301:, Scaachi Koul found the book "a literary experience unlike any I've had in recent memory", distinguished by the way "you can enter and exit the project on whatever pages you choose...once you start reading 'Black Futures,' you are somehow endlessly reading it". Koul notes that Wortham and Drew recommend reading with an internet-connected device at hand, to follow threads the book offers out into the world. The book's "brief chapters reach in seemingly infinite directions, each one a portal into what could be an entire book on its own". Writing in the
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also emphasized this effect, "This unique and imaginative work issues a powerful call for justice, equality, and inclusion". But Koul also noted that struggle was not the only Black experience documented, and as a non-Black reader she felt grateful "to be let in on moments of joyous intimacy. You
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is "a jumping off point for discussion, rather than a static destination", something to be used as a "divinatory tool": "open anywhere and see where it leads like the best of parties, in which you come across those familiar to you, and through them, new, thought-provoking voices".
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For Koul, who is not Black, the cumulative experience creates a call to action—"a question any non-Black person inevitably comes back to again and again throughout the book: If you know the fight, will you join it?"
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aimed to record the way "communities of Black people interacting and engaging in new ways because of social media ... creating our own signage and language," Wortham said. They originally conceived of creating a
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The 544-page anthology, collecting works of more than 100 contributors, includes discussions, like writer
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received enthusiastic reviews, beginning with a starred review in
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art, writing, and other creative work, edited by writer
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