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267:) The series did not last beyond 1935. This involvement with ARC and then Decca most probably related to the fulfillment of an existing Ward's contract. The Bridgeport-era Broadway discs were well-pressed and recorded, but starting with the NYRL (Paramount) era, the pressing quality and audio fidelity was well below average for the time. The ARC Broadway quality was the same as
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was the name of an
American record label in the 1920s and 1930s. Broadway's records were first manufactured in the early 1920s by the Bridgeport Die and Machine Company of
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in 1925, the
Broadway label was acquired by the New York Recording Laboratories (NYRL), which, despite what the name suggests, was located in
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303:by Brian Rust (Arlington House Publishers, 1978)
244:masters were used in addition to NYRL's own L-
16:American record label in the 1920s and 1930s
116:Learn how and when to remove this message
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228:When Bridgeport Die and Machine went
217:. Starting in 1924, masters from the
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332:Record labels disestablished in 1931
54:adding citations to reliable sources
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317:American record labels
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289:List of record labels
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311:Categories
295:References
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283:See also
269:Melotone
261:Champion
230:bankrupt
178:Inactive
273:Perfect
219:Emerson
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167:Defunct
159:Founder
151:Founded
90:scholar
277:Oriole
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170:1931
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