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Bridget Bate Tichenor

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own personal human and spiritual identities; she would then reposition those hidden identities with new masks and characters in her paintings that represented her own sacred beliefs and truths. This guarded internal process of self-discovery and fulfillment was allegorically portrayed with a cast of mythological characters engaged in magical settings. She painted a dramatization of her own life and quests on canvas through an expressive visual language and an artistic vocabulary that she kept secret.
401:. He had urged her for many years to receive secret spiritual initiations that he had undergone, and a lifetime change and new artistic direction resulted from her epiphanies during this trip. After visiting Mexico, Bate Tichenor obtained a divorce in 1953 from her second husband, Jonathan Tichenor, and moved to Mexico in the same year, where she made her permanent home and lived for the rest of her life. She left her marriage and job as a professional fashion and accessories editor for 644:, Mexico City. A comprehensive retrospective exhibition was held at the Instituto de Bellas Artes de San Miguel de Allende in February 1990, nine months before her death. She left 200 paintings that were divided between Pedro Friedeberg and the de Laborde-Noguez family. Her works became a part of important international private and museum collections in the United States, Mexico and Europe that included the 33: 618: 607: 635:
Interest in Bate Tichenor's paintings by art collectors and museums has been increasing in recent years, as well as collections of art photographs with her as the subject. Her paintings were first sold in 1954 by the Ines Amor Gallery in Mexico City, and then later by her patron, the late Mexican art
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At the time of Bate Tichenor's move to Mexico in 1953, she began what would become a lifetime journey through her art and mysticism, inspired by her belief in ancestral spirits, to achieve self-realization. While painting alone and in isolation, she removed her familiar and societal masks to find her
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and her international background would influence the style and themes of Bate Tichenor's work as a magic realist painter in Mexico. She was among a group of surrealist and magic realist female artists who came to live in Mexico in the late 1940s and early 1950s. Her introduction to Mexico was through
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At the time of Bate Tichenor's death in the Daniel de Laborde-Noguez and Marie Aimée de Montalembert house on the Calle Tabasco in Mexico City in 1990, she chose to be exclusively with her close friends. Bate Tichenor's mother Vera Bate Lombardi was a close friend of Comte Léon de Laborde, who was a
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cycles of creation, destruction, and resurrection that echoed the events of the catastrophes of her own life mounted within the dismantling and reconstructive context of two World Wars. The openness of Mexico at that time fueled her personal expectations of a future filled with endless artistic
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in her youth and had introduced Lombardi to Chanel. Comte Léon de Laborde's grandson, economist Carlos de Laborde-Noguez, his wife Marina Lascaris, his brother Daniel de Laborde-Noguez and his wife, Marie Aimée de Motalembert became Bate Tichenor's most respected allies, trusted friends, and
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Friedeberg, Pedro. (2011) De Vacaciones Por La Vida - Memorias no Autorizados del Pintor Pedro Friedeberg: Trilce Ediciones, Mexico DF, Mexico, Editor Deborah Holtz, DirecciĂłn General de Publicaciones del Conaculta y la Universidad AutĂłnoma de Nuevo LeĂłn (UANL) 2011,
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on December 21, 1940 named Jeremy Chisholm. H. Jeremy Chisholm was a noted businessman and equestrian in the US, United Kingdom and Europe, who was married to Jeanne Vallely-Lang Suydam and father to James Lang-Suydam Chisholm when he died in Boston in 1982.
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Many of the faces and bodies of her magical creatures in her paintings were based upon her assorted terriers, chihuahuas, and Italian mastiffs, sheep, goats, monkeys, parrots, iguanas, snakes, horses, cows, and local Purépecha servants and friends.
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that could be seen from her second-story studio where the pine tree covered red mountains cascaded towards the Pacific Ocean. There also was a waterfall with turquoise pools of water that traversed her property.
882: 194:. Although born in France, she spent her youth in England and attended schools in England, France, and Italy. She moved to Paris at age 16, to live with her mother, where she worked as a model for 531:, shot in Baron Alexander von Wuthenau's home in Mexico City. It was directed by Tufic Makhlouf and focused on Bate Tichenor's life in Europe, her being a subject for the photographers Man Ray, 745:, a tall work of four stacked wooden cages with painted masonite heads inside of each box and a pyramid on the top of the structure. The exhibition took place at the LACMA Resnick Pavilion in 1410: 276:. Acquaintances have described Bate during this time as "striking", "glamorous", and a "long-stemmed beauty with large azure eyes and sumptuous black hair". She lived in an apartment at the 1393: 505:
The light, colors and landscapes of Bate Tichenor's paintings were inspired by the topography of the volcanic land that surrounded her mountaintop home. There was a
916: 1501: 1438: 310:. She married Jonathan Tichenor in 1945, taking his last name to become known as Bridget Bate Tichenor, and they moved into an artist's studio at 105 1414: 1344: 440:
In 1958, she participated in the First Salon of Women's Art at the GalerĂ­as Excelsior of Mexico, together with Carrington, Rahon, Varo, and other
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The exhibition centered on women who had developed their artistic activities within individual and diverse disciplines while working in Mexico.
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dealer and collector Antonio de Souza at the Galeria Souza in the Paseo de la Reforma, Mexico City. In 1955, the Karning Gallery, directed by
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Having lived in varied European and American cultures with multiple identities reflecting her life passages, Bate Tichenor recognized the
707: 224:(1854–1927) was a member of the Baring banking family, being a great-granddaughter of Sir Francis Baring (1740–1810), the founder of 1141: 1304: 1562: 1378: 1552: 1329: 1315: 1227: 1219: 1129: 1031: 975: 1185: 1587: 1577: 1547: 1488: 1480: 671:
New York in 1997. A silver gelatin print of fashion photographer Irving Penn's 1949 photograph of Bate Tichenor and model
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by Bridget Bate Tichenor, 1965, oil on masonite mounted inside of wooden caged boxes, 107 x 27 x 25 cm, at the 2012
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in London, and visited her later at the Contembo Ranch in Mexico. Fred Bate's close friend, surrealist photographer
252:'s introduction, in order to remove Bate from Europe and the looming threat of the World War II. They had a son in 221: 1271: 1209: 1207: 1073: 699:, which was several times higher than its original low estimate of $ 2000 USD. Another painting by Bate Tichenor, 557:
between 1945 and 1952, and her magic realism painting career in Mexico that began in 1956. The title of the film,
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brush. Bate Tichenor considered her work to be of a spiritual nature, reflecting ancient occult religions, magic,
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held an exhibition of Bate Tichenor's work, including her paintings among 50 prominent Mexican artists such as
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formulas that artist Paul Cadmus taught her in New York in 1945, where she would prepare an eggshell-finished
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families. They were sought after for their refined esoteric nature with detail in master painting technique.
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London in 1996. Another 1941 gelatin silver print photograph of Bate Tichenor by Man Ray was auctioned by
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beginning May 23, 2012 to August 5, 2012. The exhibition at the Museo de la Ciudad de MĂ©xico is a visual
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Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle
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Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle
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by Bridget Bate Tichenor, undated, oil on canvas, 19 11/16 x 19 11/16 inches, from a private collection.
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In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at LACMA 2012
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Artist Pedro Friedeberg wrote about Bate Tichenor and their life in Mexico in his 2011 book of memoirs
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Christie's Latin American Art Auction, New York, July 17-18, 2007, Bridget Tichenor Lot 181/Sale 1931
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Christie's Latin American Art Auction, New York, July 17-18, 2007, Bridget Tichenor Lot 182/Sale 1931
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Spring, Justin. "An interview with George Tooker," American Art v. 16, No. 1 (Spring 2002): pp. 61-81.
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women painters of her era. That same year, she bought the Contembo ranch near the remote village of
187: 97: 1293: 295: 265: 101: 695:, featuring the face of MarĂ­a FĂ©lix with details by painter Antoine Tzapoff, went for $ 20,400 656: 506: 237: 730: 687:, and both received almost 10 times the original estimates in the auction of Mexican actress 467: 228:, and Bridget Bate was therefore related to many British and European aristocratic families. 1470: 617: 495: 462:
Between 1982 and 1984, Bate Tichenor lived in Rome and painted a series of paintings titled
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The Tarot Reader (Jean Patchett and Bridget Tichenor) - New York 1949 by Irving Penn SAAM
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In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States
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wrote about her infatuation with Bate in her personal diary. Bate was at a party in the
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The architecture of Bate Tichenor's house at Contembo Ranch in Michoacán was a simple
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board and apply (instead of tempera) multiple transparent oil glazes defined through
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Fred Bate carefully guided his daughter with her art. He recommended she attend the
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Chanel: Her Life, Her World, and the Woman Behind the Legend She Herself Created
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where she painted reclusively with her extensive menagerie of pets until 1978.
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Bate married Hugh Joseph Chisholm at the Chisholm family home, Strathgrass in
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and a fashion editor. Born in Paris, she later embraced Mexico as her home.
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Orenstein Ph.D., Gloria. "The Surrealist Cosmovision of Bridget Tichenor",
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Bate Tichenor's painting technique was based upon 16th-century Italian
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Christie's Photography Auction, London, May 1, 1996, Lot 213/Sale 558
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Bridget Bate Chisholm Tichenor's Artist Page at Chisholm Gallery, LLC
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Bridget Bate Tichenor. Retrospective at Museo de la Ciudad de MĂ©xico
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Art review: "In Wonderland: Surrealist Adventures of Women Artists"
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among her closest friends and artistic contemporaries in Mexico.
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caretakers at the end of her life in their home in Mexico City.
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of Bate Tichenor's work, her surrealist vision and technique.
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was named “place where something was sent to be said” in the
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with natural waterfalls, pools and surrealist sculptures in
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Bate Tichenor was the subject of a 1985 documentary titled
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behind and was now alongside expatriate painters such as
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The First Biography of the Life of Bridget Bate Tichenor
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Bate Tichenor counted painters Carrington, Alan Glass,
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townhouse in Manhattan that she shared with art patron
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History of Women: Twentieth-Century Artists in Mexico.
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Breton, André. "The Second Manifesto of Surrealism",
1005: 861: 859: 813: 703:, also sold for much more than its estimated price. 381:, and his home in Mexico had an enormous surrealist 1489:artnet: Bridget Tichenor, past auction results for 1481:artnet: Bridget Tichenor, past auction results for 949: 901: 899: 897: 895: 721:Bate Tichenor was featured in the 2012 exhibition 571:meaning a rare and unique bird, the "black swan." 363:a cousin she had first met in Paris in the 1930s: 181: 856: 231: 1524: 1337: 962:, New York: Princeton Architectural Press, 2007 691:'s estate. Bate Tichenor's oil on canvas titled 892: 808:FEMSPEC - an Interdisciplinary Feminist Journal 1272:FOBO: Brewer's: Rara Avis (Latin, a rare bird) 429:inspiration in a truly new world founded upon 1436:"Reviven los sueños de Bridget Bate Tichenor" 1099:The Diary of AnaĂŻs Nin, Volume III, 1939-1944 785:(in French). Bibliothèque nationale de France 679:, resides in the permanent collection of the 588:De Vacaciones Por La Vida (Holiday For Life) 563:, is a Latin expression that comes from the 466:. Her final years were spent at her home in 216:liaison to the royal families of Europe for 212:Vera Bate Lombardi is said to have been the 1287: 1162: 910: 876: 836:, pp. 249, 250, 256, 323, 331–43, 355, 359. 733:. Included were Bate Tichenor's paintings 290:. It was around this time that the author 31: 844: 842: 802: 800: 464:Masks, Spiritual Guides, and Dual Deities 1387: 708:Museo de Arte Contemporáneo de Monterrey 616: 605: 220:between 1925 and 1938. Her grandmother, 960:Surreal Eden-Edward James and Las Pozas 865:Sotheby's New York, Auction catalogue: 1558:Art Students League of New York alumni 1525: 1143:A Journey Into Ancient Mystery Schools 839: 797: 543:, George Platt Lynes, her career as a 1369: 317: 268:along with her friends, the painters 244:, devised by her mother Vera through 994:, New York: The Penguin Group, 2006 883:"MISS BRIDGET BATE SETS WEDDING DAY" 346:, and Mesoamerican mythology in her 1583:20th-century American women artists 1145:, by Zachary Selig, 2011, Scrbd.com 598:, Zachary Selig, and Edward James. 513: 260:In 1943, Bate was a student at the 13: 1345:"History of Women Exposition 2008" 933:Chisholm Gallery Fine Sporting Art 867:Photographs, Friday April 18, 1997 828:, New York: Alfred A. Knopf, 1975 594:, Leonora Carrington, Kati Horna, 14: 1599: 1516:Paintings of Bridget Tichenor on 1455: 663:artist Man Ray were auctioned by 477: 353: 338:with sometimes one hair of a #00 549:fashion editor in New York with 1497:Bridget Bate Tichenor biography 1092: 1074:"Bridget Bate Tichenor Website" 681:Smithsonian American Art Museum 601: 262:Art Students League of New York 240:on October 14, 1939. It was an 182:Family and early life in Europe 106:Art Students League of New York 773: 659:portraits of Bate Tichenor by 575:was screened at the 2008 FICM 232:New York and the United States 1: 1563:20th-century Mexican painters 1476:Morelia Film Festival, Mexico 1283:Morelia Film Festival, Mexico 1173:New York Times Style Magazine 917:"Hugh Chisholms Jr. Have Son" 793:– via catalogue.bnf.fr. 767: 164:Bridget Pamela Arkwright Bate 51:Bridget Pamela Arkwright Bate 1553:Mexican contemporary artists 1305:MarĂ­a FĂ©lix: la Doña Auction 1116:, New York: Macmillan, 2001 1018:, New York: Macmillan, 2001 851:Man Ray - Bridget Bate, 1941 754:Museum of the City of Mexico 739:Autorretrato (Self-Portrait) 611:Autorretrato (Self-Portrait) 7: 1588:20th-century women painters 1578:American surrealist artists 1548:British emigrants to Mexico 1261:www.answers.com - rara avis 990:Gray, Francine du Plessix. 871:Man Ray – Bridget Bate 1941 10: 1604: 1573:Mexican surrealist artists 1381:February 12, 2012, at the 446:Ario de Rosales, Michoacán 298:apartment of photographer 992:Them: A Memoir of Parents 254:Beverly Hills, California 186:Bate was the daughter of 143: 119: 111: 93: 85: 69: 46: 30: 23: 1533:Women surrealist artists 1157:Manifestos of Surrealism 188:Frederick Blantford Bate 115:Painting, Fashion editor 98:Slade School of Fine Art 1447:La Verdad de Temaulipas 1239:Bridget Tichenor - IMDb 824:Charles-Roux, Edmonde. 810:, Issue 1.1, June 1999. 490:lover Roberto in 1958. 1568:Mexican women painters 1441:July 14, 2014, at the 632: 614: 507:curvature of the Earth 238:Port Chester, New York 1462:Bridget Bate Tichenor 1250:Tufic Makhlouf - IMDb 782:Bridget Bate Tichenor 731:Museo de Arte Moderno 620: 609: 468:San Miguel de Allende 222:Rosa Frederica Baring 160:Bridget Bate Tichenor 25:Bridget Bate Tichenor 1483:Domadora de quimeras 1318:Domadora de quimeras 923:. December 23, 1940. 693:Domadora de quimeras 657:gelatin silver print 280:and wore clothes by 126:Domadora de quimeras 102:École des Beaux Arts 1400:. January 30, 2012. 889:. October 10, 1939. 519:fervent admirer of 417:, and photographer 350:style of painting. 348:Italian Renaissance 264:and studying under 80:Mexico City, Mexico 1518:surrealism.website 1417:on August 18, 2012 633: 615: 596:Tamara de Lempicka 555:Alexander Liberman 496:PurĂ©pecha language 407:Leonora Carrington 318:Painting technique 300:George Platt Lynes 192:Vera Bate Lombardi 39:George Platt Lynes 1449:. April 28, 2012. 1398:Los Angeles Times 1228:978-607-7663-24-9 1220:978-607-455-503-5 1175:. March 30, 2008. 1130:978-0-312-27127-5 1032:978-0-312-27127-5 976:978-1-56898-612-8 958:Hooks, Margaret. 685:Rockefeller Plaza 373:. James lived in 242:arranged marriage 174:in the school of 157: 156: 61:November 22, 1917 1595: 1505:by Zachary Selig 1450: 1433: 1427: 1426: 1424: 1422: 1413:. Archived from 1407: 1401: 1391: 1385: 1373: 1367: 1366: 1364: 1362: 1357:on July 18, 2011 1356: 1350:. Archived from 1349: 1341: 1335: 1327: 1321: 1313: 1307: 1302: 1296: 1291: 1285: 1280: 1274: 1269: 1263: 1258: 1252: 1247: 1241: 1236: 1230: 1211: 1202: 1201: 1199: 1197: 1188:. Archived from 1182: 1176: 1166: 1160: 1153: 1147: 1139: 1133: 1112:Leddick, David. 1110: 1101: 1096: 1090: 1089: 1087: 1085: 1076:. Archived from 1070: 1035: 1014:Leddick, David. 1012: 1003: 988: 979: 956: 947: 944: 935: 930: 924: 914: 908: 906:Rara Avis - IMDb 903: 890: 880: 874: 863: 854: 846: 837: 822: 811: 804: 795: 794: 792: 790: 777: 743:Los encarcelados 714:. It was titled 677:The Tarot Reader 622:Los encarcelados 514:Death and legacy 457:Pedro Friedeberg 383:sculpture garden 358:The cultures of 312:MacDougal Street 308:Peggy Guggenheim 214:public relations 134:Los encarcelados 122: 76: 73:October 12, 1990 60: 58: 35: 21: 20: 1603: 1602: 1598: 1597: 1596: 1594: 1593: 1592: 1523: 1522: 1491:Caja de cristal 1458: 1453: 1443:Wayback Machine 1434: 1430: 1420: 1418: 1409: 1408: 1404: 1392: 1388: 1383:Wayback Machine 1374: 1370: 1360: 1358: 1354: 1347: 1343: 1342: 1338: 1332:Caja de crystal 1328: 1324: 1314: 1310: 1303: 1299: 1292: 1288: 1281: 1277: 1270: 1266: 1259: 1255: 1248: 1244: 1237: 1233: 1212: 1205: 1195: 1193: 1184: 1183: 1179: 1167: 1163: 1154: 1150: 1140: 1136: 1111: 1104: 1097: 1093: 1083: 1081: 1072: 1071: 1038: 1013: 1006: 989: 982: 957: 950: 945: 938: 931: 927: 915: 911: 904: 893: 881: 877: 864: 857: 847: 840: 823: 814: 805: 798: 788: 786: 779: 778: 774: 770: 725:, organized by 701:Caja de crystal 638:Robert Isaacson 604: 516: 492:Ario de Rosales 480: 397:culture of the 379:San Luis PotosĂ­ 356: 320: 304:Upper East Side 288:Hattie Carnegie 234: 184: 130:Caja de crystal 120: 81: 78: 74: 65: 62: 56: 54: 53: 52: 42: 41:, New York 1945 26: 17: 12: 11: 5: 1601: 1591: 1590: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1545: 1540: 1535: 1521: 1520: 1514: 1508: 1499: 1494: 1486: 1478: 1473: 1468: 1457: 1456:External links 1454: 1452: 1451: 1428: 1402: 1386: 1368: 1336: 1322: 1308: 1297: 1286: 1275: 1264: 1253: 1242: 1231: 1203: 1192:on May 3, 2008 1177: 1161: 1148: 1134: 1102: 1091: 1080:on May 4, 2014 1036: 1034:, pp. 152–153. 1004: 980: 948: 936: 925: 921:New York Times 909: 891: 887:New York Times 875: 855: 838: 812: 796: 771: 769: 766: 603: 600: 579:international 515: 512: 479: 478:Contembo Ranch 476: 355: 354:Life in Mexico 352: 319: 316: 314:in Manhattan. 266:Reginald Marsh 233: 230: 183: 180: 155: 154: 145: 141: 140: 123: 117: 116: 113: 112:Known for 109: 108: 95: 91: 90: 87: 83: 82: 79: 77:(aged 72) 71: 67: 66: 63: 50: 48: 44: 43: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1600: 1589: 1586: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1534: 1531: 1530: 1528: 1519: 1515: 1512: 1509: 1506: 1504: 1500: 1498: 1495: 1493: 1492: 1487: 1485: 1484: 1479: 1477: 1474: 1472: 1469: 1467: 1463: 1460: 1459: 1448: 1444: 1440: 1437: 1432: 1416: 1412: 1406: 1399: 1395: 1390: 1384: 1380: 1377: 1372: 1353: 1346: 1340: 1334: 1333: 1326: 1320: 1319: 1312: 1306: 1301: 1295: 1290: 1284: 1279: 1273: 1268: 1262: 1257: 1251: 1246: 1240: 1235: 1229: 1225: 1221: 1217: 1210: 1208: 1191: 1187: 1181: 1174: 1170: 1165: 1158: 1152: 1146: 1144: 1138: 1132:, pp.201-202. 1131: 1127: 1123: 1122:0-312-27127-1 1119: 1115: 1109: 1107: 1100: 1095: 1079: 1075: 1069: 1067: 1065: 1063: 1061: 1059: 1057: 1055: 1053: 1051: 1049: 1047: 1045: 1043: 1041: 1033: 1029: 1025: 1024:0-312-27127-1 1021: 1017: 1011: 1009: 1001: 1000:1-59420-049-1 997: 993: 987: 985: 977: 973: 969: 968:1-56898-612-2 965: 961: 955: 953: 943: 941: 934: 929: 922: 918: 913: 907: 902: 900: 898: 896: 888: 884: 879: 872: 868: 862: 860: 853: 852: 845: 843: 835: 834:0-394-47613-1 831: 827: 821: 819: 817: 809: 803: 801: 784: 783: 776: 772: 765: 763: 759: 755: 750: 748: 744: 740: 736: 732: 728: 724: 719: 717: 713: 709: 706:In 2008, the 704: 702: 698: 694: 690: 686: 682: 678: 674: 673:Jean Patchett 670: 666: 662: 658: 653: 651: 647: 643: 639: 630: 629:In Wonderland 627: 623: 619: 612: 608: 599: 597: 593: 592:Salvador DalĂ­ 589: 584: 582: 581:film festival 578: 574: 570: 566: 562: 561: 556: 553:art director 552: 548: 547: 542: 541:John Rawlings 538: 534: 530: 525: 522: 511: 508: 503: 499: 497: 493: 489: 485: 475: 473: 469: 465: 460: 458: 454: 453:Zachary Selig 449: 447: 443: 438: 434: 432: 427: 426:Pre-Columbian 422: 420: 416: 412: 411:Remedios Varo 408: 404: 400: 396: 392: 388: 384: 380: 376: 372: 371: 366: 361: 351: 349: 345: 341: 337: 333: 329: 325: 315: 313: 309: 305: 301: 297: 293: 289: 286: 283: 279: 275: 274:George Tooker 271: 267: 263: 258: 255: 251: 248:and his wife 247: 243: 239: 229: 227: 223: 219: 215: 210: 208: 204: 199: 197: 193: 189: 179: 177: 176:magic realism 173: 172:fantastic art 169: 165: 161: 153: 152:magic realism 149: 146: 142: 139: 135: 131: 127: 124: 118: 114: 110: 107: 103: 99: 96: 92: 88: 84: 72: 68: 64:Paris, France 49: 45: 40: 34: 29: 22: 19: 1502: 1490: 1482: 1446: 1431: 1419:. 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Index


George Platt Lynes
Slade School of Fine Art
École des Beaux Arts
Art Students League of New York
Surrealism
magic realism
surrealist
fantastic art
magic realism
Frederick Blantford Bate
Vera Bate Lombardi
Coco Chanel
Slade School
Man Ray
public relations
Coco Chanel
Rosa Frederica Baring
Barings Bank
Port Chester, New York
arranged marriage
Cole Porter
Linda
Beverly Hills, California
Art Students League of New York
Reginald Marsh
Paul Cadmus
George Tooker
Plaza Hotel
Manhattan

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