Knowledge

Focus puller

Source 📝

281:'s focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 meters to 3 meters away from the focal plane, the focus puller changes the lens's distance setting in precise relation to the actor's changing position. The focus puller may also shift focus from one subject to another as the shot requires, a process called "rack focusing". 77: 179: 36: 251: 319:
focus barrel of the lens; similar marks may be placed on the marking disc or ring of any follow focus device being used. Traditionally, the focus puller used only their marks and their own well-developed sense of distance estimation to achieve good results. Over the last decade, the increased use of digital cameras, higher-resolution
309:
department, in the sense of taking care of all the camera gear, and making sure that everything is tickety-boo. I have my own camera, so it's treated very well! A focus puller relies heavily on the Operator to tell him if the shot is out of focus — after all only the operator is actually looking through the lens.
323:
and on-camera monitors have provided focus pullers with additional tools to help maintain proper focus. A high-definition monitor can be particularly useful when a fast-paced production simply does not allow time for the focus puller to set and check all marks that may be needed, or if no rehearsal
318:
Once a camera position or overall "shot" is established by the director of photography and camera operator, the 1st AC begins to measure the various distances between the actors' marks and the focal plane of the camera. These distances are recorded in a series of grease pencil or pen marks on the
331:
The 1st AC may take surveying measurements of the general environment in order to have a good idea of the distances between reference points, such as patterns on the floor or walls, furniture, and whatever else might be around. These reference measurements can be used to quickly establish rough
308:
The 1st AC (or Focus Puller) has one of the hardest jobs on the set. And it's one of those jobs that are never noticed until it is wrong. Then you get an almighty bollocking, or you get fired ... Focus Pulling not only involves what it sounds like, but also the Focus Puller "runs" the
294:— while it is possible to take detail out of a frame, any detail missed due to incorrect focus is lost. An actor may not be able to duplicate their best performance in a subsequent take, so the focus puller is expected to perform flawlessly on every take. 289:
There is often very little room for error, depending on the parameters of a given shot. The focus puller's role is extremely important to a film production. In most circumstances, a "soft" image is considered unusable, as such an error can't be corrected in
437: 274:'s camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed. 397: 373: 141: 189: 504: 113: 473: 237: 160: 63: 120: 17: 1266: 98: 127: 1207: 94: 49: 368:. Thompson, Kristin, 1950-, Smith, Jeff, 1962 December 17- (Eleventh ed.). New York, NY. p. 193. 964: 626: 531: 109: 1202: 1007: 855: 1154: 1012: 984: 969: 676: 932: 1261: 1232: 917: 646: 497: 336: 87: 922: 651: 1187: 927: 820: 656: 328:
technology is employed to send a high definition or 4K signal directly to the focus puller.
1169: 1111: 1022: 959: 681: 134: 8: 875: 865: 731: 1045: 947: 942: 671: 661: 600: 490: 391: 200: 196: 1106: 1081: 897: 709: 691: 666: 469: 379: 369: 347:(also known as the "clapper loader") and any other members of the camera department. 55: 1040: 979: 743: 736: 686: 577: 557: 301: 1141: 1126: 937: 833: 828: 773: 567: 340: 298: 332:
distances between the camera and the subject in chaotic shooting circumstances.
1192: 1179: 1091: 1035: 999: 843: 796: 778: 758: 638: 344: 1255: 1159: 1076: 1050: 989: 806: 763: 605: 595: 585: 562: 552: 383: 1149: 1121: 1116: 1096: 1086: 1066: 909: 590: 547: 325: 1197: 1071: 952: 860: 801: 788: 768: 753: 482: 465: 278: 1227: 1131: 892: 701: 517: 848: 748: 513: 320: 271: 76: 1164: 1101: 1030: 974: 887: 882: 870: 572: 412: 250: 542: 212: 204: 208: 462:
The camera assistant: a complete professional handbook
438:"What are the Components of a Camera Rental Package?" 324:
will be provided. In most modern use cases, wireless
101:. Unsourced material may be challenged and removed. 829:Cinematographer / director of photography 277:"Pulling focus" refers to the act of changing the 430: 1253: 459: 363: 1178: 498: 64:Learn how and when to remove these messages 787: 512: 505: 491: 396:: CS1 maint: location missing publisher ( 700: 238:Learn how and when to remove this message 161:Learn how and when to remove this message 249: 190:instructions, advice, or how-to content 14: 1254: 624: 529: 486: 410: 172: 99:adding citations to reliable sources 70: 29: 199:so that it is more encyclopedic or 24: 625: 530: 364:Bordwell, David (4 January 2016). 25: 1278: 45:This article has multiple issues. 284: 177: 75: 34: 366:Film art : an introduction 86:needs additional citations for 53:or discuss these issues on the 404: 357: 313: 13: 1: 350: 417:So You Wanna Work in Movies? 7: 10: 1283: 1203:Computer-generated imagery 1008:Special effects supervisor 856:Digital imaging technician 335:The 1st AC reports to the 1220: 1140: 1059: 1021: 1013:Visual effects supervisor 998: 908: 819: 722: 637: 633: 620: 538: 525: 933:Utility sound technician 460:Douglas C. Hart (1995). 27:Occupation in filmmaking 1233:Unit still photographer 918:Director of audiography 647:Unit production manager 337:director of photography 1267:Filmmaking occupations 923:Production sound mixer 652:Production coordinator 339:, works alongside the 311: 264:first assistant camera 255: 1193:Visual effects editor 1188:VFX creative director 657:Production accountant 306: 253: 1112:Intimacy coordinator 682:Production assistant 345:2nd assistant camera 95:improve this article 876:Lighting technician 732:Production designer 413:"Camera Department" 411:Stapleton, Oliver. 343:, and oversees the 270:) is a member of a 197:rewrite the content 1170:Technical director 943:Re-recording mixer 672:Script coordinator 662:Assistant director 601:Executive producer 442:Camera Rentals NYC 256: 1249: 1248: 1245: 1244: 1241: 1240: 1216: 1215: 1107:Acting instructor 1082:Movement director 871:Best boy electric 815: 814: 718: 717: 710:Storyboard artist 667:Script supervisor 616: 615: 375:978-1-259-53495-9 248: 247: 240: 230: 229: 171: 170: 163: 145: 68: 16:(Redirected from 1274: 1176: 1175: 980:Music supervisor 785: 784: 744:Costume designer 698: 697: 687:Location manager 677:Casting director 635: 634: 622: 621: 558:Supporting actor 527: 526: 507: 500: 493: 484: 483: 479: 452: 451: 449: 448: 434: 428: 427: 425: 423: 408: 402: 401: 395: 387: 361: 302:Oliver Stapleton 293: 243: 236: 225: 222: 216: 181: 180: 173: 166: 159: 155: 152: 146: 144: 103: 79: 71: 60: 38: 37: 30: 21: 18:Camera assistant 1282: 1281: 1277: 1276: 1275: 1273: 1272: 1271: 1252: 1251: 1250: 1237: 1212: 1174: 1142:Post-production 1136: 1127:Stunt performer 1055: 1017: 1000:Special effects 994: 938:Dialogue editor 904: 834:Camera operator 811: 783: 774:Property master 724: 714: 696: 629: 612: 584: 568:Character actor 534: 521: 511: 476: 456: 455: 446: 444: 436: 435: 431: 421: 419: 409: 405: 389: 388: 376: 362: 358: 353: 341:camera operator 316: 299:cinematographer 291: 290:post-production 287: 244: 233: 232: 231: 226: 220: 217: 194: 182: 178: 167: 156: 150: 147: 104: 102: 92: 80: 39: 35: 28: 23: 22: 15: 12: 11: 5: 1280: 1270: 1269: 1264: 1262:Cinematography 1247: 1246: 1243: 1242: 1239: 1238: 1236: 1235: 1230: 1224: 1222: 1218: 1217: 1214: 1213: 1211: 1210: 1205: 1200: 1195: 1190: 1184: 1182: 1180:Visual effects 1173: 1172: 1167: 1162: 1157: 1152: 1146: 1144: 1138: 1137: 1135: 1134: 1129: 1124: 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1063: 1061: 1057: 1056: 1054: 1053: 1048: 1043: 1038: 1036:Visual effects 1033: 1027: 1025: 1019: 1018: 1016: 1015: 1010: 1004: 1002: 996: 995: 993: 992: 987: 982: 977: 972: 967: 962: 957: 956: 955: 945: 940: 935: 930: 925: 920: 914: 912: 906: 905: 903: 902: 901: 900: 895: 890: 880: 879: 878: 873: 863: 858: 853: 852: 851: 846: 844:Clapper loader 841: 831: 825: 823: 817: 816: 813: 812: 810: 809: 804: 799: 793: 791: 782: 781: 779:Weapons master 776: 771: 766: 761: 759:Make-up artist 756: 751: 746: 741: 740: 739: 728: 726: 720: 719: 716: 715: 713: 712: 706: 704: 695: 694: 692:Location scout 689: 684: 679: 674: 669: 664: 659: 654: 649: 643: 641: 639:Pre-production 631: 630: 627:Below the line 618: 617: 614: 613: 611: 610: 609: 608: 603: 593: 588: 582: 581: 580: 575: 570: 565: 560: 555: 550: 539: 536: 535: 532:Above the line 523: 522: 510: 509: 502: 495: 487: 481: 480: 474: 454: 453: 429: 403: 374: 355: 354: 352: 349: 315: 312: 286: 283: 254:A focus puller 246: 245: 228: 227: 185: 183: 176: 169: 168: 110:"Focus puller" 83: 81: 74: 69: 43: 42: 40: 33: 26: 9: 6: 4: 3: 2: 1279: 1268: 1265: 1263: 1260: 1259: 1257: 1234: 1231: 1229: 1226: 1225: 1223: 1219: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1185: 1183: 1181: 1177: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1147: 1145: 1143: 1139: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1087:Choreographer 1085: 1083: 1080: 1078: 1077:Dialect coach 1075: 1073: 1070: 1068: 1065: 1064: 1062: 1058: 1052: 1051:Layout artist 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1029: 1028: 1026: 1024: 1020: 1014: 1011: 1009: 1006: 1005: 1003: 1001: 997: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 954: 951: 950: 949: 946: 944: 941: 939: 936: 934: 931: 929: 928:Boom operator 926: 924: 921: 919: 916: 915: 913: 911: 907: 899: 896: 894: 891: 889: 888:Best boy grip 886: 885: 884: 881: 877: 874: 872: 869: 868: 867: 864: 862: 859: 857: 854: 850: 847: 845: 842: 840: 837: 836: 835: 832: 830: 827: 826: 824: 822: 818: 808: 807:Scenic design 805: 803: 800: 798: 797:Matte painter 795: 794: 792: 790: 786: 780: 777: 775: 772: 770: 767: 765: 764:Set decorator 762: 760: 757: 755: 752: 750: 747: 745: 742: 738: 735: 734: 733: 730: 729: 727: 721: 711: 708: 707: 705: 703: 699: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 644: 642: 640: 636: 632: 628: 623: 619: 607: 606:Line producer 604: 602: 599: 598: 597: 596:Film producer 594: 592: 589: 587: 586:Film director 583: 579: 576: 574: 571: 569: 566: 564: 563:Ensemble cast 561: 559: 556: 554: 553:Leading actor 551: 549: 546: 545: 544: 541: 540: 537: 533: 528: 524: 519: 515: 508: 503: 501: 496: 494: 489: 488: 485: 477: 475:0-240-80042-7 471: 467: 463: 458: 457: 443: 439: 433: 418: 414: 407: 399: 393: 385: 381: 377: 371: 367: 360: 356: 348: 346: 342: 338: 333: 329: 327: 322: 310: 305: 304:has written: 303: 300: 295: 285:Focus pulling 282: 280: 275: 273: 269: 265: 261: 252: 242: 239: 224: 221:February 2013 214: 210: 206: 202: 198: 192: 191: 186:This article 184: 175: 174: 165: 162: 154: 151:November 2011 143: 140: 136: 133: 129: 126: 122: 119: 115: 112: –  111: 107: 106:Find sources: 100: 96: 90: 89: 84:This article 82: 78: 73: 72: 67: 65: 58: 57: 52: 51: 46: 41: 32: 31: 19: 1155:Sound editor 1122:Stunt double 1117:Stage combat 1097:Talent agent 1067:Acting coach 990:Orchestrator 985:Music editor 948:Foley artist 839:Focus puller 838: 737:Art director 591:Screenwriter 461: 445:. Retrieved 441: 432: 420:. Retrieved 416: 406: 365: 359: 334: 330: 326:video sender 317: 307: 296: 288: 276: 267: 263: 260:focus puller 259: 257: 234: 218: 195:Please help 187: 157: 148: 138: 131: 124: 117: 105: 93:Please help 88:verification 85: 61: 54: 48: 47:Please help 44: 1150:Film editor 1072:Body double 953:Voice foley 861:Second unit 821:Photography 802:Illustrator 789:Visual arts 769:Set dresser 754:Hairdresser 723:Production 578:Cameo actor 548:Voice actor 466:Focal Press 422:January 14, 314:Methodology 279:camera lens 205:Wikiversity 1256:Categories 1228:Swing gang 1198:Compositor 1132:Under-five 893:Dolly grip 702:Storyboard 518:filmmaking 447:2024-09-12 351:References 321:video taps 213:Wikivoyage 121:newspapers 50:improve it 1208:Rendering 1023:Animation 970:Subtitles 849:Steadicam 749:Greensman 573:Bit actor 514:Film crew 392:cite book 384:920966698 272:film crew 209:Wikibooks 188:contains 56:talk page 1165:Animator 1160:Colorist 1102:Stand-in 1041:Modeling 1031:Animator 975:Composer 883:Key grip 297:British 1046:Rigging 960:Dubbing 292:‍ 135:scholar 1060:Talent 866:Gaffer 725:design 472:  382:  372:  268:1st AC 203:it to 137:  130:  123:  116:  108:  1221:Other 1092:Extra 910:Sound 543:Actor 211:, or 142:JSTOR 128:books 898:Grip 470:ISBN 424:2012 398:link 380:OCLC 370:ISBN 201:move 114:news 965:ADR 262:or 97:by 1258:: 468:. 464:. 440:. 415:. 394:}} 390:{{ 378:. 258:A 207:, 59:. 520:) 516:( 506:e 499:t 492:v 478:. 450:. 426:. 400:) 386:. 266:( 241:) 235:( 223:) 219:( 215:. 193:. 164:) 158:( 153:) 149:( 139:· 132:· 125:· 118:· 91:. 66:) 62:( 20:)

Index

Camera assistant
improve it
talk page
Learn how and when to remove these messages

verification
improve this article
adding citations to reliable sources
"Focus puller"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
instructions, advice, or how-to content
rewrite the content
move
Wikiversity
Wikibooks
Wikivoyage
Learn how and when to remove this message

film crew
camera lens
cinematographer
Oliver Stapleton
video taps
video sender
director of photography

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.