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himself. He generally eschewed such labels as drag queen or female impersonator, preferring to describe himself as "a gay man in a frock". Rather than "mimic a male stereotypical conception of womanhood", wrote one theatre journalist, Bourne sought "to find a different way of being a man". Asked in 2010 if he had left his radical politics behind he said: "One doesn't just stop being what one is. I'm still out there, still full of fury and rage, but on the whole I do try to keep up a very pleasant façade."
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383:. They were staged, produced, and directed in the vaudeville tradition. The scenery and costumes were designed to look tawdry and down-at-heel. The actors made their own costumes on a limited budget "out of plastic laundry baskets, broken lampshades, and tat from second-hand shops, sometimes using mops as wigs", Co-op recalled. "The first Bloolips rehearsals were done in my flat in Notting Hill, seven of us tap dancing in a line.", Bourne told
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growing counterculture, he took to wearing women's clothing: "It wasn't about impersonating a woman. It was about trying to find a new sort of man, to really question what a man was.... Putting on a skirt, putting on some make-up, it changed the agenda, the way that you thought and spoke." He said others began calling him "Bette" and he adopted the name.
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Bourne recalled how the early participation of men in drag in a public demonstration in the early 1970s disturbed more traditional civil rights advocates: "A lot of the queens were very afraid of us because we were disobeying the rules in some deep way and scaring them. People got very frightened. We
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Years later Bourne recalled the political transformation. Before the change in gay consciousness that came in the 1970s, he said, "The drag queens would be making the most terrible crude jokes about women but we'd be laughing along." Eventually motivated by anger at harassment and the attraction of a
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and the cast of six: "Bloolips are bizarrely funny. It's not what you do, but how you do it. They tap-dance with clattering precision, harmonize on old sounding tunes and never forget the parodistic nature of their endeavour, imitating everyone from dim-witted ingenues to flamboyant femmes fatales."
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In London Bourne founded an all-male gay musical comedy company, Bloolips. In addition to Bourne, who took the leading role, original members were
Lavinia Co-op, Precious Pearl, Diva Dan, and Gretel Feather. Between 1977 and 1994, there were around 25 members in the troupe. The company employed John
199:; 22 September 1939 – 23 August 2024) was a British actor, drag queen, and activist. His theatrical career spanned six decades. He came to prominence in the mid-1970s when he adopted the name "Bette" and a radical posture on gay liberation. He joined the New York-based alternative gay cabaret troupe
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reviewer found much to criticize but thought Bourne had "some excellent material" and "gives the impression of being able to charm by just standing there". She praised Bourne's "splendid Noel Coward imitation" singing "Why Must the Frock Go On?" and the way he delivered his lines in his "wonderful,
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Beginning in the 1990s, Bourne took on more traditional acting assignments in both male and female roles, sometimes in fringe theatres and campy new dramas, but also in classics by
Shakespeare, Oscar Wilde, and Noel Coward. He toured widely in one-man biographical shows playing Quentin Crisp and as
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described its New York incarnation as "a compilation of wit, wisdom and reminiscence, delivered by an elderly person for whom personal style is a life force" and praised Bourne for "a performance that sweetens clinical observation with beneath-the-skin empathy". Bourne's work received an OBIE for
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and wrote that it was a cabaret act that referenced that play "only as a point of departure" and "there is little to connect the two works, even as a takeoff". He praised some of the musical numbers–"another number in which three paper lanterns do a tap dance is lively"–but judged the show
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David
Benedict wrote that the director dealt with the "usually unfunny" character by casting Bourne, who "plays marvelously high-status as a doddering gay captain of the guard and savors every last syllable of his character's language-mangling to high comic effect".
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in the early 1950s, although he had an interest in acting before that. His father was indifferent to his son's acting aspirations. When Bourne was 16, he did a three-month apprenticeship as a printmaker. He then worked in journalism at the
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Taylor to provide scripts, and later Ray
Dobbins. The productions combined satirical political comedy with tap dancing and singing, with the men in clown-like costumes rather than in female attire or as female impersonators.
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Bourne intoned the famous "A handbag?" line in a new minted way, as though patiently humouring a lunatic, while the subversive radical side of this reactionary dowager was given an intriguing outlet through the gender
860:, charting their journey together over 40 years with monologues and turns from selected productions. In 2022, Bette appeared alongside Shaw as the Queen at Duckie's Alternative Royal Command event held at the
394:" and original songs like "I'm Mad about Leisure", "I Want to Be Bad", and "I'd Love to Dance the Tango but my Suit Says No". Many of the show's titles and plots were adapted from well-known movies, including
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called it a "bravura performance" and described Bourne as "a phantasmal apotheosis of a renegade erotic spirit, at once a ruined (though regal) grand dame and a sad clown". Bourne reprised that role at the
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weren’t frightening at all. But it was much stronger than anything they were doing. It was also about a sense of humour or not. Wearing the dresses was great fun as well. It certainly was for me."
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In 1993 one reviewer wrote: "If Busby
Berkeley had concocted a musical about Ancient Rome and cast it with English music-hall comics who love to dress up like chorines, it might look like
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in August 1978 and were, according to Bourne, "a sensation". It became a regular practice for the troupe to premiere their productions at The
Tabernacle to benefit the local community.
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Some of the best gags fly on the flimsiest premises, as, for instance, when Bette, with the help of his dressers, suits up as Marie
Antoinette to the strains of the 1812 Overture.
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Bloolips was first and foremost a vehicle for Bourne, both his insistence on managing his career and showcasing his talents. The troupe premiered their first show at
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on a tour of Europe and then founded his own alternative London-based gay theatrical company, Bloolips, which lasted until 1994.
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669:. That role was Bourne's first as a female impersonator, chosen only after he determined that "a caricature was not required".
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with a 'feathered cloake, hook-nose and bouffant hairstyle...sweeping across the stage like a bird of prey' (Evening
Standard)
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In the 1970s, feeling disillusioned with show business, Bourne put his acting career on hold to become an activist with the
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884:, Leslie Felperin called it "practically a microcosm of 20th-century gay culture" and called the archive material "ace".
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2688:"English "Radical Drag" Actor and Gay Rights Activist, Beloved by Downtown New York Theater Audiences, Dies at Age 84"
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Bloolips performed in New York in 1980, opening off-off
Broadway at the New City Theater, moving to the off-Broadway
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Bette Bourne has a tiny part as a cross-dressing
Baroness, an allusion to one of Colette's real-life lovers.
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Bourne made his stage debut at the age of four with Madame Behenna and her Dancing Children performing at
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Bourne worked with Bartlett again at the Lyric Hammersmith in 2003, as the narrator in a production of
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1792:"Lavinia Co-op on how the Bloolips brought radical drag to the mainstream - and the Hackney Empire"
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275:. In the 1960s he appeared, credited as Peter Bourne, in several episodes of TV series, including
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Bette Bourne (left) with other original GLF activists at a 40th anniversary celebration in the LSE
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219:, East London, into a working-class family. He had two sisters and a brother (actor and singer
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Interviews at the Unfinished Histories Archive, Recording the History of Alternative Theatre:
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2559:"Sometimes nothing's scarier than a bit of sponge and rubber tubing soaked in stage blood"
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In 1997, Bourne performed in New York City in a production of Ray Dobbins' one-man show
1342:(1970) – Edmund of Kent; telefilm based on the 1969 Prospect Theatre Company production
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and performed in London, New York, San Francisco, Boston, and Seattle. The show won an
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In 1998, Bourne and Shaw visited the US with a best of Bloolips production tilted
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That same year Bourne worked with the playwright Mark Ravenhill on a short play,
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849:, Edinburgh, a staged reading of transcripts of conversations with playwright
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676:, a series of sketches "in an extremely loopy vein", said one glowing review.
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Modern British Playwriting: The 1970s: Voices, Documents, New Interpretations
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604:"sophomoric" with "little originality". He noted the four actors' "energy".
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in London. Bourne remained there when the troupe returned to New York City.
336:. He became a part of the infamous gay commune based in Colville Terrace in
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an ancient wreck of a man (played with gob-spewing hilarity by Bette Bourne
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The shows drew heavily on the glamour of the 1920s and 1930s golden era of
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From August 1969 to March 1970, still as Peter, he performed alongside Sir
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Vaudeville, Old and New: An Encyclopedia of Variety Performers in America
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In 2013, Bourne and Shaw gave a special retrospective performance titled
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2159:"Bette Bourne Returns to the London Stage in Fountain's RESIDENT ALIENT"
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In 2014, Bourne featured in a documentary film about his life and work,
583:, which Bourne and Shaw had a hand in writing. The play was produced by
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939:(Sir Henry Green and Abbott of Westminster), Prospect Theatre Company,
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at the Lyric Theatre in Hammersmith that was broadcast on BBC Radio 3.
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Bloolips performed 13 shows before disbanding in 1998. These included:
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Cullen, Frank; Hackman, Florence; McNeilly, Donald (16 October 2006).
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for his portrayal of Crisp. Fountain wrote two more plays for Bourne:
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1257:(porter), 2013; filmed version of the Shakespeare's Globe production
778:. More Shakespeare followed in 2004 when Bourne played the nurse in
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Bourne played in Improbable Theatre's stage adaptation of the film
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2790:"'Sarrasine' Is Energetic, Gender-Bending Opera-Vaudeville Mix"
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In 1991, Bourne appeared as the 250-year-old La Zambinella in
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The shows featured adaptations of such well-known numbers as "
2662:"In Pictures: Bloolips and the Empowering Joy of Dressing Up"
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A documentary movie shot in New York City in 1993 and titled
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In 1976, Bourne joined the New York-based gay cabaret troupe
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Catalogued by Barbara Vesey, November 2017 and February 2018
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In Pictures: Bloolips and the Empowering Joy of Dressing Up
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In 2019, an exhibition celebrating the legacy of Bloolips,
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251:. Bourne began his theatre career working as a stagehand.
234:". The first play he remembers seeing was a production of
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Letter from Bette Bourne describing Bloolips in New York
1374:"Bette Bourne: Gay life through the eyes of a show-off"
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deep Tallulah-like voice". That same year Bourne won a
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Alumni of the Royal Central School of Speech and Drama
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2258:"Bringing an Eccentric Old Friend Back for an Encore"
2185:"Seattle's on The Board Imports Bloo Revue from U.K."
1763:"Gay veterans from 1970s will lead 2020 Pride march"
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Bourne played the role of Pauncefort Quentin in the
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on a European tour that culminated in a show at the
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659:award for his performance as Lady Bracknell in the
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2606:"A Right Pair (The Marlborough Theatre, Brighton)"
2956:. Vol. I. Psychology Press. pp. 123ff.
1148:(Henry Willson), Oval House Theatre, London, 2008
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2636:"Bette Bourne: It Goes With the Shoes – review"
2578:"How We Met: Mark Ravenhill & Bette Bourne"
2359:"Bette Bourne is between a Rock and hard place"
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1822:"What is 'radical drag' and who were Bloolips?"
903:, London, on 23 August 2024, at the age of 84.
891:, was mounted at Platform Southwark in London.
3018:and the Bloolips troupe during their visit to
2203:"Beginning With Chickens and Ending With Eggs"
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1354:, season 7, episode 9, aired 16 September 1992
1008:(Eadie), Performance Space 122, New York, 1997
966:(Jaques), Regent's Park Open Air Théâtre, 1992
424:, and closing in June 1981. Its production of
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1601:"Alumnus Bette Bourne Welcomed at Gala Event"
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880:, written and directed by Mark Ravenhill. In
695:. The production toured widely and played in
635:, and others in a benefit reading of Wilde's
2819:"Theatre: Funeral Games, Drill Hall, London"
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926:(Edmund of Kent), Prospect Theatre Company,
575:In 1990, Bourne and Paul Shaw appeared with
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1605:Royal Central School of Speech & Drama
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757:, playing the gay 20th-century Greek poet
563:contains footage of the troupe performing
544:In 1988, Bloolips toured Canada, visiting
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3140:Actors from the London Borough of Hackney
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2446:Billington, Michael (25 September 2003).
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2183:Hughes, David-Edward (25 February 1998).
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1553:(Interview). Interviewed by Howard Loxton
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1237:(English interviewee), 1996; directed by
1190:(himself), Brighton Festival Fringe, 2012
841:In 2009, Bourne talked about his life in
2988:A short documentary about Bloolips, 1993
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2386:Billington, Michael (11 December 2002).
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1551:"The Skin of our Teeth, Young Vic, 2004"
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591:for Ensemble Production in 1991. In the
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2788:Upchurch, Michael (20 September 1991).
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749:. In 2005, he appeared in Ray Dobbins'
631:On 9 October 1994, he joined McKellen,
223:). His mother was an amateur actress.
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2079:"Theatre Sarrasine Lyric, Hammersmith"
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2634:Felperin, Leslie (13 February 2014).
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2448:"Pericles, Lyric Hammersmith, London"
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2050:"'Sarrasine': Sexuality and Illusion"
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1474:Folliard, Patrick (28 October 2010).
1372:Cuthbertson, Ian (27 December 2010).
834:in London. Bourne played the role of
674:Bloo Revue: A Bloolips Retrospectacle
254:
2892:Goodridge, Mike (10 February 2009).
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2843:Mooney, Lauren (22 September 2013).
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2528:Benedict, David (20 December 2006).
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2308:"Thumbs up for the Bourne supremacy"
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2048:Holden, Stephen (9 September 1991).
1871:"Is the Theater All a Juggling Act?"
1743:from the original on 26 October 2018
1731:"Bette Bourne - the Queen of London"
611:and Nick Bloomfield's production of
2709:Bartlett, Neil (8 September 2024).
2557:Ravenhill, Mark (14 October 2007).
2415:Hutera, Donald (16 December 2005).
2328:Hutera, Donald (22 November 2004).
1947:Kasino, Michael (director) (1993).
1631:"The fabulous life of Bette Bourne"
1561:– via Rogues & Vagabonds.
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1001:(Pringle), Drill Hall, London, 1996
13:
2994:Making an Exhibition of Themselves
2686:Hannay, Mark L. (29 August 2024).
2576:Jacques, Adam (11 December 2011).
2477:"If only Juliet had been a boy..."
2230:Jackson, Kate (12 December 2001).
2157:Loki, Reynard (17 November 2008).
2077:Taylor, Paul (19 September 1996).
2022:Hampton, Wilborn (11 March 1991).
1832:from the original on 20 July 2019.
1629:Ravenhill, Mark (23 August 2009).
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1549:Bourne, Bette (26 February 2004).
1521:from the original on 27 April 2014
1444:Taylor, Paul (10 September 1996).
1062:(nurse), Shakespeare's Globe, 2004
951:A Vision of Love Revealed in Sleep
679:In 1999, Bourne played his friend
269:Central School of Speech and Drama
96:Central School of Speech and Drama
14:
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3175:21st-century English LGBTQ people
3165:20th-century English LGBTQ people
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2915:Amador, Tavo (22 December 2009).
2256:Brantley, Ben (19 January 2001).
1895:Berson, Misha (15 January 1993).
1729:Ravenhill, Mark (10 April 2012).
1509:Smith, Rupert (5 December 2005).
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267:Bourne studied drama at London's
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2475:Spencer, Charles (21 May 2004).
1446:"Well, hell... nobody's perfect"
1206:Che Walker and Arthur Darvill's
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2761:"Bette Bourne, Plays and Roles"
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1409:. A&C Black. pp. 81–.
975:The Importance of Being Earnest
666:The Importance of Being Earnest
3130:Clarence Derwent Award winners
1820:Hudson, David (19 July 2019).
1593:
1511:"Straight theatre is all fake"
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745:in 2002, for which he won the
361:Institute of Contemporary Arts
232:Don't Sit Under the Apple Tree
156:for Performance (2001, 1991),
1:
2866:Crew, Robert (4 March 2015).
2765:Regents Park Open Air Theatre
2357:Burston, Paul (26 May 2008).
2201:Marks, Peter (13 June 1998).
1897:"Camping It Up with Bloolips"
1844:"Negro Ensemble Wins an OBIE"
1403:Megson, Chris (24 May 2012).
1358:
1267:
1164:(as himself), The Hague, 2009
210:
2992:Bette Bourne and Bloolips –
2817:Taylor, Paul (31 May 1996).
2660:Burns, Sean (15 July 2019).
2131:Gates, Anita (19 May 1997).
1310:(1967) – Projection Operator
1263:(himself), 2014; documentary
802:, Bourne played Dogberry in
720:, which was produced at the
411:The Tabernacle, Notting Hill
7:
2741:. Punctum Books. p. 31
2735:Goldberg, Jonathan (2018).
1869:Gussow, Mel (14 May 1981).
1241:, released to retail stores
1216:Shakespeare's Globe Theatre
1201:Shakespeare's Globe Theatre
899:Bourne died at his home in
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366:
328:Activism and cabaret career
10:
3191:
2108:Ian McKellen Official Site
1798:(Interview). 14 March 2018
1684:Ian McKellen Official Site
1656:Ian McKellen Official Site
911:
638:The Ballad of Reading Gaol
3160:British male stage actors
2872:The Canadian Encyclopedia
2024:"A Sendup of 'Streetcar'"
800:Royal Shakespeare Company
710:Edinburgh Festival Fringe
228:Stoke Newington Town Hall
215:Peter Bourne was born in
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16:British actor (1939–2024)
2530:"Much Ado About Nothing"
1107:Simpson and McDermott's
1046:Pericles, Prince of Tyre
784:at Shakespeare's Globe.
771:Pericles, Prince of Tyre
600:A Streetcar Named Desire
538:The Island of Lost Shoes
514:Slung Back and Strapless
302:Prospect Theatre Company
2711:"Bette Bourne obituary"
2417:"Theatre: Read my hips"
1581:. British Theatre Guild
1348:(1992) – Venus Lamour;
1222:
957:, London, 1989 and 1990
943:& West End, 1969–70
930:& West End, 1969–70
895:Personal life and death
661:English Touring Theatre
656:Manchester Evening News
304:touring double bill of
158:Manchester Evening News
2133:"Madness, With Slides"
1579:"A Life in Three Acts"
1476:"The Bourne Supremacy"
1261:It Goes with the Shoes
1134:Much Ado About Nothing
1115:Royal National Theatre
1036:(Pauncefort Quentin),
978:(Lady Bracknell), 1995
878:It Goes with the Shoes
809:Much Ado About Nothing
789:Royal National Theatre
747:Clarence Derwent Award
712:in 2001, Bourne won a
663:production of Wilde's
617:Dance Theater Workshop
264:
150:Clarence Derwent Award
3135:Obie Award recipients
2845:"The Lightning Child"
1926:Bishopsgate Institute
1346:A Little Bit of Lippy
1071:The Skin of Our Teeth
262:
3170:20th-century theatre
1709:Unfinished Histories
1680:"Richard II Credits"
1208:The Lightning Child
1178:A Life in Three Acts
1168:A Life in Three Acts
1162:A Life in Three Acts
1152:A Life in Three Acts
1113:(Michael Merridew),
1074:(Esmeralda, Homer),
862:Queen Elizabeth Hall
843:A Life in Three Acts
708:performance. At the
546:Halifax, Nova Scotia
432:for best costumes.
334:Gay Liberation Front
3145:English drag queens
2104:"Radio/Spoken Word"
1652:"Edward II Credits"
1291:Dixon of Dock Green
1283:Dixon of Dock Green
1275:Dixon of Dock Green
1182:St. Ann's Warehouse
444:lavished praise on
306:Christopher Marlowe
278:Dixon of Dock Green
3150:English gay actors
2942:Additional sources
2504:"Theatre of Blood"
1922:"Bloolips Archive"
1875:The New York Times
1607:. 12 February 2014
1235:My Summer Vacation
1124:(Queen Victoria),
941:Edinburgh Festival
928:Edinburgh Festival
579:and Peggy Shaw in
392:We're in the Money
265:
255:1960s performances
2921:Bay Area Reporter
2847:. Exeunt Magazine
2514:on 10 April 2008.
2314:. 31 August 2009.
1901:The Seattle Times
1158:, Edinburgh, 2009
1120:Mark Ravenhill's
1051:Lyric Hammersmith
987:Lyric Hammersmith
985:(La Zambinella),
626:Lyric Hammersmith
466:The Ugly Duckling
164:
163:
110:Years active
86:, London, England
57:22 September 1939
3182:
3102:
3101:
3100:
3090:
3089:
3088:
3078:
3077:
3066:
3065:
3054:
3053:
3052:
3045:
2967:
2935:
2934:
2929:
2927:
2917:"Cougar Supreme"
2912:
2906:
2905:
2903:
2901:
2889:
2883:
2882:
2880:
2878:
2863:
2857:
2856:
2854:
2852:
2840:
2834:
2833:
2831:
2829:
2814:
2808:
2807:
2802:
2800:
2785:
2779:
2778:
2773:
2771:
2757:
2751:
2750:
2748:
2746:
2738:Sappho Fragments
2732:
2726:
2725:
2723:
2721:
2706:
2700:
2699:
2697:
2695:
2683:
2677:
2676:
2674:
2672:
2657:
2651:
2650:
2648:
2646:
2631:
2622:
2621:
2619:
2617:
2602:
2593:
2592:
2590:
2588:
2573:
2567:
2566:
2554:
2545:
2544:
2542:
2540:
2525:
2516:
2515:
2510:. Archived from
2500:
2491:
2490:
2488:
2486:
2472:
2463:
2462:
2460:
2458:
2443:
2434:
2433:
2431:
2429:
2412:
2403:
2402:
2400:
2398:
2383:
2374:
2373:
2371:
2369:
2354:
2345:
2344:
2342:
2340:
2330:"H O T B O I/Us"
2325:
2316:
2315:
2304:
2298:
2297:
2295:
2293:
2279:
2273:
2272:
2270:
2268:
2253:
2247:
2246:
2244:
2242:
2232:"Resident Alien"
2227:
2221:
2220:
2215:
2213:
2198:
2192:
2191:
2180:
2174:
2173:
2171:
2169:
2154:
2148:
2147:
2145:
2143:
2128:
2119:
2118:
2116:
2114:
2100:
2094:
2093:
2091:
2089:
2074:
2065:
2064:
2062:
2060:
2045:
2039:
2038:
2036:
2034:
2019:
2013:
2012:
2010:
2008:
1994:
1988:
1987:
1985:
1983:
1973:"Belle Reprieve"
1969:
1963:
1962:
1960:
1958:
1953:(Motion picture)
1944:
1938:
1936:
1934:
1932:
1918:
1912:
1911:
1909:
1907:
1892:
1886:
1885:
1883:
1881:
1866:
1860:
1859:
1857:
1855:
1840:
1834:
1833:
1817:
1808:
1807:
1805:
1803:
1788:
1779:
1778:
1776:
1774:
1759:
1753:
1752:
1750:
1748:
1736:Evening Standard
1726:
1720:
1719:
1717:
1715:
1701:
1695:
1694:
1692:
1690:
1676:
1667:
1666:
1664:
1662:
1648:
1639:
1638:
1626:
1617:
1616:
1614:
1612:
1597:
1591:
1590:
1588:
1586:
1577:Loxton, Howard.
1574:
1563:
1562:
1560:
1558:
1546:
1531:
1530:
1528:
1526:
1506:
1491:
1490:
1488:
1486:
1480:Washington Blade
1471:
1465:
1464:
1458:
1456:
1441:
1428:
1427:
1425:
1423:
1400:
1394:
1393:
1391:
1389:
1380:. Archived from
1369:
1294:(1965) – Matcham
1249:(Baroness), 2009
1231:(narrator), 1991
1184:, Brooklyn, 2010
1156:Traverse Theatre
1110:Theatre of Blood
1059:Romeo and Juliet
1038:Donmar Warehouse
866:Platinum Jubilee
847:Traverse Theatre
830:, staged at the
794:Theatre of Blood
781:Romeo and Juliet
733:Donmar Warehouse
554:Best of Bloolips
381:Broadway theatre
194:
193:
190:
189:
186:
183:
180:
177:
128:Donmar Warehouse
120:
79:
56:
54:
35:
21:
20:
3190:
3189:
3185:
3184:
3183:
3181:
3180:
3179:
3110:
3109:
3108:
3098:
3096:
3086:
3084:
3072:
3060:
3050:
3048:
3040:
3028:discography at
3012:tableaux vivant
2984:
2964:
2939:
2938:
2925:
2923:
2913:
2909:
2899:
2897:
2890:
2886:
2876:
2874:
2864:
2860:
2850:
2848:
2841:
2837:
2827:
2825:
2823:The Independent
2815:
2811:
2798:
2796:
2786:
2782:
2769:
2767:
2759:
2758:
2754:
2744:
2742:
2733:
2729:
2719:
2717:
2707:
2703:
2693:
2691:
2684:
2680:
2670:
2668:
2658:
2654:
2644:
2642:
2632:
2625:
2615:
2613:
2610:What's on Stage
2604:
2603:
2596:
2586:
2584:
2582:The Independent
2574:
2570:
2555:
2548:
2538:
2536:
2526:
2519:
2502:
2501:
2494:
2484:
2482:
2473:
2466:
2456:
2454:
2444:
2437:
2427:
2425:
2413:
2406:
2396:
2394:
2384:
2377:
2367:
2365:
2355:
2348:
2338:
2336:
2326:
2319:
2306:
2305:
2301:
2291:
2289:
2281:
2280:
2276:
2266:
2264:
2254:
2250:
2240:
2238:
2236:What's on Stage
2228:
2224:
2211:
2209:
2199:
2195:
2181:
2177:
2167:
2165:
2155:
2151:
2141:
2139:
2129:
2122:
2112:
2110:
2102:
2101:
2097:
2087:
2085:
2083:The Independent
2075:
2068:
2058:
2056:
2046:
2042:
2032:
2030:
2020:
2016:
2006:
2004:
1996:
1995:
1991:
1981:
1979:
1971:
1970:
1966:
1956:
1954:
1946:
1945:
1941:
1930:
1928:
1920:
1919:
1915:
1905:
1903:
1893:
1889:
1879:
1877:
1867:
1863:
1853:
1851:
1842:
1841:
1837:
1818:
1811:
1801:
1799:
1796:Hackney Gazette
1790:
1789:
1782:
1772:
1770:
1761:
1760:
1756:
1746:
1744:
1727:
1723:
1713:
1711:
1703:
1702:
1698:
1688:
1686:
1678:
1677:
1670:
1660:
1658:
1650:
1649:
1642:
1627:
1620:
1610:
1608:
1599:
1598:
1594:
1584:
1582:
1575:
1566:
1556:
1554:
1547:
1534:
1524:
1522:
1507:
1494:
1484:
1482:
1472:
1468:
1454:
1452:
1450:The Independent
1442:
1431:
1421:
1419:
1417:
1401:
1397:
1387:
1385:
1384:on 30 June 2015
1370:
1366:
1361:
1334:(1968) – Preece
1286:(1964)– Blackie
1278:(1963) – Robert
1270:
1225:
1139:Novello Theatre
914:
909:
897:
874:
814:Novello Theatre
787:In 2005 at the
573:
508:Living Leg-ends
422:Orpheum Theatre
369:
330:
257:
236:Thornton Wilder
230:where he sang "
213:
174:
170:
118:
87:
81:
77:
68:
58:
52:
50:
49:
48:
38:
26:
17:
12:
11:
5:
3188:
3178:
3177:
3172:
3167:
3162:
3157:
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3107:
3106:
3094:
3082:
3070:
3058:
3038:
3037:
3032:
3023:
3010:- Bill Wolf's
3005:
2996:
2990:
2983:
2982:External links
2980:
2979:
2978:
2968:
2962:
2944:
2943:
2937:
2936:
2907:
2896:. Screen Daily
2884:
2858:
2835:
2809:
2780:
2752:
2727:
2701:
2690:. Stage Voices
2678:
2652:
2623:
2594:
2568:
2546:
2517:
2492:
2464:
2435:
2404:
2375:
2346:
2317:
2299:
2274:
2262:New York Times
2248:
2222:
2207:New York Times
2193:
2175:
2163:Broadway World
2149:
2137:New York Times
2120:
2095:
2066:
2054:New York Times
2040:
2028:New York Times
2014:
1989:
1977:Split Britches
1964:
1939:
1913:
1887:
1861:
1848:New York Times
1835:
1809:
1780:
1769:. 18 June 2020
1754:
1721:
1705:"Bette Bourne"
1696:
1668:
1640:
1618:
1592:
1564:
1532:
1492:
1466:
1429:
1415:
1395:
1378:The Australian
1363:
1362:
1360:
1357:
1356:
1355:
1343:
1335:
1327:
1326:(1967) – Peter
1319:
1318:(1967) – Perry
1311:
1303:
1302:(1966) – Allen
1295:
1287:
1279:
1269:
1266:
1265:
1264:
1258:
1250:
1242:
1232:
1229:Caught Looking
1224:
1221:
1220:
1219:
1204:
1193:Shakespeare's
1191:
1185:
1175:
1174:, London, 2010
1170:(as himself),
1165:
1159:
1154:(as himself),
1149:
1142:
1141:, London, 2007
1131:Shakespeare's
1129:
1128:, London, 2007
1118:
1117:, London, 2005
1105:
1104:, London, 2005
1102:The Drill Hall
1090:
1089:, London, 2004
1079:
1078:, London, 2004
1063:
1056:Shakespeare's
1054:
1053:, London, 2003
1043:Shakespeare's
1041:
1040:, London, 2002
1027:
1026:, London, 1999
1016:Resident Alien
1009:
1002:
990:
989:, London, 1996
979:
967:
963:As You Like It
960:Shakespeare's
958:
955:The Drill Hall
944:
933:Shakespeare's
931:
913:
910:
908:
907:Acting credits
905:
896:
893:
873:
870:
868:celebrations.
864:, part of the
851:Mark Ravenhill
836:Queen Victoria
735:production of
691:, at London's
689:Resident Alien
650:New York Times
621:Stephen Holden
615:at New York's
594:New York Times
585:Split Britches
581:Belle Reprieve
572:
569:
542:
541:
535:
529:
523:
517:
511:
505:
499:
493:
487:
481:
475:
469:
459:
458:
457:Bloolips shows
437:New York Times
368:
365:
329:
326:
256:
253:
212:
209:
162:
161:
147:
143:
142:
136:
132:
131:
121:
115:
114:
111:
107:
106:
103:
99:
98:
93:
89:
88:
82:
80:(aged 84)
76:23 August 2024
74:
70:
69:
59:
46:
44:
40:
39:
37:Bourne in 2010
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
3187:
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3141:
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3133:
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3128:
3126:
3123:
3121:
3118:
3117:
3115:
3105:
3095:
3093:
3083:
3081:
3076:
3071:
3069:
3064:
3059:
3057:
3047:
3046:
3043:
3036:
3033:
3031:
3027:
3024:
3021:
3020:San Francisco
3017:
3016:Lust in Space
3013:
3009:
3008:Lust In Space
3006:
3004:
3000:
2997:
2995:
2991:
2989:
2986:
2985:
2977:
2973:
2969:
2965:
2963:9780415938532
2959:
2955:
2951:
2946:
2945:
2941:
2940:
2933:
2922:
2918:
2911:
2895:
2888:
2873:
2869:
2868:"Sky Gilbert"
2862:
2846:
2839:
2824:
2820:
2813:
2806:
2795:
2794:Seattle Times
2791:
2784:
2777:
2766:
2762:
2756:
2740:
2739:
2731:
2716:
2712:
2705:
2689:
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2637:
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2611:
2607:
2601:
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2583:
2579:
2572:
2564:
2560:
2553:
2551:
2535:
2531:
2524:
2522:
2513:
2509:
2505:
2499:
2497:
2481:
2480:The Telegraph
2478:
2471:
2469:
2453:
2449:
2442:
2440:
2424:
2423:
2418:
2411:
2409:
2393:
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2360:
2353:
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2335:
2331:
2324:
2322:
2313:
2309:
2303:
2288:
2284:
2278:
2263:
2259:
2252:
2237:
2233:
2226:
2219:
2208:
2204:
2197:
2189:
2186:
2179:
2164:
2160:
2153:
2138:
2134:
2127:
2125:
2109:
2105:
2099:
2084:
2080:
2073:
2071:
2055:
2051:
2044:
2029:
2025:
2018:
2003:
1999:
1993:
1978:
1974:
1968:
1952:
1951:
1943:
1927:
1923:
1917:
1902:
1898:
1891:
1876:
1872:
1865:
1850:. 2 June 1981
1849:
1845:
1839:
1831:
1827:
1826:Gay Star News
1823:
1816:
1814:
1797:
1793:
1787:
1785:
1768:
1764:
1758:
1742:
1738:
1737:
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1710:
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1537:
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1497:
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1470:
1463:
1451:
1447:
1440:
1438:
1436:
1434:
1418:
1416:9781408129395
1412:
1408:
1407:
1399:
1383:
1379:
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1160:
1157:
1153:
1150:
1147:
1143:
1140:
1136:
1135:
1130:
1127:
1126:Union Theatre
1123:
1119:
1116:
1112:
1111:
1106:
1103:
1099:
1095:
1092:Ray Dobbins'
1091:
1088:
1084:
1080:
1077:
1073:
1072:
1067:
1064:
1061:
1060:
1055:
1052:
1048:
1047:
1042:
1039:
1035:
1031:
1028:
1025:
1021:
1020:Quentin Crisp
1017:
1013:
1010:
1007:
1006:East of Eadie
1004:Ray Dobbins'
1003:
1000:
999:
998:Funeral Games
994:
991:
988:
984:
980:
977:
976:
971:
968:
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953:, Gloria at
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848:
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839:
837:
833:
832:Union Theatre
829:
824:
821:
820:
815:
811:
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805:
801:
797:
795:
790:
785:
783:
782:
777:
773:
772:
767:
762:
760:
756:
752:
748:
744:
743:
738:
734:
729:
727:
724:in 2004, and
723:
719:
715:
711:
706:
702:
698:
697:New York City
694:
690:
686:
682:
681:Quentin Crisp
677:
675:
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668:
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662:
658:
657:
651:
647:
646:East of Eadie
642:
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639:
634:
629:
627:
622:
618:
614:
610:
609:Neil Bartlett
605:
602:
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582:
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571:Acting career
568:
566:
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520:Teenage Trash
518:
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497:
494:
491:
488:
485:
484:Lust in Space
482:
479:
478:Vamp and Camp
476:
473:
470:
467:
464:
463:
462:
456:
455:
454:
452:
447:
446:Lust in Space
443:
439:
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423:
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243:
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