
3336:
3335:
3331:
3328:
3327:
3323:
3320:
3319:
3315:
3312:
3311:
3307:
3304:
3303:
3299:
3296:
3295:
3291:
3288:
3287:
3283:
3280:
3279:
3275:
3272:
3271:
3267:
3266:
3265:
3253:
3252:
3248:
3245:
3244:
3240:
3237:
3236:
3232:
3229:
3228:
3224:
3221:
3220:
3216:
3213:
3212:
3208:
3205:
3204:
3200:
3197:
3196:
3195:Union Pacific
3192:
3189:
3188:
3187:The Buccaneer
3184:
3181:
3180:
3179:The Plainsman
3176:
3173:
3172:
3168:
3165:
3164:
3160:
3157:
3156:
3152:
3149:
3148:
3144:
3141:
3140:
3136:
3133:
3132:
3131:The Squaw Man
3128:
3125:
3124:
3120:
3117:
3116:
3112:
3111:
3109:
3108:
3100:
3099:
3095:
3092:
3091:
3087:
3084:
3083:
3079:
3076:
3075:
3071:
3068:
3067:
3063:
3060:
3059:
3055:
3052:
3051:
3047:
3044:
3043:
3039:
3036:
3035:
3031:
3028:
3027:
3023:
3020:
3019:
3015:
3012:
3011:
3007:
3004:
3003:
2999:
2996:
2995:
2991:
2988:
2987:
2983:
2980:
2979:
2975:
2972:
2971:
2967:
2964:
2963:
2959:
2956:
2955:
2951:
2948:
2947:
2946:The Squaw Man
2943:
2940:
2939:
2935:
2932:
2931:
2927:
2924:
2923:
2919:
2916:
2915:
2911:
2908:
2907:
2903:
2900:
2899:
2895:
2892:
2891:
2887:
2884:
2883:
2879:
2876:
2875:
2871:
2868:
2867:
2863:
2860:
2859:
2855:
2852:
2851:
2847:
2844:
2843:
2839:
2836:
2835:
2831:
2828:
2827:
2823:
2820:
2819:
2815:
2812:
2811:
2807:
2804:
2803:
2799:
2796:
2795:
2791:
2788:
2787:
2783:
2780:
2779:
2775:
2772:
2771:
2767:
2764:
2763:
2759:
2756:
2755:
2751:
2748:
2747:
2743:
2740:
2739:
2735:
2732:
2731:
2727:
2724:
2723:
2719:
2716:
2715:
2711:
2708:
2707:
2706:The Virginian
2703:
2700:
2699:
2695:
2692:
2691:
2690:The Squaw Man
2687:
2686:
2684:
2683:
2679:
2677:
2667:
2665:
2661:
2657:
2656:
2651:
2647:
2643:
2642:The Squaw Man
2639:
2635:
2631:
2627:
2623:
2619:
2609:
2607:
2603:
2599:
2595:
2590:
2588:
2584:
2583:Union Pacific
2580:
2576:
2575:Best Director
2572:
2568:
2563:
2561:
2557:
2556:Golden Globes
2553:
2547:
2545:
2541:
2532:
2528:
2526:
2521:
2519:
2511:
2506:
2502:
2494:
2492:
2488:
2482:
2480:
2479:
2474:
2470:
2466:
2462:
2458:
2452:
2450:
2446:
2442:
2438:
2434:
2430:
2429:The Squaw Man
2426:
2423:The original
2418:
2414:
2413:The Squaw Man
2410:
2406:
2401:
2392:
2390:
2386:
2382:
2378:
2377:
2372:
2367:
2363:
2359:
2353:
2351:
2350:
2345:
2341:
2337:
2336:
2331:
2327:
2323:
2319:
2315:
2311:
2310:
2305:
2301:
2297:
2293:
2289:
2288:
2283:
2279:
2275:
2274:
2269:
2263:
2261:
2260:
2255:
2251:
2247:
2246:
2245:Free and Easy
2241:
2237:
2236:Marx Brothers
2233:
2229:
2228:Salvador DalĂ
2225:
2221:
2216:
2214:
2210:
2206:
2202:
2193:
2189:
2187:
2183:
2179:
2175:
2174:Andrew Sarris
2171:
2170:Simon Louvish
2167:
2163:
2159:
2155:
2151:
2145:
2143:
2139:
2135:
2131:
2127:
2123:
2117:
2115:
2111:
2102:
2097:
2088:
2086:
2085:sadomasochism
2082:
2078:
2074:
2070:
2064:
2061:
2060:
2055:
2054:
2049:
2048:
2043:
2039:
2035:
2031:
2030:
2025:
2019:
2017:
2013:
2009:
2005:
2001:
1996:
1994:
1990:
1986:
1982:
1977:
1976:The Squaw Man
1967:
1963:
1961:
1960:D.W. Griffith
1957:
1946:
1944:
1940:
1936:
1935:Akim Tamiroff
1932:
1928:
1924:
1920:
1916:
1912:
1911:Fredric March
1908:
1904:
1900:
1896:
1892:
1888:
1887:Rod La Rocque
1884:
1880:
1875:
1873:
1872:Alvin Wyckoff
1869:
1865:
1861:
1857:
1853:
1852:Victor Mature
1847:
1845:
1840:
1835:
1831:
1824:
1823:
1817:
1813:
1811:
1807:
1803:
1799:
1795:
1794:Union Pacific
1791:
1787:
1783:
1778:
1772:
1770:
1769:Anne Bauchens
1761:
1756:
1747:
1745:
1741:
1737:
1722:
1720:
1716:
1712:
1711:
1706:
1702:
1692:
1683:
1681:
1677:
1673:
1669:
1665:
1664:The Buccaneer
1661:
1660:The Buccaneer
1657:
1656:
1655:The Buccaneer
1651:
1647:
1643:
1639:
1638:
1637:The Buccaneer
1633:
1632:Anthony Quinn
1628:
1626:
1622:
1619:sequence for
1618:
1613:
1611:
1610:
1605:
1601:
1596:
1592:
1588:
1584:
1580:
1574:
1571:
1564:
1553:
1551:
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1536:
1532:
1528:
1524:
1520:
1516:
1511:
1509:
1508:
1503:
1500:
1496:
1492:
1488:
1484:
1480:
1477:, he was the
1476:
1472:
1468:
1464:
1463:
1455:
1451:
1450:
1444:
1440:
1438:
1434:
1430:
1429:
1423:
1419:
1415:
1411:
1406:
1403:
1402:
1396:
1392:
1391:
1386:
1385:Union Pacific
1382:
1378:
1377:prostatectomy
1374:
1373:Union Pacific
1370:
1366:
1365:
1364:Union Pacific
1354:
1352:
1348:
1342:
1339:
1334:
1330:
1326:
1325:
1319:
1317:
1312:
1308:
1307:Harry Bridges
1304:
1299:
1291:
1286:
1280:
1277:Politics and
1274:
1272:
1268:
1267:
1262:
1261:
1255:
1251:
1247:
1243:
1238:
1236:
1231:
1230:
1229:The Squaw Man
1225:
1224:
1219:
1218:
1213:
1198:
1196:
1192:
1188:
1184:
1179:
1177:
1172:
1168:
1164:
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1158:
1153:
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1147:
1138:
1134:
1132:
1128:
1124:
1123:
1118:
1117:
1112:
1108:
1107:
1101:
1099:
1095:
1094:
1093:The Squaw Man
1089:
1078:
1076:
1071:
1066:
1064:
1063:
1058:
1054:
1050:
1045:
1044:
1038:
1036:
1032:
1027:
1023:
1022:
1016:
1014:
1010:
1009:
1004:
1003:
998:
997:
992:
988:
987:
986:The Virginian
977:
963:
961:
960:
954:
953:The Squaw Man
950:
948:
947:The Squaw Man
944:
943:
938:
934:
930:
926:
925:The Squaw Man
922:
921:The Squaw Man
918:
914:
910:
906:
901:
899:
895:
891:
890:
889:The Squaw Man
884:
883:Dustin Farnum
880:
876:
875:
874:The Squaw Man
868:
865:
861:
853:
852:
851:The Squaw Man
833:
831:
830:
824:
820:
816:
812:
808:
804:
800:
796:
790:
788:
784:
780:
779:Evelyn Nesbit
776:
775:E. H. Sothern
772:
768:
764:
760:
756:
755:Mary Pickford
752:
742:
740:
736:
732:
728:
727:
722:
718:
717:
712:
711:David Belasco
708:
704:
700:
695:
693:
689:
685:
681:
677:
676:
670:
668:
662:
660:
655:
654:Simon Louvish
651:
647:
643:
639:
635:
631:
627:
612:
610:
606:
602:
598:
594:
590:
586:
582:
578:
577:typhoid fever
569:
565:
563:
559:
555:
551:
547:
543:
539:
535:
531:
526:
524:
518:
516:
512:
507:
505:
504:David Belasco
501:
497:
493:
489:
485:
481:
477:
473:
469:
460:
446:
444:
440:
436:
432:
431:
430:Union Pacific
426:
422:
418:
414:
413:
408:
404:
400:
399:
394:
389:
387:
386:
381:
377:
376:
371:
370:
365:
364:
358:
356:
355:
350:
346:
342:
338:
337:
336:The Squaw Man
332:
328:
324:
319:
316:
312:
308:
302:
258:
248:
243:
239:
235:
230:
225:
222:
218:
215:
211:
208:
204:
200:
196:
193:4, including
192:
188:
169:
164:
160:
157:
154:
150:
146:
142:
135:
132:
131:
129:
125:
122:
118:
115:
111:
108:
105:
103:Resting place
101:
96:
86:
82:
77:
60:
56:
45:
40:
33:
30:
19:
14839:Christianity
14827:Conservatism
14647:George Lucas
14631:Billy Wilder
14595:Mervyn LeRoy
14528:
14523:Arthur Freed
14403:Ridley Scott
14397:MiloĆĄ Forman
14379:Mike Nichols
14331:Sidney Lumet
14295:Billy Wilder
14289:Orson Welles
14271:George Cukor
14200:
14141:Eddie Murphy
14112:Jeff Bridges
14096:Meryl Streep
14064:Jodie Foster
13987:Gene Hackman
13931:Sean Connery
13923:Sophia Loren
13795:Lucille Ball
13718:Gregory Peck
13710:Kirk Douglas
13662:Judy Garland
13654:Fred Astaire
13622:Mervyn LeRoy
13581:
13509:Diane Warren
13505:Euzhan Palcy
13471:Cicely Tyson
13449:Owen Roizman
13393:Steve Martin
13341:Roger Corman
13313:Sidney Lumet
13284:2001âpresent
13270:Jack Cardiff
13246:Michael Kidd
13236:Kirk Douglas
13224:Deborah Kerr
13212:Satyajit Ray
13202:Sophia Loren
13128:Hal Elias /
13111:Walter Lantz
13078:Howard Hawks
13072:Groucho Marx
13049:Orson Welles
13045:Lillian Gish
13023:Arthur Freed
12985:Hayley Mills
12955:B. B. Kahane
12937:Eddie Cantor
12928:
12922:Gate of Hell
12921:
12913:Jon Whiteley
12891:Joseph Breen
12874:
12867:Harold Lloyd
12850:
12827:
12811:
12807:
12804:Fred Astaire
12794:Adolph Zukor
12783:
12771:
12767:Bill and Coo
12765:
12750:Thomas Armat
12715:
12635:Conrad Nagel
12627:Ralph Morgan
12611:Judy Garland
12601:Harry Warner
12585:Loyal Griggs
12551:Mack Sennett
12539:Edgar Bergen
12522:
12495:Warner Bros.
12396:Peter Spears
12379:Bong Joon-ho
12331:Dede Gardner
12271:Dede Gardner
12263:Grant Heslov
12239:Gareth Unwin
12231:Iain Canning
12223:Greg Shapiro
12119:Brian Grazer
12111:2001âpresent
12100:Douglas Wick
12072:Edward Zwick
11968:Edward Saxon
11932:Mark Johnson
11665:Billy Wilder
11649:Arthur Freed
11633:Michael Todd
11625:Harold Hecht
11600:
11593:Arthur Freed
11518:
11508:
11498:
11488:
11478:
11468:
11458:
11448:
11438:
11428:
11420:The Crusades
11418:
11408:
11398:
11388:
11378:
11368:
11358:
11348:
11327:
11319:Walking Back
11317:
11307:
11297:
11287:
11277:
11269:Feet of Clay
11267:
11257:
11247:
11237:
11229:Manslaughter
11227:
11217:
11207:
11197:
11187:
11177:
11167:
11157:
11147:
11137:
11127:
11117:
11107:
11097:
11087:
11077:
11067:
11057:
11047:
11037:
11027:
11017:
11007:
10997:
10987:
10977:
10967:
10957:
10947:
10937:
10927:
10917:
10907:
10897:
10887:
10879:The Unafraid
10877:
10867:
10857:
10847:
10837:
10827:
10817:
10807:
10797:
10787:
10777:
10769:The Only Son
10767:
10757:
10747:
10737:
10722:
10553:. Retrieved
10538:
10525:. Retrieved
10510:
10500:
10481:
10473:
10466:. Retrieved
10446:
10428:
10410:
10390:
10361:
10340:
10319:
10297:
10277:
10258:
10250:
10243:. Retrieved
10223:
10202:
10175:
10156:
10144:. Retrieved
10129:
10116:. Retrieved
10101:
10078:
10066:. Retrieved
10062:
10052:
10040:
10028:. Retrieved
10024:the original
10019:
10009:
9997:. Retrieved
9993:the original
9988:
9979:
9967:. Retrieved
9952:
9945:
9933:. Retrieved
9929:
9919:
9907:
9895:. Retrieved
9891:
9878:
9847:. Retrieved
9832:
9825:
9813:
9801:
9789:
9777:
9772:, p. 3.
9765:
9753:
9741:
9729:. Retrieved
9714:
9707:
9695:. Retrieved
9680:
9673:
9661:
9649:
9637:
9625:. Retrieved
9620:
9611:
9599:. Retrieved
9595:
9585:
9573:
9561:
9549:
9537:
9525:
9513:
9494:
9485:
9473:. Retrieved
9469:
9459:
9447:
9435:. Retrieved
9430:
9421:
9409:. Retrieved
9405:
9395:
9383:. Retrieved
9378:
9369:
9357:. Retrieved
9352:
9343:
9331:. Retrieved
9326:
9317:
9305:. Retrieved
9300:
9291:
9279:. Retrieved
9274:
9265:
9253:. Retrieved
9248:
9239:
9227:. Retrieved
9222:
9213:
9201:. Retrieved
9196:
9187:
9175:. Retrieved
9171:
9162:
9150:. Retrieved
9146:
9137:
9110:
9098:. Retrieved
9093:
9084:
9068:
9056:. Retrieved
9053:Deseret News
9052:
9042:
9030:. Retrieved
9025:
9015:
9003:. Retrieved
8999:
8989:
8977:. Retrieved
8962:. New York:
8958:
8951:
8939:. Retrieved
8924:
8917:
8908:
8899:
8887:. Retrieved
8882:
8873:
8861:. Retrieved
8857:
8847:
8835:. Retrieved
8830:
8821:
8809:. Retrieved
8805:the original
8800:
8791:
8782:
8773:
8761:. Retrieved
8757:
8747:
8735:. Retrieved
8731:Dunes Center
8730:
8721:
8709:. Retrieved
8705:
8696:
8684:. Retrieved
8680:
8670:
8658:. Retrieved
8654:
8644:
8627:
8624:Film History
8623:
8617:
8605:
8593:. Retrieved
8589:the original
8584:
8575:
8551:
8544:
8532:
8525:Louvish 2007
8520:
8508:
8496:. Retrieved
8491:
8487:
8477:
8465:. Retrieved
8461:the original
8451:
8439:. Retrieved
8424:
8417:
8405:. Retrieved
8390:
8383:
8378:, p. 6.
8371:
8359:. Retrieved
8354:
8344:
8332:. Retrieved
8328:
8318:
8306:
8294:. Retrieved
8290:
8280:
8268:
8239:
8231:
8226:
8206:
8201:
8186:The Hustons.
8185:
8180:
8168:
8156:
8144:. Retrieved
8140:
8130:
8118:. Retrieved
8114:
8104:
8092:. Retrieved
8089:The Guardian
8088:
8078:
8066:. Retrieved
8062:
8052:
8040:. Retrieved
8036:the original
8025:
8013:
8001:
7989:. Retrieved
7984:
7980:
7958:Louvish 2007
7953:
7946:Louvish 2007
7941:
7929:. Retrieved
7926:The Guardian
7925:
7915:
7903:. Retrieved
7895:Filmsite.org
7893:
7888:Dirks, Tim.
7883:
7871:
7859:
7840:
7834:
7819:
7810:
7805:, p. 12
7794:
7787:Louvish 2007
7782:
7775:Louvish 2007
7770:
7763:Louvish 2007
7758:
7751:Louvish 2007
7746:
7739:Louvish 2007
7734:
7727:Louvish 2007
7722:
7715:Louvish 2007
7710:
7698:. Retrieved
7693:
7683:
7674:
7662:. Retrieved
7658:
7648:
7636:
7624:
7619:, p. 11
7613:Higashi 1994
7608:
7601:Louvish 2007
7596:
7591:, p. 6.
7565:
7560:, p. 2.
7558:Higashi 1994
7553:
7548:, p. 5.
7524:
7512:. Retrieved
7497:
7490:
7478:. Retrieved
7475:Deseret News
7474:
7464:
7452:. Retrieved
7447:
7438:
7426:
7419:Louvish 2007
7414:
7395:
7391:
7381:
7369:. Retrieved
7365:
7355:
7348:Louvish 2007
7343:
7331:. Retrieved
7316:
7309:
7297:. Retrieved
7291:
7281:
7269:. Retrieved
7264:
7255:
7243:
7231:. Retrieved
7226:
7217:
7205:
7193:
7181:
7169:
7157:
7145:. Retrieved
7130:
7123:
7096:
7084:
7072:
7060:
7033:. Retrieved
7029:Deseret News
7027:
7017:
7010:Doherty 1999
7005:
6993:. Retrieved
6988:
6979:
6967:. Retrieved
6962:
6953:
6941:
6929:. Retrieved
6924:
6915:
6903:
6891:
6879:
6867:
6840:
6828:. Retrieved
6824:
6804:, p. 27
6802:Louvish 2007
6797:
6792:, p. 5.
6766:
6754:
6742:
6735:Louvish 2007
6730:
6723:Louvish 2007
6718:
6711:Louvish 2007
6706:
6679:. Retrieved
6675:
6665:
6656:
6651:
6639:
6627:. Retrieved
6623:
6603:Louvish 2007
6598:
6586:
6570:
6565:
6555:December 19,
6553:. Retrieved
6549:
6524:
6508:
6496:
6465:
6453:. Retrieved
6449:
6439:
6427:
6411:
6399:
6387:
6375:
6346:
6334:
6318:
6293:
6288:
6273:
6268:
6256:
6244:
6232:
6222:November 12,
6220:. Retrieved
6215:
6206:
6194:
6182:
6170:
6162:
6142:
6130:
6108:Louvish 2007
6103:
6096:Louvish 2007
6091:
6069:Louvish 2007
6064:
6035:
6023:
6011:
5999:
5987:
5958:. Retrieved
5943:
5936:
5890:
5878:
5873:, p. 7.
5866:
5854:
5842:
5830:
5825:, p. 88
5814:
5802:
5790:
5785:, p. 7.
5778:
5766:
5754:
5742:. Retrieved
5738:
5728:
5720:
5713:. Retrieved
5689:
5681:
5669:. Retrieved
5664:
5655:
5643:. Retrieved
5638:
5612:. Retrieved
5607:
5597:
5590:Louvish 2007
5585:
5573:. Retrieved
5558:
5551:
5544:Louvish 2007
5520:
5508:
5503:, p. 15
5492:
5480:
5468:. Retrieved
5461:
5452:
5440:
5428:
5416:
5404:
5392:. Retrieved
5387:
5378:
5366:
5354:. Retrieved
5349:
5340:
5333:Louvish 2007
5328:
5316:. Retrieved
5313:The Guardian
5312:
5302:
5291:Louvish 2007
5286:
5274:
5262:
5250:
5238:
5226:
5219:Louvish 2007
5214:
5202:
5190:. Retrieved
5184:
5159:
5131:Louvish 2007
5126:
5119:Louvish 2007
5104:Louvish 2007
5099:
5092:Louvish 2007
5062:Louvish 2007
5057:
5052:, p. 12
5045:
5033:. Retrieved
5027:
5017:
5010:Louvish 2007
5005:
4998:Louvish 2007
4993:
4988:, p. 8.
4954:Louvish 2007
4949:
4944:, p. 4.
4937:
4932:, p. 8.
4925:
4920:, p. 29
4916:, p. 3;
4909:
4897:
4885:
4878:Louvish 2007
4873:
4868:, p. 1.
4866:Higashi 1994
4861:
4854:Louvish 2007
4849:
4844:, p. 3.
4829:, p. 9.
4795:, p. 18
4780:
4775:, p. 7.
4768:
4756:
4751:, p. 2.
4744:
4733:
4721:
4714:Louvish 2007
4709:
4698:Louvish 2007
4693:
4688:, p. 21
4682:Louvish 2007
4677:
4661:
4654:Louvish 2007
4649:
4642:Louvish 2007
4627:Louvish 2007
4622:
4615:Louvish 2007
4600:Louvish 2007
4595:
4587:
4579:
4572:Louvish 2007
4567:
4560:Louvish 2007
4555:
4543:
4538:, p. 2.
4496:
4489:
4482:Louvish 2007
4460:
4448:
4441:Louvish 2007
4426:Louvish 2007
4421:
4409:
4402:Louvish 2007
4397:
4390:Louvish 2007
4369:Louvish 2007
4364:
4357:Louvish 2007
4352:
4345:Highman 1973
4341:Louvish 2007
4336:
4314:Louvish 2007
4309:
4298:Highman 1973
4293:
4281:. Retrieved
4277:
4267:
4255:. Retrieved
4251:
4241:
4230:Highman 1973
4221:
4209:
4197:
4192:, p. 28
4186:Louvish 2007
4181:
4169:. Retrieved
4154:
4147:
4120:
4108:
4097:Louvish 2007
4066:
4060:
4047:, p. 3;
4045:Louvish 2007
4040:
4028:
4016:
4011:, p. 1.
3987:
3975:
3968:Louvish 2007
3959:
3954:, p. 6.
3952:Louvish 2007
3947:
3922:. New York:
3918:
3911:
3906:, p. 15
3895:
3883:
3871:. Retrieved
3867:the original
3857:
3845:. Retrieved
3841:the original
3831:
3814:Jeff Bridges
3802:Kirk Douglas
3796:
3788:
3783:
3770:
3761:
3751:
3738:
3725:
3682:Hedda Hopper
3676:
3667:
3654:
3645:
3635:
3628:tuberculosis
3618:
3610:
3605:
3596:
3583:
3575:
3570:
3566:
3562:
3558:
3554:
3545:
3526:
3518:
3510:
3502:
3494:
3486:
3478:
3470:
3462:
3456:Variety Girl
3454:
3446:
3438:
3430:
3422:
3414:
3406:
3398:
3392:
3384:
3376:
3368:
3361:
3348:
3340:
3332:
3324:
3316:
3308:
3305:(1914, lost)
3300:
3292:
3289:(1914, lost)
3286:The Only Son
3284:
3276:
3273:(1914, lost)
3268:
3263:
3249:
3241:
3233:
3225:
3217:
3209:
3201:
3193:
3185:
3177:
3171:The Crusades
3169:
3161:
3153:
3145:
3137:
3129:
3121:
3113:
3106:
3105:
3096:
3088:
3080:
3072:
3064:
3061:(1924, Lost)
3058:Feet of Clay
3056:
3048:
3040:
3032:
3026:Manslaughter
3024:
3016:
3008:
3000:
2992:
2984:
2976:
2968:
2960:
2952:
2949:(1918, Lost)
2944:
2936:
2933:(1918, Lost)
2928:
2920:
2912:
2904:
2896:
2888:
2880:
2872:
2869:(1916, Lost)
2864:
2856:
2848:
2840:
2832:
2829:(1915, Lost)
2824:
2816:
2808:
2800:
2792:
2784:
2781:(1915, Lost)
2776:
2773:(1915, Lost)
2768:
2760:
2754:The Unafraid
2752:
2744:
2736:
2728:
2720:
2712:
2704:
2696:
2688:
2682:Silent films
2681:
2680:
2675:
2673:
2653:
2641:
2637:
2633:
2629:
2625:
2621:
2615:
2605:
2601:
2591:
2582:
2578:
2570:
2564:
2551:
2548:
2537:
2522:
2515:
2500:
2483:
2476:
2453:
2444:
2428:
2422:
2412:
2384:
2380:
2374:
2370:
2361:
2358:B'nai B'rith
2354:
2347:
2339:
2333:
2329:
2325:
2321:
2317:
2313:
2307:
2292:Nicholas Ray
2285:
2278:The Crusades
2277:
2271:
2264:
2257:
2254:Billy Wilder
2249:
2243:
2217:
2198:
2185:
2158:Howard Hawks
2146:
2142:Ridley Scott
2137:
2136:(1952), and
2133:
2129:
2125:
2121:
2118:
2113:
2109:
2106:
2100:
2080:
2076:
2072:
2069:The Crusades
2068:
2065:
2057:
2051:
2045:
2041:
2033:
2027:
2023:
2020:
2011:
2000:Gustave Doré
1997:
1992:
1988:
1984:
1975:
1972:
1956:Sidney Lumet
1952:
1891:William Boyd
1883:Bebe Daniels
1876:
1867:
1863:
1855:
1848:
1843:
1836:
1832:
1828:
1820:
1809:
1801:
1797:
1793:
1789:
1785:
1773:
1765:
1743:
1739:
1733:
1715:The Guardian
1714:
1708:
1704:
1697:
1663:
1659:
1653:
1635:
1629:
1625:Loyal Griggs
1620:
1614:
1607:
1603:
1594:
1590:
1586:
1582:
1578:
1576:
1569:
1566:
1561:
1531:Frank Wisner
1527:Allen Dulles
1518:
1514:
1512:
1505:
1470:
1460:
1458:
1447:
1436:
1426:
1413:
1407:
1399:
1388:
1384:
1381:streptomycin
1372:
1362:
1360:
1343:
1337:
1332:
1322:
1320:
1295:
1289:
1278:
1270:
1264:
1258:
1253:
1249:
1245:
1241:
1239:
1227:
1223:Madame Satan
1221:
1215:
1212:camera blimp
1209:
1180:
1175:
1170:
1166:
1160:
1149:
1143:
1130:
1120:
1119:(1926), and
1114:
1111:Manslaughter
1110:
1104:
1102:
1091:
1084:
1069:
1067:
1062:Manslaughter
1060:
1041:
1039:
1034:
1019:
1017:
1012:
1006:
1000:
994:
990:
984:
982:
957:
952:
951:
946:
940:
924:
920:
902:
887:
872:
869:
857:
849:
827:
811:Reckless Age
810:
806:
802:
798:
794:
791:
786:
782:
770:
766:
762:
748:
738:
734:
730:
724:
720:
714:
706:
702:
698:
696:
691:
679:
673:
671:
663:
658:
645:
641:
638:A Repentance
637:
629:
623:
607:, DeMille's
604:
596:
574:
561:
554:Annie Oakley
527:
519:
508:
465:
428:
410:
396:
390:
383:
373:
367:
361:
359:
352:
349:Adolph Zukor
334:
320:
256:
255:
234:Peggy George
89:(1959-01-21)
29:
14860:1959 deaths
14855:1881 births
14779:Los Angeles
14683:John Calley
14659:Saul Zaentz
14637:David Brown
14571:Robert Wise
14559:Sam Spiegel
14541:Buddy Adler
14481:Walt Disney
14349:Woody Allen
14343:James Ivory
14313:Robert Wise
14283:John Huston
14225:Frank Capra
14072:Woody Allen
13891:Jack Lemmon
13835:Paul Newman
13803:Henry Fonda
13787:Red Skelton
13758:Bette Davis
13646:Bing Crosby
13630:Buddy Adler
13590:Walt Disney
13499:Liv Ullmann
13477:David Lynch
13463:Marvin Levy
13457:AgnĂšs Varda
13427:Jackie Chan
13379:Hal Needham
13359:Eli Wallach
13240:Chuck Jones
13170:Paul Newman
13136:Henry Fonda
13082:Jean Renoir
12981:Stan Laurel
12977:Gary Cooper
12909:Greta Garbo
12790:Sid Grauman
12681:Noël Coward
12655:Walt Disney
12631:Ralph Block
12561:Walt Disney
12505:Walt Disney
12429:Emma Thomas
12383:Kwak Sin-ae
12315:Steve Golin
12299:John Lesher
12255:Ben Affleck
12195:Scott Rudin
12183:Graham King
12171:Paul Haggis
12080:Bruce Cohen
12060:Marc Norman
12036:Saul Zaentz
12020:Bruce Davey
12012:Steve Tisch
11972:Kenneth Utt
11900:Saul Zaentz
11805:Saul Zaentz
11705:Robert Wise
11681:Sam Spiegel
11673:Robert Wise
11641:Sam Spiegel
11617:Sam Spiegel
11609:Buddy Adler
11490:Unconquered
11360:Madam Satan
10889:The Captive
9794:Maltin 2009
8858:Daily Titan
8537:Blanke 2018
8115:LA Magazine
7876:Blanke 2018
7826:Archive.org
7250:, p. 8
6884:Blanke 2018
6872:Blanke 2018
5807:Blanke 2018
5795:Blanke 2018
4704:, p. 7
4375:, p. 2
4347:, p. 9
4304:, p. 1
3706:Gary Cooper
3690:Ann Sothern
3686:Walt Disney
3624:World War I
3611:The Seaward
3464:Unconquered
3424:Glamour Boy
3400:Madam Satan
3393:Estrellados
3227:Unconquered
3123:Madam Satan
3107:Sound films
2762:The Captive
2612:Filmography
2604:(1915) and
2585:received a
2473:John Waters
2314:Unconquered
2280:influenced
2240:Surrealists
2232:Walt Disney
2220:John Huston
2205:riding crop
2184:has called
2166:Raoul Walsh
2126:Unconquered
2042:The Captive
2006:create the
1903:Gary Cooper
1864:Unconquered
1802:Madam Satan
1676:David Niven
1650:Yul Brynner
1507:Unconquered
1502:Earl Warren
1467:giant squid
1127:Technicolor
1055:, becoming
1043:The Captive
1035:The Seaward
1013:Peter Grimm
909:New Orleans
894:Oscar Apfel
688:Maude Fealy
530:Edwin Booth
511:German Jews
311:sound films
127:Occupations
95:Los Angeles
14849:Categories
14791:California
14767:New Jersey
14511:Jerry Wald
14307:Elia Kazan
14261:David Lean
14219:King Vidor
14213:Henry King
14128:Jane Fonda
13811:Gene Kelly
13694:John Wayne
13523:Mel Brooks
13513:Peter Weir
13495:Elaine May
13397:Piero Tosi
13369:Dick Smith
13258:Elia Kazan
13174:Alex North
13119:King Vidor
13039:Cary Grant
13033:Onna White
12905:Danny Kaye
12895:Pete Smith
12847:Gene Kelly
12691:George Pal
12577:Jan Domela
12400:Chloé Zhao
12147:Fran Walsh
12123:Ron Howard
12048:Jon Landau
12024:Mel Gibson
11964:Ron Bozman
11956:Jim Wilson
11729:John Woolf
11239:Adam's Rib
11009:Maria Rosa
10969:Temptation
10859:After Five
10437:187951124X
10350:0306801310
10331:0520085574
10268:0517553481
10239:0231110952
9818:Eyman 2010
9770:Eyman 2010
9115:Eyman 2010
9077:Eyman 2010
8630:(2): 114.
8435:0976940000
8401:0415910846
8311:Eyman 2010
8273:Eyman 2010
8213:. p. 185.
8173:Eyman 2010
8161:Eyman 2010
7905:January 5,
7629:Eyman 2010
7617:Eames 1985
7589:Eyman 2010
7570:Eyman 2010
7546:Eyman 2010
7174:Eyman 2010
7162:Eyman 2010
7116:Eyman 2010
7101:Eyman 2010
7089:Eyman 2010
7077:Eyman 2010
7065:Eyman 2010
7053:Eyman 2010
6908:Eyman 2010
6896:Eyman 2010
6845:Eyman 2010
6771:Eyman 2010
6759:Eyman 2010
6747:Eyman 2010
6644:Eyman 2010
6529:Eyman 2010
6513:Eyman 2010
6420:Eyman 2010
6380:Eames 1985
6368:Eames 1985
6339:Eyman 2010
6323:Eyman 2010
6261:Eyman 2010
6249:Eyman 2010
6237:Eyman 2010
6216:Oscars.org
6199:Eames 1985
6187:Eames 1985
6175:Eames 1985
6147:Eames 1985
6135:Eyman 2010
6123:Eyman 2010
6084:Eyman 2010
6057:Eames 1985
6040:Eyman 2010
6028:Eames 1985
6004:Eyman 2010
5992:Eyman 2010
5910:Eyman 2010
5895:Eyman 2010
5883:Eyman 2010
5871:Eyman 2010
5859:Eames 1985
5835:Eames 1985
5823:Eames 1985
5709:0801884365
5698:. p.
5485:Eames 1985
5445:Eames 1985
5433:Eames 1985
5421:Eames 1985
5295:Eyman 2010
5279:Eyman 2010
5267:Eyman 2010
5255:Eyman 2010
5207:Eyman 2010
5164:Eyman 2010
5152:Eames 1985
5077:Eyman 2010
4971:Eames 1985
4890:Eames 1985
4465:Eyman 2010
4453:Eyman 2010
4234:Eyman 2010
4214:Eyman 2010
4202:Eyman 2010
4190:Eyman 2010
4165:080781329X
4125:Eyman 2010
4113:Eyman 2010
4101:Eyman 2010
4053:Eyman 2010
4033:Eyman 2010
4021:Eyman 2010
3992:Eyman 2010
3980:Eyman 2010
3964:Eyman 2010
3940:Eyman 2010
3904:Eyman 2010
3888:Eyman 2010
3310:After Five
3034:Adam's Rib
2858:Maria Rosa
2826:Temptation
2587:Palme d'Or
2234:, and the
1915:Julia Faye
1784:temple in
1740:California
1730:Influences
1725:Filmmaking
1298:Republican
1070:Home Guard
1031:Julia Faye
823:melodramas
803:California
799:The Genius
707:After Five
699:The Genius
534:Robin Hood
433:(1939), a
425:Palme d'Or
331:vaudeville
156:Republican
68:1881-08-12
14743:Biography
14613:Ray Stark
14409:Spike Lee
14207:John Ford
14120:Tom Hanks
13971:Al Pacino
13875:Doris Day
13481:Wes Studi
13417:Spike Lee
13206:Myrna Loy
13154:Hal Roach
13098:1976â2000
12840:1951â1975
12773:Shoeshine
12488:1928â1950
12359:Jim Burke
12287:Brad Pitt
12215:Mark Boal
12084:Dan Jinks
11816:1976â2000
11793:Fred Roos
11769:Tony Bill
11585:1951â1975
11410:Cleopatra
10959:The Cheat
10045:Lyon 1984
9871:Lyon 1984
8979:August 1,
8941:August 1,
8244:King 2007
8234:, p. 357.
8230:Presley,
6501:Dick 2001
5819:Dick 2001
5501:Dick 2001
5470:April 29,
5231:Dick 2001
5035:April 29,
4930:Dick 2001
4789:Dick 2001
4785:Abel 2005
4773:Dick 2001
4702:Dick 2001
4516:823177622
4283:April 21,
3873:April 11,
3847:April 11,
3824:Citations
3714:Roosevelt
3578:spelling.
3557:, became
3378:Hollywood
3163:Cleopatra
2818:The Cheat
2602:The Cheat
2427:in which
2366:John Ford
2342:inspired
2201:megaphone
2162:John Ford
2081:The Cheat
2038:high camp
1985:The Cheat
1923:Ian Keith
1837:Composer
1760:bookplate
1338:Lux Radio
1333:Lux Radio
1146:Hays Code
1021:The Cheat
905:Flagstaff
881:and cast
542:Victorian
449:Biography
435:DGA Award
375:Cleopatra
341:Hollywood
226:(brother)
220:Relatives
206:Parent(s)
201:(adopted)
147:1899â1958
133:Filmmaker
13670:Bob Hope
13007:Bob Hope
12863:Bob Hope
12852:Rashomon
12697:Bob Hope
12645:Bob Hope
11350:Dynamite
10929:Kindling
10909:The Arab
10555:July 19,
10245:June 20,
9731:July 12,
9697:July 12,
9100:July 18,
9058:July 10,
9032:July 10,
9005:July 10,
8811:July 10,
8763:July 10,
8737:July 10,
8711:July 10,
8686:July 10,
8660:July 10,
8595:July 10,
8467:March 3,
8407:June 21,
8334:June 22,
8296:June 25,
8146:June 21,
8120:June 21,
8094:June 21,
8068:June 21,
8042:July 19,
7991:July 10,
7931:June 21,
7700:June 20,
7694:Notebook
7514:June 20,
7480:June 20,
7454:June 20,
7371:June 20,
7333:June 20,
7233:July 11,
7147:July 16,
7035:June 20,
6995:June 20,
6969:June 20,
6963:CBS News
6931:June 20,
6830:July 16,
6681:June 26,
6629:June 26,
5960:July 17,
5744:June 26,
5715:June 20,
5575:June 20,
5192:July 17,
3756:instead.
3660:Sam Wood
3576:de Mille
3571:de Mille
3567:de Mille
3559:de Mille
3115:Dynamite
2794:Kindling
2778:The Arab
2660:Passover
2622:The Arab
2608:(1956).
2419:in 1985.
2209:jodhpurs
2156:such as
2132:(1949),
2128:(1947),
2124:(1932),
2047:Kindling
1499:Governor
1217:Dynamite
1113:(1922),
1109:(1919),
917:Edendale
609:Broadway
581:Broadway
515:Brooklyn
405:and the
190:Children
14803:Theatre
14729:Portals
11259:Triumph
10670:at the
10621:at the
10607:at the
10584:at the
10527:May 22,
10468:May 22,
10146:May 21,
10118:May 22,
10068:May 22,
10030:May 22,
9999:May 22,
9969:May 22,
9935:May 22,
9897:May 22,
9849:May 22,
9627:May 22,
9601:May 17,
9596:Variety
9475:May 22,
9437:July 9,
9411:May 21,
9406:Variety
9385:May 21,
9359:May 21,
9333:May 21,
9307:May 21,
9301:History
9281:May 29,
9275:Variety
9255:May 29,
9229:July 9,
9203:May 23,
9197:Variety
9177:May 21,
9152:May 21,
8889:May 23,
8863:May 23,
8837:May 23,
8681:Variety
8636:3815029
8498:May 23,
8441:July 1,
8361:May 28,
7821:Variety
7664:July 2,
7299:May 27,
7271:May 27,
6624:Variety
6455:May 30,
5671:May 30,
5645:May 23,
5614:May 30,
5394:May 24,
5356:May 23,
5318:May 24,
4257:May 23,
4171:July 2,
3720:ticket.
3563:DeMille
3326:Chicago
3050:Triumph
2389:Blu-ray
2154:auteurs
1806:Red Sea
1495:Bricker
1485:in the
931:of the
913:Arizona
611:debut.
241:Website
236:(niece)
231:(niece)
184:
176:
172:
14711:(2024)
14701:(2018)
14691:(2010)
14685:(2009)
14679:(2001)
14673:(2000)
14667:(1999)
14661:(1997)
14655:(1995)
14649:(1992)
14643:(1991)
14633:(1988)
14627:(1987)
14621:(1982)
14615:(1980)
14609:(1978)
14603:(1977)
14597:(1976)
14591:(1974)
14585:(1971)
14579:(1968)
14573:(1967)
14567:(1966)
14561:(1964)
14555:(1962)
14549:(1959)
14543:(1957)
14537:(1954)
14531:(1953)
14525:(1952)
14519:(1951)
14513:(1949)
14507:(1947)
14501:(1945)
14495:(1944)
14489:(1943)
14483:(1942)
14477:(1940)
14471:(1939)
14465:(1938)
14411:(2021)
14405:(2016)
14399:(2012)
14393:(2009)
14387:(2005)
14381:(2003)
14375:(2002)
14369:(1999)
14363:(1997)
14357:(1996)
14351:(1995)
14345:(1994)
14339:(1993)
14333:(1992)
14327:(1991)
14321:(1989)
14315:(1987)
14309:(1986)
14303:(1985)
14297:(1984)
14291:(1983)
14285:(1982)
14279:(1981)
14273:(1980)
14267:(1972)
14257:(1969)
14251:(1967)
14245:(1965)
14239:(1960)
14233:(1959)
14227:(1958)
14221:(1956)
14215:(1955)
14209:(1953)
14203:(1952)
14143:(2023)
14130:(2021)
14122:(2020)
14114:(2019)
14106:(2018)
14098:(2017)
14090:(2016)
14082:(2015)
14074:(2014)
14066:(2013)
14058:(2012)
14050:(2011)
14042:(2010)
14034:(2009)
14021:(2007)
14013:(2006)
14005:(2005)
13997:(2004)
13989:(2003)
13981:(2002)
13973:(2001)
13965:(2000)
13957:(1999)
13949:(1998)
13941:(1997)
13933:(1996)
13925:(1995)
13917:(1994)
13909:(1993)
13901:(1992)
13893:(1991)
13885:(1990)
13877:(1989)
13869:(1988)
13861:(1987)
13853:(1986)
13845:(1985)
13837:(1984)
13829:(1983)
13821:(1982)
13813:(1981)
13805:(1980)
13797:(1979)
13789:(1978)
13781:(1977)
13768:(1975)
13760:(1974)
13752:(1973)
13744:(1972)
13736:(1971)
13728:(1970)
13720:(1969)
13712:(1968)
13704:(1967)
13696:(1966)
13688:(1965)
13680:(1964)
13672:(1963)
13664:(1962)
13656:(1961)
13648:(1960)
13640:(1959)
13632:(1958)
13624:(1957)
13616:(1956)
13608:(1955)
13600:(1954)
13592:(1953)
13584:(1952)
13529:(2023)
13515:(2022)
13501:(2021)
13487:(2019)
13473:(2018)
13459:(2017)
13441:(2016)
13423:(2015)
13413:(2014)
13399:(2013)
13385:(2012)
13371:(2011)
13361:(2010)
13347:(2009)
13333:(2007)
13327:(2006)
13321:(2005)
13315:(2004)
13309:(2003)
13303:(2002)
13297:(2001)
13276:(2000)
13266:(1999)
13260:(1998)
13254:(1997)
13248:(1996)
13242:(1995)
13232:(1994)
13226:(1993)
13220:(1992)
13214:(1991)
13208:(1990)
13198:(1989)
13192:(1988)
13182:(1986)
13176:(1985)
13166:(1984)
13156:(1983)
13150:(1982)
13144:(1981)
13138:(1980)
13132:(1979)
13125:(1978)
13107:(1977)
13090:(1975)
13084:(1974)
13074:(1973)
13064:(1972)
13057:(1971)
13051:(1970)
13041:(1969)
13035:(1968)
13025:(1967)
13019:(1966)
13009:(1965)
13003:(1964)
12997:(1961)
12987:(1960)
12973:(1959)
12963:(1958)
12957:(1957)
12939:(1956)
12933:(1955)
12925:(1954)
12897:(1953)
12879:(1952)
12855:(1951)
12832:(1950)
12816:(1949)
12796:(1948)
12776:(1947)
12760:, and
12742:(1946)
12724:(1945)
12703:(1944)
12693:(1943)
12687:(1942)
12673:(1941)
12651:(1940)
12641:(1939)
12603:(1938)
12553:(1937)
12535:(1936)
12519:(1935)
12513:(1934)
12507:(1932)
12501:(1928)
12439:(2023)
12435:, and
12423:(2022)
12402:(2020)
12385:(2019)
12373:(2018)
12353:(2017)
12341:(2016)
12325:(2015)
12305:(2014)
12289:(2013)
12265:(2012)
12249:(2011)
12241:(2010)
12225:(2009)
12205:(2008)
12197:(2007)
12185:(2006)
12177:(2005)
12165:(2004)
12149:(2003)
12133:(2002)
12125:(2001)
12102:(2000)
12086:(1999)
12074:(1998)
12050:(1997)
12038:(1996)
12030:(1995)
12014:(1994)
11998:(1993)
11982:(1992)
11974:(1991)
11958:(1990)
11946:(1989)
11934:(1988)
11926:(1987)
11918:(1986)
11910:(1985)
11902:(1984)
11894:(1983)
11886:(1982)
11878:(1981)
11870:(1980)
11862:(1979)
11854:(1978)
11838:(1977)
11830:(1976)
11807:(1975)
11795:(1974)
11779:(1973)
11763:(1972)
11755:(1971)
11747:(1970)
11739:(1969)
11731:(1968)
11723:(1967)
11715:(1966)
11707:(1965)
11699:(1964)
11691:(1963)
11683:(1962)
11675:(1961)
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