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42:
347:, which he described as "like discovering a new universe—a universe which I wanted to be a part of". In 1983, he bought his first synthesizer and composed his first piece of music, taking influence from his archaeological studies, later stating "Studying the Ice Age and Stone Age has definitely influenced my music." In 1984 Jenssen issued his first album, "E-Man", released on cassette only on the Norwegian indie label Likvider and credited to E-man.
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493:. Shortly thereafter, "Novelty Waves" was released as a single (featuring remixes by various other artists), and managed to chart in several countries, reaching #51 in the United Kingdom. Although Jenssen never regretted his approval for use of the track, he also never sought this kind of fame and subsequently turned down various requests by his record company and peers to collaborate with well-known
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Biosphere regularly performs live during electronic music festivals and in clubs throughout Europe and various other locales around the world. Live performances usually consist of
Jenssen performing improvisations or variations on newer tracks on a laptop while video art is projected behind him; for
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briefly revisited territory covered by earlier
Biosphere releases, the rhythm section throughout the album remains an element of the background, unlike Jenssen's first two Biosphere releases, wherein the drums occupied a dominating proportion of the foreground.
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In 2008 Jenssen announced a year-long break from touring due to his reported hatred of "airports, security checks, unhealthy food, air conditioning, hotels, etc.". However he resumed concert activity in 2009 and 2011.
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example, full-screen video art was projected in his
Picturehouse cinema tour in April 2006. Although these performances are rarely tied specifically to a recent album release, the uptempo material from the Bleep and
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was searching for a new angle to add to their television advertisement campaign (which up to that point had never featured electronic music), and they decided to use the uptempo track "Novelty Waves" from
525:, which marked Jenssen's embarkation towards an intensely minimal style, is not only often considered to be Jenssen's best work to date, but is also seen as one of the all-time classic ambient albums.
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as
Biosphere. The album marked a sonic departure from Jenssen's previous work - using manually-programmed analogue synthesizers from the late 70s and early 80s to create a more vintage sound.
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was quickly picked up by a comparatively large international audience, which brought
Biosphere greater recognition. Jenssen also recorded as Cosmic Explorer, scoring a hit in Belgium with the
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Jenssen is also an active climber and mountaineer. This hobby is an inspiration on his work, as well as a source of natural sound samples. His highest feat was in 2001, climbing the
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419:, Jenssen began releasing his music as Biosphere on obscure Norwegian compilation albums. His first Biosphere releases were the 12-inch single "The Fairy Tale" and the album
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was the only album recorded as Bleep. Further singles followed in 1990 and 1991 before
Jenssen abandoned the Bleep moniker and again changed musical direction.
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artists or to create a follow-up album in the same style. During that same year, Biosphere contributed the song "The Seal and the
Hydrophone" exclusively to
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On 14 October 2022, Jenssen released
Substrata (Alternative Versions) on Biophon Records, featuring ten alternative versions picked from the
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was released, through which
Jenssen continued to explore his ambient-house stylings to an even greater extent, employing the theme of a lost
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contained the first hints of the reduction in beat-driven song structure that would mark later
Biosphere releases. Unlike the first album,
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in their timbre and slow rate of change. The bulk of this work was originally commissioned and broadcast in September 2003 by
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from Nazi invasion during the Second World War. Jenssen conceived of the album while living in the city.
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subsidiary Apollo in 1992, to much critical acclaim. In 1992, Jenssen contributed "I'll Strangle You" to
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Throughout the late 1980s, Jenssen used the moniker Bleep, under which he produced various
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as Biosphere. The thematic focus of the album draws inspiration from the defence of
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his first live album, containing new tracks such as "Pneuma" and "Pneuma II".
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and peculiar samples from science fiction and natural sources. His 1997 album
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An enhanced version of the "Biosphere Samples list v1.0 by Igor Boronenkov"
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1606:(July 2004) Comprehensive interview with Geir Jenssen (at The Milk Factory)
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works. A partial vinyl sampler was released a few months earlier in 2005.
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In 1985, Jenssen was part of the newly created Norwegian moody synth trio
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1600:(July 2003) Good biographical retrospective of Biosphere (at MIC Norway)
1411:"Biosphere comes in from the cold: The ambient iceman on his new album
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In May 2004, Biosphere's first United States performance took place in
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pieces, often inspired by Arctic or mountain settings, and his use of
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stands as the most minimal and austere Biosphere album to date. The
517:(1997) is a purely atmospheric ambient Biosphere album, released on
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project. In 1993, Jenssen collaborated with German ambient musician
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recording sessions that took place between 1995 and 1996.
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era is occasionally featured in Biosphere performances.
1281:. American Society of Composers, Authors and Publishers
1075:(1997 soundtrack for the original Norwegian version of
425:, both of which were rejected by SSR as unmarketable.
663:(1997). He collaborated with German ambient composer
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1149:Usually as "Geir Jenssen" instead of "Biosphere":
686:On 27 June 2011, Geir Jenssen released the album
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314:album. He has also composed several film scores.
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1657:Sources of voice samples in music from Biosphere
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675:'s Invaders of the Heart and with Bobby Bird of
653:Jenssen has scored a number of films, including
978:(tracks recorded between 1992 and 1994) (2014)
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1626:Biosphere discography (with critics comments)
1617:Biosphere discography (including lone tracks)
1354:"Classic Ambient Recordings: The 2001 Survey"
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310:website in 2001 as the best all-time classic
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429:was released in 1991 on the Norwegian label
1895:Cho Oyu 8201m – Field Recordings from Tibet
1635:Biosphere discography (with users comments)
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1089:(as Geir Jenssen, 2006) (Ash International)
1086:Cho Oyu 8201m – Field Recordings from Tibet
1061:(1996 festival soundtrack, 2001 release in
801:Cho Oyu 8201m – Field Recordings from Tibet
529:contains samples from the American TV show
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1121:crater edge - 2013 12" single released on
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1513:"PRESENCES electronique 2011 - INA - GRM"
718:On 5 February 2021, Jenssen released the
605:employed on this album are comparable to
1846:Wireless: Live at the Arnolfini, Bristol
945:Wireless: Live at the Arnolfini, Bristol
646:Wireless: Live at the Arnolfini, Bristol
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1097:(2010 film soundtrack, as Geir Jenssen)
14:
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730:which features twelve tracks based on
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1386:"TO:84 - Biosphere "N-Plants" |"
1375:. Junkmedia. Retrieved on 2013-02-18.
456:In 1994, the second Biosphere album,
370:. Jenssen, however, soon returned to
358:. The band signed with Belgian label
1697:Recipient of the Elektronika/Dance
1388:. touchmusic.org.uk. Archived from
1210:(1999, collection of 8 other bands)
812:
619:Culture for a musical evocation of
366:in North America, and relocated to
327:Jenssen was born on 30 May 1962 in
24:
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741:In January 2022, Jenssen released
466:drifting aimlessly through space.
272:(born 30 May 1962) is a Norwegian
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1208:Biosystems: The Biosphere Remixes
503:Apollo 2 – The Divine Compilation
1871:Soundtracks and field recordings
1663:Samples and quotes in FAX albums
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1537:
1417:. factmag.com. 17 September 2016
569:Selected Ambient Works Volume II
433:, and saw wider release via the
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1485:Unsound Festival 2009 website:
1129:Sound Installations (2000-2009)
46:Geir Jenssen performing in 2011
1928:Norwegian electronic musicians
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1105:(soundtrack to the 1999 movie
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354:with Nils Johansen and singer
323:Prior to Biosphere (1962–1991)
306:was voted by the users of the
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1:
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1255:List of ambient music artists
72:Bleep, Cosmic Explorer, E-Man
27:Norwegian electronic musician
1958:Smalltown Supersound artists
288:, Jenssen is well known for
276:and composer who records as
7:
1763:The North Pole by Submarine
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1117:- field recording from the
1008:The Hilvarenbeek Recordings
838:The North Pole by Submarine
671:, and has also worked with
417:The North Pole by Submarine
411:As Biosphere (1991–present)
404:The North Pole by Submarine
10:
1974:
1948:All Saints Records artists
1218:Higher Intelligence Agency
1188:Higher Intelligence Agency
707:In 2016, Jenssen released
677:Higher Intelligence Agency
643:In 2009, Biosphere issued
626:In 2006, Jenssen released
538:In 2000, Jenssen released
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1604:"Biosphere: Ground Level"
1371:February 4, 2012, at the
1366:Biosphere : Shenzhou
1145:Collaboration discography
968:L'incoronazione di Poppea
415:Following the release of
401:music. Released in 1990,
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1898:(as Geir Jenssen, 2006)
1887:Man with a Movie Camera
1645:Lyrics, quotes, samples
1598:"De la Terre Ă la Lune"
1058:Man with a Movie Camera
897:Man with a Movie Camera
757:
1953:Rune Grammofon artists
1328:Thompson, Dave (2000)
1214:Birmingham Frequencies
1053:(1993 film soundtrack)
1045:Soundtracks and sounds
486:Levi Strauss & Co.
52:Background information
1943:Musicians from Tromsø
736:String Quartet No. 14
556:In 2002, he released
1462:"Shortwave Memories"
1194:Nordheim Transformed
1170:(1989, in Bel Canto)
1155:White-Out Conditions
1014:The Senja Recordings
1002:The Petrified Forest
376:White-Out Conditions
231:Smalltown Supersound
1774:Albums as Biosphere
1621:Beatservice Records
846:Albums as Biosphere
804:(as Geir Jenssen).
274:electronic musician
198:Beatservice Records
171:Electronic keyboard
1938:People from Tromsø
1668:2012-05-23 at the
1332:, Miller Freeman,
1216:(2000, live, with
1186:(1996, live, with
1026:Shortwave Memories
743:Shortwave Memories
595:Released in 2004,
519:All Saints Records
1933:Ambient musicians
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1830:Autour de la Lune
1715:
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1706:Succeeded by
1140:(2022 film score)
921:Autour de la Lune
888:(2-CD reissue of
598:Autour de la Lune
270:Geir Aule Jenssen
264:
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62:Geir Aule Jenssen
16:(Redirected from
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1699:Spellemannprisen
1692:and Christabelle
1687:Preceded by
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1653:(Usenet archive)
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1574:Official website
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813:Solo discography
709:Departed Glories
544:on his new home
451:The Fires of Ork
380:Birds of Passage
280:. A resident of
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68:Also known as
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1782:Microgravity
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1674:Fires of Ork
1673:
1672:– including
1559:Music portal
1518:19 September
1516:. Retrieved
1507:
1496:. Retrieved
1492:the original
1481:
1469:. Retrieved
1465:
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1440:
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1412:
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1390:the original
1380:
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1283:. Retrieved
1278:
1269:
1236:(2015, with
1233:
1228:Pete Namlook
1226:(2000, with
1223:
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1196:(1998, with
1193:
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1178:Pete Namlook
1176:(1993, with
1174:Fires of Ork
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427:Microgravity
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388:
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337:Depeche Mode
326:
301:
277:
269:
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186:1983–present
182:Years active
143:experimental
1918:1962 births
1861:Patashnik 2
1589:Discography
1583:including:
1441:Rough Trade
1340:, p.197-198
1200:, remixing
975:Patashnik 2
808:Discography
657:(1993) and
638:jazz fusion
634:Miles Davis
621:Jules Verne
443:Sahara Blue
431:Origo Sound
391:12" records
284:within the
221:SSR Records
216:Origo Sound
175:synthesizer
87:30 May 1962
1912:Categories
1814:Substrata²
1498:2009-06-29
1471:28 October
1446:28 January
1421:14 October
1396:2012-05-03
1261:References
1158:(1987, in
1064:Substrata²
1032:Substrata
996:Black Mesa
885:Substrata²
720:electronic
673:Jah Wobble
564:Aphex Twin
532:Twin Peaks
479:The Hubble
395:acid house
256:.biosphere
157:Occupation
113:Electronic
83:1962-05-30
58:Birth name
1838:Dropsonde
1798:Substrata
1790:Patashnik
1748:Biosphere
1709:Lindstrøm
1690:Lindstrøm
1488:"Unsound"
1466:Pitchfork
1285:April 26,
1238:Deathprod
1198:Deathprod
1160:Bel Canto
1119:Stromboli
1115:Stromboli
998:EP (2017)
986:EP (2014)
933:Dropsonde
900:, 2001) (
891:Substrata
869:Substrata
861:Patashnik
772:Patashnik
751:Substrata
732:Beethoven
724:classical
629:Dropsonde
527:Substrata
523:Substrata
514:Substrata
491:Patashnik
484:In 1995,
472:Patashnik
468:Patashnik
464:cosmonaut
459:Patashnik
352:Bel Canto
345:Brian Eno
333:New Order
303:Substrata
278:Biosphere
138:downtempo
34:Biosphere
1879:Insomnia
1854:N-Plants
1822:Shenzhou
1666:Archived
1630:AllMusic
1369:Archived
1249:See also
1078:Insomnia
1072:Insomnia
960:(2011) (
957:N-Plants
948:(2009) (
936:(2006) (
924:(2004) (
912:(2002) (
909:Shenzhou
689:N-Plants
660:Insomnia
636:' 1970s
586:), and
559:Shenzhou
399:New Beat
368:Brussels
364:Nettwerk
161:Producer
101:, Norway
1682:Awards
1659:at S107
1639:Discogs
1566:General
796:Cho Oyu
780:Detroit
584:The Sea
574:Debussy
384:sampler
362:and to
318:History
312:ambient
290:ambient
249:Website
118:ambient
1890:(2001)
1882:(1997)
1863:(2014)
1857:(2011)
1849:(2009)
1841:(2006)
1833:(2004)
1825:(2002)
1817:(2001)
1809:(2000)
1806:Cirque
1801:(1997)
1793:(1994)
1785:(1991)
1766:(1990)
1336:
1234:Stator
1132:(2015)
1040:(2023)
1034:(2022)
1028:(2022)
1022:(2021)
1016:(2019)
1010:(2018)
1004:(2017)
992:(2016)
970:(2012)
880:(2000)
877:Cirque
872:(1997)
864:(1994)
856:(1991)
841:(1990)
826:(1984)
726:album
713:KrakĂłw
603:drones
579:La Mer
550:Cirque
541:Cirque
495:techno
372:Tromsø
343:, and
329:Tromsø
282:Tromsø
211:Apollo
191:Labels
106:Genres
99:Tromsø
95:Origin
1703:2011
1279:ASCAP
1242:Touch
1123:Touch
1094:Nokas
962:Touch
950:Touch
938:Touch
926:Touch
914:Touch
902:Touch
894:with
824:E-Man
702:Japan
681:NOKAS
546:Touch
298:loops
236:AD 93
203:Touch
133:drone
1593:MP3s
1585:News
1520:2016
1473:2022
1448:2021
1423:2018
1352:See
1334:ISBN
1287:2023
758:Live
696:and
607:Coil
589:Jeux
497:and
397:and
378:and
341:Wire
292:and
77:Born
1637:at
1628:at
1619:at
1240:) (
734:'s
700:in
683:".
667:on
576:'s
449:on
441:'s
258:.no
254:www
128:IDM
1914::
1591:–
1587:–
1464:.
1439:.
1345:^
1295:^
1277:.
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476:EP
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