503:, and he was thinking of returning to the Boston area. He was in Boston working on a movie and visited his old friend Livingston Taylor, who was then on the faculty at Boston's Berklee College of Music. Elliott then learned of a job opening there in the Contemporary Writing and Production Department. He was hardly an academic, yet Elliott had the real-world experience that suited the job perfectly, and he accepted the offer and began teaching at Berklee in 2004. As for his teaching methods, Elliott stated, "I teach them what works with players, how players like to work together, and how instruments work together." After returning to Boston, he soon began working with the Boston Pops Orchestra. Over the years, he has written more than 50 pieces for them including the orchestra's holiday shows and their Gershwin celebration tour.
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then fine-tune the show based on what they feel the audience responds to. Changes in a dance routine require the music for that dance to be re-written. Elliott used his same routine here that he used with film — studying videos of the action. He worked on nearly half of the music in the final show. He said, "...it's more than just taking the notes and assigning them to an instrument. My work as an orchestrator is about bringing the emotions to life that are there and that are trying to be there." He said, "I felt like I was hired to put the 'American' in
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396:, and it needed a 1930s swing-type tune. This was a type of music that Elliott always liked anyway, but for years had kept separate from his pop career. In essence, he was now being asked to write new music that sounded like old music. He said, "Here was something I excelled at, and few others were doing it." He traveled back to Boston and recorded the song "Pep, Vim, and Verve" for the movie sound track. Later, he obtained jobs arranging music for
286:, but at the time, this was little more than a hobby because his real interest was the pop music of the day. His piano skills showed early, and he quickly became a favored keyboardist for artists around the Boston area. Other than high school music instruction, Elliott is basically self-taught. He did not attend college. He said, "I was impatient." "I just wanted to be a musician".
491:, on which Elliott was conductor, orchestrator and performer. He also performed with Lithgow in live concerts for children featuring this work. By the late 1990s Elliott's career was almost exclusively focused on arranging, composing, and orchestrating for film, television, and children's music, with some time allotted for his orchestra.
293:. In an interview 40 years later, Compton said of Elliott, "Bill only needs to hear a song once and he already knows it perfectly. He's like a modern-day Mozart, and really looked the part back then." Soon, Elliott decided to move to Los Angeles. He had some significant early success performing in a country-rock band called
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The production had already been performed in Paris for four months when
Elliott was hired to adapt the music to better suit Broadway. "I was brought in to re-do some of the songs in a more theatrical way," Elliott said. In this process, the directors carefully study the audience during preview shows,
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In 1977, at age 26, he returned to L.A., which was his home base while touring as a member of Bonnie Raitt's band for about two years. Between tours he found work making demo recordings for music publishers; this work honed his skills—enough for
Elliott to enter into a select group of elite recording
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At age 42, Elliot formed "The Bill
Elliott Swing Orchestra", a 19-member band based in Los Angeles. It included some of LA's finest musicians with whom Elliott had become acquainted. The first performance was in 1993 at the Hollywood Roosevelt Hotel. Taking advantage of a swing dance revival in the
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was coming in style, but
Elliott could not imagine himself playing that type of music. He began to focus more on writing and orchestrating, working for free at first, doing musical scores for low-budget films. He developed this skill by teaching himself. He said, "I learned by doing. I learned
278:, where he played clarinet in the school band. Encouraged by director George Doren, Elliott wrote his first orchestrations for the band to play at football game halftimes. Even as a teenager, he liked swing music, and learned to play
552:— the Tony nomination was for best orchestration, the Grammy nomination was for Best Musical Theater Album, for which Elliott was co-producer. Next was his orchestration for the 2013 adaptation of
342:. Elliott said, "The show covered many musical styles, including swing, country, and r&b. It was a real education learning how to arrange for these distinct genres on the fly."
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In 1969, at age 18, he was invited to come to Los
Angeles to perform on a recording by one of his Massachusetts friends, John Compton, who was making his first studio album called
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588:. The production attracted attention because its direction and choreography were done by a ballet choreographer with no previous experience directing musicals.
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Elliott began writing for
Broadway shows beginning about 2008. One of his original songs, "Bill's Bounce", was featured in the Broadway musical dance revue
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initially, but the orchestra gained stature and acceptance to the point of being featured on film soundtracks and albums of major artists. Examples include
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gradually and serendipitously turned toward orchestration of films, television, and then
Broadway musicals. Films that feature Elliott's music include
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At age 42, he formed "The Bill
Elliott Swing Orchestra", which has performed on movie soundtracks and on record albums for prominent artists.
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keyboardists, that allowed him to focus on studio work and to stop touring. Elliott was booked on sessions to record with artists including
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A break came when some Boston friends, who were working on a movie, asked him if he could write something for it. The film was
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297:, named for Elliott's hometown friends Lorin and Chris Rowan who had moved to California. He performed on their 1972 album
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528:. She asked Elliott to orchestrate it and, through contacts he made doing that show, he was led to other theater work.
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Grisman was credited under the pseudonym "David Diadem." The album also featured steel guitar virtuoso
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Elliott moved back to Boston in the mid 1970s and toured with some popular acts of the day, including
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which later received an Emmy nomination. This album impressed Ita Cahn, the widow of songwriter
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and has been guest conductor for the symphony orchestras of seven major cities.
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786:"Acceptance Speech: Christopher Austin, Don Sebesky & Bill Elliot (2015)"
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He contributed additional orchestrations to the 2011 revival of
Broadway's
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954:"'An American in Paris' features arrangements by Holliston's Bill Elliott"
845:"Drama Desk Awards 2017: Bette Midler, 'Oslo' Take Top Honors (Full List)"
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1270:"The Bill Elliot Swing Orchestra/Introducing Dorothy Dandridge/Credits"
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1619:. No. New York Edition. The New York Times Company. p. C-1.
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876:"Berklee College of Music/Contemporary Writing Faculty/Bill Elliott"
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311:. The band was successful enough to perform as the opening act for
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In his early 50s, Elliott's work on the west coast declined after
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708:"Professor Bill Elliott Wins Tony Award for Hit Broadway Musical"
548:. In 2012 he was nominated for both Tony and Grammy awards for
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132:
746:"MUSIC : Getting Into the '30s Swing : Bill Elliott"
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in 1971. He also played with other
California bands, such as
274:, about 20 miles west of Boston. In 1969, he graduated from
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Elliott, along with co-writer Greg Anthony Rassen, won the
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1486:"Theater review: 'Robin and the 7 Hoods' at the Old Globe"
627:
2012 Grammy Award nominee – Best Musical Theater Album –
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16:
American pianist, bandleader, composer, and orchestrator
113:; October 2, 1951) is an American pianist, bandleader,
1988:
212:. He has written music for Disney's video sequels to
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1429:"Chichester Festival Theatre/Profiles/Bill Elliott"
980:"Anything Goes/Opening Night Playbill/Bill Elliott"
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254:As of 2016, Elliott is on the faculty of Boston's
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125:for best orchestration for the Broadway musical,
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574:In 2015 Elliott, along with two collaborators,
158:studio musician, recording with artists such as
1705:Drama Desk Award for Outstanding Orchestrations
1350:"Lithgow Hopes to Make a Big Splash in Concert"
920:
563:Drama Desk Award for Outstanding Orchestrations
174:, and others. In his 20s he was the pianist in
143:Drama Desk Award for Outstanding Orchestrations
1936:Jason Michael Webb and David Holcenberg (2022)
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582:for his orchestration in the Broadway musical
258:. He has written over 50 arrangements for the
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1565:"Broadway World/Bill Elliott Theatre Credits"
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1435:. Chichester Festival Theatre. Archived from
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1323:"John Lithgow/Singin' in the Bathtub/Credits"
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131:. In 2012 he was nominated for both Tony and
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1013:"News from the Bill Elliott Swing Orchestra"
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1297:"John Lithgow/ Farkle and Friends/Overview"
1276:. Allmusic, a member of the RhythmOne group
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621:2012 Tony Award nominee – Orchestration –
383:arranging on the fly, just trying it out."
79:Pianist, orchestrator, composer, bandleader
1981:
1967:
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1513:"The Guide to Musical Theatre/Shows/Swing"
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1303:. All music, member of the RhythmOne group
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1138:"John Compton Interview by Nick Warburton"
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649:2017 Tony Award nominee – Orchestration –
633:2015 Tony Award winner – Orchestrations –
605:2008 Emmy Award nominee – PBS documentary
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1329:. Allmusic, member of the RhythmOne group
1250:. Allmusic, member of the RhythmOne group
1224:. Allmusic, member of the RhythmOne group
1197:. Allmusic, member of the RhythmOne group
1171:. Allmusic, member of the RhythmOne group
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506:In 2008, he was the music director for a
441:1990s, the band attracted dancers of the
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1111:"Compton & Batteau – In California"
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1039:"Playbill, Nice Work if You Can Get It"
851:. Variety Media (Penske Business Media)
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615:nominee – Outstanding Orchestration –
307:and produced by bluegrass mandolinist
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1771:Jose Libertella and Luis Stazo (1993)
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1590:"2015 Tony Award Best Orchestrations"
1539:"Bill Elliott Orchestrator, Composer"
1136:Warburton, Nick (September 1, 2009).
643:winner – Outstanding Orchestration –
1375:"Livingston Taylor/Professor, Voice"
1165:"The Rowan Brothers/Overview/Review"
903:"Bill Elliott Will Honor Artie Shaw"
555:Rodgers and Hammerstein's Cinderella
178:'s band. His career in contemporary
1617:"Ballet Values Infiltrate Broadway"
1484:McNulty, Charles (August 1, 2010).
1348:Heffley, Lynne (November 4, 1999).
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2281:American musical theatre composers
1990:Tony Award for Best Orchestrations
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952:Olesin, Nancy (October 18, 2016).
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1615:Seibert, Brian (April 18, 2015).
901:Kohlhaase, Bill (April 7, 1995).
565:in 2017 for the Broadway musical
459:that was written and produced by
145:in 2017 for the Broadway Musical
1460:"Reviews: Robin and the 7 Hoods"
1215:
436:The Bill Elliott Swing Orchestra
121:orchestrator. In 2015, he won a
1458:Stevens, Rob (August 2, 2010).
1244:"Diane Schuur/Midnight/Credits"
880:berkley.edu/people/bill-elliott
770:"The Tony Awards/The Winners".
706:Ashton, Emily (July 15, 2015).
663:
230:, and for the television shows
1915:and Greg Anthony Rassen (2017)
1519:. The Guide to Musical Theatre
1085:"Bill Elliott Reinvention 101"
792:. The Tony Awards. 7 June 2015
744:Stewart, Zan (June 30, 1995).
265:
1:
2219:Katie Kresek, Justin Levine,
1218:"The Rowans/Artist Biography"
815:"Nice Work if You Can Get It"
680:
578:and Christofer Austin, won a
481:on a children's album called
466:Introducing Dorothy Dandridge
400:, including video sequels to
1191:"The Rowan Brothers/Credits"
843:Cox, Gordon (June 4, 2017).
774:. June 8, 2015. p. E-2.
7:
629:Nice Work if You Can Get It
623:Nice Work if You Can Get It
617:Nice Work if You Can Get It
550:Nice Work if You Can Get It
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138:Nice Work if You Can Get It
10:
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2311:Wayland High School alumni
1381:. Berklee College of Music
1091:. Berklee College of Music
882:. Berklee College of Music
714:. Berklee College of Music
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1996:
1852:Mary Mitchell Campbell /
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1517:guidetomusicaltheatre.com
986:. Playbill. April 7, 2011
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2061:and Stuart Malina (2003)
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429:The Shirley Temple Story
256:Berklee College of Music
2306:Seatrain (band) members
2301:American jazz educators
1666:Awards for Bill Elliott
821:. Broadway Musical Home
819:broadwaymusicalhome.com
334:), Jonathan Taylor and
600:Awards and nominations
488:Singin' in the Bathtub
272:Wayland, Massachusetts
135:awards for Broadway's
55:Wayland, Massachusetts
2223:and Matt Stine (2021)
1727:Steven Margoshes and
1718:/ Hans Spialek (1983)
1596:. The Broadway League
1545:. The Broadway League
772:The Los Angeles Times
750:The Los Angeles Times
525:Robin and the 7 Hoods
260:Boston Pops Orchestra
2291:Big band bandleaders
1924:Daniel Kluger (2019)
1780:Steve Skinner (1996)
958:milforddailynews.com
635:An American In Paris
594:An American in Paris
585:An American in Paris
412:. He wrote for TV's
406:Beauty and the Beast
221:Beauty and the Beast
128:An American in Paris
2010:William David Brohn
1949:Marco Paguia (2024)
1830:William David Brohn
1790:William David Brohn
1760:William David Brohn
1748:Andrew Lloyd Webber
1401:"InTheir Own Words"
1163:Hartenbach, Brett.
463:; and the HBO film
315:at San Francisco's
276:Wayland High School
270:Elliott grew up in
154:Elliott began as a
2316:Tony Award winners
2216:No Ceremony (2020)
2164:Christopher Austin
2158:Jason Robert Brown
2148:Martin Lowe (2012)
1901:Christopher Austin
1895:Jason Robert Brown
1885:Martin Lowe (2012)
1439:on 2 February 2017
1142:garagehangover.com
1017:swingorchestra.com
607:The Sinatra Legacy
516:The Sinatra Legacy
483:Farkle and Friends
455:, a jazz album by
300:The Rowan Brothers
295:The Rowan Brothers
111:William F. Elliott
34:William F. Elliott
2286:Swing bandleaders
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2131:Daryl Waters and
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1868:Daryl Waters and
1859:Jason Carr (2008)
1746:David Cullen and
1569:broadwayworld.com
1491:Los Angeles Times
1354:Los Angeles Times
1295:Phares, Heather.
960:. GateHouse Media
907:Los Angeles Times
512:Michael Feinstein
510:documentary with
414:Northern Exposure
328:Livingston Taylor
313:The Grateful Dead
233:Northern Exposure
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209:Wedding Crashers
203:Independence Day
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1933:No Award (2021)
1919:Jonathan Tunick
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1117:. Discogs. 1971
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1083:Fleming, Ryan.
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423:Drew Carey Show
372:
370:Finding a niche
364:Smokey Robinson
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164:Smokey Robinson
104:
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70:musical theater
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49:October 2, 1951
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2152:Stephen Oremus
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2143:Stephen Oremus
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2097:Alex Lacamoire
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1944:Bryan Carter
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1841:Ted Sperling
1837:Adam Guettel
1741:John Cameron
1647:Bill Elliott
1633:Bill Elliott
1610:
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2271:1951 births
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2107:Martin Koch
2037:Don Sebesky
2016:Ralph Burns
1889:Danny Troob
1870:David Bryan
1863:Martin Koch
1818:Ralph Burns
1802:Don Sebesky
1796:Don Sebesky
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1729:Danny Troob
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1089:berklee.edu
849:variety.com
790:youtube.com
755:30 December
718:30 December
712:berklee.edu
576:Don Sebesky
471:Halle Berry
469:, starring
340:Martin Mull
280:Fats Waller
266:Early years
156:Los Angeles
2265:Categories
2227:Simon Hale
2059:Billy Joel
1433:cft.org.uk
1254:January 4,
912:20 January
681:References
580:Tony Award
520:Sammy Cahn
426:and ABC's
389:Dick Tracy
185:Dick Tracy
123:Tony Award
84:Instrument
45:1951-10-02
30:Birth name
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651:Bandstand
645:Bandstand
568:Bandstand
447:Lindy Hop
443:Jitterbug
392:starring
376:punk rock
180:pop music
148:Bandstand
115:Hollywood
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1928:Tom Kitt
1651:AllMusic
1594:ibdb.com
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532:Broadway
495:Academia
452:Midnight
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336:Tom Rush
321:Seatrain
119:Broadway
1637:Discogs
855:June 7,
514:called
402:Aladdin
356:America
282:-style
215:Aladdin
197:Contact
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539:Swing!
420:, the
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133:Grammy
109:(born
62:Genres
57:, U.S.
2210:2020s
2125:2010s
2030:2000s
1997:1990s
657:Notes
639:2017
611:2012
418:Ellen
239:Ellen
191:Nixon
87:Piano
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66:Jazz
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