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719:. While musicians may have played from this vantage point, its true purpose was to admit an audience; at the time of the Banqueting House's construction, kings still lived in "splendour and state", or publicly. The less exalted and the general public would be permitted to crowd the gallery in order to watch the king dine. The lower status of those in the gallery was emphasised by the lack of an internal staircase, the gallery only being accessible by an external staircase. The building was, however, later extended to accommodate an internal staircase.
753:. It became his ambition to find a comparable painter for his own court. Rubens while in England as a diplomat was asked to design and paint the Banqueting House ceiling which was sketched in London but completed at his studio in Antwerp due to the scale of the job. It was probably commissioned in 1629–30, and finally installed in 1636, the ceiling having been completely remodelled to frame the various sections. The subject, commissioned by the king, was the glorification of his father, titled
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838:, was a particular favourite. Provincial architects began to recreate the motifs of the Banqueting House throughout England, with varying degrees of competence. Examples of the style's popularity can be found throughout England; the then-remote county of Somerset alone contains three 17th-century versions of the Banqueting House:
868:. Following the fire which destroyed Whitehall Palace, the Banqueting Hall became redundant for the purpose for which it was designed, and it was converted to a chapel to replace the Chapel Royal of Whitehall, which had been destroyed in the fire and was used to host concerts. It remained a chapel before being given to the
876:
in 1893. Highly controversial plans to partition the large mansion house space in the service of offices for the
Institution were quickly dropped in favour of the creation of a museum which displayed personal items of famous commanders and included the skeleton of Napoleon's horse. The museum closed
825:
almost every
English county was to have some buildings in the classical style. The Banqueting House and its features became much copied. A much-favoured motif was the placing of pediments above not only the focal point of a façade but also its windows. The use of alternating segmental and triangular
622:
In 1638, Jones drew the designs for a new and massive palace at
Whitehall in which his banqueting house was to be incorporated as one wing enclosing a series of seven courtyards, visible on the monumental main façade as only a small flanking wing. These revealed the ideas behind Jones' concept of
805:
Although
English architecture had been influenced, mostly indirectly, by Italian classicism for a century or so, resulting in the use of classical forms and motifs in late Tudor, Elizabethan and Jacobean buildings, on his return from Italy Jones brought with him far more thorough and up to date
765:, leaving Anthony van Dyck, lured not only with a knighthood but also a pension and a house, to remain in England as the court painter. The panels for the ceiling were all painted in Rubens' atelier in Antwerp and sent to London by ship. Inigo Jones later designed another double-cube room at
324:, known as York Place. The king was determined that his new palace should be the "biggest palace in Christendom", a place befitting his newly created status as the Supreme Head of the Church of England. All evidence of the disgraced Wolsey was eliminated and the building rechristened the
551:
The building is on three floors: The ground floor, a warren of cellars and store rooms, is low; its small windows indicating by their size the lowly status and usage of the floor, above which is the double-height banqueting hall, which falsely appears from the outside as a first-floor
781:. The actual window no longer exists, as it was not in the main hall but just outside it in an adjacent part of the building which has now gone. Seen from the outside, it would have been the next window along at the north end, roughly above the current visitors' entrance.
425:. King James visited the construction site in September 1607 and was displeased with the placing of pillars which obscured the windows. A Venetian diplomat, Orazio Busino, praised the proportions of the space, and the decoration and carving of the wooden columns (in two
776:
Although
Charles I lavished attention and effort on the Banqueting House, it was the scene of his death. On the afternoon of 30 January 1649, he stepped out of a first-floor window of Banqueting House onto the scaffold that had been erected outside for the purpose of
789:
Unlike the architecture of the more southern
European countries, English architecture went through no period of evolution to classicism. Through Jones it arrived suddenly and fully formed. Before this, English architecture had still been based on the styles of the
498:' 1638 plan for a new palace at Whitehall, "one of the grandest architectural conceptions of the renaissance in England"; the Banqueting House is incorporated to the near left of the central courtyard (for the most part, Jones's plan was ultimately never executed)
736:
James I, for whom the
Banqueting House was created, died in 1625 and was succeeded by his son, Charles I. The accession of Charles I heralded a new era in the cultural history of England. The new king was a great patron of the arts. He added to the
364:
described the building, with its timbered structure covered with canvas painted in imitation of stone, and a painted ceiling including the queen's devices and heraldry. The new building was intended as the venue for entertaining
794:, if for the previous century influenced by Netherlandish and French renaissance classicism, which had resulted in an English renaissance style during the late Elizabethan and Jacobean periods. However, as can be seen at
331:
During Henry's reign, the palace had no designated banqueting house, the king preferring to banquet in a temporary structure purpose-built in the gardens. The Keeper of the
Banqueting House was a position enhanced by
700:, James I was so unprepossessing, neither Pocahontas nor Tomocomo realized whom they had met until it was explained to them afterward. Such masques were later augmented with French musicians, whom Queen
899:
at
Greenwich is often referred to as England's first consciously classical building, its completion was delayed until 1635, some thirteen years after the completion of the Banqueting House. Halliday, p
482:
on 6 January 1617. The banqueting house was destroyed by fire in
January 1619, when workmen, clearing up after New Year's festivities, decided to incinerate the rubbish or oil rags inside the building.
599:: "the figure cut in alabaster kneels at my husband's tomb." Like Inigo Jones, Stone was well aware of Florentine art and introduced to England a more delicate classical form of sculpture inspired by
850:. Following the fall of the monarchy, Jones' career was effectively ended, his style seen as royalist. He died in 1652, never having seen the popularity of the architectural concepts he introduced.
1340:
The completed palace would have been 1,280 by 950 feet (390 by 290 m) and the central courtyard would have been twice the size of the courtyard of the Louvre. Fletcher, p 711 & 715
245:, the residence of English monarchs from 1530 to 1698. The building is important in the history of English architecture as the first structure to be completed in the classical style of
678:. The entertainments given there would have been among the finest in Europe, for, during this period, England was considered the area's leading musical country. On 5 January 1617,
276:
in the 19th century, though the details of the original façade were faithfully preserved. Today, the Banqueting House is a national monument, open to the public and preserved as a
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was something of a misnomer. The hall within the house was, in fact, used not only for banqueting, but also royal receptions, ceremonies, and the performance of
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Inside the building is a single two-storey, double-cube room. The double-cube, in which the length of the room is twice its equal width and height, is another
448:
in February 1609 included "sundry seats above for the Queen and ladies to sit on and be turned round about". Alterations for staging masques were made by
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802:, one of England's first purpose-built "Renaissance" houses, even during this era, English domestic architecture never quite lost its "castle air".
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was performed in the Banqueting House on 1 November 1605 by the King's Players. One of the last functions in this structure was a banquet for the
618:
A contemporaneous German print showing the execution of Charles I on 30 January 1649 outside the Banqueting House, which is inaccurately depicted
77:
715:, where all proportions are mathematically related. At the upper level, the room is surrounded by what is sometimes mistakenly referred to as a
409:
King James began building a new banqueting house in 1607, which was destined to only have a short life. The building was probably designed by
1661:
642:
In January 1698, the Tudor Palace was razed by fire that raged for 17 hours. All that remained was the Banqueting House, Whitehall Gate, and
518:
English Renaissance with a more pure, classical design, which made no attempt to harmonise with the Tudor palace of which it was to be part.
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627:, who commissioned the plans, never amassed the resources to execute them; his lack of funds and the tensions that eventually led to the
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beinge in Lengthe 110 foote, and in breadth 55 foote, the under story being arched 16 foote in haight, the upper story 55 foote highe
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607:. This is evident in his swags on the street façade of the Banqueting House, similar to that which adorns the plinth of his
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mason who had trained in Holland. It has been said that, until this time, English sculpture resembled that described by the
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662:, been alive, with her appreciation of the historical significance of Whitehall, he would have insisted on the rebuilding.
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388:
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20:
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and encouraged the great painters of Europe to come to England. In 1623 he visited Spain where he was impressed by
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with a secondary floor above. The lower windows of the hall are surmounted by alternating triangular and segmental
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orders, the former above the latter, stand atop a high, rusticated basement and divide the seven bays of windows.
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514:, and returned to England with what were, at the time, revolutionary ideas: to replace the eclectic style of the
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Hart, V. (2002). '"Immaginacy set free": Aristotelian Ethics and Inigo Jones's Banqueting House at Whitehall',
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and was an allegory of his own birth. To the king's chagrin, Rubens took his knighthood and decamped back to
1998:
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2013:
442:, wrote that "the apparatus and the cunning of the stage machinery was a miracle". Stage mechanisms for
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was beheaded on a scaffold in front of it in January 1649. The building was controversially re-faced in
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were asked to design a new palace, but nothing came of the scheme. It has been said that the widowed
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and masks suggest the feasting and revelry associated with the concept of a royal banqueting hall.
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understanding of the underlying principles of late Renaissance classicism. With his work at the
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architecture of England, where Renaissance motifs were still filtered through the engravings of
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The design of the Banqueting House is classical in concept. It introduced a refined Italianate
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A more permanent Banqueting house was built at Whitehall in 1581, costing £1,744-19 shillings.
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made a drawing of the ground plan. An adjacent chamber was built to host events for the
237:, central London, is the grandest and best-known survivor of the architectural genre of
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made a special auger to hollow out the columns. The interior was painted and gilded by
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413:. A "geometrical model" for the roof was made by a Scottish designer, James Acheson.
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Oliver Jones, 'Evidence for Indoor Theatre', Andrew Gurr & Farah Karim-Cooper,
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in June 1607, for which new linen was bought to dress the two cupboards of estate.
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708:, who died on a trip to meet the newly married Henrietta Maria and her musicians.
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The replacement Banqueting House was commissioned from the fashionable architect
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Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse
810:
in Greenwich, and the Banqueting House, Jones transformed English architecture.
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Wikimedia photograph of Banqueting House Junction in the forest of Nonsuch Park
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348:. This house was used to entertain the French agent in London and ambassador
321:
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79:
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Europe's Indians, Indians in Europe: European Perceptions and Appropriations
506:. Jones had spent time in Italy studying the architecture evolving from the
292:
16:
Former palace banqueting rooms, later chapel of Whitehall in London, England
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Survey of London: volume 13: St Margaret, Westminster, part II: Whitehall I
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604:
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560:, while the upper windows are unadorned casements. Immediately beneath the
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373:
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in 1962, and the great south window, closed up by the RUSI, was restored.
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were brought before the king at the Banqueting House, at a performance of
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designers. The roof is essentially flat and the roofline is defined by a
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65:
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Edward Town, 'A Biographical Dictionary of London Painters, 1547-1625',
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1800:
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Today, the banqueting hall is open for tours and use as a venue space.
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687:
679:
537:
469:
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284:, which receives no funding from the British Government or the Crown.
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230:
61:
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Palaces of the Revolution, Life, Death & Art at the Stuart Court
1107:
Palaces of the Revolution, Life, Death & Art at the Stuart Court
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outside Banqueting House following the defeat of Royalist forces.
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1532:
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The overthrow of the monarch and establishment of the puritanical
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369:. In subsequent years, the decorative scheme was enhanced by the
336:
by designating it in relation to a building of the same name at
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569:
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wedding of Princess Elizabeth and Frederick V of the Palatinate
379:
The ceiling of this Elizabethan banqueting house, inherited by
592:
1843:
821:, which delayed its spread; but within a few years of the
264:, the Banqueting House was completed in 1622 at a cost of
864:
preferred to live elsewhere and eventually reconstructed
587:
Much of the work on the Banqueting House was overseen by
525:
style that was unparalleled in the free and picturesque
631:
intervened and the plans were permanently shelved. The
1131:
John Orrell, 'Architecture of the Fortune Playhouse',
769:, to display Van Dyck's portraits of the aristocratic
1221:
The Language of Space in Court Performance, 1400-1625
572:, above which the entablature is supported by dental
540:. On the street façade, the engaged columns, of the
429:) which supported viewing galleries on three sides.
320:, expanding an earlier mansion that had belonged to
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Grade I listed buildings in the City of Westminster
1676:
1583:
A History of Architecture on the Comparative Method
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355:
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1494:. Royal United Services Institute. Archived from
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1358:
1206:(Cambridge, 2014), 75–76: Herford & Simpson,
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983:
981:
405:The first Jacobean banqueting house at Whitehall
1988:
1957:
1423:
1313:
1355:
1146:Dudley Carleton to John Chamberlain, 1603-1624
215:Location of Banqueting House in Central London
2585:
1662:
1076:Extracts from the Accounts of Revels at Court
978:
658:never cared for the area, but, had his wife,
280:. It is cared for by an independent charity,
2599:
2205:Old Operating Theatre Museum and Herb Garret
1597:RES: Journal of Anthropology and Aesthetics
1003:A History of the County of Surrey: Volume 3
996:
856:was the last monarch to live at Whitehall;
432:The new banqueting house was the venue for
2592:
2578:
1934:Museum of Domestic Design and Architecture
1896:
1669:
1655:
1234:Whitehall Palace: An Architectural History
438:in January 1608, the Venetian ambassador,
308:, showing the Banqueting House to the left
36:
2049:Estorick Collection of Modern Italian Art
1443:History of the Great Civil War: 1642–1649
1283:HMC 12th report part I, Earl Cowper, Coke
1454:Plaque above doorway on Banqueting House
1273:(University Press of America, 2007), 16.
1256:Thomas Birch & Folkestone Williams,
1164:(Oxford: Clarendon Press, 1968), p. 257.
962:. Historic Royal Palaces. Archived from
721:
613:
490:
299:
291:
207:
1559:
1445:(Volume 4), Longmans, 1893, at page 321
1349:
1087:
729:, the central panel of the ceiling, by
2794:
1246:RIBA Banqueting House, Robert Smythson
1092:. London: British Museum. p. 165.
826:pediments, an arrangement employed by
2573:
1987:
1944:Petrie Museum of Egyptian Archaeology
1895:
1688:
1650:
1529:Wimborne, Dorset: The Dovecote Press.
1689:
2842:Neoclassical architecture in London
2528:Ranger's House (Wernher Collection)
2119:Museum of Immigration and Diversity
1604:Inigo Jones: The Architect of Kings
13:
2807:Museums in the City of Westminster
2099:London Museum of Water & Steam
1258:Court and Times of James the First
1210:, 10 (Oxford, 1965), pp. 494, 548.
1109:(William Collins, 2021), pp. 91-3.
1005:. Institute of Historical Research
952:
938:National Heritage List for England
367:Francis, Duke of Anjou and Alençon
14:
2878:
2847:Palladian architecture in England
1631:
1568:, Sutton: Sutton Publishing Ltd,
830:as early as 1550 at the Medicis'
21:Banqueting House (disambiguation)
2802:Historic house museums in London
2554:
2553:
2104:Markfield Beam Engine and Museum
1260:, vol. 1 (London, 1848), p. 229.
1050:English Court Theatre, 1558-1642
452:, paymaster of the royal works.
356:The Elizabethan banqueting house
206:
199:
1678:Museums and galleries in London
1543:Her Majesty's Stationery Office
1512:
1484:
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1250:
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1183:
1180:(William Collins, 2021), p. 92.
1167:
1162:The Jacobean and Caroline Stage
1151:
1138:
1125:
1112:
1096:
1090:Jewels and Plate of Elizabeth I
1081:
1068:
1055:
1042:
1037:Dress in the Age of Elizabeth I
870:Royal United Services Institute
817:caused the style to be seen as
486:
458:was performed in January 1610.
296:Interior of the Banqueting Hall
2852:1622 establishments in England
2513:Kenwood House (Iveagh Bequest)
2200:Museum of the Order of St John
2089:Institute of Contemporary Arts
2074:Handel & Hendrix in London
1592:. London: Thames & Hudson.
1539:The Banqueting House Whitehall
1535:Department for the Environment
1088:Collins, A. Jefferies (1955).
1029:
1017:
990:
921:
912:
903:
889:
256:Begun in 1619 and designed by
1:
2134:Royal Academy of Music Museum
1585:. London: B.T. Batsford, Ltd.
1223:(Cambridge, 2010), pp. 145-6.
1052:(Cambridge, 1999), pp. 133-4.
883:
387:, was painted with clouds by
268:15,618, 27 years before King
2014:Ben Uri Gallery & Museum
1999:Arsenal Football Club Museum
1518:Copplestone, Trewin (1963).
1301:, 2 (London, 1839), 187–188.
1193:, 10 (Oxford, 1965), p. 457.
933:"Banqueting House (1357353)"
7:
2362:Banqueting House, Whitehall
2185:Florence Nightingale Museum
1989:Other museums and galleries
1590:Cultural History of England
1236:(London: HRP, 1999), 79–80.
1135:, 47 (Cambridge, 1992), 17.
665:
10:
2883:
2271:Headstone Manor and Museum
2054:Fashion and Textile Museum
1867:Victoria and Albert Museum
1783:Imperial War Museum London
1616:Williams, Neville (1971).
1599:, vol.39, pp. 151–67.
1564:The Last Days of Charles I
1148:(Rutgers UP, 1972), p. 99.
287:
18:
2812:Royal buildings in London
2768:
2653:
2607:
2549:
2478:
2390:
2352:
2329:
2251:Greenwich Heritage Centre
2218:
2172:
1994:
1983:
1904:
1891:
1865:
1842:
1824:
1791:
1760:
1732:National Portrait Gallery
1697:
1684:
1606:. Yale University Press.
1492:"History of the Building"
1039:(Batsford, 1988), p. 126.
997:H.E. Malden, ed. (1911).
784:
727:The Apotheosis of James I
637:Charles I's own execution
340:, near the south edge of
260:in a style influenced by
194:
190:
186:
176:
168:
160:
150:
146:
136:
126:
116:
108:
71:
57:
47:
35:
30:
2832:Houses completed in 1622
2601:British royal residences
2024:Bow Street Police Museum
1806:National Maritime Museum
1588:Halliday, F. E. (1967).
1560:Edwards, Graham (1999),
1527:Somerset Country Houses.
1525:Dunning, Robert (1991).
1441:Samuel Rawson Gardiner,
633:Second English Civil War
2776:Former royal residences
2019:Benjamin Franklin House
1967:London Museum Docklands
1929:London Transport Museum
1914:Dulwich Picture Gallery
1793:Royal Museums Greenwich
1747:Sir John Soane's Museum
1285:(London, 1888), p. 103.
1189:Herford & Simpson,
1122:(London, 1836), p. 302.
1120:Issues of the Exchequer
623:Palladianism. However,
609:Francis Holles memorial
476:came to see the masque
455:Prince Henry's Barriers
417:was the carpenter, and
278:Grade I listed building
249:which was to transform
2827:Historic Royal Palaces
2822:Grade I listed palaces
2781:Historic Royal Palaces
2354:Historic Royal Palaces
2331:Royal Collection Trust
2164:William Morris Gallery
2149:Sherlock Holmes Museum
2029:Charles Dickens Museum
2004:Bank of England Museum
1898:Designated collections
1742:Royal Air Force Museum
1737:Natural History Museum
1393:"The Banqueting House"
1063:Walpole Society Volume
1026:. Retrieved 2013-10-25
999:"Parishes: Cuddington"
733:
619:
499:
352:and his wife in 1556.
309:
297:
282:Historic Royal Palaces
247:Palladian architecture
141:Historic Royal Palaces
127:Architectural style(s)
2837:Inigo Jones buildings
2219:Local history museums
2176:Health & Medicine
2174:The London Museums of
2124:Orleans House Gallery
2094:Leighton House Museum
2064:Guildhall Art Gallery
1949:Royal Academy of Arts
1939:Museum of Freemasonry
1620:. Lutterworth Press.
725:
693:The Vision of Delight
617:
494:
479:The Vision of Delight
303:
295:
2862:Charles I of England
2735:Thatched House Lodge
2420:Eastbury Manor House
2367:Hampton Court Palace
2306:Valence House Museum
2144:Serpentine Galleries
2034:Dennis Severs' House
2009:Barbican Art Gallery
1826:Science Museum Group
1762:Imperial War Museums
1722:National Army Museum
1581:Fletcher, B (1921).
1158:Gerald Eades Bentley
1078:(London, 1842), 203.
866:Hampton Court Palace
445:The Masque of Queens
435:The Masque of Beauty
316:was the creation of
270:Charles I of England
251:English architecture
19:For other uses, see
2625:Hillsborough Castle
2405:575 Wandsworth Road
2311:Vestry House Museum
2296:Museum of Wimbledon
2210:Wellcome Collection
2159:Whitechapel Gallery
1770:Churchill War Rooms
1299:Court of King James
1295:John Sherren Brewer
1269:Dagmar Wernitznig,
1065:, 76 (2014), p. 83.
1048:John H. Astington,
966:on 1 September 2011
399:Prince of Joinville
385:Union of the Crowns
350:Antoine de Noailles
326:Palace of Whitehall
314:Palace of Whitehall
306:Palace of Whitehall
243:Palace of Whitehall
235:City of Westminster
89: /
2696:Nottingham Cottage
2687:Kensington Palace
2291:Museum of Richmond
2044:Dr Johnson's House
1752:Wallace Collection
1717:Museum of the Home
1520:World Architecture
1498:on 18 January 2012
1472:Coppelstone, p 249
1133:Shakespeare Survey
1074:Peter Cunningham,
909:Coppelstone, p 835
734:
717:minstrels' gallery
652:Nicholas Hawksmoor
620:
576:. Under the upper
500:
415:William Portington
376:and Lewis Lizard.
310:
298:
177:Reference no.
93:51.5044°N 0.1256°W
2789:
2788:
2713:Sandringham House
2640:St James's Palace
2635:Kensington Palace
2615:Buckingham Palace
2567:
2566:
2545:
2544:
2541:
2540:
2533:Winchester Palace
2523:Marble Hill House
2372:Kensington Palace
2316:Wandsworth Museum
2301:Twickenham Museum
2286:Museum of Croydon
1979:
1978:
1975:
1974:
1909:Courtauld Gallery
1887:
1886:
1883:
1882:
1816:Royal Observatory
1602:Hart, V. (2011).
1575:978-0-7509-2679-9
1522:. London: Hamlyn.
1118:Frederick Devon,
840:Brympton d'Evercy
779:his own execution
731:Peter Paul Rubens
362:Raphael Holinshed
239:banqueting houses
223:
222:
2874:
2753:Frogmore Cottage
2743:Adelaide Cottage
2594:
2587:
2580:
2571:
2570:
2557:
2556:
2480:English Heritage
2445:Morden Hall Park
2321:Whitehall Museum
2276:Islington Museum
2256:Gunnersbury Park
2190:Foundling Museum
2170:
2169:
2154:Two Temple Place
2114:Museum of Brands
2109:Migration Museum
1985:
1984:
1959:Museum of London
1955:
1954:
1919:Hunterian Museum
1893:
1892:
1758:
1757:
1727:National Gallery
1691:National museums
1686:
1685:
1671:
1664:
1657:
1648:
1647:
1643:
1642:
1640:Official website
1578:
1567:
1556:
1507:
1506:
1504:
1503:
1488:
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1479:
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1286:
1280:
1274:
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1254:
1248:
1243:
1237:
1230:
1224:
1219:Janette Dillon,
1217:
1211:
1200:
1194:
1187:
1181:
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1155:
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1129:
1123:
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1100:
1094:
1093:
1085:
1079:
1072:
1066:
1059:
1053:
1046:
1040:
1035:Jane Ashelford,
1033:
1027:
1021:
1015:
1014:
1012:
1010:
994:
988:
985:
976:
975:
973:
971:
956:
950:
949:
947:
945:
929:Historic England
925:
919:
916:
910:
907:
901:
893:
739:Royal Collection
672:Banqueting House
656:King William III
648:Christopher Wren
597:Duchess of Malfi
440:Zorzi Giustinian
427:Classical orders
411:Robert Stickells
227:Banqueting House
210:
209:
203:
164:Banqueting House
104:
103:
101:
100:
99:
98:51.5044; -0.1256
94:
90:
87:
86:
85:
82:
52:Banqueting house
42:Whitehall facade
40:
31:Banqueting House
28:
27:
2882:
2881:
2877:
2876:
2875:
2873:
2872:
2871:
2792:
2791:
2790:
2785:
2764:
2683:Highgrove House
2671:Craigowan Lodge
2661:Balmoral Castle
2649:
2630:Holyrood Palace
2603:
2598:
2568:
2563:
2537:
2474:
2415:Carlyle's House
2410:Blewcoat School
2386:
2382:Tower of London
2348:
2325:
2281:Kingston Museum
2266:Havering Museum
2214:
2175:
2168:
2139:Saatchi Gallery
2084:Hogarth's House
2079:Hayward Gallery
1990:
1971:
1953:
1900:
1879:
1861:
1838:
1820:
1787:
1756:
1712:Horniman Museum
1702:British Library
1693:
1680:
1675:
1638:
1637:
1634:
1576:
1553:
1515:
1510:
1501:
1499:
1490:
1489:
1485:
1480:
1476:
1471:
1467:
1463:Halliday, p 148
1462:
1458:
1453:
1449:
1440:
1436:
1432:Halliday, p 152
1431:
1424:
1419:
1415:
1402:
1400:
1391:
1390:
1386:
1382:Halliday, p 156
1381:
1377:
1373:Great Buildings
1372:
1368:
1363:
1356:
1348:
1344:
1339:
1335:
1331:Halliday, p 154
1330:
1326:
1322:Fletcher, p 716
1321:
1314:
1310:Fletcher, p 715
1309:
1305:
1293:
1289:
1281:
1277:
1268:
1264:
1255:
1251:
1244:
1240:
1232:Simon Thurley,
1231:
1227:
1218:
1214:
1201:
1197:
1188:
1184:
1172:
1168:
1156:
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917:
913:
908:
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894:
890:
886:
787:
706:Orlando Gibbons
702:Henrietta Maria
696:. According to
668:
512:Andrea Palladio
489:
462:Robert Smythson
407:
358:
322:Cardinal Wolsey
318:King Henry VIII
290:
262:Andrea Palladio
219:
218:
217:
216:
213:
212:
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172:1 December 1987
156:
153:Listed Building
97:
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91:
88:
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43:
24:
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2648:
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2645:Windsor Castle
2642:
2637:
2632:
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2620:Clarence House
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2493:Chiswick House
2490:
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2467:
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2430:The George Inn
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2392:National Trust
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2339:King's Gallery
2335:
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2313:
2308:
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2261:Hackney Museum
2258:
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2016:
2011:
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1995:
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1863:
1862:
1860:
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1846:
1840:
1839:
1837:
1836:
1834:Science Museum
1830:
1828:
1822:
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1707:British Museum
1704:
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1694:
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1666:
1659:
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1633:
1632:External links
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1364:Williams, p 50
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987:Williams, p 45
977:
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874:Queen Victoria
832:Palazzo Uffizi
800:Hatfield House
796:prodigy houses
786:
783:
667:
664:
625:King Charles I
589:Nicholas Stone
488:
485:
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342:Greater London
338:Nonsuch Palace
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274:Portland stone
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1103:Simon Thurley
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2748:Bagshot Park
2708:Llwynywermod
2488:Apsley House
2470:Sutton House
2455:Rainham Hall
2425:Fenton House
2231:Bruce Castle
2195:Freud Museum
1852:Tate Britain
1776:
1617:
1603:
1596:
1589:
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1513:Bibliography
1500:. Retrieved
1496:the original
1486:
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1401:. Retrieved
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1350:Edwards 1999
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1007:. Retrieved
1002:
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968:. Retrieved
964:the original
960:"Who We Are"
954:
942:. Retrieved
936:
923:
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852:
848:Ashton Court
844:Hinton House
815:Commonwealth
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767:Wilton House
754:
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713:Palladianism
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644:Holbein Gate
641:
635:resulted in
621:
605:Medici tombs
601:Michelangelo
586:
574:corbel table
554:piano nobile
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510:and that of
501:
487:Architecture
477:
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381:King James I
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374:George Gower
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334:Queen Mary I
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2758:Royal Lodge
2691:Ivy Cottage
2518:London Wall
2508:Jewel Tower
2465:Roman Baths
2236:Burgh House
1857:Tate Modern
1618:Royal Homes
858:William III
823:Restoration
792:Middle Ages
759:of James I,
562:entablature
523:Renaissance
508:Renaissance
504:Inigo Jones
496:Inigo Jones
346:London Loop
258:Inigo Jones
121:Inigo Jones
96: /
72:Coordinates
66:Westminster
2867:Pocahontas
2796:Categories
2718:Anmer Hall
2701:Wren House
2498:Down House
2439:restricted
2377:Kew Palace
2344:Royal Mews
2246:Forty Hall
2178:(selected)
2069:Hall Place
1801:Cutty Sark
1502:2012-01-31
1208:Ben Jonson
1191:Ben Jonson
1009:25 October
970:31 January
944:3 November
895:While the
884:References
757:Apotheosis
698:John Smith
690:'s masque
688:Ben Jonson
680:Pocahontas
593:Devonshire
542:Corinthian
538:balustrade
470:Pocahontas
169:Designated
81:51°30′16″N
2857:Whitehall
2723:Wood Farm
2460:Red House
751:Velázquez
670:The term
629:Civil War
558:pediments
534:Mannerist
468:in 1613.
391:in 1604.
231:Whitehall
155:– Grade I
131:Palladian
117:Architect
84:0°07′32″W
62:Whitehall
2769:See also
2739:Windsor
2730:Tamarisk
2666:Birkhall
2608:Official
2559:Category
1537:(1983).
1420:Halliday
854:James II
836:Florence
819:Royalist
773:family.
771:Pembroke
684:Tomocomo
666:Interior
582:festoons
527:Jacobean
516:Jacobean
474:Tomocomo
371:painters
304:The old
58:Location
2654:Private
1777:Belfast
1403:17 July
862:Mary II
763:Antwerp
676:masques
660:Mary II
531:Flemish
394:Othello
383:at the
288:History
233:in the
181:1357353
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1399:. 1930
846:, and
828:Vasari
785:Legacy
749:, and
747:Rubens
743:Titian
578:frieze
570:relief
798:like
566:swags
546:Ionic
229:, on
109:Built
1844:Tate
1775:HMS
1622:ISBN
1608:ISBN
1570:ISBN
1547:ISBN
1533:The
1405:2009
1011:2013
972:2012
946:2019
860:and
755:The
682:and
650:and
591:, a
544:and
472:and
312:The
225:The
112:1622
48:Type
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834:in
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