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was meant to be about "processing", and that the show worked best if allowing oneself to process as well. Lobenfield additionally observed that when touring the exhibition from the audio tour for "Songlines" to the screening room for the "Black Lake" music video, "a romance from its wide-eyed
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stated that the exhibition " the ambition to do ambition justice" and that it stood as an overt sign "of the museum’s urge to be all things to all people, its disdain for its core audience, its frequent curatorial slackness and its indifference to the handling of crowds and the needs of its
74:(MoMA) in New York City, thus becoming the first app to be part of the museum collection. A week later, the museum announced that a retrospective exhibition of the singer's work would take place beginning on March 8, 2015, and lasting until June 7, 2015.
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parody – but two parts anything", but additionally noted that the exhibition was still worth visiting to visualize how Björk "built a cooperative artistic practice that spanned media and registers, high and low, to unprecedented public effect."
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M. H. Miller opined that the exhibition was "hardly a retrospective—it’s starfucking, something increasingly familiar at MoMA, and a failure even at that." In a more positive review, Claire
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also negatively reviewed the show, stating that he found it to be a "discombobulated mess" and that it was "not yet up to museum or gallery standards." Ryu Spaeth of
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received generally negative reviews from critics, many of whom labelled the exhibition as either unambitious, incomplete, or similar to other MoMA exhibitions.
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additionally stated that there wasn't "enough in cramped, snaking rooms to hold your interest" for the 40-minute audio tour, while
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was a "retrospective" showing comprising audio, video, fashion, instruments, and other objects pertaining to her career.
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The exhibit incorporated a new commission from MoMA, which saw Björk reunited with award-winning video director
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further noted that the exhibition seemed to be only the beginning of discussion over the singer's impact.
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467:"Björk Is Your Tour Guide: An Exclusive TIME Interview for Her MOMA Retrospective"
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exercise, one part science lab, one part synesthesia experiment, one part
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apps were to be featured as part of the permanent collection of the
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beginning to its molten end fully comes together." Colleen Nika of
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contributed to an audio narrative for visitors to the exhibit.
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Björk Guðmundsdóttir & tríó Guðmundar Ingólfssonar
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The Inner or Deep Part of an Animal or Plant
Structure
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becomes first app in New York's Museum of Modern Art"
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34 Scores for Piano, Organ, Harpsichord and
Celeste
643:"Björk review – a strangely unambitious hotchpotch"
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46:. Exhibited at MoMA from March 8 to June 7, 2015,
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134:and lyrical collaborator and Icelandic poet
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1467:Enjoyed: A Tribute to Björk's Post
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42:(MoMA) in New York City about the
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264:: March 8–June 7, 2015"
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1427:One Little Independent
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110:Andrew Thomas Huang
88:All Is Full of Love
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1212:The Medúlla Videos
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1310:Utopia tour
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979:Family Tree
939:Soundtracks
849:Videography
834:Discography
237:2015 in art
186:Jerry Saltz
114:Mutual Core
78:Description
1516:Categories
1478:Swan dress
1315:Cornucopia
1295:Volta tour
1275:Debut tour
1064:Debut Live
993:Surrounded
947:Selmasongs
887:Vespertine
243:References
118:Black Lake
1422:Bad Taste
1244:Minuscule
1124:Gling-Gló
1071:Post Live
915:Vulnicura
908:Biophilia
880:Homogenic
579:Stereogum
337:Pitchfork
297:Biophilia
295:"Bjork's
122:juvenilia
67:Biophilia
27:Who Is It
1501:Category
1039:Bastards
1025:Telegram
986:Live Box
756:23 April
750:Archived
723:23 April
717:Archived
690:23 April
684:Archived
679:The Week
657:23 April
651:Archived
626:23 April
620:Archived
590:23 April
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557:23 April
551:Archived
516:25 April
510:Archived
483:24 April
477:Archived
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