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By the Way, Meet Vera Stark

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219:, wrote: "The subject of racism in the film industry might not seem like an ideal fit for a comedy with a screwball twist, but Nottage is too clever to preach and too much a fan of the cinematic era she’s writing about not to entertain. The giddiness of the romp isn’t easy to sustain, but her sneaky cultural critique is delivered with an ingenious wink...Nottage is attuned to the specific hardships of African American actors coveting fame throughout history, and her irony detector can’t help beeping as it surveys all the social progress that has been made. But she’s also aware of how anyone in the public eye is forced to sell a part of his or her soul. In this regard, she’s an equal opportunity satirist, sending up the performing seal in all of us." 229:
come to blows at a modern-day seminar on the meaning of a career that ended in lousy roles, humiliation and eventual disappearance...All the pieces of Nottage’s puzzle never quite click together, and it’s rather ironic for a work whose theme is personal and professional authenticity to keep bringing in so much that’s downright bogus."
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of the Geffen Playhouse production, wrote: "Nottage and Bonney seem to lack much appreciation of, or respect for, the Tinseltown milieu...The second half nevertheless proves richer and more satisfying. For starters three academics, hilariously doubled by Carroll, Gregory and Dandridge, practically
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directed by Jo Bonney, that provoke hearty laughter and troubling thoughts at the same time. But none of them come close to matching the fully inhabited, spiky ambivalence of Ms. Lathan as she appears in the second half...But much of the comic material here feels stereotyped in itself, bringing to
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As directed by Ms. Bonney, the acting swings wildly between proper characterization and caricature...More enjoyably, the second act includes a clip from the film that Vera finally made (as imagined by Tony Gerber) and the priceless 1973 talk-show sequence, in which Mr. Garrison is perfect as a
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is a 70-year journey through the life of Vera Stark, a headstrong African-American maid and budding actress, and her tangled relationship with her boss, a white Hollywood star...desperately grasping to hold on to her career."
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According to Second Stage, "Lynn Nottage draws upon the screwball films of the 1930s to take a funny and irreverent look at racial stereotypes in Hollywood.
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in Los Angeles in September 2012, directed by Jo Bonney, starring Sanaa Lathan with Amanda Detmer (Gloria).
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Nottage received the 2010 Edgerton Foundation New American Play Award for this play.
239: 143: 83:. The play concerns an African-American maid in the 1930s who becomes a film star. 665: 377: 358: 150: 131:(Lottie/Carmen Levy-Green), Kevin Isola (Maximillian Von Oster/Brian Blaze), and 177: 124: 120: 658: 678: 370: 188: 112: 100: 80: 30: 202:
mind lively but formulaic sketch routines from satiric variety shows like
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The title character of Vera Stark is based in part on black actress
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Outstanding Featured Actress, Kimberly Hébert Gregory (nominee)
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Outstanding Featured Actress in a Play, Kimberly Hebert Gregory
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Outstanding Featured Actress in a Play, Stephanie J. Block
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on May 9, 2011, and closed on June 12, 2011. Directed by
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in Chicago, Illinois, from April 27 to June 2, 2013.
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in New York City from January 29 to March 10, 2019.
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Sets were by 506: 504: 284:Outstanding Director, Jo Bonney (nominee) 259:Outstanding Director of a Play, Jo Bonney 232: 527:"'By The Way, Meet Vera Stark' Listing" 512:"Review: ‘By the Way, Meet Vera Stark’" 443: 441: 310:Director/Dramatic Production, Jo Bonney 197:, wrote: "There are moments throughout 677: 582: 501: 156:The play was produced Off-Broadway at 552: 464:Jones, Kenneth (September 26, 2012). 463: 414: 624: 438: 183: 627:"Drama Desk Nominations Announced; 555:"A Hollywood Story: Lynn Nottage's 13: 583:Dargis, Manohla (April 21, 2011). 380:tcg.org, accessed January 27, 2016 361:tcg.org, accessed January 27, 2016 207:fatuous Merv Griffin-esque host." 127:(Fredrick Slasvick/Brad Donovan), 123:(Leroy Barksdale/Herb Forrester), 14: 706: 415:Jones, Kenneth (April 27, 2011). 262:Outstanding Costume Design, ESosa 553:Jones, Kenneth (April 6, 2011). 316:Supporting Actor, Daniel Breaker 652: 625:Gans, Andrew (April 27, 2012). 618: 602: 576: 546: 532: 322:Dramatic Production of the Year 520: 487: 457: 408: 395:Internet Off-Broadway Database 383: 364: 343: 247:Outstanding Play, Lynn Nottage 222:Bob Verini, in his review for 94: 1: 391:"By the Way, Meet Vera Stark" 336: 298:Lighting Design, Jeff Croiter 149:The play was produced at the 86: 7: 557:By the Way, Meet Vera Stark 419:By the Way, Meet Vera Stark 351:By The Way, Meet Vera Stark 170:By the Way, Meet Vera Stark 163: 76:By the Way, Meet Vera Stark 22:By the Way, Meet Vera Stark 10: 711: 559:Begins NYC World Premiere" 332:Lead Actress, Sanaa Lathan 307:Sound Design, John Gromada 371:"New Plays in Production" 327:2011 Audelco Award Winner 61: 51: 36: 26: 21: 16:2011 play by Lynn Nottage 695:Plays set in Los Angeles 313:Playwright, Lynn Nottage 139:and costumes by ESosa. 129:Kimberly Hebert Gregory 301:Set Design, Neil Patel 233:Awards and nominations 690:Plays by Lynn Nottage 629:Death Takes a Holiday 304:Costume Design, ESosa 269:Lucille Lortel Awards 40:May 9, 2011 659:"2012 Lortel Awards" 517:, September 27, 2012 142:The play ran at the 111:, the cast featured 105:Second Stage Theater 56:Second Stage Theater 119:(Gloria Mitchell), 99:The play premiered 664:2018-07-28 at the 608:McNulty, Charles. 589:The New York Times 376:2016-02-02 at the 357:2016-02-02 at the 194:The New York Times 117:Stephanie J. Block 613:Los Angeles Times 293:Award Nominations 216:Los Angeles Times 184:Critical response 158:Signature Theatre 72: 71: 702: 669: 656: 650: 649: 647: 645: 622: 616: 606: 600: 599: 597: 595: 580: 574: 573: 571: 569: 550: 544: 543: 536: 530: 524: 518: 508: 499: 491: 485: 484: 482: 480: 461: 455: 445: 436: 435: 433: 431: 412: 406: 405: 403: 401: 387: 381: 368: 362: 347: 240:Drama Desk Award 204:In Living Color. 144:Geffen Playhouse 47: 45: 19: 18: 710: 709: 705: 704: 703: 701: 700: 699: 675: 674: 673: 672: 666:Wayback Machine 657: 653: 643: 641: 623: 619: 607: 603: 593: 591: 581: 577: 567: 565: 551: 547: 538: 537: 533: 525: 521: 509: 502: 492: 488: 478: 476: 462: 458: 447:Brantley, Ben. 446: 439: 429: 427: 413: 409: 399: 397: 389: 388: 384: 378:Wayback Machine 369: 365: 359:Wayback Machine 348: 344: 339: 235: 211:Charles McNulty 186: 166: 151:Goodman Theatre 97: 89: 52:Place premiered 43: 41: 17: 12: 11: 5: 708: 698: 697: 692: 687: 671: 670: 651: 635:Lead the Pack" 617: 601: 575: 545: 531: 519: 500: 486: 456: 454:, May 10, 2011 452:New York Times 437: 407: 382: 363: 341: 340: 338: 335: 334: 333: 329: 328: 324: 323: 320: 317: 314: 311: 308: 305: 302: 299: 295: 294: 286: 285: 282: 279: 276: 272: 271: 264: 263: 260: 257: 254: 251: 248: 244: 243: 234: 231: 185: 182: 178:Theresa Harris 165: 162: 125:David Garrison 121:Daniel Breaker 115:(Vera Stark), 96: 93: 88: 85: 70: 69: 63: 59: 58: 53: 49: 48: 38: 37:Date premiered 34: 33: 28: 24: 23: 15: 9: 6: 4: 3: 2: 707: 696: 693: 691: 688: 686: 683: 682: 680: 667: 663: 660: 655: 640: 636: 634: 630: 621: 615:, May 9, 2011 614: 611: 605: 590: 586: 579: 564: 560: 558: 549: 541: 535: 528: 523: 516: 513: 510:Virini, Bob. 507: 505: 497: 496: 490: 475: 471: 469: 460: 453: 450: 444: 442: 426: 422: 420: 411: 396: 392: 386: 379: 375: 372: 367: 360: 356: 353: 352: 346: 342: 331: 330: 326: 325: 321: 318: 315: 312: 309: 306: 303: 300: 297: 296: 292: 288: 287: 283: 280: 277: 274: 273: 270: 266: 265: 261: 258: 255: 252: 249: 246: 245: 241: 237: 236: 230: 227: 226: 220: 218: 217: 212: 208: 205: 200: 196: 195: 190: 181: 179: 174: 171: 161: 159: 154: 152: 147: 145: 140: 138: 134: 130: 126: 122: 118: 114: 110: 106: 102: 92: 84: 82: 79:is a play by 78: 77: 68: 64: 60: 57: 54: 50: 39: 35: 32: 29: 25: 20: 654: 642:. Retrieved 638: 632: 628: 620: 612: 604: 594:November 25, 592:. Retrieved 588: 578: 566:. Retrieved 562: 556: 548: 534: 522: 514: 494: 489: 477:. Retrieved 473: 467: 459: 451: 428:. Retrieved 424: 418: 410: 398:. Retrieved 394: 385: 366: 350: 345: 223: 221: 214: 210: 209: 203: 198: 192: 189:Ben Brantley 187: 175: 169: 167: 155: 148: 141: 113:Sanaa Lathan 101:Off-Broadway 98: 90: 81:Lynn Nottage 75: 74: 73: 31:Lynn Nottage 417:"Nottage's 242:Nominations 199:Vera Stark, 133:Karen Olivo 95:Productions 685:2011 plays 679:Categories 495:Vera Stark 468:Vera Stark 337:References 137:Neil Patel 87:Background 44:2011-05-09 27:Written by 644:March 29, 568:March 29, 479:March 29, 430:March 29, 400:March 29, 109:Jo Bonney 67:Hollywood 662:Archived 639:Playbill 563:Playbill 474:Playbill 425:Playbill 374:Archived 355:Archived 164:Overview 633:Follies 515:Variety 291:AUDELCO 225:Variety 62:Setting 42: ( 65:1930s 289:2011 267:2012 238:2012 646:2022 631:and 596:2012 570:2022 481:2022 432:2022 402:2022 103:at 681:: 637:. 587:. 561:. 503:^ 472:. 440:^ 423:. 393:. 180:. 648:. 598:. 572:. 542:. 483:. 466:" 434:. 404:. 46:)

Index

Lynn Nottage
Second Stage Theater
Hollywood
Lynn Nottage
Off-Broadway
Second Stage Theater
Jo Bonney
Sanaa Lathan
Stephanie J. Block
Daniel Breaker
David Garrison
Kimberly Hebert Gregory
Karen Olivo
Neil Patel
Geffen Playhouse
Goodman Theatre
Signature Theatre
Theresa Harris
Ben Brantley
The New York Times
Los Angeles Times
Variety
Drama Desk Award
Lucille Lortel Awards
AUDELCO
By The Way, Meet Vera Stark
Archived
Wayback Machine
"New Plays in Production"
Archived

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