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740:, and insisted, despite questions from other researchers and skeptics, that his findings were solidly based in evidence that, cumulatively, was overwhelming. Despite Hopkins' oft-repeated assertion of "powerful evidence" for alien abduction, critics plagued his career with calls for tangible proof, which were never forthcoming: DNA from the hybrid babies, proof of implants that were alluded to (particularly in the case of alleged abductee Linda Cortile) but never recovered, photographs or videotapes of space craft or aliens. Critics, including his former wife, Rainey, expressed concern that UFO researcher leaders were not held to scholastic, scientific, or ethical standards.
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impregnated by extraterrestrials, then later as the hybrid baby developed, returned to the ship to have the fetus removed and given up to the alien parent. The alien parents, purportedly, had the ability to communicate telepathically with their child. On occasion, according to victims' reports as told by
Hopkins, the human parents were allowed to see their human-alien hybrid, or transgenic, children. Once a victim, according to Hopkins, abductees were powerless over the intrusions and susceptible to additional kidnappings which may extend to their (human) children. "If people have had one abduction experience," Hopkins said, "then they will have others."
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542:, for example, can produce the feeling that one is paralyzed or has difficulty moving. It can also produce the effect of floating or the sense of an out-of-body experience. Sleep paralysis occurs in a transition time and the person is in a dream-like state, hallucinations can occur just before falling asleep (hynogogic hallucination) or just after (hypnopompic hallucination). These hallucinations feel real to the person experiencing sleep paralysis and can often be accompanied by sensory features: musty smells, shuffling sounds, visions of ghosts, aliens, and monsters. Neuroscientist
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563:, history professor at Temple University, Philadelphia, PA, and John Mack, psychiatry professor at Harvard University, Cambridge, MA, to design a Roper poll to find out how many of the nearly 6,000 respondents surveyed had experienced what the three believed to be symptoms indicative of alien abductions. The poll was released in 1991. If generalized to the population at large, the survey results indicated that several million Americans are regularly affected by alien abductions.
669:, which aired on April 1, 1997 and included a taped hypnosis session conducted by Hopkins, identified "subtle but powerful suggestive cues" as Hopkins worked with two children as part of the investigative portion of the show. She cautioned that someone convinced of a false memory, can react emotionally to it and elaborate on the story as if it were real. Social psychologist Richard Ofshe concurred that suggestive influence may be a factor in Hopkins' support groups.
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Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though
Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious.
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or the presence of hooded beings near the bed at night, a sense of paralysis or immobilization while lying in bed or in their cars, impressions of flying or passing through closed windows or walls, a feeling of having been outside upon awakening, invisibility (both alien and human) and, most especially, a sense of missing or lost time.
320:"Consciously or unconsciously, contemporary artists work to create harmony from distinctly jarring material, forcing warring ideas, materials and spatial systems into a tense and perhaps arbitrary detente. Seen most broadly, the presence of the collage aesthetic is the sole defining quality of modernism in all the arts."
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Hopkins points to "tightly imagined testimonies" by abductees, included victims' stories of observing unconventional objects in the sky, in which they witnessed unusual activity (such as aliens digging for soil samples), flying through the air or being transported to a ship, a sense of being watched
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According to
Hopkins, any feeling of uneasiness about a place, or any sense of lost time (that is often accounted for by daydreaming), could be attributed to alien abduction. He believed aliens were capable of blocking or submerging memories in the people they abducted. Despite critics' warnings that
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Hopkins met and encouraged self-proclaimed abductees to discuss their experiences by holding free monthly group therapy sessions. Groups such as this were reported at the time as the most recent development in UFO-mania. Attendees represented people from all walks of life: attorneys, police officers,
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Hopkins, along with
Elizabeth Slater, who conducted psychological tests of abductees, likened these experiences to rape, specifically for the purpose of human reproductive capabilities. In fact, Hopkins was inclined to dismiss his clients' conscious memory of abuse for more alien explanations. He was
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Even
Hopkins admitted that media attention had a way of "contaminating the pool" of subjects, but believed that he was able to cull the delusional stories from those he believed to be real. In his view, the repetition of certain experiences by abductees lent credibility to their stories, leading him
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Physical proof of alien abduction for
Hopkins, came in the form of scoop marks, or indentations of the skin, scars or cuts on the mouth, nose, ears or genital, or unexplained bruises that might clear up in a day, and abductee claims of implants interpreted as control or monitoring devices similar to
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Although
Hopkins had no formal psychological training, he watched other professionals over an eight-year period and developed his own techniques. In his opinion, these professionals, notably Robert Naiman, Aphrodite Clamar, and Girard Franklin were quite skeptical of the reality of abduction claims,
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in
Greater Sudbury, Ontario, Canada, believes that these sensations can spontaneously occur in some people, given the right set of circumstances, leading to the kind of feelings of "tremendous meaningfulness and fear" sometimes expressed by alleged alien abductees. Hopkins rejected the idea of sleep
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Hopkins viewed collage as an artistic technique and a philosophical, aesthetic means of unifying a disjointed and fragmented world. He saw collage, the assemblage of fragments and varying points of view, in the poetry, painting, sculpture, music, architecture, and, especially, motion pictures of his
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In 1994, Hopkins met writer, filmmaker Carol Rainey, who became his third wife in 1996. They shared a mutual fascination with alien abduction stories and, according to Rainey, the possibility that people on Earth may have been "seeded here by highly advanced beings or a Big Being from 'out there'."
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Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from
Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinals" who were, according to
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Hopkins' paintings in the 1960s combined the precise, hard-edge geometric shapes he was enthralled with and drawn to as a child with gestural, atmospheric painting characteristic of second- and later-generation
Abstract Expressionists. "I had come to understand that an abstract painting at its most
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The hypnotist can also, knowingly or unknowingly, create "memories" of an event that never occurred in their patients. In May 1987, psychologist and hypnotist Martin Reiser appeared on ABC's 20/20 with host Lynn Sherr, an episode that also featured Hopkins and alleged UFO abductees, asserting that
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has, largely, been dismissed by the scientific community. Psychological research demonstrates that, rather than forget what has happened in a traumatic event, most people find they are unable to stop thinking about it. What concerns critics is that the details of UFO abduction stories, such as the
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Hopkins, trained as an artist not as a psychotherapist or social worker, described the people who attended these groups as veterans of trauma. They were, in his view, victims who experienced often intrusive and painful physical examinations by their alien abductors and whose stories were best told
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wrote, "I am willing to believe that he believes everything he has written. I am also willing to believe that Kathie and the others experienced inexplicable time losses and strange dreams that may have not been dreams. But I am wary of the accuracy of the information he gathered through hypnosis.
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Still others question whether it would be likely that alien abductors could actually float people through solid walls and, if they could, wonder at how these people could escape detection, particularly in urban settings where there would, potentially, be millions of people around to witness the
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By 1995, Hopkins had worked with hundreds of abductees. It was during these hypnosis sessions that Hopkins' belief in UFO abduction deepened. To him, the purported similarities among client stories lent credibility to the abductees' stories. In actuality, the details of abductee stories varied
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While both men and women reported to Hopkins abductions by aliens that included sexual encounters, allegedly for some form of extraterrestrial eugenics, women in particular seemed to be a part of a "highly technological colonization scheme." These victims were, reportedly, taken to spaceships,
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His interest in UFOs and alien visitations was renewed when, in August 1964, Hopkins and two others reported experiencing a day time sighting of an unidentified flying object, or UFO, in the form of a darkish, elliptical object off Cape Cod in Truro, MA. Dissatisfied with the response Hopkins
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UFO abductee stories are well-documented in the psychological literature and are considered culturally based. In other parts of the world, fairies, leprechauns, and other creatures replace aliens as abductors. Some liken extraterrestrial abduction to a secular version of the religious dream.
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fueled the imaginations of those who belonged to UFO groups at the time. Some say the public's interest in UFOs may have faded after the Cold War had it not been for the media's depiction of and public sympathy for traumatized alien abductee television portrayals in the 1980s and 1990s.
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case, aired on October 20, 1975, and exposed millions of viewers to the idea of alien abduction. Just one month later, O'Barski, Hopkins' neighbor and a New York City liquor store owner, approached him about seeing a spacecraft that, allegedly, landed in New Jersey's North Hudson Park.
635:, University of Kentucky, whose scientific inquiries into the subject revealed that hypnosis can "transform a dream, a hallucination or fantasy into a seemingly-real event." This transformation is known as the fabrication of spurious memories and is particularly common under hypnosis.
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syndrome), anger, and helplessness. He believed aliens were either incapable of understanding the psychological effects of their encounters with humans or that they were a "callous, indifferent, amoral race bent solely upon gratifying its own scientific needs at whatever cost to us."
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This kind of testimony is disallowed in most courts because hypnosis is not thoroughly understood and has proved unreliable as a source of evidence. Witnesses recall events that never occurred, but that they are later, on being brought out of hypnosis, convinced really happened."
200:, Oberlin, Ohio, where he graduated with a bachelor's degree in art history in 1953. It was here, Hopkins was exposed to art with "a capital A", and attended a lecture by Robert Motherwell that first introduced him to the "automatic, gestural approach that Motherwell espoused."
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through hypnosis. Abduction memories, according to Hopkins, rarely emerged unaided and may, at first, present to the abductees as "vague anxieties, specific phobias, bad dreams, fragmentary and disturbing memories, or what seemed like an explicable episode of missing time."
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in 1981, Hopkins became known as much for his UFO and abduction research as for his art. As a self-described humanist, Hopkins saw his work with alleged alien abduction victims as a way to bring attention to an otherwise marginalized part of society. His follow-up book
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In 1989, Hopkins organized the Intruders Foundation in Manhattan to provide support for alleged victims of alien abduction, conduct research and investigations, and promote public awareness of the phenomenon. The organization became inactive after his death in 2011.
196:. He lived with his parents, Elliot B. Hopkins and Eleanor A. Hopkins, brother, Stuart, and sister, Eleanor. At age two, Hopkins contracted polio. During the long recovery process, Hopkins developed an interest in drawing and watercolors, which eventually led him to
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practices such as the ones in which Hopkins engaged may cause serious psychological damage to the alleged abductees, Hopkins insisted that regressive hypnosis could unlock the experiences of his clients. He gave little credence to experts such as psychologist
371:. This both terrified Hopkins and his family and left psychic scars. He considered the radio play a dramatic, theatrical hoax and, because of his childhood scare, felt it added to his skepticism about alien invasions rather than enamor him to the idea of it.
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for painting. He also received a grant from the National Endowment for the Arts . His articles on art appeared in magazines and journals, and he lectured at many art schools, including Truro Center for the Arts at Castle Hill. In 1993 he was elected into the
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Critics of the survey questioned the validity of the survey questions themselves and pointed out the implausibility that an average of 340 Americans could be abducted daily, given the fact that no physical evidence to date exists for any UFO abduction.
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teachers, airline pilots, psychologists, psychiatrists, and the like. Drawing as many as 20 people each month, these support meetings were, according to Hopkins, like other New York social events, complete with "dinner and a lot of social chatter."
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Behavioral patterns extrapolated from abductee letters led Hopkins to identify core emotional responses based on their experiences: fear, awe or wonderment at alien technological abilities, affection toward their captors (which he likened to the
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an alarmist, rather than a spiritualist, in his approach to the alien visitations, believing the visitations to be apocalyptic and that no good could come of these encounters. He described victims' experiences as severe and nightmarish.
379:, he suspected a possible government cover-up. Hopkins began reading about UFOs and collecting stories of people who claimed to have experienced contact with alien beings. He also joined the now-defunct UFO research group
462:(1987), prompted stories of alien abduction by people who read the books. Abductee Linda Cortile had also participated in Hopkins' support group, starting five months before her alleged abduction, and read his book,
262:, a film documentary of American artists and styles with commentary from Alfred Barr of the Museum of Modern Art, Thomas Hess of Art News Magazine, Sidney Janis, gallery director, and Harold Rosenberg, art critic.
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and others bore urban names and echoed elements of New York City's skyline. Many of his works during this time featured circular shapes with primary colors set against black and white backgrounds suggestive of
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Critics of Hopkins' position that on alien abduction accounts had "an absolute core of reality" cautioned that media coverage might, inadvertently, be influencing alleged victims' stories. For example,
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The Whitney Museum, Washington Gallery of Modern Art, Metropolitan Museum of Art, Museum of Modern Art, Corcoran Gallery of Art, the British Museum, include Hopkins' work in their permanent collections.
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Critics of Hopkins' views on alien abductions state that the alien abduction phenomenon is not as mysterious as Hopkins makes it out to be. Much of the phenomenon can, according to researchers such as
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those used by (human) scientists to track and tag animals in the wild. He also believed the alien spacecraft left marks on the ground where they landed and that the aliens could be photographed.
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Many of his attendees contacted Hopkins after reading his books or newspaper advertisements that included his books as reference material, seeing him on television programs such as Will Shriner,
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ones Hopkins describes in his work, usually occur only after consultation with some sort of UFO investigator who already has an inclination to believe in alien abduction scenarios. UFO critic
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Newman, Leonard S.; Baumeister, Roy F. (1996). "Toward an explanation of the UFO abduction phenomenon: hypnotic elaboration, extraterrestrial sadomasochism, and spurious memories".
415:, seemingly inexplicable gaps in abductees' memories. Hopkins, using data from his investigations with Bloecher and psychologist Aphrodite Clamar, expanded this idea in his book
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powerful was a kind of aesthetic scrim behind which lurks a concealed, obsessive 'thing' or image of some kind, transformed, made palatable by the artist's mediating skills."
712:, are but two of those who have observed my work firsthand. None of these visitors ... have reported anything that suggested I was attempting to lead the subjects."
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In 1975, Hopkins was approached by George O'Barski who, purportedly, witnessed alien figures step out of a spacecraft and take soil samples at North Hudson Park in
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In 1972, Hopkins was among five artists whose work was commissioned as part of a statewide effort to support the creative arts in West Virginia. It was, Governor
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claimed, "the first project of this kind to be undertaken in the nation." The piece was to be displayed in the state's cultural center located near the Capitol.
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Laycock, Joseph (2012). "Carnal knowledge: the epistemology of sexual trauma in witches' sabbaths, satanic ritual abuse, and alien abduction narratives".
273:, describing him as "a leading American painter who has successfully brought together the vocabularies of painterly abstraction and hard edge painting."
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Still other support group members attended the many UFO conferences held within the United States and internationally at which Hopkins was a speaker.
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event. Hopkins' response to the lack of UFO sightings by bystanders was to suggest that aliens could make themselves and their abductees invisible.
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was published. The book portrayed an abduction case that was alleged to have occurred in late 1989 near the Brooklyn Bridge in New York City.
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328:"I like neither extreme in art wholeheartedly, neither the purified world of geometrical art nor the free, indulgent world of Expressionism."
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paralysis, calling it "the big explanation du jour", and an inadequate explanation for those who experience abductions outside the bedroom.
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Hopkins' first solo show was held in New York City in 1956, the same year he met and married his first wife of thirteen years, Joan Rich.
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Hopkins is often credited with popularizing the idea of alien abductions as genetic experimentation through the publication of his book
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Hopkins exhibited his paintings and sculptures in museums, galleries such as Andre Zarre, Levis Fine Art and Poindexter (New York) and
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The lack of physical evidence and the inconsistencies and implausibility of the alien abduction stories lead some critics, including
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Hopkins responded to critics by saying, "I have often frequently invited interested therapists, journalists and academics to observe
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there are reasonable explanations for UFO sightings. His belief was that Hopkins pressured his subjects into believing UFOs exist.
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On August 21, 2011, Hopkins died from complications of cancer. At the time of his death, he was in a relationship with journalist
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In the 1970s, Hopkins' work included a series of assembled paintings, incorporating architectural elements. Sculptures such as
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Bullard, Thomas E. (April 1989). "UFO Abduction Reports: The supernatural kidnap narrative returns in technological guise".
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Myers, Terry R. (Spring 1991). "Higher Ground: The assembled paintings, temples, guardians, and altars of Budd Hopkins".
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and author Jodi Dean, to question whether these memories are the product of internal, rather than external experiences.
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and others. Some critics interpreted these television appearances as a way for Hopkins and other UFO authors such as
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Luckhurst, Roger (March 1998). "The science-fictionalization of trauma: remarks on narratives of alien abduction".
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Flaherty, Robert Pearson (November 2010). ""These are They": ET-Human hybridization and the new daemonology".
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Dewan, William J. (Spring 2006). "A saucerful of secrets: an interdisciplinary analysis of UFO experiences".
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Kevles, Bettyann (5 April 1987). "Sampling the DNA: Intruders The Incredible Visitations at Copley Woods".
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1900:"North Bergen: UFO hotspot! Thirty years after initial case, town lays claim to American's most sightings"
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Conspiracy theories of government coverup of UFO sightings and visitations, such as the ones depicted in
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1314:"The Archives of American Art Oral History Program: A preliminary guide to tape-recorded interviews".
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Bader, Chris D. (March 1999). "When prophecy passes unnoticed: new perspectives on failed prophecy".
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Keay, Davidson (11 June 1987). "UFO interest soars on 40th anniversary, but sightings are down".
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Davidson, Keay (11 June 1987). "UFO interest soars on 40th anniversary, but sightings are down".
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2655:. Farmington, NM: Farmington Daily Times. New York Times News Service. 31 July 1987. p. 15
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in 1976, he began receiving regular letters from other UFO witnesses, including a few cases of
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Hopkins worked to achieve harmony, clarity and precision while maintaining a sense of mystery:
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According to Baker, "These people are literally talked into believing they've been abducted."
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White, Luise (1994). "Alien Nation: The hidden obsession of UFO literature: race in space".
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Broad, William J. (19 June 1987). "UFOs are again flying high as a topic for speculation".
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2274:(472). University of Illinois Press on behalf of the American Folklore Society: 184–202.
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Bader, Chris D. (April 1995). "The UFO Contact Movement from the 1950s to the present".
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Hopkins, Budd (September 1987). "Ethical implications of the UFO abduction phenomenon".
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published in 1987, helped establish Hopkins as a prominent leader in the UFO movement.
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2909:. Arlington Heights, IL: Paddock Publications. 11 November 1988. p. 6, Section 5.
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2322:. No. Focus Stateside. Darmstadt, Hesse. European Stars and Stripes. p. 23
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Geist, William E. (9 July 1987). "Group Therapy for the Victims of Space Aliens".
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536:, be explained as the consequence of "normal hallucinatory powers of the brain."
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featured fictionalized characters based on the works of Hopkins and psychiatrist
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2361:"The Priests of High Strangeness: co-creation of the alien abduction phenomenon"
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Appelle, Stuart (Summer 2010). "Art, Life and UFOs: A Memoir by Budd Hopkins".
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and other abstract expressionists. For a time, Hopkins studied art history at
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2497:(63). Indiana University Press on behalf of W.E.B. Du Bois Institute: 24–33.
1838:"Kidnapped by UFOs? Interview with Budd Hopkins, Author, Abductee Researcher"
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Sacred Spaces: The Book of Temples/The Book of Guardians/The Book of Altars
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172:(June 15, 1931 – August 21, 2011) was an American artist, author, and
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3036:"A Critique of Budd Hopkins' Case of the UFO Abduction of Linda Naplitano"
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Stefula, Joseph J.; Butler, Richard D.; Hansen, George P. (January 1993).
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Hopkins, Budd (1993). "Invisibility and the UFO Abduction Phenomenon".
2845:. Panama City, FL: Panama City News Herald. 22 August 1993. p. 5E.
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Hilton, Kramer (24 March 1978). "Art: A Marriage of Freedom and Form".
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By 1973, Hopkins was married to art critic, art historian, and curator
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3137:"Intruders Foundation: Budd Hopkins UFO Abduction Research Foundation"
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Hopkins and his third wife, Carol Rainey, co-wrote the 2003 book book
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Hopkins, Budd (1 March 1976). "Sane citizen sees UFO in New Jersey".
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3167: – Intruders Foundation: Budd Hopkins' official site (archived)
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Aliens in America: Conspiracy Cultures from Outerspace to Cyberspace
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Hopkins, Budd (Spring 1997). "Modernism and the collage aesthetic".
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yet all uncovered detailed abduction scenarios from their patients.
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Eberhart, George M. (15 June 1981). "Hopkins, Budd. Missing Time".
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Gillespie, Annette (16 August 1992). "Have you had 'encounters'?".
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Hopkins believed in his data collection techniques, as outlined in
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Preternature: Critical and Historical Studies on the Preternatural
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Budd Hopkins with former wife and co-author, Carol Rainey in 1996
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McLaughlin, Paul (June 1995). "The extraterrestrial therapist".
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Nova Religio: The Journal of Alternative and Emergent Religions
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Witnessed: The True Story of the Brooklyn Bridge UFO Abductions
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Witnessed: The True Story of the Brooklyn Bridge UFO Abductions
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O'Doherty, Brian (April 1966). "Master of a Movement Manque".
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Sight Unseen: Science, UFO Invisibility, and Transgenic Beings
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as an Associate member and became a full Academician in 1994.
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Sight Unseen, Science, UFO Invisibility and Transgenic Beings
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Sight Unseen, Science, UFO Invisibility and Transgenic Beings
398:(MUFON), and Jerry Stoehrer, also of MUFON, investigated the
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1529:. Elryia, OH: Chronicle-Telegram. 21 August 1981. p. 14
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292:(Chicago), and universities throughout the United States.
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UFOs and Abductions: Challenging the Borders of Knowledge
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1103:"Budd Hopkins, Abstract Expressionist Artist, Dies at 80"
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454:. It and other best-sellers on the phenomena, including
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After Hopkins' account of the O'Barski case appeared in
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Elliot Budd Hopkins was born in 1931. He was raised in
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McCormack, Jerry R. (19 July 1992). "On the horizon".
1358:"John Simon Guggenheim Foundation | Budd Hopkins"
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1167:(2). Popular Culture Association in the South: 73–90.
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Budd Hopkins and John Mack, hypnosis session, Istanbul
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Intruders: The Incredible Visitations at Copley Woods,
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Proceedings of the MUFON 1993 International Symposium
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2563:"'Nova' looks at both sides of alien, UFO abductions"
1322:(1). The Smithsonian Institution: 1–9. January 1968.
961:"Budd Hopkins - June 15, 1931 – August 21, 2011"
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Intruders: The Incredible Visitations at Copley Woods
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Intruders: The Incredible Visitations at Copley Woods
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National Investigations Committee On Aerial Phenomena
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2892:
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2569:. Colorado Springs, CO. 27 February 1996. p. E6
2469:
2467:
2465:
2463:
2461:
2459:
2457:
2455:
2453:
2261:
2259:
2257:
2255:
2227:"Skeptical psychiatrist looks for alien "intruders""
2149:
2147:
1802:
402:, interviewing the witness and taking soil samples.
295:
Hopkins had a major retrospective exhibition at the
3081:
3033:
2959:Brodeur, Nicole (17 February 1994). "The Visited".
2854:
2852:
2819:
2437:
2435:
2433:
2201:
2199:
2197:
2195:
2193:
2191:
2189:
2187:
2172:King, Jeffrey B. (March 1997). "A Bridge Too Far".
2167:
2165:
1939:
1937:
1935:
1933:
1931:
1929:
1927:
1925:
1683:Brown, Calvin (2007). "Class of 1957, Collection".
651:characterizes these practices as a dangerous game.
3027:
2954:
2952:
2936:
2934:
2860:
2749:
2674:
2397:
2395:
2393:
2391:
2389:
2067:Crosby, Deon (1 May 1998). "Galactic Wanderings".
1873:"Experts discuss possibility of existence of UFOs"
1867:
1865:
1863:
1861:
1859:
1739:
1737:
1735:
1707:
1645:
1643:
892:Missing Time: A Documented Study of UFO Abductions
785:to conclude that these accounts were not fantasy.
227:and worked a low-level job selling tickets at the
2918:
2916:
2887:
2450:
2252:
2218:
2144:
1832:
1830:
1828:
1826:
1824:
1822:
1820:
1464:
1462:
1460:
1401:. San Francisco, CA. 4 November 1969. p. 13.
1037:. No. 3 Edition. London (UK). Archived from
375:received when he reported the incident to nearby
3172:
2862:"Hypnosis and the Investigation of UFO Accounts"
2849:
2430:
2354:
2352:
2350:
2348:
2346:
2344:
2184:
2162:
2117:(2). Lawrence Erlbaum Associates, Inc.: 99–126.
2108:
1922:
1413:"Moore hires 5 artists to do original paintings"
1096:
1094:
1092:
1090:
1088:
1086:
1084:
1082:
1080:
1078:
1076:
1024:
1022:
1020:
1018:
1016:
1014:
1012:
1010:
1008:
1006:
2949:
2931:
2386:
2062:
2060:
2058:
1856:
1732:
1640:
1593:
1591:
1589:
1587:
1585:
1583:
1469:Perrault, John (14 May 1980). "Altar Buoyant".
1208:. Charleston, WV. 16 February 1973. p. 11A
1074:
1072:
1070:
1068:
1066:
1064:
1062:
1060:
1058:
1056:
1004:
1002:
1000:
998:
996:
994:
992:
990:
988:
986:
2913:
2730:. Santa Ana, CA. 7 September 1990. p. 36.
2129:
1817:
1685:Record of the Art Museum, Princeton University
1598:Bunn, Austin (13 April 1999). "The Alienist".
1548:
1457:
16:American artist, author, ufologist (1931–2011)
3110:. Charleston, WV. 20 January 1973. p. 6B
2998:(September 1992). "Skeptics UFO Newsletter".
2341:
2309:
2307:
2305:
2035:(2). University of California Press: 84–105.
1808:
1676:
1496:. Charleston, WV. 25 January 1973. p. 7C
1490:"Artist Hopkins on tour of colleges in state"
3019:(November 1992). "Skeptics UFO Newsletter".
2526:Journal for the Scientific Study of Religion
2482:
2055:
1790:(2). Middlebury College Publications: 5–12.
1580:
1576:. Bridgeport, CT. 12 April 1964. p. C2.
1453:. Morgantown, WV. 14 June 1972. p. 2–A.
1053:
983:
361:As a child, Hopkins experienced, firsthand,
2941:Zuckerman, Faye (14 May 1987). "TV Watch".
2773:(404). American Folklore Society: 147–170.
2745:. Santa Ana, CA. 8 August 1995. p. 12.
2700:. Sandusky, OH. 4 April 1988. p. A-12.
2649:"Therapy now available for UFO kidnappings"
2410:(1). Penn State University Press: 100–129.
2316:"Space abduction tales sounding less alien"
708:at the College of Physicians and Surgeons,
3054:
2302:
2205:
1419:. Hagerstown, MD. 14 June 1972. p. 16
1190:. Provo, UT: Ancestry.com Operations, Inc.
788:
692:, who has held teaching positions at both
29:
2940:
2825:
2715:. Madison, WI. 1 August 1985. p. 46.
2680:
1943:
1718:. New York: Anomalist Books. p. 18.
1378:. Lumberton, NC. 8 March 1963. p. 11
801:Their marriage ended in divorce in 1991.
500:
3087:
3067:(1 ed.). Cornell University Press.
2135:
2026:
1468:
1028:
803:
719:
617:
574:
504:
2976:
2958:
2869:. University Press of Kansas. pp.
2858:
2764:
2401:
2224:
1989:
1781:
1713:
1649:
1631:
1252:
932:List of alleged extraterrestrial beings
297:Provincetown Art Association and Museum
258:In 1963, Hopkins' work was included in
3173:
2441:
2358:
2066:
1554:
3015:
2994:
2523:
2488:
2473:
2265:
2153:
1897:
1752:(1). College Art Association: 76–78.
1743:
1682:
1288:. Elyria, Ohio. 3 May 1957. p. 7
1158:
534:University of California, Los Angeles
3206:Writers from Wheeling, West Virginia
3060:
2922:
2905:"Are UFO probers hurting victims?".
2313:
2171:
1597:
702:New York State Psychiatric Institute
394:, then director of New York State's
1202:"Wheeling artist's works displayed"
1188:"1940 United States Federal Census"
1185:
1100:
688:sessions. Theoretical psychologist
356:
13:
2685:. Sandusky, OH. p. Section C.
1397:"5 new paintings at S.F. museum".
473:The 1992 made-for-television film
431:After the publication of his book
267:San Francisco Museum of Modern Art
162:http://www.intrudersfoundation.org
14:
3217:
3158:
2801:"Mutual Network to show UFO tape"
2767:The Journal of American Folk-Lore
2359:Rainey, Carol (15 January 2011).
2225:Brennan, Patricia (16 May 1992).
1652:Journal of Scientific Exploration
570:
3121:
2666:
2580:
2333:
2268:The Journal of American Folklore
2244:
1540:
1507:
1434:
1316:Archives of American Art Journal
1299:
1282:"Allen Art Museum Sets Displays"
1219:
1101:Fox, Margalit (28 August 2011).
1031:"They're coming to take us away"
1029:Schnabel, Jim (2 January 1994).
724:Scars from different "abductees"
3096:
2834:
2793:
2734:
2719:
2704:
2689:
2641:
2233:. Cedar Rapids, IA. p. 24T
1891:
1693:Princeton University Art Museum
1662:
1563:
1515:
1442:
1405:
1390:
1364:
1350:
797:, with whom he had a daughter,
622:Hopkins, hypnosis with abductee
607:to recruit possible abductees.
246:In 1976, Hopkins was awarded a
203:From Oberlin, Hopkins moved to
176:. He was a prominent figure in
3104:"Art Exhibition due in Cabell"
2963:. Santa Ana, CA. pp. 1–2.
2927:. Frederick, MD. p. A-10.
2841:"Area/Events UFO Conference".
2726:"This Morning (TV Listings)".
2140:. Frederick, MD. p. A-10.
1758:10.1080/00043249.1991.10791429
1307:
1194:
1179:
953:
1:
2945:. Santa Ana, CA. p. K16.
2907:Daily Herald Suburban Chicago
2865:. In Jacobs, David M. (ed.).
2424:10.5325/preternature.1.1.0100
2416:10.5325/preternature.1.1.0100
1898:Hague, Jim (20 August 2005).
1257:. New York: Anomalist Books.
947:
554:
238:
187:
1716:Art, Life and UFOs: A Memoir
1255:Art, Life and UFOs" A Memoir
922:Extraterrestrials in fiction
834:Art, Life and UFOs: A Memoir
754:
377:Otis Air National Guard Base
306:
7:
3165:www.intrudersfoundation.org
1670:"Budd Hopkins: Full Circle"
1570:"This week with the arts".
1449:"Artists hired for state".
905:
715:
613:
283:
235:won him national acclaim.
159:http://www.buddhopkins.net/
10:
3222:
3191:Artists from West Virginia
3181:American abstract painters
2961:The Orange County Register
2943:The Orange County Register
2807:. Oxnard, CA. 3 April 1991
2743:The Orange County Register
2728:The Orange County Register
2314:Vick, Karl (31 May 1995).
2156:The Orange County Register
2123:10.1207/s15327965pli0702_1
1161:Studies in Popular Culture
849:(2003), with Carol Rainey
253:National Academy of Design
2830:. Roswell, NM. p. 8.
579:Hopkins with new abductee
178:alien abduction phenomena
154:
121:
113:
93:
82:
66:
40:
28:
21:
2231:The Cedar Rapids Gazette
1952:(1). SF-TH Inc.: 29–52.
827:
813:The two co-wrote a book
388:North Bergen, New Jersey
2049:10.1525/nr.2010.14.2.84
2041:10.1525/nr.2010.14.2.84
1946:Science Fiction Studies
1328:10.1086/aaa.8.1.1556898
789:Personal life and death
764:, a movie based on the
559:Hopkins partnered with
486:In 1996, Hopkins' book
271:Norbeck Yellow Vertical
194:Wheeling, West Virginia
59:Wheeling, West Virginia
3108:The Charleston Gazette
2859:Hopkins, Budd (2000).
1714:Hopkins, Budd (2009).
1573:Bridgeport Sunday Post
1494:The Charleston Gazette
1253:Hopkins, Budd (2009).
1206:The Charleston Gazette
1186:Hopkins, Elliot Budd.
809:
725:
698:Cambridge Universities
623:
580:
510:
501:Alien abduction claims
330:
322:
233:abstract expressionist
2320:The Stars and Stripes
2280:10.1353/jaf.2006.0020
2111:Psychological Inquiry
917:Extraterrestrial life
807:
766:Betty and Barney Hill
723:
676:, Bettyann Kevles of
621:
578:
548:Laurentian University
508:
368:The War of the Worlds
326:
318:
248:Guggenheim Fellowship
2828:Roswell Daily Record
2741:"Television Shows".
2627:PBS NOVA Transcripts
2623:"Kidnapped by UFOs?"
1372:"Weekend TV preview"
965:Intruders Foundation
597:Marsha Warfield Show
229:Museum of Modern Art
117:Intruders Foundation
3061:Dean, Jodi (1998).
2981:. pp. 183–201.
1910:on 22 February 2014
710:Columbia University
593:Sally Jessy Raphael
225:Columbia University
170:Elliot Budd Hopkins
77:New York City, U.S.
45:Elliot Budd Hopkins
2925:The Frederick Post
2476:The New York Times
2444:The New York Times
2174:Skeptical Inquirer
2138:The Frederick Post
1879:. CNN. 6 July 2005
1844:. 27 February 1996
1784:New England Review
1557:The New York Times
1523:"Visiting artists"
1417:The Morning Herald
1286:Chronicle-Telegram
1107:The New York Times
810:
726:
678:The New York Times
672:Of Hopkins' book,
667:Kidnapped by UFOs?
644:repressed memories
624:
581:
511:
450:The New York Times
396:Mutual UFO Network
365:' 1938 radio play
334:Gallatin's Drive I
269:acquired Hopkin's
3143:on 8 January 2008
3017:Klass, Phillip J.
2805:The Press Courier
2713:The Capital Times
2711:"TV Highlights".
2698:Sandusky Register
2683:Sandusky Register
2567:Gazette Telegraph
2003:Missing or empty
1634:The Village Voice
1600:The Village Voice
1451:The Dominion-News
704:and professor of
690:Nicholas Humphrey
544:Michael Persinger
408:The Village Voice
260:American Painters
221:Willem de Kooning
217:Robert Motherwell
167:
166:
3213:
3153:
3152:
3150:
3148:
3139:. Archived from
3133:
3127:
3126:
3125:
3119:
3117:
3115:
3100:
3094:
3093:
3085:
3079:
3078:
3058:
3052:
3051:
3049:
3047:
3031:
3025:
3024:
3013:
3007:
3006:
3004:Washington, D.C.
2996:Klass, Phillip J
2992:
2983:
2982:
2974:
2965:
2964:
2956:
2947:
2946:
2938:
2929:
2928:
2920:
2911:
2910:
2902:
2885:
2884:
2864:
2856:
2847:
2846:
2838:
2832:
2831:
2823:
2817:
2816:
2814:
2812:
2797:
2791:
2790:
2762:
2747:
2746:
2738:
2732:
2731:
2723:
2717:
2716:
2708:
2702:
2701:
2693:
2687:
2686:
2678:
2672:
2671:
2670:
2664:
2662:
2660:
2645:
2639:
2638:
2636:
2634:
2619:
2586:
2585:
2584:
2578:
2576:
2574:
2559:
2550:
2549:
2521:
2515:
2514:
2486:
2480:
2479:
2471:
2448:
2447:
2439:
2428:
2427:
2399:
2384:
2383:
2381:
2379:
2365:
2356:
2339:
2338:
2337:
2331:
2329:
2327:
2311:
2300:
2299:
2263:
2250:
2249:
2248:
2242:
2240:
2238:
2222:
2216:
2215:
2203:
2182:
2181:
2169:
2160:
2159:
2158:. Santa Ana, CA.
2151:
2142:
2141:
2133:
2127:
2126:
2106:
2073:
2072:
2064:
2053:
2052:
2024:
2013:
2012:
2006:
2001:
1999:
1991:
1987:
1962:
1961:
1941:
1920:
1919:
1917:
1915:
1906:. Archived from
1895:
1889:
1888:
1886:
1884:
1869:
1854:
1853:
1851:
1849:
1834:
1815:
1814:
1806:
1800:
1799:
1779:
1770:
1769:
1741:
1730:
1729:
1711:
1705:
1704:
1680:
1674:
1673:
1666:
1660:
1659:
1647:
1638:
1637:
1629:
1608:
1607:
1595:
1578:
1577:
1567:
1561:
1560:
1552:
1546:
1545:
1544:
1538:
1536:
1534:
1519:
1513:
1512:
1511:
1505:
1503:
1501:
1486:
1475:
1474:
1466:
1455:
1454:
1446:
1440:
1439:
1438:
1432:
1426:
1424:
1409:
1403:
1402:
1399:The Daily Review
1394:
1388:
1387:
1385:
1383:
1368:
1362:
1361:
1354:
1348:
1347:
1311:
1305:
1304:
1303:
1297:
1295:
1293:
1278:
1269:
1268:
1250:
1225:
1224:
1223:
1217:
1215:
1213:
1198:
1192:
1191:
1183:
1177:
1176:
1156:
1119:
1118:
1116:
1114:
1098:
1051:
1050:
1048:
1046:
1026:
981:
980:
978:
976:
971:on 9 August 2011
967:. Archived from
957:
762:The UFO Incident
663:Elizabeth Loftus
605:Whitley Strieber
530:Ronald K. Siegel
456:Whitley Strieber
452:Best Seller list
357:Interest in UFOs
342:New York Wall II
147:
141:
132:
73:
54:
52:
33:
19:
18:
3221:
3220:
3216:
3215:
3214:
3212:
3211:
3210:
3171:
3170:
3161:
3156:
3146:
3144:
3135:
3134:
3130:
3120:
3113:
3111:
3102:
3101:
3097:
3090:Library Journal
3086:
3082:
3075:
3059:
3055:
3045:
3043:
3040:Third Eyes Only
3032:
3028:
3014:
3010:
3002:. No. 17.
2993:
2986:
2975:
2968:
2957:
2950:
2939:
2932:
2921:
2914:
2904:
2903:
2888:
2881:
2857:
2850:
2843:The News Herald
2840:
2839:
2835:
2824:
2820:
2810:
2808:
2799:
2798:
2794:
2763:
2750:
2740:
2739:
2735:
2725:
2724:
2720:
2710:
2709:
2705:
2695:
2694:
2690:
2679:
2675:
2665:
2658:
2656:
2647:
2646:
2642:
2632:
2630:
2621:
2620:
2589:
2579:
2572:
2570:
2561:
2560:
2553:
2538:10.2307/1387588
2522:
2518:
2503:10.2307/2935328
2487:
2483:
2472:
2451:
2446:. p. BR37.
2440:
2431:
2400:
2387:
2377:
2375:
2363:
2357:
2342:
2332:
2325:
2323:
2312:
2303:
2264:
2253:
2243:
2236:
2234:
2223:
2219:
2204:
2185:
2170:
2163:
2152:
2145:
2134:
2130:
2107:
2076:
2069:Vision Magazine
2065:
2056:
2025:
2016:
2004:
2002:
1993:
1992:
1988:
1965:
1942:
1923:
1913:
1911:
1904:Hudson Reporter
1896:
1892:
1882:
1880:
1877:Larry King Live
1871:
1870:
1857:
1847:
1845:
1836:
1835:
1818:
1807:
1803:
1780:
1773:
1742:
1733:
1726:
1712:
1708:
1681:
1677:
1668:
1667:
1663:
1648:
1641:
1630:
1611:
1596:
1581:
1569:
1568:
1564:
1553:
1549:
1539:
1532:
1530:
1521:
1520:
1516:
1506:
1499:
1497:
1488:
1487:
1478:
1467:
1458:
1448:
1447:
1443:
1433:
1422:
1420:
1411:
1410:
1406:
1396:
1395:
1391:
1381:
1379:
1370:
1369:
1365:
1356:
1355:
1351:
1313:
1312:
1308:
1298:
1291:
1289:
1280:
1279:
1272:
1265:
1251:
1228:
1218:
1211:
1209:
1200:
1199:
1195:
1184:
1180:
1157:
1122:
1112:
1110:
1099:
1054:
1044:
1042:
1041:on June 5, 2010
1035:The Independent
1027:
984:
974:
972:
959:
958:
954:
950:
912:David M. Jacobs
908:
830:
791:
757:
718:
649:Philip J. Klass
633:Robert A. Baker
616:
573:
561:David M. Jacobs
557:
540:Sleep paralysis
503:
447:(1987), topped
359:
338:White City Hall
309:
286:
241:
207:, where he met
198:Oberlin College
190:
150:
145:
139:
133:
130:
109:
87:Oberlin College
78:
75:
71:
70:August 21, 2011
62:
56:
50:
48:
47:
46:
36:
35:Hopkins in 1997
24:
17:
12:
11:
5:
3219:
3209:
3208:
3203:
3198:
3193:
3188:
3183:
3169:
3168:
3160:
3159:External links
3157:
3155:
3154:
3128:
3095:
3080:
3074:978-0801484681
3073:
3053:
3026:
3023:. No. 18.
3008:
2984:
2966:
2948:
2930:
2912:
2886:
2880:978-0700610327
2879:
2848:
2833:
2818:
2792:
2779:10.2307/540677
2748:
2733:
2718:
2703:
2688:
2673:
2640:
2629:. 1 April 1997
2587:
2551:
2532:(1): 119–131.
2516:
2481:
2449:
2429:
2385:
2340:
2301:
2251:
2217:
2208:Saturday Night
2183:
2161:
2143:
2128:
2074:
2054:
2014:
1963:
1921:
1890:
1855:
1816:
1801:
1771:
1731:
1725:978-1933665412
1724:
1706:
1675:
1661:
1639:
1609:
1579:
1562:
1559:. p. C21.
1547:
1514:
1476:
1456:
1441:
1429:Newspapers.com
1404:
1389:
1376:The Robesonian
1363:
1349:
1306:
1270:
1264:978-1933665412
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1226:
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914:
907:
904:
903:
902:
900:978-0399901027
889:
883:
881:978-0394560762
870:
868:978-0671569150
857:
855:978-0743412186
844:
842:978-1933665412
829:
826:
795:April Kingsley
790:
787:
756:
753:
717:
714:
615:
612:
601:Charles Grodin
572:
571:Support groups
569:
556:
553:
502:
499:
425:"Patty Hearst"
358:
355:
308:
305:
285:
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165:
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137:April Kingsley
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101:
97:
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91:
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84:
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76:
74:(aged 80)
68:
64:
63:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
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2699:
2696:"Monday TV".
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2478:. p. B1.
2477:
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2079:
2071:. p. 22.
2070:
2063:
2061:
2059:
2050:
2046:
2042:
2038:
2034:
2030:
2023:
2021:
2019:
2010:
1997:
1986:
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1968:
1959:
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1812:
1811:Arts Magazine
1805:
1797:
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1686:
1679:
1672:. 2017-04-10.
1671:
1665:
1658:(2): 315–319.
1657:
1653:
1646:
1644:
1636:. p. 12.
1635:
1628:
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1473:. p. 51.
1472:
1471:The Soho News
1465:
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966:
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943:
942:Zeta Reticuli
940:
938:
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928:
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923:
920:
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799:Grace Hopkins
796:
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397:
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364:
354:
350:
348:
347:Piet Mondrian
343:
339:
335:
329:
325:
321:
317:
313:
304:
300:
299:in mid-2017.
298:
293:
291:
281:
279:
274:
272:
268:
265:In 1969, the
263:
261:
256:
254:
249:
244:
236:
234:
230:
226:
222:
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214:
210:
206:
205:New York City
201:
199:
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185:
183:
179:
175:
171:
163:
160:
157:
153:
144:Carol Rainey
143:
138:
135:
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120:
116:
112:
105:
102:
99:
98:
96:
92:
88:
85:
81:
69:
65:
60:
55:June 15, 1931
43:
39:
32:
27:
20:
3145:. Retrieved
3141:the original
3131:
3112:. Retrieved
3107:
3098:
3089:
3083:
3063:
3056:
3044:. Retrieved
3039:
3029:
3020:
3011:
2999:
2978:
2960:
2942:
2924:
2906:
2866:
2842:
2836:
2827:
2821:
2809:. Retrieved
2804:
2795:
2770:
2766:
2742:
2736:
2727:
2721:
2712:
2706:
2697:
2691:
2682:
2676:
2657:. Retrieved
2652:
2643:
2631:. Retrieved
2626:
2571:. Retrieved
2566:
2529:
2525:
2519:
2494:
2490:
2484:
2475:
2443:
2407:
2403:
2376:. Retrieved
2371:
2367:
2324:. Retrieved
2319:
2271:
2267:
2235:. Retrieved
2230:
2220:
2211:
2207:
2177:
2173:
2155:
2137:
2131:
2114:
2110:
2068:
2032:
2028:
1949:
1945:
1912:. Retrieved
1908:the original
1903:
1893:
1881:. Retrieved
1876:
1846:. Retrieved
1841:
1810:
1804:
1787:
1783:
1749:
1745:
1715:
1709:
1688:
1684:
1678:
1664:
1655:
1651:
1633:
1603:
1599:
1571:
1565:
1556:
1550:
1531:. Retrieved
1526:
1517:
1498:. Retrieved
1493:
1470:
1450:
1444:
1427:– via
1421:. Retrieved
1416:
1407:
1398:
1392:
1380:. Retrieved
1375:
1366:
1352:
1319:
1315:
1309:
1290:. Retrieved
1285:
1254:
1210:. Retrieved
1205:
1196:
1181:
1164:
1160:
1111:. Retrieved
1109:. p. 22
1106:
1043:. Retrieved
1039:the original
1034:
973:. Retrieved
969:the original
964:
955:
927:John E. Mack
891:
885:
872:
859:
846:
833:
819:
814:
811:
792:
783:
777:
773:
771:
761:
758:
746:
742:
738:Missing Time
737:
735:
731:
727:
683:
677:
673:
671:
666:
665:, on NOVA's
661:
657:
653:
642:The idea of
641:
637:
629:
625:
609:
590:
586:
582:
565:
558:
538:
527:
523:
519:
514:
512:
494:
492:
487:
485:
481:John E. Mack
474:
472:
468:
463:
459:
449:
444:
442:
437:
433:Missing Time
432:
430:
421:
417:Missing Time
416:
413:missing time
406:
404:
392:Ted Bloecher
385:
373:
367:
363:Orson Welles
360:
351:
341:
337:
333:
331:
327:
323:
319:
314:
310:
301:
294:
287:
275:
270:
264:
259:
257:
245:
242:
202:
191:
180:and related
169:
168:
114:Organization
72:(2011-08-21)
23:Budd Hopkins
3201:2011 deaths
3196:1931 births
3147:10 February
2214:(5): 44–51.
1842:NOVA Online
1746:Art Journal
822:Leslie Kean
390:. Hopkins,
213:Mark Rothko
209:Franz Kline
146:(1996–2006)
140:(1973–1991)
131:(1956–1969)
94:Occupations
3186:Ufologists
3175:Categories
3046:30 October
3042:(8): 10–34
2811:29 October
2659:26 October
2633:23 October
2573:29 October
2491:Transition
2378:28 October
2326:28 October
2237:29 October
2005:|url=
1914:5 February
1883:26 October
1848:19 October
1695:: 75–122.
1113:7 December
948:References
937:Grey alien
749:Carl Sagan
706:psychiatry
555:Roper poll
290:Jan Cicero
278:Arch Moore
239:Art career
188:Early life
184:research.
129:Joan Rich
51:1931-06-15
3114:3 October
2653:Off Hours
2374:(1): 1–11
2368:Paratopia
2296:143997416
1606:(14): 49.
1533:3 October
1500:3 October
1423:3 October
1382:3 October
1344:222444078
1292:3 October
1212:3 October
1045:3 October
975:22 August
778:Witnessed
774:Nighteyes
755:Criticism
674:Intruders
639:greatly.
515:Intruders
476:Intruders
464:Intruders
460:Communion
443:Hopkins'
383:(NICAP).
307:Art style
174:ufologist
106:ufologist
83:Education
1996:cite web
1813:: 27–30.
1796:40243172
1701:20442629
1173:23413704
906:See also
716:Evidence
686:hypnosis
614:Hypnosis
400:incident
284:Exhibits
3092:: 1314.
2871:215–240
2546:1387588
2511:2935328
2288:4137923
1958:4240672
1336:1556898
894:(1981)
875:(1987)
862:(1996)
836:(2009)
532:of the
155:Website
122:Spouses
3071:
2877:
2787:540677
2785:
2544:
2509:
2422:
2294:
2286:
2047:
1956:
1794:
1766:777092
1764:
1722:
1699:
1527:Encore
1342:
1334:
1261:
1171:
898:
888:(1983)
879:
866:
853:
840:
694:Oxford
595:, the
103:author
100:Artist
89:(B.A.)
61:, U.S.
2783:JSTOR
2542:JSTOR
2507:JSTOR
2420:JSTOR
2364:(PDF)
2292:S2CID
2284:JSTOR
2045:JSTOR
1954:JSTOR
1792:JSTOR
1762:JSTOR
1697:JSTOR
1340:S2CID
1332:JSTOR
1169:JSTOR
828:Books
3149:2008
3116:2014
3069:ISBN
3048:2014
2875:ISBN
2813:2014
2661:2014
2635:2014
2575:2014
2380:2014
2328:2014
2239:2014
2180:(2).
2009:help
1916:2014
1885:2014
1850:2014
1720:ISBN
1535:2014
1502:2014
1425:2014
1384:2014
1294:2014
1259:ISBN
1214:2014
1115:2014
1047:2014
977:2011
896:ISBN
877:ISBN
864:ISBN
851:ISBN
838:ISBN
776:and
696:and
458:'s
316:day:
67:Died
41:Born
3021:SUN
3000:SUN
2775:doi
2771:102
2534:doi
2499:doi
2412:doi
2276:doi
2272:199
2212:110
2119:doi
2037:doi
1754:doi
1324:doi
546:of
182:UFO
3177::
3106:.
3038:.
2987:^
2969:^
2951:^
2933:^
2915:^
2889:^
2873:.
2851:^
2803:.
2781:.
2769:.
2751:^
2651:.
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2540:.
2530:38
2528:.
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2495:63
2493:.
2452:^
2432:^
2418:.
2406:.
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2370:.
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2318:.
2304:^
2290:.
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2270:.
2254:^
2229:.
2210:.
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2176:.
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2043:.
2033:14
2031:.
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2000::
1998:}}
1994:{{
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1950:25
1948:.
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963:.
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340:,
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211:,
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2115:7
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2011:)
2007:(
1960:.
1918:.
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1852:.
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1756::
1728:.
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1346:.
1326::
1320:8
1296:.
1267:.
1216:.
1175:.
1117:.
1049:.
979:.
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
