892:, an album that combined his usual trio with guest musicians and a 28-piece orchestra. Again based compositionally on the theme of travel or a journey, the album was produced by Brion, and, in critic Mike Hobart's description, "probes the confluence of the arbitrary and non-arbitrary in music, of balancing what is committed to the page with improvisation." This was pursued further in the winter of 2010–11, in public performances of pieces from the album in the US and Europe. Mehldau's trio returned to the studio for the first time in several years in 2008 and again in 2011, resulting in
1085:'s words, "Mehldau's art is not based on negotiating his way through a harmonic sequence with a string of bravura licks Instead he patiently weaves melodic developments from motifs, fragments and inversions of the songs he plays into the fabric of his extemporizations, making the tunes gradually assume the proportions of an alternative composition." Fordham stated that "Mehldau demonstrates immense attention to detail, control of dynamics, and patience in developing an improvisation's shape over a longer span than the chorus-structure of a popular song."
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improvising. In the latter case, Mehldau likened the difficulty of the composition process to that of a game of chess: "The opening is always easy for me, the middle gets more difficult, more of an intellectual process, more trial and error at work, and the end is always difficult for me." These struggles to find satisfactory endings stem from the tension between needing to close a piece and his desire to leave a sense of open-endedness – "an escape duct of possibility".
507:, engendered dislike in some, thereby, in critic Nate Chinen's words, "leaving Mehldau with a lingering reputation for pretentiousness and self-indulgence." Many critics did, though, reassess their judgment of his main influences, which previously had often been given as Evans, an assessment that was perhaps attributable more to race than to music. Another, non-musical, similarity with Evans that was commented on was Mehldau's struggle with an addiction to
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1137:, with whom he has recorded and toured. They met in 1997, and have three children. The eldest is a daughter who was born in 2001. Mehldau stated early in 2006 that family responsibilities meant that he was making shorter tours. As of 2010, he divided his non-touring time between living in Amsterdam and New York City; this remained the case until he let the lease on the
291:, have been absorbed into Mehldau's writing and playing. Through his use of some traditional elements of jazz without being restricted by them, simultaneous playing of different melodies in separate hands, and incorporation of pop and rock pieces, Mehldau has influenced musicians in and beyond jazz in their approaches to writing, playing, and choice of repertoire.
664:, the final album in that series, was another concert recording from the Village Vanguard, and was recorded in 2000 and released in 2001. Looking back on his earlier career, Mehldau commented in 2005 that "The trio created my identity". In the three or four years up to the end of 2001, his trio had toured for the majority of each year.
569:". This album was chosen by Fordham as his jazz CD of the year. " might seem to some a little introverted, and certainly distinctly classical in flavor", he wrote, "the intricacy and counter-melodic richness of a great pianist is astonishingly balanced against the more direct and open eloquence a great vocalist might bring."
319:, when Mehldau was 10. Up to this point he had played mostly simple pop tunes and exercises from books, but the move brought him a new piano teacher, who introduced him to classical music. This new interest lasted for a few years, but by the age of 14 he was listening more to jazz, including recordings by saxophonist
1027:, an album that explored the progressive rock musical influences of Mehldau's youth, was recorded in 2020 and 2021 and released in 2022. He later commented that the album was made when he was going through "a breakdown. It's all there – the descent, the way through and the way out." A memoir covering his early life,
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in 1991; his first tour of Europe was also with the saxophonist during the same year. Mehldau's interest in classical music returned when he was in his early twenties, and spurred him into developing his left-hand playing technique. He led his own trio from at least 1992, when he played at New York's
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and played in its concert jazz band. While at high school, he began transcribing jazz solos from recordings, to improve his listening skills and gain insights into improvisation. From the age of 15 until he graduated from high school he had a weekly gig at a local club, and performed for weddings and
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In 2005 Ballard replaced Rossy as the drummer in
Mehldau's trio. This, in the view of critic Ray Comiskey, did not radically change the trio's sound, but it did give them "a harder edge and pushed Mehldau more, with bassist Larry Grenadier left more in a fulcrum role, the centre around which piano
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myth where he is allowed to take his wife out of Hades on the condition that he doesn't look back at her for the trip on the river Styx. When he can't help himself, he looks back, and she is pulled back downstream away from him, taken away forever. Music is that moment right when he looks at her:
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in 2011; this contained two CDs and one DVD of a solo concert by the pianist. Mehldau asserted that his third solo recording "is the beginning of a freer approach, and maybe more ease and fluidity in a musical texture with several simultaneous voices". In 2006 Mehldau also played on saxophonist
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Fordham described
Mehldau's compositions as "miniature tapestries of taut lyricism and surprising turns". Mehldau himself indicated that some of his compositions address a specific need, such as integrating a particular rhythm into his trio, while others emerge from something he has played while
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pop into the jazz repertoire without trivialising either", and shifted the "traditional emphasis on bravura technique and group dynamics to a focus on subtleties of touch and where-my-fancy-takes-me musings." Such differences in repertoire and approach became common in small-group jazz. His
1173:(born 1984) summarized Mehldau's importance in a 2013 interview: "He brought in a new feel and sound in jazz. I don't know a single modern pianist who hasn't taken something from Brad. I told him that I should be arrested for all the stuff I've stolen from him." Redman said in 2010 that
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combining of right- and left-hand playing, moving away from the more typical right-hand dominated playing, also influenced pianists. Further influences on pianists are his "bittersweet left-hand melodies, clusters of dense mid-range chords and ability to conjoin the angularity of
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1045:(for "his full approach to the instrument") and Hays (for adding alternative harmonies to the set one), as well as guitarist Bernstein (for showing the value of playing melodic phrases instead of just rehearsed patterns) as direct influences on his own playing, in addition to
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and drums cavort." Another critic, Ben
Ratliff, suggested that the new trio's sound was "denser and more tumultuous", with rhythms more overt than with the previous trio. In February 2005 Mehldau performed in Hong Kong for the first time, with his new trio. Their first album,
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s
Readers Poll piano award in 1999, 2000, 2002, 2004, 2007, 2011, and 2012. He was the 2006 winner of the Miles Davis Prize, awarded by the Montreal International Jazz Festival for "jazz artists who have made significant artistic and innovative contributions to the genre".
925:, featured the pianists playing a composed left-hand part while improvising with the other hand; "to do both at once is a real test. The brain feels like it's split in half", commented Mehldau. Also in 2011 Mehldau toured with von Otter again, had piano–mandolin duets with
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seeing something that you love for an instant being taken away forever. There's an element of folly to the whole thing – you look even though you know you shouldn't. Music kind of yokes together the feeling of attainment and the feeling of loss at the same time.
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described him as "the next great keyboard star of jazz". The appreciation was not universal: some of the pianist's self-penned liner notes and interview comments, which included philosophical musings and complaints about comparisons with pianist
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performed his "Variations for Piano and
Orchestra on a Melancholy Theme" in Europe. The piece was originally for solo piano, but was converted by Mehldau for a commission by the Orchestra; it was performed in the US the following year.
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during the 1990s, up to 1998. Around 1996 he moved to Los
Angeles, to try to overcome his problem with drugs. Mehldau later stated: "Once I stopped using heroin, it was like a rush of creativity that had been held in check came out".
658:, an album containing both Mehldau solo piano pieces and trio performances, was released. All of the tracks were Mehldau originals, and were based on his experiences of visiting and revisiting various locations worldwide.
543:, and released the following year. The title again attracted attention, as concert recordings from the same club had been issued by some of the biggest names in jazz, including Evans, and saxophonists Coltrane and
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had been particularly important to musicians: "Brad has had a lot of influential records, if you talk to musicians, especially younger musicians, so many of them will name that as a defining record."
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Mehldau has expressed an interest in, and knowledge of, philosophy and literature. In a 2003 interview he commented on romanticism and nostalgia, linking pleasure and pain to musical expression:
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reviewer Jim Macnie commented that, on the former album, "More than ever, Mehldau uses his instrument as a drum, popping staccato notes into the maw of the rhythm section's formidable bustle."
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While trio performances and recordings continued, Mehldau began in the early to mid-2000s to broaden the musical settings in which he appeared as leader. An early instance was his 2002 album
353:'s Best All Round Musician Award for school students. Mehldau described himself as being, up to this point, "a white, upper-middle-class kid who lived in a pretty homogenized environment".
388:, his two principal influences on piano up to that point, and began to develop his own sound. Before the age of 20, Mehldau also had gigs in Cobb's band, along with fellow student
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432:. The association with Redman began in 1993, but they had played together for a short period the previous year. Redman and his band attracted attention, with their 1994 album
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303:. His adoptive family was father Craig Mehldau, an ophthalmologist, mother Annette, a homemaker, and sister Leigh Anne, who became a social worker. The family moved from
489:, was recorded in 1996 and was widely praised by critics. The title was selected by producer Matt Pierson as one that would attract attention and help to build a brand.
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During 2010–11 Mehldau held
Carnegie Hall's Richard and Barbara Debs Composer's Chair, the first jazz musician to do so. He also played and recorded piano duets with
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in 1975. There was always a piano in the house during
Mehldau's childhood, and he initially listened to pop and rock music on the radio. His family moved to
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In 2015 Mehldau received the
Wigmore Medal, which "recognises significant figures in the international music world who have a strong association with the
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was recorded and released in the same year, presenting more performances from the
Village Vanguard. The recording features standards, Mehldau originals,
529:. His series of trio albums also continued, employing some of the traditional elements of jazz while not conforming to or being restricted by its norms.
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969:, in February 2014. Late in 2015, a collection of solo piano recordings from Mehldau's concerts in Europe in the 2004–14 period was released, entitled
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254:, released in 2002, contains electronics and input from rock and classical musicians. Later examples include: touring and recording with guitarist
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as a synthesizer-oriented duo that was given the portmanteau name "Mehliana". Their playing was largely improvised, and distantly influenced by
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in 5/4. He developed this ability over a period of around a year, with the help of Rossy. Mehldau is able to reach tenth and eleventh
1793:(2nd edition). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved February 9, 2014. (Subscription required.)
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compositions; he played these and the Bach originals in solo performances during 2015. They were the origins of his solo piano album
380:'s band that toured for several months; as a result of playing so often with one group, Mehldau was able to assimilate the music of
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Mehldau became established on the international jazz festival scene in the mid- to late 1990s, having played at events such as the
1169:, a contemporary of Mehldau's, stated that Mehldau was the principal influence on his peers, beginning in the late 1990s. Pianist
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from 2005 – they recorded two albums together that year, along with Grenadier and Ballard, and in 2007 went on a worldwide tour.
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commenting that "it's as if he were aware of jazz tradition but entirely unencumbered by it." His second album for Warner Bros.,
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Mehldau often plays a separate melody with each hand, and one of the central features of his music is the playing of improvised
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Mehldau's interest in classical music continued with commissions by several concert halls to write pieces that were inspired by
929:, and played a series of duet concerts with Redman in Europe, six pieces from which were released five years later on the album
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in 2015. He received two further nominations at the end of 2016: for Best Improvised Jazz Solo on "I Concentrate on You" from
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725:, released in 2004, contained performances of compositions by others; the Mehldau originals were released two years later on
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was nominated for Best Jazz Instrumental album, and "De-Dah" from that album was nominated for Best Improvised Jazz Solo.
981:, was recorded in 2012 and 2014 and was released in 2016. Also in 2016, Mehldau and Guiliana formed a trio with guitarist
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and "multiple layers of electronically enhanced sound". As of 2010, this was reported to be Mehldau's best-selling album.
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In March 2007 Mehldau first performed his piano concerto "The Brady Bunch Variations for Piano and Orchestra", with the
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523:. Mehldau's contributions to film music continued in 1997, with an accompanist role for some of the tracks recorded for
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233:'s quartet in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist
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819:, was recorded in 2006 and released two years later. This also contained a variety of sources of material, including "
604:. That summer, Mehldau spent a few months in Germany, developing his interest in its language, literature, and music.
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648:", and another version of "Exit Music (For a Film)". Also in 1999, Mehldau was pianist for two albums by saxophonist
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included a tour of Europe early in 1993, and Mehldau's first released recordings as co-leader, from a May concert in
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Nicholson, Stuart (September 19, 1999). "Some Call It Plagiarism. In Brad Mehldau's Hands, It's Sheer Genius".
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Since the early 2000s, Mehldau has experimented with other musical formats in addition to trio and solo piano.
1010:. In the same year, Mehldau performed another of his commissioned song cycles at Wigmore Hall, this time with
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By the mid- to late 1990s, Mehldau was regarded by some as one of the leading jazz musicians of the day:
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In 2013 Chinen stated that "Mehldau is the most influential jazz pianist of the last 20 years". Pianist
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1004:, another trio album with Grenadier and Ballard, later that year. His next album, released in 2019, was
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in Paris. Later that decade, Carnegie Hall awarded Mehldau another commission – to write the song cycle
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Mehldau graduated from The New School in 1993. He formed his first long-term trio in 1994, with bassist
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Nicholson, Stuart (July 19, 1998) "The Week in Reviews: Jazz: Red Hot Dutch North Sea Jazz Festival".
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Landsdowne, Peter (October 6, 2013) "Orpheus Charms Mechanics Hall: Music Worcester Opens Season".
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After graduating, Mehldau moved to New York City in 1988 to study jazz and contemporary music at
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Mehldau continued to expand beyond trio and solo playing. In the spring of 2005 he premiered a
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Roberts, Joel (2002) In Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (eds.)
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replaced Rossy. These bands have released more than a dozen albums under the pianist's name.
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3248:"Brad Mehldau and Mark Guiliana's "Mehliana: Taming the Dragon" Electric Duo Debut Out Now"
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998:, which was recorded in 2017 and released the following year. This release was followed by
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704:, which was Mehldau's first departure from piano solo or trio albums. It was produced by
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also aiding Mehldau's profile. They also played together for the soundtrack to the film
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The results of two further days of recording in 2002 were split over two trio albums:
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3186:"Joshua Redman/Brad Mehldau: Nearness Review – Terse Lyricism and Harmonic Journeys"
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Chan, Wah Keung (February 25, 2011) "Von Otter Proves She Can Sing Anything Well".
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the following year. In 2009 Mehldau began a two-year period as curator of London's
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Ouellette, Dan (May 2009) "Mehldau, Otter Blend Poetry, Jazz–Classical Lyricism".
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3285:"Review: John Scofield, Brad Mehldau and Mark Guiliana Debut as an All-Star Trio"
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Lynam, Robin (February 24, 2005) "Jazz Trio's New Lineup; a Worthy Partnership".
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3901:"Nonesuch Artists Earn 14 Grammy Nominations, Including Five for The Black Keys"
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Hewett, Ivan (March 6, 2010) "The Dazzling Jazz Master Inspired by Beethoven".
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Bambarger, Bradley (November 1, 1997) "Jazz Up-and-Comers Are Big on Smalls".
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In 2001 Mehldau expanded from playing on film soundtracks, which had included
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in 1998. Also in 1998, the pianist reunited with Redman for the saxophonist's
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jazz series, which included a performance with von Otter in the second year.
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3873:"Santana's 'Supernatural' Leads Grammy Nominations; Aguilera Gets Two Nods"
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Kinner, Adam (June 28, 2008) "Not Covers, but Springboards to Expression".
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Verna, Paul (October 10, 1998) "Songs: The Art of the Trio, Volume Three".
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Mehldau's trio was, in Hobart's words, "the first successfully to add post-
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3057:"Music Review: Brad Mehldau's 'Highway Rider' at Walt Disney Concert Hall"
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Nestruck, J. Kelly (April 5, 2006) "In Praise of Jazz's Eternal Hipness".
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Zwerin, Mike (July 23, 1997) "The Legends and the Reality: Brad Mehldau".
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Panken, Ted (March 2011) "Idiom Weaver: Brad Mehldau Goes Full-Throttle".
919:, with whom Mehldau had attended high school. One piece from their album,
685:. In the same year, he left Los Angeles. He first played with saxophonist
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with other musicians around this time. His performances with saxophonist
3816:"Brad Mehldau Is the First Jazz Musician to Be Awarded the Wigmore Medal"
3332:"Brad Mehldau Review – A Balance of Space and Intensity Perfectly Struck"
1805:"Jazz Pianist Brad Mehldau Shares His Love of the Beatles on a New Album"
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followed later in 1998, and contained Mehldau originals, standards, plus
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In 1996, Mehldau made the first of several recordings with saxophonist
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3384:"'Seymour Reads the Constitution!' Is Brad Mehldau's 2018 Victory Lap"
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in 1998, Best Jazz Instrumental Performance, Individual or Group for
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are among the improvisers who have been affected by the 2002 album.
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helped Mehldau realize the potential of the piano as an instrument.
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Comiskey, Ray (February 18, 2011) "Brad Mehldau: Live in Marciac".
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3859:"40th Annual Grammy Awards: Final nominations" (January 17, 1998)
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Bungey, John (February 10, 2006) "Between Rock and a Cool Place".
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Hendrikson, Tad (February 23, 2004) "Brad Mehldau's Love Letter".
2580:"Today's Best Bets and Schedule of Performances". (June 28, 1997)
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Fordham, John (May 9, 1998). "There's Magic in That Man's Hands".
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in 2013, and Best Improvised Jazz Solo for "Sleeping Giant" from
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3438:"The Ten Best Classical and Jazz Tickets to Book in Winter 2019"
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3232:"Brad Mehldau & Mark Guiliana, Village Underground, London"
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Comiskey, Ray (February 7, 2006) "Reviews: Brad Mehldau Trio".
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Fordham, John (November 20, 2002) "Brad Mehldau/Chris Potter".
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in 2000, Best Jazz Instrumental Album, Individual or Group for
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708:, whom Mehldau had met at a California club that hosted weekly
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3147:"Brad Mehldau + Kevin Hays + Patrick Zimmerli – Modern Music"
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477:, his first album as sole leader. It was well received, with
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Live at the Village Vanguard: The Art of the Trio Volume Two
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Goldberg, Joe (August 3, 2006) "When Classical Meets Jazz".
3219:"Brad Mehldau / Mark Guiliana: Mehliana – Taming the Dragon"
2881:"Jazz Review: Rhythm, Among Other Things, Is Their Business"
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Wells, Paul (January 22, 2000) "Major Talent in Minor Key".
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Live at the Village Vanguard: The Art of the Trio Volume Two
3540:"Brad Mehldau Trio: Progression: Art of the Trio, Volume 5"
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Panken, Ted (April 2023). "The Formation of Brad Mehldau".
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Morrow, Martin (November 26, 2001) "Enter Prince Hamlet".
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in 2009, Best Improvised Jazz Solo for the title track of
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Strick, Philip (January 1, 1995) "Vanya on 42nd Street".
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3581:"The Dozens: Twelve Essential Brad Mehldau Performances"
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Best Jazz Instrumental Performance, Individual or Group
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and Redman. That autumn, Mehldau formed a quartet, with
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Your Mother Should Know: Brad Mehldau Plays The Beatles
3950:"Daversa, Salvant, Mehldau Nominated for Grammy Awards"
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Comiskey, Ray (October 17, 2001) "Jazz: Brad Mehldau".
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Fordham, John (September 8, 2000) "Jazz CD: Releases".
1217:. He was nominated for Best Jazz Instrumental Solo on "
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2993:"Interview with Brad Mehldau on the Art of Solo Piano"
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Comiskey, Ray (February 3, 2006) "Brad Mehldau Trio".
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Himes, Geoffrey (December 2011) "1 Pianist, 2 Hands".
2030:"A Jazz Pianist Comes Back for a Show in His Hometown"
360:, on a partial scholarship. He studied under pianists
3714:"Bluegrass and Jazz, Meeting in More Than the Middle"
3697:"Brad Mehldau Trio, Barbican, London – Inspirational"
2110:
Comiskey, Ray (February 24, 1996). "Trad with Brad".
2040:
1065:
was his biggest influence as a player of solo piano.
975:. Another trio recording with Grenadier and Ballard,
287:
Aspects of pop, rock, and classical music, including
204:
3937:"Nonesuch Artists Earn Six Grammy Award Nominations"
3925:"59th Annual Grammy Awards – Winners & Nominees"
3173:"Brad Mehldau and Chris Thile, Wigmore Hall, London"
3103:"Brad Mehldau/Brad Mehldau Trio: Where Do You Start"
2729:
Romney, Jonathan (May 1, 2000) "Expensive Mistake".
2475:"Lee Konitz/Brad Mehldau: Live at Birdland – Review"
207:
201:
3624:Berne, Terry (June 17, 2000) "Global Music Pulse".
2659:Fordham, John (October 8, 1999) "Three's Company".
2567:Fordham, John (December 18, 1998) "Brad Attitude".
2447:Hooper, Joseph (January 31, 2000) "The Unhipster".
1875:
195:
192:
3075:Macnie, Jim (July 2012) "Brad Mehldau Trio: Ode".
1957:
790:. This association was based on a commission from
2504:Graybow, Steve (February 28, 1998) "Blue Notes".
1468:Best Jazz Instrumental Album, Individual or Group
689:that year, and recorded the Grammy Award-winning
4497:
3729:Ouellette, Dan (January 2013) "Blindfold Test".
2772:Graybow, Steven (August 10, 2002) "Jazz Notes".
2619:Fordham, John (September 25, 1998) "Sax Tales".
428:. Mehldau toured for 18 months with saxophonist
3560:The Jazz Book: From Ragtime to the 21st Century
3149:. Nonesuch Records. Retrieved December 3, 2016.
3124:. carnegiehall.org Retrieved February 24, 2014.
2926:"Brad Mehldau Is a Jazzman in a Classical Mood"
786:that he had written for classical music singer
376:. In 1989, Mehldau was a member of saxophonist
349:. In his junior year at the school Mehldau won
4028:Formation: Building a Personal Canon, Part One
3260:"Brad Mehldau – 10 Years Solo Live (8-LP Set)"
731:. A solo piano recording from a 2003 concert,
612:Mehldau's interest in figures of 19th century
345:other parties, often with fellow Hall student
4079:
3889:"Nonesuch Artists Grab 13 Grammy Nominations"
3562:(7th edition). Chicago Review Press. p. 394.
3135:"Brad Mehldau & Kevin Hays: Modern Music"
2551:Cook, Richard (November 6, 1998) "Keyed Up".
2398:"Music; a Jazz Pianist with a Brahmsian Bent"
405:Mehldau's first recording was for Hollyday's
3757:
3755:
3457:
2343:
2341:
2339:
2221:"Arts and Leisure Guide" (October 25, 1992)
1907:"Brad Mehldau's Opening, Middle and Endgame"
1855:
1853:
1851:
1849:
1096:; for example, he plays his arrangement of "
1030:Formation: Building a Personal Canon, Part 1
915:. This collaboration was on arrangements by
3355:
2786:
2784:
2782:
2123:
2121:
2023:
2021:
2019:
2017:
2015:
943:In 2013 Mehldau began touring with drummer
898:, an album of the pianist's originals, and
806:. Mehldau also collaborated with guitarist
628:, influenced his first solo piano release,
4086:
4072:
3998:
3915:. grammy.com. Retrieved December 20, 2014.
3767:Festival International de Jazz de Montréal
3666:"Brad Mehldau Trades Bach for the Beatles"
2909:
2672:
2460:
2330:
2300:
2298:
2296:
2250:
2204:
2202:
2200:
2198:
1259:won Best Jazz Instrumental Album in 2020.
1133:Mehldau is married to Dutch jazz vocalist
1036:
1033:, was published by Equinox Press in 2023.
467:. In the following year, Mehldau recorded
444:(1994), for which Redman wrote the music.
3965:
3963:
3927:. grammy.com. Retrieved December 6, 2016.
3752:
3487:
3485:
3274:. bradmehldau.com. Retrieved May 9, 2016.
3071:
3069:
2957:
2955:
2920:
2918:
2712:
2710:
2683:
2681:
2563:
2561:
2336:
2186:
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1951:
1949:
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1945:
1943:
1941:
1939:
1900:
1898:
1896:
1894:
1892:
1890:
1846:
1188:
875:; they premiered it together in 2009 and
274:; composing orchestral pieces for 2009's
4400:Progression: The Art of the Trio, Vol. 5
3299:
3297:
3105:. AllMusic. Retrieved February 24, 2014.
3092:. AllMusic. Retrieved February 24, 2014.
3020:. barbican.com Retrieved March 25, 2014.
2851:"A Trio's Transformation into a Quartet"
2832:
2830:
2824:. AllMusic. Retrieved February 24, 2014.
2779:
2655:
2653:
2430:
2428:
2426:
2424:
2391:
2389:
2387:
2363:
2361:
2359:
2290:. The New School. Retrieved May 9, 2014.
2182:
2180:
2178:
2118:
2109:
2079:
2077:
2075:
2027:
2012:
1837:"Mehldau's Art Of Thegrammy, Volume One"
760:
661:Progression: The Art of the Trio, Vol. 5
446:
395:
299:Mehldau was born on August 23, 1970, in
4392:Art of the Trio 4: Back at the Vanguard
4142:Songs: The Art of the Trio Volume Three
4024:
3906:
3663:
3590:. jazz.com Retrieved February 17, 2014.
3506:
3496:. Vol. 90, no. 4. p. 23.
3381:
3329:
2472:
2347:
2293:
2265:. linge.de Retrieved February 10, 2014.
2195:
2150:
2105:
2103:
2101:
2099:
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2073:
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2055:
2046:
1923:
1904:
1881:
1859:
1781:
1779:
1341:Art of the Trio 4: Back at the Vanguard
1229:Art of the Trio 4: Back at the Vanguard
1213:Mehldau has been nominated for several
637:Art of the Trio 4: Back at the Vanguard
550:Songs: The Art of the Trio Volume Three
526:Midnight in the Garden of Good and Evil
218:; born August 23, 1970) is an American
14:
4541:People from West Hartford, Connecticut
4498:
4368:New York-Barcelona Crossing, Volumen 2
4360:New York-Barcelona Crossing, Volumen 1
3960:
3939:. (December 6, 2016) Nonesuch Records.
3573:
3491:
3482:
3435:
3411:"Finding Gabriel by Brad Mehldau Trio"
3262:. Nonesuch. Retrieved August 25, 2015.
3200:
3198:
3066:
2952:
2915:
2707:
2678:
2558:
2367:
2127:
1955:
1936:
1887:
1802:
749:on saxophones, Grenadier on bass, and
4566:Hall High School (Connecticut) alumni
4067:
3828:
3294:
3090:"Brad Mehldau/Brad Mehldau Trio: Ode"
2827:
2822:"Brad Mehldau: House on Hill: Review"
2650:
2421:
2395:
2384:
2356:
2268:
2175:
2083:Chinen, Nate (January/February 2005)
2028:Staudter, Thomas (January 22, 2002).
1924:Peschek, David (September 26, 2005).
768:, drummer in Mehldau's trio from 2005
4571:Jazz musicians from New York (state)
4561:21st-century American male musicians
4536:Musicians from Jacksonville, Florida
4008:The Penguin Guide to Jazz Recordings
3971:"2019 Grammy Winners & Nominees"
3913:"57th Annual Grammy Awards Nominees"
3788:"Brad Mehldau Awarded Wigmore Medal"
3664:Marantz, Andrew (January 23, 2023).
3356:Georgievski, Nenad (March 2, 2018).
3140:
3008:. AllMusic. Retrieved April 4, 2014.
2368:Lynell, George (November 17, 2002).
2234:"Upbeat Sambeat" (February 4, 1993)
2094:
2052:
1959:"Brad Mehldau, Committed Improviser"
1831:
1829:
1827:
1776:
1403:Montreal International Jazz Festival
813:Another Village Vanguard recording,
779:, was recorded the following month.
574:Montreal International Jazz Festival
4059:High School Picture of Brad Mehldau
3743:"The DownBeat Readers Poll Archive"
3606:
3518:Kohlhaase, Bill (December 2, 1999)
3349:
3330:Fordham, John (December 18, 2015).
3195:
2256:
2130:"In Conversation with Brad Mehldau"
1251:, with Redman. At the end of 2018,
679:, to scoring, with the French film
587:Timeless Tales (For Changing Times)
24:
3615:. AllMusic. Retrieved June 9, 2013
3538:Nicholson, Stuart (December 2001)
3403:
3184:Fordham, John (September 8, 2016)
3171:Hobart, Mike (September 19, 2011)
3133:Hobart, Mike (September 17, 2011)
3018:"Brad Mehldau: Highway Rider: Bio"
2991:Vella, Joseph (February 15, 2011)
2924:Kozinn, Allan (November 10, 2010)
2849:Ratliff, Ben (September 30, 2004)
2792:"A Jazz-Pop Encounter: The Sequel"
2755:Fordham, John (September 6, 2002)
2288:"Quick Facts About The New School"
1990:"A Conversation with Brad Mehldau"
1835:McNally, Owen (February 25, 1998)
861:Orchestre national d'Île-de-France
695:with him a couple of years later.
27:American jazz musician (born 1970)
25:
4582:
4047:
3055:Barton, Chris (January 22, 2011)
2879:Ratliff, Ben (November 24, 2005)
2632:Scherman, Tony (August 31, 1998)
2163:Milkowski, Bill (December 1998).
1905:Brannon, Mike (October 7, 2003).
1824:
222:pianist, composer, and arranger.
4261:Variations on a Melancholy Theme
4093:
3942:
3930:
3918:
3894:
3882:
3866:
3853:
3814:James, Mary (December 19, 2015)
3808:
3780:
3736:
3723:
3706:
3689:
3676:
3657:
3644:
3631:
3618:
3593:
3549:
3532:
3512:
3465:"Jacob's Ladder by Brad Mehldau"
3436:Hewett, Ivan (January 7, 2019).
2306:"Brad Mehldau, Barbican, London"
2304:Hobart, Mike (October 23, 2008)
1987:
1803:Briger, Sam (February 6, 2023).
1791:The New Grove Dictionary of Jazz
1128:
798:contained music set to poems by
188:
42:
4526:Jazz musicians from Connecticut
4301:Seymour Reads the Constitution!
3429:
3382:Ingalls, Chris (May 21, 2018).
3375:
3323:
3277:
3265:
3253:
3241:
3224:
3217:Kelmnan, John (March 14, 2014)
3211:
3178:
3165:
3152:
3127:
3108:
3095:
3082:
3049:
3036:
3023:
3011:
2998:
2985:
2972:
2961:Fordham, John (March 28, 2008)
2935:
2890:
2873:
2860:
2843:
2814:
2801:
2766:
2749:
2736:
2723:
2694:
2626:
2613:
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2511:
2498:
2485:
2466:
2441:
2408:
2311:
2281:
2228:
2215:
2156:
1970:from the original on 2022-12-11
1956:Hobart, Mike (March 12, 2010).
1674:Seymour Reads The Constitution!
1653:Seymour Reads the Constitution!
1253:Seymour Reads The Constitution!
1119:
1017:
1001:Seymour Reads the Constitution!
4556:21st-century American pianists
4285:Chris Thile & Brad Mehldau
4134:Marian McPartland's Piano Jazz
4126:The Art of the Trio Volume One
3903:. (December 6, 2012) Nonesuch.
3891:. (December 4, 2008) Nonesuch.
3712:Chinen, Nate (April 10, 2013)
3230:Hobart, Mike (March 12, 2013)
3006:"Michael Brecker – Pilgrimage"
2941:Fordham, John (June 27, 2007)
2790:Chinen, Nate (March 11, 2010)
2473:Fordham, John (May 12, 2011).
1981:
1917:
1796:
1759:
1299:The Art of the Trio Volume One
1224:The Art of the Trio Volume One
1106:I Didn't Know What Time It Was
886:In 2009 Mehldau also recorded
486:The Art of the Trio Volume One
13:
1:
4054:Official Brad Mehldau website
3763:"2019 Festival Award winners"
3250:(February 25, 2014) Nonesuch.
2396:Shatz, Adam (July 25, 1999).
2263:"Discography of Brad Mehldau"
2085:"Brad Mehldau: Anything Goes"
1770:
1738:Best Jazz Instrumental Album
1714:Best Jazz Instrumental Album
1691:Best Jazz Instrumental Album
1648:Best Jazz Instrumental Album
294:
3695:Hobart, Mike (May 23, 2017)
3305:"After Bach by Brad Mehldau"
3283:Chinen, Nate (June 3, 2016)
3044:"Brad Mehldau, Wigmore Hall"
3042:Hobart, Mike (June 7, 2010)
2595:International Herald Tribune
2128:Panken, Ted (June 5, 2008).
1926:"Radiohead, Coltrane and Me"
1600:Best Jazz Instrumental Album
1293:Best Jazz Instrumental Solo
1148:
756:
607:
400:
7:
4516:American male jazz pianists
4269:Mehliana: Taming the Dragon
3558:; Huesmann, Günther (2009)
2733:. Volume 13/603. pp. 47–48.
1577:Mehliana: Taming the Dragon
1241:Mehliana: Taming the Dragon
966:Mehliana: Taming the Dragon
342:William H. Hall High School
10:
4587:
3863:. Volume 110/3. pp. 78–79.
3358:"Brad Mehldau: After Bach"
1763:
1669:Best Improvised Jazz Solo
1629:"I Concentrate On You" in
1626:Best Improvised Jazz Solo
1571:Best Improvised Jazz Solo
1296:"Blame It On My Youth" in
1141:property lapse during the
963:. They released an album,
935:. In 2012 Mehldau and the
184:Bradford Alexander Mehldau
64:Bradford Alexander Mehldau
4477:
4458:
4351:
4101:
4010:(9th ed.). Penguin.
3749:. Retrieved May 12, 2014.
3586:January 15, 2008, at the
2963:"Brad Mehldau Trio, Live"
1546:Best Improvised Jazz Solo
1162:with classical romance".
937:Orpheus Chamber Orchestra
652:. In the following year,
480:The Penguin Guide to Jazz
416:. Mehldau also played as
225:Mehldau studied music at
168:
164:
143:
133:
125:
105:
91:
68:
58:
53:
41:
34:
4118:Introducing Brad Mehldau
2898:South China Morning Post
2370:"Music from Life's Mess"
2165:"Brad Mehldau: Keyed In"
1766:Brad Mehldau discography
682:Ma femme est une actrice
670:The Million Dollar Hotel
470:Introducing Brad Mehldau
351:Berklee College of Music
4205:Metheny/Mehldau Quartet
3877:Pittsburgh Post-Gazette
3628:. Volume 112/25. p. 73.
3601:The Wall Street Journal
2776:. Volume 114/32. p. 36.
2555:. Volume 11/529. p. 40.
2542:. Volume 110/41. p. 23.
2519:All Music Guide to Jazz
1490:Best album of the year
1424:Best album of the year
1072:I love the part of the
1041:Mehldau cites pianists
1037:Influences and artistry
582:North Sea Jazz Festival
567:Exit Music (For a Film)
451:Long-term collaborator
4511:American jazz pianists
4416:Brad Mehldau Trio Live
4025:Mehldau, Brad (2023).
3613:"Fleurine – Biography"
3556:Berendt, Joachim-Ernst
3206:Telegram & Gazette
2995:. The Huffington Post.
2910:Cook & Morton 2008
2673:Cook & Morton 2008
2508:. Volume 110/9. p. 45.
2461:Cook & Morton 2008
2331:Cook & Morton 2008
2321:. Volume 109/44. p. 1.
2251:Cook & Morton 2008
1524:DownBeat Readers Poll
1508:DownBeat Readers Poll
1487:DownBeat Readers Poll
1474:Brad Mehldau Trio Live
1446:DownBeat Readers Poll
1421:DownBeat Readers Poll
1386:DownBeat Readers Poll
1370:DownBeat Readers Poll
1354:DownBeat Readers Poll
1233:Brad Mehldau Trio Live
1189:Awards and nominations
1098:All the Things You Are
1079:
904:, an album of covers.
816:Brad Mehldau Trio Live
769:
578:Montreux Jazz Festival
535:consisted entirely of
456:
455:, photographed in 2009
309:Bedford, New Hampshire
262:for classical singers
258:; writing and playing
54:Background information
4551:The New School alumni
4432:Long Ago and Far Away
2943:"When Worlds Collide"
2757:"Brad Mehldau: Largo"
1070:
1049:(for rhythmic feel),
990:Johann Sebastian Bach
764:
450:
396:Later life and career
301:Jacksonville, Florida
85:Jacksonville, Florida
4521:Grammy Award winners
3875:. (January 5, 2000)
3520:"The Pissed Pianist"
2809:CMJ New Music Report
2645:Entertainment Weekly
2521:. Backbeat. p. 854.
2278:. Volume 5/1. p. 61.
1994:www.allaboutjazz.com
1863:(January 29, 2002).
1746:with Joshua Redman,
1574:"Sleeping Giant" in
1219:Blame It on My Youth
873:Anne Sofie von Otter
796:their 2006 recording
441:Vanya on 42nd Street
378:Christopher Hollyday
268:Anne Sofie von Otter
173:bradmehldaumusic.com
4376:When I Fall in Love
4341:The Folly of Desire
3956:. December 7, 2018.
3825:. London Jazz News.
3796:. December 21, 2015
3652:The Daily Telegraph
3509:, pp. 258–259.
3443:The Daily Telegraph
3272:"Blues and Ballads"
3236:The Financial Times
2153:, pp. 100–101.
2000:on January 23, 2008
865:Théâtre du Châtelet
547:. The studio album
4448:10 Years Solo Live
4253:Where Do You Start
3821:2018-04-06 at the
3718:The New York Times
3525:2014-04-07 at the
3289:The New York Times
3120:2014-01-04 at the
2930:The New York Times
2885:The New York Times
2855:The New York Times
2796:The New York Times
2718:The Globe and Mail
2639:2014-02-22 at the
2402:The New York Times
2333:, p. 988–989.
2223:The New York Times
2034:The New York Times
1408:Miles Davis Award
1143:COVID-19 lockdowns
1104:in 7/4 time, and "
972:10 Years Solo Live
901:Where Do You Start
877:recorded the songs
800:Rainer Maria Rilke
770:
614:German Romanticism
457:
408:The Natural Moment
289:German Romanticism
139:Late 1980s–present
4546:Post-bop pianists
4493:
4492:
4317:Suite: April 2020
4277:Blues and Ballads
4110:Consenting Adults
4038:978-1-80050-313-7
4017:978-0-14-103401-0
3568:978-1-55652-820-0
3417:. 15 January 2019
3221:. All About Jazz.
3115:"About the Music"
3061:Los Angeles Times
2527:978-0-87930-717-2
2380:on March 4, 2014.
2374:Los Angeles Times
2140:on April 7, 2014.
1785:Kennedy, Gary W.
1757:
1756:
1748:Christian McBride
1245:Blues and Ballads
1110:Art of the Trio 1
1102:Art of the Trio 4
978:Blues and Ballads
831:" by grunge band
580:in 1997, and the
340:Mehldau attended
178:
177:
18:Brad Mehldau Trio
16:(Redirected from
4578:
4478:Related articles
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3311:. 8 January 2018
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2376:. Archived from
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2136:. Archived from
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2010:
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1996:. Archived from
1985:
1979:
1978:
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1961:
1953:
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1885:
1879:
1873:
1872:
1857:
1844:
1833:
1822:
1821:
1819:
1817:
1800:
1794:
1783:
1717:Joshua Redman –
1262:
1261:
1201:
1083:Stuart Nicholson
1055:Kurt Rosenwinkel
917:Patrick Zimmerli
850:'s final album,
743:Kurt Rosenwinkel
739:Nonesuch Records
590:, and played on
541:Village Vanguard
305:Roswell, Georgia
217:
216:
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136:
82:
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61:
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4473:
4454:
4424:Live in Marciac
4347:
4309:Finding Gabriel
4198:Metheny Mehldau
4097:
4092:
4050:
4045:
4039:
4018:
3989:
3979:
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3823:Wayback Machine
3813:
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3701:Financial Times
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3122:Wayback Machine
3113:
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3083:
3074:
3067:
3054:
3050:
3041:
3037:
3028:
3024:
3016:
3012:
3004:Anderson, Rick
3003:
2999:
2990:
2986:
2980:The Irish Times
2977:
2973:
2960:
2953:
2940:
2936:
2923:
2916:
2908:
2904:
2895:
2891:
2878:
2874:
2868:The Irish Times
2865:
2861:
2848:
2844:
2838:The Irish Times
2835:
2828:
2819:
2815:
2806:
2802:
2789:
2780:
2771:
2767:
2754:
2750:
2741:
2737:
2728:
2724:
2715:
2708:
2702:The Irish Times
2699:
2695:
2686:
2679:
2671:
2667:
2658:
2651:
2641:Wayback Machine
2634:"Teatro (1998)"
2631:
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2614:
2605:
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2592:
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2459:
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2413:
2409:
2394:
2385:
2366:
2357:
2346:
2337:
2329:
2325:
2316:
2312:
2303:
2294:
2286:
2282:
2276:Sight and Sound
2273:
2269:
2261:
2257:
2249:
2242:
2236:The Irish Times
2233:
2229:
2220:
2216:
2207:
2196:
2185:
2176:
2161:
2157:
2149:
2145:
2126:
2119:
2112:The Irish Times
2108:
2095:
2082:
2053:
2045:
2041:
2026:
2013:
2003:
2001:
1986:
1982:
1973:
1971:
1964:Financial Times
1954:
1937:
1922:
1918:
1903:
1888:
1880:
1876:
1858:
1847:
1834:
1825:
1815:
1813:
1801:
1797:
1787:"Mehldau, Brad"
1784:
1777:
1773:
1768:
1762:
1696:Finding Gabriel
1495:Live in Marciac
1429:Metheny/Mehldau
1257:Finding Gabriel
1199:
1191:
1179:Marco Benevento
1151:
1139:Upper West Side
1131:
1122:
1094:rhythmic meters
1039:
1020:
1007:Finding Gabriel
848:Michael Brecker
842:Live in Marciac
823:" by rock band
759:
610:
461:Larry Grenadier
453:Larry Grenadier
403:
398:
390:Peter Bernstein
334:Bremen/Lausanne
297:
235:Larry Grenadier
191:
187:
181:
160:
134:
121:
83:
80:
79:August 23, 1970
74:
72:
59:
49:
48:Mehldau in 2001
37:
28:
23:
22:
15:
12:
11:
5:
4584:
4574:
4573:
4568:
4563:
4558:
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4533:
4528:
4523:
4518:
4513:
4508:
4491:
4490:
4488:
4487:
4481:
4479:
4475:
4474:
4472:
4471:
4462:
4460:
4456:
4455:
4453:
4452:
4444:
4436:
4428:
4420:
4412:
4404:
4396:
4388:
4380:
4372:
4364:
4355:
4353:
4349:
4348:
4346:
4345:
4337:
4333:Jacob’s Ladder
4329:
4321:
4313:
4305:
4297:
4289:
4281:
4273:
4265:
4257:
4249:
4241:
4233:
4225:
4217:
4209:
4201:
4194:
4186:
4178:
4170:
4162:
4154:
4146:
4138:
4130:
4122:
4114:
4105:
4103:
4099:
4098:
4091:
4090:
4083:
4076:
4068:
4062:
4061:
4056:
4049:
4048:External links
4046:
4044:
4043:
4037:
4022:
4016:
3995:
3988:
3987:
3959:
3941:
3929:
3917:
3905:
3893:
3881:
3865:
3852:
3836:"Brad Mehldau"
3827:
3807:
3779:
3751:
3735:
3722:
3705:
3688:
3675:
3670:The New Yorker
3656:
3643:
3630:
3617:
3605:
3592:
3572:
3548:
3531:
3511:
3499:
3481:
3456:
3428:
3402:
3374:
3362:All About Jazz
3348:
3322:
3293:
3276:
3264:
3252:
3240:
3223:
3210:
3194:
3177:
3164:
3151:
3139:
3126:
3107:
3094:
3081:
3065:
3048:
3035:
3022:
3010:
2997:
2984:
2971:
2951:
2934:
2914:
2912:, p. 989.
2902:
2889:
2872:
2859:
2842:
2826:
2813:
2800:
2778:
2765:
2748:
2735:
2722:
2706:
2693:
2677:
2675:, p. 902.
2665:
2649:
2625:
2612:
2599:
2586:
2573:
2557:
2544:
2531:
2510:
2497:
2484:
2465:
2463:, p. 838.
2453:
2449:The New Yorker
2440:
2420:
2407:
2383:
2355:
2335:
2323:
2310:
2292:
2280:
2267:
2255:
2253:, p. 988.
2240:
2227:
2214:
2194:
2174:
2155:
2143:
2117:
2093:
2051:
2039:
2011:
1980:
1935:
1916:
1911:All About Jazz
1886:
1874:
1845:
1823:
1795:
1774:
1772:
1769:
1764:Main article:
1761:
1758:
1755:
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1275:
1272:
1269:
1266:
1190:
1187:
1171:Gerald Clayton
1150:
1147:
1130:
1127:
1121:
1118:
1116:on the piano.
1043:Larry Goldings
1038:
1035:
1024:Jacob's Ladder
1019:
1016:
829:Black Hole Sun
758:
755:
714:prepared piano
609:
606:
422:Perico Sambeat
402:
399:
397:
394:
372:, and drummer
358:The New School
325:Oscar Peterson
296:
293:
227:The New School
180:Musical artist
179:
176:
175:
170:
166:
165:
162:
161:
159:
158:
153:
147:
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141:
140:
137:
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93:
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70:
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62:
56:
55:
51:
50:
47:
39:
38:
35:
26:
9:
6:
4:
3:
2:
4583:
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4559:
4557:
4554:
4552:
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4547:
4544:
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4537:
4534:
4532:
4531:Living people
4529:
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4522:
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4514:
4512:
4509:
4507:
4504:
4503:
4501:
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4457:
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4437:
4434:
4433:
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4426:
4425:
4421:
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4413:
4410:
4409:
4408:Live in Tokyo
4405:
4402:
4401:
4397:
4394:
4393:
4389:
4386:
4385:
4381:
4378:
4377:
4373:
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4330:
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4258:
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4230:
4226:
4223:
4222:
4221:Highway Rider
4218:
4215:
4214:
4210:
4207:
4206:
4202:
4200:
4199:
4195:
4192:
4191:
4187:
4184:
4183:
4182:House on Hill
4179:
4176:
4175:
4174:Anything Goes
4171:
4168:
4167:
4163:
4160:
4159:
4155:
4152:
4151:
4150:Elegiac Cycle
4147:
4144:
4143:
4139:
4136:
4135:
4131:
4128:
4127:
4123:
4120:
4119:
4115:
4112:
4111:
4107:
4106:
4104:
4102:Studio albums
4100:
4096:
4089:
4084:
4082:
4077:
4075:
4070:
4069:
4066:
4060:
4057:
4055:
4052:
4051:
4040:
4034:
4030:
4029:
4023:
4019:
4013:
4009:
4005:
4004:Morton, Brian
4001:
4000:Cook, Richard
3997:
3996:
3994:
3993:
3976:
3972:
3966:
3964:
3955:
3951:
3945:
3938:
3933:
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3614:
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3602:
3596:
3589:
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3557:
3552:
3545:
3541:
3535:
3528:
3524:
3521:
3515:
3508:
3503:
3495:
3488:
3486:
3470:
3466:
3460:
3445:
3444:
3439:
3432:
3416:
3412:
3406:
3391:
3390:
3385:
3378:
3363:
3359:
3352:
3337:
3333:
3326:
3310:
3306:
3300:
3298:
3290:
3286:
3280:
3273:
3268:
3261:
3256:
3249:
3244:
3237:
3233:
3227:
3220:
3214:
3207:
3201:
3199:
3191:
3187:
3181:
3174:
3168:
3161:
3155:
3148:
3143:
3136:
3130:
3123:
3119:
3116:
3111:
3104:
3101:Collar, Matt
3098:
3091:
3085:
3078:
3072:
3070:
3062:
3058:
3052:
3045:
3039:
3032:
3026:
3019:
3014:
3007:
3001:
2994:
2988:
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2975:
2968:
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2956:
2948:
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2938:
2931:
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2921:
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2911:
2906:
2899:
2893:
2886:
2882:
2876:
2869:
2863:
2856:
2852:
2846:
2839:
2833:
2831:
2823:
2817:
2810:
2804:
2797:
2793:
2787:
2785:
2783:
2775:
2769:
2762:
2758:
2752:
2745:
2744:National Post
2739:
2732:
2731:New Statesman
2726:
2719:
2713:
2711:
2703:
2697:
2690:
2684:
2682:
2674:
2669:
2662:
2656:
2654:
2646:
2642:
2638:
2635:
2629:
2622:
2616:
2609:
2603:
2596:
2590:
2583:
2577:
2570:
2564:
2562:
2554:
2553:New Statesman
2548:
2541:
2535:
2528:
2524:
2520:
2514:
2507:
2501:
2494:
2488:
2480:
2476:
2469:
2462:
2457:
2450:
2444:
2437:
2431:
2429:
2427:
2425:
2417:
2416:National Post
2411:
2403:
2399:
2392:
2390:
2388:
2379:
2375:
2371:
2364:
2362:
2360:
2352:. p. 45.
2351:
2344:
2342:
2340:
2332:
2327:
2320:
2314:
2307:
2301:
2299:
2297:
2289:
2284:
2277:
2271:
2264:
2259:
2252:
2247:
2245:
2237:
2231:
2224:
2218:
2211:
2205:
2203:
2201:
2199:
2191:. p. D8.
2190:
2183:
2181:
2179:
2170:
2166:
2159:
2152:
2147:
2139:
2135:
2131:
2124:
2122:
2114:. p. A4.
2113:
2106:
2104:
2102:
2100:
2098:
2090:
2086:
2080:
2078:
2076:
2074:
2072:
2070:
2068:
2066:
2064:
2062:
2060:
2058:
2056:
2049:, p. 53.
2048:
2043:
2035:
2031:
2024:
2022:
2020:
2018:
2016:
1999:
1995:
1991:
1984:
1969:
1965:
1960:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
1931:
1927:
1920:
1912:
1908:
1901:
1899:
1897:
1895:
1893:
1891:
1883:
1878:
1870:
1866:
1865:"Ivory Power"
1862:
1861:Fordham, John
1856:
1854:
1852:
1850:
1842:
1838:
1832:
1830:
1828:
1812:
1811:
1806:
1799:
1792:
1788:
1782:
1780:
1775:
1767:
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1749:
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1740:
1737:
1735:
1732:
1729:
1726:
1725:
1722:
1721:
1716:
1713:
1711:
1708:
1705:
1702:
1701:
1698:
1697:
1693:
1690:
1688:
1685:
1682:
1679:
1678:
1675:
1671:
1668:
1666:Grammy Award
1665:
1662:
1659:
1658:
1655:
1654:
1650:
1647:
1645:
1642:
1639:
1636:
1635:
1632:
1628:
1625:
1623:Grammy Award
1622:
1619:
1616:
1615:
1612:
1611:Joshua Redman
1608:
1607:
1603:
1601:
1598:
1596:
1593:
1590:
1587:
1586:
1583:
1582:Mark Guiliana
1579:
1578:
1573:
1570:
1568:
1565:
1562:
1559:
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1555:
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1536:
1533:
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1529:
1526:
1523:
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1517:
1516:
1513:
1510:
1507:
1504:
1501:
1500:
1497:
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1480:
1479:
1476:
1475:
1471:
1469:
1466:
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1455:
1454:
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1431:
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1407:
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1398:
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1379:
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1343:
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1330:
1327:
1324:
1323:
1320:
1317:
1315:Readers Poll
1314:
1311:
1308:
1305:
1304:
1301:
1300:
1295:
1292:
1290:
1287:
1284:
1281:
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1276:
1273:
1270:
1267:
1264:
1263:
1260:
1258:
1254:
1250:
1246:
1242:
1238:
1234:
1230:
1226:
1225:
1220:
1216:
1215:Grammy Awards
1211:
1209:
1204:
1198:
1197:
1186:
1184:
1180:
1176:
1172:
1168:
1167:Ethan Iverson
1163:
1161:
1156:
1146:
1144:
1140:
1136:
1129:Personal life
1126:
1117:
1115:
1111:
1107:
1103:
1099:
1095:
1091:
1086:
1084:
1078:
1075:
1069:
1066:
1064:
1060:
1056:
1052:
1048:
1047:David Sánchez
1044:
1034:
1032:
1031:
1026:
1025:
1015:
1013:
1012:Ian Bostridge
1009:
1008:
1003:
1002:
997:
996:
991:
986:
984:
983:John Scofield
980:
979:
974:
973:
968:
967:
962:
958:
954:
953:drum 'n' bass
950:
946:
945:Mark Guiliana
941:
938:
934:
933:
928:
924:
923:
918:
914:
909:
907:
903:
902:
897:
896:
891:
890:
889:Highway Rider
884:
882:
878:
874:
870:
866:
862:
857:
855:
854:
849:
844:
843:
838:
837:Chico Buarque
834:
830:
826:
822:
818:
817:
811:
809:
805:
801:
797:
793:
792:Carnegie Hall
789:
788:Renée Fleming
785:
780:
778:
777:
767:
763:
754:
752:
748:
744:
740:
736:
735:
734:Live in Tokyo
730:
729:
728:House on Hill
724:
723:
722:Anything Goes
717:
715:
711:
707:
703:
702:
696:
694:
693:
688:
687:Wayne Shorter
684:
683:
678:
677:
676:Space Cowboys
672:
671:
665:
663:
662:
657:
656:
651:
650:Charles Lloyd
647:
643:
639:
638:
633:
632:
631:Elegiac Cycle
627:
623:
619:
615:
605:
603:
602:
597:
596:Willie Nelson
593:
589:
588:
583:
579:
575:
570:
568:
564:
560:
556:
552:
551:
546:
545:Sonny Rollins
542:
538:
534:
533:
528:
527:
522:
521:Charlie Haden
518:
513:
510:
506:
501:
497:
496:
490:
488:
487:
482:
481:
476:
472:
471:
466:
462:
454:
449:
445:
443:
442:
437:
436:
431:
430:Joshua Redman
427:
423:
419:
415:
410:
409:
393:
391:
387:
383:
379:
375:
371:
367:
363:
359:
354:
352:
348:
343:
338:
336:
335:
330:
329:Keith Jarrett
326:
322:
321:John Coltrane
318:
314:
313:West Hartford
310:
306:
302:
292:
290:
285:
283:
282:Mark Guiliana
279:
278:
277:Highway Rider
273:
272:Ian Bostridge
269:
265:
264:Renée Fleming
261:
257:
253:
252:
246:
244:
240:
236:
232:
231:Joshua Redman
228:
223:
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215:
185:
174:
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4315:
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4299:
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4283:
4275:
4267:
4259:
4251:
4243:
4237:Modern Music
4235:
4227:
4219:
4213:Love Sublime
4211:
4203:
4196:
4188:
4180:
4172:
4164:
4156:
4148:
4140:
4132:
4124:
4116:
4108:
4095:Brad Mehldau
4094:
4026:
4007:
3992:Bibliography
3991:
3990:
3978:. Retrieved
3974:
3953:
3944:
3932:
3920:
3908:
3896:
3884:
3876:
3868:
3860:
3855:
3845:November 20,
3843:. Retrieved
3839:
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3810:
3800:February 11,
3798:. Retrieved
3791:
3782:
3772:February 11,
3770:. Retrieved
3766:
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3514:
3507:Mehldau 2023
3502:
3493:
3472:. Retrieved
3469:nonesuch.com
3468:
3459:
3449:September 6,
3447:. Retrieved
3441:
3431:
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3415:nonesuch.com
3414:
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3395:December 11,
3393:. Retrieved
3387:
3377:
3365:. Retrieved
3361:
3351:
3339:. Retrieved
3336:The Guardian
3335:
3325:
3313:. Retrieved
3309:nonesuch.com
3308:
3288:
3279:
3267:
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3235:
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3190:The Guardian
3189:
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3110:
3097:
3088:Jurek, Thom
3084:
3076:
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3000:
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2967:The Guardian
2966:
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2862:
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2820:Jurek, Thom
2816:
2808:
2803:
2795:
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2768:
2761:The Guardian
2760:
2751:
2743:
2738:
2730:
2725:
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2701:
2696:
2689:The Guardian
2688:
2668:
2661:The Guardian
2660:
2644:
2628:
2621:The Guardian
2620:
2615:
2608:The Observer
2607:
2602:
2594:
2589:
2581:
2576:
2569:The Guardian
2568:
2552:
2547:
2539:
2534:
2518:
2513:
2505:
2500:
2493:The Guardian
2492:
2487:
2479:The Guardian
2478:
2468:
2456:
2448:
2443:
2435:
2415:
2410:
2401:
2378:the original
2373:
2350:The Guardian
2349:
2326:
2318:
2313:
2283:
2275:
2270:
2258:
2235:
2230:
2222:
2217:
2209:
2189:The Observer
2188:
2168:
2158:
2151:Mehldau 2023
2146:
2138:the original
2133:
2111:
2088:
2047:Mehldau 2023
2042:
2033:
2002:. Retrieved
1998:the original
1993:
1988:Jung, Fred.
1983:
1972:. Retrieved
1963:
1930:The Guardian
1929:
1919:
1910:
1884:, p. 5.
1882:Mehldau 2023
1877:
1869:The Guardian
1868:
1840:
1814:. Retrieved
1808:
1798:
1790:
1741:
1734:Grammy Award
1718:
1710:Grammy Award
1694:
1687:Grammy Award
1673:
1672:"De-Dah" in
1651:
1644:Grammy Award
1630:
1604:
1595:Grammy Award
1575:
1567:Grammy Award
1551:
1541:Grammy Award
1493:
1472:
1463:Grammy Award
1427:
1339:
1332:Grammy Award
1297:
1289:Grammy Award
1256:
1252:
1248:
1244:
1240:
1236:
1232:
1228:
1222:
1212:
1208:Wigmore Hall
1205:
1194:
1193:Mehldau won
1192:
1174:
1164:
1152:
1132:
1123:
1120:Compositions
1109:
1101:
1090:counterpoint
1087:
1080:
1071:
1067:
1040:
1028:
1022:
1021:
1018:2020–present
1005:
999:
993:
987:
976:
970:
964:
942:
930:
922:Modern Music
920:
910:
905:
899:
893:
887:
885:
881:Wigmore Hall
868:
858:
851:
840:
814:
812:
804:Louise Bogan
781:
774:
771:
766:Jeff Ballard
751:Jeff Ballard
732:
726:
720:
718:
699:
697:
690:
680:
674:
668:
666:
659:
653:
635:
629:
616:, including
611:
599:
585:
571:
548:
530:
524:
519:and bassist
514:
500:John Fordham
493:
491:
484:
478:
475:Warner Bros.
468:
463:and drummer
458:
439:
433:
414:Village Gate
406:
404:
382:Wynton Kelly
370:Kenny Werner
366:Junior Mance
355:
339:
332:
323:and pianist
298:
286:
275:
249:
247:
243:Jeff Ballard
237:and drummer
224:
183:
182:
151:Warner Bros.
135:Years active
36:Brad Mehldau
29:
4506:1970 births
4485:Discography
4352:Live albums
4190:Day Is Done
4031:. Equinox.
3980:January 27,
3684:The Gazette
3579:Gioia, Ted
3474:February 4,
3160:The Gazette
2582:The Gazette
2004:January 13,
1841:The Courant
1760:Discography
1752:Brian Blade
1434:Pat Metheny
1183:Aaron Parks
1059:Mark Turner
1051:Jesse Davis
927:Chris Thile
871:for singer
833:Soundgarden
808:Pat Metheny
776:Day Is Done
747:Mark Turner
642:Miles Davis
465:Jorge Rossy
392:on guitar.
386:McCoy Tyner
362:Fred Hersch
317:Connecticut
260:song cycles
256:Pat Metheny
239:Jorge Rossy
106:Occupations
4500:Categories
4293:After Bach
4229:Love Songs
3975:grammy.com
3840:grammy.com
3389:PopMatters
1974:2014-02-05
1771:References
1730:Nominated
1720:RoundAgain
1706:Nominated
1663:Nominated
1640:Nominated
1620:Nominated
1591:Nominated
1563:Nominated
1537:Nominated
1459:Nominated
1328:Nominated
1285:Nominated
995:After Bach
913:Kevin Hays
869:Love Songs
853:Pilgrimage
821:Wonderwall
784:song cycle
753:on drums.
710:happenings
555:Nick Drake
517:Lee Konitz
505:Bill Evans
374:Jimmy Cobb
347:Joel Frahm
295:Early life
241:; in 2005
126:Instrument
75:1970-08-23
60:Birth name
4467:Formation
3861:Billboard
3733:. p. 106.
3639:The Times
3626:Billboard
3544:JazzTimes
3494:Down Beat
3367:March 13,
3341:March 13,
3315:March 13,
2982:. p. B15.
2840:. p. B20.
2774:Billboard
2746:. p. AL2.
2704:. p. B10.
2691:. p. B22.
2663:. p. B25.
2623:. p. A22.
2571:. p. A14.
2540:Billboard
2506:Billboard
2319:Billboard
2225:. p. H39.
2169:JazzTimes
2089:JazzTimes
1550:"Ode" in
1405:/ Awards
1274:Category
1149:Influence
1114:intervals
757:2005–2019
706:Jon Brion
608:1999–2004
563:Radiohead
559:River Man
537:standards
435:Moodswing
426:Barcelona
401:1991–1998
4440:Nearness
4006:(2008).
3954:DownBeat
3879:. p. E8.
3819:Archived
3747:DownBeat
3731:DownBeat
3686:. p. E2.
3654:. p. 12.
3641:. p. 19.
3603:. p. D5.
3584:Archived
3523:Archived
3421:June 12,
3208:. p. B8.
3175:. ft.com
3162:. p. C3.
3137:. ft.com
3118:Archived
3079:. p. 45.
3077:DownBeat
3046:. ft.com
3033:. p. 22.
3031:DownBeat
2870:. p. 14.
2720:. p. R3.
2637:Archived
2610:. p. R9.
2597:. p. 10.
2584:. p. E3.
2495:. p. 23.
2451:. p. 95.
2438:. p. 47.
2436:DownBeat
2418:. p. 20.
2308:. ft.com
2212:. p. 26.
2210:DownBeat
2134:jazz.com
1968:Archived
1816:March 4,
1743:LongGone
1631:Nearness
1606:Nearness
1313:DownBeat
1249:Nearness
1196:DownBeat
1135:Fleurine
932:Nearness
906:DownBeat
626:Schumann
622:Schubert
576:and the
495:Guardian
156:Nonesuch
118:Arranger
115:Composer
112:Musician
100:post-bop
2900:. p. 4.
2811:. p. 7.
2238:. p. 8.
1268:Result
1221:" from
1155:Beatles
1074:Orpheus
957:electro
863:at the
692:Alegría
594:artist
592:country
561:", and
498:critic
418:sideman
169:Website
4470:(2023)
4451:(2014)
4443:(2011)
4435:(2007)
4427:(2006)
4419:(2006)
4411:(2003)
4403:(2000)
4395:(1999)
4387:(1997)
4379:(1993)
4371:(1993)
4363:(1993)
4344:(2022)
4336:(2022)
4328:(2020)
4320:(2020)
4312:(2018)
4304:(2018)
4296:(2017)
4288:(2016)
4280:(2014)
4272:(2014)
4264:(2013)
4256:(2011)
4248:(2011)
4240:(2010)
4232:(2010)
4224:(2009)
4216:(2006)
4208:(2005)
4193:(2005)
4185:(2005)
4177:(2002)
4169:(2002)
4161:(2000)
4158:Places
4153:(1999)
4145:(1998)
4137:(1996)
4129:(1996)
4121:(1995)
4113:(1994)
4035:
4014:
3566:
2525:
1750:, and
1527:Piano
1511:Piano
1449:Piano
1389:Piano
1373:Piano
1357:Piano
1318:Piano
1271:Award
1063:Hersch
959:, and
835:, and
655:Places
624:, and
618:Brahms
601:Teatro
509:heroin
270:, and
144:Labels
92:Genres
87:, U.S.
4459:Books
4166:Largo
1727:2023
1703:2021
1680:2020
1660:2019
1637:2019
1617:2017
1609:with
1588:2017
1580:with
1560:2015
1534:2013
1518:2012
1502:2011
1481:2011
1456:2009
1440:2007
1432:with
1415:2007
1396:2006
1380:2004
1364:2002
1348:2000
1325:2000
1306:1999
1282:1998
1277:Work
1265:Year
1200:'
1175:Largo
1108:" on
1100:" on
825:Oasis
701:Largo
646:Solar
251:Largo
129:Piano
4033:ISBN
4012:ISBN
3982:2020
3847:2019
3802:2021
3774:2021
3564:ISBN
3476:2022
3451:2020
3423:2019
3397:2018
3369:2018
3343:2018
3317:2018
2523:ISBN
2006:2019
1818:2023
1683:Won
1521:Won
1505:Won
1484:Won
1443:Won
1418:Won
1399:Won
1383:Won
1367:Won
1351:Won
1309:Won
1181:and
1160:Monk
961:funk
802:and
673:and
565:'s "
557:'s "
473:for
384:and
368:and
220:jazz
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69:Born
4245:Ode
1810:NPR
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