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Having received his artistic training from his father
Giovanni, a decorator and set designer, Canella took part in the Brera exhibitions on a regular basis as from 1829 with urban views, portraits and genre scenes of a Neo-Flemish character. He also painted the occasional landscape but came to
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in the mid-1830s. He settled in Milan definitively in 1842 but continued to send works to Verona for exhibitions. The artist's mature work saw a weary repetition of the same subjects, often based on his brother's more successful models, as well as lively genre scenes of an anecdotal character
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specialise in perspective views of various
Italian cities, especially
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Il Duomo di Milano e la Corsia dei Servi, 1860–1865 (
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