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33:
436:â contains a dedication to Charles calling him Count. On becoming Duke of Burgundy, he quickly became known as Charles the Bold for his fierce and sometimes reckless military adventurism (which indeed led to his death in battle ten years later). But Charles loved not only war but also music, appreciating and rewarding Busnois for works composed while in his service. Busnois was listed along with
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421:, where he not only became master of the choirboys but managed to attract a flood of talented singers from the entire region; by this time his reputation as singing teacher, scholar and composer seems to have spread widely. But he departed in 1466 just as suddenly as he came for no known reason, and the former master was given his old job back. He then moved to
394:, could have been a relative. He clearly received an excellent musical education, probably at a church choir school somewhere in northern or central France. An aristocratic origin may explain his early association with the French royal court: as early as the 1450s references to him appear there, and in 1461 he was a chaplain at
648:; many of them achieved the status of popular songs, and some were perhaps based on other popular songs which are now lost. He probably wrote the words for almost all of his chansons. Some of his tunes were recycled as cantus firmus for Masses composed more than a generation after his death, for instance
398:. That he was not entirely a man of peace is indicated by a petition for absolution he filed in Tours, dated 28 February 1461, in which he admitted to being part of a group that beat up a priest "to the point of bloodshed", not once but five times. While in a
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Busnois remained in the employ of the
Burgundian court until 1482, but nothing exact is known about his exploits between then and the year of his death. At the time of his death, in 1492, he was employed by the church of St. Sauveur in
1340:
Mario
Giuseppe Genesi, "Identified a secular 3-male voice chanson in a tapestry work of the Piacenza Collegio Alberoni XVth century Collection";in "Strenna Piacentina 2010", Piacenza, TEP Editions, pp. 33â65.
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masses were based upon through a study of the composer's numerological symbology within the work, and by demonstrating that Dufay and others were emulating (or paying homage) to this aspect, among others.
505:
503:
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While most of
Busnois's secular songs are set to French words, at least two employ Italian texts and one is in Flemish. Most are for three voices, although there are a few for four.
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77:
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390:, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in
629:
points out that the complexity of the
Busnois mass may indicate that he was actually borrowing from Dufay. Busnois may even be the composer of a cycle of
304:
1223:
1735:
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The song survives anonymously in most sources. The attribution to
Busnois, which exists in a single late source, is not generally accepted.
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1475:
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598:, one of the most widely distributed melodies of the Renaissance and the one more often used than any other as a cantus firmus in
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581:. He used imitation only occasionally but skillfully, created smooth and singable melodic lines and had a strong feeling for
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was treasurer at that institution, and the two composers seem to have known each other well. Later in 1465 Busnois moved to
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The details of
Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of
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1413:
413:
He moved from the cathedral to the collegiate church of St. Martin, also in Tours, where he became a subdeacon in 1465.
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Busnois was at the
Burgundian court by 1467. His first compositions there appeared immediately before the accession of
290:
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In addition to serving
Charles as singer and composer, Busnois accompanied the Duke on his military campaigns, as did
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dialogue (unique in the chanson literature) but has an Old French title requiring no special skill to translate.
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2224:
2040:
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73:
1198:
Bloxam, M. Jennifer (2000). "Masses Based on
Polyphonic Songs and Canonic Masses". In Sherr, Richard (ed.).
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1485:
975:
Missa L'homme armé (VI) (these six Masses from Naples, attributed to
Busnois from stylistic similarities);
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were the leading European composers of the second half the 15th century, and central figures of the early
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1471:
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Busnois' contemporary reputation was immense; he was probably the best-known musician in Europe between
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2008:
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he was foolhardy enough to celebrate Mass although he was not an ordained priest, an act which got him
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and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic
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several times. Stylistically, his music can be considered a midpoint between the simplicity and
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in 1477 at which Charles was killed and Burgundian expansion was ended forthwith and forever.
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David Fallows, , Journal of the American Musicological Society 40/1 (Spring, 1987), 146â148
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Masses all based on the same tune, found in Naples, on the basis of stylistic comparison.
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640:(French secular songs) are the works on which his reputation mainly rests. Most are
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Zazulia, Emily (Spring 2018). "Composing in Theory: Busnoys, Tinctoris, and the
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and Josquin), though this attribution is controversial. An unusual chanson is
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1974:
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Lamentation on the death of Guillaume Dufay (probably written in 1474, lost);
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40:, a Mass by Busnois. The date is not certain but probably mid-15th century.
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Amours fait moult / Il est de binne heure né /Tant que nostre argent dura;
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2184:
2096:
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1867:
1609:
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1713:
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370:, Busnois was the most prolific and important French composer of songs.
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1500:
Edition of the Chansons by Clemens Goldberg, free view and download at
645:
527:
1326:
1175:
379:
2546:
1491:
610:'s setting, for example, closely parallels that of Busnois, and even
562:
2000:
1519:
1369:
Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
2531:
1318:
1303:(Summer 1986). "Antoine Busnoys and the "L'Homme armé" Tradition".
554:
have survived, while many others were most likely lost. He set the
418:
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332:
243:
1267:
Milsom, John (2011). "Busnois, Antoine". In Latham, Alison (ed.).
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L'autrier la pieça /En l'ombre du buissonet / Trop suis jonette;
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387:
231:
32:
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composition. Whether or not he wrote the first Mass based on
551:
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1353:. Music Literature Outlines. Bloomington: Frangipani Press.
336:
1139:
1094:
1034:
Quant ce vendra (attributed to Busnoys in Dijon MS 517);
592:, Busnois may have been the composer of the famous tune
543:. He wrote sacred and secular music. Of the former, two
1224:"Busnoys [Busnois, Bunoys, de Busnes], Antoine"
2794:
1417:. 4, A Birthday Offering for George Perle: 111â137.
1151:
930:
Une filleresse / S'il y a compagnion / Vostre amour;
618:
attempts to prove that Busnois' was the model later
1118:
1268:
1222:
1037:Sans avoir (âS' amours vous fiu' or 'Malagrota');
463:in 1475, and survived (or missed) the disastrous
2842:
585:sonorities, anticipating 16th-century practice.
1313:(2). University of California Press: 255â293.
432:as Duke on 15 June, since one of his motets â
2016:
1729:
1535:
1511:
1437:Journal of the American Musicological Society
1343:
1306:Journal of the American Musicological Society
298:
918:Resjois toy terre de France / Rex pacificus;
1371:. New York: Oxford University Press, 1999.
1271:Busnois, Antoine [Antonius Busnoys]
1001:
946:
2023:
2009:
1736:
1722:
1542:
1528:
997:Incomprehensibilia / Preter rerum ordinem.
305:
291:
1743:
1476:International Music Score Library Project
1061:
1059:
1022:Il sera pour vous canbatu / L'homme armé;
985:
698:
1407:
1350:Music in the Middle Ages and Renaissance
1299:
1124:
710:Anima mea liquefacta est / Stirps Jesse;
31:
1496:Digital Image Archive of Medieval Music
1492:List of compositions by Antoine Busnois
1429:
1243:10.1093/gmo/9781561592630.article.04437
1220:
1181:
1169:
1112:
1088:
677:
606:, his was by far the most influential;
511:Hear a performance of Busnoys' rondeau
331:â before 6 November 1492) was a French
27:French composer and poet (c. 1430â1492)
14:
2843:
1266:
1197:
1157:
1145:
1100:
1056:
2881:15th-century Franco-Flemish composers
2030:
2004:
1717:
1549:
1523:
1510:
1381:
897:On a grant mal / On est bien malade;
1414:International Journal of Musicology
891:Mon mignault / Gracieuse, playsant;
762:Amours nous traicte / Je m'en vois;
24:
1411:(1995). "Busnoys and Chaikovsky".
1334:
485:
373:
354:While also noted as a composer of
25:
2892:
1465:
843:J'ay pris amours tout au rebours;
707:Alleluia, verbum caro factum est;
2828:
2816:
2804:
2772:
2763:
2762:
2298:Giovanni Pierluigi da Palestrina
798:Corps digne / Dieu quel mariage;
750:
526:Problems playing this file? See
501:
2866:French male classical composers
569:, and the soon-to-be pervasive
1482:Free scores by Antoine Busnois
1472:Free scores by Antoine Busnois
1130:
455:. Busnois was at the siege of
13:
1:
2041:List of Renaissance composers
1278:The Oxford Companion to Music
1115:, §1 "Early years in France".
1044:
939:Vostre beauté / Vous marchez;
885:Ma tres souveraine princesse;
828:(O) Fortune, trop tu es dure;
325:
2871:French Renaissance composers
1486:Choral Public Domain Library
1260:UK public library membership
1072:
942:Vostre gracieuse acointance.
894:Mon seul et sangle souvenir;
765:A qui vens tu tes coquilles;
7:
2876:Burgundian school composers
951:
900:Pour entretenir mes amours;
849:Je ne demande aultre degré;
759:Advegne que advenir pourra;
10:
2897:
2671:Petrus Phalesius the Elder
2486:English Virginalist School
1502:Goldberg Stiftung editions
1391:W. W. Norton & Company
1191:
2742:
2694:
2621:
2560:
2514:
2461:
2453:Jan Pieterszoon Sweelinck
2336:
2223:
2135:
2047:
2038:
1947:
1901:
1840:
1784:
1751:
1690:
1669:
1648:
1557:
1517:
1512:Links to related articles
1347:; Becker, Warren (1986).
966:Missa L'homme armé (III);
746:Victimae paschali laudes.
682:
614:quotes from it directly.
386:, possibly the hamlet of
1450:10.1525/jams.2018.71.1.1
1387:Music in the Renaissance
1049:
1002:Conflicting attributions
994:Magnificat secundi toni;
969:Missa L'homme armé (IV);
963:Missa L'homme armé (II);
947:Conjectural attributions
672:
654:(which was used both by
636:But Busnois' polyphonic
478:
343:. Busnois and colleague
2481:English Madrigal School
1283:Oxford University Press
1235:Oxford University Press
1221:Higgins, Paula (2001).
1204:Oxford University Press
1202:. Oxford and New York:
1007:Amours, amours, amours;
991:Magnificat octavi toni;
981:Missa Quant ce viendra.
972:Missa L'homme armé (V);
960:Missa L'homme armé (I);
933:Ung grand povtre homme;
855:Je ne puis vivre ainsi;
774:Au povre par necessité;
725:Gaude coelestis domina;
704:Ad coenam agni providi;
662:, which is not only an
2323:TomĂĄs Luis de Victoria
2127:Oswald von Wolkenstein
1914:Jacob Clemens non Papa
986:Magnificats and motets
924:Soudainementmon cueur;
734:Magnificat sexti toni;
699:Motets and magnificats
571:imitative counterpoint
565:textures of Dufay and
490:
448:" to Charles in 1467.
41:
2343:Transition to Baroque
2288:Pierre de Manchicourt
1929:Pierre de Manchicourt
1745:Franco-Flemish School
1703:Franco-Flemish School
1200:The Josquin Companion
957:Missa L'Ardent desir;
852:Je ne demande lialté;
720:Conditor alme siderum
713:Anthoni usque limina;
489:
349:Franco-Flemish School
90:Movements and schools
78:Transition to Baroque
35:
2373:Girolamo Frescobaldi
2180:CristĂłbal de Morales
1206:. pp. 151â210.
915:Quelque povre homme;
912:Quelque povre homme;
909:Quant vous me ferez;
906:Quant j'ay au cueur;
867:L'autrier que passa;
846:Je m'esbaĂŻs de vous;
795:Con tutta gentileça;
768:Au gré de mes iculx;
691:Missa O crux lignum;
678:Certain attributions
36:Manuscript of Missa
2861:People from BĂ©thune
2491:Florentine Camerata
2463:Composition schools
2122:Gaspar van Weerbeke
1600:Hayne van Ghizeghem
1367:Paula Higgins, ed.
1091:, § "Introduction".
840:J'ay mayns de bien;
777:A vous, sans autre;
716:Asperges me (lost);
688:Missa L'homme armé;
453:Hayne van Ghizeghem
438:Hayne van Ghizeghem
127:English Virginalist
112:Florentine Camerata
2686:Thomas Vautrollier
2666:Ottaviano Petrucci
2641:Pierre Attaingnant
2631:Hieronymus Andreae
2438:Michael Praetorius
2423:Claudio Monteverdi
2413:Giovanni de Macque
2408:Luzzasco Luzzaschi
2378:Alfonso Fontanelli
2268:Francisco Guerrero
2243:Antonio de CabezĂłn
2155:Thomas Crecquillon
2137:Middle (1470â1530)
2117:Johannes Tinctoris
2057:Alexander Agricola
1965:Giovanni de Macque
1919:Thomas Crecquillon
1878:Matthaeus Pipelare
1832:Johannes Tinctoris
1817:Marbrianus de Orto
1792:Alexander Agricola
1635:Johannes Tapissier
1630:Guillaume le Rouge
1230:Grove Music Online
978:Missa sine nomine;
936:Ung plus que tous;
810:En voyant sa dame;
807:En tous les lieux;
801:Cy dit benedicite;
792:C'est vous en qui;
789:C'est bien maleur;
743:Regina caeli (II);
491:
368:Claudin de Sermisy
42:
2792:
2791:
2786:
2785:
2383:Giovanni Gabrieli
2210:Philippe Verdelot
2107:Johannes Ockeghem
2049:Early (1400â1470)
2032:Renaissance music
1998:
1997:
1970:Philippe de Monte
1812:Johannes Ockeghem
1807:Guillaume Faugues
1711:
1710:
1698:Music of Burgundy
1615:Reginaldus Libert
1570:Arnold de Lantins
1551:Burgundian School
1409:Taruskin, Richard
1301:Taruskin, Richard
1292:978-0-19-957903-7
1258:(subscription or
1252:978-1-56159-263-0
1213:978-0-19-816335-0
1172:, §6 "Reception".
1019:J'ay bien choisi;
888:M'a vostre cueur;
882:Ma plus qu'assez;
870:Le corps s'en va;
823:Fortuna desperata
786:Ce nâest pas moy;
740:Regina caeli (I);
651:Fortuna desperata
541:Johannes Ockeghem
506:
415:Johannes Ockeghem
400:state of anathema
345:Johannes Ockeghem
341:Renaissance music
315:
314:
57:Renaissance music
16:(Redirected from
2888:
2833:
2832:
2831:
2821:
2820:
2819:
2809:
2808:
2807:
2800:
2776:
2766:
2765:
2646:Vittorio Baldini
2623:Music publishing
2398:Hans Leo Hassler
2353:Gregorio Allegri
2308:Cipriano de Rore
2283:Vicente Lusitano
2278:Orlando di Lasso
2233:Jacques Arcadelt
2200:Pierre de la Rue
2195:Josquin des Prez
2175:Clément Janequin
2170:Antoine de FĂ©vin
2160:Antonius Divitis
2102:Johannes Martini
2077:Guillaume Du Fay
2025:
2018:
2011:
2002:
2001:
1955:Orlando di Lasso
1934:Cipriano de Rore
1909:Jacques Arcadelt
1893:Pierre de la Rue
1883:Josquin des Prez
1858:Antoine de FĂ©vin
1853:Antonius Divitis
1822:Johannes Prioris
1776:Johannes Pullois
1761:Guillaume Du Fay
1738:
1731:
1724:
1715:
1714:
1677:Guillaume Du Fay
1661:Johannes Legrant
1585:Johannes Cesaris
1544:
1537:
1530:
1521:
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1426:
1404:
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1274:
1263:
1256:
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1179:
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1149:
1143:
1137:
1134:
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1104:
1098:
1092:
1086:
1066:
1063:
1013:Cent mile escus;
921:Seule a par moy;
861:Laissez dangier;
819:Faulx mesdisans;
813:Esaint-il merci;
616:Richard Taruskin
508:
507:
488:
446:valet de chambre
364:Guillaume Du Fay
330:
327:
307:
300:
293:
270:â Medieval music
132:English Madrigal
65:
44:
43:
21:
2896:
2895:
2891:
2890:
2889:
2887:
2886:
2885:
2841:
2840:
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2829:
2827:
2817:
2815:
2811:Classical music
2805:
2803:
2795:
2793:
2788:
2787:
2782:
2759:
2751:
2738:
2690:
2676:Girolamo Scotto
2661:Antonio Gardano
2617:
2556:
2510:
2457:
2448:Heinrich SchĂŒtz
2443:Philippe Rogier
2393:Orlando Gibbons
2345:
2341:
2332:
2328:Giaches de Wert
2318:Christopher Tye
2273:Claude Le Jeune
2263:Claude Goudimel
2258:Nicolas Gombert
2253:Andrea Gabrieli
2248:Jacobus Clemens
2219:
2215:Adrian Willaert
2145:Martin Agricola
2131:
2067:Antoine Busnois
2062:Gilles Binchois
2043:
2034:
2029:
1999:
1994:
1990:Giaches de Wert
1980:Philippe Rogier
1960:Carolus Luython
1943:
1939:Adrian Willaert
1924:Nicolas Gombert
1897:
1836:
1780:
1771:Antoine Busnois
1766:Gilles Binchois
1747:
1742:
1712:
1707:
1686:
1665:
1656:Hugo de Lantins
1644:
1620:Clement Liebert
1595:Pierre Fontaine
1580:Antoine Busnois
1575:Gilles Binchois
1553:
1548:
1513:
1468:
1401:
1361:
1345:Gleason, Harold
1337:
1335:Further reading
1293:
1257:
1253:
1214:
1194:
1189:
1188:
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1176:
1168:
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1156:
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1080:
1075:
1070:
1069:
1064:
1057:
1052:
1047:
1025:Je ne fay plus;
1016:Et qui la dira;
1004:
988:
954:
949:
879:Maintes femmes;
873:Le monde a tel;
816:Faictes de moy;
753:
701:
694:Patrem Vilayge.
685:
680:
675:
644:, but some are
556:Marian antiphon
537:Guillaume Dufay
533:
532:
524:
522:
521:
520:
519:
513:Quant ce vendra
509:
502:
499:
497:Quant ce vendra
492:
486:
481:
465:Battle of Nancy
444:as "chantre et
376:
374:Life and career
328:
318:Antoine Busnois
311:
280:
277:Baroque music â
273:
260:
259:
258:
226:
218:
217:
216:
146:
138:
137:
136:
91:
81:
80:
63:
28:
23:
22:
15:
12:
11:
5:
2894:
2884:
2883:
2878:
2873:
2868:
2863:
2858:
2853:
2838:
2837:
2825:
2813:
2790:
2789:
2784:
2783:
2781:
2780:
2770:
2752:
2748:Medieval music
2744:
2743:
2740:
2739:
2737:
2736:
2735:
2734:
2729:
2724:
2719:
2714:
2704:
2698:
2696:
2692:
2691:
2689:
2688:
2683:
2681:Tielman Susato
2678:
2673:
2668:
2663:
2658:
2656:Valerio Dorico
2653:
2648:
2643:
2638:
2633:
2627:
2625:
2619:
2618:
2616:
2615:
2610:
2605:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2564:
2562:
2558:
2557:
2555:
2554:
2549:
2544:
2539:
2534:
2529:
2524:
2518:
2516:
2512:
2511:
2509:
2508:
2503:
2498:
2496:Franco-Flemish
2493:
2488:
2483:
2478:
2473:
2467:
2465:
2459:
2458:
2456:
2455:
2450:
2445:
2440:
2435:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2388:Carlo Gesualdo
2385:
2380:
2375:
2370:
2365:
2360:
2358:Thomas Campion
2355:
2349:
2347:
2334:
2333:
2331:
2330:
2325:
2320:
2315:
2310:
2305:
2303:Costanzo Porta
2300:
2295:
2293:Hans Neusidler
2290:
2285:
2280:
2275:
2270:
2265:
2260:
2255:
2250:
2245:
2240:
2235:
2229:
2227:
2221:
2220:
2218:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2165:Costanzo Festa
2162:
2157:
2152:
2150:Antoine Brumel
2147:
2141:
2139:
2133:
2132:
2130:
2129:
2124:
2119:
2114:
2109:
2104:
2099:
2094:
2092:Heinrich Isaac
2089:
2084:
2082:John Dunstaple
2079:
2074:
2072:Loyset CompĂšre
2069:
2064:
2059:
2053:
2051:
2045:
2044:
2039:
2036:
2035:
2028:
2027:
2020:
2013:
2005:
1996:
1995:
1993:
1992:
1987:
1982:
1977:
1972:
1967:
1962:
1957:
1951:
1949:
1948:5th generation
1945:
1944:
1942:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1905:
1903:
1902:4th generation
1899:
1898:
1896:
1895:
1890:
1888:Jean Richafort
1885:
1880:
1875:
1870:
1865:
1863:Heinrich Isaac
1860:
1855:
1850:
1848:Antoine Brumel
1844:
1842:
1841:3rd generation
1838:
1837:
1835:
1834:
1829:
1827:Johannes Regis
1824:
1819:
1814:
1809:
1804:
1802:Firminus Caron
1799:
1797:Loyset CompĂšre
1794:
1788:
1786:
1785:2nd generation
1782:
1781:
1779:
1778:
1773:
1768:
1763:
1757:
1755:
1753:1st generation
1749:
1748:
1741:
1740:
1733:
1726:
1718:
1709:
1708:
1706:
1705:
1700:
1694:
1692:
1688:
1687:
1685:
1684:
1682:John Dunstaple
1679:
1673:
1671:
1667:
1666:
1664:
1663:
1658:
1652:
1650:
1646:
1645:
1643:
1642:
1637:
1632:
1627:
1622:
1617:
1612:
1607:
1605:Nicolas Grenon
1602:
1597:
1592:
1587:
1582:
1577:
1572:
1567:
1561:
1559:
1555:
1554:
1547:
1546:
1539:
1532:
1524:
1518:
1515:
1514:
1505:
1504:
1498:
1489:
1479:
1467:
1466:External links
1464:
1463:
1462:
1427:
1405:
1399:
1383:Reese, Gustave
1379:
1365:
1359:
1341:
1336:
1333:
1332:
1331:
1319:10.2307/831531
1297:
1291:
1264:
1251:
1218:
1212:
1193:
1190:
1187:
1186:
1174:
1162:
1160:, p. 165.
1150:
1138:
1129:
1117:
1105:
1093:
1077:
1076:
1074:
1071:
1068:
1067:
1054:
1053:
1051:
1048:
1046:
1043:
1042:
1041:
1040:Se brief puis.
1038:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1014:
1011:
1008:
1003:
1000:
999:
998:
995:
992:
987:
984:
983:
982:
979:
976:
973:
970:
967:
964:
961:
958:
953:
950:
948:
945:
944:
943:
940:
937:
934:
931:
928:
927:Terrible dame;
925:
922:
919:
916:
913:
910:
907:
904:
901:
898:
895:
892:
889:
886:
883:
880:
877:
876:Ma damoiselle;
874:
871:
868:
865:
862:
859:
856:
853:
850:
847:
844:
841:
838:
837:Ja que lui ne;
835:
832:
829:
826:
820:
817:
814:
811:
808:
805:
804:En soustenant;
802:
799:
796:
793:
790:
787:
784:
781:
778:
775:
772:
769:
766:
763:
760:
757:
752:
749:
748:
747:
744:
741:
738:
735:
732:
729:
726:
723:
717:
714:
711:
708:
705:
700:
697:
696:
695:
692:
689:
684:
681:
679:
676:
674:
671:
523:
510:
500:
495:
494:
493:
484:
483:
482:
480:
477:
410:pardoned him.
404:excommunicated
375:
372:
313:
312:
310:
309:
302:
295:
287:
284:
283:
282:
281:
274:
267:
262:
261:
257:
256:
251:
246:
241:
234:
228:
227:
224:
223:
220:
219:
215:
214:
209:
204:
199:
194:
189:
184:
179:
174:
169:
164:
159:
154:
148:
147:
144:
143:
140:
139:
135:
134:
129:
124:
119:
114:
109:
104:
102:Franco-Flemish
99:
93:
92:
89:
88:
85:
84:
83:
82:
72:
67:
66:
60:
59:
53:
52:
26:
9:
6:
4:
3:
2:
2893:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2849:
2848:
2846:
2836:
2826:
2824:
2814:
2812:
2802:
2801:
2798:
2779:
2775:
2771:
2769:
2761:
2760:
2757:
2756:
2755:Baroque music
2750:
2749:
2741:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2713:
2710:
2709:
2708:
2705:
2703:
2700:
2699:
2697:
2693:
2687:
2684:
2682:
2679:
2677:
2674:
2672:
2669:
2667:
2664:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2644:
2642:
2639:
2637:
2636:Andrea Antico
2634:
2632:
2629:
2628:
2626:
2624:
2620:
2614:
2611:
2609:
2606:
2604:
2601:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2565:
2563:
2559:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2528:
2525:
2523:
2520:
2519:
2517:
2515:Musical forms
2513:
2507:
2504:
2502:
2499:
2497:
2494:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2468:
2466:
2464:
2460:
2454:
2451:
2449:
2446:
2444:
2441:
2439:
2436:
2434:
2431:
2429:
2428:Thomas Morley
2426:
2424:
2421:
2419:
2418:Luca Marenzio
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
2391:
2389:
2386:
2384:
2381:
2379:
2376:
2374:
2371:
2369:
2366:
2364:
2361:
2359:
2356:
2354:
2351:
2350:
2348:
2344:
2339:
2335:
2329:
2326:
2324:
2321:
2319:
2316:
2314:
2313:Thomas Tallis
2311:
2309:
2306:
2304:
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2274:
2271:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2230:
2228:
2226:
2222:
2216:
2213:
2211:
2208:
2206:
2205:John Taverner
2203:
2201:
2198:
2196:
2193:
2191:
2190:Jacob Obrecht
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2142:
2140:
2138:
2134:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2110:
2108:
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2054:
2052:
2050:
2046:
2042:
2037:
2033:
2026:
2021:
2019:
2014:
2012:
2007:
2006:
2003:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1975:Jacob Regnart
1973:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
1953:
1952:
1950:
1946:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1906:
1904:
1900:
1894:
1891:
1889:
1886:
1884:
1881:
1879:
1876:
1874:
1873:Jacob Obrecht
1871:
1869:
1866:
1864:
1861:
1859:
1856:
1854:
1851:
1849:
1846:
1845:
1843:
1839:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1789:
1787:
1783:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1758:
1756:
1754:
1750:
1746:
1739:
1734:
1732:
1727:
1725:
1720:
1719:
1716:
1704:
1701:
1699:
1696:
1695:
1693:
1689:
1683:
1680:
1678:
1675:
1674:
1672:
1668:
1662:
1659:
1657:
1654:
1653:
1651:
1647:
1641:
1638:
1636:
1633:
1631:
1628:
1626:
1625:Robert Morton
1623:
1621:
1618:
1616:
1613:
1611:
1608:
1606:
1603:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1563:
1562:
1560:
1556:
1552:
1545:
1540:
1538:
1533:
1531:
1526:
1525:
1522:
1516:
1509:
1503:
1499:
1497:
1493:
1490:
1487:
1483:
1480:
1477:
1473:
1470:
1469:
1459:
1455:
1451:
1447:
1443:
1439:
1438:
1433:
1428:
1424:
1420:
1416:
1415:
1410:
1406:
1402:
1400:0-393-09530-4
1396:
1392:
1388:
1384:
1380:
1378:
1377:0-19-816406-8
1374:
1370:
1366:
1362:
1360:0-89917-034-X
1356:
1352:
1351:
1346:
1342:
1339:
1338:
1328:
1324:
1320:
1316:
1312:
1308:
1307:
1302:
1298:
1294:
1288:
1284:
1280:
1279:
1273:
1272:
1265:
1261:
1254:
1248:
1244:
1240:
1236:
1232:
1231:
1225:
1219:
1215:
1209:
1205:
1201:
1196:
1195:
1183:
1178:
1171:
1166:
1159:
1154:
1147:
1142:
1133:
1126:
1125:Taruskin 1986
1121:
1114:
1109:
1102:
1097:
1090:
1085:
1083:
1078:
1062:
1060:
1055:
1039:
1036:
1033:
1031:Le serviteur;
1030:
1028:Je suis venu;
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1005:
996:
993:
990:
989:
980:
977:
974:
971:
968:
965:
962:
959:
956:
955:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
878:
875:
872:
869:
866:
863:
860:
858:Joye me fuit;
857:
854:
851:
848:
845:
842:
839:
836:
834:In myne zynn;
833:
831:Ha que ville;
830:
827:
824:
821:
818:
815:
812:
809:
806:
803:
800:
797:
794:
791:
788:
785:
782:
779:
776:
773:
770:
767:
764:
761:
758:
755:
754:
751:Secular music
745:
742:
739:
736:
733:
730:
728:In hydraulis;
727:
724:
721:
718:
715:
712:
709:
706:
703:
702:
693:
690:
687:
686:
670:
667:
665:
661:
660:Terrible dame
657:
653:
652:
647:
643:
639:
634:
632:
628:
627:David Fallows
623:
622:
617:
613:
609:
605:
601:
597:
596:
591:
588:According to
586:
584:
580:
576:
572:
568:
564:
560:
557:
553:
549:
546:
545:cantus firmus
542:
538:
531:
529:
518:
515:performed by
514:
498:
476:
474:
468:
466:
462:
458:
454:
449:
447:
443:
439:
435:
431:
426:
424:
420:
416:
411:
409:
405:
401:
397:
393:
389:
385:
384:Pas-de-Calais
381:
371:
369:
365:
361:
357:
352:
350:
346:
342:
338:
335:, singer and
334:
323:
319:
308:
303:
301:
296:
294:
289:
288:
286:
285:
279:
278:
272:
271:
266:
265:
264:
263:
255:
252:
250:
247:
245:
242:
240:
239:
235:
233:
230:
229:
222:
221:
213:
210:
208:
205:
203:
200:
198:
195:
193:
190:
188:
185:
183:
180:
178:
175:
173:
170:
168:
165:
163:
160:
158:
155:
153:
150:
149:
145:Major figures
142:
141:
133:
130:
128:
125:
123:
120:
118:
115:
113:
110:
108:
105:
103:
100:
98:
95:
94:
87:
86:
79:
75:
71:
70:
69:
68:
62:
61:
58:
55:
54:
50:
46:
45:
39:
38:O Crux Lignum
34:
30:
19:
2851:1430s births
2753:
2746:
2717:Architecture
2651:Jacob Bathen
2368:John Dowland
2238:William Byrd
2112:Leonel Power
2066:
1985:Jacobus Vaet
1770:
1640:Jacobus Vide
1579:
1565:Adrien Basin
1488:(ChoralWiki)
1441:
1435:
1434:Tradition".
1432:L'homme armé
1431:
1412:
1389:. New York:
1386:
1368:
1349:
1310:
1304:
1276:
1270:
1228:
1199:
1184:, § "Works".
1182:Higgins 2001
1177:
1170:Higgins 2001
1165:
1153:
1148:, § para. 2.
1141:
1132:
1120:
1113:Higgins 2001
1108:
1103:, § para. 1.
1096:
1089:Higgins 2001
756:Acordes moy;
668:
659:
649:
635:
630:
621:L'homme armé
619:
604:L'homme armé
603:
595:L'homme armé
593:
587:
559:Regina coeli
558:
534:
525:
512:
469:
450:
442:Adrien Basin
434:In hydraulis
433:
427:
412:
408:Pope Pius II
377:
353:
321:
317:
316:
275:
268:
236:
166:
76: /
37:
29:
2856:1492 deaths
2707:Renaissance
2702:Early music
2598:Netherlands
2578:Elizabethan
2433:Jacopo Peri
2403:Alonso Lobo
2363:John Cooper
2225:Late (1530)
2185:Jean Mouton
2097:Jean Japart
2087:Walter Frye
1868:Jean Mouton
1610:Gilles Joye
1590:Jean Cousin
1444:(1): 1â73.
1158:Bloxam 2000
1146:Milsom 2011
1101:Milsom 2011
903:Pucellotte;
783:Bone chére;
780:Bel acueil;
771:A une dame;
737:Noel, noel;
646:bergerettes
590:Pietro Aron
329: 1430
225:Major forms
2845:Categories
2732:Philosophy
2727:Literature
2695:Background
2561:Traditions
2537:Magnificat
2527:Intermedio
2471:Burgundian
1670:Influences
1281:. Oxford:
1233:. Oxford:
1045:References
664:antiphonal
563:homophonic
550:and eight
528:media help
362:. Between
212:Monteverdi
192:Palestrina
97:Burgundian
2823:Biography
2547:Offertory
2476:Colorists
2338:Mannerism
1649:Uncertain
1558:Composers
1262:required)
1073:Citations
339:of early
172:Tinctoris
74:Composers
2768:Category
2745: â
2608:Portugal
2532:Madrigal
2506:Venetian
1458:26502515
1423:24617753
1385:(1954).
642:rondeaux
638:chansons
567:Binchois
423:Burgundy
419:Poitiers
360:chansons
333:composer
244:Madrigal
207:Victoria
162:Ockeghem
157:Binchois
122:Venetian
107:Colorist
64:Overview
49:a series
47:Part of
2797:Portals
2758:â
2588:Germany
2568:British
1691:Related
1494:at the
1484:in the
1478:(IMSLP)
1474:at the
1192:Sources
656:Obrecht
612:Dufay's
608:Obrecht
583:triadic
579:Gombert
575:Josquin
517:ASTERIA
461:Germany
430:Charles
382:in the
380:BĂ©thune
322:Busnoys
238:Chanson
187:Zarlino
177:Josquin
167:Busnois
18:Busnoys
2778:Portal
2603:Poland
2583:France
2573:Cyprus
2552:Pavane
2346:c.1600
1456:
1421:
1397:
1375:
1357:
1327:831531
1325:
1289:
1249:
1210:
952:Masses
683:Masses
552:motets
548:Masses
473:Bruges
406:until
388:Busnes
356:motets
320:(also
232:Anthem
182:Tallis
152:Du Fay
2835:Music
2722:Dance
2613:Spain
2593:Italy
2522:Carol
2501:Roman
1454:JSTOR
1419:JSTOR
1323:JSTOR
1050:Notes
673:Works
479:Music
457:Neuss
396:Tours
254:Motet
197:Lasso
117:Roman
2542:Mass
2340:and
1395:ISBN
1373:ISBN
1355:ISBN
1287:ISBN
1247:ISBN
1208:ISBN
600:Mass
577:and
539:and
440:and
392:Lens
366:and
337:poet
249:Mass
202:Byrd
2712:Art
1446:doi
1315:doi
1239:doi
631:six
573:of
459:in
2847::
1452:.
1442:71
1440:.
1393:.
1321:.
1311:39
1309:.
1285:.
1275:.
1245:.
1237:.
1227:.
1081:^
1058:^
475:.
425:.
351:.
326:c.
324:;
51:on
2799::
2024:e
2017:t
2010:v
1737:e
1730:t
1723:v
1543:e
1536:t
1529:v
1460:.
1448::
1425:.
1403:.
1363:.
1329:.
1317::
1295:.
1255:.
1241::
1216:.
1127:.
825:?
722:;
530:.
306:e
299:t
292:v
20:)
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