80:
225:, in 1499. Also commissioned was a family chapel, containing the tombs of Matteo and Tuzio, built into the walls on either side of the painting. The church was subsequently demolished and replaced with the Cathedral of Castelfranco in 1724. The new building, which remains today, contains a small chapel housing the painting and the tomb of Matteo directly below. The Costanzo coat of arms, three pairs of ribs, can be seen on the tomb on the base of the Virgin's throne. (Some scholars have speculated that St. Nicasius himself is actually a portrait of Matteo.)
29:
170:, whose ensign is borne by St. Nicasius (a martyred saint who had also belonged to the Hospitallier order). The traditional scheme of composition is lightened by the novel use of such elements as the throne and the landscape, which takes up a good portion of the background. Noteworthy is also the absence of any reference to ecclesiastical elements of architecture.
228:
The work has suffered bad restorations in the past centuries, and was stolen on
December 10, 1972. After being recovered, it was accurately restored in 2002-2003 by the Accademia Laboratories in Venice and displayed in the major exhibition
379:
143:
to the left. However, the extreme height of the throne is most unusual and creates a very different effect from the pictures of this type by
494:
604:
609:
181:(painting without drawing). This was a new approach to painting which revolutionised the Venetian school and is famously used in
482:
415:
299:
423:
327:
431:
371:
594:
114:
executed around 1504. It remains in the equivalent of its original setting, in a side-chapel of the
Cathedral of
274:
294:
147:
and other painters, where the throne is only slightly raised and the figures are at roughly the same level.
300:
The Getty Center: Interim
Results of a Needs Assessment Survey for the Field of Panel Paintings Conservation
150:
It is one of a handful of paintings - perhaps three - which can be very firmly attributed to
Giorgione.
526:
262:
191:, a pupil of Giorgione, later became one of the most important exponents of this style. The figure of
518:
599:
454:
286:
462:
320:
79:
506:
470:
183:
549:
360:
201:
614:
399:
8:
167:
131:
115:
407:
313:
140:
446:
270:
222:
192:
136:
564:
221:
Tuzio
Costanzo in memory of his son Matteo, who died of a fever whilst serving the
196:
144:
28:
166:, patron of Castelfranco. Matteo and his brother Bruto Muzio were members of the
65:
200.5 cm × 144.5 cm (78.9 in × 56.9 in)
174:
588:
163:
351:
218:
107:
214:
159:
158:
The armoured figure has formerly been identified as the fighting Saint
233:, before being returned to its home in Castelfranco in December 2005.
336:
111:
39:
571:
556:
438:
356:
188:
119:
123:
104:
305:
126:, although the present church dates to the 18th century.
90:
Madonna and Child
Between St. Francis and St. Nicasius
22:
Madonna and Child
Between St. Francis and St. Nicasius
269:, 1970, London: Thames and Hudson (World of Art),
135:, with the Madonna enthroned with the child, with
586:
173:The technique of painting is an example of what
129:The picture has all the elements of a typical
321:
328:
314:
27:
380:Portrait of Francesco Maria della Rovere
78:
587:
309:
267:Venetian painting: A concise history
13:
605:Paintings of the Madonna and Child
14:
626:
280:
610:Paintings of Francis of Assisi
243:
153:
118:, Giorgione's native city, in
1:
335:
256:
73:Duomo of Castelfranco Veneto
7:
195:is very similar to that in
83:The painting in its setting
10:
631:
483:Adoration of the Shepherds
208:
541:
432:Christ Carrying the Cross
416:The Test of Fire of Moses
343:
69:
61:
53:
45:
35:
26:
21:
570:currently attributed to
555:currently attributed to
455:Il Tramonto (The Sunset)
424:The Judgement of Solomon
236:
217:was commissioned by the
495:Portrait of a Young Man
287:History of the painting
231:Le maraviglie dell'arte
103:, is a painting by the
595:Paintings by Giorgione
507:Self-portrait as David
471:The Three Philosophers
84:
550:Shepherd with a Flute
372:The Three Ages of Man
361:Sebastiano del Piombo
202:San Giobbe Altarpiece
179:pittura sanza disegno
82:
16:Painting by Giorgione
400:Giustiniani Portrait
392:Castelfranco Madonna
295:Museo Casa Giorgione
100:Pala di Castelfranco
96:Castelfranco Madonna
542:Formerly attributed
437:also attributed to
132:sacra conversazione
116:Castelfranco Veneto
223:Republic of Venice
85:
582:
581:
168:Knights of Rhodes
139:to the right and
77:
76:
622:
565:Pastoral Concert
553:(c. 1510–1515) (
510:(c. 1509–1510) (
498:(c. 1508–1510) (
486:(c. 1505–1510) (
474:(c. 1505–1510) (
355:(c. 1500) (with
330:
323:
316:
307:
306:
291:
250:
247:
197:Giovanni Bellini
145:Giovanni Bellini
93:, also known as
31:
19:
18:
630:
629:
625:
624:
623:
621:
620:
619:
600:1500s paintings
585:
584:
583:
578:
537:
339:
334:
289:
283:
259:
254:
253:
248:
244:
239:
211:
156:
17:
12:
11:
5:
628:
618:
617:
612:
607:
602:
597:
580:
579:
577:
576:
561:
545:
543:
539:
538:
536:
535:
527:Sleeping Venus
523:
522:(c. 1508–1510)
515:
503:
491:
479:
467:
466:(c. 1506–1508)
459:
458:(c. 1505–1508)
451:
443:
428:
427:(c. 1502–1505)
420:
419:(c. 1502–1505)
412:
404:
403:(c. 1503–1504)
396:
395:(c. 1503–1504)
388:
376:
375:(c. 1500–1501)
368:
347:
345:
341:
340:
333:
332:
325:
318:
310:
304:
303:
297:
292:
282:
281:External links
279:
278:
277:
258:
255:
252:
251:
241:
240:
238:
235:
210:
207:
155:
152:
75:
74:
71:
67:
66:
63:
59:
58:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
627:
616:
613:
611:
608:
606:
603:
601:
598:
596:
593:
592:
590:
574:
573:
567:
566:
562:
559:
558:
552:
551:
547:
546:
544:
540:
533:
529:
528:
524:
521:
520:
519:Self-portrait
516:
513:
509:
508:
504:
501:
497:
496:
492:
489:
485:
484:
480:
477:
473:
472:
468:
465:
464:
460:
457:
456:
452:
449:
448:
444:
441:
440:
434:
433:
429:
426:
425:
421:
418:
417:
413:
410:
409:
405:
402:
401:
397:
394:
393:
389:
386:
382:
381:
377:
374:
373:
369:
366:
362:
358:
354:
353:
349:
348:
346:
342:
338:
331:
326:
324:
319:
317:
312:
311:
308:
301:
298:
296:
293:
288:
285:
284:
276:
272:
268:
264:
261:
260:
246:
242:
234:
232:
226:
224:
220:
216:
206:
204:
203:
198:
194:
190:
186:
185:
180:
176:
171:
169:
165:
164:St. Liberalis
161:
151:
148:
146:
142:
138:
134:
133:
127:
125:
121:
117:
113:
109:
106:
102:
101:
97:
92:
91:
81:
72:
68:
64:
60:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
569:
563:
554:
548:
531:
525:
517:
511:
505:
499:
493:
487:
481:
475:
469:
461:
453:
445:
436:
430:
422:
414:
406:
398:
391:
390:
384:
378:
370:
364:
352:Detroit Trio
350:
302:(pdf; p. 54)
290:(in Italian)
266:
249:Steer, 79-84
245:
230:
227:
212:
200:
182:
178:
172:
157:
149:
141:St. Nicasius
130:
128:
99:
95:
94:
89:
88:
86:
57:oil on panel
615:Altarpieces
568:(c. 1509) (
530:(c. 1510) (
463:The Tempest
435:(c. 1505) (
383:(c. 1502) (
263:Steer, John
219:condottiero
205:(c. 1487).
193:St. Francis
184:The Tempest
154:Description
137:St. Francis
122:, northern
108:Renaissance
589:Categories
275:0500201013
257:References
215:altarpiece
160:St. George
62:Dimensions
49:c. 1503/04
411:(c. 1504)
344:Paintings
337:Giorgione
112:Giorgione
40:Giorgione
532:disputed
512:disputed
500:disputed
488:disputed
476:disputed
385:disputed
365:disputed
70:Location
209:History
177:called
110:artist
105:Italian
572:Titian
557:Titian
450:(1506)
439:Titian
408:Judith
357:Titian
273:
189:Titian
175:Vasari
120:Veneto
54:Medium
36:Artist
447:Laura
237:Notes
124:Italy
359:and
271:ISBN
213:The
87:The
46:Year
363:) (
199:'s
162:or
98:or
591::
265:,
187:.
575:)
560:)
534:)
514:)
502:)
490:)
478:)
442:)
387:)
367:)
329:e
322:t
315:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.