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Awesome Comics

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768:(which followed a fairly regular bi-monthly publishing schedule between August 1997 and July 1998 for its first 6-issue series) was a supernatural, "Heaven vs. Hell" title, featuring the titular group. "The Coven" was made up of "Fantom (half-human vampiress); Spellcaster (white witch with owl familiar); Scratch (Catholic priest possessed by a demon); Blackmass (leader, descendant of Cain); and Phenomena (can tell when trouble's a-brewing)", and featured "a healthy mix of lightheartedness and horror". 25: 637:, Moore, according to one writer, took exception to the by-then hackneyed idea of an apocalyptic crossover, and instead "chose to frame the story around a trial, which would provide the impetus for the title. ...s super-heroes testified while a member of Youngblood was tried for murder, flashback sequences would redefine the entire company's universe". 833:
Awesome eventually collapsed for a number of reasons, in which "cause" and "effect" appear muddled and linked. Its launch and success occurred towards the tail-end of the 90s comics boom, in which speculation forced sales up artificially and unreasonably. The speculator boom was fueled in no small
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in early 1998. Despite Moore reportedly having the first 12 issues outlined and part-written prior to its launch, the title was delayed considerably, with the second issue not seeing print until six months after the first. The second issue also proved to be the final issue, although the title was
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featured at least eleven variant covers on its debut issue (see below). Concurrently, internal disputes among its partners and the abrupt departure of its primary investor hamstrung the company, while the erratic content of some comics (sometimes not including the solicited content, featuring
876:"...much of the ABC line is made up of poorly masked Awesome characters and story outlines he prepared for us... I believe I could draw direct connections to many of the ABC characters and their origins coming from pages of Awesome work we commissioned from him. In short order, 656:. In addition to the sales-boost issues labelled "#1" regularly achieve, the three issues were longer than normal though priced conventionally. However, the confusing labelling and severe publishing delays (particularly by the third issue) caused sales to falter. 557:
to breathe new life into several of Extreme/Awesome's comics and characters. Although Moore's first output for Liefeld came when Extreme was still publishing under the Image banner, the majority of his work was done under Awesome, with several issues (of
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with writer Joe Casey that ran alongside Grant Morrison and Frank Quitely's more memorable New X-Men), but most of his subsequent work has been for DC, for whom he remains under an exclusive contract, which has seen him produce work for four issues of
868:), creating and writing its entire output in much the same way he had been planning that of the Awesome Universe. Indeed, Liefeld has subsequently suggested that Moore's ABC work owed a significant amount to his work for Awesome, suggesting on 591:. Taking over initially with #41 (#49 was the first to bear the "Awesome" imprint), Moore deconstructed and reconstructed the core character (and his supporting cast) from a relatively generic superhero, into a glowing tribute to the 752:), which dealt with main character Geof Sunrise, who on his sixteenth birthday is given "access to the Kaboom Power Cycle, the mystic source of all power", and subsequently hunted by "the Nine, a group of demons". Artist 772:
s two issues told the story of Karen Quinn, an archaeologist accidentally transformed into Lionheart, a warrior "infused with a divine power tracing back to the Garden of Eden and the expulsion of Adam and Eve."
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crossover featuring almost the entire cast of the Awesome Comics universe, as part of a planned move for Moore to have free rein to redesign and overhaul the entire Awesome Universe. Given the title
821:, the ultimately melded creation managed to avoid the brunt of Marvel's suit, and both sides walked away reasonably confident of their "victory" in the case. As part of the ruling, Liefeld's 129: 4094: 793:
in 1954. Liefeld acquired the rights to this character in confusing circumstances, allegedly due in large part to a lawsuit between himself and Marvel Comics over "his" character
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Awesome's initial releases also included entirely new properties which were generally received more favorably than either the Extreme or Maximum lines had been. These included
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After acrimonious disputes with the other founding partners (not least over allegations of irregularities surrounding Liefeld's separate imprint Maximum Press), Liefeld and
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vol. 3, #1A, 1B, 1C, 1D, 1D (gold), 1E, 1F, 1G, 1H (gold), 1H (DF/1000), 1I, 1J, 1K, 1K (silver) (Feb. 1998) by Moore and Skroce (covers by Matt Banning, Churchill,
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Preview issue (#0) by Moore for a series that would not see print from Awesome. (Ultimately, and also plagued by similar delays, a couple of issues of Moore's
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and the rest I honestly don't pay much attention to. Don't have the time or interest. Simply put, there is no ABC without Supreme and the Awesome re-launch."
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part by the trend for multiple variant covers — something which the artist-led Image had a hand in, and a trend which was followed to extremes by Awesome.
740: 1903: 1109: 675:(who also appeared in the story as a character), which cleared the stage for the intended revised and revamped Awesome Universe, plotted by Moore. 801:, which had also been created by Simon and Kirby. During the early stages of the legal action, Liefeld bought the rights to Simon and Kirby's own 320:, who opted not to become a full partner) formed a partnership between their individual studios, and published their comics under the over-arcing 4080: 1557: 2708: 530:. Platinum Studios continues to play an integral part in Liefeld's comics work. (Liefeld had previously worked with Rosenberg, the founder of 1136:
Due to the vast number of alternative covers, varied publication history, etc., the below list should not be considered fully exhaustive.
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moved more towards animation and videogames and is best known now for having created the character designs for the television animations
553:. Perhaps Liefeld's best move, and the one for which Awesome's output is best known, was the decision to hire acclaimed comics writer 328:(a company chosen for its good marketing and distribution practices), while Image established itself independently. The studios were: 3957: 3784: 2752: 2462: 393:) title to be a number-one best-seller since DC and Marvel became dominant. Other Extreme titles published through Image included: 2512: 908:
has continued his post-Awesome success-story with a great deal of writing for both DC and Marvel. Notably, in 2003, he and artist
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broke from Image Comics in 1996, and became "Awesome Comics." Shortly thereafter, Liefeld found a new publisher — writer-producer
703:, the first Image title, and core title in Liefeld's various — and subsequent — imprints. Issue #1, written by Moore with art by 2024:#1A, 1B, 1B (Wizard World Special Edition), 1C, 1D (Double Trouble Edition: Blue), 1D (Double Trouble Edition: Red) (Sept. 1998) 2834: 5087: 490:). After Liefeld's departure from Image in 1996, Maximum Press began publishing some of Liefeld's Extreme` titles (including 487: 89: 3846: 61: 4103: 2530: 1602:#1A, 1A (chrome), 1B, 1C, 1D, 1E, 1F, 1G, 1H, 1I, 1J, 1K, 1 (American Entertainment exclusive) (Aug. 1997) by Loeb and 68: 3272: 2992: 2797: 2556: 1970: 482: 108: 2373:#1A (DF), 1B, 1C, 1D, 1E (Aug. 1999) by Churchill and Loeb (covers by Churchill, Rapmund, Grant, and Arthur Thibert) 2318:
vol. 2, #1A, 1B, 1C, 1C (blue foil signed), 1D, 1E (silver), 1E (gold foil, 1/50) (July 1999) by Liefeld, Loeb, and
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issues were each labeled as individual number "#1"s, and only differentiated through slightly-confusing subtitles:
599:. Featuring both comics and social commentary and both general and specific tributes to aspects of comics history, 2604: 1712:#1A, 1B, 1C, 1 (DF/2500), 1 (DF signed/500) (Nov. 1997) by Loeb and McGuinness (covers by McGuinness and Liefeld) 42: 2789: 75: 4385: 4240: 4155: 3714: 3169: 46: 2336:
vol. 2, #2A, 2A (silver), 2B (Aug. 1999) by Liefeld, Loeb, and Grant (covers by Grant, Rapmund, and Madureira)
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vol. 2, #1A, 1B, 1C, 1D, 1AY (DF), 1BY (DF/5000), 1Y (DF chrome/5000), 1Z (DF chrome 2/5000) (Jan. 1999) by
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Awesome Comics continued many of the popular Extreme series', as well as launching new titles, including
2135: 1935: 1815: 1738:#1A (gold), 1A (white) (Dec. 1997) by Liefeld, Loeb, and Moore; Churchill, Liefeld, Matsuda, and Skroce 1582: 4766: 4741: 4611: 4011: 2827: 399: 333: 4475: 2139:#0A, 0B, 0C, 0C (DF/3000), 0E (DF sketch), 0F (DF bikini), 0G (DF sketch signed/2000) (March 1999) by 4706: 4606: 4586: 4270: 4210: 3757: 3686: 3626: 1429: 984: 444:
Titles thought not to fit with the Image brand were self-published under Liefeld's separate imprint:
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Another of Awesome's bigger releases was the revival of the classic patriotic comic book character
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vol. 3, #2A, 2B (Aug. 1998) by Moore and Skroce (covers by Liefeld and Sibal, Skroce and Stucker)
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vol. 2, #2A, 2B, 2AY (DF) (March 1999) by Loeb and Churchill (covers by Churchill and Rapmund)
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became the first comic released under the Image banner, and became the first independent (non-
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title, continuing as writer until issues #25 and #26. He has also written for the TV series
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was in talks to adapt the characters for a series of films in 2018 but the deal collapsed.
264: 2004:#1A, 1B, 1T (Tour edition) (Sept. 1998) by Starlin and Platt (covers by Liefeld and Platt) 8: 4876: 4871: 4856: 4836: 4806: 4515: 4230: 4106: 4072: 4060: 4053: 4046: 3679: 3619: 3546: 3479: 3218: 3141: 3015: 2952: 2760: 2236:#1A, 1B, 1C (May 1999) by Moore and Sprouse (covers by Fraga, Liefeld, Ross, and Sprouse) 2110:
vol. 2, #4, 4AY (DF) (Dec. 1999) by Loeb and Churchill (covers by Churchill and Rapmund)
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Liefeld has occasionally solicited and sometimes published various comics under his new
4941: 4891: 4881: 4771: 4646: 4520: 4490: 4335: 4300: 4290: 4205: 4004: 3791: 3640: 3583: 3576: 3360: 3353: 2508: 1978: 1952: 1383: 1167: 4726: 1835:#1A, 1B, 1C, 1D, 1E (American Entertainment edition), 1F (Jan. 1998) by Stinsman with 1479:#56A, 56B (Feb. 1998) by Moore, Sprouse, and Veitch (covers by Sprouse and McGuinness) 5051: 5036: 5016: 4896: 4776: 4721: 4616: 4591: 4255: 4150: 4135: 4120: 4025: 3820: 3647: 3633: 3590: 3553: 3402: 3336: 3183: 3162: 2552: 2253: 1926:"Fan Appreciation Edition" (March 1998) by Loeb? and Churchill? (cover by Churchill) 1758:#1B (Dec. 1997) by Liefeld, Loeb, and Moore; Churchill, Liefeld, Matsuda, and Skroce 1696: 1685: 937: 782: 309: 2127:#1A, 1B, 1C, 1D (March 1999) by Liefeld and Fraga (covers by Liefeld, Stinsman, and 5001: 4936: 4440: 4390: 4370: 4018: 3827: 3437: 3395: 3381: 3134: 3050: 2436: 2367:
Ashcan #1 (Wizard World '99) (July 1999) by Churchill and Loeb (cover by Churchill)
2144: 1788: 1324: 1219: 1205: 1181: 1120: 881: 587: 580: 560: 527: 498: 429: 405: 149: 2348:#1A (+ DF/4000), 1B, 1C (Aug. 1999) by Moore and Skroce (covers by Ross featuring 1718:#2A, 2B, 2C (Jan. 1998) by Loeb and McGuinness (covers by McGuinness and Liefeld) 1463:#54 (Nov. 1997) by Moore, Gebbie, Sprouse, Veitch, and Morrigan (cover by Sprouse) 5006: 4866: 4851: 4801: 4696: 4691: 4671: 4666: 4485: 4445: 4420: 4405: 4400: 4265: 4160: 3894: 3764: 3310: 3288: 2884: 2739: 2534: 2516: 1034: 920: 798: 477: 450: 317: 256: 159: 1442:#52B (Sept. 1997) by Moore, Morrigan, and Gordon with Veitch (cover by Sprouse) 852:
Moore moved on from the collapse of Awesome to almost immediately start his own
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Ashcan (American Entertainment exclusive) #1, 1 (gold) (Feb. 1998) by Loeb and
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vol. 2, #3 (June 1999) by Loeb and Churchill (covers by Churchill and Rapmund)
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multiple artists, etc.) and unpredictable publishing schedule hurt sales.
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managed to confuse and defuse much of the lawsuit. Despite the derivative
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vol. 2, #3A, 3B (Dec. 1999) by Liefeld, Loeb, and Grant (covers by Grant)
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flipbook. Contains 8-page black-and-white "Glory and the Gate of Tears";
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Contains 17 pages of black-and-white Ross sketches; 6 pages of notes on
2044:#1A, 1B, 1C (Nov. 1998) by Smith and Fraga (covers by Fraga and Liefeld) 825:
was allowed to have a shield, but not to throw it like Captain America.
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Awesome/Lionheart flipbook. 24-pages of black-and-white sketches.
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series. Churchill returned briefly to Marvel, working on several
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having seen publication before Liefeld purchased the rights to
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Web en español sobre el universo de superhéroes de Rob Liefeld
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vol. 3, #1A, 1B (July 2000) by Stucker (covers by Liefeld and
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imprint (2003–2006), including several attempts to relaunch
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signed) (Oct. 1997) by Loeb and Matsuda (covers by Matsuda)
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However, the overhaul faltered from the start. The three
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and Eric Walker, who had previously worked on Awesome's
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series with writer Jeph Loeb, spinning out of the 2007
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along with several specials) as well launching a new
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subsequently retitled and relaunched a year later as
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In December 1997, Moore wrote a follow-up issue, the
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by Liefeld, Napton, and the Walker Bros. (covers by
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Moore's most lauded work for Awesome Comics was for
291: 476:, and even licensed properties such as the classic 49:. Unsourced material may be challenged and removed. 1906:, Platt, Rapmund, Skroce, Sprouse, Lary Stucker, 1660:#6 (+ DF/2000) (July 1998) by Loeb and Churchill 961:Loeb and Churchill were reunited for an issue of 733: 502:), before Awesome Entertainment came into being. 324:banner. Image's early titles were distributed by 5069: 1378:Includes a pin-up gallery featuring the work of 975:titles in 2000/2001 (most notably a relaunch of 518:— and additional financing from both John Hyde ( 1596:#2A, 2B (Oct. 1997) by Liefeld, Loeb, and Platt 1449:#52 was split into two comics, "52A" and "52B". 1080:; two issues of a semi-ongoing series entitled 1022:has produced a considerable amount of work for 1632:#4A, 4B, 4C (Jan. 1998) by Loeb and Churchill 1618:#3A, 3B, 3C (Nov. 1997) by Loeb and Churchill 1253:Contains 12-page preview of Awesome's comics: 1131: 1006:(2004), as well as working on 2007's animated 506:Leaving Image, launching Awesome Entertainment 267:at Image, and was followed by his new company 5083:Defunct comics and manga publishing companies 4088: 3951: 2828: 1375:, and Veitch (covers by Sprouse and Liefeld) 805:-esque character: Fighting American. Merging 695:Glory (character) § Alan Moore's version 252:, a company he co-founded five years prior. 2551:. Continuum International Publishing Group. 2030:#0A, 0B, 0C (Dec. 1998) (covers by Liefeld, 5093:Publishing companies disestablished in 2000 1606:(covers by Liefeld, Pollina, and Churchill) 1445:Originally intended as an "80-page Giant", 667:team. He followed this the next month with 4095: 4081: 3958: 3944: 2835: 2821: 2312:(Comic-Con special preview of 2nd series.) 2113:An 8-page story issued as the flipside to 1546:(covers by Gibbons, Liefeld, and Panosian) 127: 1552:#3A, 3B (Oct. 1997) by Moore, Churchill, 1414:, Veitch, Stephen Platt and Lary Stucker. 109:Learn how and when to remove this message 2570: 2568: 1674:vol. 3, #1 (Sept. 1997) by John Stinsman 1068:. These have included a single issue of 901:Loeb, Churchill, Matsuda, and McGuinness 2486: 2413:, and the Walker Bros. (Chad and Eric) 1496:(Alpha) #1A, 1B, 1C, 1D (June 1997) by 965:, from which they spun off 2005's solo 678: 5070: 3785:Todd McFarlane's Spawn: The Video Game 2160:Alan Moore's Awesome Universe Handbook 2057:(Jan. 1999) (front cover "Supreme" by 1530:(Omega) #2A, 2B (July 1997) by Moore, 308:, where comics creators could publish 4076: 3939: 2816: 2565: 2546: 2487:Zachary, Brandon (January 25, 2019). 2162:#1A, 1B (April 1999) by Moore, Ross, 1402:and Gordon, J. Morrigan and Rapmund, 828: 707:was released around the same time as 699:The first title to be relaunched was 2800:at the Comic Book DB (archived from 2610:at the Comic Book DB (archived from 2549:How to Read Superhero Comics and Why 1823:. Exclusive convention preview from 1684:(covers by Matsuda, McGuinness, and 1313:(A! List) Ashcan (cover by Liefeld) 776: 671:, featuring artwork by the renowned 603:received much critical praise, with 255:Awesome Comics was the successor of 47:adding citations to reliable sources 18: 3965: 1881:(covers by Matsuda and "Jon" Sibal) 1730:Fighting American Rules of the Game 1716:Fighting American Rules of the Game 1710:Fighting American Rules of the Game 312:material without having to give up 296:In 1992, seven high-profile comics 13: 2577:"The Continuity Pages: Youngblood" 2574: 2170:(2 covers by Ross in a 3:1 ratio) 2016:#3 (May 1999) by Starlin and Platt 1943:Black-and-white convention preview 1139: 14: 5104: 2778: 1940:(July 1998) by Starlin and Platt 1902:, Liefeld, McGuinness, Peterson, 1570:#1A, 1B (Jan. 1998) by Moore and 1410:and Liefeld, Sprouse and Gordon, 1316:Black-and-white preview, sketches 1026:, most notably on their flagship 627:, Liefeld asked Moore to write a 292:Extreme Studios and Maximum Press 2842: 2750: 2509:Platinum Studios: Awesome Comics 1803:(cover by Liefeld and Peterson) 1473:, and Sprouse (cover by Sprouse) 1371:#50A, 50B (June 1997) by Moore, 1274:Coven: Special Exclusive Edition 23: 2744: 2726: 2709:"Agent: America and Litigation" 2701: 2673: 2088:, Edwin Rosell, Churchill, and 847: 842: 610: 34:needs additional citations for 4386:The Library of American Comics 4241:Creative Impulse Entertainment 2785:Rob Liefeld's official website 2645: 2617: 2598: 2540: 2521: 2480: 2455: 2264:(covers by Liefeld and Smith) 2252:#3A, 3B (Nov. 1999) by Moore, 2177:; 6 pages of notes on the new 1398:and Sibal, Liefeld and Sibal, 1055: 930:, and is a writer/producer on 734:Non-Moore Awesome publications 280: 1: 2448: 2242:#2 (June 1999) by Moore and 2221:#43–48 by Maximum Press; and 2014:Fighting American Dogs of War 2008:Fighting American Dogs of War 2002:Fighting American Dogs of War 1342:#43–48 by Maximum Press; and 1240:Awesome Entertainment Preview 1100:(2000) and a single issue of 764:(both also written by Loeb). 619:Judgment Day (Awesome Comics) 567: 248:following his expulsion from 5088:Lists of comics by publisher 4932:National Comics Publications 1524:, Liefeld, and Dan Panosian) 1365:(cover by Liefeld and Sibal) 1042:and, in 2007 launched a new 1008:Teenage Mutant Ninja Turtles 488:original 1978–1979 TV series 7: 2219:Supreme: The New Adventures 1694:#2A, 2A (gold), 2B, 2JEFF ( 1556:, Liefeld, Marat Mychaels, 1340:Supreme: The New Adventures 1132:Awesome Comics bibliography 1084:(July 2003, March 2004) by 872:'s MillarWorld forum that: 271:upon its closure in 2000. 10: 5109: 4742:Dabel Brothers Productions 4612:Another Rainbow Publishing 3799:Spawn: In the Demon's Hand 2300:Flipbook with preview for 2061:; back cover "Lionheart") 1721:Flipbook with preview for 1469:#55 (Dec. 1997) by Moore, 688: 616: 578: 572: 334:Todd McFarlane Productions 284: 16:American comic book studio 4607:Anglo-American Publishing 4587:All-American Publications 4574: 4211:Black Sands Entertainment 4113: 3989: 3973: 3912: 3884: 3864: 3837: 3774: 3747: 3740: 3657: 3611: 3604: 3503: 3450: 3412: 3334: 3298: 3248: 3228: 3000: 2991: 2961: 2935: 2928: 2903: 2857: 2850: 2738:February 2, 2008, at the 2515:November 1, 2006, at the 2267:Flipbook with preview of 244:studio formed in 1997 by 236:when briefly joined with 213: 201: 193: 177: 169: 155: 145: 135: 126: 4747:David McKay Publications 4466:Seven Seas Entertainment 4411:MyFutprint Entertainment 4376:Lev Gleason Publications 3494:Summoners War: Sky Arena 2614:). Retrieved 2008-02-03. 2511:. Retrieved 2008-02-03. 2405:#1A, 1B (March 2000) by 2229:#1–6 by Awesome Comics. 2213:#1–42 were published by 1851:, Stinsman, and Rapmund) 1350:#1–6 by Awesome Comics. 1334:#1–42 were published by 958:book with Ed McGuiness. 785:, originally created by 524:Scott Mitchell Rosenberg 448:. These titles included 238:Hyperwerks Entertainment 4922:Millennium Publications 4561:Zenescope Entertainment 3875:Wanted: Weapons of Fate 3568:Batman/Spawn: War Devil 3347:The Adventures of Spawn 3273:The Dave Lizewski Years 3259:Hit-Girl & Kick-Ass 3044:The Bone Orchard Mythos 3023:The Astounding Wolf-Man 2537:. Retrieved 2008-02-03. 2396: 2048: 1774: 1756:Awesome Holiday Special 1736:Awesome Holiday Special 1574:(covers by Pollina and 1233: 912:produced the year-long 726:finally saw print from 709:Judgment Day: Aftermath 669:Judgment Day: Aftermath 663:which featured his new 661:Awesome Holiday Special 4787:Eastern Color Printing 4732:Crestwood Publications 4677:Catalan Communications 4657:Blackthorne Publishing 4476:Skybound Entertainment 4286:Dynamite Entertainment 4271:Devil's Due Publishing 3687:Todd McFarlane's Spawn 2948:Skybound Entertainment 2326:, Fraga, Liefeld, and 2191:; 3-page preview from 2187:poster by Sprouse and 1982:Ashcan (Aug. 1998) by 1568:Judgment Day Aftermath 1361:, Mark Pajarillo, and 1070:Youngblood: Bloodsport 997:Jackie Chan Adventures 898: 358:Highbrow Entertainment 5012:Strawberry Jam Comics 4917:Maple Leaf Publishing 4907:Mainline Publications 4887:Innovation Publishing 4827:Fox Feature Syndicate 4782:Dreamwave Productions 4637:Atlas/Seaboard Comics 4602:American Comics Group 4496:TidalWave Productions 4276:Drawn & Quarterly 4201:Black Eye Productions 4171:Archaia Entertainment 4104:Comic book publishers 3847:Telltale Games series 3708:Fear the Walking Dead 3086:Codename: Strykeforce 2969:America's Best Comics 2798:Awesome Entertainment 2547:Klock, Geoff (2002). 1276:#1A (red), 1A (gold) 1193:Youngblood Strikefile 1118:in 2005) and Marvel ( 874: 854:America's Best Comics 415:Youngblood Strikefile 350:Wildstorm Productions 230:Awesome Entertainment 4997:Skywald Publications 4992:Sirius Entertainment 4977:Revolutionary Comics 4902:Magazine Enterprises 4847:Gladstone Publishing 4717:ComiXology Originals 4682:Centaur Publications 4481:Slave Labor Graphics 4316:Humanoids Publishing 4251:Darby Pop Publishing 4246:Cross Infinite World 1865:Coven Fantom Special 1102:Youngblood: Imperial 744:, created by artist 605:Entertainment Weekly 526:, newly Chairman of 483:Battlestar Galactica 43:improve this article 4877:Hillman Periodicals 4872:Hillborough Studios 4837:Gemstone Publishing 4807:FantaCo Enterprises 4516:Top Cow Productions 2953:Top Cow Productions 2587:on October 25, 2007 2528:Jeph Loeb Biography 2295:Coven: Dark Origins 2289:Supreme: The Return 2283:Supreme: The Return 2277:Supreme: The Return 2250:Supreme: The Return 2240:Supreme: The Return 2234:Supreme: The Return 2227:Supreme: The Return 2204:Supreme: The Return 2055:Awesome Preview '99 1938:Dogs of War Preview 1825:San Diego Comic-Con 1564:(covers by Gibbons) 1348:Supreme: The Return 1161:Badrock and Company 1082:Youngblood: Genesis 756:created two series— 691:Youngblood (comics) 549:by Loeb and artist 342:Top Cow Productions 123: 5017:Street & Smith 4942:New Reliable Press 4892:Kitchen Sink Press 4882:Holyoke Publishing 4772:Double Take Comics 4647:Azteca Productions 4521:Udon Entertainment 4491:Sunday Press Books 4336:Iron Circus Comics 4301:First Second Books 4291:Eureka Productions 4206:Black Mask Studios 4156:Alternative Comics 3792:Spawn: The Eternal 3731:Witchblade (anime) 3584:WildC.A.T.s/Aliens 3577:Spawn/WildC.A.T.S. 3361:Curse of the Spawn 3149:Invisible Republic 2790:Continuity Pages: 2533:2008-05-17 at the 2346:Awesome Adventures 2322:(covers by Grant, 2246:(cover by Liefeld) 1990:Six-String Samurai 1979:Six-String Samurai 1953:Jada Pinkett Smith 1534:, Liefeld, Platt, 1436:(cover by Sprouse) 1357:#49 (May 1997) by 1052:crossover series. 829:Awesome's collapse 714:Awesome Adventures 379:Extreme Studios's 304:to form their own 240:) was an American 234:Awesome-Hyperwerks 121: 5065: 5064: 5052:Warren Publishing 5037:Tundra Publishing 4897:Lion Forge Comics 4777:Dragon Lady Press 4722:Continuity Comics 4702:Harry "A" Chesler 4617:Ape Entertainment 4592:AfterShock Comics 4256:Dark Horse Comics 4151:Alias Enterprises 4136:Action Lab Comics 4121:Aardvark-Vanaheim 4070: 4069: 3933: 3932: 3908: 3907: 3904: 3903: 3821:Spawn: Armageddon 3694:The Savage Dragon 3600: 3599: 3591:WildC.A.T.s/X-Men 3446: 3445: 2987: 2986: 2924: 2923: 2733:MillarWorld Forum 2409:, Robert Napton, 1936:Fighting American 1929:Reprints issue #1 1816:Fighting American 1594:Fighting American 1583:Fighting American 1124:mini-series with 938:Ultimate Universe 823:Fighting American 819:Fighting American 807:Fighting American 783:Fighting American 777:Fighting American 223: 222: 119: 118: 111: 93: 5100: 5002:Sparkplug Comics 4937:Nedor Publishing 4441:Platinum Studios 4391:Mad Cave Studios 4371:Legendary Comics 4126:Abrams ComicArts 4107:in North America 4097: 4090: 4083: 4074: 4073: 3960: 3953: 3946: 3937: 3936: 3839:The Walking Dead 3828:Mortal Kombat 11 3745: 3744: 3701:The Walking Dead 3609: 3608: 3396:Shadows of Spawn 3226: 3225: 3212:The Walking Dead 3135:I Hate Fairyland 2998: 2997: 2933: 2932: 2855: 2854: 2837: 2830: 2823: 2814: 2813: 2772: 2771: 2769: 2768: 2759:. 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