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Bernie Krause

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1552: 79: 25: 297:, or human-generated acoustic signatures. In the final category, some sources represent controlled sound, such as music, theatre, or language. While a large percentage consists of incoherent or chaotic sound, referred to as noise. The first and last terms were implemented along with his late colleague, Stuart Gage, Professor Emeritus, Michigan State University. 312:
Oxford Composer-in-Residence. Performed by the BBC National Orchestra of Wales and conducted by Martyn Brabbins, the theme is based on Krause's 2012 book of the same title. The work integrates natural soundscapes into the orchestral textures of a major symphonic piece. The symphony was recorded and
89:(born December 8, 1938) is an American musician and soundscape ecologist. In 1968, he founded Wild Sanctuary, an organization dedicated to the recording and archiving of natural soundscapes. Krause is an author, a bio-acoustician, a speaker, and natural sound artist who coined the terms 153:. They also served as the Moog company's sales representatives on the U.S. West Coast. As such, they were able to exploit the growing fascination in the new synthesizer sounds among rock and pop musicians, an interest that was partly influenced by these artists' consumption of 1016:"Soundscape Ecology: The Science of Sound in the Landscape," Bryan C. Pijanowski, Luis J. Villanueva-Rivera, Sarah L. Dumyahn, Almo Farina, Bernie L. Krause, Brian M. Napoletano, Stuart H. Gage, and Nadia Pieretti, www.biosciencemag.org March 2011 / Vol. 61 No. 3 184:
A301 (without meters) noise reduction as an inherent part of their production. Beaver & Krause, individually or as a team, went on to sell Moog IIIs to musicians and perform on their recordings with the instrument. In November 1968 Krause was asked by
259:, recordings that Krause modified to eliminate extraneous noise and add different characteristics to the audio tracks so that the whale would not habituate to the one audio short example that was provided by the students' graduate professor. 300:
Krause was invited to present a TED Global talk at the 2013 Edinburgh conference and the keynote talk at the first conference of the International Society of Ecoacoustics (ISE), a worldwide organization, meeting in Paris in June, 2014.
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Since 1979, Krause has concentrated on the recording and archiving of wild natural soundscapes from around the world. These recordings – works of art and science commissioned primarily by museums, aquaria, and zoos for their
289:, the first sounds heard on earth consisting of non-biological natural sounds such as the effect of wind in trees or grasses, waves at the ocean or lakeshore, or movement of the earth. The second acoustic source is called 360:, Salem, Massachusetts. In the spring of 2022, the work opened at the 23rd Biennale in Sydney, Australia, and also Lille, France at the same time. Its West Coast premiere occurred in June, 2023 at San Francisco's 343:
serves as an early retrospective of Krause's work and includes many examples of his collection along with supporting graphic and visual media. The visual elements were generated by the London-based organization,
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in Los Angeles. According to Krause, without his knowledge, permission, or compensation, Harrison made a recording of the demonstration and issued an unauthorized version as "No Time Or Space" on his
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In July 2014, the Cheltenham Music Festival premiered "The Great Animal Orchestra: Symphony for Orchestra and Wild Soundscapes," a collaboration with friend and colleague,
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albums from the world's rare habitats. In 1981, he earned his PhD in Creative Sound Arts, with an internship in marine bioacoustics from Union Institute and University.
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Krause, Bernie, Gage, Stuart H., Joo Wooyeong, "Measuring and interpreting the temporal variability in the soundscape at four places in Sequoia National Park,"
293:, the collective signature produced at one time by all sound-producing organisms in a given habitat. The third, and last of these elements is referred to as 1750: 285:, Krause introduced a number of terms and concepts into the discipline to further define the sources of sound within the soundscape. They include 1770: 907: 922:"The Niche Hypothesis: New Thoughts on Creature Vocalizations and the Relationship Between Natural Sound and Music" WFAE Newsletter, June, 1993 1498: 339:
in Paris opened the first major natural soundscape exhibit in a contemporary art museum. Based on his book, "The Great Animal Orchestra," the
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Pijanowski, B. C.; Villanueva-Rivera, L. J.; Dumyahn, S. L.; Farina, A.; Krause, B. L.; Napoletano, B. M.; Gage, S. H.; Pieretti, N. (2011).
157:, and the increasingly generous advances they received from their record companies. In June 1967, Beaver & Krause set up a stall at the 336: 1384: 255:. As scientific co-directors of the operation, they used recordings of humpbacks feeding, recorded by two graduate students from the 1775: 1745: 723: 1755: 1597: 1204: 1170: 1010: 969: 1701: 1682: 1354: 1266: 1235: 995: 951: 933: 228:
and sound installations worldwide – have been mixed into ambient tracks for numerous feature films, and downloadable
63: 1062: 1795: 325: 41: 356:, 2018, and at the 180 The Strand Gallery, London in 2019. In the fall of 2021, the exhibit was featured at the 348:(UVA). The exhibit ran until 7 January 2017 and opened as part of a larger Fondation Cartier collection at the 34: 1790: 320:
On April 3, 2015, Krause and Blackford premiered the score for their first ballet, "Biophony", performed by
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The Krauses' home, with his archives, equipment, and all of their personal possessions were destroyed in a
271: 1760: 1557: 1652: 1590: 1409: 380: 215:, Beaver & Krause are credited with helping to introduce the synthesizer to pop music and film. 321: 1039: 1785: 248: 204: 134: 1258: 1252: 1227: 1221: 1196: 1187: 176:" (1967), one of the first pop group recordings to feature synthesizer. In 1967 they released 1002: 961: 345: 328:
in San Francisco. His most recent two books, published by Yale University Press, are titled
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Voices of the Wild: Animal Songs, Human Din, and the Call to Save Natural Soundscapes
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The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places,
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The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places
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in May, 2017.The Great Animal Orchestra art piece has subsequently been shown at
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It may require cleanup to comply with Knowledge's content policies, particularly
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The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
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American musician, author, soundscape recordist and bio-acoustician (*1938)
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Krause, Bernie, "Bioacoustics: Habitat ambience and ecological balance," (
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The Great Animal Orchestra: Symphony for Orchestra and Wild Soundscapes,
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Notes From the Wild: The Nature Recording Expeditions of Bernie Krause
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Electronic and Experimental Music: Technology, Music, and Culture
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to demonstrate the synthesizer after performing on a session for
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in 1963, occupying the tenor position originated by co-founder
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Analog Days: The Invention and Impact of the Moog Synthesizer
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Analog Days: The Invention and Impact of the Moog Synthesizer
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Wild Soundscapes: Discovering the Voice of the Natural World
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Into A Wild Sanctuary: A Life in Music & Natural Sound
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album the following year. Because of their studio work in
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2006 Bernie Krause, Kevin Colver & Martin Stewart –
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A major contributor to this article appears to have a
1257:. Cambridge, MA: Harvard University Press. pp.  1226:. Cambridge, MA: Harvard University Press. pp.  180:. It was the first West Coast recording to utilize 975:"Anatomy of a Soundscape: Evolving Perspectives," 1558:"The voice of the natural world" (TEDGlobal 2013) 1385:"Bernie Krause brings sounds of nature to ballet" 1737: 1368:Introducing The Great Animal Orchestra Symphony 880:2005 Country Joe McDonald with Bernie Krause - 1567:Interview for NAMM Oral History Program (2010) 1425:, nyjournalofbooks.com; accessed July 1, 2015. 117:while an undergraduate student. Krause joined 1591: 1165:. London: Bloomsbury Academic. p. 151. 908:Chevalier de l'ordre des Arts et des Lettres 772:(bonus disc with the book of the same title) 1250: 1219: 894:2014 Bernie Krause and Richard Blackford - 761:1995 Bernie Krause & Rodney Franklin – 754:1995 Bernie Krause & Rodney Franklin – 1751:American non-fiction environmental writers 1598: 1584: 1572:Krause sound art exhibition, Paris, (2016) 1550: 483:The New Nonesuch Guide to Electronic Music 1096: 981:, Vol. 56, No. 1/2, 2008 January/February 713:1994 Bernie Krause & Philip Aaberg – 556:1988 Bernie Krause & Human Remains – 337:Fondation Cartier pour l'art contemporain 64:Learn how and when to remove this message 1492: 1490: 1448:"Listen to 'The Great Animal Orchestra'" 928:with companion CD (Ellipsis Arts, 1996, 877:(bonus disc with book of the same title) 831:2002 Bernie Krause & Lang Elliott – 372:Krause and his wife, Katherine, live in 77: 1771:Union Institute & University alumni 1445: 678:1994 Bernie Krause & Ruth Happel – 632:Tropical Thunder: A Rainstorm in Borneo 218: 1738: 1185: 838:2002 Bernie Krause & Jack Hines – 637:1991 Ruth Happel with Bernie Krause – 394:The Nonesuch Guide to Electronic Music 178:The Nonesuch Guide to Electronic Music 1579: 1496: 1487: 1251:Pinch, Trevor; Trocco, Frank (2002). 1220:Pinch, Trevor; Trocco, Frank (2002). 1160: 701:Nature's Lullabyes: Ocean/Rain/Stream 648:, Janis Lawrence & Jeff Kohler – 251:and apparently got lost, back to the 1497:Jones, Kevin L. (October 11, 2017). 1410:"Alonzo King Lines Ballet: Biophony" 125:until they disbanded in early 1964. 18: 1683:The Weavers at Carnegie Hall Vol. 2 1195:. New York, NY: Routledge. p.  128: 13: 1382: 1370:, Michael McManus, 22 August 2014 663:Songs of the Whales & Dolphins 456:and others) (Warner Bros. Records) 14: 1807: 1520: 1446:Donadio, Rachel (June 28, 2016). 590:Natural Voices/African Song Cycle 1702:The Weavers: Wasn't That a Time! 1355:"The voice of the natural world" 367: 235:In 1985 Krause, with colleague, 145:. During this period Krause met 44:. Please discuss further on the 23: 1605: 1473: 1439: 1428: 1416: 1402: 1376: 1361: 1347: 1332: 1317: 1305: 1290: 1275: 913: 777:Kalimantaan: Heaven Before Time 722:Whales, Wolves & Eagles of 354:Shanghai's Power Station of Art 326:Yerba Buena Center for the Arts 1244: 1213: 1179: 1154: 1139: 1127: 1105: 1072: 1053: 673:: A Rare Brazilian Rain Forest 386: 1: 1776:University of Michigan alumni 1746:American electronic musicians 1046: 1756:Folk musicians from Michigan 1675:The Weavers at Carnegie Hall 1136:, Krause 1996, Ellipsis Arts 861:Sumatra Days, Sumatra Nights 819:Costa Rica: Hidden Treasures 650:Wild Times at the Water Hole 540:Sounds of a Summer's Evening 104: 7: 1527:Bernie Krause biography at 1299:, Sir George Martin, 1983, 1115:. New York Journal of Books 459:1972 Beaver & Krause – 428:1971 Beaver & Krause – 417:1970 Beaver & Krause – 406:1968 Beaver & Krause – 392:1967 Beaver & Krause – 381:wildfire on 11 October 2017 10: 1812: 1065:November 11, 2011, at the 902: 889:Voice of the Arctic Refuge 408:Ragnarok – Electronic Funk 1712: 1693: 1666: 1613: 854:Spring in Corkscrew Swamp 805:Autumn Day in Yellowstone 784:Zimbabwe: Gardens of Eden 743:1995 Bernie Krause & 730:1995 Bernie Krause & 618:Amazon Days Amazon Nights 563:1989 Bernie Krause & 149:and together they formed 1069:; accessed July 1, 2015. 1034:, No. 57, Winter, 1987, 990:, published March 2012 ( 791:African Safari: Zimbabwe 322:Alonzo King LINES Ballet 277:Working in the field of 262:Krause's 1988 CD album, 1098:10.1525/bio.2011.61.3.6 868:Winds Across the Tundra 247:that had wandered into 1796:American sound artists 1060:Wild Sanctuary website 547:Jungle Shoes/Fish Wrap 481:1981 Bernard Krause – 463:(Warner Bros. Records) 249:Sacramento River Delta 135:San Francisco Bay Area 83: 1324:Into A Wild Sanctuary 1282:Into A Wild Sanctuary 1186:Holmes, Thom (2012). 1146:Into A Wild Sanctuary 1003:Yale University Press 962:Yale University Press 882:Natural Imperfections 873:2002 Bernie Krause - 866:2002 Bernie Krause – 859:2002 Bernie Krause – 852:2002 Bernie Krause – 847:Sonoma Valley Sunrise 845:2002 Bernie Krause – 824:2002 Bernie Krause – 817:2002 Bernie Krause – 810:2002 Bernie Krause – 803:2002 Bernie Krause – 796:2002 Bernie Krause – 789:2002 Bernie Krause – 782:1998 Bernie Krause – 775:1998 Bernie Krause – 768:1996 Bernie Krause - 720:1994 Bernie Krause – 706:1994 Bernie Krause – 699:1994 Bernie Krause – 692:1994 Bernie Krause – 685:1994 Bernie Krause – 668:1994 Bernie Krause – 661:1993 Bernie Krause - 655:1991 Bernie Krause - 630:1991 Bernie Krause – 623:1991 Bernie Krause – 616:1990 Bernie Krause – 609:1990 Bernie Krause – 602:1990 Bernie Krause – 595:1990 Bernie Krause – 588:1990 Bernie Krause – 581:1989 Bernie Krause – 574:1989 Bernie Krause – 545:1988 Bernie Krause – 538:1988 Bernie Krause – 531:1988 Bernie Krause – 524:1988 Bernie Krause – 517:1988 Bernie Krause – 510:1988 Bernie Krause – 503:1987 Bernie Krause – 492:1986 Bernie Krause – 466:1975 Bernie Krause – 346:United Visual Artists 335:On July 1, 2016, the 159:Monterey Pop Festival 81: 42:neutral point of view 1791:Singers from Detroit 1161:Brend, Mark (2012). 840:Sequoia High Country 665:(The Nature Company) 652:(Creatures 'n' Kids) 644:1991 Bernie Krause, 578:(The Nature Company) 571:(The Nature Company) 542:(The Nature Company) 535:(The Nature Company) 528:(The Nature Company) 521:(The Nature Company) 514:(The Nature Company) 507:(The Nature Company) 423:Warner Bros. Records 358:Peabody Essex Museum 281:, a sub-category of 257:University of Hawaii 219:Soundscape recording 155:hallucinogenic drugs 133:Krause moved to the 1766:The Weavers members 1372:Gramophone Magazine 1134:Notes From the Wild 1113:"Bernard L. Krause" 960:with companion CD ( 942:with companion CD ( 770:Notes from the Wild 597:Green Meadow Stream 558:Gorillas in the Mix 468:Citadels of Mystery 419:In a Wild Sanctuary 350:Seoul Museum of Art 317:in September 2014. 264:Gorillas in the Mix 243:, a migrating male 151:Beaver & Krause 109:Krause was born in 1761:Soundscape ecology 1452:The New York Times 1383:Hamlin, By Jesse. 1032:Whole Earth Review 978:J. Audio Eng. Soc. 763:Rain Forest Dreams 708:African Adventures 639:Loons of Echo Pond 611:Dawn at Trout Lake 498:The Nature Company 313:released on CD by 279:soundscape ecology 272:sampling keyboards 241:Humphrey the Whale 84: 1733: 1732: 1206:978-0-415-89636-8 1172:978-0-8264-2452-5 1025:Landscape Ecology 1011:978-0-300-20631-9 970:978-0-300-21819-0 786:(Miramar Records) 779:(Miramar Records) 765:(Miramar Records) 758:(Miramar Records) 751:(Miramar Records) 749:Rhythms of Africa 533:Morning Songbirds 476:Chrysalis Records 444:, Gail Laughton, 412:Limelight Records 403: 306:Richard Blackford 111:Detroit, Michigan 87:Bernard L. Krause 74: 73: 66: 37:with its subject. 1803: 1600: 1593: 1586: 1577: 1576: 1554: 1514: 1513: 1511: 1509: 1494: 1485: 1484: 1477: 1471: 1470: 1468: 1466: 1443: 1437: 1432: 1426: 1420: 1414: 1413: 1406: 1400: 1399: 1397: 1395: 1380: 1374: 1365: 1359: 1358: 1357:. 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Index

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geophony
biophony
anthropophony
Detroit, Michigan
Ann Arbor
The Weavers
Pete Seeger
San Francisco Bay Area
electronic music
Mills College
Paul Beaver
Beaver & Krause
hallucinogenic drugs
Monterey Pop Festival
Moog synthesizer
the Monkees
Star Collector
Dolby
George Harrison
Apple
Jackie Lomax
Electronic Sound
Hollywood
New York City
London

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