722:, offering a largely studio set, mock ethnographic survey of the new teenage tribe frequenting Soho coffee bars and basement clubs, playing chicken on country roads and talking in a brand new argot (“Straight from the fridge, dad!"), which screenwriter Dail Ambler quite possibly made up for the occasion. It's a film as flummoxed as super-square patriarch David Farrar's permanently creased brow, which perhaps explains why the producers hedged their bets by situating a striptease show across the street from the kids' espresso stop, allowing extensive onstage footage to be tailored for various export versions. ... Like so much British cinema of the time, It's a muddled yet fascinating affair, which somehow manages to look to the future in spite of itself."
1333:
403:, where the latter studies, so they can have lunch together. At lunchtime, Nichole arrives at St Martin's, but learns that Jennifer has gone to the Off-Beat. There, Nicole confronts Jennifer in front of her friends and reminds her to be home for Paul's important business dinner that night. While leaving, Nichole passes Greta, the star performer at the strip club across the street. Greta recognises Nichole and greets her by name. However, Nichole ignores her. Jennifer suspects that Nichole was also a stripper before meeting Paul.
410:. After the guests leave, Paul questions Nichole, who says that she knew Greta in Paris and that they were in ballet together but Greta pursued a different way of life and Nichole lost track of her. Paul accepts her explanation, but Jennifer goes to the strip club to ask Greta directly. Greta initially claims that she made a mistake and does not know Nichole, but under pressure from her boyfriend, strip club manager Kenny King, she reveals that she and Nichole worked together as strippers and occasional
684:
tale is not particularly original, but the principal adults' and teenagers' performances are first-class, the list of ”cool” guest artists stretches as long as your arm, and the numbers head the current hit parade. And that's not all. the film's musical score, played by topnotch John Barry and his
Orchestra and sung by Shirley Ann Field and Adam Faith, is the first to be recorded in its entirety on a long-playing disc. Pre-sold, the opus can hardly miss. Outstanding British gimmick offering"
427:
striptease to music, but when she gets down to her underwear
Nichole bursts from her bedroom and stops her. Then Paul arrives home and breaks up the party, throwing all of the beatniks out of his house including Dave. Jennifer angrily tells Paul about Nichole's activities in Paris. Nichole, crying, admits that it is true and explains that she only did it because she was broke and hungry. Paul and Nichole profess their love for each other and reconcile.
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wrote: "JEAN-AGE melodrama, with songs. Set mainly in Soho, it's about a self-willed fifteen-year-old beatnik daughter of a successful architect, who resents her father's pretty French second wife and decides to live for kicks, but soon gets into hot water and, chastened, returns lo the old nest. The
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Jennifer goes to the café, but now finds it boring. She walks out on her friends and meets Kenny at the strip club. Kenny invites her to go to Paris with him, where he can train her to be a star stripper. Greta later learns that Kenny plans to leave her and go off with
Jennifer. As Kenny makes a pass
662:
in March 1959, the reviewer termed it "machine-made dirt" and "the worst script I have read for some years". The project was then renamed "Beat Girl" and nudity was reduced, but censors still objected to scenes of strip tease, juvenile delinquency, and teenagers playing "chicken" by lying on railway
414:
in Paris. Jennifer, encouraged by Kenny, becomes enamoured with the idea of becoming a stripper herself. Jennifer is caught by Paul and
Nichole coming home from the strip club at late at night and a confrontation ensues. Jennifer reveals that she spoke with Greta and threatens to tell Paul what she
649:
Some versions of the released film have cut the original striptease sequences (which included topless nudity), some exposition scenes set in the strip club, the "chicken" game scene, and/or some opening exposition scenes with David Farrar and Noëlle Adam on a train and then with
Gillian Hills at
426:
on railway tracks where the last person to leave the rails before the train arrives (Jennifer) wins. Jennifer invites everyone to continue the party at her house, as Paul is out of town and
Nichole presumably will not interfere. Jennifer accepts a dare to "strip like a Frenchie" and begins a
435:
who vandalise Tony's car and smash his guitar. Paul and
Nichole arrive searching for Jennifer while the police drag her out of the strip club. The police release Jennifer to Paul and Nicole, and they return home, arms around each other, as Dave throws his broken guitar in the rubbish.
31:
431:
at
Jennifer, someone stabs him to death. The club staff, thinking Jennifer killed Kenny, lock her in a room and call the police. Jennifer screams that she did not do it, and the real culprit, Greta, emerges from behind a curtain. Meanwhile, Dave, Tony and Dodo confront
705:
gave the film 2/5 stars, writing: " failed attempt to launch Adam Faith as yet another of
Britain's answers to Elvis Presley is now a great pop history lesson in teenage attitudes and rock 'n' roll rebellion, complete with cool jive talk and swinging sounds."
415:
has learned if
Nichole does not stay out of her life. At the strip club, Nicole tells Kenny and Greta to stay away from Jennifer. Kenny says that Jennifer will be welcome there any time and that if Nichole interferes, he will tell Paul about her past.
380:, London. Previously divorced, he brings his new wife: French, 24-year-old Nichole, whom he just married in Paris. He introduces Nichole to his teenage daughter Jennifer, who is resentful of Paul's
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said: "Cheap little dualer about a London kid who gets mixed up with beatniks, striptease, murder and problems with her father and stepmother; may click with undiscriminating audiences."
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and performed in the film by Faith, achieved minor hit status before being banned by the BBC for suggestive lyrics. A sample from the title track is used in "
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and dancing with her friends, including guitarist Dave, a youth from a working-class background who writes songs; Tony, a general's son whose mother died in
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After Adam Faith was cast, John Barry was asked to compose the film soundtrack, because he had already been collaborating with Faith as an arranger.
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The film was bought for distribution by Victoria Films and did "exceptionally well" playing over 1,000 theatres, despite receiving bad reviews.
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Pascaline, the Haitian exotic dancer who appears in a sequence performing with a scarf, had performed in real life as an exotic dancer at the
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Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 359
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soundtrack LP reaching number 11 in the album charts, the song "Made You," composed by John Barry and
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in which McEnery played "2nd. Lt. David MacKinnon" was released in UK in August 1960, while
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George Minter, who ran Renown Pictures, said he wanted to make a picture "for the kids".
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OBSERVATIONS FROM A LOCAL VANTAGE POINT By A.H. WEILER. New York Times 14 Oct 1962: 131.
622:(1962), leading to Barry's successful career as a composer and arranger of film music.
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When the original script, entitled "Striptease Girl," was submitted to the
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tracks in front of an oncoming train. Ultimately, the film received an
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and who has a drinking problem; and Dodo, Tony's well-bred girlfriend.
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The Women of Hammer Horror: A Biographical Dictionary and Filmography.
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Gallagher, Paul. "Gillian Hills: Keeping Time With the Beat Girl."
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Interpreting Rock Movies: The Pop Film and Its Critics in Britain.
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John Barry: A Sixties Theme: From James Bond to Midnight Cowboy.
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Film music had been released on shellac 78s as far back at
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Johnston, Trevor (June 2016). "British 'Teenager' Films".
1167:"OBSERVATIONS FROM A LOCAL VANTAGE POINT (Published 1962)"
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Barry was subsequently hired to score Faith's next films,
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dangerousminds.net, 28 June 2011, accessed 12 Mar. 2015.
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Diane D'Orsay (Moyle) as strip dancer in white négligée
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Filming started 27 July 1959. The movie was filmed at
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Mods, Rockers, and the Music of the British Invasion.
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was the first British soundtrack to be released on a
326:(1960)) had already come out. The film also features
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called the film a "Risible exposé-style melodrama."
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The British Pop Music Film: The Beatles and Beyond.
870:"News from the Music Capitals of the World: Paris."
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The British Pop Music Film: The Beatles and Beyond.
1024:The British Pop Music Film: The Beatles and Beyond
372:Paul Linden, a wealthy and prominent middle-aged
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422:, and participate in a dangerous car race and a
306:marked the first film roles of British pop idol
641:, for which Barry receives a co-writer credit.
399:The next day Nichole plans to meet Jennifer at
418:That night, Jennifer and her friends dance at
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1243:(7th ed.). London: Paladin. p. 82.
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338:in a small role as one of the "beat" youth.
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1055:"Miss Hills, 16, joins the beatniks".
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1711:Films scored by John Barry (composer)
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985:Mainstream Pubs. Co., 1997, p. 1912.
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555:Gillian Hills had been discovered by
1706:Films directed by Edmond T. Gréville
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535:Pascaline as strip dancer with scarf
848:McFarland & Co., 2013, p. 102.
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1691:Films about dysfunctional families
970:Faber & Faber, 2012, p. 71-72.
927:McEnery made his cinema film debut
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1736:Films shot at MGM-British Studios
1681:British coming-of-age drama films
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1165:Weiler, A. H. (14 October 1962).
982:Every Chart Topper Tells a Story.
892:Palgrave MacMillan, 2013, p. 40.
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944:Praeger Publishers, 2009, p.31.
559:, who considered casting her in
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294:(1971), and became a successful
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811:Ye-Ye Girls of '60s French Pop.
584:and Chislehurst Caves (then in
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1741:Films about juvenile sexuality
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872:Billboard, 3 Apr. 1965, p. 22.
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735:Manchester Univ. Press, 2004.
360:. It reached number 11 on the
334:as strip joint operators, and
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660:British Board of Film Censors
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526:Nade Beall as Official's Wife
1666:1960s English-language films
1059:. 14 August 1959. p. 6.
401:Saint Martin's School of Art
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1721:Films shot in Hertfordshire
1199:(2766): 9. 6 October 1960.
1074:. 15 June 1959. p. 12.
508:as Plaid Shirt (Beat youth)
169:Willoughby Film Productions
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1575:The Other Side of Paradise
1265:Radio Times Guide to Films
1239:Halliwell, Leslie (1989).
1228:(12): 6. 16 November 1960.
750:Palgrave Macmillan, 2013.
703:Radio Times Guide to Films
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1267:(18th ed.). London:
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1686:British teen drama films
1671:1960s exploitation films
1112:"Beat Girl – VideoVista"
1027:. Springer. p. 41.
1021:Glynn, S. (7 May 2013).
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562:Les liaisons dangereuses
1583:House on the Waterfront
1269:Immediate Media Company
911:Internet Movie Database
809:Deluxe, Jean-Emmanuel,
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274:The title character of
1701:Films about striptease
1676:1960s teen drama films
1535:Dorothy Looks for Love
1241:Halliwell's Film Guide
278:was played by starlet
1431:The Train of Suicides
1207:– via ProQuest.
720:Rebel Without a Cause
635:The Rockafeller Skank
320:(1960)) and McEnery (
1731:Films shot in London
1696:Films about marriage
1527:A Woman in the Night
1439:The Triangle of Fire
1271:. 2017. p. 76.
637:," a 1998 single by
1716:Films set in London
1656:1960s British films
1487:Under Secret Orders
1463:Whirlpool of Desire
1371:at BFI Screenonline
813:Feral House, 2013.
650:their London home.
625:In addition to the
570:MGM-British Studios
1726:Films shot in Kent
1615:The Hands of Orlac
1419:Edmond T. Gréville
1417:Films directed by
1172:The New York Times
671:Critical reception
593:Crazy Horse Saloon
476:Shirley Anne Field
460:as Jennifer Linden
388:for an evening of
376:, returns home to
347:Shirley Anne Field
302:singer in France.
291:A Clockwork Orange
263:Edmond T. Gréville
48:Edmond T. Gréville
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950:978-0-275-99860-8
939:Perone, James E.
909:According to the
898:978-0-230-39222-9
854:978-0-7864-7208-6
756:978-0-230-39222-9
420:Chislehurst Caves
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1567:The Romantic Age
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186:Release date
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81:David Farrar
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1511:What a Man!
1503:Forty Years
1325:Film portal
1192:Kine Weekly
1187:"Beat Girl"
1134:, p. 72-73.
1117:18 December
1095:18 December
1086:"Pascaline"
1040:18 December
925:, in which
786:"Beat Girl"
680:Kine Weekly
639:Fatboy Slim
616:(1960) and
574:Borehamwood
557:Roger Vadim
506:Oliver Reed
494:Nigel Green
452:Noëlle Adam
412:prostitutes
336:Oliver Reed
332:Nigel Green
288:(1966) and
86:Noëlle Adam
64:Produced by
58:Dail Ambler
44:Directed by
37:film poster
1746:Kensington
1646:1960 films
1640:Categories
1599:Temptation
1205:2594669425
795:21 October
763:References
654:Censorship
543:Production
464:Adam Faith
454:as Nichole
433:Teddy Boys
390:rock music
382:remarriage
378:Kensington
354:soundtrack
310:and actor
308:Adam Faith
259:drama film
248:is a 1960
213:87 minutes
197:1960-10-28
162:Production
140:Lyrics by:
135:John Barry
96:Adam Faith
1607:Beat Girl
1381:Beat Girl
1375:Beat Girl
1369:Beat Girl
1359:Beat Girl
1348:Beat Girl
922:Beat Girl
716:Beat Girl
627:Beat Girl
502:as Martha
394:the Blitz
374:architect
351:Beat Girl
304:Beat Girl
276:Beat Girl
245:Beat Girl
120:Edited by
24:Beat Girl
1364:AllMovie
1302:(6): 96.
1201:ProQuest
1146:, p. 72.
1090:IMDb.com
1008:in 1936.
517:as Honey
496:as Simon
490:as Greta
408:stripper
358:vinyl LP
226:Language
128:Music by
74:Starring
1591:Guilty?
1519:Threats
1221:Variety
714:said: "
689:Variety
645:Release
548:Filming
478:as Dodo
472:as Tony
466:as Dave
250:British
237:ÂŁ79,840
229:English
218:Country
195: (
164:company
1626:(1963)
1618:(1960)
1610:(1960)
1602:(1959)
1594:(1956)
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1578:(1953)
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349:. The
285:Blowup
234:Budget
1551:Noose
603:Music
597:Paris
298:ye-ye
1353:IMDb
1273:ISBN
1245:ISBN
1119:2018
1097:2018
1042:2018
1029:ISBN
987:ISBN
946:ISBN
894:ISBN
850:ISBN
815:ISBN
797:2023
752:ISBN
737:ISBN
701:The
586:Kent
582:Soho
440:Cast
386:Soho
368:Plot
330:and
253:teen
1362:at
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1197:521
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