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348:. Once the dance company was given a stable home at New York City Center, Ballet Society continued to operate separately as a non-profit organization in the service of the School of American Ballet and the New York City Ballet, publishing dance books and developing and funding projects related to the sustenance and encouragement of dance in the United States, while continuing to commission new ballets.
396:, and five other ballet schools, also received significant funds from Ford Foundation at this time for the same purpose). These grants helped establish a strong foundation and best practices for teaching dance and supporting a merit system that allowed dance schools to recruit the most gifted dancers regardless of financial restrictions.
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Ballet
Society began as a ballet company, the fourth ballet established by Balanchine and Kirstein in the United States. Its performances were for a subscription audience. The first performance took place on November 20, 1946 at the Central High School of Needle Trades in New York City. In its first
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In 1958, Ballet
Society received two significant grants from the Ford Foundation: a) $ 25,000 to conduct a survey and evaluate the state of ballet training in America, and b) $ 150,000 for the purpose of establishing scholarships for students at the School of American Ballet over a three-year period
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Ballet
Society's purpose has been to develop an historical and pedagogical foundation for the art of ballet and dance. In its first two decades it received $ 200,000 in grants to research and expand the reach of ballet in the United States. With these funds Ballet Society published programs and held
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In 1960, Ballet
Society raised funds to implement a new program at the New York City Ballet. This program allowed for 3000 underprivileged children to come to a matinee performance of the ballet, meet the dancers and have exposure to live performance. The program continues to this day at the New
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In 1961, Ballet
Society sponsored a Teachers Seminar, based on the findings of the Ford Foundation grant survey, for the purpose of upholding the highest standard of excellence in the quality of teaching ballet across the country. George Balanchine presided over the seminar through lectures and
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In 1964, Ballet
Society received a $ 5000 grant from the New York State Council on the Arts to conduct lecture-demonstrations in high schools across New York City. Two teams of NYCB dancers, headed by Melissa Hayden and Edward Villella, delivered these lectures.
302:. At its founding, Balanchine was the Artistic Director and Kirstein served as the Secretary. The president of Ballet Society is Nancy Lassalle, an original Board member of both the School of American Ballet and the New York City Ballet, currently Emerita.
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in 1934 before starting any of the ballet companies they went on to found over the years. Prior to and including 1946, when they began Ballet
Society, Balanchine was able to utilize the dancers from his school for his ballets.
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In 2014, Ballet
Society produced an interactive app on the Apple platform, to foster knowledge of ballet's beginnings, history and evolution as told through its relationship with art, history and classicism.
388:, with a text by Muriel Stuart, illustrations by Carlus Dyer, and a foreword by George Balanchine. Lincoln Kirstin is credited with the historical development. This book remains in print today.
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seminars and workshops with dance scholars, artists and dance teachers. It also commissioned and presented choreography by George
Balanchine, Todd Bolender, Merce Cunningham, Lew Christensen,
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In 1949, Ballet
Society received a grant from the Rockefeller Foundation for $ 2,500 for the completion of a book, published as
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Tanaquil LeClercq: 1929–2000, edited by Nancy Lassalle and Randall Bourscheidt, Ballet Society, New York, NY 2001
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presented by Ballet Society while it was still a ballet company, premiered at City Center. This prompted
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demonstrations. Ballet school directors and teachers came from all over the country to participate.
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Lincoln Kirstein: A Bibliography of Published Writings 1922–1996, Eakins Press, New York, NY, 2007
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First a School...Fifty Years of the School of American Ballet, Viking Press, New York, NY 1985
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in Italy, where they performed works by George Balanchine, Jerome Robbins and Peter Martins.
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In 1986, Ballet Society sponsored travel for 21 New York City Ballet dancers to attend the
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Choreography by George Balanchine: A Catalogue of Works, Eakins Press, New York, NY 1983
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at the National Dance Museum in Saratoga Springs in 1990, and in 1993 an exhibit called
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It may require cleanup to comply with Knowledge's content policies, particularly
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Remembering Lincoln, edited by Nancy Reynolds, Eakins Press, New York, NY 2007
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Art, Craft, Creativity in the Theatre Through the Costumes of Barbara Karinska
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Through 1990–1995, Ballet Society sponsored two different museum exhibitions:
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George Balanchine: A Reference Guide, Ballet Society, New York, NY, 1987
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Isadora Duncan, ed. Paul Magriel, Henry Co., & Holt, New York, 1947
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Portrait of Mr. B, Lincoln Kirstein, Ballet Society, New York, NY 1984
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to publish works of dance scholarship or that aid dance scholarship.
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Nijinsky, ed. Paul Magriel, Henry Holt & Co., New York, 1946
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Pavlova, ed. Paul Magriel, Henry Holt & Co., New York, 1947
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is a non-profit educational institution founded in 1946 by
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Dance for a City: Fifty Years of the New York City Ballet
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Costumes by Karinska, Harry N. Abrams, New York, NY 1995
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A major contributor to this article appears to have a
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Non-profit organizations based in the United States
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The Classic Ballet: Basic Technique and Terminology
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589:The Seasons
338:Morton Baum
254:Established
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852:Glossary
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1382:Dancers
1367:Ballets
1231:Unitard
1211:Leotard
1151:Soloist
1065:Russian
1060:Italian
1050:British
948:Turnout
857:History
847:Company
707:13 July
622:Orpheus
440:Ballets
332:Orpheus
280:Website
178:scholar
1329:Ballet
1311:Pointe
1240:Awards
1221:Tights
1111:(feet)
1105:(arms)
1055:French
943:Pointe
893:Ballon
883:Aplomb
833:Ballet
560:Zodiac
518:Renard
456:Notes
450:Title
180:
173:
166:
159:
151:
1363:Lists
898:Barre
862:Music
642:Books
617:1948
500:1947
466:1946
447:Year
392:(the
185:JSTOR
171:books
1226:Tutu
709:2022
460:Ref.
298:and
257:1946
157:news
750:".
321:.
140:by
1404::
1162:,
784:.
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