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with four apses, whose semicircular hollows overhung by semi-cupolas were articulated by four columns. Around this space ran the ambulatory surmounted by a space later used as a women's gallery. Towers rose at the four corners of the square building. The whole was topped by a dome of which we know little, this having been lost. The interior was lit by large windows, and probably decorated with marble in the lower parts and with mosaics in the vaults and arches. Of the two side buildings, the smaller was in the east, opposite the entrance: a chapel in the shape of a Greek cross, later on octagonal, dedicated to St
Hippolytus. The larger building was to the south, having the function of the imperial mausoleum: tradition attributing its foundation to
418:
cupola (dome) had been reconstructed using pipes made of terracotta, making it lighter than the previous one, perhaps already damaged to the extent of justifying a reconstruction. After the disasters of the eleventh century, the restorations of the twelfth and thirteenth centuries focused on providing stability to the whole complex, rebuilding the pillars that supported the cupola and carrying out other interventions on the load-bearing structures (columns, towers). In this period, a lantern was added above the dome, supported by flying buttresses leaning against the towers. In the fifteenth century, the Chapel of the
Citizens was created from the hall of the apse in the southeast, which had already been refashioned in the eleventh century.
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case, with its three arched façade, presents a display of 29 pipes of the
Principal 8' arranged in three groups, one for each of the three arches, with the mitred mouths of the pipes aligned. Following on, the layout of the organ is arranged according to the position of the mechanisms that control the various stops in the columns of the stops either side of the console (at the left of the console the Second Organ; at the right the Great Organ and Pedal).
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290:. Evidence for this proposition comes from archaeological investigations carried out between 2002 and 2004. Supporters of this view are divided as to the function of the building; for some it is an imperial basilica that would have confirmed the role of Milan as the imperial capital of the West, in rivalry with Rome and Constantinople; for others, it is a mausoleum for the Theodosian dynasty.
425:. His collaboration with Rinaldi, Meda and Trezzi resulted in numerous changes and was only completed in 1619. Archbishop Borromeo had the chapel of St Genesius rededicated to St Aquilino, whose relics were placed in the chapel; to its sides were added two chapels, dedicated to St John the Baptist and the Holy Family. In 1623, at the wish of Archbishop
417:
In the tenth century, probably in the
Ottonian era, reconstruction took place possibly involving the participation of a Byzantine workforce who had retained knowledge of the classical techniques of construction and decoration. Little is known regarding these restorations, but it is assumed that the
405:
Between 489 and 511 Bishop
Lorenzo had a third structure built to the north, a chapel dedicated to St Sixtus, to be used for the burial of metropolitans. Perhaps in this period, when Roman imperial authority in Italy had diminished, the mausoleum to the south of the basilica was transformed into a
262:
The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. According to some scholars, but unconfirmed by the archaeology or inscriptions, San
Lorenzo was erected to coincide
486:
Principal 16' Bass
Principal 16' Treble Principal I 8' Bass Principal I 8' Treble Principal II 8' Bass Principal II 8' Treble Octave 4' Bass Octave 4' Treble Open twelfth 2⅔' Bass Open twelfth 2⅔' Treble Super octave 2' Octave twelfth 1½' Octave fifteenth 1' Mixture I Mixture II Mixture III Bass
397:
The building had a central plan approached by a four-sided portico and surrounded by two connected structures. Access to the portico was through a colonnade which in turn gave access to three portals leading to the main body of the building. This consisted of a square hall inscribed as a building
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The instrument, with a fully mechanical transmission, has its console situated at the centre of the organ case, comprising two manuals (keyboards) each of 61 notes (Great Organ, first manual; Second Organ, second manual), with a first extensive chromatic octave and a pedal board of 24 notes. The
456:
On the face of the women's gallery to the right of the apse is to be found the pipe organ, built by the
Milanese organ builder Pietro Bernasconi, re-using materials from the organ constructed in 1840 by Felice Bossi; he in turn had re-used parts from an earlier organ, restored in 1820 by Antonio
318:
The eleventh and twelfth centuries were marked by numerous disasters: fires, in particular, the terrible "fire of the Stork", that in 1071 devoured the basilica, devastating the internal decorations, and earthquakes, that undermined the stability of the complex, making new restorations necessary
477:
Bassoon Bass
Trumpet Treble Clarion Bass Clarinet Treble Trumpet Bass English horn Treble Contra Oboe Treble Contra Oboe Bass Flute Treble Viola Bass Flute in VIII Bass Flute in VIII Treble Piccolo Treble Open twelfth Treble Principal cornet Treble Vox humana Treble Violine 8' (on the pedals)
642:
The parish priest of San
Lorenzo has long held the position of provost. The complete list of provosts is not known; the following names are derived from a list compiled from studies undertaken by the priest A. Baruffaldi, carved in marble and placed in the basilica itself. Among them were two
310:
While Medieval Milan underwent a period of decline, San Lorenzo maintained a leading role in the city's liturgy: as the highest place in Milan it came to represent the Mount of Olives and on Palm Sunday the bishop blessed the palms and led the procession that from there to the now-demolished
376:
the houses that had been destroyed were not rebuilt enabling the park of the basilicas to be created, from which there is an excellent view of the complex. In 1934 in place of the demolished houses a sort of a courtyard was formed, with the creation of a public square opposite the basilica.
393:
The basilica, perhaps to avoid the unstable and marshy ground, was built on an artificial hill not far from the walls, along the Via Ticinensis, the main access route to the city, and not far from the Imperial Palace and the amphitheatre, from which were taken some of the materials used in
439:
In 1894, the engineer and architect Cesare Nava built a vestibule in front of the church, consisting of three ionic arches in stone-like cement. In 1934 the houses that had sprung up in the courtyard were demolished, and in their place the following year was positioned a bronze statue of
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What is certain is that at the time of its construction the basilica was the largest, centrally planned building in the West. The dedication of the temple to St. Laurence (San Lorenzo) the martyr has been certified only from 590, when Milan was already controlled by the Lombards.
355:
On 5 June 1573, the dome of the basilica suddenly collapsed, fortunately without causing casualties. Construction of a new dome in a more modern style began immediately and was completed in 1619. During the reconstruction, a miracle occurred, one predicted by Archbishop
319:
between the twelfth and thirteenth centuries. Towards the middle of the eleventh century, the open space behind the basilica, called Vetra, was used as the place of executions: this practice continued until 1840 and was reported, among others, by
335:
The basilica of San Lorenzo remained throughout the Middle Ages a symbol of the legacy of the Roman Empire in Milan. Subsequently, during the age of the Renaissance, especially after the 1154 destruction of the other Ancient Roman structures by
394:
constructing the temple itself. The complex was surrounded by various waterways, coming together to form the Vettabbia, the canal that takes away the waters of Milan, which still flow towards the agricultural areas to the south of the city.
371:
In the 1830s the Austrian Government began a redevelopment of the Vetra: houses built leaning against the basilica and inhabited by tanners were demolished; the channel of the Vetra was covered over; and executions were abolished. After the
499:
were added to the original edifice. Notable is the octagonal Capella di Sant'Aquilino (chapel of St Aquilino), adjoining the main church to the south. The chapel, which may have originally been built as an imperial Roman
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843:
area of the ancient basilica is now a park. Previously the area was occupied by a channel or a lake (probably with a port), while later it was used in public executions, one of which is recounted in
585:
1672:
528:
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chapel dedicated to St Genesius the martyr. By the sixth century, on the east wall, opposite the entrance, two portals were opened giving access to two local apses.
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1588:
238:, it is one of the oldest churches in the city, originally built in Roman times, but subsequently rebuilt several times over the centuries. It is close to the
905:
436:
In 1713 at the initiative of Francesco Croce, the Chapel of Redemption was inserted between those of St Aquilino and the Holy Family (now a sacristry).
323:
in the history of the infamous column. By 1167, with the construction of the medieval walls, the basilica was to be found within the city, at the new
469:
Tromba dolce 8' Voce tremula 8' Treble Viola I 4' Bass Violin I 4' Treble Viola II 4' Bass Violin II 4' Treble Voce flebile Treble Flute in VIII 4'
364:, displayed on the Piazza della Vetra. Following this event, donations increased enabling more rapid progress in the reconstruction. In 1626, the
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basilicas. Contemporary sources recall that the so-called Basilica Portiana resisted the efforts of St Ambrose to wrest it from the Arians.
429:
there began the construction of the chapter house to the side of the courtyard, a project carried out by the architects Aurelio Trezzi and
539:
515:" ("Traditio Legis" - "handing over the law") or possibly "Christ the teacher". Jesus is seated on a throne, flanked by a "school" of his
622:
The square facing the basilica features the so-called "Colonne di San Lorenzo" (Columns of St. Lawrence), one of the few remains of the
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46:
340:, the temple was an example of the classical architectural canons admired by humanists, and studied by architects and artists such as
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A second hypothesis, is that the church was founded some decades later between 390 and 402, and commissioned by
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viols and octave 16'+8' (on the pedals) Bass viols II 16' (on the pedals) Coupler IP Coupler II-I Third hand
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of Milan (or Saint Aquilinus of Cologne), with his remains being housed in the chapel. A 17th-century
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Bishop of Milan Auxentius (355–372). If true, San Lorenzo predates the foundation of the four
1877:
1836:
1815:
1505:
1500:
1460:
1425:
1404:
1133:
1124:
1070:
1061:
de Capitani d'Arzago, A. (1948). "Actes du VIe Congrès International des Études Byzantines".
997:
80:
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1982:
1520:
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8:
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173:
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1934:
1918:
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360:: one year after his death in 1585, a sick woman was cured in front of the icon of the
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634:. They were carried in the current place when the basilica construction was finished.
1750:
1568:
1536:
1450:
1199:
1137:
1108:
1001:
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996:. The Pelican History of Art (2nd ed.). Harmondsworth: Penguin Books. pp.
2122:
2117:
2038:
1872:
1650:
1364:
1352:
1251:
1240:
1191:
Age of spirituality: late antique and early Christian art, third to seventh century
988:
Beckwith, John (1979) . "Early Christian Art: Rome and the Legacy of the Caesars".
302:
2104:
2099:
1949:
1913:
1898:
1740:
1309:
626:"Mediolanum", dating from the 3rd century AD and probably belonging to the large
516:
178:
1997:
1972:
1720:
1546:
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519:, with a scroll box at his feet. The chapel was later dedicated to the martyr
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399:
357:
324:
268:
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Brunelli II and probably originally from the church of San Giovanni in Conca.
421:
After the collapse of 1573, a new cupola was commissioned from the architect,
2137:
1745:
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264:
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with the "Basilica Portiana", which was built by the "Augustus of the West" (
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2023:
1735:
1573:
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623:
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283:
90:
402:, which is why the sacellum took on the name of the chapel of the Queen.
272:
556:, decorates the wall behind the main altar in the Sant'Aquilino chapel.
1177:(1947). "The Italian Element in Late Roman and Medieval Architecture".
1153:
L'architettura religiosa dell'alto medio evo nell'Italia settentrionale
1107:. Fodor's CITYPACK. New York: Fodor's Travel Publications. p. 35.
1098:. The Pelican History of Art. Baltimore: Penguin Books. pp. 55–57.
627:
2074:
2033:
804:
Giovan Battista Gadola (1855–1865), formerly Parish priest of Legnano
717:
Enea Silvvio Piccolomini (1436–1440), in 1458 elected Pope as Pius II
524:
511:. Among the mosaics is included a formulaic depiction of Jesus, as "
501:
352:. Painted references to the church from that era can be identified.
214:
2043:
1857:
1209:
862:
813:
Luigi Bignami (1896–1905), who was appointed Archbishop of Siracusa
631:
464:
341:
287:
1287:
1014:
648:
Anselmo da Bovisio (?–1097), who was appointed Archbishop of Milan
1939:
508:
496:
235:
368:
was transferred to the high altar where it remains to this day.
546:
472:
637:
2069:
1102:
481:
231:
444:, a copy of an original late antiquity preserved in Rome in
840:
550:
The Rediscovery of the corpse of Saint Aquilinus of Cologne
1673:
Museo della Scienza e della Tecnologia "Leonardo da Vinci"
1094:(1965). "Christian Architecture in the Capitals 335-400".
297:
246:, which includes both the Basilica of San Lorenzo and the
1130:
Western Architecture: From Ancient Greece to the Present
1060:
1037:
478:
Kettledrum (on the pedals) Bombarde 16' (on the pedals)
1040:
Architettura dei secoli quarto e quinto in Alta Italia
906:
History of medieval Arabic and Western European domes
1132:. World of Art. London: Thames and Hudson. pp.
1015:
A. Calderini; G. Chierici & C.Cecchelli (1951).
858:
448:; the courtyard was opened to form a public square.
234:, Northern Italy. Located within the city's ring of
1123:
989:
527:for the saint was crafted by Lombardian architect
2135:
465:Column to the left of the console – Second Organ
330:
1589:Antique Furniture & Wooden Sculpture Museum
1225:
1179:Annual Italian Lecture of the British Academy
1103:Staddon, Jackie & Weston, Hilary (2005).
22:
1173:
1017:La basilica di S. Lorenzo Maggiore in Milano
473:Column to the left of the registry – Concert
1090:
638:Chronology of the provosts (parish priests)
490:
1232:
1218:
1165:: CS1 maint: location missing publisher (
1096:Early Christian and Byzantine Architecture
1052:: CS1 maint: location missing publisher (
1029:: CS1 maint: location missing publisher (
955:Early Christian and Byzantine Architecture
946:
482:Column to the right of the registry – Full
32:
1658:Museo Civico di Storia Naturale di Milano
937:
933:
931:
611:
1761:Palazzo della Banca Commerciale Italiana
1257:History of architecture and art in Milan
987:
408:
384:
301:
1150:
952:
380:
298:The Medieval Period and the Renaissance
81:Ecclesiastical or organizational status
2136:
1121:
928:
433:; construction was completed in 1626.
1213:
834:Augusto Casolo (1996–still in office)
750:Giovan Battista Recalcato (1579–1589)
744:Giovan Battista della Chiesa (1551–?)
1641:Art collection of Fondazione Cariplo
1239:
967:
911:History of early modern period domes
901:History of Roman and Byzantine domes
801:Giovan Battista Redaelli (1830–1854)
771:Giovan Ambrogio Torriani (1650–1666)
603:Ceiling over the chapel's main altar
819:Giovanni Maria Stoppani (1932–1960)
795:Giovan Battista Aloardi (1795–1819)
786:Pier Antonio Valmaginio (1733–1747)
13:
1978:Giardini Pubblici Indro Montanelli
1646:Palazzo Anguissola Antona Traversi
810:Giovan Battista Thomas (1877–1895)
780:Carlo Ambrogio Curioni (1717–1728)
747:Giovan Aandrea Pionnio (1569–1579)
702:Francesco da S. Zenone (1350–1359)
14:
2170:
2154:Renaissance architecture in Milan
1496:S. Maurizio al Monastero Maggiore
1038:de Capitani d'Arzago, A. (1942).
992:Early Christian and Byzantine Art
970:Early Christian and Byzantine Art
916:Early Christian churches in Milan
789:Carlo Antonio Belvisi (1748–1770)
759:Giovan Stefaano Ciami (1607–1608)
756:Massimiliano Pusterla (1594–1607)
711:Giovanni di Sommariva (1392–1399)
504:, features important 4th-century
1286:
875:
861:
777:Giovan Antonio Gallo (1688–1717)
738:Francescco Aaccursio (1528–1545)
723:Filippo da Gallarate (1448–1460)
720:Leonardo da Vercelli (1441–1444)
708:Giovanni da Mandello (1376–1385)
705:Francesco da Legnano (1363–1371)
596:
584:
569:
224:Basilica of San Lorenzo Maggiore
753:Giulio Cesare Negri (1589–1594)
732:Francesco Cazzaniga (1510–1519)
729:Bernardino Lanterio (1500–1505)
1125:"The Christian Legacy of Rome"
961:
735:Giacomo de Spaldis (1522–1525)
696:Ardizone del Conte (1321–1338)
693:Bonifacio Pusterla (1313–1314)
687:Ardizone del Conte (1254–1285)
1:
1993:Orto Botanico di Cascina Rosa
1894:Galleria Vittorio Emanuele II
1801:Palazzo delle Scuole Palatine
1609:Museum of Musical Instruments
921:
831:Riccardo Busnelli (1986–1996)
798:Giovanni dell'Oro (1820–1830)
741:Ottoviano Arcimboldo (1546–?)
726:Nicolò da Appiano (1461–1496)
714:Martino di Canale (1406–1436)
699:Antonio del Conte (1340–1347)
690:Filippo del Conte (1285–1312)
451:
331:Recent and contemporary times
2159:Tourist attractions in Milan
1731:Casa di Riposo per Musicisti
816:Carlo Rigogliosi (1906–1932)
774:Orazio Baruverio (1667–1688)
765:Tullo Piantanida (1629–1630)
7:
854:
849:Storia della Colonna Infame
825:Carlo del Corno (1968–1984)
792:Antonio Airoldo (1771–1795)
768:Giulio Maschera (1630–1650)
576:Late 4th-century mosaic of
10:
2175:
2144:Basilica churches in Milan
2095:Milan International (1906)
1821:Villa Belgiojoso Bonaparte
1491:S. Maria presso San Satiro
1446:S. Cristoforo sul Naviglio
1284:
1196:Metropolitan Museum of Art
980:
828:Angelo Manzoni (1984–1986)
807:Achille Achino (1867–1876)
643:Archbishops and one Pope.
615:
389:Interior open central area
257:
248:Basilica of Sant'Eustorgio
19:Basilica of Saint Lawrence
2113:
2062:
2049:Stadio del Ghiaccio Agorà
2011:
1965:
1927:
1887:Squares and public spaces
1886:
1850:
1829:
1786:Palazzo dei Giureconsulti
1711:
1693:Contemporary Art Pavilion
1688:Museo Teatrale alla Scala
1559:
1529:
1486:S. Maria presso San Celso
1418:
1325:
1302:
1295:
1265:
1247:
822:Anselmo Redaelli (1960–?)
783:Settimio Lodi (1728–1733)
213:
208:
200:
192:
172:
164:
159:
120:
112:
107:
99:
89:
79:
69:
57:
45:
40:
31:
18:
1636:Gallerie di Piazza Scala
1579:Bagatti Valsecchi Museum
762:Andrea Bassi (1609–1629)
561:Chapel of Saint Aquilino
491:Chapel of Saint Aquilino
446:San Giovanni in Laterano
1945:Quadrilatero della moda
1868:Teatro degli Arcimboldi
1810:State Archives of Milan
1631:Galleria d'Arte Moderna
1594:Applied Arts Collection
1516:Oratorio di San Protaso
1441:S. Bernardino alle Ossa
1385:S. Maria della Passione
1315:Basilica di Santa Tecla
1151:Verzone, Paolo (1942).
431:Francesco Maria Richino
313:Basilica of Santa Tecla
250:, as well as the Roman
240:medieval Porta Ticinese
24:Basilica di San Lorenzo
2029:Hippodrome of San Siro
1988:Orto Botanico di Brera
1756:Palazzo dell'Arengario
1668:Museo del Risorgimento
1542:Garegnano Charterhouse
1273:Colonne di San Lorenzo
1078:Cite journal requires
938:Staddon & Weston.
618:Colonne di San Lorenzo
612:Colonne di San Lorenzo
543: 1634–1635
414:
390:
307:
252:Colonne di San Lorenzo
215:sanlorenzomaggiore.com
122:Geographic coordinates
23:
2063:Events and traditions
2003:Villa Litta Modignani
1837:Biblioteca Ambrosiana
1816:Royal Palace of Milan
1796:Palazzo della Ragione
1599:Archaeological Museum
1561:Museums and galleries
1456:S. Giorgio al Palazzo
1370:S. Maria delle Grazie
684:Guglielmo (1228–1251)
630:built by the emperor
442:Constantine the Great
412:
388:
374:bombings of 1944–1945
306:The church's exterior
305:
2149:4th-century churches
2090:Milan Furniture Fair
1521:Rotonda della Besana
1501:S. Pietro in Gessate
1471:S. Maria del Carmine
1461:S. Giovanni in Conca
1405:S. Vincenzo in Prato
1375:Leonardo da Vinci's
1266:Archaeological sites
1155:(in Italian). Milan.
1122:Sutton, Ian (1999).
1092:Krautheimer, Richard
1042:(in Italian). Milan.
1019:(in Italian). Milan.
666:Guifredo (1146–1152)
654:Ambrogio (1116–1119)
591:The octagonal chapel
381:Art and architecture
350:Giuliano da Sangallo
144:45.45833°N 9.18194°E
64:Archdiocese of Milan
2054:Velodromo Vigorelli
2019:Allianz Cloud Arena
1955:Via Monte Napoleone
1842:Biblioteca di Brera
1781:Palazzo Castiglioni
1703:Triennale di Milano
1698:Pinacoteca di Brera
1683:Museo Poldi Pezzoli
1663:Museo del Novecento
1614:Museo d'Arte Antica
1476:S. Maria della Pace
1410:S. Vittore al Corpo
1400:S. Stefano Maggiore
1175:Ward Perkins, J. B.
896:List of Roman domes
681:Anizone (1208–1225)
678:Giacomo (1187–1203)
660:Belengerio (1137–?)
578:Christ the Lawgiver
513:Christ the Lawgiver
140: /
2085:Milan Fashion Week
2012:Sporting sceneries
1935:Corso Buenos Aires
1928:Streets and canals
1919:Piazza Gae Aulenti
1909:Piazza della Scala
1806:Palazzo del Senato
1791:Palazzo Mezzanotte
1766:Palazzo Belgioioso
1726:Casa degli Omenoni
1713:Villas and palaces
1584:Castello Sforzesco
1481:S Maria Incoronata
1390:S. Nazaro in Brolo
1278:Milan amphitheatre
891:Roman architecture
869:Catholicism portal
845:Alessandro Manzoni
415:
413:Plan of the church
391:
338:Emperor Barbarossa
321:Alessandro Manzoni
308:
2131:
2130:
1966:Gardens and parks
1776:Palazzo Carminati
1751:Palazzina Appiani
1569:Alfa Romeo Museum
1555:
1554:
1537:Chiaravalle Abbey
1343:S. Carlo al Corso
1194:, no. 584, 1979,
672:Corvo (1158–1176)
427:Federico Borromeo
366:Madonna del Latte
362:Madonna del Latte
327:(Ticinese gate).
220:
219:
149:45.45833; 9.18194
27:
2166:
2123:Outline of Milan
2118:Tourism in Italy
2039:Mediolanum Forum
1904:Piazza del Duomo
1873:Teatro Dal Verme
1771:Palazzo Borromeo
1651:Palazzo Brentani
1431:S. Antonio Abate
1353:Portinari Chapel
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1252:History of Milan
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2105:Oh bej! Oh bej!
2100:Milan Triennial
2058:
2007:
1961:
1950:Via della Spiga
1923:
1914:Piazza Mercanti
1899:Piazza Cordusio
1882:
1846:
1825:
1741:Casa Panigarola
1707:
1678:Museo Diocesano
1604:Egyptian Museum
1551:
1525:
1414:
1321:
1310:Milan Cathedral
1296:Religious sites
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1282:
1261:
1243:
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1186:Weitzmann, Kurt
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1105:Milan's 25 Best
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966:
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940:Milan's 25 Best
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874:
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179:Early Christian
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2015:
2013:
2009:
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1973:Basilicas Park
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1925:
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1911:
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1863:Piccolo Teatro
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1721:Casa Campanini
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1626:Civic Aquarium
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1547:Mirasole Abbey
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1395:S. Simpliciano
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269:Valentinian II
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244:Basilicas Park
228:Roman Catholic
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1878:Teatro Lirico
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1506:S. Sebastiano
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1007:0-14-056033-5
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972:. p. 31.
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2024:Arena Civica
1983:Monte Stella
1736:Casa Manzoni
1574:Armani/Silos
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1348:S. Eustorgio
1198:, New York,
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204:18th century
160:Architecture
116:Milan, Italy
1511:S. Sepolcro
1466:S. Gottardo
1426:Sant'Angelo
1377:Last Supper
1338:S. Calimero
1333:S. Ambrogio
532: [
183:Renaissance
147: /
47:Affiliation
2138:Categories
1619:Pinacoteca
1436:S. Barnaba
1360:S. Lorenzo
968:Beckwith.
922:References
452:Pipe organ
230:church in
135:09°10′55″E
132:45°27′30″N
2075:Expo 2015
2034:Idroscalo
1830:Libraries
1451:S. Fedele
1326:Basilicas
1303:Cathedral
1161:cite book
1048:cite book
1025:cite book
502:mausoleum
277:Ambrosian
201:Completed
74:Ambrosian
2044:San Siro
1858:La Scala
1851:Theatres
1419:Churches
1365:S. Marco
855:See also
632:Maximian
545:). The
517:Apostles
346:Leonardo
342:Bramante
288:Stilicho
168:Basilica
113:Location
108:Location
85:Basilica
59:Province
41:Religion
1940:Navigli
1188:, ed.,
981:Sources
509:mosaics
497:chapels
258:Origins
236:navigli
209:Website
187:Baroque
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495:Other
348:, and
103:Active
100:Status
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1530:Other
628:baths
624:Roman
552:, by
536:]
273:Arian
232:Milan
226:is a
174:Style
1200:ISBN
1167:link
1138:ISBN
1109:ISBN
1084:help
1054:link
1031:link
1002:ISBN
841:apse
839:The
222:The
165:Type
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