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200:), which the artist donated in 1763 to the Academy of Antwerp, he painted himself in a flamboyant manner with his right arm loosely hanging over the back of a chair and a large palette in his left hand. He is working on a figure composition but it is not clear exactly which subject he is painting. It could be a Venus with Cupid or alternatively, an allegory, possibly of the fine arts. The work is very similar in style to French portraiture of that time. Beschey also follows the French fashion with his yellow silk jacket with frill and powdered wig.
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Balthasar
Beschey operated in Antwerp an art restoration workshop and art dealership. Thanks to his connections in England through his brother Jan Frans, he was able to export Flemish paintings to England. There exists a record of a shipment of 9 paintings for a total value of 270 guilders, which
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Catalogue von extra schoone schilderyen, zoo door
Italiaensche, Fransche als Nederduytsche beroemste meesters, als ook eenige teekeningen ende printen, naergelaeten by wylen d'Heer Balthazar Beschey, konst-schilder en directeur der Koninglyke Academie der Schilder ende Beéldbouw-Konst der stad
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He painted a pair of family portraits of two generations of the
Cremers family, one representing the family in an outdoor setting playing music and the second representing the wedding of the parents Cremer who are all seated and making music. In the
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on 25 November 1752. He married
Johanna Catharina Rosa Pauwels on 14 January 1753. Balthasar Beschey became a professor and from 1755 a director of the Academy of Arts in Antwerp. He was the dean of the Guild of Saint Luke in 1775/76.
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has two genre paintings by
Beschey which represent the five senses, a subject popular in Flemish art. Christie’s sold another pair of genre scenes at its 30 March 2015 sale in Paris (lot 15) representing respectively a fishmarket and a
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who worked under the pseudonym
Francis Lindo as a portrait painter in England and Jan Frans who established himself as a painter and art dealer in London.
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in 1708 as the son of Jacob
Beschey and Maria-Theresia Huaert. Balthasar had four brothers, who all became painters. The best known was his elder brother
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painter, draughtsman and decorative painter of interiors. He started his career as landscape painter but later on switched to
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Balthasar
Beschey studied painting under the little known Pieter Strick. He became a master in the Antwerp
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143:. He often followed and even copied the work of Rubens and van Dyck in his history paintings and that of
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De
Amsterdamse Balthazar Bescheij (1738-1804), Een nieuwe toeschrijving bij een voluit gesigneerd portret
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Balthasar
Beschey painted in the first half of his career mainly landscapes but later he switched to
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Beschey is sometimes recognized for his signature style of using a checkered floor.
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in his landscapes. A religious composition which is not derivative of Rubens is
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599:, Antwerpen: By J.F. De Bock, boek-verkooper in de Lange-Nieuw-Straete, 1776,
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Marketing Art in the British Isles, 1700 to the Present: A Cultural History
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Portrait of Jacques-Jean Cremers and his wife, dancing, on a garden terrace
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Balthasar Beschey painted single as well as group portraits. In his
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Schilderij van Baltasar Beschey in Sint Petrus’ Bandenkerk in Diemen
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painting. He played a prominent role in the development of the
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The brothers try to buy corn from Joseph, the Vice-Roy of Egypt
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The Five Senses. Allegory of Eyesight and the Sense of Touch
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Academic staff of the Royal Academy of Fine Arts (Antwerp)
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Balthasar Beschey, Pair of portraits of the family Cremer
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who was a landscape painter. His younger brothers were
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The Five Senses. Allegory of Hearing, Taste and Smell
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The Death of Cleopatra (originally listed as work by
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335:Azerbaijan National Museum, Baku, Azerbaijan
252:A Hermit at Prayer (National Museum in Warsaw)
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150:The liberation of St Peter from his chains
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554:at the Royal Museum of Fine Arts Antwerp
476:Brief biography of Pieter Josef Verhaghen
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323:. Signed and dated: B. BESCHEIJ, 1733.
32:(1708, Antwerp – 1776, Antwerp) was a
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71:who specialized in religious scenes,
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649:Flemish portrait painters
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301:(signed and dated 1731).
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556:(in Dutch)
487:(in Dutch)
453:(in Dutch)
436:(in Dutch)
375:(in Dutch)
350:References
312:Petersburg
613:25326549M
605:172248856
597:Antwerpen
308:Hermitage
292:, Paris:
188:Portraits
479:Archived
137:portrait
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133:history
127:General
61:Antwerp
38:history
34:Flemish
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227:Rubens
65:Carel
601:OCLC
165:The
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
