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by self-seeking profiteers. He holds that the two instruments "disrupt children's emotional development", "jeopardize their mental health" and "are not celebrated as much in the manufacturing countries". He is also concerned about "the growth of pub music", "the attraction of music graduates to pubs"
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Once in a couple of years, with the financial aid of the parents, he gathers his students into a chamber orchestra and conducts them.
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Vahidi Azar has never hesitated to express his concerns to the authorities over the senseless, haphazard importing of the
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187:"Fars News Agency : ظ…ظˆط³غŒظ'غŒâ€Œظ‡ط§غŒ ع©ط§ظپظ‡â€Œط§غŒ ط±ط´ط¯ ع©ط±ط¯ظ‡â€Œط§ظ†ط¯"
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and "directorship of orchestras by unqualified people with a background in pubs".
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173:"اول دفتر/پای صحبتهای بهروز وحیدی آذر، موسیقیدان- هایپرکلابز"
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132:"وحیدی آذر از ارکستر فیلارمونیک ارومیه میگوید"
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259:21st-century conductors (music)
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148:مردان موسیقی سنتی و نوین ایران
145:Nasirifar, Habibollah (2005).
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151:(in Persian). Iran: Negah.
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244:Musicians from Tabriz
218:The Persian Knowledge
71:Behrouz Vahidi Azar
54:for suggestions.
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101:Cultural Concerns
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210:Knowledge
40:. Please
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