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in 2002 because of its originality "in portraying how difficult it is to overcome the often essential self-protection of blocking-out terrible events and how liberating dialogue can be. The accent within the film is not so much on the final statement, as on showing the difficult ways needed to break
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39:, she grew up in Germany and Venezuela. After completing school in French Switzerland, she went on to study neurobiology in Basel, where she co-authored a frequently cited article on the blood–brain barrier. From 1996 to 2001, she studied film directing at
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shows her fight to uncover the secrets of her grandmother's survival during the
Holocaust. Her style is "very personal yet without being intrusive." The result is "a very honest, unpathetic exploration of the 'third generation'." The film won the
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94:(2008), on the relationship to her German father, reiterates Klusemann's attempt to "face the past, the unspoken, with the perpetrators and their children as well as with the victims and their children."
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down self-built barriers. The movement of the excellent camerawork underlines the authenticity of the psychological process involved."
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Frank
Michael Schuster, "Das Reden über Juden. Sekundärer Antisemitismus in aktuellen Feuilletondebatten", in:
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245:"Evidence for P-glycoprotein-modulated penetration of morphine-6-glucuronide into brain capillary endothelium"
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Das
Unbehagen in der 'dritten Generation': Reflexionen des Holocaust, Antisemitismus und Nationalsozialismus
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and in South
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Huwyler, Jörg; Drewe, Jürgen; Klusemann, Caterina; Fricker, Gert (3 October 2011).
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A German Radio feature on
Klusemann's work was broadcast on 24 January 2006 by
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640:"Site for the children's film at the German National Film Information Centre"
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Lange
Schatten. Verfolgung und Exil – Trauma bis in die dritte Generation
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536:"Information on Caterina Klusemann's documentaries by the broadcaster
506:"Information on Caterina Klusemann's documentaries by the broadcaster
346:"Reference to German Films shown during the Cannes Film Festival 2003"
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Pay-for articles on
Caterina Klusemann in the German national daily
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She has also written and directed a feature-length children's film.
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is the first part of an envisaged trilogy. The second part
23:, Italy) is an independent filmmaker and documentarist.
368:"Site of the German National Film Information Centre"
452:. Cineastentreff.de. 13 January 2008. Archived from
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35:and the Venezuelan sociologist and photographer
57:Bayerische Dokumentarfilmpreis – Junger Löwe
31:Born in 1973 in Italy to the German painter
568:. Ikonrtv.nl. 30 April 2003. Archived from
97:These and her other documentaries, such as
207:, 13 July 2001, no. 13, page 24, in German
140:Website on her father and her documentary
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205:Publik-Forum: Zeitung kritischer Christen
482:. Artistaseartes.com.br. Archived from
320:in the German national daily newspaper
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165:(Colombia) in Spanish, 30 October 2003
450:"Review of the theme evening on arte"
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43:. Today, she is based in Berlin.
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614:"SVT.se - SVT Dokumentär"
542:. Arte.tv. Archived from
512:. Arte.tv. Archived from
420:"Article in the magazine
109:have been transmitted on
99:The old woman and the sea
19:(born 8 February 1973 in
426:. Geo.de. Archived from
152:in De Volkskrant archive
81:Jameson Short Film Award
37:Elena Hochmann-Klusemann
163:Mabuse: Revista de Cine
476:"Brasilian review for
292:JĂĽdische Nachrichten.
182:from the German daily
69:SĂ©maine de la critique
294:"Review by Iris Noah"
620:on 14 September 2005
296:. Berlin-judentum.de
73:Cannes Film Festival
592:"Cyfra+ Program Tv"
572:on 10 February 2012
546:on 12 February 2012
486:on 10 February 2012
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41:Columbia University
642:. German-cinema.de
148:Pay-for review of
126:Caterina Klusemann
17:Caterina Klusemann
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370:. German-films.de
184:Neue Westfälische
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322:Morgenpost
231:References
212:Review of
199:Review of
194:in Swedish
178:Review of
157:Review of
646:3 January
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478:Dresscode
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107:Dresscode
27:Biography
398:. 2004.
55:and the
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111:Arte
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