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Bad Day at Black Rock

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340: 38: 1709: 404:) while saving his life. Macreedy came to give the man's medal to Komoko. Macreedy learns that the elder Komoko had leased some farmland from Smith, who was sure that there was no water. Komoko dug a well and found water. After Smith was rejected for military service, he and the other men began drinking, and decided to scare Komoko. The old man barricaded himself inside his home, but the men set it on fire. When Komoko emerged ablaze, Smith shot and killed him. 505: 363:. After Macreedy states that he is looking for a man named Komoko, several of the local men become hostile. Hastings, the telegraph agent, tells him that there are no taxis, the hotel desk clerk, Pete Wirth, claims that he has no vacant rooms, and Hector David threatens him. Later, Reno Smith informs Macreedy that Komoko, a Japanese-American, was 395:
Macreedy goes to the diner, where Trimble provokes a fight, but Macreedy, despite having only one arm, easily throws him to the ground using martial arts. Macreedy confronts Smith and accuses him of killing Komoko with the help of others. Hastings arrives and tries to give Smith a piece of paper, but
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to bring about justice, but he will escape without providing it if he must. Duty to a cause is the guiding principle for a samurai...Death is not relevant; it is, in fact, ennobling if it comes in the service of one’s lord. The Western hero has a great sense of self; the samurai has a great sense of
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Macreedy snatches it. It is his unsent draft of a telegram. Macreedy and Velie tell Hastings that he has broken the law and demand that Horn take action. Horn stands up to arrest Hastings, but Smith pulls the sheriff's badge off Horn's shirt and pins it on Hector, who casually tears up the telegram.
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for Macreedy. He drives to nearby Adobe Flat, where he finds a homestead burned to the ground and wildflowers growing nearby. As Macreedy drives back, Coley Trimble tries to run him off the road. Macreedy tries to leave town, but Liz, having been previously confronted by Smith, refuses to rent him
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Doc and Pete enlist Liz to help Macreedy to escape under cover of darkness. Hector is standing guard outside the hotel; Pete lures him into the office, where Doc Velie knocks him unconscious. Liz drives Macreedy out of town but stops at Adobe Flat. Macreedy realizes that he has been set up. When
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Macreedy tries to telephone the state police, but Pete refuses to put the call through. Doc Velie admits that something terrible happened four years ago, but Smith has everyone too terrified to speak up. Velie offers his hearse to Macreedy to leave town, but Hector disables it by yanking out the
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magazine's reviewer wrote, "Considerable excitement is whipped up in this suspense drama, and fans who go for tight action will find it entirely satisfactory. Besides telling a yarn of tense suspense, the picture is concerned with a social message on civic complacency."
415:, setting Smith on fire. Macreedy drives back to town with Smith and Liz's body. The state police are called, and several arrests are made. As Macreedy is leaving, Velie requests Komoko's medal to help Black Rock heal. Macreedy gives it to him before boarding the train. 752:. He comments on the unusual means of denunciation that it employs, because with no Japanese-American characters in the story, there is no liberation of an oppressed victim. Instead, the plot delivers justice for the victim of a murder that occurred four years earlier. 495:
winner. Brennan (1936, 1938, 1940), Jagger (1950) and Tracy (1938, 1939) had all won Academy Awards. Ryan (1948) had been nominated for one. In subsequent years, Borgnine (1956) and Marvin (1965) both won Academy Awards; and Francis (1965) won a Golden Globe.
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The plot of the movie—a small western desert town hiding a guilty secret, or protecting a local person from outside law enforcement officers—was borrowed many times by US television crime shows. Detective and crime series as diverse as
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After Smith and Hector leave, Macreedy reveals that the loss of his arm had left him wallowing in self-pity, but Trimble's attempt to kill him has reinvigorated him. Macreedy finally reveals that Komoko's son died in combat (with the
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Macreedy visits Sheriff Tim Horn, but the alcoholic lawman is of no help. The veterinarian and undertaker, Doc Velie, advises Macreedy to leave town immediately, but lets it slip that Komoko is dead. Pete's sister, Liz, rents a
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Smith starts shooting at him, Macreedy shelters behind the Jeep. Liz rushes to Smith despite Macreedy's warning. Smith tells her that she has to die with the rest of his accomplices, and shoots her in the back as she flees.
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because Schary thought that widescreen would emphasize the menace of the isolated town. Temperatures on location were over 100 Â°F (38 Â°C). On August 9, the cast and crew relocated to the MGM studio lot in
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on December 8, 1954. The film was released nationally in January 1955. According to MGM records, it earned US$ 1,966,000 in the US and Canada, and $ 1,822,000 elsewhere, making the studio a profit of $ 947,000.
1002: 380:. Macreedy says that the wildflowers at the Komoko place make him suspect that a body is buried there. Smith reveals that he is virulently anti-Japanese; he tried to enlist the day after the 806:
wrote, "Slowly, through a process of guarded discourse, which director John Sturges has built up by patient, methodical pacing, an eerie light begins to glimmer." At the end of 1955,
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in World War II. No Japanese American characters are portrayed, although Komoko and his son, both dead, are central to the plot. In her 1991 documentary film
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in January 1947. Filming began in July 1954, and the movie went on national release in January 1955. It was a box-office success and was nominated for three
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genre. In the plot, a one-armed stranger (Tracy) comes to a small desert town and uncovers an evil secret that has corrupted the entire community.
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hailing it as "one of the finest motion pictures ever made". Many reviewers noted the film's Western-like elements, comparing it favorably with
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heaped praise on the film for its direction and cinematography, calling it "a very superior example of motion picture craftsmanship".
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to illustrate prevailing attitudes toward the Japanese. Tajiri's family were among those interned after the attack on Pearl Harbor.
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Macreedy finds a bottle and fills it with gasoline from the Jeep. When Smith climbs down for a better shot, Macreedy throws the
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There is a crucial difference between Tracy and a samurai hero. Tracy is very much interested in preserving his own life. He
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to rewrite McGuire's script. The producers were worried about the title because "Bad Time at Honda" was similar to
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was 54 and much older than the platoon leader in the original story, Schary wanted Tracy to play the lead role.
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hamlet of Black Rock. The residents are suspicious, as this is the first time in four years that the
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the Jeep again. When Smith asks about his missing left arm, Macreedy says that he lost it
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was hired as director in June 1954, and shooting began the following month near
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was released, the reviews were almost universally positive, with, for example,
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In late 1945, one-armed John J. Macreedy gets off a train at the isolated
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in 1956. In 2018, it was selected for preservation in the United States
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Schary acquired the film rights for Metro-Goldwyn-Mayer, but he hired
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Budget for the film was $ 1.3 million and it was shot in color using
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as being "culturally, historically, or aesthetically significant".
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to the California police summoning help and gives it to Hastings.
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The film is based on a short story called "Bad Time at Honda" by
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Despite a storyline that she called "crudely melodramatic",
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John Streamas describes the film as an indictment of both
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genre. The premiere was at Loew's 72nd Street Theatre in
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winners; one past Academy Award nominee; and one future
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printing of "Bad Time at Honda", a 1947 short story by
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Outstanding Directorial Achievement in Motion Pictures
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was Tracy's final film for MGM, with the exception of
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Breslin, Howard (January 1947). "Bad Time at Honda".
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overtones, the film is one of the first to recognize
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July 27, 2018 1674: 810:included the film in its best ten of the year. 2129: 1562:Kaminsky, 1985 p. 66-67: Italics in original. 610:(1963), for which he supplied the narration. 2572:Anti-Japanese sentiment in the United States 2577:Films about disability in the United States 1818:"Festival de Cannes: Bad Day at Black Rock" 1730:Academy of Motion Picture Arts and Sciences 1154:, University of Wisconsin Press, 2008 p. 97 730:History and Memory: For Akiko and Takashige 343:Macreedy (Spencer Tracy) is told by Wirth ( 2622:United States National Film Registry films 2136: 2122: 1896:. Writers Guild of America. Archived from 1707: 302:set in 1945 that contains elements of the 36: 1440: 1438: 1436: 1434: 1432: 1430: 1428: 1426: 1424: 1168:"Complete National Film Registry Listing" 725:discrimination against Japanese Americans 2005:Mid-America American Studies Association 1988: 1944: 1930:. New York City: William Morrow and Co. 1922: 1609: 1583: 1571: 1538: 1485: 1131: 1129: 1127: 978: 950: 888: 719:Although essentially a crime drama with 503: 338: 2003:(1/2, New Voices in American Studies). 1408: 2627:English-language Western (genre) films 2509: 1966: 1820:. Cannes Film Festival. Archived from 1802:. Cannes Film Festival. Archived from 1610:Crowther, Bosley (December 25, 1955). 1550: 1421: 1162: 1160: 1144: 2117: 1989:Streamas, John (Spring–Summer 2003). 1974:. London: Bloomsbury Publishing Ltd. 1776: 1584:Crowther, Bosley (February 2, 1955). 1524:"Metro Eyes Tracy For Western Lead". 1124: 924:Boston Society of Film Critics Awards 347:) there are no hotel rooms available. 1635: 1629: 1586:"Film Review: Bad Day at Black Rock" 1471:"Metro to Stress Big-Budget Films". 1185: 760: 21:Bad Day at Black Rock (Supernatural) 2612:Films shot in Lone Pine, California 1157: 633:set in 1945, it is recognized as a 629:Although the film is essentially a 13: 2637:English-language crime drama films 789:was widely praised for his use of 19:For the Supernatural episode, see 14: 2648: 2020: 1848:Directors Guild of America Awards 1736:from the original on July 6, 2011 1444: 1394:"Author Breslin Succumbs at 51". 1193:"National Film Registry Turns 30" 998:Directors Guild of America Awards 532:with full-color illustrations by 1035:National Film Preservation Board 1916: 1886: 1861: 1836: 1810: 1792: 1770: 1748: 1714: 1659: 1603: 1577: 1556: 1517: 1491: 1464: 1402: 1387: 1362: 1337: 1104:Tied with the ensemble cast of 1098: 1079: 1052:Writers Guild of America Awards 1018:National Board of Review Awards 528:originated as a short story by 2597:Films directed by John Sturges 2552:American Western (genre) films 1312: 1286: 1261: 1235: 1210: 626:was hired to write the score. 521:that was adapted for the film. 1: 1117: 1085:The award was won by co-star 499: 2592:Films based on short fiction 2567:Films scored by AndrĂ© Previn 2537:1950s English-language films 2108:AFI Catalog of Feature Films 1778:"BAFTA Awards: Film in 1956" 1066: 1046: 1029: 1012: 933: 846: 755: 562:442nd Regimental Combat Team 365:interned during World War II 7: 2350:Gunfight at the O.K. Corral 1057:Best Written American Drama 939:British Academy Film Awards 637:, with strong links to the 10: 2653: 2562:Contemporary Western films 2522:1955 Western (genre) films 388:cables. Macreedy writes a 18: 2617:Metro-Goldwyn-Mayer films 2270:The People Against O'Hara 2152: 1800:"Awards 1955: All Awards" 1666:"Bad Day at Black Rock". 1642:5001 Nights at the Movies 1038: 1021: 962: 954: 944:Best Film from any Source 942: 937: 927: 870: 689: 384:but failed the physical. 357:streamliner express train 236: 228: 220: 212: 202: 187:January 7, 1955 178: 168: 158: 150: 140: 102: 92: 72: 57: 47: 42:Theatrical release poster 35: 30: 2374:Last Train from Gun Hill 1924:Andersen, Christopher P. 1873:National Board of Review 1072: 2607:Films set in California 2366:The Old Man and the Sea 1447:"Bad Day at Black Rock" 1137:The Eddie Mannix Ledger 1089:for his performance in 482:as Sam, the diner owner 418: 402:442nd Infantry Regiment 334: 2547:American mystery films 2527:1955 crime drama films 2310:Escape from Fort Bravo 2254:The Magnificent Yankee 2075:at Densho Encyclopedia 1040:National Film Registry 785:, and cinematographer 717: 715:subordination of self. 522: 382:attack on Pearl Harbor 361:tiny flag stop station 348: 325:National Film Registry 2632:Social thriller films 2390:The Magnificent Seven 2358:The Law and Jake Wade 2318:Bad Day at Black Rock 2182:For the Love of Rusty 2102:Bad Day at Black Rock 2091:Bad Day at Black Rock 2080:Bad Day at Black Rock 2072:Bad Day at Black Rock 2061:Bad Day at Black Rock 2050:Bad Day at Black Rock 2039:Bad Day at Black Rock 1928:An Affair to Remember 1756:"BSFC Winners: 2000s" 1684:Bad Day at Black Rock 1411:The American Magazine 955:United Nations Award 928:Special Commendation 767:Bad Day at Black Rock 739:Bad Day at Black Rock 708: 676:Bad Day at Black Rock 602:Bad Day at Black Rock 598:Lone Pine, California 581:, recently made with 539:The American Magazine 526:Bad Day at Black Rock 514:The American Magazine 507: 342: 316:The American Magazine 248:Bad Day at Black Rock 81:The American Magazine 31:Bad Day at Black Rock 2587:Films about veterans 2542:1950s American films 2494:The Eagle Has Landed 2438:The Hallelujah Trail 2096:Criterion Collection 1950:American Film Genres 1869:"1955 Award Winners" 1806:on November 1, 2013. 964:Cannes Film Festival 700:American Film Genres 607:How the West Was Won 566:Fawcett Publications 195: (United States) 78:1947 short story in 2532:1950s mystery films 2414:A Girl Named Tamiko 2206:The Sign of the Ram 1946:Kaminsky, Stuart M. 1900:on December 5, 2012 1451:Densho Encyclopedia 1197:Library of Congress 1172:Library of Congress 721:revisionist Western 639:revisionist Western 548:Metro-Goldwyn-Mayer 446:as Sheriff Tim Horn 428:as John J. Macreedy 359:has stopped at the 329:Library of Congress 304:revisionist Western 262:with screenplay by 251:is a 1955 American 173:Metro-Goldwyn-Mayer 76:"Bad Time at Honda" 2582:Films about racism 2278:It's a Big Country 2190:Keeper of the Bees 2174:Alias Mr. Twilight 2144:Films directed by 2085:TCM Movie Database 2028:Theatrical trailer 1824:on August 22, 2011 1590:The New York Times 1528:. August 13, 1953. 808:The New York Times 803:The New York Times 737:uses footage from 696:Stuart M. Kaminsky 523: 353:Californian desert 349: 274:with support from 2602:Films set in 1945 2557:CinemaScope films 2504: 2503: 2454:Ice Station Zebra 2398:By Love Possessed 2286:The Girl in White 2222:The Walking Hills 2158:The Man Who Dared 1981:978-07-47507-47-5 1937:978-06-88153-11-3 1652:978-12-50033-57-4 1475:. August 7, 1953. 1396:Los Angeles Times 1320:"Ernest Borgnine" 1300:. October 5, 2014 1249:. October 3, 2014 1070: 1069: 837:review aggregator 787:William C. Mellor 761:Critical response 678:. In the case of 378:fighting in Italy 258:film directed by 244: 243: 145:William C. Mellor 2644: 2422:The Great Escape 2334:The Scarlet Coat 2138: 2131: 2124: 2115: 2114: 2029: 2016: 1996:American Studies 1985: 1972:Wild West Movies 1963: 1941: 1910: 1909: 1907: 1905: 1894:"Awards Winners" 1890: 1884: 1883: 1881: 1879: 1865: 1859: 1858: 1856: 1854: 1844:"8th DGA Awards" 1840: 1834: 1833: 1831: 1829: 1814: 1808: 1807: 1796: 1790: 1789: 1787: 1785: 1774: 1768: 1767: 1765: 1763: 1752: 1746: 1745: 1743: 1741: 1718: 1712: 1711: 1706: 1704: 1702: 1678: 1672: 1671: 1670:. 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May 31, 1964 1503:New York Times 1490: 1488:, p. 114. 1478: 1473:New York Times 1463: 1445:Niiya, Brian. 1420: 1401: 1386: 1370:"Anne Francis" 1361: 1349:Britannica.com 1336: 1324:Britannica.com 1311: 1285: 1273:Britannica.com 1260: 1234: 1222:Britannica.com 1209: 1184: 1156: 1150:Glenn Lovell, 1143: 1122: 1121: 1119: 1116: 1113: 1112: 1097: 1077: 1076: 1074: 1071: 1068: 1067: 1065: 1062: 1059: 1054: 1048: 1047: 1045: 1042: 1037: 1031: 1030: 1028: 1025: 1020: 1014: 1013: 1011: 1008: 1005: 1000: 994: 993: 990: 989:Spencer Tracy 987: 981: 980: 977: 974: 971: 966: 960: 959: 956: 952: 951: 949: 946: 941: 935: 934: 932: 929: 926: 920: 919: 916: 911: 905: 904: 901: 896: 890: 889: 887: 884: 879: 874: 872:Academy Awards 868: 867: 864: 861: 858: 855: 848: 845: 820:The New Yorker 762: 759: 757: 754: 691: 688: 534:Robert Fawcett 530:Howard Breslin 519:Howard Breslin 509:Robert Fawcett 501: 498: 484: 483: 477: 476:as Mr Hastings 471: 465: 459: 453: 450:Walter Brennan 447: 441: 435: 429: 422: 420: 417: 336: 333: 321:Academy Awards 311:Howard Breslin 284:Walter Brennan 242: 241: 238: 234: 233: 230: 226: 225: 222: 218: 217: 214: 210: 209: 206: 203: 200: 199: 197: 196: 184: 182: 179: 176: 175: 170: 169:Distributed by 166: 165: 160: 156: 155: 152: 148: 147: 142: 141:Cinematography 138: 137: 123:Walter Brennan 104: 100: 99: 94: 90: 89: 87:Howard Breslin 74: 70: 69: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 2649: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2618: 2615: 2613: 2610: 2608: 2605: 2603: 2600: 2598: 2595: 2593: 2590: 2588: 2585: 2583: 2580: 2578: 2575: 2573: 2570: 2568: 2565: 2563: 2560: 2558: 2555: 2553: 2550: 2548: 2545: 2543: 2540: 2538: 2535: 2533: 2530: 2528: 2525: 2523: 2520: 2518: 2515: 2514: 2512: 2496: 2495: 2491: 2488: 2487: 2483: 2480: 2479: 2475: 2472: 2471: 2467: 2464: 2463: 2459: 2456: 2455: 2451: 2448: 2447: 2443: 2440: 2439: 2435: 2432: 2431: 2430:The Satan Bug 2427: 2424: 2423: 2419: 2416: 2415: 2411: 2408: 2407: 2403: 2400: 2399: 2395: 2392: 2391: 2387: 2384: 2383: 2379: 2376: 2375: 2371: 2368: 2367: 2363: 2360: 2359: 2355: 2352: 2351: 2347: 2344: 2343: 2339: 2336: 2335: 2331: 2328: 2327: 2323: 2320: 2319: 2315: 2312: 2311: 2307: 2304: 2303: 2299: 2296: 2295: 2291: 2288: 2287: 2283: 2280: 2279: 2275: 2272: 2271: 2267: 2264: 2263: 2259: 2256: 2255: 2251: 2248: 2247: 2243: 2240: 2239: 2235: 2232: 2231: 2227: 2224: 2223: 2219: 2216: 2215: 2214:Best Man Wins 2211: 2208: 2207: 2203: 2200: 2199: 2195: 2192: 2191: 2187: 2184: 2183: 2179: 2176: 2175: 2171: 2168: 2167: 2163: 2160: 2159: 2155: 2154: 2151: 2147: 2139: 2134: 2132: 2127: 2125: 2120: 2119: 2116: 2109: 2106: 2104: 2103: 2099: 2097: 2094:essay at the 2093: 2092: 2088: 2086: 2082: 2081: 2077: 2074: 2073: 2069: 2067: 2063: 2062: 2058: 2056: 2052: 2051: 2047: 2045: 2041: 2040: 2036: 2034: 2030: 2025: 2024: 2014: 2010: 2006: 2002: 1998: 1997: 1992: 1987: 1983: 1977: 1973: 1969: 1965: 1961: 1959:0-88229-826-7 1955: 1951: 1947: 1943: 1939: 1933: 1929: 1925: 1921: 1920: 1899: 1895: 1889: 1874: 1870: 1864: 1849: 1845: 1839: 1823: 1819: 1813: 1805: 1801: 1795: 1784:September 16, 1780:. BAFTA. 1956 1779: 1773: 1757: 1751: 1735: 1731: 1727: 1723: 1717: 1710: 1697: 1693: 1692: 1687: 1685: 1677: 1669: 1662: 1654: 1648: 1644: 1643: 1638: 1637:Kael, Pauline 1632: 1617: 1613: 1606: 1591: 1587: 1580: 1574:, p. 99. 1573: 1572:Streamas 2003 1568: 1559: 1552: 1547: 1540: 1539:Andersen 1997 1535: 1527: 1520: 1504: 1500: 1494: 1487: 1486:Streamas 2003 1482: 1474: 1467: 1452: 1448: 1441: 1439: 1437: 1435: 1433: 1431: 1429: 1427: 1425: 1416: 1412: 1405: 1397: 1390: 1375: 1371: 1365: 1350: 1346: 1340: 1325: 1321: 1315: 1299: 1295: 1289: 1274: 1270: 1264: 1248: 1244: 1238: 1223: 1219: 1213: 1202:September 16, 1198: 1194: 1188: 1177:September 16, 1173: 1169: 1163: 1161: 1153: 1147: 1138: 1132: 1130: 1128: 1123: 1109: 1108: 1101: 1094: 1093: 1088: 1082: 1078: 1063: 1060: 1058: 1055: 1053: 1050: 1049: 1043: 1041: 1036: 1033: 1032: 1026: 1024: 1023:Top Ten Films 1019: 1016: 1015: 1009: 1007:John Sturges 1006: 1004: 1001: 999: 996: 995: 991: 988: 986: 983: 982: 975: 973:John Sturges 972: 970: 967: 965: 961: 957: 953: 947: 945: 940: 936: 930: 925: 922: 921: 917: 915: 912: 910: 907: 906: 902: 900: 899:Spencer Tracy 897: 895: 892: 891: 885: 883: 880: 878: 877:Best Director 875: 873: 869: 865: 862: 859: 856: 853: 852: 844: 842: 838: 833: 830: 829: 824: 822: 821: 816: 811: 809: 805: 804: 799: 794: 792: 788: 784: 783: 778: 777: 772: 768: 753: 751: 747: 742: 740: 736: 732: 731: 726: 722: 716: 713: 707: 705: 701: 697: 687: 685: 681: 677: 673: 672: 667: 666: 661: 660: 655: 654: 647: 644: 643:New York City 640: 636: 632: 627: 625: 621: 616: 611: 609: 608: 603: 599: 595: 591: 590:Spencer Tracy 586: 584: 580: 579: 574: 569: 567: 563: 559: 558: 557:Go for Broke! 553: 549: 545: 541: 540: 535: 531: 527: 520: 516: 515: 510: 506: 497: 494: 490: 489:Academy Award 481: 478: 475: 472: 469: 466: 463: 460: 458:as Pete Wirth 457: 454: 451: 448: 445: 442: 439: 436: 434:as Reno Smith 433: 430: 427: 426:Spencer Tracy 424: 423: 416: 414: 409: 405: 403: 397: 393: 391: 385: 383: 379: 374: 368: 366: 362: 358: 354: 346: 341: 332: 330: 326: 322: 318: 317: 312: 307: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 268:Spencer Tracy 265: 261: 257: 254: 250: 249: 239: 235: 231: 227: 223: 219: 216:United States 215: 211: 207: 201: 186: 185: 183: 177: 174: 171: 167: 164: 161: 157: 153: 149: 146: 143: 139: 136: 132: 128: 124: 120: 116: 112: 108: 107:Spencer Tracy 105: 101: 98: 95: 91: 88: 83: 82: 75: 71: 67: 63: 60: 58:Screenplay by 56: 53: 50: 46: 39: 34: 29: 26: 22: 2492: 2484: 2476: 2468: 2460: 2452: 2444: 2436: 2428: 2420: 2412: 2404: 2396: 2388: 2382:Never So Few 2380: 2372: 2364: 2356: 2348: 2340: 2332: 2324: 2317: 2316: 2308: 2302:Fast Company 2300: 2292: 2284: 2276: 2268: 2260: 2252: 2244: 2236: 2228: 2220: 2212: 2204: 2196: 2188: 2180: 2172: 2164: 2156: 2146:John Sturges 2101: 2089: 2079: 2070: 2060: 2049: 2038: 2000: 1994: 1971: 1949: 1927: 1917:Bibliography 1902:. Retrieved 1898:the original 1888: 1876:. Retrieved 1872: 1863: 1851:. Retrieved 1847: 1838: 1826:. Retrieved 1822:the original 1812: 1804:the original 1794: 1782:. Retrieved 1772: 1760:. Retrieved 1750: 1738:. Retrieved 1725: 1716: 1701:February 13, 1699:. Retrieved 1689: 1683: 1676: 1667: 1661: 1641: 1631: 1621:February 13, 1619:. Retrieved 1615: 1605: 1593:. Retrieved 1589: 1579: 1567: 1558: 1546: 1534: 1525: 1519: 1507:. Retrieved 1502: 1493: 1481: 1472: 1466: 1454:. Retrieved 1450: 1414: 1410: 1404: 1395: 1389: 1377:. Retrieved 1373: 1364: 1352:. Retrieved 1348: 1345:"Lee Marvin" 1339: 1327:. Retrieved 1323: 1314: 1302:. Retrieved 1297: 1288: 1276:. Retrieved 1272: 1263: 1251:. Retrieved 1246: 1237: 1225:. Retrieved 1221: 1212: 1200:. Retrieved 1196: 1187: 1175:. Retrieved 1171: 1151: 1146: 1136: 1107:A Big Family 1105: 1100: 1090: 1081: 882:John Sturges 834: 826: 825: 818: 815:Pauline Kael 812: 807: 801: 796:Film critic 795: 780: 774: 766: 764: 743: 738: 728: 718: 711: 709: 699: 693: 683: 679: 675: 669: 663: 657: 651: 648: 628: 624:AndrĂ© Previn 612: 605: 601: 594:John Sturges 587: 576: 570: 555: 537: 525: 524: 512: 511:illustrated 493:Golden Globe 486: 480:Walter Sande 456:John Ericson 452:as Doc Velie 440:as Liz Wirth 438:Anne Francis 410: 406: 398: 394: 386: 369: 350: 345:John Ericson 314: 308: 288:John Ericson 276:Anne Francis 260:John Sturges 247: 246: 245: 204:Running time 180:Release date 163:AndrĂ© Previn 127:John Ericson 115:Anne Francis 79: 68:(adaptation) 52:John Sturges 25: 2406:Sergeants 3 2326:Underwater! 2246:Right Cross 2230:The Capture 2198:Thunderbolt 1968:Newman, Kim 1828:January 31, 1668:Film review 1551:Newman 1990 860:Nominee(s) 771:John O'Hara 750:McCarthyism 706:tradition: 635:neo-Western 631:crime drama 620:Culver City 615:Cinemascope 552:Dore Schary 544:Don McGuire 444:Dean Jagger 432:Robert Ryan 300:crime drama 280:Dean Jagger 272:Robert Ryan 266:. It stars 256:neo-Western 240:$ 3,788,000 232:$ 1,288,000 119:Dean Jagger 111:Robert Ryan 97:Dore Schary 93:Produced by 66:Don McGuire 48:Directed by 2517:1955 films 2511:Categories 2007:: 99–114. 1740:August 20, 1726:Oscars.org 1298:Oscars.org 1247:Oscars.org 1118:References 1064:Nominated 1027:4th place 1010:Nominated 985:Best Actor 976:Nominated 969:Palme d'Or 958:Nominated 948:Nominated 918:Nominated 903:Nominated 894:Best Actor 886:Nominated 791:widescreen 735:Rea Tajiri 665:The A-Team 583:John Wayne 500:Production 468:Lee Marvin 296:Lee Marvin 237:Box office 208:81 minutes 191:1955-01-07 135:Lee Marvin 2262:Kind Lady 1639:(2011) . 1456:March 27, 1044:Inducted 857:Category 847:Accolades 782:High Noon 776:Collier's 756:Reception 588:Although 253:film noir 151:Edited by 16:1955 film 2470:Joe Kidd 2462:Marooned 2342:Backlash 2294:Jeopardy 2166:Shadowed 2055:AllMovie 2013:40643435 1970:(1990). 1948:(1985). 1926:(1997). 1734:Archived 839:website 390:telegram 221:Language 159:Music by 103:Starring 73:Based on 2105:at the 2083:at the 2033:YouTube 1904:June 6, 1878:July 5, 1853:July 5, 1762:July 5, 1595:June 5, 1509:June 3, 1379:June 2, 1354:June 2, 1329:June 2, 1304:June 2, 1278:June 2, 1253:June 2, 1227:June 2, 863:Result 835:On the 828:Variety 704:samurai 327:by the 224:English 213:Country 189: ( 2497:(1976) 2489:(1974) 2481:(1973) 2473:(1972) 2465:(1969) 2457:(1968) 2449:(1967) 2441:(1965) 2433:(1965) 2425:(1963) 2417:(1962) 2409:(1962) 2401:(1961) 2393:(1960) 2385:(1959) 2377:(1959) 2369:(1958) 2361:(1958) 2353:(1957) 2345:(1956) 2337:(1955) 2329:(1955) 2321:(1955) 2313:(1953) 2305:(1953) 2297:(1953) 2289:(1952) 2281:(1951) 2273:(1951) 2265:(1951) 2257:(1950) 2249:(1950) 2241:(1950) 2233:(1950) 2225:(1949) 2217:(1948) 2209:(1948) 2201:(1947) 2193:(1947) 2185:(1947) 2177:(1946) 2169:(1946) 2161:(1946) 2011:  1978:  1956:  1934:  1649:  854:Award 746:racism 690:Themes 653:Cannon 229:Budget 2478:Chino 2009:JSTOR 1417:: 40. 1092:Marty 1073:Notes 866:Ref. 765:When 712:wants 698:, in 680:Kojak 659:Kojak 578:Hondo 2044:IMDb 1976:ISBN 1954:ISBN 1932:ISBN 1906:2010 1880:2021 1855:2021 1830:2009 1786:2016 1764:2021 1742:2011 1703:2022 1647:ISBN 1623:2022 1597:2022 1511:2022 1458:2020 1381:2022 1356:2022 1331:2022 1306:2022 1280:2022 1255:2022 1229:2022 1204:2020 1179:2020 992:Won 931:Won 748:and 682:and 668:and 419:Cast 373:Jeep 335:Plot 294:and 270:and 2486:McQ 2064:at 2053:at 2042:at 2031:on 1415:143 817:of 800:of 773:in 85:by 2513:: 2001:44 1999:. 1993:. 1871:. 1846:. 1732:. 1728:. 1724:. 1694:. 1688:. 1614:. 1588:. 1501:. 1449:. 1423:^ 1413:. 1372:. 1347:. 1322:. 1296:. 1271:. 1245:. 1220:. 1195:. 1170:. 1159:^ 1126:^ 793:. 733:, 662:, 656:, 622:. 568:. 367:. 290:, 286:, 282:, 278:, 2137:e 2130:t 2123:v 2015:. 1984:. 1962:. 1940:. 1908:. 1882:. 1857:. 1832:. 1788:. 1766:. 1744:. 1705:. 1686:" 1682:" 1655:. 1625:. 1599:. 1513:. 1460:. 1383:. 1358:. 1333:. 1308:. 1282:. 1257:. 1231:. 1206:. 1181:. 1141:. 1110:. 1095:. 193:) 23:.

Index

Bad Day at Black Rock (Supernatural)

John Sturges
Millard Kaufman
Don McGuire
The American Magazine
Howard Breslin
Dore Schary
Spencer Tracy
Robert Ryan
Anne Francis
Dean Jagger
Walter Brennan
John Ericson
Ernest Borgnine
Lee Marvin
William C. Mellor
André Previn
Metro-Goldwyn-Mayer
film noir
neo-Western
John Sturges
Millard Kaufman
Spencer Tracy
Robert Ryan
Anne Francis
Dean Jagger
Walter Brennan
John Ericson
Ernest Borgnine

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