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rule: Learn to do each segment of a comic professionally. Bill Hoest could draw well, letter attractively and legibly, design in an eye-catching fashion, direct and control the action and expression of his characters, and write material that was genuinely funny. He then blended the elements to produce work that stood out on the comics page. I must now meet that same standard of excellence.
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Bill Hoest insisted on doing each of his comics meticulously. The artwork, writing, lettering and inking were all done in such a way as to meet his high self-imposed standards. I came to realize that his success, which so many cartoonists young and old tried to analyze, was the result of a simple
192:. He started his art career in 1948 as a greeting card designer with Norcross Greeting Cards, continuing in that field until 1951 when he left to become a freelancer. His cartoons soon began appearing in
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Hoest was reportedly a diligent cartoonist, putting in ten hours a day at his drawing board. "It is a business, and I have to treat it like a business. I keep busy. That's the way I make my living".
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dealers. Top cartoonists of that decade drew cartoons showing
Volkswagens, and these were published along with amusing automotive essays by such humorists as
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was named the best syndicated panel of 1976 and 1980 by the NCS, and he also won in the gag cartoon division in 1977.
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continued to illustrate all the features, while Hoest's widow, Bunny Hoest, took over the scripting. Reiner recalled:
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154:(February 7, 1926 – November 7, 1988) was an American cartoonist best known as the creator of the gag panel series,
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289:(1974), a cartoon series about cars and drivers for the
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188:, Hoest spent two years in the Navy and studied art at
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The
Lockhorns: What's the Garbage Doing on the Stove?
323:, was syndicated by King Features from 1987 to 1996.
279:, Hoest began his cartoons about a bickering couple,
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The
Lockhorns: I See You Burned the Cold Cuts Again
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448:The Lockhorns: Who Made the Caesar Salad—Brutus?
442:The Lockhorns: Loretta, the Meat Loaf Is Moving
370:at the time of his death. Hoest, who lived in
250:Hoest was one of the cartoonists featured in
710:United States Navy personnel of World War II
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473:The Lockhorns: Is This Steak or Charcoal?
418:Santa's Little Helpers, A Christmas Story
608:"Cartoonist's wedded bliss far cry from
230:. It lasted two years, ending in 1962.
228:Chicago Tribune New York News Syndicate
164:to 500 newspapers in 23 countries, and
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650:National Cartoonists Society Awards
591:"Obscurity of the Day: My Son John"
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705:People from Lloyd Harbor, New York
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401:National Cartoonists Society
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630:King Features: John Reiner
504:The Return of Agatha Crumm
456:. Tempo Star Books: 1978.
399:Bill Hoest received three
343:Sunday supplement magazine
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517:Even More Bumper Snickers
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636:January 3, 2010, at the
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362:Personal life and death
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222:community in 1960 with
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72:Lloyd Harbor, New York
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381:After Hoest's death,
355:to that mix in 1981.
210:and other magazines.
487:. Lyle Stuart, 1981.
467:More Bumper Snickers
295:. His King Features
152:William Pierce Hoest
42:William Pierce Hoest
700:Cooper Union alumni
618:The Palm Beach Post
579:Lambiek: Bill Hoest
552:. Tor Books. 2001.
538:. Tor Books, 1990.
313:from 1977 to 1996.
532:. Tor Books, 1984.
218:Hoest entered the
186:Newark, New Jersey
118:, 1976, 1977, 1980
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462:978-0-441-33980-8
426:Volkswagen, 1967.
292:National Enquirer
275:While working on
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66:(1988-11-07)
685:1988 deaths
680:1926 births
485:Howard Huge
424:Think Small
383:John Reiner
376:Bunny Hoest
352:Howard Huge
321:John Reiner
316:What a Guy!
297:comic strip
266:Roger Price
253:Think Small
224:My Son John
220:comic strip
131:Bunny Hoest
674:Categories
566:References
258:Volkswagen
226:, for the
86:Cartoonist
47:1926-02-07
22:Bill Hoest
610:Lockhorns
341:for that
195:Collier's
180:Biography
124:Spouse(s)
634:Archived
620:. p. C1.
403:awards.
184:Born in
665:Lambiek
247:strip.
201:Playboy
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81:Area(s)
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395:Awards
335:Parade
309:and a
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112:Awards
74:, U.S.
56:, U.S.
307:daily
277:Penny
245:Penny
240:Penny
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