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Her images are intentionally left vague and unresolved. As such, they initiate a range of emotions from dream anxiety and helplessness, to being captivated by a fantasy and the romantic aesthetic quality of her old-fashioned pinhole method. Her pictures hark back to the nineteenth-century approach to
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of
Manhattan from 1978 to 1987. Barbara Ess organized and edited seven issues of Just Another Asshole, which formed thanks to an open, collaborative submission process. Issues 3 and 4 were co-edited by Jane Sherry and issues 5 through 7 were co-edited by
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since 1997; who in 2024, along with the
Schwartz family, has established an annual award to assist Bard College photography students in need called The Barbara Ess Fund for Artistic Expression in Photography.
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imagery that evoked moody, open-ended narratives. Ess received grants from LINE, Creative
Artists Public Service Program, and Kitchen Media, and fellowships from Mid Atlantic Arts Foundation and the
190:. They usually were printed with just one earthy color, such as amber, or muted blue-black. They are shown internationally in solo and group exhibitions and reviewed extensively.
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I am Not This Body: The
Pinhole Photographs of Barbara Ess by Guy Armstrong, Michael Cunningham, Thurston Moore and Barbara Ess (June 15, 2005)
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that was held at The New Museum of
Contemporary Art in 2010. Posthumously, her photography work has been included in the exhibition
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Ess was known primarily for her large-scale ambient and shadowy photographs that were often made with a
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202:. The Pictorialists and Cameron often included nature, women, and children as subject matter, creating
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Of her intent as a photographer, Ess said "In a way I try to photograph what cannot be photographed."
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Bard
College announces the creation of The Barbara Ess Fund for Artistic Expression in Photography
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Bard
College announces the creation of The Barbara Ess Fund for Artistic Expression in Photography
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in New York City in 1985, the same year she participated in a group exhibition entitled
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The Estate of
Barbara Ess is represented by the New York City gallery Magenta Plains.
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An early solo exhibition of her photography work was presented at The
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Andrea Karnes, "Barbara Ess," Camera
Austria 27 (October 1988): 17
458:"Barbara Ess, 76, Dies; Artist Blurred Lines Between Life and Art"
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Andrea Karnes,"Barbara Ess," Camera
Austria 27 (October 1988): 17
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and Ultra Vulva. She often performed at art galleries, at the
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Modern women : women artists at the Museum of Modern Art
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I Am Not This Body: The Pinhole Photographs of Barbara Ess
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Artists' magazines : an alternative space for art
611:(2010). Butler, Cornelia; Schwartz, Alexandra (eds.).
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340:mixed media publication project launched from the
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668:The Estate of Barbara Ess at Magenta Plains
617:. New York: Museum of Modern Art. pp.
198:and to the well-known amateur photographer
544:Who You Staring At: Visual culture of the
251:Who You Staring At: Visual culture of the
229:in Atlanta in 1992 and one in 2003 at the
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721:) - You Who Know No Pain (7:07) track on
302:and collaborating in 2001 with filmmaker
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225:. Ess also had a solo exhibition at The
824:National Endowment for the Arts Fellows
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360:Ess' work is in the collections of the
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366:Museum of Contemporary Art Los Angeles
764:20th-century American women musicians
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329:Editorial work: Just Another Asshole
774:21st-century American women artists
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378:San Francisco Museum of Modern Art
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153:editor. She taught photography at
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16:American photographer (1944–2021)
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321:was re-published in 2004 by the
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799:American experimental musicians
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400:and Barbara Ess (June 15, 2005)
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102:large-scale pinhole photography
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814:University of Michigan alumni
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834:American post-punk musicians
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548:scene in the 1970s and 1980s
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809:American feminist musicians
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272:Ess performed and recorded
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490:"Barbara Ess (1948–2021)"
166:Ess earned a B.A. at the
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839:American women academics
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819:Artists from Brooklyn
597:Table of the Elements
323:Table of the Elements
221:that was held at the
829:Bard College faculty
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151:Just Another Asshole
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717:Barbara Ess (with
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394:Michael Cunningham
392:by Guy Armstrong,
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239:Postmodern Prints
174:and attended the
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419:1980s portal
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384:Bibliography
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347:Glenn Branca
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319:Radio Guitar
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315:record label
308:Radio Guitar
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304:Peggy Ahwesh
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71:(2021-03-04)
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698:Barbara Ess
182:Photography
135:Barbara Ess
25:Barbara Ess
733:Categories
676:References
278:The Static
104:post-punk
50:1944-04-04
467:March 10,
443:Footnotes
432:Mudd Club
290:Mudd Club
274:post-punk
172:Ann Arbor
162:Education
85:Education
496:March 5,
405:See also
376:and the
219:Currents
702:Discogs
619:448-454
576:May 13,
546:no wave
427:No Wave
338:no wave
325:label.
292:and at
286:Y Pants
282:Disband
253:no wave
147:No Wave
113:Partner
106:no wave
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437:Tier 3
372:, the
368:, the
364:, the
336:was a
294:Tier 3
137:(born
123:Awards
108:music
711:IMDb
648:ISBN
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79:, US
66:Died
60:, US
40:Born
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