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can bring. Quinada wants to marry her and tells her that after three minutes with Ohlrig he knows he is dangerous and will ruin the child. That she should know by now that money doesn't mean security. Ohlrig finds them. He questions the paternity of the baby but uses the child to force
Leonora to stay with him. He threatens to keep the baby, suing for divorce and naming Quinada as co-respondent. He reveals that he never loved her and hates himself for marrying her. She begs him not to take her baby.
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After the marriage, Ohlrig abuses Eames: mentally, by isolating her, criticizing her, exhibiting furious, unjustified jealousy, and expecting her to stay up late to be available when he comes home. His flunky, Franzi Kartos, participates in this. When Ohlrig tells her to go away on vacation she tells
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Charm school graduate and model
Leonora Eames, who has always dreamed of being rich, foolishly marries a deranged multimillionaire named Smith Ohlrig. Ohlrig has not married for love but in an act of defiance after his psychiatrist tells him he does not think he will marry. The psychiatrist predicts
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wrote that while the main cast were all "first rate actors," none of their roles were "worth a moment's envy," because "the script presents us with a full quota of standard
Hollywood paper-backed characters, who move around, for the most part, against stage sets about as stimulating as scenes drawn
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Ohlrig reveals that they are married. Quinada, who has now realized he had seen news of the marriage in newspapers and that is why she is familiar to him, leaves, only to be stopped by
Leonora. She explains that she is pregnant. She came back to Ohlrig to give the child the security that only money
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Excerpts from gossip columns from April to
October follow the course of Leonora's pregnancy and the rumors of her husband's mistreatment of her. He has been depriving her of sleep, waking her up at all hours of the night by calling or coming to the house and taking her out. Kartos can take no more
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Ohlrig has an attack of angina and
Leonora refuses to help him. Thinking she has caused his death, she calls Quinada for help. When he arrives, the house is filled with medical personnel and equipment tending to Ohrig. Leonora collapses and Quinada rushes her to the hospital. In the ambulance he
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Penniless, Leonora leaves Ohlrig and finds work with an obstetrician, Dr. Hoffman, and a pediatrician, Dr. Larry
Quinada, who have a partnership in a poor neighborhood. After some severe criticism from Dr. Quinada, she learns to do a good job. He feels he has seen her before, but he cannot place
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wrote: "Handsome production values have been wasted on a complicated, unpleasant story that is a curious hodge-podge of romance and psychological melodrama ... It is an odd picture, impressive in many respects and 'corny' in others, but on the whole too contrived and implausible."
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Ohlrig comes to
Leonora's apartment and promises a new start, the honeymoon they never had. The next morning, at the Long Island house, she learns that the long-planned trip is for business. Seeing through him at last, she returns to work at the Doctors' office.
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Leonora and
Quinada go out and have a wonderful time, and he proposes. She says she wants to marry him, but must straighten something out. She disappears, only telling her landlady she is moving to Long Island. Quinada eventually finds her at the Ohlrig home.
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reassures her that Ohlrig is in perfect health. Dr. Hoffman delivers the baby, which is too premature to survive. Leonora is well and Ohlrig no longer has any leverage over her. Dr. Hoffman allows
Quinada two minutes with her.
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She goes to Hoffman, suspecting correctly that she became pregnant during the one-night reconciliation. He promises not to tell Quinada, although he believes he would understand.
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wrote that it is not as good as Ophüls' later masterpieces, but it "offers a damning portrait of middle-class American society as a large and merciless snare."
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that the marriage will ruin both of them. Ohlrig has a heart condition, but the psychiatrist tells Ohlrig that this condition is psychosomatic.
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wrote, "The filmmaking is brilliant in part because, like Bel Geddes's deceptively modest performance, it is so apparently unassuming."
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him she will leave and get a job. “You'll be back,” he says. She leaves the room, and he has an attack. He takes a pill and it stops.
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A nurse brings Leonora's mink coat to the room. Dr. Hoffman tells her that if his diagnosis is correct Leonora won’t want it.
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According to MGM records the film earned $ 511,000 in the US and Canada and $ 265,000 overseas.
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called it a masterwork and wrote that Ohlrig is "a barely concealed portrait of
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called it "a very low-grade dime-store romance, expensively rendered on film".
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574:"'Caught' with James Mason, Barbara Bel Geddes and Robert Ryan".
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as Dr. Larry Quinada, a pediatrician, partner with Dr. Hoffman.
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and quits; he would rather go back to being a head waiter.
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McCarten, John (February 26, 1949). "The Current Cinema".
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called it "Ophüls' best non-period film". Chuck Bowen of
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691:Vishnevetsky, Ignatiy (July 9, 2014).
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637:"Prisons of Gender and a Generation"
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1322:The Madwoman of Central Park West
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332:as Dr. Hoffman, an obstetrician
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1298:I Can Get It for You Wholesale
663:Lane, Anthony (June 8, 2002).
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407:in soap on a barroom mirror."
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1408:1940s English-language films
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993:Letter from an Unknown Woman
480:AFI Catalog of Feature Films
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175:February 17, 1949
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580:: 31. February 19, 1949.
255:was based on a novel by
504:The Eddie Mannix Ledger
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16:1949 film by Max Ophüls
1216:The Time of the Cuckoo
933:The Trouble With Money
665:"Master of Ceremonies"
893:A Man Has Been Stolen
843:The Company's in Love
356:as Kevin (uncredited)
1448:1940s American films
1403:American drama films
953:The Novel of Werther
444:Ignatiy Vishnevetsky
231:is a 1949 American
1013:The Reckless Moment
963:There's No Tomorrow
161:Metro-Goldwyn-Mayer
135:Frederick Hollander
1330:La Cage aux Folles
1306:Anyone Can Whistle
1165:Do I Hear a Waltz?
1157:Anyone Can Whistle
853:The Bartered Bride
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779:TCM Movie Database
642:The New York Times
577:Harrison's Reports
547:"Review: 'Caught'"
525:The New York Times
425:The New York Times
392:Harrison's Reports
380:The New York Times
318:Barbara Bel Geddes
245:Barbara Bel Geddes
97:Barbara Bel Geddes
79:Wolfgang Reinhardt
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1275:The Turning Point
1259:Bonjour Tristesse
1208:Home of the Brave
1173:Hallelujah, Baby!
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903:Everybody's Woman
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730:. Retrieved
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192:Running time
168:Release date
69:Libbie Block
63:
1063:Lola Montès
420:J. Hoberman
324:Robert Ryan
312:James Mason
249:Robert Ryan
241:James Mason
102:Robert Ryan
92:James Mason
75:Produced by
39:Directed by
1393:1949 films
1387:Categories
1043:Le Plaisir
830:Max Ophüls
788:film scene
462:References
237:Max Ophüls
217:Box office
196:88 minutes
179:1949-02-17
150:Enterprise
142:Production
115:Lee Garmes
62:the novel
43:Max Ophüls
1418:Film noir
1251:Anastasia
1117:Works by
983:The Exile
943:Yoshiwara
369:Reception
348:Art Smith
336:Curt Bois
233:film noir
220:$ 776,000
121:Edited by
1290:Director
1133:Musicals
1033:La Ronde
1023:Vendetta
973:Sarajevo
873:Liebelei
768:AllMovie
721:"Caught"
476:"Caught"
209:Language
131:Music by
85:Starring
59:Based on
793:YouTube
777:at the
552:Variety
485:May 16,
386:Variety
361:Release
276:where.
212:English
201:Country
177: (
144:company
1373:(2009)
1365:(2008)
1357:(1991)
1349:(1989)
1341:(1987)
1333:(1983)
1325:(1979)
1317:(1974)
1309:(1964)
1301:(1962)
1278:(1977)
1270:(1973)
1262:(1958)
1254:(1956)
1246:(1949)
1243:Caught
1238:(1948)
1219:(1952)
1211:(1945)
1192:(1991)
1184:(1979)
1176:(1967)
1168:(1965)
1160:(1964)
1152:(1959)
1144:(1957)
1126:Writer
1076:(1958)
1066:(1955)
1056:(1953)
1046:(1952)
1036:(1950)
1016:(1949)
1006:(1949)
1003:Caught
996:(1948)
986:(1947)
976:(1940)
966:(1939)
956:(1938)
946:(1937)
936:(1936)
926:(1936)
916:(1935)
913:Divine
906:(1934)
896:(1934)
886:(1933)
876:(1933)
866:(1933)
856:(1932)
846:(1932)
786:Caught
774:Caught
763:Caught
752:Caught
555:. 1949
253:Caught
228:Caught
22:Caught
1362:Gypsy
1346:Gypsy
1314:Gypsy
1227:Films
1200:Plays
1149:Gypsy
1235:Rope
757:IMDb
734:2015
706:2015
678:2015
650:2015
622:2015
561:2015
533:2015
487:2017
442:".
414:, a
306:Cast
263:Plot
247:and
791:on
766:at
755:at
446:of
432:of
422:of
400:of
377:of
67:by
1389::
723:.
695:.
667:.
639:.
611:.
549:.
522:.
495:^
478:.
259:.
251:.
243:,
1110:e
1103:t
1096:v
821:e
814:t
807:v
736:.
708:.
680:.
652:.
624:.
563:.
535:.
508:.
489:.
181:)
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