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and slow-moving melody in the lower parts. In particular the pedal point in the first note of the bass heightens the dramatic effect of the opening by briefly abandoning the usual motivic Orgelbüchlein pattern. After the opening, the four note motif is extended throughout in the bass part to five notes by preceding it by a dotted quaver: the slow tempo facilitates semiquaver scales in the pedal. In the sixth bar the soprano and the bass play the highest and lowest notes in the Weimar organ's register, the two C's above and below middle C. The Bach scholar
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12438:. The second motif, first heard in the alto part in bars 2 and 3, is made up of five groups of 4 semiquavers, individual groups being related by inversion (first and fifth) and reflection (second and third). The pivotal notes CCCDEF in this motif are also derived from the theme. The second motif is passed from voice to voice in the accompaniment—there are two passages where it is adapted to the pedal with widely spaced semiquavers alternating between the feet—providing an unbroken stream of semiquavers complementing the first motif.
3146:
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3135:"for having hitherto introduced sundry curious embellishments in the chorales and mingled many strange notes in them, with the result that the congregation has been confused." The type of chorale prelude to which this refers, often called the "Arnstadt type", were used to accompany the congregation with modulating improvisatory sections between the verses: examples that are presumed to be of this form include BWV 715, 722, 726, 729, 732 and 738. The earliest surviving autograph manuscript of a chorale prelude is BWV 739,
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scales, sometimes in contrary motion, with rapid semiquaver scales shared between the inner voices and slower crotchet scales in the walking bass of the pedal part following each phrase of the melody. The mood of the chorale prelude is "ethereal" and "scintillating", veering elusively between the contemplative harmonised melody and the transitory rushing scales: towards the close the scales in the inner voices envelope the melody. The semiquaver motifs have been taken to represent flights of angels in the firmament: for
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5737:, playing the pedals an octave lower. The two accompanying inner voices, based on a descending triplet motif, are also in canon at the octave: such a double canon is unique amongst Bach's organ chorales. Following baroque convention, Bach notated the triplets in the accompaniment as quavers instead of crotchets, to make the score more readable for the organist. The accompaniment also has repeated crotchets on the single note of A, which, combined with the A's in the main canon, simulate the drone of a
13057:, punctuated by rests. Bach's ingenious writing is constantly varying. The expressive mood is heightened by the fleeting modulations between minor and major keys; and by the dissonances between the melody and the chromatic inner parts and pedal. The abrupt leaps in the pedal part create unexpected changes in key; and halfway through the chorale prelude the tangled inner parts are inverted to produce an even stranger harmonic texture, resolved only in the final bars by the modulation into a major key.
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33:
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envisaged with first and second time versions for the last bar. Some recent editions have incorporated this suggestion. The two inner voices and pedal follow the usual Orgelbüchlein pattern, providing a harmonious accompaniment, with gently rocking quavers in the inner voices and a repeated motif in the pedal, rising first and then descending in crotchet steps. Various commentators have proposed interpretations of the accompanying motifs: the rocking motif to suggest the action of
168:
9669:
4568:
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11838:, forms the basis of the accompaniment in the two inner voices: the imitative responses between the parts providing a steady flow of semiquaver figures, rising and falling, melifluous and sweet. More than a simple accompaniment, the push the harmonies forward, revealing it unexpectedly at every turn. Below them the pedal bass provides a distinctive accompaniment in quavers and crotchets, starting off with a quaver triad. Although largely moving in steps, like a
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4145:: one in the inner parts contains a joy motif; and the other, shared between all three lower parts, is formed of three semiquavers (16th notes) and a longer note or just four semiquavers. In the pedal part this prominent descending motif has been taken to symbolise the "coming down of divine Majesty." Some commentators have suggested that the motion of the inner parts in parallel thirds or sixths might represent the Father and Son in the hymn.
5751:, it sounds in all three of the upper voices. There is some ambiguity as to whether Bach intended the crotchets in the accompanying motif to be played as a dotted rhythm in time with the triplets or as two beats against three. The deliberate difference in spacing in the autograph score and the intended drone-like effect might suggest adopting the second solution throughout, although modern editions often contain a combination of the two.
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9429:; while the tenor line is made up of two parts, the first a rising semiquaver figure and the second shorter semiquaver cross motifs descending in sequence. As the piece progresses the motifs become more concentrated, with the alto taking up some of the tenor motifs towards the close. These novel features mark a departure from the more standard settings of the hymn by Bach's predecessors such as Fischer which conform more closely to the
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9720:. The ornamentation, although employing conventional musical figures, is highly original and inventive. While the melody in the upper voice is hidden by coloratura over a wide range, the two inner voices are simple and imitative above the continuo-style bass. Bach varies the texture and colouring of the accompaniment for each line of what is one of the longest melodies in the collection.
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13339:): together they provide a constant stream of semiquavers, sometimes in parallel sixths, running throughout the piece until the final cadence. Below them the pedal is a walking bass in quavers, built on the inverted motif and octave leaps, pausing only to mark the cadences at the end of each line of the hymn. The combination of the four parts conveys a joyous mood, similar to that of
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13554:"Ich ruf zu dir" is amongst the most popular chorale preludes in the collection. Pure in style, this ornamental chorale prelude has been described as "a supplication in time of despair." Written in the key of F minor, it is the unique prelude in trio form with voices in the two manuals and the pedal. It is possible that the unusual choice of key followed Bach's
10437:. The chorale prelude is in four parts for single manual and pedals, with the cantus firmus in the soprano voice. It closely follows the four voices of Bach's earlier harmonisation in the four-part chorale BWV 278, with virtually no changes in the cantus firmus. The two accompanying inner parts and pedal are elaborated by a single motif of four or eight
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three-note quaver figure, with octave leaps punctuated by frequent rests. Above this bass, the inner voices weave a continuous pattern of descending and ascending scales in semiquavers, constantly varying, sometimes moving in the same direction and sometimes in contrary motion. This texture of flowing scales over a
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chorale preludes of
Pachelbel and Walther, which follow the natural rhythm of the hymn. In BWV 606, the rhythm is further obscured by the cadences of the second and final lines falling on the third beat of the bar. The accompaniment on the keyboard is built from semiquaver motifs, made up of four-note groups of
4795:. The accompanying motif is shared between the two inner voices on the second manual which together provide a continuous stream of semiquavers with two hemidemiquavers on the second semiquaver of each group. The pedal provides a rhythmic pulse with a semiquaver walking bass with sustained notes at each cadence.
6723:, imparts a further sense of mystery. Above and below it the scale figures in the three accompanying parts are heard meandering in parallel and sometimes contrary motion. In the eleventh bar the bass's motivic accompaniment pauses for a second pedal point after which it resumes by unexpectedly taking up the
5778:("You are the Alpha and the Omega") at the end of the first verse. The mood also reflects the first two lines of the third verse, "O love of the father, O gentleness of the newborn!" Bach often used canons in his chorale preludes to signify the relation between "leader" and "follower" as in his settings of
3495:
predecessors like
Buxtehude, only the second and third lines having any regularity. The last line repeats the first but with the suspirans suppressed and the dotted rhythms of the bass replaced by a long pedal note, possibly reflecting the wonder described in the third and fourth lines of the first verse.
10482:: for them the mood of the chorale prelude was quiet, inward-looking and mournful; Dupré even saw in the descending semiquavers "the descent by the holy women, step by step, to the tomb". At a faster tempo, as has become more common, the mood becomes more exultant and vigorous, with a climax at the words
14705:
describes its use by Bach as a motif of "beatific peace", commenting that "the melody of the hymn that speaks of the inevitability of death is thus enveloped in a motif that is lit up by the coming glory." Despite the harmonious thirds and sixths in the inner parts, the second semiquaver of the motif
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unembellished in the soprano voice. The accompaniment in the inner voices is a uniform stream of semiquavers shared between the parts, often in parallel sixths but occasionally in contrary motion. It is built up from several four-note semiquaver motifs first heard in the opening bars. Beneath them in
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The chorale prelude BWV 637 is one of the most original and imaginative in the Orgelbüchlein, with a wealth of motifs in the accompaniment. Scored for single manual and pedal, the unadorned cantus firmus is in the soprano voice. Beneath the melody in a combination of four different motifs, the inner
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in canon—two beats after and two octaves below the alto—until the end of the twelfth bar. At the same time in the eleventh bar the soprano and tenor parts play semiquaver motives in canon separated by a quaver and two octaves, before playing in more transparent imitation in bars 12 and 13. After the
6714:
figure, a four note descending or ascending semiquaver scale starting off the beat; this flowing motif is possibly derived from the hymn melody, moving as it does in steps, albeit much slower. The motif is first heard high up in the soprano voice which is placed in bare relief by the sustained notes
6015:
in quavers with sustained notes at the end of each phrase. Unlike the inner voices, the pedal part has a wide range: there are two scale-like passages where it rises dramatically through two octaves, covering all the notes from the lowest D to the highest D. The four voices together convey a mood of
5732:
for choir. Bach's chorale prelude is written for single manual and pedals, with the leading voice in the soprano. The canon—normally in the tenor part in the carol—is taken up one bar later in the pedal. As was Bach's custom, it was notated in the autograph manuscript at the pitch at which it should
5085:
semiquavers (starting with a rest or "breath"). These include turning figures and ascending or descending scales all presented in the first bar. The semiquaver figures, sometimes in parallel thirds or sixths, run continuously throughout the upper parts, including the soprano part, further obscuring
12463:
points out, however, that if there is any intentional numerology, it might be in the occurrences of the strict form of the motif, with tone and semitone intervals matching the first entry: it occurs precisely ten times in the chorale prelude (b1 – bass; b1 – tenor; b2 – bass; b4 – bass; b9 – tenor;
12429:
with the cantus firmus in the soprano voice in simple minims. The accompaniment in the three lower voices is built up from two motifs each containing the repeated notes that characterise the theme. The first motif in quavers is a contracted version of the first line of the cantus (GGGGGGABC), first
7073:
itself repeats more of its lines than most
Lutheran hymns, Bach avoids repetitiveness in the chorale prelude by varying the harmonies and rhythmic texture in the accompaniment for each phrase. In addition what sounds like an interlude for alto and tenor during a two and a half bar rest in the pedal
3687:
This chorale prelude is a canon at the octave in the soprano and tenor voices, with the tenor entering one bar after the soprano. The stops for the canonic parts were explicitly marked by Bach in the autograph score, with the high tenor part in the pedal, written at the pitch Bach intended and also
3489:
in the melodic line, formed of a semiquaver (16th note) rest—a "breath"—followed by three semiquavers and a longer fourth note. Some commentators have seen this falling figure as representing a descent to earth, but it could equally well reflect a repetition of the words "Nun komm" in the text. The
3484:
Although it has often been suggested that this opening advent chorale prelude resembles a French overture, in construction, with its texture of arpeggiated chords, it is more similar to the baroque keyboard preludes of German and French masters, such as
Couperin. The accompanying motif in the lower
126:
A further step towards perfecting this form was taken by Bach when he made the contrapuntal elements in his music a means of reflecting certain emotional aspects of the words. Pachelbel had not attempted this; he lacked the fervid feeling which would have enabled him thus to enter into his subject.
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which employed more modern tuning. The ornamented melody in crotchets (quarter notes) sings in the soprano above a flowing legato semiquaver (16th note) accompaniment and gently pulsating repeated quavers (eighth notes) in the pedal continuo. Such viol-like semiquaver figures in the middle voice
13355:
speculate that this chorale prelude and the preceding BWV 637, written on opposite sides of the same manuscript paper, might have been intended as a pair of contrasting catechism settings, one about sin, the other about salvation. Both have similar rhythmic structures in the parts, but one is in a
7645:
The version of the hymn that Bach used for BWV 614 only emerged gradually. The first two verses of the hymn text were first published in
Clemens Stephani's Nuremberg hymnbook of 1568; the entire six verses of the text appeared in Johann Steuerlein's Erfurt hymnbook of 1588. An early version of the
3705:
in detached crotchets (quarter notes). The hymn was originally written in duple time but, to facilitate the canonic counterpoint, Bach adopted triple time with a minim beat, at half the speed of the bass. The bass accompaniment at first is derived directly from the melody; during the pauses in the
144:
Here Bach has realised the ideal of the chorale prelude. The method is the most simple imaginable and at the same time the most perfect. Nowhere is the Dürer-like character of his musical style so evident as in these small chorale preludes. Simply by the precision and the characteristic quality of
13821:
consisting of two semiquavers and a quaver. The motif is passed imitatively down through the voices, often developing into more flowing passages of semiquavers; the motif in the pedal has an added quaver and—punctuated by rests—is more fragmentary. The harmonies resulting from the combined voices
13103:
described the pedal part as "a series of almost irremediable stumbles"; in contrast Ernst Arfken saw the uninterrupted cantus firmus as representing constancy in faith. For
Wolfgang Budday, Bach's departure from normal compositional convention was itself intended to symbolise the "corruption" and
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pass from one lower voice to another, producing a continuous stream of semiquavers; semiquavers in one voice are accompanied by quavers in the other two. The combined effect is of the harmonisation of a chorale by arpeggiated chords. Hermann Keller even suggested that Bach might have composed the
5080:
The chorale prelude BWV 606 is written for single manual and pedal with the cantus firmus in the soprano part. As in all his other organ settings, Bach changed the rhythmic structure of the melody by drawing out the initial upbeats to long notes. This contrasts with Bach's choral settings and the
14965:
in the soprano voice is a simple form of the hymn tune in crotchets. The accompaniment, intricately crafted from two separate motifs in the inner voices and in the pedal, is a particularly fine illustration of Bach's compositional method in the Orgelbüchlein. The motif in the pedal is a constant
9388:
creates an unusually dense texture. There are three accompanying voices, often closely scored: the alto and tenor voices in the keyboard between them weave a continuous and complex pattern of rising and falling semiquavers, sometimes in parallel thirds; and below them the bass voice in the pedal
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The chorale prelude BWV 614 is written for two manuals and pedal with the cantus firmus in the soprano voice. Despite starting starkly with two repeated crotchets—unaccompanied and unembellished—in the cantus, BWV 614 is an ornamental chorale prelude: the highly expressive melodic line, although
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suggests that the relative simplicity of BWV 605 and the uniformity of the accompaniment could be signs that it was one of the earliest composed pieces in Orgelbüchlein. Dissonances in the pedal in bars 3 and 5, however, could also be signs of Bach's more mature style. Ernst Arfken and
Siegfried
9730:
In the penultimate line, accompanying the words "ein schwere Bürd" (a heavy burden), the inner parts intensify moving in semiquavers (16th notes) with the upper voice to a climax on the highest note in the prelude. The closing phrase, with its mounting chromatic bass accompanying bare unadorned
7060:
and dance-like semiquavers in the inner parts—s formed from two short motifs. Both motifs are related as can be seen when they are first heard together in the alto and bass parts in the last two beats of bar 1 and first beats of bar 2: separated by an octave plus a third, the bass motif (a rest
6357:, the cantus and accompanying voices in the two inner parts and pedal are written at an unusually low pitch, creating a sombre effect. The accompaniment is based on semiquaver motifs first heard in their entirety in the pedal in bar one; the inner parts often move in parallel thirds followed by
5324:
by
Lossius. It is the only time that Bach used this hymn tune. Although there is some ambiguity in the autograph manuscript, the crossing of parts suggests that the intended scoring is for single manual and pedals. The motifs in the intricately crafted accompaniment are descending and ascending
4496:
in the soprano voice on the upper manual. On the lower manual the two inner voices provide the harmonic accompaniment, moving stepwise in alternating semiquavers. The pedal part responds throughout with a constantly varying motif involving octave semiquaver leaps. The chorale prelude is in the
3985:
points out, the subtlety of Bach's compositional skills are apparent. The alto part anticipates the pedal motif and, with it and the later dotted figure, echos the melody in the soprano. This type of writing—in this case with hidden and understated imitation between the voices, almost in canon,
14970:
bass captures the theme of the hymn: it is a reflection on the transitory nature of human existence, likened to a mist "gathered in an hour together, and soon dispersed." Similar semiquaver figures had been used in other contemporary settings of this hymn, for example in a set of variations by
7770:
takes a different approach, suggesting that Bach's choice of tonal structure leads the listener to expect the E's that end the chorale prelude to be answered by A's, the notes that start it. To
Renwick such "cyclicity" reflects the themes of the hymn: "a turning point; a Janus-like reflection
4311:
by
Lossius. The chorale prelude is in four parts for single manual and pedals. It is unusual in that in most published versions no repeats are marked. However, in the autograph score there are markings by Bach at the end of the score which might indicate that a repeat of the whole prelude was
127:
And it is entering into it, and not a mere depicting of it. For, once more be it said, in every vital movement of the world external to us we behold the image of a movement within us; and every such image must react upon us to produce the corresponding emotion in that inner world of feeling.
9396:
The accompaniment in each lower voice is constructed from its own separate motifs, each having its own characteristic rhythm. Although the longer figures in the two lowest voices are heard several times throughout the piece, Bach's ingenious writing gives no sense of artifice or mechanical
3968:
this particular motif signified "beatific joy", representing either "intimate gladness or blissful adoration." Although the chorale prelude cannot be precisely matched to the words of either hymn, the mood expressed is in keeping both with joy for the coming of Christ and gratitude for the
3494:
and often shared out freely between voices in the accompaniment. The mystery of the coming of the Saviour is reflected by the somewhat hidden cantus firmus, over harmonies constantly reinventing themselves. It is less predictable and regular than other settings of the same hymn by Bach or
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the motif had "an inherent organic connection with the chorale itself." Some commentators, aware that the number "ten" of the Ten Commandments has been detected in the two chorale preludes of Clavier-Übung III, have endeavoured to find a hidden numerology in BWV 635. The attempts of
9725:
13334:
In the chorale prelude BWV 638 for single manual and pedal, the cantus firmus is in the soprano voice in simple crotchets. The accompaniment in the inner voices is built on a four-note motif—derived from the hymn tune—a descending semiquaver scale, starting with a rest or "breath"
12724:
motif (i.e. preceded by a rest or "breath") and a longer eight-note version; both are derived from the first phrase of the melody. In turn Bach's slight alteration of the melody in bars 1 and 3 might have been dictated by his choice of motif. The two forms of the motif and their
7749:
Since the nineteenth century successive commentators have found the mood of the chorale prelude to be predominantly sad, despite that not being in keeping with the hymn text. The chromatic fourth has been interpreted as a "grief motif". It has been described as "melancholic" by
6698:, has several unusual and novel features. In contrast to the densely scored chorale prelude BWV 610, the four parts—augmented to five by the double pedal in the last two bars—are widely spaced employing the full range of the baroque organ. Apart from chorale preludes that are
14023:, BWV 668. The accompaniment in the two middle voices, often in parallel sixths, and the pedal is derived from the first four notes of the melody. The highly ornate ornamentation is rare amongst Bach's chorale preludes, the only comparable example being BWV 662 from the
7642:, the hymn addresses thanks for the past year and prayers for the coming year to Christ. Although primarily a supplication looking forwards to the future, the hymn also looks back at the past, reflecting on the perils facing man, his sins and his transitory existence.
15945:
but with different pitches, this is a four-note figure with the first and fourth notes having the same pitch, but the second and third notes higher and lower (or lower and higher); so named because the two lines joining the end notes and the middle notes form a
3206:
The Orgelbüchlein is simultaneously a compositional treatise, a collection of liturgical organ music, an organ method, and a theological statement. These four identities are so closely intertwined that it is hard to know where one leaves off and another
9731:
crotchets (quarter notes) in the melody to end in an unexpected modulation to C♭ major, recall but again go beyond earlier compositions of Pachelbel, Frohberger and Buxtehude. It has been taken by some commentators as a musical allusion to the words
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between bars as representing "the bonds of death". These interpretations can depend on the presumed tempo of the chorale prelude. A very slow tempo was adopted by the school of late nineteenth and early twentieth century French organists, such as
7693:
heard first in the response to the first two notes of the cantus. The motif is in turn linked to the melodic line, which later on in bar 5 is decorated with a rising chromatic fourth. Bach ingeniously develops the accompaniment using the motif in
9440:
wrote that Christ's hanging on the cross "is represented by the heavy, syncopated notes" and takes this as "evidence of a wonderfully true aesthetic feeling" , since "that enforced quietude of direst anguish was no real calm." Similarly for
3969:
bountifulness of God. The motif, which is anticipated and echoed in the seamlessly interwoven inner parts, was already common in chorale preludes of the period. Easy to play with alternating feet, it figured in particular in the preludes of
14696:
sings in crotchets (quarter notes) above an accompanying motif of three semiquavers (16th notes) followed by two quavers (eighth notes) that echoes between the two inner parts and the pedal. This figure is also found in the organ works of
6770:
the opening motivic accompaniment "entwines the chorale melody in a consummately effective way and embraces a whole world of unutterable joy", the adagio is a "mystical contemplation", and the motifs "a joyous exaltation in the soprano".
17358:
7061:
followed by six notes) can be seen as a simplified form of the alto motif (a rest followed by two five-note figures). At the same time the motif in the inner parts is derived from descending scale D, C, B-flat, A that recurs in the
93:, leaves a number of tunes as missing or "ghost" pieces. These have been added in the 21st century; this project took nine hours in the first complete performance, giving an idea of the potential scope of Bach's "little" book. The
14366:—often used by Bach to signify joy (for example in BWV 602, 605, 615, 616, 618, 621, 623, 627, 629, 637 and 640). The pedal has a walking bass which also partly incorporates the joy motif in its responses to the inner voices. For
4539:
5086:
the melody. Below the upper voices, there is a striding pedal part in quavers with alternate footing. In the two closing bars, there is a fleeting appearance of figures usually associated with crucifixion chorales, such as
3692:
points out, the autograph score brackets all the keyboard parts together; in addition technically at certain points the keyboard parts have to be shared between the two hands. The accompaniment is a skillful and harmonious
5109:
and others have observed, the brief musical allusions to the crucifixion in the closing bars bring together themes from Christmas and Easter, a momentary reminder that Christ came into the world to suffer; in the words of
6728:
cadence at bar 14 from D minor to A minor, the accompaniment is augmented to four voices with a second voice in the pedal, first with motivic semiquaver figures in all the parts in the penultimate bar; and then imitative
13108:
also preferred to view Bach's chorale prelude as representing the complete text of the hymn instead of individual words, distinguishing it from Buxtehude's earlier precedent. Considered to be amongst his most expressive
7654:'s Leipzig hymnbook of 1682. Prior to modern scientific methods for dating Bach's autograph manuscripts, scholars had relied on identifying hymnbooks available to him to determine exactly when Orgelbüchlein was written.
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records that the dissonances might symbolise original sin, the downward leaps in the pedal the fall of Adam, and the modulations at the close hope and redemption; the rests in the pedal part could be examples of the
9379:
Unlike most of the other chorale preludes in the Orgelbüchlein, Bach did not use the chorale in any of his cantatas—BWV 621 is his unique setting of the hymn. BWV 621 is scored for single manual and pedal, with the
7040:
contains the original composing score for BWV 612. As with most of the collection, Bach had allotted one page for the chorale prelude. Due to lack of space, he entered the final two and a half bars in more compact
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of the four parts, with 25 repetitions of the quaver motif, is one of "confirming" the biblical laws chanted in the verses of the hymn. There is likewise a reference to "law" in the canon of the quaver motif. For
17351:
11887:—add to the mood of supplication in the chorale prelude. Hermann Keller has suggested that Bach might have employed the canon as musical iconography for the plea to be "led" at the end of the first verse:
17344:
13029:. The melody, originally for a Reformation battle hymn of 1525, was first published with Spengler's text in 1535. Bach previously set it as a chorale prelude in the Kirnberger Collection (BWV 705) and
7766:
suggests that the grieving mood might possibly reflect tragic events in Bach's life at the time of composition; indeed in 1713 his first wife gave birth to twins who died within a month of being born.
4540:
3956:, this chorale prelude was probably the first to be entered by Bach in the autograph manuscript. Already it shows with beguiling simplicity all the features typical of the Orgelbüchlein preludes. The
7706:. The three lower voices respond to each other and to the melodic line, with the soprano and alto voices sighing in parallel sixths at the close. The chromatic fourth was a common form of the baroque
3173:
3981:. Bach, however, goes beyond the previous models, creating a unique texture in the accompaniment which accelerates, particularly in the pedal, towards the cadences. Already in the opening bar, as
3128:. Only a few other organ works based on chorales can be dated with any certainty to this period. These include the chorale partitas BWV 766-768 and 770, all sets of variations on a given chorale.
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in bar 25. At that point the strict canon in the accompaniment stops, but the imitative triplet motif continues until the close, also passing effortlessly into the soprano part. Over the final
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attributed to Bach, only the chorale prelude BWV 737 has been ascribed with any certainty. After Orgelbüchlein, Bach returned to the hymn with a pair of chorale preludes (BWV 682 and 683) in
10461:
The semiquaver motif runs continuously throughout the piece, passing from one lower voice to another. Commentators have given different interpretations of what the motif might symbolise: for
14042:
describes this musical device, used also in BWV 622 and BWV 639, as a means of conveying "a particular kind of touching, inexpressible expressiveness." The prelude has an intimate charm: as
13295:
The text treats a central Lutheran theme—only faith in God is required for redemption. The melody is from an Easter hymn. Many composers had written organ settings prior to Bach, including
4783:
The melody, medieval in origin, was published with the text in 1529. Apart from BWV 606, Bach composed a harmonisation of the hymn in BWV 294 and set it as a chorale prelude, BWV 719 in the
14692:
BWV 643 is one of the most perfect examples of Bach's Orgelbüchlein style. A mood of ecstasy permeates this chorale prelude, a funeral hymn reflecting the theme of heavenly joy. The simple
9743:
comments, however, the inner voices, "with their astonishing accented passing-notes transcend images, as does the sudden simplicity of the melody when the bass twice rises chromatically."
3097:
in the summer of 1703, having inspected and reported on the organ there earlier in the year. In 1705–1706 he was granted leave from Arnstadt to study with the organist and composer
11811:, the hymn has relevance to Pentecost, its customary use in Sunday services almost certainly prompted Bach to compose several settings (BWV 622, BWV 655, BWV 709, BWV 726 and BWV 749).
11846:
two octaves below the cantus. The canon is itself disguised, in crotchets in the first half with the same rhythm as the soprano; but in the second half it is heard in fragmentary form
17542:
16751:
Bachs 'Orgel-Büchlein' in nieuw perspectief; Studies over Bachs 'Orgel-Buchlein'. Verslag van het internationale Bach-Congres van de Nederlandse Organistenvereniging, Groningen 1985
11607:
9150:
6806:
14714:, what an indescribable expressiveness, for instance, arises in the last bar from the false relation between c♯ and c', and the almost imperceptible ornamentation of the melody!"
12693:
and two chorale preludes (previously misattributed to Bach as BWV 760 and 761). Bach himself harmonised the hymn in BWV 416, with a later variant in one of the chorales from the
17372:
3081:
and others. They indicate that already at the age of 15 Bach was an accomplished organist, playing some of the most demanding repertoire of the period. After a brief spell in
4324:). On a purely musical level, a mood of increasing wonder is created as the accompaniment intensifies throughout the chorale with more imitative entries in the inner parts.
7650:). That melody first appeared with the text in Erhard Bodenschatz's Leipzig hymnbook of 1608. One of the earliest known sources for the version of the hymn used by Bach is
6322:
composed an organ partita on the hymn in 1712. Apart from BWV 610, Bach's organ settings include the chorale preludes BWV 713 in the Kirnberger Collection, BWV 1105 in the
17298:
9436:
Many commentators have interpreted the compositional form and motifs of BWV 621 in terms of the themes of the Passiontide hymn, primarily concerned with the crucifixion.
6706:
is in the "middle" alto voice. Scored for single manual and pedal, the accompanying voices are the soprano (right hand), the tenor (left hand) and the bass (pedal). The
5770:
already described the accompanying triplets as representing a "direct and naive joy." Williams further suggests that the F♯ major chord at bar 25 might be a reference to
13790:
and was associated with two different melodies, in major and minor keys. The hymn tune in the major key was used many times by Bach, most notably in the funeral cantata
13830:, the angular motifs and richer subdued textures in the lower registers are consonant with the "firm hope" of the text, in contrast to more animated evocations of joy.
12685:
wrote two settings of the hymn for organ—a freely composed chorale prelude in three verses (BuxWV 207) and a chorale prelude for two manuals and pedal (BuxWV 219); and
13053:
parts wind sinuously in an uninterrupted line of semiquavers, moving chromatically in steps. Below them the pedal responds to the melodic line with downward leaps in
3490:
suspirans is made up of intervals of a rising second, a falling fourth following by yet another rising second. It is derived from the first line of the melody of the
3159:
11608:
9151:
6807:
3120:. They form part of a larger collection of organ music compiled in the 1790s by the organist Johann Gottfried Neumeister (1756–1840) and are now referred to as the
11857:
and Walther (the 6th variation in his partita). But the light and airy texture of the keyboard writing has more in common with the harpsichord allemande, such as
13817:
for effect. Beneath it the two inner voices—often in thirds—and the pedal provide an accompaniment based on a motif derived from the melody, a falling three-note
12720:
In the chorale prelude BWV 636 the plain cantus firmus is in the soprano voice. The accompaniment in the inner parts and pedal is based on a four-note semiquaver
3187:
15012:
saw the bass motif as representing "the futility of human existence." Others have suggested that the rests in the pedal part might symbolise the nothingness of
4537:
14370:
the accompaniment symbolised "the joyful feeling of confidence in God's goodness." BWV 642 has similarities with the earlier chorale prelude BWV 690 from the
10591:
14265:
The melody was also composed by Neumark: it and the text were first published in his hymn book of 1657. The hymn tune was later set to other words, notably "
3706:
soprano part, a second motif recurs. The continuous accompaniment in quavers and crotchets is an example of the first of two types of joy motif described by
14749:
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Following the publication of the text and melody in 1539, the hymn was used in many choral and organ compositions. Amongst Bach's immediate predecessors,
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Autograph manuscript of BWV 612, with final bars entered at bottom of the page in organ tablature (also added on 2 clefs by unknown scribe at end of MS).
5069:, BWV 248. Apart from BWV 606, his organ settings include the early chorale preludes BWV 701 and 702 from the Kirnberger Collection and BWV 738 from the
4141:, Bach slightly modifies it, replacing some B♭s by B♮s in the melody, but still ends in the key of A. The accompaniment is composed of two motifs, both
145:
each line of the contrapuntal motive he expresses all that has to be said, and so makes clear the relation of the music to the text whose title it bears.
18104:
14046:
commented, the soprano part flows "like a divine song of consolation, and in a wonderful final cadence seems to silence and compose the other parts."
5101:
The predominant mood of the chorale prelude is one of joyous exultation. The semiquaver motifs, in constant motion upwards and downwards, create what
17898:
11815:, Bach's distant cousin and the organist in the Stadtkirche in Weimar, also set the hymn as a chorale prelude and as a partita with many variations.
7689:, which at the close completely subsume the melody as they rise and fall in the final cadence. The accompaniment is built from the motif of a rising
6006:, the two harmonisations BWV 375 and 376 and the chorale prelude BWV 732. The chorale prelude BWV 609 is scored for single manual and pedal with the
15617:
Francesco Cera, organ in Church of S. Maria Assunta, Giubasco, Switzerland, (Brillant 94639) (with Swiss Radiotelevision Choir singing each chorale)
14378:
of a delayed entry in the second half of the cantus firmus. The compositional structure for all four voices in BWV 642 is close to that of BWV 643.
3960:
is presented unadorned in the soprano line with the other three voices on the same keyboard and in the pedal. The accompaniment is derived from the
18021:
6388:
has pointed out, when composing this chorale prelude Bach might have had in mind one of the alternative more intimate texts for the melody such as
17555:
13087:
interval used in the pedal part was customarily associated with "grief." The twisting inner parts have been interpreted as illustrating the words
13025:
where Spengler was town clerk, is concerned with "human misery and ruin," faith and redemption; it encapsulates some of the central tenets of the
7065:. Both accompanying motifs serve to propel the chorale prelude forwards, the bass line having a similar function to that in the last movement of
17914:
17484:
7085:: "whosoever trusts in Him and firmly believes shall not be lost." The same type of bass line was used much later by Bach in the chorale prelude
6028:
suggest that the widening intervals at the start between the cantus and the descending pedal part might symbolise the opening up of the heavens (
14362:
time is in the soprano voice. The two inner voices, often in thirds, are built on a motif made up of two short beats followed by a long beat—an
9453:
the syncopated bass line is a "masterful" way of evoking the dragging of the cross. Similar motifs and handling of voices occur at the close of
18051:
17470:
15639:
6719:
has described the resulting musical texture as the most ethereal in the Orgelbüchlein. The "hidden" alto hymn tune, occasionally tinged with
4538:
13555:
18056:
17431:
16703:
Emery, Walter (October 1938), "The Orgelbuchlein: Some Textual Matters: I. Readings of the tablature in 'Christus, der uns selig macht'",
6306:
of 1653. In later hymnbooks the hymn became associated with Christmas and Epiphany; it was also frequently included amongst the so-called
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within the compass of the Weimar organ. Bach left no indication that the manualiter parts were to be played on two keyboards: indeed, as
3538:
3393:
15151:
Joh. Seb. Bachs Werke, Nach der Ausgabe der Bachgesellschaft. Orgelbüchlein: 46 kürzere Choralbearbaitungen für Klavier zu vier Händen,
8945:
features the chorale in canon between the highest voice in the manuals and the pedal part. The original manuscript features passages in
18061:
17823:
17718:
17705:
17678:
15016:. Exceptionally Bach scored the final chord of this nebulous piece without pedal. A similar device has been used by Bach for the word
7734:, he notes that the cadences pass between D minor and A until the final cadence to E major; that the modal structure moves between the
3108:
During the period before his return to Weimar, Bach had composed a set of 31 chorale preludes: these were discovered independently by
17499:
17305:
15669:
13802:. BWV 640 is the only occasion he used the melody in the minor key, which can be traced back to an earlier reformation hymn tune for
17533:
17327:
on the 1717 Trost organ, St. Walpurgis, Großengottern, Germany: either search for individual works or download the whole collection
15601:
14124:
6683:
16846:
13572:
6384:) is marked in every line of the exquisite labyrinth of music in which the master has involved one of his favourite melodies." As
5758:
the constant sounding of A major chords, gently embellished by the accompaniment, suggest unequivocally the festive spirit of the
3229:
were composed with a number of common stylistic features, which characterise and distinguish the so-called "Orgelbüchlein style:"
11879:
The reprise of the second part differs from the hymn as it appears in hymnbooks; but the stream of repeated triadic motifs—which
9461:: although that Christmas hymn primarily concerns the incarnation of Christ, later parts of the text foreshadow the crucifixion.
6678:, the latter two employing the Latin title. Apart from BWV 611, Bach set the hymn earlier in BWV 696, a chorale prelude from the
16878:"Review of The Creative Development of Johann Sebastian Bach, i: 1695–1717. Music to Delight the Spirit. By Richard D. P. Jones"
9341:
7836:
6762:
the purity of the virgin. The widely spaced polyphonic texture has been taken as a musical depiction of Sedulius' poetic lines
6365:
and occasional chromaticisms in the densely scored accompanying voices: the motifs are skillfully developed but with restraint.
17853:
17465:
17416:
16977:
Johann Sebastian Bach: his work and influence in the music of Germany, Volume I (transl. Clara Bell & J.A. Fuller Maitland)
4501:. Combined with the unadorned but singing melody and its gentle accompaniment, this produces a mood of tenderness and rapture.
11470:
10499:
7005:
18014:
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17783:
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17421:
17411:
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13594:
A close variant of BWV 639 is catalogued as BWV Anh. 73, an expanded arrangement for organ, attributed to the composer's son
13312:
9533:
3086:
89:
so that each part of the year was represented. However, only 46 of these were completed. The manuscript, which is now in the
12734:
points out, however, although the harmonic structure adheres to that of a four-part chorale, the pattern of semiquavers and
3105:, before his second appointment at the court in Weimar in 1708 as concertmaster and organist, where he remained until 1717.
15899:
15597:
14347:, with words taken from one or other of the two hymn texts. In the chorale prelude BWV 642, the unadorned cantus firmus in
13060:
The chorale prelude has generated numerous interpretations of its musical imagery, its relation to the text and to baroque
9710:. Bach ornamented the simple melody, in twelve phrases reflecting the twelve lines of the opening verse, with an elaborate
8024:
16877:
15166:
Johann Sebastian Bach: "O Mensch, bewein dein Sünde gross." Aria nach dem Choralvorspiel für Streichorchester bearbeitet,
14796:
13770:
74:; the remainder and a short two-bar fragment came no earlier than 1726, after the composer’s appointment as cantor at the
17610:
17603:
17596:
17310:
8299:
8136:
5878:
5754:
The piping triplets above the musette drone create a gentle pastoral mood, in keeping with the subject of the carol. For
14706:
produces a momentary dissonance that is instantly resolved, again contributing to the mood of joy tinged by sadness. As
14268:
7758:; as a "prayer" with "anxiety for the future" by Ernst Arfken; and as a crossroads between "the past and the future" by
4800:
Vogelsänger have interpreted some of the dissonant F♮s as references to elements of foreboding in the text (for example
3697:
in the alto and bass keyboard parts with flowing quavers (eighth notes) in the alto, derived from the first four quaver
17907:
17228:
16735:, J. S. Bach as Organist: His Instruments, Music, and Performance Practices, Indiana University Press, pp. 25–30,
15913:
11675:
8131:
17289:
11695:
this became the hymn that the congregation sang as the priest entered the pulpit before delivering his Sunday sermon.
3145:
17336:
17270:
17191:
17137:
17112:
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17064:
17028:
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8797:
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4587:
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3807:
3590:
136:
17203:
Orgelbüchlein: BWV 599-644: Faksimile nach dem Autograph in der Staatsbibliothek zu Berlin Preussischer Kulturbesitz
14457:
Below are the first and last two verses of the funeral hymn of Johann Georg Albinus with the English translation of
13787:
3066:
3022:
18028:
15105:
Anzahl aus Sebastian Bach's Kompositionen, zur ersten Bekanntschaft mit dem Meister am Pianoforte, Challier, 1844.
12211:
4891:
6710:
alto part is in a dotted rhythm shared between the two hands, as if hidden. The accompanying motif derives from a
18109:
17891:
17525:
17456:
15654:
14938:
14020:
11853:
The accompanying arpeggio motifs in the inner parts are not dissimilar to figurations in settings of the hymn by
11142:
9373:
9225:
7718:. The chromaticism creates ambiguities of key throughout the chorale prelude. The original hymn melody is in the
6464:
3247:
The harmonies are filled out in the accompanying voices by motifs or figures derived from the cantus and written
17951:
17936:
17210:
16809:
16667:
15052:
edited an edition. Notable editions have been made by Robert Clark and John David Peterson, Quentin Faulkner,
13896:
13683:
13200:
13183:
12994:
5733:
sound, although this fell outside the range of baroque pedalboards. The desired effect was achieved by using a
5199:
14961:
which inverted the order throughout. The chorale prelude is in four voices for single manual with pedals. The
9417:
which are resolved only by the cadence at the close. The syncopated crotchets in the pedal also interrupt the
6361:
responses in the pedal. The rich and complex harmonic structure is partly created by dissonances arising from
4492:, parts I and III (the Christmas Oratorio). The chorale prelude is scored for two manuals and pedal, with the
4390:
4307:
in the soprano voice of this chorale prelude is a slight variant of the treble part of a four-part setting of
17285:
17078:
15137:
Ausgewählte Choralvorspiele von Joh. Seb. Bach: Für Klavier zu 2 Händen übertragen, Universal Edition, 1900.
13904:
12418:; and much later he set it for organ in the first two of the catechism chorale preludes, BWV 678 and 679, of
11299:
9364:. In the generation prior to Bach, organ settings had mainly been made by composers in Southern Germany like
8941:
6469:
5320:
of this chorale prelude is in the soprano voice and is drawn from the tenor part of the four-part setting of
5183:
4402:
5114:, "Christ's Incarnation and Passion are inseparable, and Bach tried to express this through musical means."
3180:
View of Weimar, 1686: Wilhelmsburg in centre, St Peter and Paul behind, Rote Schloss over footbridge on left
104:, adds a motivic accompaniment, and quite freely explores form. Many of the preludes are short and use four
17858:
17847:
17590:
17489:
12410:, a pilgrims' hymn. Bach wrote a four-part chorale on the hymn tune in BWV 298; he used it for the trumpet
12041:
11680:
10090:
9212:
9210:
Below is the text by Johann Böschenstein (1472–1540) of the first and last verses of this Passiontide hymn
7340:
6310:, devotional hymns addressed to Jesus, often for private use. One of the earliest settings of the hymn was
3442:
3427:
13347:. For Hermann Keller, the running quavers and semiquavers "suffuse the setting with health and strength."
5982:
The melody first appeared with this text in a 1580 hymnbook. Prior to Bach, there were choral settings by
3589:
Below is the first of three verses of Johann Spannenberg's advent hymn with the translation in English of
3049:
Bach's formal training as a musician started when he was enrolled as a chorister at the Michaelskirche in
17971:
4804:
in the second verse). The accompanying figure in the inner voices has been interpreted as a joy motif by
3101:
in Lübeck, a pilgrimage he famously made on foot. In 1707 Bach became organist at St. Blasius' Church in
16789:
The organ works of Bach: a contribution to their history, form, interpretation and performance (transl.
16093:
15415:
Johann Sebastian Bach: 24 chorale preludes compiled and arranged for piano, solo, Edward B. Marks, 1942
7771:
backward and forward; regret for the past and hope for the future; the place between before and after."
6625:
6020:
speculates that the passages ascending through all the notes of the pedalboard might symbolise the word
5855:
18074:
17978:
17863:
17392:
17104:
15905:
15145:
14111:
14016:
13571:. The instrumental combination itself was used elsewhere by Bach: in the third movement of the cantata
12541:
10421:". The sharp on the second note was a more modern departure, already adopted by the composer-organists
5398:
3786:
3132:
16749:
Honders, A. Casper (1988), "Het 'Orgel-Büchlein' gehoord vanuit de teksten", in Brouwer, Frans (ed.),
8952:
Below is the text of the first and last verse of the Passiontide hymn with the English translation of
3139:, based on an Epiphany hymn. It dates from 1705 and possibly was prepared for Bach's visit to Lübeck.
70:. All but three were written between 1708 and 1717 when Bach served as organist to the ducal court in
17931:
17494:
15250:
15119:
Orgelchoralvorspiele von Johann Sebastian Bach: Auf das Pianoforte im Kammerstyl übertragen, 2 vols,
11308:
11147:
10418:
10252:
9365:
8603:
8105:
8028:
7622:, 1682. The hymn tune is on the first line of the first page and the first three lines of the second.
4530:
17575:
17242:
The Creative Development of Johann Sebastian Bach: Music to Delight the Spirit, Volume 1: 1695–1717
17129:
15242:
Johann Sebastian Bach: organ choral preludes arranged for strings, Patterson's Publications, 1926.
14289:
14115:
11812:
11291:
10070:
7663:
6671:
6326:
and BWV 753 composed in 1720. Amongst his choral settings are the harmonisation BWV 358, the motet
6319:
5725:
5415:
5058:
5049:
was published in 1539. The hymn was performed throughout the Christmas period, particularly during
4055:
3978:
15427:
15182:
15167:
15152:
15120:
12529:
10502:; and that the turmoil created by the rapidly changing harmonies in some bars might echo the word
6486:; it has been inserted between the two. Another extract from Sedulius' poem became the Latin Hymn
5329:, "Bach's music rushes down and up again like the descending and ascending messengers of heaven."
118:, four ornamental four-part preludes with elaborately decorated chorale lines, and one prelude in
108:
voices. All have a pedal part, some requiring only a single keyboard and pedal, with an unadorned
17872:
17020:
16994:
16767:
15474:
Johann Sebastian Bach: Ich ruf' zu dir, Herr Jesu Christ (Choralvorspiel), Bote & Bock, 1954
15325:
15307:
15289:
15082:
11002:
9217:
8788:
4236:
4219:
17:
14443:
10571:
3342:. The metrical English translations of the texts of the Lutheran chorales are mostly taken from
18088:
18036:
15200:
15053:
11600:
9401:
notes, the outer and inner voices are naturally paired: the pedal with—or in opposition to—the
9143:
6799:
6302:
5394:
4812:; and as symbolising the miracle of virgin birth by Arfken. Many commentators have agreed with
4146:
4065:
Below are the first two verses of Michael Weisse's advent hymn with the English translation of
3711:
15350:
Joh. Seb. Bach: Organ Chorale Prelude, "Ich ruf' zu dir, Herr Jesu Christ", Elkan-Vogel, 1934
12536:, 1550: woodcut in Luther's Small Catechism of Christ teaching His disciples the Lord's Prayer
12459:
felt that Bach was "expressing the idea of insistence, order, dogma—anything but statistics."
11304:
17628:
17580:
17547:
17504:
17377:
14742:
14406:
14074:
13859:
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7799:
7671:
7303:
7183:
7126:
7066:
7049:—first appeared in print in the 1983 Neue Bach-Gesellschaft edition of Heinz-Harald Löhlein.
7033:
7029:
7013:
6858:
6817:
6679:
6631:
6474:
6425:
6393:
6323:
6318:
60 for four voices, strings and continuo, composed in the 1680s. Bach's friend and colleague
6060:
5859:
5818:
5357:
5142:
5070:
4844:
4784:
4353:
4291:
4182:
4133:
4014:
3749:
3530:
3385:
67:
17942:
14783:
13813:
In Bach's chorale prelude BWV 640, the cantus firmus is in the soprano voice, several times
12434:. This emphatic hammering motif is passed imitatively between the lower voices as a form of
10995:
7172:
3041:, reconstructed in 1959 to Bach's 1708–09 specifications, with a third keyboard and 26 bell
17585:
17401:
17155:
17143:, Chapter 22. "Chronology and style in the early works: a background for the Orgelbüchlein"
16760:"Inventing a Melody with Harmony: Tonal Potential and Bach's "Das alte Jahr vergangen ist""
15546:
15535:
15099:
14942:
13026:
12402:
10754:
10243:
10239:
9702:, was also later used with the same words for the closing chorale of the first part of the
7731:
6667:
5882:
5304:
90:
85:
Bach's apparent plan was for a collection of 164 settings of chorale tunes sung during the
17998:
17517:
15659:
15649:
15629:, 1964 Metzler organ in Nestal, Switzerland (Vanguard LPs VCS-10026 & VCS-10027; 1968)
15324:
A Bach Book for Harriet Cohen: Transcriptions for Pianoforte from the works of J.S. Bach,
15306:
A Bach Book for Harriet Cohen: Transcriptions for Pianoforte from the works of J.S. Bach,
15288:
A Bach Book for Harriet Cohen: Transcriptions for Pianoforte from the works of J.S. Bach,
15048:
was originally passed from teacher to student and was not published in its entirety until
13826:
described the anapaest as a "joy" motif; to Hermann Keller it symbolised "constancy". For
13178:
12714:
12419:
8771:
7090:
3964:
pedal motif of three semiquavers (16th notes) followed by two quavers (eighth notes). For
3422:
8:
17884:
17237:
16975:
15644:
15496:
15231:
Due corale di J.S. Bach. Trascritti dall' organo per orchestra, Universal Edition, 1925.
14779:
14458:
14297:
14133:
13915:
13799:
13692:
13588:
13113:
describes it as "imbued with sorrow"—Buxtehude's setting employs explicit word-painting.
13042:
12682:
12046:
11862:
10991:
10983:
9679:
9542:
8775:
8608:
8303:
8288:
8140:
7865:
7730:
analyses the mysteries of the key structure in BWV 614. In addition to giving a detailed
7723:
7355:
6873:
6311:
6116:
5995:
5204:
5062:
4896:
3641:
3571:
3121:
3098:
18008:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
17038:
14945:
which Bach played in 1713 in an audition for organist and subsequently evaluated in 1716
14933:
14315:
time for his fourteen settings in chorale preludes and cantatas: it appears in cantatas
12738:
is different for each bar and always enhances the melody, sometimes in unexpected ways.
9445:, the pedal line symbolises "the drooping of the exhausted body of Jesus on the cross."
9425:
line, giving a further sense of restlessness. The alto part is characterised by falling
9409:
in quavers, which recurs throughout the composition. The cross motifs are followed by
8280:
7746:
A; and that the key changes are mediated by the chromatic fourths in the accompaniment.
7163:
7081:
as representing firmness in faith, a reference to the last two lines of the first verse
5720:
that predates Luther. Prior to Bach, there had been settings of the carol as a canon by
3986:
conveying a mood of intimacy—was a new feature introduced by Bach in his Orgelbüchlein.
97:
as Bach left it contains about 80 minutes of music which span the liturgical calendar.
16987:
16951:
16882:
16865:
16819:
16759:
16720:
16625:
16188:
15664:
15566:
15562:
15482:
15268:
13900:
13814:
13795:
13667:
13187:
13084:
13076:
12735:
12036:
11869:; the repeats of binary dance form; and the arpeggiated accompaniment at the cadences.
11279:
10746:
10475:
10470:
9703:
9410:
8946:
7711:
7651:
7619:
6362:
6111:
6097:
5983:
5729:
5074:
5066:
4395:
3803:
3799:
3431:
3124:
BWV 1090–1120. These chorale preludes are all short, either in variation form or
3033:
17366:
12382:
7715:
7045:
notation. The dots indicating the second half could be repeated—an unusual feature in
3567:
17266:
17245:
17224:
17206:
17187:
17133:
17108:
17086:
17024:
17013:
16998:
16958:
16935:
16921:
16907:
16899:
16855:
16805:
16736:
16690:
16663:
16642:
15909:
15193:
15057:
15049:
15021:
14447:
14043:
13663:
13448:
12726:
12431:
11826:, at first concealed by the intermediate notes of the legato dotted rhythm. The same
11125:
9695:
9384:
in the soprano voice almost entirely in plain crotchets. The accompaniment below the
8284:
7860:
7699:
7639:
6675:
5774:("shines like the sun") in the first verse; and the long pedal point at the close to
5402:
4051:
3334:
The brief descriptions of the chorale preludes are based on the detailed analysis in
3248:
3017:
150:
17333:, a project to complete the missing chorale preludes listed in Bach's original plan.
16911:
12195:
11792:
9449:
describes the dissonant suspensions as fitting for "the tragic subject matter." For
7344:
6854:
6619:
5053:. Many composers set it to music for both chorus and organ: closest to Bach's time,
4316:; and the pedal motif as symbolising either the "journey of the Magi" to Bethlehem (
4059:
3302:, where the cantus is heard in canon in all the voices over the accompanying motifs.
3131:
During his time as organist at Arnstadt, Bach was upbraided in 1706 by the Arnstadt
17053:
16891:
16834:
16776:
16712:
16655:
16180:
15556:
15390:
Johann Sebastian Bach: Blessed Jesus, We Are Here (Chorale Prelude), Concord 1940.
15318:
15113:
13584:
13096:
13054:
12826:
12549:
12545:
12220:
12216:
12199:
12028:
11660:
11475:
10596:
10583:
10486:("praise our God right heartily"), where the music becomes increasingly chromatic.
10441:
descending in steps. It is derived from the final descending notes of the melody:
7759:
7690:
6759:
6483:
5867:
4228:
3446:
101:
44:
where Bach was court organist. The organ loft is visible at the top of the picture.
15576:
15274:
Johann Sebastian Bach: "O Mensch, bewein dein Sünde gross." Edition Euterpe, 1929
14981:
10469:) and for Hermann Keller "the rolling away of the stone". Some have also seen the
10066:
9198:
8583:
6758:
reflecting the mystery of the incarnation, Christ hidden in Mary's womb, and its
6754:
Commentators have suggested how the musical form echos the themes of the hymn—the
6694:
6297:
17258:
17121:
17068:
16939:
16925:
15623:, organ in Saint-Pierre de Luxeuil Cathedral, France (Harmonia Mundi HMX 2951215)
15398:
15369:
15300:
14451:
13671:
13576:
13357:
12819:
12694:
12426:
11801:
11461:
11137:
11130:
10759:
10422:
10074:
9816:
9808:
9707:
9350:
8109:
7354:
Below are the six verses of this New Year's hymn with the English translation of
6862:
6729:
5874:
5738:
5721:
5410:
4792:
4572:
4498:
4410:
4129:
3812:
3579:
3291:
BWV 600, 608, 618, 619, 620, 624, 629 and 633/634 where the soprano cantus is in
3113:
3109:
86:
63:
15620:
15611:
11453:
10479:
7056:
is in the soprano part. The accompaniment—striding quavers in the pedal like an
6869:
5061:
wrote chorale preludes. Bach's use of the hymn in his choral works includes the
16971:
16753:, KerkMLiturg, vol. 1, Utrecht, Hogeschool voor de Kunsten, pp. 21–51
15468:
15009:
13568:
13361:
13300:
12811:
11283:
10430:
9812:
9346:
8597:
Below is the first verse and refrain of the third verse of this version of the
8295:
8294:
Below are the first and last verses of Tobias Kiel's hymn which references the
7840:
7020:
6716:
6663:
5987:
5105:
called "a charming maze," symbolising angels heralding the birth of Christ. As
4480:
Bach used the same hymn in other organ compositions as well as in the cantatas
3895:
132:
37:
17057:
16838:
16780:
15572:
13435:
13033:(BWV 1101); the seventh verse also recurs in the closing chorales of cantatas
11797:
7626:
3194:
Wilhelmsburg, Weimar, c 1730, built in the 1650s and destroyed by fire in 1774
269:
Planned content of the Orgelbüchlein as indicated in the autograph manuscript
18098:
16280:, p. 203 The initial letters of the thirteen verses spell Heinrich Müler
16171:
15626:
15607:
15589:
15542:
15531:
15211:
14693:
14273:" ("Who knows how near is my end?"). Neumark originally wrote the melody in
14129:
13559:
13205:
13022:
12533:
12435:
12411:
12394:
11843:
11823:
11656:
10579:
10450:
9736:
9691:
9538:
9430:
9357:
8125:
8120:
7848:
7743:
7739:
7695:
6699:
6662:, which appeared in its Lutheran version in 1524. It was used in settings by
6106:
5863:
5717:
5187:
5106:
5050:
5038:
4224:
4138:
4125:
3957:
3491:
3292:
3234:
115:
110:
14986:
14972:
14957:
in their opening lines. Bach's title conforms to a later 1681 hymnbook from
14698:
14293:
13575:
for soprano, violoncello piccolo and continuo; and the 19th movement of the
12686:
11854:
10426:
6766:—"From the hinge of the rising sun, To the farthest edge of the earth". For
6349:
The chorale prelude BWV 610 is scored for single manual and pedal, with the
4787:. The chorale prelude BWV 605 is written for two manuals and pedal with the
4149:
described the lower voices as creating "an atmosphere of dignified praise."
3977:
as well as an earlier manualiter setting of the same hymn by Bach's cousin,
3974:
3323:
BWV 617, 618, 619 and 637, where the accompaniment starts before the cantus.
3102:
3062:
3026:
32:
17324:
17151:
17147:
16790:
15441:
Johann Sebastian Bach: eleven chorale preludes from the little organ book,
15282:
15257:
15225:
14801:
14794:
Below are the first and last verses of Michael Franck's 1652 Lutheran hymn
14787:
14031:
13688:
12815:
12456:
11839:
11831:
10987:
10742:
10575:
9668:
7844:
7719:
7686:
7646:
melody also appeared in Steuerlein's hymnbook, but set to different words (
7052:
BWV 612 is written for single manual and pedal with four voices. The plain
6735:
There is a precursor of the musical style of BWV 611—the plainchant melody
6720:
6012:
4567:
4066:
3791:
3702:
3225:
Although there are a few important departures, the chorale preludes of the
3058:
3042:
167:
105:
75:
15426:
Johann Sebastian Bach: drei Orgelchoralvorspiele, für Klavier gearbeitet,
11468:
Below are the first and last verses of Martin Luther's hymn for Pentecost
11287:
6614:
3901:, the first verse of which is given below with the English translation of
3254:
They begin directly with the cantus, either with or without accompaniment.
3089:, Bach was appointed as organist at St. Boniface's Church (now called the
3038:
15552:
15442:
13595:
11808:
10738:
10495:
9699:
9690:"O Mensch" is one of the most celebrated of Bach's chorale preludes. The
9406:
9390:
9361:
9221:
9203:
8587:
7735:
6655:
6640:
6636:
6479:
5748:
5408:
Below is the traditional fourteenth century German/Latin Christmas carol
5095:
5091:
3640:, the first verse of which is given here with the English translation of
793:
Allein nach dir, Herr, allein nach dir, Herr Jesu Christ, verlanget mich
119:
16895:
16629:
15488:
Transcriptions from Machaut to J.S. Bach, Editio Musica Budapest, 1985.
15339:
Johann Sebastian Bach: I Call Upon Thy Name O Jesus, Carl Fischer, 1934
7658:
erroneously assigned a date after 1715, because the earliest source for
5786:
considers that this was unlikely to be the case here, despite the words
5197:
Below are the first and fourth verses of Martin Luther's Christmas hymn
3050:
16169:
Emery, Walter (1941), "Footnotes to Sanford Terry's 'Bach's Chorals'",
15942:
15583:
15086:
14764:
14428:
14371:
14096:
14035:
14028:
13881:
13779:
13648:
13420:
13163:
13018:
13006:
12796:
12514:
12209:
Below are the first and last two verses of the Lutheran catechism hymn
12176:
12009:
11946:
11847:
11640:
11438:
11264:
11110:
10968:
10713:
10556:
10438:
10224:
10051:
9793:
9712:
9514:
9413:
crochets, falling in steps. These create constant dissonances with the
9228:, each of the seven intervening verses meditating on a different Word.
9183:
8913:
8756:
8566:
8265:
8086:
7821:
7679:
7325:
7148:
6839:
6644:
6447:
6082:
5840:
5734:
5379:
5164:
4866:
4552:
4375:
4204:
4036:
3771:
3552:
3407:
3258:
3061:
and Michael Maul show that while in Lüneburg he studied the organ with
17543:
Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
17317:
of the whole collection of 46 chorale preludes from the Orgelbüchlein.
17292:
of scanned images of the autograph manuscript of the Orgelbüchlein at
16724:
16192:
15256:
Johann Sebastian Bach: organ choral preludes arranged for pianoforte,
12825:
Below are the first and seventh verses of the hymn written in 1524 by
11873:
3714:, "the exuberance of the passage work indicates a joyous background."
3053:
in 1700–1702. Manuscripts in Bach's hand recently discovered in
15579:
organ in Cantate Domino evangelical church, Frankfurt (Calliope 9711)
15131:
14967:
13911:
13304:
13296:
13014:
12203:
11866:
11688:
11652:
11457:
10250:
Below are the first and fourth verses of Martin Luther's Easter hymn
9717:
9716:. It recalls but also goes beyond the ornamental chorale preludes of
9369:
8932:
8793:
8779:
8598:
7348:
7179:
7042:
5054:
4313:
3970:
3575:
3078:
3070:
17320:
16820:"Of Time and Eternity: Reflections on "Das alte Jahr vergangen ist""
15036:, an aria concerned with the uncertainties in the life of a sinner.
14015:
The cantus firmus of this ornamental chorale prelude was written by
7670:
early in his career as BWV 1091, one of the chorale preludes in the
7666:
Gotha hymnbook, first published in 1715. As is now known, Bach set
6392:, available in contemporary Weimar hymnbooks and reprinted later in
6101:
Adoration of the Christ Child, early 16C Germany stained glass panel
5179:
4816:
that the lively and rhythmic accompaniment conveys "Christmas joy".
3166:
Cranach altarpiece in St Peter und Paul, where Bach played the organ
17330:
16716:
16184:
15091:
Var. Choraele fürs P.f. zu 4 Haenden eingerichtet, Dunst, undated.
14363:
13818:
13580:
12406:
of 1524 contains the text with the melody, which was also used for
12024:
11835:
9426:
8949:, which has led to inaccurate readings in some published editions.
7057:
6358:
3125:
3094:
3074:
2118:
Was Gott tut, das ist wohlgetan, kein einig Mensch ihn tadeln kann
1663:
Wir danken dir, Herr Jesu Christ, dass du das Lämmlein worden bist
16597:
12742:
described the accompanying motifs as representing "peace of mind"(
7674:; he also composed two four-part harmonisations, BWV 288 and 289.
7168:
7028:
The hymn was previously set as the chorale prelude BWV 710 in the
6732:
joy motifs in the soprano and tenor parts during the closing bar.
6494:
to the same melody. Both verses concern Christ's coming on earth.
5716:
This chorale prelude is based on a traditional Christmas carol in
4889:
Below are the first, second and last verses of the Christmas hymn
17314:
15727:
Example of a possible registration for BWV 605 with glockenspiel:
15033:
14773:
14437:
14344:
14340:
14336:
14105:
13890:
13791:
13675:
13657:
13429:
13328:
13324:
13320:
13172:
13038:
12805:
12706:
12702:
12690:
12523:
12185:
12018:
11955:
11667:
11447:
11273:
10977:
10732:
10727:
10722:
10565:
10233:
10078:
10060:
9823:
9802:
9684:
9525:
9418:
9405:; and the alto voice with the tenor. The pedal starts off with a
9192:
8928:
8922:
8765:
8577:
8298:, a biblical text associated with the Epiphany-tide feast of the
8274:
8113:
8095:
7830:
7703:
7682:
7334:
7157:
7083:
Wer sich des tröst', und glaubet fest, soll nicht werden verloren
6848:
6456:
6327:
6091:
6003:
5999:
5849:
5388:
5173:
4875:
4576:
4561:
4489:
4384:
4213:
4045:
3780:
3583:
3561:
3416:
3265:
3238:
726:
Wir danken dir, Herr Jesu Christ, dass du für uns gestorben bist
79:
16731:
Haupt, Hartmut (2000), Stauffer, George B.; May, Ernest (eds.),
15004:, but without conveying the same effect of quiet reflection. To
12464:
b10 – bass; b11 – tenor; b13 – tenor; b15 – alto; b18 – tenor).
9739:
the passage was "full of imagination and powerful feeling." As
7685:(reminiscent of Bach's Arnstadt chorale preludes) and "sighing"
5034:
114:. Others involve two keyboards and pedal. These include several
16612:
Benitez, Vincent P. (1987). "Musical-rhetorical figures in the
15001:
14958:
14375:
14332:
14328:
14324:
14320:
14316:
13316:
13311:
186). After Orgelbüchlein, Bach set the entire hymn in cantata
13062:
13034:
12709:
with a different text. Amongst the early organ compositions on
12698:
12442:
12415:
12390:
11692:
11119:
10088:(1527) by Heinrich Müller with a 16th-century translation from
9724:
8591:
6748:
6343:
6339:
6335:
6331:
4881:
4485:
4481:
3082:
3054:
71:
41:
17015:
The reception of Bach's organ works from Mendelssohn to Brahms
16562:
16560:
16124:
16122:
16120:
15028:
also sees similarities with Bach's omission of a bass part in
9826:
theologian Christoph Fischer, with the English translation of
6490:. The first verse is given below with Luther's German version
5710:
The two pages of "In dulci jubilo" in the autograph manuscript
5041:, "Vom Himmel hoch da komm' ich her", Lutheran hymnbook, 1539.
4240:
with the English translation of Hamilton Montgomerie MacGill.
2134:
Was Gott tut, das ist wohlgetan, es bleibt gerecht sein Wille
29:
Set of musical compositions for organ by Johann Sebastian Bach
17293:
16141:
16139:
16137:
15739:
14949:
The verses of Franck's hymn alternate the order of the words
14038:
passages lead into the unadorned notes of the cantus firmus.
13308:
13046:
11858:
7852:
6315:
5991:
5191:
16641:, Master musicians (3rd ed.), Oxford University Press,
15527:
13786:
The text of the hymn is derived from the first six lines of
11297:
Below is the first verse of Caspar Stolshagen's Easter hymn
6876:
first published in 1592 with the melody, which predates it.
16557:
16117:
15217:
Adaptations, Ser. 1 (J.S. Bach), J. & W. Chester, 1922
12730:
chorale prelude starting from an earlier harmonisation; as
12430:
heard in the pedal bass in bars 1 and 2. It also occurs in
8786:
Below is the first verse and refrain of the third verse of
7710:, mentioned in the seventeenth century musical treatise of
5701:
5692:
3285:
17085:, Cambridge Studies in Music, Cambridge University Press,
17083:
The Organ Music of J.S. Bach, Volume II: BWV 599–771, etc.
16134:
15448:
BWV 600, 601, 608, 609, 610, 625, 627, 633, 636, 637, 643
11818:
BWV 632 is written for single keyboard and pedal with the
11673:
Below are the first and third verses of the Lutheran hymn
9822:
Below is the German text of the 1568 Lutheran hymn by the
3350:
and have been provided in the text below when appropriate.
16502:
15790:
10752:
Below is the text of the three verses of the Easter hymn
9683:
Twelve scenes from the life of Christ, 15C painting from
3710:, used to convey "direct and naive joy." In the words of
3636:
It is set to the same melody as Johann Roh's advent hymn
3264:
The notes ending verse lines in the cantus are marked by
991:
Komm, Heiliger Geist, erfüll die Herzen deiner Gläubigen
59:
17156:"The Weimar Organ Tablature: Bach's Earliest Autographs"
15404:
J.S. Bach: Oh, How Fleeting, J. Fischer and Bro., 1940.
15199:
Arrangements of several of the chorale preludes for the
14710:
comments, "What tender melancholy lurks in the chorale,
10589:
Below is the first verse of Martin Luther's Easter hymn
8135:, a text associated with the Epiphany-tide feast of the
7726:
of A minor) modulating to E major in the final cadence.
6472:(1854). Luther's text was his version of the Latin hymn
5998:. Apart from BWV 609, Bach set the hymn in the cantatas
4791:
in the soprano part. The frequent F♮s are a hint of the
4234:
Below is the first verse of the traditional Latin carol
3257:
There are no breaks between the lines of the cantus for
2956:
Soll ich denn, Jesu, mein Leben in Trauern beschliessen
135:, 1873, writing about the Orgelbüchlein in Volume I of
16521:
15604:
singing Walter Emery's 1969 harmonisations of chorales)
15582:
Bernard Foccroulle, Schott organ in the Klosterkirche,
3244:
They are in four parts, with three accompanying voices.
3069:. The documents are hand copies made in Böhm's home in
13315:; and composed chorales on single verses for cantatas
2951:
Hast du denn, Jesu, dein Angesicht gänzlich verborgen
66:
for organ — one of them is given in two versions — by
18072:
15499:, soprano, clarinet in A, basset horn, bass clarinet
11822:
in the soprano part: it starts with a characteristic
6702:, this is the unique Orgelbüchlein prelude where the
5077:, BWV 769 were composed towards the end of his life.
4401:
Below is the first verse of Martin Luther's version "
10417:
BWV 625 is based on the hymn tune of Luther's "
7178:
Below is the first verse of this New Year's hymn of
6868:
Below are the first and third verses of the hymn of
874:
Jesus Christus, unser Heiland, der den Tod überwand
11861:238/1 below, from the thirteenth keyboard suite of
10592:
Jesus Christus, unser Heiland, der den Tod überwand
10515:
Jesus Christus, unser Heiland, der den Tod überwand
8935:, mid 16th century stained glass panel from Germany
6743:accompanied by polyphonic scale motifs—in the 1667
5741:
sounding constantly through the chorale until the A
17012:
16986:
16950:
16676:Clark, Robert; Peterson, John David, eds. (1984),
16292:, p. 285 England's translation is taken from
9531:Below is the text of the first stanza of the hymn
7012:in the second edition of the Lutheran Hymnbook of
4885:Three angels, early 16C stained glass from Germany
4582:Below is the German version of the Christmas hymn
3441:Below is the first verse of Luther's advent hymn "
17457:Eight Short Preludes and Fugues, BWV 553–560
16235:
15694:
13563:already appeared as "imitatio violistica" in the
11129:Christ with angels, early 16C stained glass from
11041:Christ, our Life, our Light, our Way, Hallelujah.
6462:Below is the first verse of Martin Luther's hymn
4895:by Martin Luther with the English translation of
18096:
18015:Concerto transcriptions, BWV 592–596 and 972–987
17432:Fantasia and Fugue in G minor ("Great"), BWV 542
17422:Toccata and Fugue in D minor ("Dorian"), BWV 538
17039:"Key Structure in "Das alte Jahr vergangen ist""
16844:
16496:
15778:
15682:
15502:Five Chorale Preludes, Universal Edition, 1975.
14122:Below are the first and last verses of the hymn
13360:harmonies, the other in a major key with firmly
10490:suggests that the motif might then resemble the
6992:Who dares to speak the Christian's condemnation?
6959:For none are lost who grasp the hope He gave us.
6296:The melody was first published with the text in
3485:three or sometimes four parts is derived from a
17915:Capriccio on the departure of a beloved brother
17485:Prelude (Toccata) and Fugue in E major, BWV 566
17452:Prelude and Fugue in E minor ("Wedge"), BWV 548
16757:
16296:, p. 118) who reproduces all seven verses.
16203:
16201:
16157:
14204:He'll give thee strength, whate'er betide thee.
13579:, with the middle voice provided by semiquaver
13208:is given below with the English translation of
13045:had already set the hymn as a chorale prelude (
6944:When Christ was born to comfort and to save us;
6922:Wer ist, der jetzt uns Christen kann verdammen?
3327:
2812:Lobet dem Herren, denn er ist sehr freundlich
17490:Fantasia ("Pièce d'Orgue") in G major, BWV 572
15934:
15932:
13910:Below are the first two verses of the hymn of
13681:Below is the first verse of the Lutheran hymn
12124:
10256:with the English translation of Paul England.
7742:on E through the intermediary of their common
7678:restrained, includes elaborate ornamentation,
6892:weil uns zu Trost Christus ist Mensch geboren,
5990:and a setting for organ in the choral prelude
2780:Dankt dem Herrn, denn er ist sehr freundlich
18052:List of compositions by Johann Sebastian Bach
17471:Toccata, Adagio and Fugue in C major, BWV 564
17352:
16675:
15991:
15640:List of compositions by Johann Sebastian Bach
15361:J.S. Bach: Chorale Preludes, R.D. Roe, 1935.
14237:And trust His word ; though undeserving,
6977:When down to earth He came for our salvation;
6901:und glaubet fest, soll nicht werden verloren.
6764:A solis ortus cardine, ad usque terræ limitem
6025:
5111:
18057:List of fugal works by Johann Sebastian Bach
17321:Free downloads of the complete Orgelbüchlein
16198:
15387:Amedeo de Filippi, string quartet/orchestra
14266:
13367:
11907:) in Canone alla Quinta, a 2 Clav. et Ped.
11534:Fill them with grace, the way Thou know'st;
11046:The Object of our Love and Faith, Hallelujah
9345:Hymn in the 1650 Görlitzer Tabulaturbuch of
8717:in Canone alla Duodecime, a 2 Clav. et Ped.
7077:The resolute striding bass has been seen by
3346:; more literal translations can be found in
3278:
260:to his Serene Highness the Prince of Anhalt-
243:achieving mastery in the study of the pedal,
17263:Johann Sebastian Bach: The Learned Musician
17073:, vol. III, Cambridge University Press
16934:
16920:
16845:Richards, Annette; Yearsley, David (2008),
15929:
15516:BWV 599, 639, 617, 619, 628, 615, 622, 637
14019:in 1543. It was used again the last of the
12540:Below are the first and last verses of the
11880:
11036:Christ our Lord is Risen to-day, Hallelujah
9442:
7078:
6767:
4571:The Nativity, early 16C stained glass from
4405:" (1524) of the traditional Christmas hymn
4128:for this chorale prelude originates in the
3965:
3707:
2022:Ach Gott, erhör mein Seufzen und Wehklagen
239:receives given instruction as to performing
18062:List of concertos by Johann Sebastian Bach
17359:
17345:
17146:
16906:
15801:sfn error: no target: CITEREFStinson2003 (
15749:
15358:Mabel Wood-Hill, string quartet/orchestra
15000:and in the first chorus of Bach's cantata
14702:
14367:
13823:
12739:
12452:
11051:Who but died to conquer Death, Hallelujah.
10462:
9605:For which Christ left His Father's throne,
8139:, together with an English translation by
7751:
7594:To praise Thy name through life and death.
5767:
5102:
4805:
4317:
1856:Wie's Gott gefällt, so gefällt mir's auch
825:Herzliebster Jesu, was hast du verbrochen
18105:Chorale preludes by Johann Sebastian Bach
17500:Passacaglia and Fugue in C minor, BWV 582
17393:Fugue in G minor, BWV 131a
17306:International Music Score Library Project
17036:
16513:sfn error: no target: CITEREFStinto1999 (
16218:
15670:Ich ruf zu dir, Herr Jesu Christ, BWV 177
15545:, Schnitger organ, St Peter and St Paul,
15336:Harry S. Hirsch, oboe, clarinet, bassoon
15008:the scales "hurry by like misty ghosts."
14227:Sing, pray, and keep His ways unswerving.
13075:that the seventeenth century philosopher
11015:Erstanden ist der heilge Christ, alleluia
10433:and by Bach himself in his early cantata
7032:; and it also appears as BWV 1090 in the
5790:("Draw me to thee") in the second verse.
3261:or interludes in the accompanying voices.
17098:
17077:
16654:
16566:
16539:
16527:
16472:
16436:
16401:
16377:
16353:
16329:
16305:
16289:
16253:
16229:
16128:
16111:
16107:
16075:
16051:
16027:
16003:
15955:
15938:
15897:
15873:
15861:
15837:
15824:
15764:
15526:
15513:Bach Measures, Boosey and Hawkes, 1996.
15505:BWV 637, 620, 614 (and BWV 691 and 728)
14980:
14932:
14778:
14442:
14219:Builds on the rock that nought can move.
14110:
14039:
13895:
13827:
13769:
13662:
13541:And mark each word that Thou dost speak.
13434:
13352:
13177:
13067:
12993:
12933:But God's free grace hath saved our race
12913:The source, whence came the poison dire,
12810:
12731:
12528:
12460:
12381:
12190:
12023:
11970:in Canone alla Quinta, a 2 Clav. et Ped.
11791:
11647:
11452:
11386:
11278:
11124:
11018:der aller Welt ein Tröster ist alleluia.
10982:
10737:
10570:
10487:
10238:
10065:
9855:Und bitten dich, wahr'r Mensch und Gott,
9807:
9740:
9678:
9667:
9650:Should bear our sins' o'erwhelming load,
9450:
9398:
9340:
9197:
8927:
8770:
8582:
8279:
8100:
8034:
7835:
7763:
7754:; as having "the greatest intensity" by
7625:
7606:
7474:That Thou hast kept us through the year,
7339:
7162:
7019:
7004:
6913:weil er zu uns in diese Welt ist kommen.
6853:
6624:
6613:
6369:
6096:
5854:
5755:
5393:
5303:
5178:
5033:
4880:
4796:
4566:
4389:
4321:
4290:
4218:
4152:
4050:
3982:
3794:, early 16C German stained glass roundel
3785:
3566:
3421:
3347:
3335:
3116:in the mid-1980s and first published as
3032:
3016:
2102:Gott ist mein Heil, mein Hülf und Trost
1759:Was mein Gott will, das g'scheh allzeit
1743:Wo Gott zum Haus nicht gibt sein Gunst
1569:Confession, Penitence and Justification
1552:Confession, Penitence and Justification
1536:Confession, Penitence and Justification
1520:Confession, Penitence and Justification
1504:Confession, Penitence and Justification
1488:Confession, Penitence and Justification
1472:Confession, Penitence and Justification
1456:Confession, Penitence and Justification
1440:Confession, Penitence and Justification
1424:Confession, Penitence and Justification
1408:Confession, Penitence and Justification
247:the pedal is treated entirely obbligato.
166:
31:
17010:
16984:
16953:Dieterich Buxtehude: Organist in Lübeck
16817:
16802:Analyzing Fugue: A Schenkerian Approach
16799:
16748:
16611:
16578:
16551:
16484:
16460:
16448:
16424:
16389:
16365:
16341:
16317:
16265:
16207:
16145:
16103:
16099:
16087:
16063:
16039:
16015:
15979:
15967:
15885:
15849:
15796:
15712:
15456:Johann Sebastian Bach: Chorale Prelude
15181:Album für Violine mit Orgelbegleitung,
15077:Original chorale prelude by BWV number
15025:
15020:("empty") in the ninth movement of his
13974:When days and nights of anxious thought
13348:
13080:
12818:, sixteenth century stained glass from
11883:interpreted as constant repetitions of
11683:(1648) with the English translation of
10084:Below is the text of the hymn from the
9446:
8782:, late 15C German stained glass roundel
8316:Herr Gott, nun schleuss den Himmel auf!
7767:
7727:
7515:Our souls' true comfort and their stay;
7096:
6390:Jesu, meine Freude, wird gebohren heute
6385:
6373:
6353:unadorned in the soprano voice. Marked
6017:
5873:Below are the first and last verses of
5783:
3953:
3798:Below are the first and last verses of
3689:
3339:
3212:
3112:and Wilhelm Krunbach in the library of
2391:Herr Jesu Christ, wahr Mensch und Gott
1695:Nun freut euch, lieben Christen g'mein
1679:Ich weiss ein Blümlein hübsch und fein
1211:Gelobet sei der Herr, der Gott Israel
624:Herr Gott, nun schleuss den Himmel auf
14:
18097:
17854:Fantasia and Fugue in C minor, BWV 906
17466:Fantasia and Fugue in C minor, BWV 562
17417:Fantasia and Fugue in C minor, BWV 537
16970:
16948:
16848:Carl Philipp Emanuel Bach: Organ Works
16786:
16660:Les chorales pour orgues de J.-S. Bach
16508:
16413:
15510:Harrison Birtwistle, chamber ensemble
15438:Charles Henry Stuart Duncan, 2 pianos
15005:
14707:
14611:Lo ! I hear the tones more nearly
14242:Thou yet shalt find it true for thee —
13979:Nor help nor counsel yet have brought,
13110:
13105:
12946:But, who makes God his Hope and trust,
12447:
12425:The chorale prelude BWV 635 is in the
12326:Thou, son of man, thy sins mayst know.
12298:Which came to us from God's own hands,
11891:("and lead us on the path of truth").
11290:, early 16C stained glass designed by
11001:Below is the traditional Easter carol
10369:How fierce and dreadful was the strife
9985:To all the meek Thy strength is given,
9635:The sick He freed from grief and pain.
9437:
9216:with the English translation from the
8398:My course is run, enough I've striven,
7755:
7401:welch's ist der Seelen Trost und Hort,
6520:dass uns geborn kommt Christ der Herr?
6377:
5910:Das aus seinem Stamm entsprießen sollt
5901:der heut schließt auf sein Himmelreich
5414:with the English/Latin translation of
5326:
5253:From heaven the angel-troop come near,
4813:
4809:
4712:God's own Son from heaven's high state
4112:We sinned, and He would bear the cost.
3220:
2556:Mach's mit mir, Gott, nach deiner Güt
1775:Kommt her zu mir, spricht Gottes Sohn
1076:O Heil'ger Geist, du göttlich's Feuer
776:O Traurigkeit, o Herzeleid (fragment)
252:That my fellow man his skill may hone.
245:since in the chorales contained herein
241:a chorale in a multitude of ways while
180:Anleitung gegeben wird, auff allerhand
155:Jean-Sebastien Bach, le musicien-poête
17620:Overture in the French style, BWV 831
17581:English Suites, BWV 806–811
17576:Inventions and Sinfonias, BWV 772–801
17476:Toccata and Fugue in D minor, BWV 565
17447:Prelude and Fugue in C minor, BWV 546
17442:Prelude and Fugue in B minor, BWV 544
17437:Prelude and Fugue in A minor, BWV 543
17427:Toccata and Fugue in F major, BWV 540
17412:Prelude and Fugue in D major, BWV 532
17407:Prelude and Fugue in C major, BWV 531
17340:
17221:Johann Sebastian Bach – Orgelbüchlein
17120:
17063:
16730:
16702:
16595:
16293:
16277:
16241:
16168:
15898:Williams, Peter (22 September 2009).
15784:
15770:
15724:
15688:
15602:Choir of St John's College, Cambridge
14701:and Daniel Vetter from the same era.
14199:And hope in Him through all thy ways,
14194:If thou but suffer God to guide thee,
14182:auf Gott setzt, den verläßt er nicht.
13573:Schmücke dich, o liebe Seele, BWV 180
13521:True faith from Thee, my God, I seek,
13511:Let not my heart and hope grow faint,
13501:Lord, hear the voice of my complaint,
13451:hymn with the English translation of
13313:Es ist das Heil uns kommen her, BWV 9
13198:The first verse of the Lutheran hymn
13100:
13013:The penitential text, written in the
12923:The lust accursed, indulged at first,
12816:Marriage, Temptation and Fall of Adam
12202:, stained glass panel, Jakobskirche,
11807:Although, with its references to the
11751:To fill our hearts with fervent zeal.
11711:mit Lieb' und Gnad', Herr, uns regier
11708:dein'n Heil'gen Geist du zu uns send!
11184:The day hath dawned — the day of days
11166:Christ, unser Herr, heut triumphiert,
10172:
9906:We bless Thee, Jesus Christ our Lord;
9870:Nehüt uns auch vor Sünd' und Schand',
9706:, taken from the 1725 version of the
9645:That He for us should give His Blood,
9295:The dying Words, which He then spake,
8224:Herr Gott, nun schleuß den Himmel auf
8045:Mit Fried' und Freud' ich fahr' dahin
7858:Below is the first verse of the hymn
7655:
7589:Lord Jesus Christ, increase our faith
7579:There shall we thank Thee, and adore,
7561:Or die in peace that Thou canst give,
7398:Entzeuch uns nicht dein heilsam Wort,
6517:Was fürchtst du, Feind Herodes, sehr,
6330:for unaccompanied choir and cantatas
6177:Ob es jetzt gleich kracht und blitzt,
5895:Lobt Gott, ihr Christen, allzugleich,
3445:" with the translation in English of
3355:
3343:
3313:, which are written for five voices.
2572:Herr Jesu Christ, meins Lebens Licht
2540:Herr Jesu Christ, ich weiss gar wohl
2247:Wo Gott der Herr nicht bei uns hält
2150:Wer nur den lieben Gott lässt walten
1990:Frisch auf, mein Seel, verzage nicht
1727:Wohl dem, der in Gottes Furcht steht
488:Lobt Gott, ihr Christen, allzugleich
220:Dem Nechsten, draus sich zu belehren.
17586:French Suites, BWV 812–817
17495:Fugue in G minor ("Little"), BWV 578
16875:
16684:
16636:
15818:
15745:
15700:
14558:Hark! a voice saith, All are mortal,
14214:Who trusts in God's unchanging love
14209:And bear thee through the evil days.
14034:of the melody are French in style.
13757:My faith that Thou art aye the same.
13742:Let not my hope be brought to shame,
13708:hilf, daß ich nicht zuschanden werd'
13477:Den rechten Glauben, Herr, ich mein,
13055:diminished, major and minor sevenths
12976:Who loves the Lord shall by no sword
12574:gib, daß nicht bet' allein der Mund,
12349:May Christ our Lord help us in this,
12331:And with this lesson thy heart fill,
12269:Das helf' uns der Herr Jesus Christ,
12111:Draw from earth to love Thee solely.
11774:Till we behold Thy face most bright,
11756:To learn Thy truth, and do Thy will.
11488:Komm, Gott Schöpfer, Heiliger Geist,
11189:Transcending all our joy and praise:
11024:so wär die Welt vergangen, alleluia.
11021:Und wär er nicht erstanden, alleluia
11005:in German and English translations.
9916:For Thou, the sinless One, hast died
9894:bis wir durchs Kreuz ins Leben gehn.
9891:sondern ganz treulich bei uns stehn,
9858:durch dein' heilig' fünf Wunden rot,
9265:wohl hier auf Erd'n mit seinem Gnad,
9241:und ihm sein Leib war ganz verwund't
7923:nichts kann uns scheiden. Halleluja.
7566:To rise again when Thou shalt come,
7492:Who with the Father reign'st as One,
7422:Ein gnadenreich neu Jahr uns schenk.
6593:Because the Christ comes born below?
6565:Now praise we, Christ, the Holy One,
6492:Was fürchtst du, Feind Herodes, sehr
5941:He hath His heavens unclosed to-day,
5799:Lobt Gott, ihr Christen, allzugleich
5782:("These are the Ten Commandments");
5232:Was kann euch tun die Sünd' und Tod?
5223:sie sagten ihn'n: ein Kindlein zart,
4942:Der uns schenkt seinen ein'gen Sohn.
4939:Lob, Ehr sei Gott im höchsten Thron,
4725:This day the wondrous Child is born,
4071:
3907:
3817:
3646:
3595:
3451:
3320:, which is written for three voices.
2263:Wie schön leuchtet der Morgernstern
2231:Wär Gott nicht mit uns diese Zeit
1023:Komm, Gott Schöpfer, Heiliger Geist
607:Mit Fried und Freud ich fahr dahin
17558:Wo Gott der Herr nicht bei uns hält
14850:Wer Gott fürcht', wird ewig stehen.
14531:Jetzund werd' ich schön geschmücket
14300:, generally preferred a version in
14173:und trau des Himmels reichem Segen,
14167:Sing, bet und geh auf Gottes Wegen,
14158:Wer Gott, dem Allerhöchsten, traut,
14146:Wer nur den lieben Gott läßt walten
14125:Wer nur den lieben Gott läßt walten
14055:Wer nur den lieben Gott läßt walten
13992:That we may meet before Thy throne,
13937:ob wir gleich sorgen früh und spat:
13732:In Thee, Lord, have I put my trust,
12870:Wer hofft in Gott und dem vertraut,
12635:From deepest heart oh help its way.
12630:Grant that the mouth not only pray,
12589:auf daß wir ja nicht zweifeln dran,
12577:hilf, daß es geh' von Herzensgrund!
12571:und willst das Beten von uns hab'n,
12254:daß du dein' Sünd', o Menschenkind,
12233:Dies sind die heil'gen Zehn Gebot',
12101:Now to seek and love and fear Thee,
12096:Let our hearts and souls be stirred
11729:in ew'ger Freud' und sel'gem Licht.
11705:Herr Jesu Christ, dich zu uns wend,
11547:Praise God the Father, and the Son,
11494:mit Gnaden sie füll', wie du weißt,
11491:besuch' das Herz der Menschen dein,
11471:Komm, Gott Schöpfer, Heiliger Geist
11397:Komm, Gott Schöpfer, Heiliger Geist
11330:mit großer Pracht und Herrlichkeit,
10128:Help, God, the formar of all thing.
9962:The Cross with patience to sustain,
9952:From sin and shame defend us still.
9846:und hast uns durch dein teures Blut
9620:He here was born, our Saviour mild,
9323:And weigh these seven Gospel Words,
9313:To whom our Saviour gives the Grace
9285:His Body pierced with many a Wound,
9056:Where they tried their worst Effort
8511:
8388:Lord God, now open wide Thy heaven,
8159:getrost ist mir mein Herz und Sinn,
7479:When danger and distress were near.
7407:bewahr uns, Herr, und steh uns bei!
7167:Hymn in adoration of the lamb from
6580:E'en to the world's remote confine.
6526:der zu uns bringt sein Himmelreich.
6523:Er sucht kein sterblich Königreich,
6278:With their bitter storms assail me;
6180:obgleich Sünd' und Hölle schrecken,
5964:This day again those gates unfolds!
5916:durch welchen Gott aufrichten wollt
5241:Gott's Sohn ist worden eu'r Gesell.
4998:Shall be the joy of all your earth.
4933:Das soll eu'r Freud und Wonne sein.
4765:With mankind Thou'st kept the tryst
4750:Which doth redeem our fallen earth,
4682:For Christ hath come upon our ways,
4106:That us, as children, He might own.
4100:To God we render thanks and praise,
3823:Herr Christ, der ein'ge Gottes-Sohn
3085:as court musician in the chapel of
2732:Christe, der du bist Tag und Licht
2508:Herzlich lieb hab ich dich, o Herr
2183:Es spricht der Unweisen Mund wohl
2038:So wünsch ich nun eine gute Nacht
1549:Durch Adams Fall ist ganz verderbt
1108:Herr Jesu Christ, dich zu uns wend
975:Nun freut euch, Gottes Kinder, all
332:Herr Christ, der ein'ge Gottessohn
218:Dem Höchsten Gott allein' zu Ehren,
178:Worrine einem anfahenden Organisten
24:
17908:Aria variata alla maniera italiana
17629:Well-Tempered Clavier, BWV 846–893
17175:
17126:Bach: essays on his life and music
16758:Kielian-Gilbert, Marianne (2006),
14920:Christian! live on Heaven relying.
14731:
14654:Feel the spotless robes enfold me.
14593:Fit to dwell with saints in light.
14568:Only through Death's gloomy portal
14563:Yea, all flesh must fade as grass,
14395:
14063:
13969:We know not where to look for aid,
13931:und wissen nicht, wo aus noch ein,
13848:
13737:Leave me not helpless in the dust,
13615:
13387:
13277:From Christ and His atoning grace;
13262:Our fairest works can ne'er defend
13234:der Glaub' sieht Jesus Christus an
13130:
13079:called "a sighing of the spirit."
12888:der sich verläßt auf Gottes Trost,
12843:Durch Adams Fall ist ganz verderbt
12763:
12755:Durch Adams Fall ist ganz verderbt
12663:In Thy name, trusting in Thy word.
12658:Of that we here have prayed about.
12643:Amen, that is, let this come true!
12481:
12336:That man must live for God's will.
12321:To us come these commands, that so
12143:
11976:
11913:
11741:Lord Christ, reveal Thy holy face,
11676:Herr Jesu Christ, dich zu uns wend
11639:Problems playing these files? See
11589:
11581:Herr Jesu Christ, dich zu uns wend
11557:Like praise to the Consoling One,
11405:
11368:His therefore be the praise alway.
11353:Arose from death, and triumph won,
11231:
11194:This day our Lord triumphant rose;
11169:all seine Feind er gefangen führt.
11163:dran sich niemand gnug freuen mag;
11077:
10935:
10893:To synge of the Lorde's goodnesse:
10799:So lobn wir den Vater Jesu Christ.
10680:
10523:
10379:For Death was swallowed up by Life
10351:And praise our God right heartily.
10326:Christ lay in Death's dark prison,
10191:
10018:
9990:Who by Thy Cross ascend to heaven.
9934:Redeem us with Thy precious blood;
9888:daß du uns werd'st verlaßen nicht,
9885:Und draus schöpfen die Zuversicht,
9760:
9558:darum Christus seins Vaters Schoss
9555:O Mensch, bewein dein Sünde gross,
9481:
9280:When Jesus on the Cross was found,
9247:die sieben Wort, die er da sprach,
9182:Problems playing these files? See
9132:
8984:verlacht, verhöhnt under verspeit,
8939:This setting of the Lutheran hymn
8880:
8839:Thou that bear'st the sins of men,
8796:, with the English translation of
8723:
8624:am Stamm des Kreuzes geschlachtet,
8607:, with the English translation of
8533:
8498:If but Thy heaven may now be mine.
8232:
8153:Mit Fried und Freud ich fahr dahin
8132:Mit Fried und Freud ich fahr dahin
8053:
7788:
7556:Wherein as Christians we may live,
7543:Mark not what once was done amiss;
7497:To guard and rule Thy Christendom
7464:The old year now hath passed away,
7434:Am Jüngsten Tag wied'r aufzustehn,
7419:Kein'r Sünd' im alten Jahr gedenk,
7389:Du woll'st dein' arme Christenheit
7292:
7115:
6838:Problems playing these files? See
6788:
6603:Who brings His kingdom down to us.
6575:Far as the blessed sun doth shine,
6414:
6230:I will suffer nought to hide Thee,
6105:Below are the first two verses of
6049:
5807:
5346:
5291:The Son of God's your comrade now.
5258:And to the shepherds plain appear:
5235:Ihr habt mit euch den wahren Gott.
5131:
5016:While angels sing with pious mirth
4993:This little child, of lowly birth,
4924:Euch ist ein Kindlein heut' geborn
4833:
4745:So, sing ye all the glorious birth
4735:He comes to cheer a world forlorn,
4697:For ever shall thy praise be sung,
4672:O hail this brightest day of days,
4645:Wär uns das Kindein nicht geboren,
4519:
4462:Yet have we more cause to rejoyse.
4409:, with the English translation of
4342:
4320:) or Christ's "descent to earth" (
4171:
4114:That we might share eternal bliss;
4110:He came to seek and save the lost;
4003:
3878:Which maye oure olde man mortifie,
3738:
3723:Herr Christ, der einge Gottes-Sohn
3519:
3476:God should grant it such a birth.
3374:
3137:Wie schön leuchtet der Morgenstern
3025:in Lüneburg, where Bach's teacher
2896:Ach wie nichtig, ach wie flüchtig
2716:Christ, der du bist der helle Tag
2375:Wenn mein Stündlein vorhanden ist
2327:Gib Fried, o frommer, treuer Gott
2295:Erhalt uns, Herr, bei deinem Wort
2167:Ach Gott, vom Himmel sieh darein
2054:Ach lieben Christen, seid getrost
1974:Warum betrübst du dich, mein Herz
1925:Mag ich Unglück nicht widertstahn
1631:Jetzt komm ich als ein armer Gast
1485:Herr Jesu Christ, du höchstes Gut
1405:Auf tiefer Not schrei ich zu dir
1389:Christ, unser Herr, zu Jordan kam
1340:Herr Gott, erhalt uns für und für
1324:Mensch, willst du leben seliglich
1307:Dies sind die heil'gen zehn Gebot
1092:O Heiliger Geist, o heiliger Gott
1040:Nun bitten wir den Heil'gen Geist
709:O Mensch, bewein dein Sünde gross
387:Lob sei Gott in des Himmels Thron
25:
18121:
17279:
15598:St Catharine's College, Cambridge
15491:BWV 611, 618, 619, 637, 643, 644
15063:
14797:Ach wie flüchtig, ach wie nichtig
14723:Ach wie nichtig, ach wie flüchtig
14644:Yea, I see what here was told me.
14252:The soul that trusted Him indeed.
14118:, early 16C Flemish stained glass
13997:And cry, O faithful God, to Thee,
13952:um Rettung aus der Angst und Not.
13526:The faith that loves Thee solely.
13471:verleih mir Gnad zu dieser Frist,
13465:Ich ruf zu dir, Herr Jesu Christ,
13237:der hat g'nug für uns all' getan,
13091:("ruined") by Hermann Keller and
12966:With daring foes and trying woes;
12882:wie Unfalls hie, hab ich doch nie
12855:ohn' Gottes Trost, der uns erlöst
12625:And wilt have prayer from us all,
12620:Brothers to be, and on Thee call,
12610:Our Father in the heaven Who art,
12414:in the opening chorus of cantata
12359:Our own work is a hopeless thing,
12219:) with an English translation by
12212:Dies sind die heil'gen zehn Gebot
12135:Dies sind die heil'gen zehn Gebot
12091:We are gathered all to hear Thee;
11769:Eternal praise to Thee, our King;
11746:And send the Spirit of Thy grace,
11714:und uns den Weg zu Wahrheit führ.
11552:Who from the dead arose in power;
11199:This day He captive led our foes.
10837:From His death and all His payne:
10435:Christ lag in Todes Banden, BWV 4
10399:O Death, where's now thy victory?
10394:Did promise that it should be so.
10246:, early 16C painting from Cologne
10133:That to Thy gloir may be my dyte;
9980:For Thou forsakest not Thine own:
9967:And bravely bear its utmost pain.
9957:And work in us Thy stedfast will,
9944:And make us one with God in Thee.
9873:reich uns dein' allmächtige Hand,
9864:und tröst uns in der letzten Not!
9849:gemacht vor Gott gerecht und gut,
9840:Wir danken dir, Herr Jesu Christ,
9630:The dead He raised to life again.
9308:He who God's Pains in Honour has,
9259:und oft gedenckt der sieben Wort,
9026:Christ, by Whose all-saving Light
8813:der du trägst die Sünd' der Welt,
8695:Grant us Thy peace today, O Jesu!
8682:Else had despair reigned o'er us:
8672:Though mocked amid Thine anguish;
8355:Befiehl mich Christo, deinem Sohn
7525:From errors, following only Thee.
7502:Through all the ages yet to come.
7413:Hilf, daß wir von der Sand' ablan
7404:vor's Papsts Lehr' und Abgötterei
7386:Des Vaters in dem höchsten Thron,
7371:wir danken dir, Herr Jesu Christ,
5780:Dies sind die heil'gen zehn Gebot
5276:What can death do to you, or sin?
5238:laßt zuernen Teufel und die Höll'
5226:das liegt dort in der Krippe hart
5021:A glad New Year to all the earth.
4983:To you this night is born a child
4970:Glad tidings of great joy I bring
4960:From Heaven above to earth I come
4909:Vom Himmel hoch, da komm ich her.
4452:Thou art man borne, this is true:
4447:Now blessed be Thou, Christ Jesu;
4429:von einer Jungfrau, das ist wahr;
4102:Who pitied mankind's fallen race,
4091:und durch sein Gnade und Wahrheit
4083:aus ihm geborn im höchsten Thron,
3862:We have in Jesse founde this rod,
3808:Herr Christ, der einig Gotts Sohn
3463:Gott solch' Geburt ihm bestellt.
3318:Ich ruf' zu dir, Herr Jesu Christ
3087:Johann Ernst, Duke of Saxe-Weimar
2588:Mein Wallfahrt ich vollendet hab
2362:Word of God and Christian Church
2346:Word of God and Christian Church
2343:Du Friedefürst, Herr Jesu Christ
2330:Word of God and Christian Church
2314:Word of God and Christian Church
2298:Word of God and Christian Church
2282:Word of God and Christian Church
2266:Word of God and Christian Church
2070:Wenn dich Unglück tut greifen an
1791:Ich ruf zu dir, Herr Jesu Christ
1599:Gott sei gelobet und gebenedeiet
1291:O Herre Gott, dein göttlich Wort
1278:St. Simon and St. Jude, Apostles
1060:Des Heil'gen Geistes reiche Gnad
1007:Komm, Heiliger Geist, Herre Gott
925:Erscheinen ist der herrliche Tag
908:Erstanden ist der heil'ge Christ
437:Von Himmel hoch, da komm ich her
420:Der Tag, der ist so freudenreich
18082:
16854:, Packard Humanities Institute,
15728:
14800:with the English translation of
14772:
14763:Problems playing this file? See
14747:
14621:Oh what peace and joy hast thou!
14606:Dost thou shine, thou city fair!
14436:
14427:Problems playing this file? See
14411:
14269:Wer weiß, wie nahe mir mein Ende
14232:So do thine own part faithfully.
14132:with the English translation of
14116:Miracle of the Loaves and Fishes
14104:
14095:Problems playing this file? See
14079:
13934:und finden weder Hilf' noch Rat,
13914:with the English translation of
13889:
13880:Problems playing this file? See
13864:
13705:In dich hab' ich gehoffet, Herr,
13691:with the English translation of
13656:
13647:Problems playing this file? See
13631:
13556:experience playing the new organ
13441:Ich ruf zu dir, Herr Jesu Christ
13428:
13419:Problems playing this file? See
13403:
13378:Ich ruf zu dir, Herr Jesu Christ
13272:Derived is all our righteousness
13171:
13162:Problems playing this file? See
13146:
12956:No Cleaver to this Rock is lost,
12928:Brought death as its production;
12903:When Adam fell, the frame entire
12876:denn wer auf diesen Felsen baut,
12849:dasselb Gift ist auf uns errebt,
12804:
12795:Problems playing this file? See
12779:
12595:auf dein Wort in dem Namen dein;
12548:with the English translation of
12522:
12513:Problems playing this file? See
12497:
12293:These are the holy ten commands,
12257:erkennen sollst und lernen wohl,
12239:durch Moses, seinen Diener treu,
12184:
12175:Problems playing this file? See
12159:
12045:with the English translation of
12031:, early 16C German stained glass
12017:
12008:Problems playing this file? See
11992:
11954:
11945:Problems playing this file? See
11929:
11889:und uns den Weg zu Wahrheit führ
11872:
11764:Till we with angels join to sing
11723:heilig, heilig ist Got der Herr!
11666:
11623:
11605:
11503:Gott Vater sei Lob und dem Sohn,
11474:with the English translation of
11446:
11437:Problems playing this file? See
11421:
11324:der von dem Tod erstanden schon,
11307:with the English translation of
11272:
11263:Problems playing this file? See
11247:
11160:Erschienen ist der herrlich Tag,
11146:with the English translation of
11118:
11109:Problems playing this file? See
11093:
11068:Erschienen ist der herrliche Tag
10976:
10967:Problems playing this file? See
10951:
10927:Erstanden ist der heil'ge Christ
10865:We had ben lost, this is playne:
10758:with the English translation of
10731:
10726:
10721:
10712:Problems playing this file? See
10696:
10595:with the English translation by
10564:
10555:Problems playing this file? See
10539:
10449:
10389:God of old, the Scriptures show,
10299:das Leben, das behielt den Sieg,
10232:
10223:Problems playing this file? See
10207:
10059:
10050:Problems playing this file? See
10034:
9975:In Thee we trust, in Thee alone;
9921:That sinners might be justified.
9879:uns trösten deiner schweren Pein
9801:
9792:Problems playing this file? See
9776:
9752:Wir danken dir, Herr Jesu Christ
9723:
9674:O Mensch, bewein dein Sünde groß
9585:trug unser Sünd ein schwere Bürd
9576:und legt dabei all Krankheit ab!
9564:Von einer Jungfrau rein und zart
9541:with the English translation of
9534:O Mensch, bewein dein Sünde groß
9524:
9513:Problems playing this file? See
9497:
9470:O Mensch, bewein dein Sünde groß
9455:Von Himmel hoch, da komm ich her
9224:, the hymn has as its theme the
9191:
9166:
9148:
8921:
8912:Problems playing this file? See
8896:
8764:
8755:Problems playing this file? See
8739:
8667:Patient through all Thy sorrows.
8662:Who on the Cross didst languish,
8576:
8565:Problems playing this file? See
8549:
8439:But only let Thy heaven be mine.
8302:. The English translation is by
8273:
8264:Problems playing this file? See
8248:
8190:For full of comfort is my heart,
8094:
8085:Problems playing this file? See
8069:
8010:Nought can us sever: Hallelujah!
7864:with the English translation by
7829:
7820:Problems playing this file? See
7804:
7377:so gnädiglich behüt't dies Jahr.
7333:
7324:Problems playing this file? See
7308:
7182:with the English translation by
7156:
7147:Problems playing this file? See
7131:
6872:with the English translation of
6847:
6822:
6804:
6598:He seeks no mortal kingdom thus,
6502:Christum wir sollen loben schon,
6468:with the English translation of
6455:
6446:Problems playing this file? See
6430:
6115:with the English translation by
6090:
6081:Problems playing this file? See
6065:
5881:with the English translation by
5848:
5839:Problems playing this file? See
5823:
5700:
5691:
5387:
5378:Problems playing this file? See
5362:
5263:A tender little child, they cry,
5203:with the English translation of
5172:
5163:Problems playing this file? See
5147:
5011:Who unto man His Son hath given!
4975:Whereof I now will say and sing:
4965:To bear good news to every home;
4948:Und singen uns solch neues Jahr.
4930:Ein Kindelein, so zart und fein,
4915:der guten Mär bring ich so viel,
4892:Vom Himmel hoch, da komm ich her
4874:
4865:Problems playing this file? See
4849:
4825:Vom Himmel hoch, da komm ich her
4808:; as an evocation of rocking by
4760:Laud to Thee, Child Jesu Christ!
4606:denn Gottes Sohn vom Himmelreich
4586:with the English translation by
4560:
4551:Problems playing this file? See
4535:
4510:Der Tag, der ist so freudenreich
4432:des freuet sich der Engel Schar.
4383:
4374:Problems playing this file? See
4358:
4212:
4203:Problems playing this file? See
4187:
4116:O what unbounded love was this!
4081:gefandt sein allerliebsten Sohn,
4044:
4035:Problems playing this file? See
4019:
3940:For all the love showered on us.
3894:The same melody was used in the
3884:That shewest us so great mercye,
3858:Christ is the only Sonne of God,
3811:with the English translation of
3779:
3770:Problems playing this file? See
3754:
3560:
3551:Problems playing this file? See
3535:
3415:
3406:Problems playing this file? See
3390:
3186:
3172:
3158:
3144:
3073:format of organ compositions by
2878:Ach, was soll ich Sűnder machen
2476:Nun lasst uns den Leib begraben
2311:Lass mich dein sein und bleiben
2006:Ach Gott, wie manches Herzeleid
1941:Wenn wir in höchsten Nöten sein
1904:In dich hab ich gehoffet, Herr (
1888:In dich hab ich gehoffet, Herr
1711:Nun lob, mein Seel, den Herren
1615:Der Herr is mein getreuer Hirt
1453:Allein zu dir, Herr Jesu Christ
522:Christum wir sollen loben schon
171:Title page of the Orgelbüchlein.
17959:Prelude, Fugue and Allegro in E
17859:Toccatas, BWV 910–916
17591:Partitas, BWV 825–830
17527:Great Eighteen Chorale Preludes
17186:(in German). Reinbek: Rowohlt.
16572:
16545:
16533:
16490:
16478:
16466:
16454:
16442:
16430:
16418:
16407:
16395:
16383:
16371:
16359:
16347:
16335:
16323:
16311:
16299:
16283:
16271:
16259:
16247:
16223:
16212:
16162:
16151:
16081:
16069:
16057:
16045:
16033:
16021:
16009:
15997:
15985:
15973:
15961:
15949:
15891:
15879:
15867:
15855:
15843:
15831:
15655:Great Eighteen Chorale Preludes
15614:, Denmark (Deutsche Grammophon)
14887:And as soon dispersed in ether.
14161:der hat auf keinen Sand gebaut.
14155:in allem Kreuz und Traurigkeit.
14152:den wird er wunderlich erhalten
14021:Great Eighteen Chorale Preludes
13987:Then this our comfort is alone,
13964:When in the hour of utmost need
13943:So ist dies unser Trost allein,
13928:Wenn wir in höchsten Nöten sein
13839:Wenn wir in höchsten Nöten sein
13670:, early 16C stained glass from
13516:But deign Thy grace to send me.
13257:On God's free grace and Spirit;
13252:Our whole salvation doth depend
12861:darein die Schlang Eva bezwang,
12829:with an English translation by
12648:Strengthen our faith ever anew,
12275:es ist mit unserm Tun verlor'n,
12106:By Thy teachings sweet and holy
11720:Bis wir singen mit Gottes Heer:
11539:What Thine was, make it again.
11529:Visit the heart of all Thy men;
11524:Come, God, Creator, Holy Ghost,
11509:dem Tröster sei dasselb' gethan
11460:, early 17C stained glass from
11143:Erschienen ist der herrlich Tag
10875:Let us love Hym all with spede.
10633:Jesus Christ, our Saviour true,
10374:When Life with Death contended;
10158:As witnes is Thy word in write.
10143:That I may mak ane sang perfyte
10073:, early 16C stained glass from
9939:From death eternal set us free,
9876:daß wir im Kreuz geduldig sei'n
9815:, early 16C stained glass from
9610:From highest heaven descending.
9600:O man, thy grievous sin bemoan,
9256:Wer Gottes Mart'r in Ehren hat,
9226:Seven Last Words from the Cross
9100:Give our Heart to obey Thy Laws
9011:dafür, wiewohl arm und schwach,
8493:Yes, all on earth I can resign.
8205:And death to me is but a sleep.
8108:, early 16C stained glass from
8027:published the text in 1598 and
7985:He stands for ever: Hallelujah!
7662:he had been able to locate was
7548:A happier, better year be this,
7538:A new and holier course begin,
7520:Abide with us, and keep us free
7469:We thank Thee, O our God, today
7431:Zu sterben und hernach fröhlich
7374:daß du uns hast in aller G'fahr
7234:On whom Heaven's Mercies shine,
7229:Come, let us All, with Fervour,
7067:the fourth Brandenburg concerto
6861:, early 16C stained glass from
6685:Christum wir sollen loben schon
6588:Herod, why dreadest thou a foe,
6570:The spotless Virgin Mary's Son,
6508:soweit die liebe Sonne leucht't
6465:Christum wir sollen loben schon
6405:Christum wir sollen loben schon
5931:Let all together praise our God
5664:And there the bells are ringing
5281:The true God is to you come in.
5268:In a rough manger lies hard by.
5217:Vom Himmel kam der Engel Schar,
5006:Glory to God in highest Heaven,
4945:Des freuen sich der Engel Schar
4918:davon ich singn und sagen will.
4648:so wären wir allzumal verloren;
4600:Der Tag, der is so freudenreich
3952:According to the chronology of
3942:For all the grace poured on us,
3868:His beames sendeth He out farre
3578:, early 16C stained glass from
3474:Fill with wonder all the earth,
3280:Christum wir sollen loben schon
3152:Autograph manuscript of BWV 739
3065:, composer and organist at the
2636:Gott des Himmels und der Erden
2215:Es woll uns Gott genädig sein
2199:Ein feste Burg ist unser Gott
1824:Von Gott will ich nicht lassen
1566:Es ist das Heil uns kommen her
1421:Erbarm dich mein, o Herre Gott
1243:Herr Gott, dich loben alle wir
1227:Meine Seele erhebt den Herren
1179:Allein Gott in der Höh sei Ehr
841:Nun gibt mein Jesus gute Nacht
454:Von Himmel kam der Engel Schar
15809:
15755:
15718:
15706:
15522:
15239:Harry Hodge, string orchestra
14915:Man is mortal, earth is dying.
14877:'Tis a mist in wintry weather,
14826:und auch wie der bald vergehet
14649:See that wondrous glory shine.
14588:Ere it rise in glorious might,
14578:And this body, formed of clay,
14510:O der großen Freud' und Wonne!
14483:Dieser Leib, der muß verwesen,
14474:alles Fleisch vergeht wie Heu;
14176:so wird er bei dir werden neu;
14027:. The vocal ornamentation and
13684:In dich hab ich gehoffet, Herr
13607:In dich hab ich gehoffet, Herr
13222:Es ist das Heil uns kommen her
13201:Es ist das Heil uns kommen her
13184:Es ist das Heil uns kommen her
13122:Es ist das Heil uns kommen her
12971:His Faith yet stands unshaken.
12891:er hilft sein Gläub'gen allen.
12615:Who tellest all of us in heart
12598:so sprechen wir das Amen fein.
12586:stärk unsern Glauben immerdar,
12565:der du uns alle heißest gleich
12303:By Moses, who obeyed His will,
12251:Die Gebot all' uns geben sind,
11779:In joy and everlasting light.
11726:und schauen dich von Angesicht
11506:der von den Todten auferstund;
11497:daß dein Geschöpf vorhin sein.
11363:In mighty pomp and rich array;
11333:des dankn wir ihm in Ewigkeit.
11321:Heut triumphieret Gottes Sohn,
10341:And sheds new life around Him.
10331:It was our sin that bound Him;
10305:Die Schrift hat verkündet das,
10293:Es war ein wunderlicher Krieg,
10138:Be baith at end and beginning,
10114:daß ich mag fröhlich heben an,
8966:Christus, der uns selig macht,
8657:O Lamb of God, most stainless!
8645:Gieb uns dein Frieden, o Jesu.
8434:Now all on earth I can resign.
8349:Laß mich nur, Herr, wie Simeon
8322:ich hab vollendet meinen Lauf,
8180:In peace and joy I now depart,
8168:er Tod ist mein Schlaf worden.
7584:With all the angels evermore;
7571:And enter Thine eternal home.
7533:O help us to forsake all sin,
7510:Take not Thy saving Word away.
7452:Zu deines Namens Lob und Ehr'!
7428:Christlich zu leben, seliglich
7196:Helft mir Gott's Güte preisen,
7087:Wir glauben all an einen Gott”
7074:part creates further variety.
7036:. The autograph manuscript of
6511:und an aller Welt Ende reicht.
6376:concur with the assessment of
5954:The glorious gates of Paradise
5550:And like a bright star shineth
5286:Let hell and Satan raging go —
5200:Vom Himmel kam der Engel Schar
5123:Vom Himmel kam der Engel Schar
4912:ich bring' euch gute neue Mär,
4612:von einer Jungfrau is geboren,
4457:The aungels made a mery noyse,
4423:Gelobet seist du, Jesu Christ,
4104:And gave His dear and only Son
4087:auf daß er unser Heiland würd,
4077:Lob sei dem allmächtigen Gott,
3932:O God in heaven we praise Thee
3886:And oure synnes dost forgeve.
3874:Awake us, Lorde, we praye The;
3827:aus sein'm Herzen entsprossen,
3472:Of the maiden owned the Child,
3470:Come, Saviour of nations wild,
3037:Organ in St Blasius Church in
2915:Ach, was ist doch unser Leben
2844:Gott Vater, der du deine Sonn
2796:Nun lasst uns Gott dem Herren
2439:Alle Menschen müssen sterben (
1808:Weltlich Ehr und zeitlich Gut
1583:Jesus Christus, unser Heiland
1356:Wir glauben all an einem Gott
1195:Der du bist drei in Einigkeit
1142:Liebster Jesu, wir sind hier (
942:Heut triumphieret Gottes Sohn
675:Christus, der uns selig macht
403:Gelobet seist du, Jesu Christ
353:Lob sei dem allmächtigen Gott
13:
1:
17101:The Organ Music of J. S. Bach
15941:, p. 586 Similar to the
15901:The Organ Music of J. S. Bach
15594:Church of Our Lady of Sorrows
15071:Arranger and instrumentation
14910:Everything is fading, flying,
14882:Gathered in an hour together,
14664:So before the throne I stand.
14583:Here must languish and decay.
14525:Ach, ich habe schon erblicket
14247:God never yet forsook at need
14170:verricht das Deine nur getreu
13949:dich rufen an, o treuer Gott,
13905:Our Lady of the Seven Sorrows
13774:Melody and text of hymn from
13474:laß mich doch nicht verzagen.
12864:Gotts Zorn auf sich zu laden.
12852:daß wir nicht mocht'n genesen
12653:That we may never be in doubt
12592:was wir hiermit gebeten hab'n
12583:Amen, das ist, es werde wahr!
12568:Brüder sein und dich rufen an
12364:Wrath alone all it can bring.
12272:der unser Mittler worden ist;
12062:dich und dein Wort anzuhören;
12059:Liebster Jesu, wir sind hier,
11300:Heut triumphieret Gottes Sohn
11223:Heut triumphieret Gottes Sohn
10898:Therfore glad now wyll we be,
10817:Christ will unser Trost sein.
10814:Des solln wir alle froh sein,
10781:Christ will unser Trost sein.
10778:Des solln wir alle froh sein,
10609:Jesus Christus unser Heiland,
10465:it was "the bonds of death" (
10311:ein Spott der Tod ist worden.
10278:des wir sollen fröhlich sein,
10275:und hat uns bracht das Leben.
10102:Hilf, Gott, daß mirs gelinge,
10009:Hilf, Gott, daß mir's gelinge
9861:erlös' uns von dem ew'gen Tod
9843:daß du für uns gestorben bist
9046:Dragged before a wicked Court
8993:O hilf, Christe, Gottes Sohn,
8942:Christus, der uns selig macht
8871:Christus, der uns selig macht
8677:Our sins Thou bearest for us,
8319:mein Zeit zu End sich neiget,
8200:So doth God His promise keep,
8031:supplied the melody in 1591.
7908:wird ewig bleiben. Halleluja.
7648:Gott Vater, der du deine Sonn
7416:Und fromm zu werden fahen an.
7214:die Sonn' sich zu uns wenden,
6273:Sin and hell in conflict fell
6225:Thine I am, O spotless Lamb,
6030:schließt auf sein Himmelreich
5919:sein Reich, die Christenheit.
5588:My praying let it reach Thee,
5220:erschien den Hirten offenbar;
5184:Annunciation to the shepherds
4927:Von einer Jungfrau auserkorn,
4707:Ever was there news so great?
4692:Of maiden pure is He the Son;
4639:von einer Jungfrau säuberlich
4403:Gelobet seist du, Jesu Christ
4333:Gelobet seist du, Jesu Christ
4268:A Child is born in Bethlehem;
4089:uns freiet von der Sündenbürd
3995:Lob sei dem allmächtigen Gott
3913:Herr Gott, nun sei gepreiset,
3899:Herr Gott, nun sei gepreiset
3882:So wyll we alwaye thanke The,
3833:sein Glänzen streckt er ferne
3457:Nun komm, der Heiden Heiland,
3284:, where the cantus is in the
3233:They are harmonisations of a
2996:Schmücke dich, o liebe Seele
2492:Christus, der ist mein Leben
2423:Alle Menschen müssen sterben
2279:Wie nach einer Wasserquelle
1125:Liebster Jesu, wir sind hier
760:O Jesu, wie ist dein Gestalt
743:Hilf Gott, das mir's gelinge
556:Helft mir Gotts Güte preisen
336:Herr Gott, nun sei gepreiset
294:Nun komm, der Heiden Heiland
237:In which a beginning organist
162:
17848:Chromatic Fantasia and Fugue
16497:Richards & Yearsley 2008
15271:, violin or viola and organ
15178:Max Reger, violin and organ
15163:Max Reger, string orchestra
15140:BWV 614, 622, 637, 639, 644
15039:
14905:All—yes! all that's earthly!
14847:das muß fallen und vergehen.
14669:One amid that glorious band,
14659:Know a golden crown is mine;
14636:That shall never end for me!
14616:Ever sweetly sounding there!
14513:Jetzund gehet auf die Sonne,
14507:hört man da in sanfter Ruh'!
14477:was da lebet, muß verderben,
14471:Alle Menschen müßen sterben,
14387:Alle Menschen müssen sterben
14179:denn welcher sine Zuversicht
14149:und hoffet auf ihn allezeit,
13822:produce a hymn-like effect.
13720:in deiner Treu', mein Gotte!
13583:on the lute. It was used in
13468:ich bitt, erhör mein Klagen;
13447:Below is the first verse of
13344:
13340:
13228:die Werke helfen nimmermehr,
12961:Thou' ev'ry where surrounded
12938:From misery and destruction.
12873:wird nimmermehr zu Schanden;
12260:wie man vor Gott leben soll.
12236:die uns gab unser Herre Gott
12071:daß die Herzen von der Erden
12068:auf die süßen Himmelslehren,
12042:Liebster Jesu, wir sind hier
12035:Below is the first verse of
11967:Liebster Jesu, wir sind hier
11900:Liebster Jesu, wir sind hier
11842:, the pedal plays a type of
11681:Wilhelm, Duke of Saxe-Weimar
11136:Below is the first verse of
10870:But sen He is rysen in dede.
10847:And rejoyse with Him gladly.
10384:And all his power was ended.
10308:wie ein Tod den andern fraß,
10302:es hat den Tod verschlungen.
10120:Herr, du wollst mir beistan.
10091:The Gude and Godlie Ballatis
9911:For ever be Thy name adored:
9672:Autograph score of BWV 622,
9655:The shameful Cross enduring.
9615:Of Virgin pure and undefiled
9582:daß er für uns geopfert würd
9570:er wollt der Mittler werden.
9567:für uns er hier geboren war:
9458:
9397:repetition. In addition, as
9389:moves in steady quavers and
9300:With a still Heart consider.
9238:Da Jesus an dem Kreuze stund
9213:Da Jesus an dem Kreuze stund
9124:Da Jesus an dem Kreuze stund
9105:As the best Thanks-offering.
9080:Thy blest Love may be adored
9070:Grant, O Jesu, blessed Lord,
9036:Was for Sinners in the Night
8630:wiewohl du warest verachtet;
8457:For I commend me to Thy Son,
8452:In peace with Thee to dwell.
8195:So calm and sweet and still;
8119:Below is the first verse of
7945:Jesus, Sunshine of my heart!
7632:Das alte Jahre vergangen ist
7487:We pray Thee, O Eternal Son,
7437:Mit dir in Himmel einzugehn,
7383:Wir bitten dich, ewigen Sohn
7368:Das alte Jahr vergangen ist,
7259:(Each pious Heart rehearses)
7202:mit G'sang und andrer Weisen
7107:Helft mir Gotts Güte preisen
6643:, Convent of St. Catherine,
6505:der reinen Magd Marien Sohn,
6478:, part of the fifth century
6258:Though the earth be shaking,
6153:nichts sonst Liebers werden!
6150:außer dir soll mir auf Erden
5904:und schenkt uns seinen Sohn.
5088:Da Jesu an dem Kreuzer stund
4988:Of Mary, chosen mother mild;
4657:dass du Mensch geboren bist,
4624:Gottes Sohn vom Himmelreich,
4250:Puer natus est in Bethlehem,
4093:führet zur ewigen Klarheit.
4079:der unser sich erbarmet hat,
3936:For all Thy generous bounty,
3880:That oure new man maye lyve.
3829:gleichwie geschrieben steht,
3729:Herr Gott, nun sei gepreiset
3624:Keep them through Thy merit.
3461:dass sich wundert alle Welt,
3459:der Jungfrauen Kind erkannt!
3443:Nun komm, der Heiden Heiland
3428:Nun komm, der Heiden Heiland
3366:Nun komm, der Heiden Heiland
3328:Chorale Preludes BWV 599–644
3307:Nun komm, der Heiden Heiland
2860:Jesue, meines Herzens Freud
2828:Singen wir aus Herzensgrund
1501:Ach Herr, mich armen Sünder
1163:Gott der Vater wohn uns bei
692:Da Jesu an dem Kreuze stund
573:Das alte Jahr vergangen ist
7:
17972:Prelude in C minor, BWV 999
17505:Concertos, BWV 592–597
17265:, Oxford University Press,
17244:, Oxford University Press,
16689:, London: Haus Publishing,
15633:
15377:Das alte Jahr vergangen ist
15375:J.S. Bach: Chorale Prelude
15347:Alexander Kelberine, piano
14844:Alles, alles was wir sehen,
14823:Wie Ein Nebel bald enstehet
14712:Alle Menschen müßen sterben
14679:That shall never pass away!
14540:stehe da vor Gottes Throne,
14537:und der goldnen Ehrenkrone,
14534:mit dem weißen Himmelskleid
14504:Ach, wie lieblich Lobgetöne
14501:ach, wie helle glänzest du!
14492:die den Frommen ist bereit.
14489:zu der großen Herrlichkeit,
14486:wenn er anders soll genesen
14002:For rescue from our misery.
13806:and medieval plainsong for
13776:Das Gros Kirchen Gesangbuch
13536:And prompt to aid the weak,
13486:meim Nächsten nütz zu sein,
12879:ob ihm gleich geht zuhanden
12858:hat von dem großen Schaden,
12846:menschlich Natur und Wesen,
12668:We say a soft Amen, O Lord.
12562:Vater unser im Himmelreich,
12408:In Gottes Nahmen fahren wir
12308:On the top of Sinai's hill.
12125:Catechism hymns BWV 635–638
12074:ganz zu dir gezogen werden.
11348:Today God's only-gotten Son
10832:Christe is now rysen agayne
10648:And sin hath put in prison.
10484:Gott loben und dankbar sein
10346:Therefore let us joyful be
10281:Gott loben und dankbar sein
10148:Of Jesus Christis Passioun,
9579:Bis sich die Zeit herdrange
9573:Den Toten er das Leben gab,
9561:verliess und kam auf Erden.
9262:des will Gott eben pflegen,
9244:mit bitterlichen Schmerzen,
9095:Of Thy Death and Suffering,
9090:Hating Sin, the woful Cause
8972:war für uns zur Mitternacht
8687:Have mercy upon us, O Jesu!
8590:, 14C altar painting from
8358:der wir mich wohl bewahren;
8165:wie Gott mir verheißen hat:
7960:Thou the true Redeemer art!
7612:Das alte Jahr vergangen ist
7449:O Jesu, unsern Glauben mehr
7443:Zu danken und zu loben dich
7283:Das alte Jahr vergangen ist
7254:Of which the tender Mercies
7217:das Neujahr ist nicht weit.
7211:da sich das Jahr tut enden,
6682:, and later in his cantata
6658:is based on the Latin hymn
6551:Christum venire quid times?
6539:Christum canamus principem,
6220:Thirsting, Lord, for Thee!
6215:And my heart hath fainted,
6200:Source of purest pleasure,
6147:Gotteslamm, mein Bräutigam,
6026:Clark & Peterson (1984)
6011:the pedal is a contrasting
5626:But Thou for us hast gained
5112:Clark & Peterson (1984)
5096:delayed or dragging entries
4660:behüttet uns vor der Holle!
4426:dass du Mensch geboren bist
3923:den Glauben uns zu stärken,
3921:dein mildes Herz zu merken,
3851:und G'danken hab'n zu dir.
3841:erweck uns durch dein Gnad;
2652:Ich dank dir, lieber Herre
2620:Ach Gott, tu dich erbarmen
2153:Christian Life and Conduct
2137:Christian Life and Conduct
2121:Christian Life and Conduct
2105:Christian Life and Conduct
2089:Christian Life and Conduct
2073:Christian Life and Conduct
2057:Christian Life and Conduct
2041:Christian Life and Conduct
2025:Christian Life and Conduct
2009:Christian Life and Conduct
1993:Christian Life and Conduct
1977:Christian Life and Conduct
1961:Christian Life and Conduct
1944:Christian Life and Conduct
1928:Christian Life and Conduct
1911:Christian Life and Conduct
1891:Christian Life and Conduct
1875:Christian Life and Conduct
1859:Christian Life and Conduct
1843:Christian Life and Conduct
1827:Christian Life and Conduct
1811:Christian Life and Conduct
1794:Christian Life and Conduct
1778:Christian Life and Conduct
1762:Christian Life and Conduct
1746:Christian Life and Conduct
1730:Christian Life and Conduct
1372:Vater unser im Himmelreich
1262:St. Michael and All Angels
1259:Er stehn vor Gottes Throne
1246:St. Michael and All Angels
959:Gen Himmel aufgefahren ist
250:In honour of our Lord alone
10:
18126:
18022:Klavierbüchlein W. F. Bach
17979:Fugue in G minor, BWV 1000
17879:Harpsichord solo concertos
17201:Hiemke, Sven, ed. (2004),
17105:Cambridge University Press
16913:J.S.Bach le musicien-poète
16733:Bach's organs in Thuringia
16588:
15906:Cambridge University Press
15146:Bernhard Friedrich Richter
14674:Gazing on that joy for aye
14631:And the breaking day I see
14546:die kein Ende nehmen kann.
14480:soll es anders werden neu.
14374:collection, with the same
14288:time. Bach, however, like
13946:daß wir zusammen insgemein
13240:er ist der Mittler worden.
13225:von Gnad' und lauter Güte,
12951:Shall never be confounded:
12885:den Menschen sehen fallen,
12473:Vater unser im Himmelreich
12278:verdienen doch eitel Zorn.
10796:Seit daß er erstanden ist,
10793:So wär die Welt vergangen;
10618:die Sünd' hat er gefangen.
10266:Christ lag in Todesbanden,
10153:Sinnaris onlie Saluatioun,
10117:von deinem Wort zu singen.
10108:die Silben reimweis zwinge
9625:For sin to make atonement.
9356:The hymn melody is in the
9250:betracht in deinem Herzen.
9005:deinen Tod und sein Ursach
8999:daß wir dir stets untertan
8792:, a German version of the
8639:Erbarm dich unser, O Jesu.
8636:sonst müßten wir verzagen.
8633:all Sünd hast du getragen,
8462:And He will guard me well,
8447:Then let me go like Simeon
8403:Enough I've suffered here;
8325:des sich mein Seel freuet;
8300:Presentation in the Temple
8137:Presentation in the Temple
7893:du der wahre Heiland bist;
7664:Christian Friedrich Witt's
7446:Mit allen Engeln ewiglich.
5969:With praise our God adore!
5959:The cherub guards no more;
5649:If that they be not there?
5573:My heart is sore for Thee!
5440:und leuchtet als die Sonne
5399:Adoration of the Shepherds
4770:Thou Star of every nation.
4730:Lent to earth from heaven.
4702:Christ's fair mother Mary!
4677:All good Christian people!
4642:zu Trost uns armen Leuten.
4621:Was geschah so wunderlich?
4407:Gratis nunc omnes reddamus
3944:By Thee, our loving Lord.
3917:daß du uns Gnad' erwiesen,
3870:Beyonde other starres all.
3847:wohl hie auf dieser Erden,
3843:den alten Menschen kränke,
3839:Ertöt uns durch dein Güte,
3679:Hope and freedom gave us.
3677:Bore the cross to save us,
3622:Heart and mind and spirit,
3200:
3012:
2974:Sei gegrüsset, Jesu gütig
2933:Allenthalben, wo ich gehe
2748:Werde munter, mein Gemüte
2668:Aus Meines Herzens Grunde
2086:Keinen hat Gott verlassen
1958:An Wasserflüssen Babylon
1275:Herr Gott, dich loben wir
857:Christ lag in Todesbanden
641:O Lamm Gottes, unschuldig
201:, indem in solchen darinne
18047:
17988:
17952:Suite in C minor, BWV 997
17937:Suite in E minor, BWV 996
17932:Suite in G minor, BWV 995
17924:
17568:
17385:
17331:The Orgelbüchlein Project
17058:10.1215/00222909-2008-009
17037:Temperley, David (2006),
17011:Stinson, Russell (2006),
16985:Stinson, Russell (1999),
16839:10.1215/00222909-2008-007
16800:Renwick, William (1995),
16781:10.1215/00222909-2008-008
15992:Clark & Peterson 1984
14841:sind der Menschen Sachen!
14829:so ist unser Leben sehet!
14626:Lo the sun is rising now,
14573:To a better life ye pass,
14528:diese große Herrlichkeit!
14519:der kein Ende nehmen mag.
14516:jetzund gehet an der Tag,
13506:To Thee I now commend me,
13489:dein Wort zu halten eben.
13480:den wollest du mir geben,
13368:Miscellaneous BWV 639–644
13267:A boast in our own merit:
12697:. He used it in cantatas
12086:Blessed Jesu, at Thy word
11562:Evermore and every hour.
11309:George Ratcliffe Woodward
10903:And rejoyse in Hym onely.
10888:Now is tyme of gladnesse.
10842:Therfore wyll we mery be,
10419:Christ lag in Todesbanden
10253:Christ lag in Todesbanden
10183:Christ lag in Todesbanden
9929:O very Man, and very God,
9588:wohl an dem Kreuze lange.
9318:To be in Heart possessing
9290:With Torture very bitter;
9268:und dort im ewigen Leben.
9206:, early 16C stained glass
9075:By Thy Cross and Passion,
9062:Gainst the Lord of Mercy.
8996:durch dein bitter Leiden,
8981:und fälschlich verklaget,
8978:geführt vor Gottlose Leut
8834:Christ, Thou Lamb of God,
8621:O Lamm Gottes, unschuldig
8604:O Lamm Gottes, unschuldig
8522:O Lamm Gottes, unschuldig
8376:will lieber selig werden.
8373:laß fahren, was auf Erden
8343:will lieber selig werden.
8340:laß fahren, was auf Erden
8106:Feast of the Purification
8029:Giovanni Giacomo Gastoldi
7392:Ferner bewahren allezeit.
7205:ihm allzeit dankbar sein,
6248:Foes who would molest me
6235:Nought I ask beside Thee.
6210:Ah! how long I've panted,
6195:Jesu, priceless treasure,
6171:laß die Welt erschüttern,
5898:in seinem höchsten Thron,
5540:Our heart's joy reclineth
5431:nun singet und seid froh!
5094:in the upper parts above
4687:Ring it from the steeple!
4654:Ei du süsser Jesu Christ,
4633:Ein Kindelein so löbelich
4615:Maria, du bist auserkoren
4273:Exult for joy, Jerusalem!
3925:daß du seist unser Gott.
3919:gegeben Speis' und Trank,
3876:Thy Holy Spirite us gave,
3849:den Sinn und all Begehren
3669:Once He came in blessing,
3426:The melody and words of "
2460:Valet will ich dir geben
2407:Mitten wir im Leben sind
2359:O grosser Gott von Macht
1437:Jesu, der du meine Seele
268:
18002:: Prelude and Fugue in E
17536:Sei gegrüßet, Jesu gütig
17130:Harvard University Press
17099:Williams, Peter (2003),
16944:, Breitkopf & Härtel
16930:, Breitkopf & Härtel
16916:, Breitkopf & Härtel
16787:Keller, Hermann (1948),
15675:
14601:O Jerusalem, how clearly
14543:schaue solche Fruede an,
13711:noch ewiglich zu Spotte!
13439:Autograph manuscript of
13231:sie mögen nicht behüten,
12918:Was not to be corrected:
12242:hoch auf dem Berg Sinai.
11813:Johann Gottfried Walther
11512:in Ewigkeit alle Stund'.
10860:Had He not rysen agayne,
10638:He who Death overthrew,
10336:This day hath He arisen,
10296:da Tod und Leben rungen;
10272:der ist wieder erstanden
10269:für unsre Sünd' gegeben,
9640:Until the time appointed
9328:Enjoys a noble Blessing.
9220:(1746). Usually sung on
9002:Sünd und Unrecht meiden,
8810:Christe, du Lamm Gottes,
8627:allzeit funden geduldig,
8393:My parting hour is near;
8352:im Friede zu dir fahren.
8185:According to God's will,
7970:Our bonds Thou breakest,
7630:Autograph manuscript of
7616:Neu Leipziger Gesangbuch
7244:In tuneful Praises join.
7239:To our Supreme Preserver
7208:vornehmlich zu der Zeit,
6557:qui regna dat caelestia.
6382:sehnsuchtsvoll Innigkeit
6263:Every heart be quaking,
6243:In Thine arm I rest me,
6138:ach, wie lang, ach lange
5946:And given to us His Son.
5654:There are Angels singing
5578:Hear me, I beseech Thee,
5512:und die Schellen klingen
5455:nach dir ist mir so weh!
5416:Robert Lucas de Pearsall
4802:Ei du süsser Jesu Christ
4755:And works our salvation.
4740:Its heavy sin to leaven.
4717:Is born the Son of Mary!
4651:das Heil is unser aller.
4075:
4056:Adoration of the Trinity
3979:Johann Gottfried Walther
3934:And yield Thee gratitude
3911:
3866:He is the mornynge star;
3835:vor andern Sternen klar.
3821:
3671:All our ills redressing;
3650:
3599:
3455:
3118:Das Arnstadter Orgelbuch
2604:Gott hat das Evangelium
1872:O Gott, du frommer Gott
1517:Wo soll ich fliehen hin
658:Christe, du Lamm Gottes
370:Puer natus in Bethlehem
280:Liturgical significance
174:
36:The court chapel at the
17867:, BWV 933–938
17046:Journal of Music Theory
17021:Oxford University Press
16995:Oxford University Press
16989:Bach: the Orgelbüchlein
16949:Snyder, Kerala (1987),
16827:Journal of Music Theory
16768:Journal of Music Theory
16598:"Orgelbüchlein Project"
15600:(Decca 443485-2) (with
15418:BWV 814, 615, 623, 639
15326:Oxford University Press
15308:Oxford University Press
15290:Oxford University Press
15126:BWV 615, 617, 637, 639
15083:Johann Nepomuk Schelble
14820:ist der Menschen Leben!
14498:O Jerusalem, du Schöne,
13808:Christus iam resurrexit
13356:minor key with complex
12908:Of nature was infected;
12354:For He our mediator is;
12065:lenke Sinnen und Begier
11003:Surrexit Christus hodie
10790:Wär er nicht erstanden,
10494:("power") motif in the
10105:du edler Schöpfer mein,
9014:dir Dankopfer schenken.
9008:fruchtbar nun bedenken,
8822:gib uns dein'n Frieden!
8789:Christe, du Lamm Gottes
8714:Christe, du Lamm Gottes
7884:o du süßer Jesu Christ!
7264:Demand a grateful Song.
6639:in a late 15th-century
6380:that "fervent longing (
6283:Jesus will not fail me.
6183:Jesus will mich decken.
6162:bin ich vor den Stürmen
5913:in dieser letzten Zeit,
5616:Deeply were we stained.
5535:Let us our homage shew:
5310:Puer natus in Bethlehem
4297:Puer natus in Bethlehem
4237:Puer natus in Bethlehem
4163:Puer natus in Bethlehem
3938:For all our daily food,
3831:er is der Morgensterne,
3701:figure, played above a
3673:Came in likeness lowly,
3618:God of grace and mercy,
3601:Gott, durch deine Güte,
2524:Auf meinen lieben Gott
1056:Spiritus Sancti gratia
315:Gottes Sohn ist kommen
226:p. t. Capellae Magistri
62:599−644 is a set of 46
18110:Compositions for organ
18037:Twelve Little Preludes
17238:Jones, Richard Douglas
17223:, Bärenreiter Verlag,
17065:Terry, Charles Sanford
16876:Rose, Stephen (2008),
16637:Boyd, Malcolm (2000),
16179:(1175): 13–15, 58–60,
15750:Wollny & Maul 2008
15538:
15428:Breitkopf & Härtel
15412:Felix Guenther, piano
15201:Philadelphia Orchestra
15183:Breitkopf & Härtel
15168:Breitkopf & Härtel
15153:Breitkopf & Härtel
15121:Breitkopf & Härtel
15054:Albert Riemenschneider
15030:Wie zittern und wanken
14993:
14946:
14790:
14736:
14454:
14400:
14267:
14119:
14068:
13907:
13853:
13783:
13752:Through want and pain.
13678:
13620:
13444:
13392:
13194:
13135:
13010:
12822:
12768:
12537:
12486:
12455:have been criticised:
12397:
12206:
12198:: Moses receiving the
12148:
12032:
11981:
11918:
11804:
11663:
11594:
11465:
11410:
11294:
11236:
11133:
11082:
10998:
10940:
10749:
10685:
10586:
10528:
10356:So sing we Hallelujah!
10284:und singen: Halleluja!
10247:
10196:
10081:
10023:
9819:
9765:
9694:, composed in 1525 by
9687:
9676:
9486:
9360:and dates back to the
9353:
9207:
9137:
9085:By the whole Creation:
8987:wie den Schrift saget.
8975:als ein dieb gefangen,
8969:kein Bös hat gegangen,
8936:
8885:
8852:Grant to us Thy peace!
8783:
8728:
8594:
8538:
8361:wird mich recht führen
8291:
8237:
8116:
8058:
7990:Our hearts are pining
7975:Who trusts Thee surely
7965:Our souls Thou wakest,
7855:
7793:
7635:
7623:
7351:
7297:
7199:ihr lieben Kinderlein,
7175:
7120:
7025:
7017:
6910:Christus bringt Freud,
6865:
6793:
6745:Deuxième Livre d’Orgue
6647:
6629:Plainchant melody for
6622:
6536:ad usque terræ limitem
6419:
6303:Praxis pietatis melica
6253:Cannot reach me here;
6168:Laß den Satan wittern,
6144:und verlangt nach dir!
6102:
6054:
6024:("all together"); and
5936:Upon His lofty throne;
5870:
5812:
5772:leuchtet als die Sonne
5488:so hat er uns erworben
5482:Wir wären all verloren
5405:
5351:
5313:
5194:
5136:
5090:, BWV 621: semiquaver
5065:and 3 settings in the
5042:
4886:
4838:
4627:der is Mensch geboren.
4579:
4524:
4398:
4347:
4300:
4253:unde gaudet Ierusalem!
4231:
4176:
4147:Albert Riemenschneider
4098:
4062:
4008:
3930:
3915:wir sagen frohen Dank,
3856:
3845:daß der neu' leben mag
3795:
3743:
3712:Albert Riemenschneider
3667:
3662:freiet' und entbünde.
3652:Gottes Sohn ist kommen
3638:Gottes Sohn ist kommen
3616:
3605:Herze, Sinn und Gemüte
3586:
3524:
3510:Gottes Sohn ist kommen
3504:Gott, durch deine Güte
3468:
3438:
3379:
3311:Christe du Lamm Gottes
3279:
3237:which is taken by the
3218:
3046:
3030:
2764:Nun ruhen alle Wälder
311:Gott, durch dein Güte
172:
160:
141:
45:
17378:Johann Sebastian Bach
17219:Hiemke, Sven (2007),
17182:Geck, Martin (2000).
16685:Geck, Martin (2005),
15549:(Deutsche Grammophon)
15530:
15460:, Carl Fischer, 1950
14984:
14936:
14872:Is our earthly being!
14782:
14735:
14446:
14399:
14114:
14067:
13899:
13852:
13773:
13666:
13619:
13453:John Christian Jacobi
13438:
13391:
13307:(his chorale prelude
13210:John Christian Jacobi
13181:
13134:
13104:"depravity" of man.
13031:Neumeister Collection
12997:
12831:John Christian Jacobi
12814:
12767:
12532:
12485:
12385:
12194:
12147:
12027:
11980:
11917:
11795:
11685:John Christian Jacobi
11651:
11593:
11456:
11409:
11387:Pentecost BWV 631–634
11336:Halleluja, Halleluja.
11327:Halleluja, Halleluja,
11282:
11235:
11128:
11081:
10986:
10939:
10811:Halleluja, Halleluja!
10741:
10684:
10612:der den Tod überwand,
10574:
10527:
10242:
10195:
10086:Ballad of the Passion
10069:
10022:
9828:Benjamin Hall Kennedy
9811:
9764:
9682:
9671:
9485:
9344:
9201:
9136:
9051:Of the Jewish Clergy;
9041:As a Thief committed.
8954:John Christian Jacobi
8931:
8884:
8798:Charles Sanford Terry
8774:
8727:
8586:
8537:
8467:And guide me straight
8283:
8236:
8104:
8057:
8035:Candlemas BWV 616–617
8005:To Thee are cleaving,
7896:hilfest von Schanden,
7839:
7792:
7672:Neumeister Collection
7629:
7610:
7343:
7296:
7249:Another Year is gone;
7184:John Christian Jacobi
7166:
7119:
7034:Neumeister Collection
7030:Kirnberger Collection
7023:
7014:Johann Hermann Schein
7008:
6967:Sin brought us grief.
6859:Adoration of the Magi
6857:
6792:
6737:A solis ortus cardine
6680:Kirnberger Collection
6660:A solis ortus cardine
6632:A solis ortus cardine
6628:
6617:
6548:Hostis herodes impie,
6533:A solis ortus cardine
6475:A solis ortus cardine
6418:
6394:Schemellis Gesangbuch
6324:Neumeister Collection
6268:Jesus calms my fear;
6205:Truest Friend to me;
6159:Unter deinem Schirmen
6132:meines Herzens Weide,
6100:
6053:
5860:Adoration of the Magi
5858:
5811:
5674:O that we were there!
5636:O that we were there!
5503:nirgend mehr denn da!
5464:durch alle deine Güte
5458:Tröst mir mein Gemüte
5397:
5350:
5307:
5182:
5135:
5071:Neumeister Collection
5037:
4884:
4837:
4785:Neumeister Collection
4636:ist uns geboren heute
4618:das du Mutter wärest.
4588:Charles Sanford Terry
4570:
4523:
4393:
4346:
4294:
4278:Allelijah, Allelujah!
4222:
4175:
4153:Christmas BWV 603–612
4134:Conditor alme siderum
4054:
4007:
3903:Charles Sanford Terry
3789:
3742:
3675:Son of God most holy;
3620:Glance in pity on me;
3607:für des Teufels Wüten
3591:Charles Sanford Terry
3570:
3523:
3425:
3378:
3204:
3057:by the Bach scholars
3036:
3021:Baroque organ in the
3020:
2978:O Jesu, du edle Gabe
1647:O Jesu, du edle Gabe
1533:Wir haben schwerlich
1294:Reformation Festival
1214:St. John the Baptist
891:Christ ist erstanden
256:Johann Sebastian Bach
170:
142:
137:his biography of Bach
124:
100:Each setting takes a
68:Johann Sebastian Bach
35:
17551:, BWV 1090–1120
17402:Sonatas, BWV 525–530
17184:Bach: Leben und Werk
17132:, pp. 297–305,
17107:, pp. 227–316,
16818:Renwick, W. (2006),
16158:Kielian-Gilbert 2006
15569:(Erato 4509-96759-2)
15565:, Silbermann organ,
15547:Cappel, Lower Saxony
15453:Anne Hull, 2 pianos
15100:Adolph Bernhard Marx
13804:Christ ist erstanden
13083:points out that the
13049:183) prior to Bach.
13027:Lutheran Reformation
12981:Or woe be overtaken.
12403:Erfurter Enchiridion
12387:The Ten Commandments
11830:triad motif, like a
11657:Wildunger Altarpiece
10775:Von der Marter alle,
10772:Christ ist erstanden
10755:Christ ist erstanden
10672:Christ ist erstanden
10580:Wildungen Altarpiece
10506:("war") in verse 4.
10244:Entombment of Christ
9698:and associated with
8874:in Canone all'Ottava
8331:mich müd gestritten,
8023:The church musician
7980:Hath built securely,
7955:The gifts of heaven,
7887:Durch dich wir haben
7732:Schenkerian analysis
7638:Customarily sung on
7097:New Year BWV 613–615
6907:Die Sünd macht Leid;
6898:Wer sich des tröst',
6889:haben jetzund Freud,
6741:Hostis herodes impie
6554:non eripit mortalia,
6542:natum Maria virgine.
6488:Hostis herodes impie
6174:mir steht Jesus bei.
6141:ist dem Herzen bange
5883:Arthur Tozer Russell
5434:Unsers Herzens Wonne
3864:God and Man natural!
3860:The Father Eternall:
3660:daß er uns von Sünde
3656:hier auf diese Erden
3654:uns allen zu Frommen
3611:gnädiglich behüten.
3609:am Leben und im Todt
3603:wolst uns arme Leute
3272:Exceptions include:
18029:Notebook A. M. Bach
17885:Goldberg Variations
17865:Six Little Preludes
17549:Neumeister chorales
16941:J.S.Bach, Volume II
16883:Music & Letters
16804:, Pendragon Press,
16511:, pp. 120–121.
16114:, pp. 260–262.
15799:, pp. 499–527.
15645:Neumeister Chorales
15497:Harrison Birtwistle
15372:, string orchestra
15094:BWV 620a, 614, 622
14937:Small organ in the
14459:Catherine Winkworth
14134:Catherine Winkworth
13916:Catherine Winkworth
13800:St. Matthew Passion
13714:Das bitt' ich dich,
13693:Catherine Winkworth
13449:Johannes Agricola's
13282:He is our Mediator.
13043:Dieterich Buxtehude
12683:Dieterich Buxtehude
12047:Catherine Winkworth
11867:introductory upbeat
11863:Dieterich Buxtehude
11848:at double the speed
11373:Alleluya, Alleluya.
11358:Alleluya, Alleluya,
11305:Bartholomäus Gesius
10992:Isenheim Altarpiece
10111:Lob und Ehren dein,
10071:The Transfiguration
9543:Catherine Winkworth
9421:at the end of each
8776:St John the Baptist
8609:Catherine Winkworth
8472:To the golden gate:
8334:schick mich fein zu
8328:hab g'nug gelitten,
8304:Catherine Winkworth
8289:Death of the Virgin
8141:Catherine Winkworth
7995:To see Thy shining,
7935:In Thee is gladness
7914:steht unser G'müte,
7899:rettest von Banden.
7866:Catherine Winkworth
7356:Catherine Winkworth
6874:Catherine Winkworth
6312:Dieterich Buxtehude
6129:Jesu, meine Freude,
6117:Catherine Winkworth
6016:joyous exultation.
5996:Dieterich Buxtehude
5621:Per nostra crimina:
5593:O princeps gloriae.
5506:da die Engel singen
5485:per nostra crimina,
5467:O princeps gloriae.
5205:Catherine Winkworth
5063:Magnificat, BWV 243
4897:Catherine Winkworth
4256:Alleluia, alleluia!
3825:Vaters in Ewigkeit,
3642:Catherine Winkworth
3628:Waiteth to devour.
3572:St John the Baptist
3295:with another voice.
3221:Compositional style
3122:Neumeister Chorales
3099:Dieterich Buxtehude
2700:Das walt mein Gott
2684:Ich dank dir schon
809:O wir armen Sünder
505:Jesu, meine Freude
228:S. P. R. Anhaltini-
224:Joanne Sebast. Bach
17529:, BWV 651–668
17521:, BWV 645–650
17513:, BWV 599–644
17367:Compositions for
17300:Das Orgel-Büchlein
17163:Understanding Bach
16957:, Schirmer Books,
16936:Schweitzer, Albert
16927:J.S.Bach, Volume I
16922:Schweitzer, Albert
16908:Schweitzer, Albert
16581:, pp. 124–125
16569:, pp. 314–316
16542:, pp. 311–313
16475:, pp. 305–306
16439:, pp. 303–305
16404:, pp. 302–303
16380:, pp. 300–302
16356:, pp. 296–298
16344:, pp. 111–112
16332:, pp. 284–286
16308:, pp. 284–285
16256:, pp. 277–278
16148:, pp. 110–111
16131:, pp. 264–265
16110:, pp. 39–41;
16090:, pp. 107–109
16078:, pp. 256–258
16054:, pp. 255–256
16030:, pp. 253–255
16018:, pp. 106–108
16006:, pp. 251–252
15958:, pp. 250–251
15876:, pp. 249–250
15864:, pp. 245–247
15767:, pp. 541–574
15665:Canonic Variations
15567:Freiberg Cathedral
15563:Marie-Claire Alain
15539:
15364:BWV 615, 619, 623
15269:Marco Enrico Bossi
14994:
14947:
14791:
14784:Bartholomäus Bruyn
14737:
14455:
14401:
14120:
14069:
13908:
13901:Adriaen Isenbrandt
13854:
13796:Christmas Oratorio
13784:
13747:But still sustain,
13679:
13668:Raising of Lazarus
13621:
13445:
13393:
13195:
13136:
13085:diminished seventh
13077:Athanasius Kircher
13011:
12823:
12769:
12538:
12487:
12398:
12207:
12149:
12037:Tobias Clausnitzer
12033:
11982:
11919:
11881:Schweitzer (1911a)
11805:
11664:
11595:
11466:
11411:
11295:
11237:
11134:
11083:
10999:
10996:Matthias Grünewald
10941:
10750:
10747:Albrecht Altdorfer
10686:
10587:
10529:
10248:
10197:
10173:Easter BWV 625–630
10082:
10024:
9820:
9766:
9704:St Matthew Passion
9688:
9677:
9487:
9443:Schweitzer (1911b)
9354:
9218:Moravian Hymn Book
9208:
9138:
9031:Mankind benefited,
8947:tablature notation
8937:
8886:
8816:erbarm dich unser!
8784:
8729:
8595:
8539:
8292:
8238:
8117:
8059:
7902:Wer dir vertrauet,
7856:
7794:
7712:Christoph Bernhard
7708:passus duriusculus
7652:Gottfried Vopelius
7636:
7624:
7620:Gottfried Vopelius
7352:
7298:
7176:
7121:
7079:Schweitzer (1911b)
7026:
7018:
6972:But Christ relief,
6954:No longer grieves,
6866:
6794:
6768:Schweitzer (1911a)
6650:The melody of the
6648:
6623:
6420:
6165:aller Feinde frei.
6112:Jesu, meine Freude
6103:
6055:
6041:Jesu, meine Freude
5984:Michael Praetorius
5871:
5813:
5730:Michael Praetorius
5518:Eia, wären wir da!
5437:leit in praesepio,
5406:
5352:
5314:
5195:
5137:
5075:Canonic Variations
5067:Christmas Oratorio
5043:
4887:
4839:
4580:
4525:
4399:
4396:Albrecht Altdorfer
4348:
4301:
4232:
4177:
4137:. Although in the
4063:
4009:
3966:Schweitzer (1911b)
3896:postprandial grace
3800:Elisabeth Cruciger
3796:
3744:
3708:Schweitzer (1911b)
3658:in armen Gebärden,
3587:
3525:
3439:
3380:
3356:Advent BWV 599–602
3047:
3031:
1840:Wer Gott vertraut
1469:Ach Gott und Herr
590:In dir ist Freude
186:durchzuführen, an-
173:
46:
18070:
18069:
18000:Clavier-Übung III
17945:
17901:
17894:
17839:
17837:No. 24 in B minor
17832:
17819:
17806:
17793:
17791:No. 12 in F minor
17786:
17779:
17772:
17759:
17746:
17739:
17727:
17714:
17701:
17699:No. 16 in G minor
17694:
17692:No. 10 in E minor
17687:
17674:
17661:
17648:
17641:
17613:
17606:
17599:
17556:Chorale fantasia
17519:Schübler Chorales
17481:
17462:
17398:
17373:keyboard and lute
17251:978-0-19-816440-1
17004:978-0-19-386214-2
16896:10.1093/ml/gcm124
16861:978-1-933280-33-2
16711:(1148): 770–771,
16705:The Musical Times
16656:Chailley, Jacques
16487:, pp. 99–100
15734:
15660:Clavier-Übung III
15650:Schübler Chorales
15520:
15519:
15458:In dir ist Freude
15423:Max Reger, piano
15194:Leopold Stokowski
15058:Albert Schweitzer
15050:Felix Mendelssohn
14985:4th variation of
14968:"quasi-pizzicato"
14931:
14930:
14814:Ach wie flüchtig,
14753:
14703:Schweitzer (1905)
14690:
14689:
14448:Martin Schongauer
14417:
14368:Schweitzer (1905)
14263:
14262:
14085:
14044:Albert Schweitzer
14013:
14012:
13870:
13842:a 2 Clav. et Ped.
13824:Schweitzer (1905)
13768:
13767:
13637:
13552:
13551:
13409:
13381:a 2 Clav. et Ped.
13293:
13292:
13152:
13003:Geistliche Lieder
12992:
12991:
12785:
12740:Schweitzer (1905)
12715:Clavier-Übung III
12679:
12678:
12503:
12453:Schweitzer (1905)
12420:Clavier-Übung III
12380:
12379:
12165:
12122:
12121:
12039:'s Lutheran hymn
11998:
11935:
11790:
11789:
11629:
11610:
11573:
11572:
11427:
11384:
11383:
11253:
11215:
11214:
11099:
11071:a 2 Clav. et Ped.
11060:
11059:
10957:
10919:
10918:
10702:
10664:
10663:
10615:ist auferstanden,
10545:
10463:Schweitzer (1905)
10415:
10414:
10213:
10167:
10166:
10040:
10012:a 2 Clav. et Ped.
10001:
10000:
9782:
9735:in the text: for
9696:Matthias Greitter
9666:
9665:
9503:
9473:a 2 Clav. et Ped.
9339:
9338:
9172:
9153:
9116:
9115:
8902:
8863:
8862:
8844:Have mercy on us!
8745:
8706:
8705:
8555:
8525:Canon alla Quinta
8509:
8508:
8425:her down to rest;
8370:fahr drauf davon;
8367:mit Ehr und Kron;
8285:Hugo van der Goes
8254:
8216:
8215:
8162:sanft und stille,
8156:in Gottes Willen;
8075:
8021:
8020:
7950:By Thee are given
7940:Amid all sadness,
7920:im Tod und Leben;
7917:an dir wir kleben
7905:hat wohl gebauet,
7890:himmlische Gaben,
7878:In dir ist Freude
7861:In dir ist Freude
7810:
7780:In dir ist Freude
7752:Schweitzer (1905)
7605:
7604:
7314:
7286:a 2 Clav. et Ped.
7275:
7274:
7137:
7091:Clavier-Übung III
7003:
7002:
6987:Is dwelling thus.
6982:Since God with us
6949:Who thus believes
6934:We Christians may
6828:
6809:
6612:
6611:
6436:
6294:
6293:
6135:Jesu, meine Zier,
6071:
5980:
5979:
5829:
5776:Alpha es et Omega
5768:Schweitzer (1905)
5728:for organ and by
5685:
5684:
5606:O patris caritas!
5598:Trahe me post te.
5555:Matris in gremio,
5494:Eia wären wir da!
5476:O patris caritas,
5470:Trahe me post te!
5443:matris in gremio,
5403:Hugo van der Goes
5368:
5302:
5301:
5153:
5103:Schweitzer (1905)
5032:
5031:
4855:
4806:Schweitzer (1905)
4781:
4780:
4584:Dies est latitiae
4541:
4513:a 2 Clav. et Ped.
4478:
4477:
4364:
4336:a 2 Clav. et Ped.
4318:Schweitzer (1905)
4289:
4288:
4193:
4122:
4121:
4025:
3950:
3949:
3892:
3891:
3760:
3685:
3684:
3634:
3633:
3541:
3482:
3481:
3396:
3300:In dir ist Freude
3010:
3009:
1343:Ten Commandments
1327:Ten Commandments
1310:Ten Commandments
539:Wir Christenleut
235:Little Organ Book
214:obligat tractiret
188:bey auch sich im
151:Albert Schweitzer
56:Little Organ Book
16:(Redirected from
18117:
18087:
18086:
18085:
18078:
18040:
18031:
18024:
18017:
18010:
18007:
18006:
17981:
17974:
17967:
17964:
17963:
17954:
17941:
17897:
17890:
17873:Italian Concerto
17835:
17829:
17828:
17822:
17816:
17815:
17809:
17803:
17802:
17796:
17789:
17784:No. 6 in D minor
17782:
17777:No. 5 in D major
17775:
17769:
17768:
17762:
17756:
17755:
17749:
17744:No. 2 in C minor
17742:
17737:No. 1 in C major
17735:
17724:
17723:
17717:
17711:
17710:
17704:
17697:
17690:
17684:
17683:
17677:
17671:
17670:
17664:
17658:
17657:
17651:
17646:No. 2 in C minor
17644:
17639:No. 1 in C major
17637:
17609:
17602:
17595:
17534:Chorale partita
17479:
17460:
17396:
17380:
17361:
17354:
17347:
17338:
17337:
17304:: Scores at the
17275:
17259:Wolff, Christoph
17254:
17233:
17215:
17205:, Laabe Verlag,
17197:
17170:
17160:
17142:
17122:Wolff, Christoph
17117:
17103:(2nd ed.),
17095:
17074:
17060:
17043:
17033:
17018:
17007:
16992:
16981:
16967:
16956:
16945:
16931:
16917:
16903:
16898:, archived from
16872:
16870:
16864:, archived from
16853:
16841:
16824:
16814:
16796:
16783:
16764:
16754:
16745:
16727:
16699:
16681:
16672:
16651:
16633:
16616:of J. S. Bach".
16608:
16606:
16604:
16582:
16576:
16570:
16564:
16555:
16549:
16543:
16537:
16531:
16525:
16519:
16518:
16506:
16500:
16494:
16488:
16482:
16476:
16470:
16464:
16458:
16452:
16451:, pp. 97–98
16446:
16440:
16434:
16428:
16427:, pp. 95–96
16422:
16416:
16411:
16405:
16399:
16393:
16392:, pp. 94–95
16387:
16381:
16375:
16369:
16368:, pp. 92–94
16363:
16357:
16351:
16345:
16339:
16333:
16327:
16321:
16315:
16309:
16303:
16297:
16287:
16281:
16275:
16269:
16268:, pp. 88–89
16263:
16257:
16251:
16245:
16239:
16233:
16227:
16221:
16216:
16210:
16205:
16196:
16195:
16166:
16160:
16155:
16149:
16143:
16132:
16126:
16115:
16097:
16091:
16085:
16079:
16073:
16067:
16061:
16055:
16049:
16043:
16042:, pp. 85–87
16037:
16031:
16025:
16019:
16013:
16007:
16001:
15995:
15989:
15983:
15977:
15971:
15970:, pp. 83–85
15965:
15959:
15953:
15947:
15936:
15927:
15926:
15924:
15922:
15904:(2nd ed.).
15895:
15889:
15888:, pp. 82–83
15883:
15877:
15871:
15865:
15859:
15853:
15852:, pp. 80–81
15847:
15841:
15835:
15829:
15821:, pp. 28–29
15813:
15807:
15806:
15794:
15788:
15782:
15776:
15759:
15753:
15743:
15737:
15736:
15735:
15722:
15716:
15710:
15704:
15698:
15692:
15686:
15557:Ottobeuren Abbey
15379:, Ricordi, 1940
15319:Constant Lambert
15114:Ferruccio Busoni
15074:Published title
15068:
15067:
14838:ach wie flüchtig
14835:Ach wie nichtig,
14807:
14806:
14802:Sir John Bowring
14776:
14755:
14754:
14734:
14464:
14463:
14440:
14419:
14418:
14398:
14361:
14360:
14359:
14358:
14314:
14313:
14312:
14311:
14287:
14286:
14285:
14284:
14272:
14139:
14138:
14108:
14087:
14086:
14066:
13921:
13920:
13893:
13872:
13871:
13851:
13698:
13697:
13660:
13639:
13638:
13618:
13585:Andrei Tarkovsky
13458:
13457:
13432:
13411:
13410:
13390:
13215:
13214:
13175:
13154:
13153:
13133:
13097:Jacques Chailley
12999:Durch Adams Fall
12836:
12835:
12827:Lazarus Spengler
12808:
12787:
12786:
12766:
12555:
12554:
12550:George MacDonald
12542:Lutheran version
12526:
12505:
12504:
12484:
12226:
12225:
12221:George MacDonald
12217:Ten Commandments
12200:Ten Commandments
12188:
12167:
12166:
12146:
12052:
12051:
12029:Supper at Emmaus
12021:
12000:
11999:
11979:
11958:
11937:
11936:
11916:
11885:Herr Jesu Christ
11876:
11698:
11697:
11670:
11661:Konrad von Soest
11631:
11630:
11612:
11611:
11592:
11481:
11480:
11476:George MacDonald
11450:
11429:
11428:
11408:
11314:
11313:
11276:
11255:
11254:
11234:
11153:
11152:
11122:
11101:
11100:
11080:
11008:
11007:
10980:
10959:
10958:
10938:
10765:
10764:
10735:
10730:
10725:
10704:
10703:
10683:
10602:
10601:
10597:George MacDonald
10584:Konrad von Soest
10568:
10547:
10546:
10526:
10453:
10259:
10258:
10236:
10215:
10214:
10194:
10097:
10096:
10063:
10042:
10041:
10021:
9833:
9832:
9805:
9784:
9783:
9763:
9727:
9548:
9547:
9528:
9505:
9504:
9484:
9231:
9230:
9195:
9174:
9173:
9155:
9154:
9135:
8959:
8958:
8925:
8904:
8903:
8883:
8803:
8802:
8768:
8747:
8746:
8726:
8614:
8613:
8580:
8557:
8556:
8536:
8512:Lent BWV 618–624
8477:And in this hope
8418:That she may lay
8413:My heart is glad
8364:im Himmel zieren
8309:
8308:
8277:
8256:
8255:
8235:
8146:
8145:
8098:
8077:
8076:
8056:
8025:Johann Lindemann
8000:Dying or living
7871:
7870:
7833:
7812:
7811:
7791:
7760:Jacques Chailley
7691:chromatic fourth
7361:
7360:
7337:
7316:
7315:
7295:
7189:
7188:
7160:
7139:
7138:
7118:
7010:Wir Christenleut
6916:Mit uns ist Gott
6886:Wir Christenleut
6879:
6878:
6851:
6830:
6829:
6811:
6810:
6791:
6780:Wir Christenleut
6692:BWV 611, marked
6497:
6496:
6484:Coelius Sedulius
6459:
6438:
6437:
6417:
6122:
6121:
6094:
6073:
6072:
6052:
5888:
5887:
5868:Konrad von Soest
5852:
5831:
5830:
5810:
5788:Trahe me post te
5746:
5745:
5704:
5695:
5644:Ubi sunt gaudia,
5631:Coelorum gaudia,
5491:coelorum gaudia.
5428:In dulci jubilo,
5421:
5420:
5391:
5370:
5369:
5349:
5210:
5209:
5176:
5155:
5154:
5134:
4902:
4901:
4878:
4857:
4856:
4836:
4593:
4592:
4564:
4543:
4542:
4522:
4416:
4415:
4387:
4366:
4365:
4345:
4243:
4242:
4229:Konrad von Soest
4216:
4195:
4194:
4174:
4072:
4048:
4027:
4026:
4006:
3908:
3818:
3783:
3762:
3761:
3741:
3647:
3626:Satan every hour
3596:
3564:
3543:
3542:
3522:
3452:
3447:George MacDonald
3419:
3398:
3397:
3377:
3282:
3216:
3190:
3176:
3162:
3148:
2623:Death and Dying
2607:Death and Dying
2591:Death and Dying
2575:Death and Dying
2559:Death and Dying
2543:Death and Dying
2527:Death and Dying
2511:Death and Dying
2495:Death and Dying
2479:Death and Dying
2463:Death and Dying
2446:Death and Dying
2426:Death and Dying
2410:Death and Dying
2394:Death and Dying
2378:Death and Dying
471:In dulci jubilo
266:
265:
158:
139:
102:Lutheran chorale
91:Staatsbibliothek
64:chorale preludes
21:
18125:
18124:
18120:
18119:
18118:
18116:
18115:
18114:
18095:
18094:
18093:
18089:Classical Music
18083:
18081:
18073:
18071:
18066:
18043:
18034:
18027:
18020:
18013:
18004:
18003:
17997:
17990:
17984:
17977:
17970:
17961:
17960:
17957:
17950:
17920:
17899:Gould recording
17826:
17825:
17813:
17812:
17800:
17799:
17766:
17765:
17753:
17752:
17721:
17720:
17708:
17707:
17681:
17680:
17668:
17667:
17655:
17654:
17564:
17381:
17376:
17365:
17282:
17273:
17257:
17252:
17236:
17231:
17218:
17213:
17200:
17194:
17181:
17178:
17176:Further reading
17173:
17158:
17140:
17115:
17093:
17079:Williams, Peter
17041:
17031:
17005:
16972:Spitta, Philipp
16965:
16868:
16862:
16851:
16822:
16812:
16762:
16743:
16697:
16670:
16649:
16602:
16600:
16591:
16586:
16585:
16577:
16573:
16565:
16558:
16550:
16546:
16538:
16534:
16530:, pp. 310.
16526:
16522:
16512:
16507:
16503:
16495:
16491:
16483:
16479:
16471:
16467:
16459:
16455:
16447:
16443:
16435:
16431:
16423:
16419:
16412:
16408:
16400:
16396:
16388:
16384:
16376:
16372:
16364:
16360:
16352:
16348:
16340:
16336:
16328:
16324:
16316:
16312:
16304:
16300:
16288:
16284:
16276:
16272:
16264:
16260:
16252:
16248:
16240:
16236:
16228:
16224:
16217:
16213:
16206:
16199:
16167:
16163:
16156:
16152:
16144:
16135:
16127:
16118:
16106:, p. 206;
16102:, p. 109;
16098:
16094:
16086:
16082:
16074:
16070:
16062:
16058:
16050:
16046:
16038:
16034:
16026:
16022:
16014:
16010:
16002:
15998:
15990:
15986:
15978:
15974:
15966:
15962:
15954:
15950:
15937:
15930:
15920:
15918:
15916:
15896:
15892:
15884:
15880:
15872:
15868:
15860:
15856:
15848:
15844:
15836:
15832:
15814:
15810:
15800:
15795:
15791:
15783:
15779:
15760:
15756:
15744:
15740:
15729:
15723:
15719:
15715:, pp. 3–10
15711:
15707:
15699:
15695:
15687:
15683:
15678:
15636:
15559:(Teldec 214662)
15555:, Riepp organ,
15525:
15399:Boris Goldovsky
15370:Eric DeLamarter
15301:Herbert Howells
15251:William Murdoch
15066:
15042:
15014:ach wie nichtig
14991:Ach wie nichtig
14900:O how cheating,
14895:O how fleeting,
14867:O how fleeting,
14862:O how cheating,
14817:ach wie nichtig
14793:
14770:
14769:
14761:
14759:
14758:
14757:
14756:
14748:
14745:
14738:
14732:
14452:Noli me tangere
14434:
14433:
14425:
14423:
14422:
14421:
14420:
14412:
14409:
14402:
14396:
14357:
14352:
14351:
14350:
14349:
14348:
14310:
14305:
14304:
14303:
14302:
14301:
14283:
14278:
14277:
14276:
14275:
14274:
14102:
14101:
14093:
14091:
14090:
14089:
14088:
14080:
14077:
14070:
14064:
14040:Williams (2003)
14017:Louis Bourgeois
13887:
13886:
13878:
13876:
13875:
13874:
13873:
13865:
13862:
13855:
13849:
13828:Williams (2003)
13672:Mariawald Abbey
13654:
13653:
13645:
13643:
13642:
13641:
13640:
13632:
13629:
13622:
13616:
13577:St John Passion
13565:Tabalutara nova
13531:Keeps me lowly,
13426:
13425:
13417:
13415:
13414:
13413:
13412:
13404:
13401:
13394:
13388:
13370:
13353:Williams (2003)
13197:
13169:
13168:
13160:
13158:
13157:
13156:
13155:
13147:
13144:
13137:
13131:
13095:("serpent") by
13068:Williams (2003)
12820:Steinfeld Abbey
12802:
12801:
12793:
12791:
12790:
12789:
12788:
12780:
12777:
12770:
12764:
12736:suspended notes
12732:Williams (2003)
12695:St John Passion
12520:
12519:
12511:
12509:
12508:
12507:
12506:
12498:
12495:
12488:
12482:
12461:Williams (2003)
12427:mixolydian mode
12182:
12181:
12173:
12171:
12170:
12169:
12168:
12160:
12157:
12150:
12144:
12127:
12015:
12014:
12006:
12004:
12003:
12002:
12001:
11993:
11990:
11983:
11977:
11952:
11951:
11943:
11941:
11940:
11939:
11938:
11930:
11927:
11920:
11914:
11646:
11645:
11637:
11635:
11634:
11633:
11632:
11624:
11621:
11615:
11614:
11613:
11606:
11603:
11596:
11590:
11462:Wettingen Abbey
11444:
11443:
11435:
11433:
11432:
11431:
11430:
11422:
11419:
11412:
11406:
11389:
11270:
11269:
11261:
11259:
11258:
11257:
11256:
11248:
11245:
11238:
11232:
11138:Nikolaus Herman
11131:Steinfeld Abbey
11116:
11115:
11107:
11105:
11104:
11103:
11102:
11094:
11091:
11084:
11078:
10974:
10973:
10965:
10963:
10962:
10961:
10960:
10952:
10949:
10942:
10936:
10760:Myles Coverdale
10719:
10718:
10710:
10708:
10707:
10706:
10705:
10697:
10694:
10687:
10681:
10562:
10561:
10553:
10551:
10550:
10549:
10548:
10540:
10537:
10530:
10524:
10488:Williams (2003)
10230:
10229:
10221:
10219:
10218:
10217:
10216:
10208:
10205:
10198:
10192:
10175:
10169:
10075:Mariawald Abbey
10057:
10056:
10048:
10046:
10045:
10044:
10043:
10035:
10032:
10025:
10019:
9817:Steinfeld Abbey
9799:
9798:
9790:
9788:
9787:
9786:
9785:
9777:
9774:
9767:
9761:
9741:Williams (2003)
9708:St John Passion
9522:
9521:
9520:
9519:
9511:
9509:
9508:
9507:
9506:
9498:
9495:
9488:
9482:
9451:Williams (2003)
9399:Williams (2003)
9349:with cantus in
9189:
9188:
9180:
9178:
9177:
9176:
9175:
9167:
9164:
9158:
9157:
9156:
9149:
9146:
9139:
9133:
8919:
8918:
8910:
8908:
8907:
8906:
8905:
8897:
8894:
8887:
8881:
8762:
8761:
8753:
8751:
8750:
8749:
8748:
8740:
8737:
8730:
8724:
8574:
8573:
8572:
8571:
8563:
8561:
8560:
8559:
8558:
8550:
8547:
8540:
8534:
8514:
8271:
8270:
8262:
8260:
8259:
8258:
8257:
8249:
8246:
8239:
8233:
8123:version of the
8121:Martin Luther's
8110:Mariawald Abbey
8092:
8091:
8083:
8081:
8080:
8079:
8078:
8070:
8067:
8060:
8054:
8037:
7881:in allem Leide,
7827:
7826:
7818:
7816:
7815:
7814:
7813:
7805:
7802:
7795:
7789:
7764:Williams (2003)
7716:Heinrich Schütz
7714:, a student of
7702:and semiquaver
7331:
7330:
7322:
7320:
7319:
7318:
7317:
7309:
7306:
7299:
7293:
7154:
7153:
7145:
7143:
7142:
7141:
7140:
7132:
7129:
7122:
7116:
7099:
7069:. Although the
6939:Rejoice to-day,
6895:hat uns erlöst.
6863:Steinfeld Abbey
6845:
6844:
6836:
6834:
6833:
6832:
6831:
6823:
6820:
6814:
6813:
6812:
6805:
6802:
6795:
6789:
6453:
6452:
6444:
6442:
6441:
6440:
6439:
6431:
6428:
6421:
6415:
6370:Williams (2003)
6088:
6087:
6079:
6077:
6076:
6075:
6074:
6066:
6063:
6056:
6050:
5875:Nikolaus Herman
5846:
5845:
5837:
5835:
5834:
5833:
5832:
5824:
5821:
5814:
5808:
5756:Williams (2003)
5743:
5742:
5722:Fridolin Sicher
5714:
5713:
5712:
5711:
5707:
5706:
5705:
5697:
5696:
5669:In Regis curia.
5611:O Nati lenitas!
5568:O Jesu parvule,
5530:In dulci jubilo
5515:in regis curia.
5500:Ubi sunt gaudia
5479:o nati lenitas!
5411:In dulci jubilo
5385:
5384:
5376:
5374:
5373:
5372:
5371:
5363:
5360:
5353:
5347:
5338:In dulci jubilo
5170:
5169:
5161:
5159:
5158:
5157:
5156:
5148:
5145:
5138:
5132:
5047:Vom Himmel hoch
4872:
4871:
4863:
4861:
4860:
4859:
4858:
4850:
4847:
4840:
4834:
4797:Williams (2003)
4793:mixolydian mode
4609:über die Nature
4603:aller Kreature,
4573:Mariawald Abbey
4558:
4557:
4549:
4547:
4546:
4545:
4544:
4536:
4533:
4526:
4520:
4499:mixolydian mode
4411:Myles Coverdale
4381:
4380:
4372:
4370:
4369:
4368:
4367:
4359:
4356:
4349:
4343:
4322:Chailley (1974)
4295:Treble part of
4210:
4209:
4201:
4199:
4198:
4197:
4196:
4188:
4185:
4178:
4172:
4155:
4130:Gregorian chant
4118:
4115:
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4109:
4107:
4105:
4103:
4101:
4095:
4092:
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4033:
4031:
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4020:
4017:
4010:
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3983:Williams (2003)
3946:
3943:
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3937:
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3927:
3924:
3922:
3920:
3918:
3916:
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3888:
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3842:
3840:
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3834:
3832:
3830:
3828:
3826:
3824:
3813:Myles Coverdale
3777:
3776:
3768:
3766:
3765:
3764:
3763:
3755:
3752:
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3681:
3678:
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3619:
3613:
3610:
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3580:Mariawald Abbey
3558:
3557:
3549:
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3520:
3478:
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3465:
3462:
3460:
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3404:
3402:
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3400:
3399:
3391:
3388:
3381:
3375:
3358:
3348:Williams (2003)
3336:Williams (2003)
3330:
3309:, and BWV 619,
3223:
3217:
3211:
3203:
3196:
3195:
3191:
3182:
3181:
3177:
3168:
3167:
3163:
3154:
3153:
3149:
3114:Yale University
3110:Christoph Wolff
3015:
2955:
264:
261:
259:
257:
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249:
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197:
187:
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179:
177:
165:
159:
149:
140:
131:
30:
23:
22:
15:
12:
11:
5:
18123:
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18107:
18092:
18091:
18068:
18067:
18065:
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18059:
18054:
18048:
18045:
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18042:
18041:
18032:
18025:
18018:
18011:
17994:
17992:
17986:
17985:
17983:
17982:
17975:
17968:
17965:major, BWV 998
17955:
17948:
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17934:
17928:
17926:
17922:
17921:
17919:
17918:
17911:
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17787:
17780:
17773:
17760:
17747:
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17702:
17695:
17688:
17675:
17662:
17649:
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17632:
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17607:
17600:
17588:
17583:
17578:
17572:
17570:
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17545:
17540:
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17515:
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17468:
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17454:
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17444:
17439:
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17409:
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17389:
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17364:
17363:
17356:
17349:
17341:
17335:
17334:
17328:
17318:
17308:
17296:
17281:
17280:External links
17278:
17277:
17276:
17271:
17255:
17250:
17234:
17230:978-3761817346
17229:
17216:
17211:
17198:
17192:
17177:
17174:
17172:
17171:
17144:
17138:
17118:
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17096:
17091:
17075:
17070:Bach's Chorals
17061:
17034:
17029:
17008:
17003:
16982:
16968:
16963:
16946:
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16904:
16873:
16860:
16842:
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16755:
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16728:
16717:10.2307/923787
16700:
16695:
16682:
16673:
16668:
16652:
16647:
16634:
16609:
16596:Anon. (n.d.).
16592:
16590:
16587:
16584:
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16571:
16556:
16544:
16532:
16520:
16501:
16499:, p. xvii
16489:
16477:
16465:
16453:
16441:
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16417:
16406:
16394:
16382:
16370:
16358:
16346:
16334:
16322:
16320:, pp. 4–6
16310:
16298:
16282:
16270:
16258:
16246:
16234:
16222:
16219:Temperley 2006
16211:
16197:
16185:10.2307/921966
16161:
16150:
16133:
16116:
16092:
16080:
16068:
16056:
16044:
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16020:
16008:
15996:
15984:
15972:
15960:
15948:
15928:
15915:978-0511481871
15914:
15908:. p. 30.
15890:
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15605:
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15587:
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15507:
15506:
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15478:
15475:
15472:
15469:Wilhelm Kempff
15465:
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15096:
15095:
15092:
15089:
15079:
15078:
15075:
15072:
15065:
15064:Transcriptions
15062:
15041:
15038:
15026:Stinson (1999)
15010:Hermann Keller
14998:
14997:
14996:
14995:
14989:'s partita on
14929:
14928:
14926:
14925:
14924:
14923:
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14869:
14864:
14855:
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14839:
14836:
14833:
14830:
14827:
14824:
14821:
14818:
14815:
14760:
14746:
14743:MIDI rendition
14741:
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14728:
14727:
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14687:
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14684:
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14514:
14511:
14508:
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14499:
14496:
14493:
14490:
14487:
14484:
14481:
14478:
14475:
14472:
14424:
14410:
14407:MIDI rendition
14405:
14404:
14403:
14394:
14393:
14392:
14391:
14390:
14353:
14306:
14279:
14261:
14260:
14258:
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14234:
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14211:
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14171:
14168:
14165:
14162:
14159:
14156:
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14150:
14147:
14092:
14078:
14075:MIDI rendition
14073:
14072:
14071:
14062:
14061:
14060:
14059:
14058:
14025:Great Eighteen
14011:
14010:
14008:
14007:
14006:
14005:
14004:
13999:
13994:
13989:
13984:
13981:
13976:
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13950:
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13932:
13929:
13877:
13863:
13860:MIDI rendition
13858:
13857:
13856:
13847:
13846:
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13766:
13765:
13763:
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13709:
13706:
13644:
13630:
13627:MIDI rendition
13625:
13624:
13623:
13614:
13613:
13612:
13611:
13610:
13569:Samuel Scheidt
13550:
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13490:
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13475:
13472:
13469:
13466:
13416:
13402:
13399:MIDI rendition
13397:
13396:
13395:
13386:
13385:
13384:
13383:
13382:
13369:
13366:
13349:Stinson (1999)
13291:
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13269:
13264:
13259:
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13232:
13229:
13226:
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13159:
13145:
13142:MIDI rendition
13140:
13139:
13138:
13129:
13128:
13127:
13126:
13125:
13081:Stinson (1999)
13023:Meistersingers
12990:
12989:
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12958:
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12880:
12877:
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12868:
12865:
12862:
12859:
12856:
12853:
12850:
12847:
12844:
12792:
12778:
12775:MIDI rendition
12773:
12772:
12771:
12762:
12761:
12760:
12759:
12758:
12677:
12676:
12674:
12673:
12672:
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12670:
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12655:
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12645:
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12627:
12622:
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12612:
12603:
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12600:
12599:
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12593:
12590:
12587:
12584:
12581:
12578:
12575:
12572:
12569:
12566:
12563:
12510:
12496:
12493:MIDI rendition
12491:
12490:
12489:
12480:
12479:
12478:
12477:
12476:
12393:of Luther and
12378:
12377:
12375:
12374:
12373:
12372:
12371:
12366:
12361:
12356:
12351:
12346:
12343:
12338:
12333:
12328:
12323:
12318:
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12286:
12285:
12284:
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12279:
12276:
12273:
12270:
12267:
12264:
12261:
12258:
12255:
12252:
12249:
12246:
12243:
12240:
12237:
12234:
12196:Albrecht Dürer
12172:
12158:
12155:MIDI rendering
12153:
12152:
12151:
12142:
12141:
12140:
12139:
12138:
12126:
12123:
12120:
12119:
12117:
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12114:
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12098:
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12088:
12079:
12078:
12077:
12076:
12075:
12072:
12069:
12066:
12063:
12060:
12005:
11991:
11988:MIDI rendition
11986:
11985:
11984:
11975:
11974:
11973:
11972:
11971:
11942:
11928:
11925:MIDI rendition
11923:
11922:
11921:
11912:
11911:
11910:
11909:
11908:
11788:
11787:
11785:
11784:
11783:
11782:
11781:
11776:
11771:
11766:
11761:
11758:
11753:
11748:
11743:
11734:
11733:
11732:
11731:
11730:
11727:
11724:
11721:
11718:
11715:
11712:
11709:
11706:
11636:
11622:
11619:MIDI rendition
11617:
11616:
11604:
11599:
11598:
11597:
11588:
11587:
11586:
11585:
11584:
11571:
11570:
11568:
11567:
11566:
11565:
11564:
11559:
11554:
11549:
11544:
11541:
11536:
11531:
11526:
11517:
11516:
11515:
11514:
11513:
11510:
11507:
11504:
11501:
11498:
11495:
11492:
11489:
11464:in Switzerland
11434:
11420:
11417:MIDI rendition
11415:
11414:
11413:
11404:
11403:
11402:
11401:
11400:
11388:
11385:
11382:
11381:
11379:
11378:
11377:
11376:
11375:
11370:
11365:
11360:
11355:
11350:
11341:
11340:
11339:
11338:
11337:
11334:
11331:
11328:
11325:
11322:
11284:Last Judgement
11260:
11246:
11243:MIDI rendition
11241:
11240:
11239:
11230:
11229:
11228:
11227:
11226:
11213:
11212:
11210:
11209:
11208:
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11196:
11191:
11186:
11177:
11176:
11175:
11174:
11173:
11170:
11167:
11164:
11161:
11148:Arthur Russell
11106:
11092:
11089:MIDI rendition
11087:
11086:
11085:
11076:
11075:
11074:
11073:
11072:
11058:
11057:
11056:
11055:
11054:
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11043:
11038:
11029:
11028:
11027:
11026:
11025:
11022:
11019:
11016:
10964:
10950:
10947:MIDI rendition
10945:
10944:
10943:
10934:
10933:
10932:
10931:
10930:
10917:
10916:
10914:
10913:
10912:
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10900:
10895:
10890:
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10882:
10877:
10872:
10867:
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10849:
10844:
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10834:
10825:
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10812:
10809:
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10797:
10794:
10791:
10788:
10785:
10782:
10779:
10776:
10773:
10709:
10695:
10692:MIDI rendition
10690:
10689:
10688:
10679:
10678:
10677:
10676:
10675:
10662:
10661:
10659:
10658:
10657:
10656:
10655:
10650:
10645:
10643:Is up arisen,
10640:
10635:
10626:
10625:
10624:
10623:
10622:
10621:Kyrie eleison!
10619:
10616:
10613:
10610:
10552:
10538:
10535:MIDI rendition
10533:
10532:
10531:
10522:
10521:
10520:
10519:
10518:
10500:BWV 4, verse 3
10459:
10458:
10457:
10456:
10455:
10454:
10413:
10412:
10410:
10409:
10408:
10407:
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10220:
10206:
10203:MIDI rendition
10201:
10200:
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10190:
10189:
10188:
10187:
10186:
10174:
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10047:
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10030:MIDI rendition
10028:
10027:
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10017:
10016:
10015:
10014:
10013:
9999:
9998:
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9995:
9994:
9993:
9992:
9987:
9982:
9977:
9972:
9969:
9964:
9959:
9954:
9949:
9946:
9941:
9936:
9931:
9926:
9923:
9918:
9913:
9908:
9899:
9898:
9897:
9896:
9895:
9892:
9889:
9886:
9883:
9880:
9877:
9874:
9871:
9868:
9865:
9862:
9859:
9856:
9853:
9850:
9847:
9844:
9841:
9813:Man of Sorrows
9789:
9775:
9772:MIDI rendition
9770:
9769:
9768:
9759:
9758:
9757:
9756:
9755:
9664:
9663:
9661:
9660:
9659:
9658:
9657:
9652:
9647:
9642:
9637:
9632:
9627:
9622:
9617:
9612:
9607:
9602:
9593:
9592:
9591:
9590:
9589:
9586:
9583:
9580:
9577:
9574:
9571:
9568:
9565:
9562:
9559:
9556:
9510:
9496:
9493:MIDI rendition
9491:
9490:
9489:
9480:
9479:
9478:
9477:
9476:
9475:
9474:
9447:Stinson (1999)
9347:Samuel Scheidt
9337:
9336:
9334:
9333:
9332:
9331:
9330:
9325:
9320:
9315:
9310:
9305:
9302:
9297:
9292:
9287:
9282:
9273:
9272:
9271:
9270:
9269:
9266:
9263:
9260:
9257:
9254:
9251:
9248:
9245:
9242:
9239:
9179:
9165:
9162:MIDI rendition
9160:
9159:
9147:
9142:
9141:
9140:
9131:
9130:
9129:
9128:
9127:
9114:
9113:
9111:
9110:
9109:
9108:
9107:
9102:
9097:
9092:
9087:
9082:
9077:
9072:
9067:
9064:
9058:
9053:
9048:
9043:
9038:
9033:
9028:
9019:
9018:
9017:
9016:
9015:
9012:
9009:
9006:
9003:
9000:
8997:
8994:
8991:
8988:
8985:
8982:
8979:
8976:
8973:
8970:
8967:
8909:
8895:
8892:MIDI rendition
8890:
8889:
8888:
8879:
8878:
8877:
8876:
8875:
8861:
8860:
8858:
8857:
8856:
8855:
8854:
8849:
8846:
8841:
8836:
8827:
8826:
8825:
8824:
8823:
8820:
8817:
8814:
8811:
8752:
8738:
8735:MIDI rendition
8733:
8732:
8731:
8722:
8721:
8720:
8719:
8718:
8704:
8703:
8701:
8700:
8699:
8698:
8697:
8692:
8689:
8684:
8679:
8674:
8669:
8664:
8659:
8650:
8649:
8648:
8647:
8646:
8643:
8640:
8637:
8634:
8631:
8628:
8625:
8622:
8562:
8548:
8545:MIDI rendition
8543:
8542:
8541:
8532:
8531:
8530:
8529:
8528:
8527:
8526:
8513:
8510:
8507:
8506:
8504:
8503:
8502:
8501:
8500:
8495:
8490:
8489:
8488:
8487:
8486:
8474:
8469:
8464:
8459:
8454:
8449:
8444:
8441:
8436:
8431:
8430:
8429:
8428:
8427:
8415:
8410:
8405:
8400:
8395:
8390:
8381:
8380:
8379:
8378:
8377:
8374:
8371:
8368:
8365:
8362:
8359:
8356:
8353:
8350:
8347:
8344:
8341:
8338:
8337:zur ewig'n Ruh
8335:
8332:
8329:
8326:
8323:
8320:
8317:
8296:Song of Simeon
8261:
8247:
8244:MIDI rendition
8242:
8241:
8240:
8231:
8230:
8229:
8228:
8227:
8214:
8213:
8211:
8210:
8209:
8208:
8207:
8202:
8197:
8192:
8187:
8182:
8173:
8172:
8171:
8170:
8169:
8166:
8163:
8160:
8157:
8154:
8082:
8068:
8065:MIDI rendition
8063:
8062:
8061:
8052:
8051:
8050:
8049:
8048:
8036:
8033:
8019:
8018:
8016:
8015:
8014:
8013:
8012:
8007:
8002:
7997:
7992:
7987:
7982:
7977:
7972:
7967:
7962:
7957:
7952:
7947:
7942:
7937:
7928:
7927:
7926:
7925:
7924:
7921:
7918:
7915:
7912:
7911:Zu deiner Güte
7909:
7906:
7903:
7900:
7897:
7894:
7891:
7888:
7885:
7882:
7879:
7841:St Christopher
7817:
7803:
7800:MIDI rendition
7798:
7797:
7796:
7787:
7786:
7785:
7784:
7783:
7768:Renwick (2006)
7728:Renwick (2006)
7640:New Year's Day
7603:
7602:
7600:
7599:
7598:
7597:
7596:
7591:
7586:
7581:
7576:
7573:
7568:
7563:
7558:
7553:
7550:
7545:
7540:
7535:
7530:
7527:
7522:
7517:
7512:
7507:
7504:
7499:
7494:
7489:
7484:
7481:
7476:
7471:
7466:
7457:
7456:
7455:
7454:
7453:
7450:
7447:
7444:
7441:
7438:
7435:
7432:
7429:
7426:
7423:
7420:
7417:
7414:
7411:
7408:
7405:
7402:
7399:
7396:
7393:
7390:
7387:
7384:
7381:
7378:
7375:
7372:
7369:
7345:Albrecht Dürer
7321:
7307:
7304:MIDI rendition
7302:
7301:
7300:
7291:
7290:
7289:
7288:
7287:
7273:
7272:
7270:
7269:
7268:
7267:
7266:
7261:
7256:
7251:
7246:
7241:
7236:
7231:
7222:
7221:
7220:
7219:
7218:
7215:
7212:
7209:
7206:
7203:
7200:
7197:
7144:
7130:
7127:MIDI rendition
7125:
7124:
7123:
7114:
7113:
7112:
7111:
7110:
7098:
7095:
7001:
7000:
6998:
6997:
6996:
6995:
6994:
6989:
6984:
6979:
6974:
6969:
6964:
6961:
6956:
6951:
6946:
6941:
6936:
6927:
6926:
6925:
6924:
6923:
6920:
6919:in dieser Not:
6917:
6914:
6911:
6908:
6905:
6902:
6899:
6896:
6893:
6890:
6887:
6835:
6821:
6818:MIDI rendition
6816:
6815:
6803:
6798:
6797:
6796:
6787:
6786:
6785:
6784:
6783:
6717:Hermann Keller
6620:Albrecht Dürer
6610:
6609:
6607:
6606:
6605:
6600:
6595:
6590:
6585:
6582:
6577:
6572:
6567:
6560:
6559:
6558:
6555:
6552:
6549:
6546:
6543:
6540:
6537:
6534:
6529:
6528:
6527:
6524:
6521:
6518:
6515:
6512:
6509:
6506:
6503:
6470:Richard Massie
6443:
6429:
6426:MIDI rendition
6424:
6423:
6422:
6413:
6412:
6411:
6410:
6409:
6408:Choral in Alto
6386:Honders (1988)
6374:Stinson (1999)
6359:quasi-ostinato
6320:Johann Walther
6292:
6291:
6289:
6288:
6287:
6286:
6285:
6280:
6275:
6270:
6265:
6260:
6255:
6250:
6245:
6240:
6237:
6232:
6227:
6222:
6217:
6212:
6207:
6202:
6197:
6188:
6187:
6186:
6185:
6184:
6181:
6178:
6175:
6172:
6169:
6166:
6163:
6160:
6157:
6154:
6151:
6148:
6145:
6142:
6139:
6136:
6133:
6130:
6107:Johann Frank's
6078:
6064:
6061:MIDI rendition
6059:
6058:
6057:
6048:
6047:
6046:
6045:
6044:
6018:Stinson (1999)
5988:Samuel Scheidt
5978:
5977:
5975:
5974:
5973:
5972:
5971:
5966:
5961:
5956:
5951:
5948:
5943:
5938:
5933:
5924:
5923:
5922:
5921:
5920:
5917:
5914:
5911:
5908:
5905:
5902:
5899:
5896:
5879:Christmas hymn
5866:altarpiece of
5836:
5822:
5819:MIDI rendition
5817:
5816:
5815:
5806:
5805:
5804:
5803:
5802:
5784:Stinson (1999)
5766:in the title;
5726:Johann Walther
5709:
5708:
5699:
5698:
5690:
5689:
5688:
5687:
5686:
5683:
5682:
5680:
5679:
5678:
5677:
5676:
5671:
5666:
5661:
5656:
5651:
5646:
5641:
5638:
5633:
5628:
5623:
5618:
5613:
5608:
5603:
5600:
5595:
5590:
5585:
5583:O puer optime;
5580:
5575:
5570:
5565:
5562:
5560:Alpha es et O!
5557:
5552:
5547:
5542:
5537:
5532:
5523:
5522:
5521:
5520:
5519:
5516:
5513:
5510:
5507:
5504:
5501:
5498:
5495:
5492:
5489:
5486:
5483:
5480:
5477:
5474:
5471:
5468:
5465:
5462:
5459:
5456:
5453:
5452:O Jesu parvule
5450:
5447:
5446:Alpha es et O!
5444:
5441:
5438:
5435:
5432:
5429:
5375:
5361:
5358:MIDI rendition
5356:
5355:
5354:
5345:
5344:
5343:
5342:
5341:
5312:, Lossius 1553
5308:Tenor part of
5300:
5299:
5297:
5296:
5295:
5294:
5293:
5288:
5283:
5278:
5273:
5270:
5265:
5260:
5255:
5246:
5245:
5244:
5243:
5242:
5239:
5236:
5233:
5230:
5227:
5224:
5221:
5218:
5160:
5146:
5143:MIDI rendition
5141:
5140:
5139:
5130:
5129:
5128:
5127:
5126:
5098:in the pedal.
5059:Johann Walther
5051:nativity plays
5045:The melody of
5030:
5029:
5027:
5026:
5025:
5024:
5023:
5018:
5013:
5008:
5003:
5000:
4995:
4990:
4985:
4980:
4977:
4972:
4967:
4962:
4953:
4952:
4951:
4950:
4949:
4946:
4943:
4940:
4937:
4934:
4931:
4928:
4925:
4922:
4919:
4916:
4913:
4910:
4862:
4848:
4845:MIDI rendition
4843:
4842:
4841:
4832:
4831:
4830:
4829:
4828:
4779:
4778:
4776:
4775:
4774:
4773:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4719:
4714:
4709:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4665:
4664:
4663:
4662:
4661:
4658:
4655:
4652:
4649:
4646:
4643:
4640:
4637:
4634:
4631:
4628:
4625:
4622:
4619:
4616:
4613:
4610:
4607:
4604:
4601:
4548:
4534:
4531:MIDI rendition
4529:
4528:
4527:
4518:
4517:
4516:
4515:
4514:
4476:
4475:
4473:
4472:
4471:
4470:
4469:
4464:
4459:
4454:
4449:
4440:
4439:
4438:
4437:
4436:
4433:
4430:
4427:
4424:
4394:The Nativity,
4371:
4357:
4354:MIDI rendition
4352:
4351:
4350:
4341:
4340:
4339:
4338:
4337:
4299:, Lossius 1553
4287:
4286:
4284:
4283:
4282:
4281:
4280:
4275:
4270:
4261:
4260:
4259:
4258:
4257:
4254:
4251:
4227:altarpiece of
4223:The Nativity,
4200:
4186:
4183:MIDI rendition
4181:
4180:
4179:
4170:
4169:
4168:
4167:
4166:
4154:
4151:
4120:
4119:
4096:
4060:Albrecht Dürer
4032:
4018:
4015:MIDI rendition
4013:
4012:
4011:
4002:
4001:
4000:
3999:
3998:
3954:Stinson (1999)
3948:
3947:
3928:
3890:
3889:
3854:
3767:
3753:
3750:MIDI rendition
3748:
3747:
3746:
3737:
3736:
3735:
3734:
3733:
3690:Stinson (1999)
3683:
3682:
3665:
3632:
3631:
3614:
3548:
3534:
3531:MIDI rendition
3529:
3528:
3527:
3518:
3517:
3516:
3515:
3514:
3480:
3479:
3466:
3403:
3389:
3386:MIDI rendition
3384:
3383:
3382:
3373:
3372:
3371:
3370:
3369:
3357:
3354:
3353:
3352:
3340:Stinson (1999)
3329:
3326:
3325:
3324:
3321:
3314:
3303:
3296:
3289:
3270:
3269:
3262:
3255:
3252:
3245:
3242:
3222:
3219:
3209:
3202:
3199:
3198:
3197:
3193:
3192:
3185:
3183:
3179:
3178:
3171:
3169:
3165:
3164:
3157:
3155:
3151:
3150:
3143:
3067:Johanniskirche
3023:Johanniskirche
3014:
3011:
3008:
3007:
3005:
3002:
2997:
2994:
2990:
2989:
2987:
2984:
2979:
2972:
2968:
2967:
2965:
2962:
2957:
2949:
2945:
2944:
2942:
2939:
2934:
2931:
2927:
2926:
2924:
2921:
2916:
2913:
2909:
2908:
2905:
2902:
2897:
2894:
2890:
2889:
2887:
2884:
2879:
2876:
2872:
2871:
2869:
2866:
2861:
2858:
2854:
2853:
2851:
2848:
2845:
2842:
2838:
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2835:
2832:
2829:
2826:
2822:
2821:
2819:
2816:
2813:
2810:
2806:
2805:
2803:
2800:
2797:
2794:
2790:
2789:
2787:
2784:
2781:
2778:
2774:
2773:
2771:
2768:
2765:
2762:
2758:
2757:
2755:
2752:
2749:
2746:
2742:
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2739:
2736:
2733:
2730:
2726:
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2720:
2717:
2714:
2710:
2709:
2707:
2704:
2701:
2698:
2694:
2693:
2691:
2688:
2685:
2682:
2678:
2677:
2675:
2672:
2669:
2666:
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2659:
2656:
2653:
2650:
2646:
2645:
2643:
2640:
2637:
2634:
2630:
2629:
2627:
2624:
2621:
2618:
2614:
2613:
2611:
2608:
2605:
2602:
2598:
2597:
2595:
2592:
2589:
2586:
2582:
2581:
2579:
2576:
2573:
2570:
2566:
2565:
2563:
2560:
2557:
2554:
2550:
2549:
2547:
2544:
2541:
2538:
2534:
2533:
2531:
2528:
2525:
2522:
2518:
2517:
2515:
2512:
2509:
2506:
2502:
2501:
2499:
2496:
2493:
2490:
2486:
2485:
2483:
2480:
2477:
2474:
2470:
2469:
2467:
2464:
2461:
2458:
2454:
2453:
2450:
2447:
2444:
2437:
2433:
2432:
2430:
2427:
2424:
2421:
2417:
2416:
2414:
2411:
2408:
2405:
2401:
2400:
2398:
2395:
2392:
2389:
2385:
2384:
2382:
2379:
2376:
2373:
2369:
2368:
2366:
2363:
2360:
2357:
2353:
2352:
2350:
2347:
2344:
2341:
2337:
2336:
2334:
2331:
2328:
2325:
2321:
2320:
2318:
2315:
2312:
2309:
2305:
2304:
2302:
2299:
2296:
2293:
2289:
2288:
2286:
2283:
2280:
2277:
2273:
2272:
2270:
2267:
2264:
2261:
2257:
2256:
2254:
2251:
2248:
2245:
2241:
2240:
2238:
2235:
2232:
2229:
2225:
2224:
2222:
2219:
2216:
2213:
2209:
2208:
2206:
2203:
2200:
2197:
2193:
2192:
2190:
2187:
2184:
2181:
2177:
2176:
2174:
2171:
2168:
2165:
2161:
2160:
2157:
2154:
2151:
2148:
2144:
2143:
2141:
2138:
2135:
2132:
2128:
2127:
2125:
2122:
2119:
2116:
2112:
2111:
2109:
2106:
2103:
2100:
2096:
2095:
2093:
2090:
2087:
2084:
2080:
2079:
2077:
2074:
2071:
2068:
2064:
2063:
2061:
2058:
2055:
2052:
2048:
2047:
2045:
2042:
2039:
2036:
2032:
2031:
2029:
2026:
2023:
2020:
2016:
2015:
2013:
2010:
2007:
2004:
2000:
1999:
1997:
1994:
1991:
1988:
1984:
1983:
1981:
1978:
1975:
1972:
1968:
1967:
1965:
1962:
1959:
1956:
1952:
1951:
1948:
1945:
1942:
1939:
1935:
1934:
1932:
1929:
1926:
1923:
1919:
1918:
1915:
1912:
1909:
1902:
1898:
1897:
1895:
1892:
1889:
1886:
1882:
1881:
1879:
1876:
1873:
1870:
1866:
1865:
1863:
1860:
1857:
1854:
1850:
1849:
1847:
1844:
1841:
1838:
1834:
1833:
1831:
1828:
1825:
1822:
1818:
1817:
1815:
1812:
1809:
1806:
1802:
1801:
1798:
1795:
1792:
1789:
1785:
1784:
1782:
1779:
1776:
1773:
1769:
1768:
1766:
1763:
1760:
1757:
1753:
1752:
1750:
1747:
1744:
1741:
1737:
1736:
1734:
1731:
1728:
1725:
1721:
1720:
1718:
1715:
1714:Lord's Supper
1712:
1709:
1705:
1704:
1702:
1699:
1698:Lord's Supper
1696:
1693:
1689:
1688:
1686:
1683:
1682:Lord's Supper
1680:
1677:
1673:
1672:
1670:
1667:
1666:Lord's Supper
1664:
1661:
1657:
1656:
1654:
1651:
1650:Lord's Supper
1648:
1645:
1641:
1640:
1638:
1635:
1634:Lord's Supper
1632:
1629:
1625:
1624:
1622:
1619:
1618:Lord's Supper
1616:
1613:
1609:
1608:
1606:
1603:
1602:Lord's Supper
1600:
1597:
1593:
1592:
1590:
1587:
1586:Lord's Supper
1584:
1581:
1577:
1576:
1573:
1570:
1567:
1564:
1560:
1559:
1556:
1553:
1550:
1547:
1543:
1542:
1540:
1537:
1534:
1531:
1527:
1526:
1524:
1521:
1518:
1515:
1511:
1510:
1508:
1505:
1502:
1499:
1495:
1494:
1492:
1489:
1486:
1483:
1479:
1478:
1476:
1473:
1470:
1467:
1463:
1462:
1460:
1457:
1454:
1451:
1447:
1446:
1444:
1441:
1438:
1435:
1431:
1430:
1428:
1425:
1422:
1419:
1415:
1414:
1412:
1409:
1406:
1403:
1399:
1398:
1396:
1393:
1390:
1387:
1383:
1382:
1379:
1376:
1375:Lord's Prayer
1373:
1370:
1366:
1365:
1363:
1360:
1357:
1354:
1350:
1349:
1347:
1344:
1341:
1338:
1334:
1333:
1331:
1328:
1325:
1322:
1318:
1317:
1314:
1311:
1308:
1305:
1301:
1300:
1298:
1295:
1292:
1289:
1285:
1284:
1282:
1279:
1276:
1273:
1269:
1268:
1266:
1263:
1260:
1257:
1253:
1252:
1250:
1247:
1244:
1241:
1237:
1236:
1234:
1231:
1228:
1225:
1221:
1220:
1218:
1215:
1212:
1209:
1205:
1204:
1202:
1199:
1196:
1193:
1189:
1188:
1186:
1183:
1180:
1177:
1173:
1172:
1170:
1167:
1164:
1161:
1157:
1156:
1153:
1150:
1147:
1140:
1136:
1135:
1132:
1129:
1126:
1123:
1119:
1118:
1115:
1112:
1109:
1106:
1102:
1101:
1099:
1096:
1093:
1090:
1086:
1085:
1083:
1080:
1077:
1074:
1070:
1069:
1067:
1064:
1061:
1054:
1050:
1049:
1047:
1044:
1041:
1038:
1034:
1033:
1030:
1027:
1024:
1021:
1017:
1016:
1014:
1011:
1008:
1005:
1001:
1000:
998:
995:
992:
989:
985:
984:
982:
979:
976:
973:
969:
968:
966:
963:
960:
957:
953:
952:
949:
946:
943:
940:
936:
935:
932:
929:
926:
923:
919:
918:
915:
912:
909:
906:
902:
901:
898:
895:
892:
889:
885:
884:
881:
878:
875:
872:
868:
867:
864:
861:
858:
855:
851:
850:
848:
845:
842:
839:
835:
834:
832:
829:
826:
823:
819:
818:
816:
813:
810:
807:
803:
802:
800:
797:
794:
791:
787:
786:
783:
780:
777:
774:
770:
769:
767:
764:
761:
758:
754:
753:
750:
747:
744:
741:
737:
736:
733:
730:
727:
724:
720:
719:
716:
713:
710:
707:
703:
702:
699:
696:
693:
690:
686:
685:
682:
679:
676:
673:
669:
668:
665:
662:
659:
656:
652:
651:
648:
645:
642:
639:
635:
634:
631:
628:
625:
622:
618:
617:
614:
611:
608:
605:
601:
600:
597:
594:
591:
588:
584:
583:
580:
577:
574:
571:
567:
566:
563:
560:
557:
554:
550:
549:
546:
543:
540:
537:
533:
532:
529:
526:
523:
520:
516:
515:
512:
509:
506:
503:
499:
498:
495:
492:
489:
486:
482:
481:
478:
475:
472:
469:
465:
464:
461:
458:
455:
452:
448:
447:
444:
441:
438:
435:
431:
430:
427:
424:
421:
418:
414:
413:
410:
407:
404:
401:
397:
396:
394:
391:
388:
385:
381:
380:
377:
374:
371:
368:
364:
363:
360:
357:
354:
351:
347:
346:
343:
340:
337:
330:
326:
325:
322:
319:
316:
309:
305:
304:
301:
298:
295:
292:
288:
287:
284:
281:
278:
275:
271:
270:
233:
230:Cotheniensis.
176:Orgel-Büchlein
164:
161:
147:
133:Philipp Spitta
129:
28:
9:
6:
4:
3:
2:
18122:
18111:
18108:
18106:
18103:
18102:
18100:
18090:
18080:
18079:
18076:
18063:
18060:
18058:
18055:
18053:
18050:
18049:
18046:
18039:
18038:
18033:
18030:
18026:
18023:
18019:
18016:
18012:
18009:
18001:
17996:
17995:
17993:
17987:
17980:
17976:
17973:
17969:
17966:
17956:
17953:
17949:
17944:
17940:
17939:
17938:
17935:
17933:
17930:
17929:
17927:
17923:
17917:
17916:
17912:
17910:
17909:
17905:
17900:
17896:
17893:
17889:
17888:
17887:
17886:
17882:
17880:
17877:
17875:
17874:
17870:
17868:
17866:
17862:
17860:
17857:
17855:
17852:
17850:
17849:
17845:
17844:
17838:
17834:
17831:
17821:
17818:
17808:
17805:
17795:
17792:
17788:
17785:
17781:
17778:
17774:
17771:
17761:
17758:
17748:
17745:
17741:
17738:
17734:
17733:
17731:
17726:
17716:
17713:
17703:
17700:
17696:
17693:
17689:
17686:
17676:
17673:
17663:
17660:
17650:
17647:
17643:
17640:
17636:
17635:
17633:
17631:
17630:
17626:
17625:
17622:
17621:
17617:
17612:
17608:
17605:
17601:
17598:
17594:
17593:
17592:
17589:
17587:
17584:
17582:
17579:
17577:
17574:
17573:
17571:
17567:
17561:
17559:
17554:
17552:
17550:
17546:
17544:
17541:
17539:
17537:
17532:
17530:
17528:
17524:
17522:
17520:
17516:
17514:
17512:
17511:Orgelbüchlein
17508:
17506:
17503:
17501:
17498:
17496:
17493:
17491:
17488:
17486:
17483:
17477:
17474:
17472:
17469:
17467:
17464:
17458:
17455:
17453:
17450:
17448:
17445:
17443:
17440:
17438:
17435:
17433:
17430:
17428:
17425:
17423:
17420:
17418:
17415:
17413:
17410:
17408:
17405:
17403:
17400:
17394:
17391:
17390:
17388:
17384:
17379:
17374:
17370:
17362:
17357:
17355:
17350:
17348:
17343:
17342:
17339:
17332:
17329:
17326:
17322:
17319:
17316:
17312:
17309:
17307:
17303:
17302:, BWV 599–644
17301:
17297:
17295:
17291:
17287:
17284:
17283:
17274:
17272:0-19-924884-2
17268:
17264:
17260:
17256:
17253:
17247:
17243:
17239:
17235:
17232:
17226:
17222:
17217:
17214:
17208:
17204:
17199:
17195:
17193:3-498-02483-3
17189:
17185:
17180:
17179:
17168:
17164:
17157:
17153:
17152:Maul, Michael
17149:
17148:Wollny, Peter
17145:
17141:
17139:0-674-05926-3
17135:
17131:
17127:
17123:
17119:
17116:
17114:0-521-89115-9
17110:
17106:
17102:
17097:
17094:
17092:0-521-31700-2
17088:
17084:
17080:
17076:
17072:
17071:
17066:
17062:
17059:
17055:
17051:
17047:
17040:
17035:
17032:
17030:0-19-517109-8
17026:
17022:
17017:
17016:
17009:
17006:
17000:
16996:
16991:
16990:
16983:
16979:
16978:
16973:
16969:
16966:
16964:0-02-873080-1
16960:
16955:
16954:
16947:
16943:
16942:
16937:
16933:
16929:
16928:
16923:
16919:
16915:
16914:
16909:
16905:
16902:on 2013-04-15
16901:
16897:
16893:
16889:
16885:
16884:
16879:
16874:
16871:on 2016-08-04
16867:
16863:
16857:
16850:
16849:
16843:
16840:
16836:
16832:
16828:
16821:
16816:
16813:
16807:
16803:
16798:
16795:, C.F. Peters
16794:
16792:
16785:
16782:
16778:
16774:
16770:
16769:
16761:
16756:
16752:
16747:
16744:
16742:0-253-21386-X
16738:
16734:
16729:
16726:
16722:
16718:
16714:
16710:
16706:
16701:
16698:
16696:1-904341-16-0
16692:
16688:
16683:
16679:
16678:Orgelbüchlein
16674:
16671:
16665:
16661:
16657:
16653:
16650:
16648:0-19-514222-5
16644:
16640:
16635:
16631:
16627:
16623:
16619:
16615:
16614:Orgelbüchlein
16610:
16599:
16594:
16593:
16580:
16575:
16568:
16567:Williams 2003
16563:
16561:
16554:, p. 122
16553:
16548:
16541:
16540:Williams 2003
16536:
16529:
16528:Williams 2003
16524:
16516:
16510:
16505:
16498:
16493:
16486:
16481:
16474:
16473:Williams 2003
16469:
16462:
16457:
16450:
16445:
16438:
16437:Williams 2003
16433:
16426:
16421:
16415:
16410:
16403:
16402:Williams 2003
16398:
16391:
16386:
16379:
16378:Williams 2003
16374:
16367:
16362:
16355:
16354:Williams 2003
16350:
16343:
16338:
16331:
16330:Williams 2003
16326:
16319:
16314:
16307:
16306:Williams 2003
16302:
16295:
16291:
16290:Williams 2003
16286:
16279:
16274:
16267:
16262:
16255:
16254:Williams 2003
16250:
16243:
16238:
16232:, p. 266
16231:
16230:Williams 2003
16226:
16220:
16215:
16209:
16204:
16202:
16194:
16190:
16186:
16182:
16178:
16174:
16173:
16172:Musical Times
16165:
16159:
16154:
16147:
16142:
16140:
16138:
16130:
16129:Williams 2003
16125:
16123:
16121:
16113:
16112:Williams 2003
16109:
16108:Williams 1985
16105:
16101:
16096:
16089:
16084:
16077:
16076:Williams 2003
16072:
16065:
16060:
16053:
16052:Williams 2003
16048:
16041:
16036:
16029:
16028:Williams 2003
16024:
16017:
16012:
16005:
16004:Williams 2003
16000:
15993:
15988:
15981:
15976:
15969:
15964:
15957:
15956:Williams 2003
15952:
15944:
15940:
15939:Williams 2003
15935:
15933:
15917:
15911:
15907:
15903:
15902:
15894:
15887:
15882:
15875:
15874:Williams 2003
15870:
15863:
15862:Williams 2003
15858:
15851:
15846:
15840:, p. 236
15839:
15838:Williams 2003
15834:
15826:
15825:Williams 2003
15823:
15820:
15817:
15816:
15812:
15804:
15798:
15793:
15786:
15781:
15773:, p. 300
15772:
15769:
15766:
15765:Williams 2003
15763:
15762:
15758:
15751:
15747:
15742:
15726:
15721:
15714:
15709:
15703:, p. 91.
15702:
15697:
15690:
15685:
15681:
15671:
15668:
15666:
15663:
15661:
15658:
15656:
15653:
15651:
15648:
15646:
15643:
15641:
15638:
15637:
15628:
15627:Anton Heiller
15625:
15622:
15619:
15616:
15613:
15609:
15608:Simon Preston
15606:
15603:
15599:
15595:
15591:
15590:Peter Hurford
15588:
15585:
15581:
15578:
15574:
15571:
15568:
15564:
15561:
15558:
15554:
15551:
15548:
15544:
15543:Helmut Walcha
15541:
15540:
15537:
15533:
15532:Arp Schnitger
15529:
15515:
15512:
15509:
15508:
15504:
15501:
15498:
15495:
15494:
15490:
15487:
15484:
15483:György Kurtág
15481:
15480:
15476:
15473:
15470:
15467:
15466:
15462:
15459:
15455:
15452:
15451:
15447:
15444:
15440:
15437:
15436:
15433:BWV 606, 638
15432:
15429:
15425:
15422:
15421:
15417:
15414:
15411:
15410:
15406:
15403:
15400:
15397:
15396:
15392:
15389:
15386:
15385:
15381:
15378:
15374:
15371:
15368:
15367:
15363:
15360:
15357:
15356:
15352:
15349:
15346:
15345:
15341:
15338:
15335:
15334:
15330:
15327:
15323:
15320:
15317:
15316:
15312:
15309:
15305:
15302:
15299:
15298:
15294:
15291:
15287:
15284:
15281:
15280:
15276:
15273:
15270:
15267:
15266:
15263:BWV 622, 639
15262:
15259:
15255:
15252:
15249:
15248:
15245:BWV 600, 639
15244:
15241:
15238:
15237:
15234:BWV 615, 622
15233:
15230:
15227:
15224:
15223:
15219:
15216:
15213:
15212:Walter Rummel
15210:
15209:
15206:BWV 599, 639
15205:
15202:
15198:
15195:
15192:
15191:
15187:
15184:
15180:
15177:
15176:
15172:
15169:
15165:
15162:
15161:
15157:
15154:
15150:
15148:, piano duet
15147:
15144:
15143:
15139:
15136:
15133:
15130:
15129:
15125:
15122:
15118:
15115:
15112:
15111:
15108:BWV 614, 619
15107:
15104:
15101:
15098:
15097:
15093:
15090:
15088:
15084:
15081:
15080:
15076:
15073:
15070:
15069:
15061:
15059:
15055:
15051:
15047:
15046:Orgelbüchlein
15037:
15035:
15032:from cantata
15031:
15027:
15023:
15019:
15015:
15011:
15007:
15006:Spitta (1899)
15003:
14992:
14988:
14983:
14979:
14978:
14977:
14976:
14975:
14974:
14969:
14964:
14963:cantus firmus
14960:
14956:
14952:
14944:
14940:
14935:
14927:
14921:
14918:
14916:
14913:
14911:
14908:
14906:
14903:
14901:
14898:
14896:
14893:
14890:
14888:
14885:
14883:
14880:
14878:
14875:
14873:
14870:
14868:
14865:
14863:
14860:
14859:
14858:
14857:
14856:
14849:
14846:
14843:
14840:
14837:
14834:
14831:
14828:
14825:
14822:
14819:
14816:
14813:
14812:
14811:
14810:
14809:
14808:
14805:
14803:
14799:
14798:
14789:
14785:
14781:
14777:
14775:
14768:
14766:
14744:
14725:
14724:
14720:
14717:
14716:
14715:
14713:
14709:
14708:Spitta (1899)
14704:
14700:
14695:
14694:cantus firmus
14686:
14680:
14677:
14675:
14672:
14670:
14667:
14665:
14662:
14660:
14657:
14655:
14652:
14650:
14647:
14645:
14642:
14639:
14637:
14634:
14632:
14629:
14627:
14624:
14622:
14619:
14617:
14614:
14612:
14609:
14607:
14604:
14602:
14599:
14596:
14594:
14591:
14589:
14586:
14584:
14581:
14579:
14576:
14574:
14571:
14569:
14566:
14564:
14561:
14559:
14556:
14555:
14554:
14553:
14552:
14545:
14542:
14539:
14536:
14533:
14530:
14527:
14524:
14521:
14518:
14515:
14512:
14509:
14506:
14503:
14500:
14497:
14494:
14491:
14488:
14485:
14482:
14479:
14476:
14473:
14470:
14469:
14468:
14467:
14466:
14465:
14462:
14460:
14453:
14449:
14445:
14441:
14439:
14432:
14430:
14408:
14389:
14388:
14384:
14381:
14380:
14379:
14377:
14373:
14369:
14365:
14356:
14346:
14342:
14338:
14334:
14330:
14326:
14322:
14318:
14309:
14299:
14295:
14291:
14282:
14271:
14270:
14259:
14253:
14250:
14248:
14245:
14243:
14240:
14238:
14235:
14233:
14230:
14228:
14225:
14222:
14220:
14217:
14215:
14212:
14210:
14207:
14205:
14202:
14200:
14197:
14195:
14192:
14191:
14190:
14189:
14188:
14181:
14178:
14175:
14172:
14169:
14166:
14163:
14160:
14157:
14154:
14151:
14148:
14145:
14144:
14143:
14142:
14141:
14140:
14137:
14135:
14131:
14130:Georg Neumark
14127:
14126:
14117:
14113:
14109:
14107:
14100:
14098:
14076:
14057:
14056:
14052:
14049:
14048:
14047:
14045:
14041:
14037:
14033:
14032:appoggiaturas
14030:
14026:
14022:
14018:
14009:
14003:
14000:
13998:
13995:
13993:
13990:
13988:
13985:
13982:
13980:
13977:
13975:
13972:
13970:
13967:
13965:
13962:
13961:
13960:
13959:
13958:
13951:
13948:
13945:
13942:
13939:
13936:
13933:
13930:
13927:
13926:
13925:
13924:
13923:
13922:
13919:
13917:
13913:
13906:
13902:
13898:
13894:
13892:
13885:
13883:
13861:
13841:
13840:
13836:
13833:
13832:
13831:
13829:
13825:
13820:
13816:
13811:
13809:
13805:
13801:
13797:
13793:
13789:
13781:
13777:
13772:
13764:
13758:
13755:
13753:
13750:
13748:
13745:
13743:
13740:
13738:
13735:
13733:
13730:
13729:
13728:
13727:
13726:
13719:
13716:
13713:
13710:
13707:
13704:
13703:
13702:
13701:
13700:
13699:
13696:
13694:
13690:
13689:Adam Reissner
13686:
13685:
13677:
13673:
13669:
13665:
13661:
13659:
13652:
13650:
13628:
13609:
13608:
13604:
13601:
13600:
13599:
13597:
13592:
13590:
13587:'s 1972 film
13586:
13582:
13578:
13574:
13570:
13566:
13561:
13557:
13548:
13542:
13539:
13537:
13534:
13532:
13529:
13527:
13524:
13522:
13519:
13517:
13514:
13512:
13509:
13507:
13504:
13502:
13499:
13498:
13497:
13496:
13495:
13488:
13485:
13483:dir zu leben,
13482:
13479:
13476:
13473:
13470:
13467:
13464:
13463:
13462:
13461:
13460:
13459:
13456:
13454:
13450:
13442:
13437:
13433:
13431:
13424:
13422:
13400:
13380:
13379:
13375:
13372:
13371:
13365:
13363:
13359:
13354:
13350:
13346:
13342:
13338:
13332:
13330:
13326:
13322:
13318:
13314:
13310:
13306:
13302:
13298:
13289:
13283:
13280:
13278:
13275:
13273:
13270:
13268:
13265:
13263:
13260:
13258:
13255:
13253:
13250:
13249:
13248:
13247:
13246:
13239:
13236:
13233:
13230:
13227:
13224:
13221:
13220:
13219:
13218:
13217:
13216:
13213:
13211:
13207:
13206:Paul Speratus
13203:
13202:
13192:
13191:
13185:
13180:
13176:
13174:
13167:
13165:
13143:
13124:
13123:
13119:
13116:
13115:
13114:
13112:
13111:Snyder (1987)
13109:compositions—
13107:
13106:Spitta (1899)
13102:
13098:
13094:
13090:
13086:
13082:
13078:
13074:
13069:
13065:
13064:
13058:
13056:
13050:
13048:
13044:
13040:
13036:
13032:
13028:
13024:
13020:
13016:
13008:
13004:
13000:
12996:
12988:
12982:
12979:
12977:
12974:
12972:
12969:
12967:
12964:
12962:
12959:
12957:
12954:
12952:
12949:
12947:
12944:
12941:
12939:
12936:
12934:
12931:
12929:
12926:
12924:
12921:
12919:
12916:
12914:
12911:
12909:
12906:
12904:
12901:
12900:
12899:
12898:
12897:
12890:
12887:
12884:
12881:
12878:
12875:
12872:
12869:
12866:
12863:
12860:
12857:
12854:
12851:
12848:
12845:
12842:
12841:
12840:
12839:
12838:
12837:
12834:
12832:
12828:
12821:
12817:
12813:
12809:
12807:
12800:
12798:
12776:
12757:
12756:
12752:
12749:
12748:
12747:
12745:
12741:
12737:
12733:
12728:
12723:
12718:
12716:
12712:
12708:
12704:
12700:
12696:
12692:
12688:
12684:
12675:
12669:
12666:
12664:
12661:
12659:
12656:
12654:
12651:
12649:
12646:
12644:
12641:
12638:
12636:
12633:
12631:
12628:
12626:
12623:
12621:
12618:
12616:
12613:
12611:
12608:
12607:
12606:
12605:
12604:
12597:
12594:
12591:
12588:
12585:
12582:
12579:
12576:
12573:
12570:
12567:
12564:
12561:
12560:
12559:
12558:
12557:
12556:
12553:
12551:
12547:
12546:Lord's Prayer
12543:
12535:
12534:Hans Brosamer
12531:
12527:
12525:
12518:
12516:
12494:
12475:
12474:
12470:
12467:
12466:
12465:
12462:
12458:
12454:
12449:
12448:Spitta (1899)
12444:
12441:The combined
12439:
12437:
12433:
12432:inverted form
12428:
12423:
12421:
12417:
12413:
12409:
12405:
12404:
12400:The Lutheran
12396:
12392:
12388:
12384:
12376:
12370:
12367:
12365:
12362:
12360:
12357:
12355:
12352:
12350:
12347:
12344:
12342:
12339:
12337:
12334:
12332:
12329:
12327:
12324:
12322:
12319:
12316:
12314:
12311:
12309:
12306:
12304:
12301:
12299:
12296:
12294:
12291:
12290:
12289:
12288:
12287:
12280:
12277:
12274:
12271:
12268:
12265:
12262:
12259:
12256:
12253:
12250:
12247:
12244:
12241:
12238:
12235:
12232:
12231:
12230:
12229:
12228:
12227:
12224:
12222:
12218:
12214:
12213:
12205:
12201:
12197:
12193:
12189:
12187:
12180:
12178:
12156:
12137:
12136:
12132:
12129:
12128:
12118:
12112:
12109:
12107:
12104:
12102:
12099:
12097:
12094:
12092:
12089:
12087:
12084:
12083:
12082:
12081:
12080:
12073:
12070:
12067:
12064:
12061:
12058:
12057:
12056:
12055:
12054:
12053:
12050:
12048:
12044:
12043:
12038:
12030:
12026:
12022:
12020:
12013:
12011:
11989:
11969:
11968:
11964:
11961:
11960:
11959:
11957:
11950:
11948:
11926:
11906:
11902:
11901:
11897:
11894:
11893:
11892:
11890:
11886:
11882:
11877:
11875:
11870:
11868:
11864:
11860:
11856:
11851:
11849:
11845:
11841:
11837:
11833:
11829:
11825:
11821:
11820:cantus firmus
11816:
11814:
11810:
11803:
11799:
11796:Hymn in 1691
11794:
11786:
11780:
11777:
11775:
11772:
11770:
11767:
11765:
11762:
11759:
11757:
11754:
11752:
11749:
11747:
11744:
11742:
11739:
11738:
11737:
11736:
11735:
11728:
11725:
11722:
11719:
11716:
11713:
11710:
11707:
11704:
11703:
11702:
11701:
11700:
11699:
11696:
11694:
11690:
11687:. Throughout
11686:
11682:
11678:
11677:
11671:
11669:
11662:
11658:
11654:
11650:
11644:
11642:
11620:
11602:
11583:
11582:
11578:
11575:
11574:
11569:
11563:
11560:
11558:
11555:
11553:
11550:
11548:
11545:
11542:
11540:
11537:
11535:
11532:
11530:
11527:
11525:
11522:
11521:
11520:
11519:
11518:
11511:
11508:
11505:
11502:
11499:
11496:
11493:
11490:
11487:
11486:
11485:
11484:
11483:
11482:
11479:
11477:
11473:
11472:
11463:
11459:
11455:
11451:
11449:
11442:
11440:
11418:
11399:
11398:
11394:
11391:
11390:
11380:
11374:
11371:
11369:
11366:
11364:
11361:
11359:
11356:
11354:
11351:
11349:
11346:
11345:
11344:
11343:
11342:
11335:
11332:
11329:
11326:
11323:
11320:
11319:
11318:
11317:
11316:
11315:
11312:
11310:
11306:
11302:
11301:
11293:
11289:
11285:
11281:
11277:
11275:
11268:
11266:
11244:
11225:
11224:
11220:
11217:
11216:
11211:
11205:
11202:
11200:
11197:
11195:
11192:
11190:
11187:
11185:
11182:
11181:
11180:
11179:
11178:
11171:
11168:
11165:
11162:
11159:
11158:
11157:
11156:
11155:
11154:
11151:
11149:
11145:
11144:
11139:
11132:
11127:
11123:
11121:
11114:
11112:
11090:
11070:
11069:
11065:
11062:
11061:
11052:
11049:
11047:
11044:
11042:
11039:
11037:
11034:
11033:
11032:
11031:
11030:
11023:
11020:
11017:
11014:
11013:
11012:
11011:
11010:
11009:
11006:
11004:
10997:
10993:
10989:
10985:
10981:
10979:
10972:
10970:
10948:
10929:
10928:
10924:
10921:
10920:
10915:
10909:
10906:
10904:
10901:
10899:
10896:
10894:
10891:
10889:
10886:
10883:
10881:
10878:
10876:
10873:
10871:
10868:
10866:
10863:
10861:
10858:
10855:
10853:
10852:Kirieleyson,
10850:
10848:
10845:
10843:
10840:
10838:
10835:
10833:
10830:
10829:
10828:
10827:
10826:
10819:
10816:
10813:
10810:
10807:
10804:
10801:
10798:
10795:
10792:
10789:
10786:
10783:
10780:
10777:
10774:
10771:
10770:
10769:
10768:
10767:
10766:
10763:
10761:
10757:
10756:
10748:
10744:
10740:
10736:
10734:
10729:
10724:
10717:
10715:
10693:
10674:
10673:
10669:
10666:
10665:
10660:
10654:
10651:
10649:
10646:
10644:
10641:
10639:
10636:
10634:
10631:
10630:
10629:
10628:
10627:
10620:
10617:
10614:
10611:
10608:
10607:
10606:
10605:
10604:
10603:
10600:
10598:
10594:
10593:
10585:
10581:
10577:
10573:
10569:
10567:
10560:
10558:
10536:
10517:
10516:
10512:
10509:
10508:
10507:
10505:
10501:
10497:
10493:
10489:
10485:
10481:
10477:
10472:
10468:
10464:
10452:
10448:
10447:
10446:
10445:
10444:
10443:
10442:
10440:
10436:
10432:
10428:
10424:
10420:
10411:
10405:
10402:
10400:
10397:
10395:
10392:
10390:
10387:
10385:
10382:
10380:
10377:
10375:
10372:
10370:
10367:
10364:
10362:
10359:
10357:
10354:
10352:
10349:
10347:
10344:
10342:
10339:
10337:
10334:
10332:
10329:
10327:
10324:
10323:
10322:
10321:
10320:
10313:
10310:
10307:
10304:
10301:
10298:
10295:
10292:
10289:
10286:
10283:
10280:
10277:
10274:
10271:
10268:
10265:
10264:
10263:
10262:
10261:
10260:
10257:
10255:
10254:
10245:
10241:
10237:
10235:
10228:
10226:
10204:
10185:
10184:
10180:
10177:
10176:
10170:
10163:
10159:
10156:
10154:
10151:
10149:
10146:
10144:
10141:
10139:
10136:
10134:
10131:
10129:
10126:
10125:
10124:
10119:
10116:
10113:
10110:
10107:
10104:
10101:
10100:
10099:
10098:
10095:
10093:
10092:
10087:
10080:
10076:
10072:
10068:
10064:
10062:
10055:
10053:
10031:
10011:
10010:
10006:
10003:
10002:
9997:
9991:
9988:
9986:
9983:
9981:
9978:
9976:
9973:
9970:
9968:
9965:
9963:
9960:
9958:
9955:
9953:
9950:
9947:
9945:
9942:
9940:
9937:
9935:
9932:
9930:
9927:
9924:
9922:
9919:
9917:
9914:
9912:
9909:
9907:
9904:
9903:
9902:
9901:
9900:
9893:
9890:
9887:
9884:
9881:
9878:
9875:
9872:
9869:
9866:
9863:
9860:
9857:
9854:
9851:
9848:
9845:
9842:
9839:
9838:
9837:
9836:
9835:
9834:
9831:
9829:
9825:
9818:
9814:
9810:
9806:
9804:
9797:
9795:
9773:
9754:
9753:
9749:
9746:
9745:
9744:
9742:
9738:
9734:
9728:
9726:
9721:
9719:
9715:
9714:
9709:
9705:
9701:
9697:
9693:
9692:cantus firmus
9686:
9681:
9675:
9670:
9662:
9656:
9653:
9651:
9648:
9646:
9643:
9641:
9638:
9636:
9633:
9631:
9628:
9626:
9623:
9621:
9618:
9616:
9613:
9611:
9608:
9606:
9603:
9601:
9598:
9597:
9596:
9595:
9594:
9587:
9584:
9581:
9578:
9575:
9572:
9569:
9566:
9563:
9560:
9557:
9554:
9553:
9552:
9551:
9550:
9549:
9546:
9544:
9540:
9539:Sebald Heyden
9536:
9535:
9529:
9527:
9518:
9516:
9494:
9472:
9471:
9467:
9464:
9463:
9462:
9460:
9456:
9452:
9448:
9444:
9439:
9438:Spitta (1899)
9434:
9432:
9428:
9424:
9420:
9416:
9412:
9408:
9404:
9400:
9394:
9392:
9387:
9383:
9382:cantus firmus
9377:
9375:
9371:
9367:
9363:
9359:
9358:phrygian mode
9352:
9348:
9343:
9335:
9329:
9326:
9324:
9321:
9319:
9316:
9314:
9311:
9309:
9306:
9303:
9301:
9298:
9296:
9293:
9291:
9288:
9286:
9283:
9281:
9278:
9277:
9276:
9275:
9274:
9267:
9264:
9261:
9258:
9255:
9252:
9249:
9246:
9243:
9240:
9237:
9236:
9235:
9234:
9233:
9232:
9229:
9227:
9223:
9219:
9215:
9214:
9205:
9200:
9196:
9194:
9187:
9185:
9163:
9145:
9126:
9125:
9121:
9118:
9117:
9112:
9106:
9103:
9101:
9098:
9096:
9093:
9091:
9088:
9086:
9083:
9081:
9078:
9076:
9073:
9071:
9068:
9065:
9063:
9059:
9057:
9054:
9052:
9049:
9047:
9044:
9042:
9039:
9037:
9034:
9032:
9029:
9027:
9024:
9023:
9022:
9021:
9020:
9013:
9010:
9007:
9004:
9001:
8998:
8995:
8992:
8989:
8986:
8983:
8980:
8977:
8974:
8971:
8968:
8965:
8964:
8963:
8962:
8961:
8960:
8957:
8955:
8950:
8948:
8944:
8943:
8934:
8930:
8926:
8924:
8917:
8915:
8893:
8873:
8872:
8868:
8865:
8864:
8859:
8853:
8850:
8847:
8845:
8842:
8840:
8837:
8835:
8832:
8831:
8830:
8829:
8828:
8821:
8818:
8815:
8812:
8809:
8808:
8807:
8806:
8805:
8804:
8801:
8799:
8795:
8791:
8790:
8781:
8777:
8773:
8769:
8767:
8760:
8758:
8736:
8716:
8715:
8711:
8708:
8707:
8702:
8696:
8693:
8690:
8688:
8685:
8683:
8680:
8678:
8675:
8673:
8670:
8668:
8665:
8663:
8660:
8658:
8655:
8654:
8653:
8652:
8651:
8644:
8641:
8638:
8635:
8632:
8629:
8626:
8623:
8620:
8619:
8618:
8617:
8616:
8615:
8612:
8610:
8606:
8605:
8600:
8593:
8589:
8585:
8581:
8579:
8570:
8568:
8546:
8524:
8523:
8519:
8516:
8515:
8505:
8499:
8496:
8494:
8491:
8485:
8484:I calmly die;
8482:
8481:
8480:
8479:
8478:
8475:
8473:
8470:
8468:
8465:
8463:
8460:
8458:
8455:
8453:
8450:
8448:
8445:
8442:
8440:
8437:
8435:
8432:
8426:
8423:
8422:
8421:
8420:
8419:
8416:
8414:
8411:
8409:
8408:Weary and sad
8406:
8404:
8401:
8399:
8396:
8394:
8391:
8389:
8386:
8385:
8384:
8383:
8382:
8375:
8372:
8369:
8366:
8363:
8360:
8357:
8354:
8351:
8348:
8345:
8342:
8339:
8336:
8333:
8330:
8327:
8324:
8321:
8318:
8315:
8314:
8313:
8312:
8311:
8310:
8307:
8305:
8301:
8297:
8290:
8286:
8282:
8278:
8276:
8269:
8267:
8245:
8226:
8225:
8221:
8218:
8217:
8212:
8206:
8203:
8201:
8198:
8196:
8193:
8191:
8188:
8186:
8183:
8181:
8178:
8177:
8176:
8175:
8174:
8167:
8164:
8161:
8158:
8155:
8152:
8151:
8150:
8149:
8148:
8147:
8144:
8142:
8138:
8134:
8133:
8128:
8127:
8126:Nunc dimittis
8122:
8115:
8111:
8107:
8103:
8099:
8097:
8090:
8088:
8066:
8047:
8046:
8042:
8039:
8038:
8032:
8030:
8026:
8017:
8011:
8008:
8006:
8003:
8001:
7998:
7996:
7993:
7991:
7988:
7986:
7983:
7981:
7978:
7976:
7973:
7971:
7968:
7966:
7963:
7961:
7958:
7956:
7953:
7951:
7948:
7946:
7943:
7941:
7938:
7936:
7933:
7932:
7931:
7930:
7929:
7922:
7919:
7916:
7913:
7910:
7907:
7904:
7901:
7898:
7895:
7892:
7889:
7886:
7883:
7880:
7877:
7876:
7875:
7874:
7873:
7872:
7869:
7867:
7863:
7862:
7854:
7850:
7849:Book of Hours
7846:
7842:
7838:
7834:
7832:
7825:
7823:
7801:
7782:
7781:
7777:
7774:
7773:
7772:
7769:
7765:
7761:
7757:
7756:Spitta (1899)
7753:
7747:
7745:
7744:reciting note
7741:
7740:Phrygian mode
7738:on D and the
7737:
7733:
7729:
7725:
7721:
7717:
7713:
7709:
7705:
7701:
7697:
7692:
7688:
7687:falling notes
7684:
7681:
7675:
7673:
7669:
7668:Das alte Jahr
7665:
7661:
7660:Das alte Jahr
7657:
7653:
7649:
7643:
7641:
7633:
7628:
7621:
7617:
7613:
7609:
7601:
7595:
7592:
7590:
7587:
7585:
7582:
7580:
7577:
7574:
7572:
7569:
7567:
7564:
7562:
7559:
7557:
7554:
7551:
7549:
7546:
7544:
7541:
7539:
7536:
7534:
7531:
7528:
7526:
7523:
7521:
7518:
7516:
7513:
7511:
7508:
7505:
7503:
7500:
7498:
7495:
7493:
7490:
7488:
7485:
7482:
7480:
7477:
7475:
7472:
7470:
7467:
7465:
7462:
7461:
7460:
7459:
7458:
7451:
7448:
7445:
7442:
7439:
7436:
7433:
7430:
7427:
7424:
7421:
7418:
7415:
7412:
7409:
7406:
7403:
7400:
7397:
7394:
7391:
7388:
7385:
7382:
7379:
7376:
7373:
7370:
7367:
7366:
7365:
7364:
7363:
7362:
7359:
7357:
7350:
7346:
7342:
7338:
7336:
7329:
7327:
7305:
7285:
7284:
7280:
7277:
7276:
7271:
7265:
7262:
7260:
7257:
7255:
7252:
7250:
7247:
7245:
7242:
7240:
7237:
7235:
7232:
7230:
7227:
7226:
7225:
7224:
7223:
7216:
7213:
7210:
7207:
7204:
7201:
7198:
7195:
7194:
7193:
7192:
7191:
7190:
7187:
7185:
7181:
7174:
7170:
7165:
7161:
7159:
7152:
7150:
7128:
7109:
7108:
7104:
7101:
7100:
7094:
7092:
7089:, BWV 664 in
7088:
7084:
7080:
7075:
7072:
7068:
7064:
7059:
7058:ostinato bass
7055:
7054:cantus firmus
7050:
7048:
7047:Orgelbüchlein
7044:
7039:
7038:Orgelbüchlein
7035:
7031:
7022:
7015:
7011:
7007:
6999:
6993:
6990:
6988:
6985:
6983:
6980:
6978:
6975:
6973:
6970:
6968:
6965:
6962:
6960:
6957:
6955:
6952:
6950:
6947:
6945:
6942:
6940:
6937:
6935:
6932:
6931:
6930:
6929:
6928:
6921:
6918:
6915:
6912:
6909:
6906:
6903:
6900:
6897:
6894:
6891:
6888:
6885:
6884:
6883:
6882:
6881:
6880:
6877:
6875:
6871:
6864:
6860:
6856:
6852:
6850:
6843:
6841:
6819:
6801:
6782:
6781:
6777:
6774:
6773:
6772:
6769:
6765:
6761:
6757:
6756:cantus firmus
6752:
6750:
6746:
6742:
6738:
6733:
6731:
6726:
6725:cantus firmus
6722:
6718:
6713:
6709:
6708:cantus firmus
6705:
6704:cantus firmus
6701:
6697:
6696:
6690:
6688:
6686:
6681:
6677:
6673:
6669:
6665:
6661:
6657:
6653:
6652:cantus firmus
6646:
6642:
6638:
6634:
6633:
6627:
6621:
6618:Marienalter,
6616:
6608:
6604:
6601:
6599:
6596:
6594:
6591:
6589:
6586:
6583:
6581:
6578:
6576:
6573:
6571:
6568:
6566:
6563:
6562:
6561:
6556:
6553:
6550:
6547:
6544:
6541:
6538:
6535:
6532:
6531:
6530:
6525:
6522:
6519:
6516:
6513:
6510:
6507:
6504:
6501:
6500:
6499:
6498:
6495:
6493:
6489:
6485:
6481:
6477:
6476:
6471:
6467:
6466:
6460:
6458:
6451:
6449:
6427:
6407:
6406:
6402:
6399:
6398:
6397:
6395:
6391:
6387:
6383:
6379:
6378:Spitta (1899)
6375:
6371:
6366:
6364:
6360:
6356:
6352:
6351:cantus firmus
6347:
6345:
6341:
6337:
6333:
6329:
6325:
6321:
6317:
6313:
6309:
6305:
6304:
6299:
6298:Johann Crüger
6290:
6284:
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6259:
6256:
6254:
6251:
6249:
6246:
6244:
6241:
6238:
6236:
6233:
6231:
6228:
6226:
6223:
6221:
6218:
6216:
6213:
6211:
6208:
6206:
6203:
6201:
6198:
6196:
6193:
6192:
6191:
6190:
6189:
6182:
6179:
6176:
6173:
6170:
6167:
6164:
6161:
6158:
6155:
6152:
6149:
6146:
6143:
6140:
6137:
6134:
6131:
6128:
6127:
6126:
6125:
6124:
6123:
6120:
6118:
6114:
6113:
6108:
6099:
6095:
6093:
6086:
6084:
6062:
6043:
6042:
6038:
6035:
6034:
6033:
6031:
6027:
6023:
6019:
6014:
6009:
6008:cantus firmus
6005:
6001:
5997:
5993:
5989:
5985:
5976:
5970:
5967:
5965:
5962:
5960:
5957:
5955:
5952:
5949:
5947:
5944:
5942:
5939:
5937:
5934:
5932:
5929:
5928:
5927:
5926:
5925:
5918:
5915:
5912:
5909:
5906:
5903:
5900:
5897:
5894:
5893:
5892:
5891:
5890:
5889:
5886:
5884:
5880:
5876:
5869:
5865:
5861:
5857:
5853:
5851:
5844:
5842:
5820:
5801:
5800:
5796:
5793:
5792:
5791:
5789:
5785:
5781:
5777:
5773:
5769:
5765:
5761:
5757:
5752:
5750:
5740:
5736:
5735:4′ pedal stop
5731:
5727:
5723:
5719:
5703:
5694:
5681:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5659:Nova cantica;
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5639:
5637:
5634:
5632:
5629:
5627:
5624:
5622:
5619:
5617:
5614:
5612:
5609:
5607:
5604:
5601:
5599:
5596:
5594:
5591:
5589:
5586:
5584:
5581:
5579:
5576:
5574:
5571:
5569:
5566:
5563:
5561:
5558:
5556:
5553:
5551:
5548:
5546:
5545:In praesepio;
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5527:
5526:
5525:
5524:
5517:
5514:
5511:
5509:nova cantica,
5508:
5505:
5502:
5499:
5496:
5493:
5490:
5487:
5484:
5481:
5478:
5475:
5472:
5469:
5466:
5463:
5461:O puer optime
5460:
5457:
5454:
5451:
5448:
5445:
5442:
5439:
5436:
5433:
5430:
5427:
5426:
5425:
5424:
5423:
5422:
5419:
5417:
5413:
5412:
5404:
5400:
5396:
5392:
5390:
5383:
5381:
5359:
5340:
5339:
5335:
5332:
5331:
5330:
5328:
5327:Spitta (1899)
5323:
5319:
5318:cantus firmus
5311:
5306:
5298:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5250:
5249:
5248:
5247:
5240:
5237:
5234:
5231:
5228:
5225:
5222:
5219:
5216:
5215:
5214:
5213:
5212:
5211:
5208:
5206:
5202:
5201:
5193:
5189:
5188:book of hours
5185:
5181:
5177:
5175:
5168:
5166:
5144:
5125:
5124:
5120:
5117:
5116:
5115:
5113:
5108:
5107:Anton Heiller
5104:
5099:
5097:
5093:
5089:
5084:
5078:
5076:
5072:
5068:
5064:
5060:
5056:
5052:
5048:
5040:
5039:Cantus firmus
5036:
5028:
5022:
5019:
5017:
5014:
5012:
5009:
5007:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4986:
4984:
4981:
4978:
4976:
4973:
4971:
4968:
4966:
4963:
4961:
4958:
4957:
4956:
4955:
4954:
4947:
4944:
4941:
4938:
4935:
4932:
4929:
4926:
4923:
4920:
4917:
4914:
4911:
4908:
4907:
4906:
4905:
4904:
4903:
4900:
4898:
4894:
4893:
4883:
4879:
4877:
4870:
4868:
4846:
4827:
4826:
4822:
4819:
4818:
4817:
4815:
4814:Spitta (1899)
4811:
4810:Keller (1948)
4807:
4803:
4798:
4794:
4790:
4789:cantus firmus
4786:
4777:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4669:
4668:
4667:
4666:
4659:
4656:
4653:
4650:
4647:
4644:
4641:
4638:
4635:
4632:
4629:
4626:
4623:
4620:
4617:
4614:
4611:
4608:
4605:
4602:
4599:
4598:
4597:
4596:
4595:
4594:
4591:
4589:
4585:
4578:
4574:
4569:
4565:
4563:
4556:
4554:
4532:
4512:
4511:
4507:
4504:
4503:
4502:
4500:
4495:
4494:cantus firmus
4491:
4487:
4483:
4474:
4468:
4465:
4463:
4460:
4458:
4455:
4453:
4450:
4448:
4445:
4444:
4443:
4442:
4441:
4434:
4431:
4428:
4425:
4422:
4421:
4420:
4419:
4418:
4417:
4414:
4412:
4408:
4404:
4397:
4392:
4388:
4386:
4379:
4377:
4355:
4335:
4334:
4330:
4327:
4326:
4325:
4323:
4319:
4315:
4310:
4306:
4305:cantus firmus
4298:
4293:
4285:
4279:
4276:
4274:
4271:
4269:
4266:
4265:
4264:
4263:
4262:
4255:
4252:
4249:
4248:
4247:
4246:
4245:
4244:
4241:
4239:
4238:
4230:
4226:
4221:
4217:
4215:
4208:
4206:
4184:
4165:
4164:
4160:
4157:
4156:
4150:
4148:
4144:
4140:
4139:phrygian mode
4136:
4135:
4131:
4127:
4126:cantus firmus
4117:
4097:
4094:
4074:
4073:
4070:
4068:
4061:
4057:
4053:
4049:
4047:
4040:
4038:
4016:
3997:
3996:
3992:
3989:
3988:
3987:
3984:
3980:
3976:
3972:
3967:
3963:
3959:
3958:cantus firmus
3955:
3945:
3929:
3926:
3910:
3909:
3906:
3904:
3900:
3897:
3887:
3855:
3852:
3820:
3819:
3816:
3814:
3810:
3809:
3805:
3801:
3793:
3788:
3784:
3782:
3775:
3773:
3751:
3731:
3730:
3725:
3724:
3720:
3717:
3716:
3715:
3713:
3709:
3704:
3700:
3696:
3695:moto perpetuo
3691:
3680:
3666:
3663:
3649:
3648:
3645:
3643:
3639:
3629:
3615:
3612:
3598:
3597:
3594:
3592:
3585:
3581:
3577:
3573:
3569:
3565:
3563:
3556:
3554:
3532:
3512:
3511:
3506:
3505:
3501:
3498:
3497:
3496:
3493:
3492:cantus firmus
3488:
3477:
3467:
3464:
3454:
3453:
3450:
3448:
3444:
3436:
3435:
3429:
3424:
3420:
3418:
3411:
3409:
3387:
3368:
3367:
3363:
3360:
3359:
3351:
3349:
3345:
3341:
3337:
3332:
3331:
3322:
3319:
3315:
3312:
3308:
3304:
3301:
3297:
3294:
3290:
3287:
3283:
3281:
3275:
3274:
3273:
3267:
3263:
3260:
3256:
3253:
3250:
3246:
3243:
3240:
3236:
3235:cantus firmus
3232:
3231:
3230:
3228:
3227:Orgelbüchlein
3215:, p. 25)
3214:
3213:Stinson (1999
3208:
3189:
3184:
3175:
3170:
3161:
3156:
3147:
3142:
3141:
3140:
3138:
3134:
3129:
3127:
3123:
3119:
3115:
3111:
3106:
3104:
3100:
3096:
3092:
3088:
3084:
3080:
3076:
3072:
3068:
3064:
3060:
3056:
3052:
3044:
3040:
3035:
3028:
3024:
3019:
3006:
3003:
3001:
2998:
2995:
2992:
2991:
2988:
2985:
2983:
2980:
2977:
2973:
2970:
2969:
2966:
2963:
2961:
2958:
2954:
2950:
2947:
2946:
2943:
2940:
2938:
2935:
2932:
2929:
2928:
2925:
2922:
2920:
2917:
2914:
2911:
2910:
2906:
2903:
2901:
2898:
2895:
2892:
2891:
2888:
2885:
2883:
2880:
2877:
2874:
2873:
2870:
2867:
2865:
2862:
2859:
2856:
2855:
2852:
2849:
2847:Good Weather
2846:
2843:
2840:
2839:
2836:
2833:
2830:
2827:
2824:
2823:
2820:
2817:
2814:
2811:
2808:
2807:
2804:
2801:
2798:
2795:
2792:
2791:
2788:
2785:
2782:
2779:
2776:
2775:
2772:
2769:
2766:
2763:
2760:
2759:
2756:
2753:
2750:
2747:
2744:
2743:
2740:
2737:
2734:
2731:
2728:
2727:
2724:
2721:
2718:
2715:
2712:
2711:
2708:
2705:
2702:
2699:
2696:
2695:
2692:
2689:
2686:
2683:
2680:
2679:
2676:
2673:
2670:
2667:
2664:
2663:
2660:
2657:
2654:
2651:
2648:
2647:
2644:
2641:
2638:
2635:
2632:
2631:
2628:
2625:
2622:
2619:
2616:
2615:
2612:
2609:
2606:
2603:
2600:
2599:
2596:
2593:
2590:
2587:
2584:
2583:
2580:
2577:
2574:
2571:
2568:
2567:
2564:
2561:
2558:
2555:
2552:
2551:
2548:
2545:
2542:
2539:
2536:
2535:
2532:
2529:
2526:
2523:
2520:
2519:
2516:
2513:
2510:
2507:
2504:
2503:
2500:
2497:
2494:
2491:
2488:
2487:
2484:
2481:
2478:
2475:
2472:
2471:
2468:
2465:
2462:
2459:
2456:
2455:
2451:
2448:
2445:
2442:
2438:
2435:
2434:
2431:
2428:
2425:
2422:
2419:
2418:
2415:
2412:
2409:
2406:
2403:
2402:
2399:
2396:
2393:
2390:
2387:
2386:
2383:
2380:
2377:
2374:
2371:
2370:
2367:
2364:
2361:
2358:
2355:
2354:
2351:
2348:
2345:
2342:
2339:
2338:
2335:
2332:
2329:
2326:
2323:
2322:
2319:
2316:
2313:
2310:
2307:
2306:
2303:
2300:
2297:
2294:
2291:
2290:
2287:
2284:
2281:
2278:
2275:
2274:
2271:
2268:
2265:
2262:
2259:
2258:
2255:
2252:
2249:
2246:
2243:
2242:
2239:
2236:
2233:
2230:
2227:
2226:
2223:
2220:
2217:
2214:
2211:
2210:
2207:
2204:
2201:
2198:
2195:
2194:
2191:
2188:
2185:
2182:
2179:
2178:
2175:
2172:
2169:
2166:
2163:
2162:
2158:
2155:
2152:
2149:
2146:
2145:
2142:
2139:
2136:
2133:
2130:
2129:
2126:
2123:
2120:
2117:
2114:
2113:
2110:
2107:
2104:
2101:
2098:
2097:
2094:
2091:
2088:
2085:
2082:
2081:
2078:
2075:
2072:
2069:
2066:
2065:
2062:
2059:
2056:
2053:
2050:
2049:
2046:
2043:
2040:
2037:
2034:
2033:
2030:
2027:
2024:
2021:
2018:
2017:
2014:
2011:
2008:
2005:
2002:
2001:
1998:
1995:
1992:
1989:
1986:
1985:
1982:
1979:
1976:
1973:
1970:
1969:
1966:
1963:
1960:
1957:
1954:
1953:
1949:
1946:
1943:
1940:
1937:
1936:
1933:
1930:
1927:
1924:
1921:
1920:
1916:
1913:
1910:
1907:
1903:
1900:
1899:
1896:
1893:
1890:
1887:
1884:
1883:
1880:
1877:
1874:
1871:
1868:
1867:
1864:
1861:
1858:
1855:
1852:
1851:
1848:
1845:
1842:
1839:
1836:
1835:
1832:
1829:
1826:
1823:
1820:
1819:
1816:
1813:
1810:
1807:
1804:
1803:
1799:
1796:
1793:
1790:
1787:
1786:
1783:
1780:
1777:
1774:
1771:
1770:
1767:
1764:
1761:
1758:
1755:
1754:
1751:
1748:
1745:
1742:
1739:
1738:
1735:
1732:
1729:
1726:
1723:
1722:
1719:
1716:
1713:
1710:
1707:
1706:
1703:
1700:
1697:
1694:
1691:
1690:
1687:
1684:
1681:
1678:
1675:
1674:
1671:
1668:
1665:
1662:
1659:
1658:
1655:
1652:
1649:
1646:
1643:
1642:
1639:
1636:
1633:
1630:
1627:
1626:
1623:
1620:
1617:
1614:
1611:
1610:
1607:
1604:
1601:
1598:
1595:
1594:
1591:
1588:
1585:
1582:
1579:
1578:
1574:
1571:
1568:
1565:
1562:
1561:
1557:
1554:
1551:
1548:
1545:
1544:
1541:
1538:
1535:
1532:
1529:
1528:
1525:
1522:
1519:
1516:
1513:
1512:
1509:
1506:
1503:
1500:
1497:
1496:
1493:
1490:
1487:
1484:
1481:
1480:
1477:
1474:
1471:
1468:
1465:
1464:
1461:
1458:
1455:
1452:
1449:
1448:
1445:
1442:
1439:
1436:
1433:
1432:
1429:
1426:
1423:
1420:
1417:
1416:
1413:
1410:
1407:
1404:
1401:
1400:
1397:
1394:
1392:Holy Baptism
1391:
1388:
1385:
1384:
1380:
1377:
1374:
1371:
1368:
1367:
1364:
1361:
1358:
1355:
1352:
1351:
1348:
1345:
1342:
1339:
1336:
1335:
1332:
1329:
1326:
1323:
1320:
1319:
1315:
1312:
1309:
1306:
1303:
1302:
1299:
1296:
1293:
1290:
1287:
1286:
1283:
1280:
1277:
1274:
1271:
1270:
1267:
1264:
1261:
1258:
1255:
1254:
1251:
1248:
1245:
1242:
1239:
1238:
1235:
1232:
1229:
1226:
1223:
1222:
1219:
1216:
1213:
1210:
1207:
1206:
1203:
1200:
1197:
1194:
1191:
1190:
1187:
1184:
1181:
1178:
1175:
1174:
1171:
1168:
1165:
1162:
1159:
1158:
1154:
1151:
1148:
1145:
1141:
1138:
1137:
1133:
1130:
1127:
1124:
1121:
1120:
1116:
1113:
1110:
1107:
1104:
1103:
1100:
1097:
1094:
1091:
1088:
1087:
1084:
1081:
1078:
1075:
1072:
1071:
1068:
1065:
1062:
1059:
1055:
1052:
1051:
1048:
1045:
1042:
1039:
1036:
1035:
1031:
1028:
1025:
1022:
1019:
1018:
1015:
1012:
1009:
1006:
1003:
1002:
999:
996:
993:
990:
987:
986:
983:
980:
977:
974:
971:
970:
967:
964:
961:
958:
955:
954:
950:
947:
944:
941:
938:
937:
933:
930:
927:
924:
921:
920:
916:
913:
910:
907:
904:
903:
899:
896:
893:
890:
887:
886:
882:
879:
876:
873:
870:
869:
865:
862:
859:
856:
853:
852:
849:
846:
843:
840:
837:
836:
833:
830:
827:
824:
821:
820:
817:
814:
811:
808:
805:
804:
801:
798:
795:
792:
789:
788:
784:
781:
778:
775:
772:
771:
768:
765:
762:
759:
756:
755:
751:
748:
745:
742:
739:
738:
734:
731:
728:
725:
722:
721:
717:
714:
711:
708:
705:
704:
700:
697:
694:
691:
688:
687:
683:
680:
677:
674:
671:
670:
666:
663:
660:
657:
654:
653:
649:
646:
643:
640:
637:
636:
632:
629:
627:Purification
626:
623:
620:
619:
615:
612:
610:Purification
609:
606:
603:
602:
598:
595:
592:
589:
586:
585:
581:
578:
575:
572:
569:
568:
564:
561:
558:
555:
552:
551:
547:
544:
541:
538:
535:
534:
530:
527:
524:
521:
518:
517:
513:
510:
507:
504:
501:
500:
496:
493:
490:
487:
484:
483:
479:
476:
473:
470:
467:
466:
462:
459:
456:
453:
450:
449:
445:
442:
439:
436:
433:
432:
428:
425:
422:
419:
416:
415:
411:
408:
405:
402:
399:
398:
395:
392:
389:
386:
383:
382:
378:
375:
372:
369:
366:
365:
361:
358:
355:
352:
349:
348:
344:
341:
338:
335:
331:
328:
327:
323:
320:
317:
314:
310:
307:
306:
302:
299:
296:
293:
290:
289:
285:
282:
279:
276:
273:
272:
267:
263:
258:Capellmeister
231:
215:
210:
206:
203:befindlichen
200:
195:
191:
185:
169:
156:
152:
146:
138:
134:
128:
123:
121:
117:
113:
112:
111:cantus firmus
107:
103:
98:
96:
95:Orgelbüchlein
92:
88:
83:
81:
77:
73:
69:
65:
61:
57:
53:
52:
51:Orgelbüchlein
43:
39:
34:
27:
19:
18035:
17999:
17913:
17906:
17883:
17871:
17864:
17846:
17627:
17618:
17557:
17548:
17535:
17526:
17518:
17510:
17509:
17325:James Kibbie
17323:recorded by
17299:
17262:
17241:
17220:
17202:
17183:
17166:
17162:
17125:
17100:
17082:
17069:
17049:
17045:
17014:
16988:
16976:
16952:
16940:
16926:
16912:
16900:the original
16887:
16881:
16866:the original
16847:
16830:
16826:
16801:
16791:Helen Hewitt
16788:
16772:
16766:
16750:
16732:
16708:
16704:
16686:
16677:
16659:
16638:
16621:
16617:
16613:
16601:. Retrieved
16579:Stinson 1999
16574:
16552:Stinson 1999
16547:
16535:
16523:
16504:
16492:
16485:Stinson 1999
16480:
16468:
16463:, p. 10
16461:Benitez 1987
16456:
16449:Stinson 1999
16444:
16432:
16425:Stinson 1999
16420:
16409:
16397:
16390:Stinson 1999
16385:
16373:
16366:Stinson 1999
16361:
16349:
16342:Stinson 1999
16337:
16325:
16318:Renwick 1995
16313:
16301:
16285:
16273:
16266:Stinson 1999
16261:
16249:
16237:
16225:
16214:
16208:Renwick 2006
16176:
16170:
16164:
16153:
16146:Stinson 1999
16104:Stinson 2006
16100:Stinson 1999
16095:
16088:Stinson 1999
16083:
16071:
16066:, p. 88
16064:Stinson 1999
16059:
16047:
16040:Stinson 1999
16035:
16023:
16016:Stinson 1999
16011:
15999:
15994:, p. 75
15987:
15980:Benitez 1987
15975:
15968:Stinson 1999
15963:
15951:
15919:. Retrieved
15900:
15893:
15886:Stinson 1999
15881:
15869:
15857:
15850:Stinson 1999
15845:
15833:
15811:
15797:Stinson 2003
15792:
15780:
15757:
15741:
15720:
15713:Stinson 1999
15708:
15696:
15684:
15621:René Saorgin
15612:Sorø Academy
15610:, organ in
15592:, organs of
15457:
15376:
15283:Arthur Bliss
15228:, orchestra
15226:Vittorio Gui
15203:, 1916–1926
15196:, orchestra
15158:BWV 599-644
15045:
15043:
15029:
15017:
15013:
14999:
14990:
14962:
14954:
14950:
14948:
14939:Marienkirche
14919:
14914:
14909:
14904:
14899:
14894:
14886:
14881:
14876:
14871:
14866:
14861:
14795:
14792:
14788:Memento Mori
14771:
14762:
14722:
14721:
14718:
14711:
14691:
14678:
14673:
14668:
14663:
14658:
14653:
14648:
14643:
14635:
14630:
14625:
14620:
14615:
14610:
14605:
14600:
14592:
14587:
14582:
14577:
14572:
14567:
14562:
14557:
14456:
14435:
14426:
14386:
14385:
14382:
14354:
14307:
14280:
14264:
14251:
14246:
14241:
14236:
14231:
14226:
14218:
14213:
14208:
14203:
14198:
14193:
14123:
14121:
14103:
14094:
14054:
14053:
14050:
14024:
14014:
14001:
13996:
13991:
13986:
13978:
13973:
13968:
13963:
13909:
13888:
13879:
13838:
13837:
13834:
13812:
13807:
13803:
13785:
13775:
13756:
13751:
13746:
13741:
13736:
13731:
13717:erhalte mich
13682:
13680:
13655:
13646:
13606:
13605:
13602:
13593:
13564:
13553:
13540:
13535:
13530:
13525:
13520:
13515:
13510:
13505:
13500:
13446:
13440:
13427:
13418:
13377:
13376:
13373:
13336:
13333:
13294:
13281:
13276:
13271:
13266:
13261:
13256:
13251:
13199:
13196:
13189:
13170:
13161:
13121:
13120:
13117:
13101:Terry (1921)
13092:
13088:
13072:
13061:
13059:
13051:
13012:
13002:
13001:in Luther's
12998:
12980:
12975:
12970:
12965:
12960:
12955:
12950:
12945:
12937:
12932:
12927:
12922:
12917:
12912:
12907:
12902:
12824:
12803:
12794:
12754:
12753:
12750:
12743:
12721:
12719:
12710:
12680:
12667:
12662:
12657:
12652:
12647:
12642:
12634:
12629:
12624:
12619:
12614:
12609:
12539:
12521:
12512:
12472:
12471:
12468:
12457:Harvey Grace
12440:
12424:
12407:
12401:
12399:
12389:in the 1524
12386:
12368:
12363:
12358:
12353:
12348:
12340:
12335:
12330:
12325:
12320:
12312:
12307:
12302:
12297:
12292:
12210:
12208:
12183:
12174:
12134:
12133:
12130:
12110:
12105:
12100:
12095:
12090:
12085:
12040:
12034:
12016:
12007:
11966:
11965:
11962:
11953:
11944:
11904:
11899:
11898:
11895:
11888:
11884:
11878:
11871:
11852:
11850:in quavers.
11840:walking bass
11832:broken chord
11827:
11819:
11817:
11806:
11802:soprano clef
11800:hymnal with
11778:
11773:
11768:
11763:
11755:
11750:
11745:
11740:
11674:
11672:
11665:
11638:
11580:
11579:
11576:
11561:
11556:
11551:
11546:
11538:
11533:
11528:
11523:
11469:
11467:
11445:
11436:
11396:
11395:
11392:
11372:
11367:
11362:
11357:
11352:
11347:
11298:
11296:
11292:Hans Holbein
11271:
11262:
11222:
11221:
11218:
11203:
11198:
11193:
11188:
11183:
11141:
11135:
11117:
11108:
11067:
11066:
11063:
11050:
11045:
11040:
11035:
11000:
10988:Resurrection
10975:
10966:
10926:
10925:
10922:
10908:Kirieleyson.
10907:
10902:
10897:
10892:
10887:
10880:Kirieleyson.
10879:
10874:
10869:
10864:
10859:
10851:
10846:
10841:
10836:
10831:
10753:
10751:
10743:Resurrection
10720:
10711:
10671:
10670:
10667:
10653:Kyrieleison.
10652:
10647:
10642:
10637:
10632:
10590:
10588:
10576:Resurrection
10563:
10554:
10514:
10513:
10510:
10503:
10491:
10483:
10466:
10460:
10416:
10403:
10398:
10393:
10388:
10383:
10378:
10373:
10368:
10360:
10355:
10350:
10345:
10340:
10335:
10330:
10325:
10251:
10249:
10231:
10222:
10182:
10181:
10178:
10168:
10157:
10152:
10147:
10142:
10137:
10132:
10127:
10089:
10085:
10083:
10058:
10049:
10008:
10007:
10004:
9989:
9984:
9979:
9974:
9966:
9961:
9956:
9951:
9943:
9938:
9933:
9928:
9920:
9915:
9910:
9905:
9821:
9800:
9791:
9751:
9750:
9747:
9733:kreuze lange
9732:
9729:
9722:
9711:
9689:
9673:
9654:
9649:
9644:
9639:
9634:
9629:
9624:
9619:
9614:
9609:
9604:
9599:
9532:
9530:
9523:
9512:
9469:
9468:
9465:
9454:
9435:
9431:stile antico
9422:
9414:
9402:
9395:
9385:
9381:
9378:
9355:
9351:soprano clef
9327:
9322:
9317:
9312:
9307:
9299:
9294:
9289:
9284:
9279:
9211:
9209:
9190:
9181:
9123:
9122:
9119:
9104:
9099:
9094:
9089:
9084:
9079:
9074:
9069:
9061:
9055:
9050:
9045:
9040:
9035:
9030:
9025:
8951:
8940:
8938:
8920:
8911:
8870:
8869:
8866:
8851:
8843:
8838:
8833:
8787:
8785:
8763:
8754:
8713:
8712:
8709:
8694:
8686:
8681:
8676:
8671:
8666:
8661:
8656:
8602:
8596:
8575:
8564:
8521:
8520:
8517:
8497:
8492:
8483:
8476:
8471:
8466:
8461:
8456:
8451:
8446:
8438:
8433:
8424:
8417:
8412:
8407:
8402:
8397:
8392:
8387:
8293:
8272:
8263:
8223:
8222:
8219:
8204:
8199:
8194:
8189:
8184:
8179:
8130:
8124:
8118:
8093:
8084:
8044:
8043:
8040:
8022:
8009:
8004:
7999:
7994:
7989:
7984:
7979:
7974:
7969:
7964:
7959:
7954:
7949:
7944:
7939:
7934:
7859:
7857:
7847:, early 15C
7845:Christ Child
7828:
7819:
7779:
7778:
7775:
7748:
7724:natural form
7720:aeolian mode
7707:
7676:
7667:
7659:
7656:Terry (1921)
7647:
7644:
7637:
7631:
7615:
7611:
7593:
7588:
7583:
7578:
7570:
7565:
7560:
7555:
7547:
7542:
7537:
7532:
7524:
7519:
7514:
7509:
7501:
7496:
7491:
7486:
7478:
7473:
7468:
7463:
7353:
7332:
7323:
7282:
7281:
7278:
7263:
7258:
7253:
7248:
7243:
7238:
7233:
7228:
7177:
7155:
7146:
7106:
7105:
7102:
7086:
7082:
7076:
7070:
7062:
7053:
7051:
7046:
7037:
7027:
7009:
6991:
6986:
6981:
6976:
6971:
6966:
6958:
6953:
6948:
6943:
6938:
6933:
6870:Caspar Fuger
6867:
6846:
6837:
6779:
6778:
6775:
6763:
6760:chromaticism
6755:
6753:
6744:
6740:
6736:
6734:
6724:
6721:chromaticism
6711:
6707:
6703:
6693:
6691:
6684:
6659:
6651:
6649:
6630:
6602:
6597:
6592:
6587:
6579:
6574:
6569:
6564:
6491:
6487:
6473:
6463:
6461:
6454:
6445:
6404:
6403:
6400:
6389:
6381:
6367:
6354:
6350:
6348:
6307:
6301:
6295:
6282:
6277:
6272:
6267:
6262:
6257:
6252:
6247:
6242:
6234:
6229:
6224:
6219:
6214:
6209:
6204:
6199:
6194:
6110:
6104:
6089:
6080:
6040:
6039:
6036:
6029:
6021:
6013:walking bass
6007:
5981:
5968:
5963:
5958:
5953:
5945:
5940:
5935:
5930:
5872:
5847:
5838:
5798:
5797:
5794:
5787:
5779:
5775:
5771:
5763:
5759:
5753:
5715:
5673:
5668:
5663:
5658:
5653:
5648:
5643:
5635:
5630:
5625:
5620:
5615:
5610:
5605:
5597:
5592:
5587:
5582:
5577:
5572:
5567:
5559:
5554:
5549:
5544:
5539:
5534:
5529:
5409:
5407:
5386:
5377:
5337:
5336:
5333:
5321:
5317:
5315:
5309:
5290:
5285:
5280:
5275:
5267:
5262:
5257:
5252:
5198:
5196:
5171:
5162:
5122:
5121:
5118:
5100:
5092:cross motifs
5087:
5082:
5079:
5046:
5044:
5020:
5015:
5010:
5005:
4997:
4992:
4987:
4982:
4974:
4969:
4964:
4959:
4890:
4888:
4873:
4864:
4824:
4823:
4820:
4801:
4788:
4782:
4769:
4764:
4759:
4754:
4749:
4744:
4739:
4734:
4729:
4724:
4716:
4711:
4706:
4701:
4696:
4691:
4686:
4681:
4676:
4671:
4583:
4581:
4559:
4550:
4509:
4508:
4505:
4493:
4479:
4467:Kirieleyson.
4466:
4461:
4456:
4451:
4446:
4406:
4400:
4382:
4373:
4332:
4331:
4328:
4308:
4304:
4302:
4296:
4277:
4272:
4267:
4235:
4233:
4211:
4202:
4162:
4161:
4158:
4142:
4132:
4123:
4099:
4076:
4067:John Gambold
4064:
4043:
4034:
3994:
3993:
3990:
3961:
3951:
3931:
3912:
3898:
3893:
3857:
3822:
3806:
3802:'s hymn for
3797:
3792:Annunciation
3778:
3769:
3728:
3727:
3722:
3721:
3718:
3703:walking bass
3698:
3694:
3686:
3668:
3651:
3637:
3635:
3617:
3600:
3588:
3559:
3550:
3509:
3508:
3503:
3502:
3499:
3486:
3483:
3469:
3456:
3440:
3433:
3414:
3405:
3365:
3364:
3361:
3344:Terry (1921)
3333:
3317:
3310:
3306:
3299:
3277:
3271:
3226:
3224:
3205:
3136:
3130:
3117:
3107:
3090:
3059:Peter Wollny
3048:
3043:glockenspiel
3029:was organist
2999:
2981:
2975:
2959:
2952:
2936:
2918:
2899:
2881:
2863:
2831:After Meals
2815:After Meals
2799:After Meals
2783:After Meals
2440:
2250:Psalm Hymns
2234:Psalm Hymns
2218:Psalm Hymns
2202:Psalm Hymns
2186:Psalm Hymns
2170:Psalm Hymns
1905:
1143:
1057:
844:Passiontide
828:Passiontide
812:Passiontide
796:Passiontide
779:Passiontide
763:Passiontide
746:Passiontide
729:Passiontide
712:Passiontide
695:Passiontide
678:Passiontide
661:Passiontide
644:Passiontide
333:
312:
234:
213:
208:
204:
198:
193:
190:Pedal studio
189:
183:
175:
154:
143:
125:
109:
106:contrapuntal
99:
94:
84:
76:Thomasschule
55:
50:
49:
47:
26:
17991:collections
17892:discography
17824:No. 22 in B
17811:No. 18 in G
17798:No. 13 in F
17719:No. 22 in B
17706:No. 21 in B
17311:Free scores
17052:: 103–110,
16890:: 618–620,
16680:, Concordia
16624:(1): 3–21.
16509:Stinto 1999
16414:Snyder 1987
16294:Terry (1921
15982:, p. 6
15573:André Isoir
15553:Ton Koopman
15523:Discography
15485:, 2 pianos
15443:G. Schirmer
15401:, 2 pianos
13596:C.P.E. Bach
13364:harmonies.
13190:Enchiridion
12711:Vater unser
12689:composed a
11905:distinctius
11809:Holy Spirit
11798:Württemberg
11204:Hallelujah!
10471:suspensions
10467:Todesbanden
10439:semiquavers
10404:Hallelujah!
10361:Hallelujah!
9700:Whitsuntide
9407:cross motif
9393:crotchets.
9362:Reformation
9222:Good Friday
9204:Crucifixion
8780:Lamb of God
8588:Lamb of God
7736:Dorian mode
6668:Scheidemann
6656:Dorian mode
6641:antiphonary
6637:abecedarius
6480:abecedarius
6363:suspensions
6314:'s cantata
6308:Jesuslieder
6022:allzugleich
5749:pedal point
5073:; the five
3576:Lamb of God
3434:Enchiridion
3430:" from the
3259:ritornellos
3249:imitatively
1230:Visitation
1144:distinctius
254:Composed by
182:Arth einen
120:trio sonata
87:Church year
18099:Categories
17764:No. 4 in C
17751:No. 3 in C
17679:No. 7 in E
17666:No. 4 in C
17653:No. 3 in C
17560:, BWV 1128
17480:(doubtful)
17461:(doubtful)
17397:(doubtful)
17212:3890075703
16811:0945193521
16775:: 77–101,
16669:2856890113
16278:Terry 1921
16242:Emery 1938
15943:Bach motif
15785:Wolff 1991
15771:Wolff 1991
15725:Haupt 2000
15586:(Ricercar)
15584:Muri Abbey
15087:piano duet
15022:Magnificat
14987:Georg Böhm
14765:media help
14699:Georg Böhm
14429:media help
14372:Kirnberger
14097:media help
14036:Coloratura
14029:portamento
13882:media help
13780:Strasbourg
13649:media help
13567:(1624) of
13421:media help
13164:media help
13019:Hans Sachs
13007:Wittenberg
12797:media help
12727:inversions
12687:Georg Böhm
12515:media help
12369:Kyrioleis.
12341:Kyrioleis.
12313:Kyrioleis.
12281:Kyrieleis!
12263:Kyrieleis!
12245:Kyrieleis!
12177:media help
12010:media help
11947:media help
11855:Georg Böhm
11641:media help
11439:media help
11265:media help
11172:Halleluja!
11111:media help
10969:media help
10820:Kyrieleis.
10808:Halleluja,
10802:Kyrieleis.
10784:Kyrieleis.
10714:media help
10557:media help
10314:Halleluja!
10287:Halleluja!
10225:media help
10052:media help
9794:media help
9713:coloratura
9515:media help
9391:syncopated
9366:Kindermann
9184:media help
8914:media help
8757:media help
8567:media help
8266:media help
8087:media help
7822:media help
7722:of A (the
7680:coloratura
7326:media help
7173:Apocalypse
7149:media help
6840:media help
6645:St. Gallen
6448:media help
6300:'s hymnal
6083:media help
5841:media help
5380:media help
5322:Puer natus
5165:media help
4867:media help
4553:media help
4435:Kyrieleis!
4376:media help
4309:Puer natus
4205:media help
4037:media help
3772:media help
3553:media help
3408:media help
3133:Consistory
3103:Mühlhausen
3091:Bachkirche
3063:Georg Böhm
3027:Georg Böhm
1149:Pentecost
1128:Pentecost
1111:Pentecost
1095:Pentecost
1079:Pentecost
1063:Pentecost
1043:Pentecost
1026:Pentecost
1010:Pentecost
994:Pentecost
978:Ascension
962:Ascension
542:Christmas
525:Christmas
508:Christmas
491:Christmas
474:Christmas
457:Christmas
440:Christmas
423:Christmas
406:Christmas
390:Christmas
373:Christmas
163:Title page
17538:, BWV 768
16980:, Novello
16938:(1911b),
16924:(1911a),
16833:: 65–76,
16662:, Leduc,
15921:21 August
15819:Boyd 2000
15746:Rose 2008
15701:Geck 2005
15689:Anon. n.d
15534:organ in
15430:, 1943,
15132:Max Reger
15040:Reception
13912:Paul Eber
13815:held back
13581:arpeggios
13443:, BWV 639
13358:chromatic
13337:suspirans
13305:Buxtehude
13297:Sweelinck
13186:" in the
13015:Nuremberg
12722:suspirans
12204:Straubing
11828:suspirans
11689:Thuringia
11653:Pentecost
11458:Pentecost
11288:Eichstätt
9718:Buxtehude
9427:anapaests
9411:suspended
9370:Pachelbel
8933:Ecce Homo
8794:Agnus Dei
8778:with the
8599:Agnus Dei
7843:with the
7700:inversion
7634:, BWV 614
7349:St Jerome
7180:Paul Eber
7043:tablature
6712:suspirans
6687:, BWV 121
6676:de Grigny
6396:of 1736.
5864:Wildungen
5083:suspirans
5055:Pachelbel
4314:swaddling
4225:Wildungen
4143:suspirans
3971:Buxtehude
3962:suspirans
3699:suspirans
3574:with the
3487:suspirans
3316:BWV 639,
3305:BWV 599,
3298:BWV 615,
3276:BWV 611,
3268:(pauses).
3126:fughettas
3079:Buxtehude
3071:tablature
3039:Mülhausen
2441:alio modo
1906:alia modo
1032:631a/631
785:Anh. 200
684:620a/620
593:New Year
576:New Year
559:New Year
18005:♭
17962:♭
17827:♭
17814:♯
17801:♯
17767:♯
17754:♯
17722:♭
17709:♭
17682:♭
17669:♯
17656:♯
17569:Keyboard
17261:(2002),
17240:(2007),
17154:(2008),
17124:(1991),
17081:(1985),
17067:(1921),
16974:(1899),
16910:(1905),
16658:(1974),
16630:41640282
15634:See also
15477:BWV 639
15471:, piano
15463:BWV 615
15407:BWV 644
15393:BWV 633
15382:BWV 614
15353:BWV 639
15342:BWV 639
15331:BWV 605
15321:, piano
15313:BWV 622
15303:, piano
15295:BWV 614
15285:, piano
15277:BWV 622
15253:, piano
15220:BWV 614
15214:, piano
15188:BWV 622
15173:BWV 622
15155:, 1902.
15134:, piano
15123:, 1898.
15116:, piano
15102:, piano
14955:flüchtig
14364:anapaest
13819:anapaest
13798:and the
13788:Psalm 31
13362:diatonic
13089:verderbt
13021:and the
12744:quiétude
12391:hymnbook
11836:arpeggio
11140:'s hymn
10498:part of
10476:Guilmant
9824:Bohemian
9419:fermatas
7683:melismas
6730:dactylic
5744:♯
3804:Epiphany
3210:—
3095:Arnstadt
3075:Reincken
3051:Lüneburg
3000:Appendix
2982:Appendix
2960:Appendix
2937:Appendix
2919:Appendix
2900:Appendix
2882:Appendix
2864:Appendix
2767:Evening
2751:Evening
2735:Evening
2719:Evening
2703:Morning
2687:Morning
2671:Morning
2655:Morning
2639:Morning
2514:152-153
2413:146-147
2269:136-137
1964:116-117
1797:106-107
1717:100-101
1198:Trinity
1182:Trinity
1166:Trinity
205:Choralen
148:—
130:—
17943:Bourrée
17732:Book 2
17634:Book 1
17315:Mutopia
17169:: 67–74
16793:, 1967)
16589:Sources
15445:, 1949
15328:, 1932
15310:, 1932
15292:, 1932
15260:, 1928
15185:, 1915
15170:, 1915
15034:BWV 105
14951:nichtig
14719:BWV 644
14383:BWV 643
14345:BWV 197
14341:BWV 179
14337:BWV 166
14290:Walther
14051:BWV 642
13835:BWV 641
13792:BWV 106
13676:Cologne
13603:BWV 640
13589:Solaris
13374:BWV 639
13341:BWV 606
13301:Scheidt
13188:Erfurt
13118:BWV 638
13093:Schlang
13039:BWV 109
12751:BWV 637
12691:partita
12544:of the
12469:BWV 636
12131:BWV 635
11963:BWV 634
11896:BWV 633
11601:BWV 632
11577:BWV 632
11393:BWV 631
11219:BWV 630
11064:BWV 629
10923:BWV 628
10668:BWV 627
10511:BWV 626
10431:Scheidt
10179:BWV 625
10079:Cologne
10005:BWV 624
9748:BWV 623
9685:Cologne
9466:BWV 622
9459:BWV 606
9374:Fischer
9144:BWV 621
9120:BWV 621
8867:BWV 620
8710:BWV 619
8518:BWV 618
8220:BWV 617
8114:Cologne
8041:BWV 616
7776:BWV 615
7704:stretto
7614:in the
7279:BWV 614
7103:BWV 613
6800:BWV 612
6776:BWV 612
6672:Walther
6664:Scheidt
6654:in the
6401:BWV 611
6328:BWV 227
6037:BWV 610
6000:BWV 151
5994:202 by
5795:BWV 609
5739:musette
5334:BWV 608
5119:BWV 607
4821:BWV 606
4577:Cologne
4506:BWV 605
4329:BWV 604
4159:BWV 603
3991:BWV 602
3719:BWV 601
3584:Cologne
3500:BWV 600
3432:Erfurt
3362:BWV 599
3266:fermata
3239:soprano
3207:begins.
3201:Purpose
3013:History
945:Easter
928:Easter
911:Easter
894:Easter
877:Easter
860:Easter
749:31-30a
647:24-24a
630:23-23a
356:Advent
339:Advent
318:Advent
297:Advent
274:Number
262:Cöthen
199:litiren
80:Leipzig
38:Schloss
18:BWV 639
18075:Portal
17478:
17459:
17395:
17290:Part 2
17286:Part 1
17269:
17248:
17227:
17209:
17190:
17136:
17111:
17089:
17027:
17001:
16961:
16858:
16808:
16739:
16725:923787
16723:
16693:
16666:
16645:
16628:
16603:13 May
16193:921966
16191:
15946:cross.
15912:
15577:Ahrend
15536:Cappel
15258:Schott
15056:, and
15018:inanes
15002:BWV 26
14959:Weimar
14376:affekt
14333:BWV 93
14329:BWV 88
14325:BWV 84
14321:BWV 27
14317:BWV 21
13794:, the
13193:, 1524
13073:affekt
13063:affekt
13035:BWV 18
12699:BWV 90
12443:affekt
12416:BWV 77
12395:Walter
11865:: the
11693:Saxony
10492:Gewalt
10423:Bruhns
9737:Spitta
9423:cantus
9415:cantus
9403:cantus
9386:cantus
8592:Prague
7575:
7552:
7529:
7506:
7483:
7440:
7425:
7410:
7395:
7380:
7071:cantus
7063:cantus
7016:, 1645
6749:Nivers
6700:canons
6695:Adagio
6332:BWV 12
5764:jubilo
5186:, 15C
4482:BWV 64
3437:, 1524
3241:voice.
3083:Weimar
3055:Weimar
1605:92-93
1362:76-77
1359:Creed
1281:70-71
1169:62-63
1013:52-53
997:50-51
948:46-47
897:41-43
799:34-35
715:28-29
596:20-21
477:12-13
460:11-10
277:Title
222:Autore
212:gantz
184:Choral
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122:form.
116:canons
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17989:Mixed
17830:minor
17817:minor
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17770:minor
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17725:minor
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17685:major
17672:minor
17659:major
17611:No. 6
17604:No. 4
17597:No. 2
17386:Organ
17369:organ
17294:IMSLP
17159:(PDF)
17042:(PDF)
16869:(PDF)
16852:(PDF)
16823:(PDF)
16763:(PDF)
16721:JSTOR
16626:JSTOR
16189:JSTOR
15815:See:
15761:See:
15676:Notes
14943:Halle
14298:Krebs
13674:near
13560:Halle
13309:BuxWV
13047:BuxWV
12436:canon
12412:canon
12215:(the
11859:BuxWV
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10496:cello
10480:Dupré
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7169:Dürer
6635:, an
6368:Both
6355:Largo
6316:BuxWV
6109:hymn
5992:BuxWV
5760:dulci
5718:canon
5192:Mainz
4575:near
3582:near
3293:canon
3288:voice
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283:Page
216:wird.
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17925:Lute
17288:and
17267:ISBN
17246:ISBN
17225:ISBN
17207:ISBN
17188:ISBN
17134:ISBN
17109:ISBN
17087:ISBN
17025:ISBN
16999:ISBN
16959:ISBN
16856:ISBN
16806:ISBN
16737:ISBN
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16664:ISBN
16643:ISBN
16639:Bach
16618:Bach
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14294:Böhm
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12705:and
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10429:and
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9372:and
9202:The
6674:and
6372:and
6342:and
6002:and
5986:and
5762:and
5724:and
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5057:and
4488:and
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3507:(or
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5497:∘∘∘
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5272:∘∘∘
5229:∘∘∘
5207:.
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